#fazbear estate

[blood-and-pizza]

I love looking at people's fan designs for FNAF animatronics, even if it's something I don't do very often now. I am very passionate about character design and planning, so seeing cool-looking fanimatronics gets my brain buzzing.

I've been wanting to design more fanimatronics myself. I still need to make the final designs for my OCs Melody Pomene, Harmony Pomene, and Spring Chica.

I also want to try making more scary designs; for instance, I really want to make a FNAF animatronic band that plays death metal. I previously reblogged designs someone else made with heavy influence from Nightmarionne, and I loved it so much I want to do my own spin on that.

As far as my other FNAF-related endeavors, I actually re-wrote a huge chunk of Chapter 2 of "This Isn't The Boyfriend I Ordered," since the flow of it didn't feel very natural at first. I think I'm on the right track now.

I'm also struggling with the Fazbear Estate fanfic I wanted to write about how Fredbear and Spring Bonnie meet each other. I'm having a hard time trying to figure out how a non-murderous Spring Bonnie would act. But don't worry, I'll figure it out!

[unclekoopus]

Real Estate - "Paper Cup" music video

Calling all FNAF fans, calling all FNAF fans! We all missed this 3 years ago and we should be ashamed!

Of course it's not official FNAF media, but come on. It is also pretty much everything I've wanted out of a Fazbear Frights or Tales From the Pizzaplex story since forever. Just a fantastic video and a dang good song.

"Party time is all the time!"

[psychedelic-charm]

Your Result:

tortured poet

you're so not like the other girls. you're so deep and brooding. and also sarcastic. and completely insufferable but in a hot way. because you're hot. not that you care about that. you're not smoking because you think it looks cool. you're smoking because we're all slowly dying anyway, so what does it matter? (if anyone happens to notice how sharp it makes your jawline look, that's on them)

@happinessismagicc @rotten-milk-and-honey @roseskull-the-2000s-vampire-loli @emo-gals-4life @blood-and-pizza

[poindexters-labratory]

Explaining FNAF: Hurricane Pt. 1: Before the Storm

Having special interests in FNAF and human nature (especially its oddities) can apparently have adverse effects on a subject. The subject being me.

(Warning, there's a lot)

I have autism, the kind where I get super invested in a niche and can never let it go for just about years on end. My niche is William Afton and his family which has been combined with my trivial knowledge of mental health, mental conditions, neurodivergence, history, storytelling, psychology, etc. to create this conglomerate clusterfuck that is the Hurricane AU.

The alternate universe at its core focuses on the father-son dynamic between Michael and his father William. There are six parts to the Afton Family arc:

Wild Cat

Before the Storm

Blood, Sweat, and Tears

Freddy Fazbear's Pizzeria

Freddy's Emporium

and Reunion

I'll infodump about Before the Storm because that's the first one I mentally created and what I have the most art of.

The lore aspect of FNAF isn't apparent at the moment, that will come later on after the characters are properly introduced with all of their flaws, quirks, positives, negatives, and before the catalyst of the whole plot kicks off, starting from 1980 and ending in 1983. This introduction/rising action section has been dubbed what it is called because Hurricane, Utah and I'm a smartass.

Everything in the Hurricane AU happens very slowly at first and when it kicks off, it shoots like a fucking rocket. It's the small details that have the biggest impact for this first section in order for the rest of the story to make sense, especially why things happen the way they do.

Let me introduce you to the family,

Michael Afton:

Oh, yeah, he's a teenager. Cocky, argumentative, confrontational, and the main character of the entire AU. Before the Storm follows him through his upper teenage years: 15 - 18 (fifteen to eighteen). This guy can fit so much resentment in him. He's also inherently kind, artistic, and stubborn in both a good way and a bad one. His mom left with his baby sister when he was thirteen (13) years old and noticeably hasn't been the same since then. Highly embarrassed of what's left of his family (especially his effeminate, odd, and immature father) plus lack of at-home attention has led to a lot of stunts. He's by no means a hateful person, but he doesn't have the ability to express his unhappiness in a proactive way.

Evan Afton:

A rambunctious elementary school kid. As Michael's kid brother, it's his duty to annoy the shit out of him, and as William's middle child, make him fear for his son's life at times. He isn't careful, so accidents happen a lot with him, see the road rash scars on face, arm, and leg. Through his section he's 7 - 10 (seven to ten) years old, and deals a lot with school, peer, and at-home stress, but he's a generally happy child. He isn't without his quirks, Evan is loud, mean, destructive, and likes to deal with his problems very physically (he's a fighter). Evan deals with night terrors every so often, has some twitches and tics, and by god does he have a temper.

Elizabeth Afton:

Lizzie is far more used to privilege and a quiet home, coming from an estate in London, living with her mother for the six (6) years of her life, but the first summer over to Utah in 1980 led to the interesting discovery that she could be loud, messy, and by her mother's terms, 'un-ladylike'. She provides an outside perspective into a household that has music constantly playing, an argument or fight always happening, and a mess somewhere. She's highly energetic, imaginative, and friendly. Michael had no problem sharing his loud and argumentative nature with her, making her a handful when she comes around.

And William Afton:

Co-owner of Fredbear's Family Diner and Fazbear Entertainment immigrated from London, William has a lot of loves: his children, Henry and his mind, creating whatever he can figure out, and rabbits to name a few. He feels everything with a fierce intensity, and he'll express the intensity. That's typically where problems arise. Especially between him and Michael. Their arguments are usually about not understanding the other. William is a troubled individual, but he does his best to make good choices, but he slips in his decision-making very often. He's chaotic, spiteful, intelligent, energetic, and kinda funny to watch per Michael and Henry's fair opinion. He's fairly young, 32 (thirty-two) years old circa 1980, and at times, acts like a child himself.

Before the Storm has a soap opera feel because the main plot hasn't started, but there's still a lot of backstories to explore and character dynamics to introduce before they're whiplashed by tragedy. The section is treated as a control for what is going to change in on-coming parts. I also just wanted something that felt good with all of the rest being angst.

A tragedy as big as losing a child can take over lives, (especially in a sudden accident) and the family in Before the Storm are the lives that it took. So, this part is an inside view into what exactly was lost.

Feel free to ask me questions; encouraged, really, I love to talk about it. A lot.

[sonicasura]

In a Transformerd RID2015 X FNAF Movie Crossover, what if Denny was somehow able to buy the animatronics from Freddy Fazbars Pizzaria?

Ether because Afton wasn't able to pay to continue paying to keep the property in his name i.e health problems,bad investments, jail, you know stuff he probably had coming.

Leaving Denny to buy Freddy and the others from an estate sale or from Larry LaRue who got them from less then savory means and who used them to leverage Denny into trading for stuff inside the scrapyard.

Denny was a big fan of Freddy Fazabares Pizzaria growing up and having the actual animatronics felt like a dream come true. Despite the dark past behind the restaurant and the mystery of the missing children he still held fond memories of the restaurant.

But when Denny brings the animatronics into the Scrapyard, he, Russel, and the other bits began noticing strange things happening.

The security tapes seemingly catching shadows of animatronics moving or disappearing in different areas, or the animatronics bring spotted in different places like someone moved them, and what's worse are the peculiar dreams that some of the team are having....about children and an omnious pizzaria.

Fixit, Slipstream, Jetstorm, and Russrl are the most concerned given that it feels like the animatronics are paying special attention to them.

With things getting even more creepy when a "Steve Raglan", who claims to be the former owner of the animatronics, keeps trying to buy them back. His instance growing more aggressive with each visit.

And a female officer who hangs around the outside of the scrapyard and who gives Denny some cryptic messages.

Denny would absolutely do this either way. It probably isn't the first item in the scrapyard with sketchy history although this one is haunted to high hell. The only reason the bots haven't pointed out the strange smell is most aren't familiar with the scent of rotting flesh. Bumblebee has as he been on Earth for years but the suits are deep cleaned enough for him not to pinpoint it.

The animatronics are more curious about this predicament. All of them know the bots aren't like them nor their human companions have a hand in their creation. The tether to William Afton also isn't that strong since the pizzeria is their deathned. A place of death holds more power than the killer.

Thus the kids feel like playing pranks and being ominous little shits. Any dreams are unintentional as the person in question just resonates too much with a certain animatronic. Chica for Grimlock, Sideswipe with Foxy, Bonnie involving Strongarm, Freddy alongside Jetstorm, Golden Freddy and Slipstream. Also those four are perfect 'playmate size' than similar temperament.

Denny's refusal would genuinely evolve from 'No' to 'Something shady is going on' considering how desperate the man is. Vanessa's appearance is also enough to have Russel suggest doing some research about the animatronics and Freddy Fazbear's Pizza. The rabbit hole they jumped into is drenched in blood.

[b-lightwalker]

Michael is Cassie’s Dad AU

Long story short, I think Michael being Cassie’s dad is neat but I think the only way it could work is if Help Wanted 2 happens before SB and Glitchtrap claims another victim. His own son, ‘cause free real estate.

Michael survives the Pizza Place fire, unfortunately for him, and he figures the only thing left for him to do now is to make sure his father didn’t come back. (And find another way to die, but one burnt bridge at a time.) He takes Helpy, salvages anything he can, and leaves. Soon after, he finds Cassie, fails to find her parents, and takes her in. It’s a reason to live, if you will. Oh, and Helpy’s kind of her brother now.

The Pizzaplex opens and Michael tries to get a job as the nightguard but it’s already taken (somehow) so he gets a job as a technician. Soon after, Fazbear Entertainment starts making Help Wanted 2, and Michael signs up as a game tester. He has the time of his life reliving SL and surprise, surprise, Help Wanted 1 things start happening and Glitchtrap is here. (And maybe there’s another Jeremy who’s gonna slice his stomach open instead of slicing his face off, I dunno.) With William now also hijacking Michael’s mind, Michael and Vanessa start working together under William’s influence. They finish up Vanessa’s Vanny mask, Elizabeth’s new body, and the hideouts for Vanny to work in while Elizabeth carries out her act. Sometime during this, they nab Gregory and Patient 46/GGY happens or something.

I’m thinking that Michael is the one who makes the security/V.A.N.N.I. mask and Helpi system. He makes a more “tame” version that he presents to Fazbear Entertainment as something to make repairs and the like easier. They love it and use it for their Class V technicians since it’s expensive and would only really be needed for more advanced stuff. Then later, Michael gives them the V.A.N.N.I. mask and Helpi system we see in Ruin. And while the fact that it implants a chip in your head should be a red flag, Michael has yet to screw Fazbear Ent. over (to their knowledge), so they use the new design and system. (And Mike/William probably pulled a SL by answering yet dodging all the questions.) The security masks make it easier for Michael and Vanessa to cover their tracks.

For Cassie’s disastrous 11th birthday, Michael sends Gregory to keep her company. They become good friends which works for Michael and Vanessa. (I guess Gregory’s chillin’ with either Vanessa/Elizabeth, Vanny, or Michael if he’s not helping them ‘cause problems around the Pizzaplex.) Then whatever triggers SB happens and Gregory becomes a target. Princess Quest ending. Everyone’s now free to live their lives and Michael, Elizabeth, Vanessa, Gregory, and Freddy’s goals are to undo the damage done the best they can. (I am liking the thought of Michael still being under William’s control though.) Ruin happens and then everyone’s goal becomes finding Cassie.

Don’t know whether or not Cassie should be a robot child or not. I like the thought of Michael just finding her and being like, this is my life now, but I also like the thought of William having Michael create her to help in the lure and kill children thing, but then deciding not to to use her as leverage against Michael. Doesn’t take much effort to pull the ‘You’re Responsible for Your Siblings’ Deaths’ card so don’t do anything to cause this child’s death. Of course, it could work either way. If she is a robot, she may be possessed by Charlotte. Which in that case, GlamHenry. And I’m not sure about GregEvan. I like the thought of Gregory being a random child Mike and Vanessa nabbed, but I also like the thought of Evan also being forced to be a puppet for William. If these are the case, then I guess for Clara, William had Michael start building her a body so she can join the family of murderers.

[psychedelic-charm]

@radinfluenceryouth - wife of Count Boroso Jiki

@another-blues-clues-day-hooray - Green Puppy fan

@hystericalgynophobia - Obscure video game enthusiast

@blood-and-pizza - Fazbear Estate AU

@academia-lucifer - Dark academia curator

@strange-aeons - Queen of Tumblr

@the-muppet-joker - Master of the Tumblr Fake Story

@happyheidi - Cottagecore and Winnie the Pooh girlie

@ifihadaworldofmyown - Alice In Wonderland fan

@miljandeerus-06 - Picrew fanatic

@melissaduck - FNAF enthusiast

let's do a tag along game!

tag along the people who have been cheering for you!

@psychedelic-charm - midnight horror school fan

@gamegem92 - awesome designer

@t-bird510 - danganronpa artist

@rhapsodyvinastyle - horror lover

@electricsakura16 - TNBC shipper

@peteykofpenguinband - club penguin roleplayer

@blo0st4r - FHFIF fanart maker

@urlocalbowserfangirl - super mario bros redesigner

[autisticsupervillain]

It's Complete Monster Friday!

The show where we take two Pure Evil Monsters and make them kill each other!

This Week's Fighters...

Michael Myers vs William Afton!

Conditions:

Canon Composite Michael Myers vs Game Continuity William Afton.

Scenario:

Fazbear Entertainment buys the rights to the Myers estate in order to shoot a crossover movie "Springtrap vs Michael Myers". The resurrect William from hell in order to have him coach the actor playing him for authenticity. Said actor gets killed by Michael Myers mid interview and the camera crew decides to just record the resulting fight instead.

Dr. Loomis was approached to play himself. He refused.

Analysis: Michael Myers

"I met him, fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes...the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply...evil."

I can say nothing else that will better describe Michael Audrey Myers than that quote right there. Michael was, for all intents and purposes, an ordinary six year old child. Until, one Halloween night, he grabbed a butcher knife, went upstairs to his sister's bed room, and stabbed her death. Then, without saying a word, he went outside onto the front lawn and patiently waited for his parents to come home.

Michael is then sent to a mental institution where he is treated by Dr. Samuel Loomis. Loomis spent a good chunk of his life trying to reach the young boy, only to see absolutely nothing behind those eyes. Dr. Loomis discovered what all of Haddonfield soon would learn. There is no humanity in Michael Myers. There is nothing there but pure simple evil.

He would break out as an adult and spend the rest of his life tormenting the people of his home town, Laurie Strode in particular. Unfortunately for the many babysitters he would butcher, Michael Myers is far more than a simple man. He possesses blatantly superhuman strength, making him capable of lifting people of the ground with one arm. He's frequently been shown to be capable of smashing wooden doors to pieces and crushing skulls with his bare hands, as well as tossing people through the air singlehandedly.

His durability is similarly impressive, as he has repeatedly shrugged off getting run over, as well as survived getting riddled with bullets more than once, ranging from revolvers to shotguns. He's walked through high pressure fire hoses with absolutely no reaction and he's even so durable that a shovel snapped against his chest on contact. In his most impressive outing, he survived getting blown up by an oxygen leak at point blank range, albiet he collapsed shortly afterwards. This was a blast so massive that it completely obliterated the room he was standing in and nearly engulfed the whole hospital in flame.

While a lot of this is proof of Michael's inhuman resilience to pain, this becomes even more impressive when accounting for the fact that Michael doesn't even have a healing factor in some continuties. With his healing factor, Michael can regenerate from having his eyes shot out of his head, or from having corrosive acid directly injected into his veins. He's come back from having a gioutine embedded in his face and recovered instantly from having a metal pipe shoved through his torso.

Adding onto Michael's superhuman qualities is the fact that he gets stronger every time he kills someone, actively feeding on the chaos and despair he sows until he's an unstoppable force of nature. When getting an electrical cord jabbed directly into his dick barely even staggers the guy, you know you're dealing with something else entirely.

This isn't to say that Michael is some brainless brute. Unlike some of his future clones, Michael is quite cunning and manipulative at times. Firstly, he is an expert at stealth and laying down traps. He frequently sneaks around even trained police officers, seemingly outright teleporting. He's also infamous for faking his own death in order to escape and ambush people later. Notably, he once crushed the voice box of a paramedic before dressing him up in his clothes in order to trick Laurie Strode into killing an innocent man.

Michael is fast enough to keep up with people sprinting even at light stroll and has once even dodged a handgun bullet at close range, reacting at subsonic speeds to do so.

Source:

Having said all that, Michael is not perfect. His healing factor does have pretty severe limits, with his most impressive healing feats either knocking him into a coma or taking up to a year to fully recover from. For example, at the end of Halloween 2, Michael barely survives being hit with an explosion that engulfed an entire hospital room in fire, a feat granting him a durability of around 401 kilojoules.

Source:

While this does showcase his monsterous durability, it also showcases his limits, as this explosion knocked him out for decades.

Though this could be argued to vary by the continuity. The Halloween films are a massive mess of tangled timelines and retcons that constantly erase each other from canon. Across all of them, however, Michael's most impressive feat is this one of him seemingly surviving an explosion that completely obliterated an old church building. An explosion that generated an energy equivalent to 284 megajoules. And even that took him out of action for three months.

Source:

Still, regardless of the continuity, Michael Myers remains one of the most dreaded slashers in cinematic history and for damn good reason.

Analysis: William Afton

Imagine it is your child's birthday. They've just turned twelve and you want to do something special for them, so you take them to their favorite place in the entire world: Freddy Fazbear's Pizza. A place for kids and grown ups alike, where they can eat all the pizza they want and watch all their favorite characters dance and sing on stage.

But then you lose track of them for a minute. A stranger lures them into some forgotten backroom, and you never see them again. Imagine never knowing what happened to them, where they went, whether they're even alive. Imagine all the pain of a family broken family, the Agony of a dead child whose body is never found, multiplied by ever Fazbear and Fredbear and Sister Location that's ever been built since the 80s. Decades of disappearances, a mountain of broken lives, and hundreds of children who never got to have a childhood.

William Afton is the physical embodiment of that Agony. Metaphorically and eventually, very literally.

William Afton was once a humble restaurant owner and gadgeteer genius who co-founded Fredbear's Family Diner alongside his best friend Henry Emily. The franchise found modest success in the early 1980s in the state of Hurricane, Utah, but it all came crashing down when William's oldest son, Michael, inadvertently murdered his youngest son, (presumably named) Evan. It's... debatable how William reacted to this. Some say his actions thereafter were inspired by desperate grief. Others say he was driven by nothing but pure scientific curiosity. Regardless, William found himself... inspired by his youngest child's death... and the Fazbear franchise chain would never be the same after that...

William would vow to "put (his son) back together" and begin studying the supernatural substance known as Remnant. Think of it as a mixture of your soul and the memories people had of you when you were alive. William even went so far as to believe Remnant could be used to achive immortality. To the end of studying this substance, William would invent his new Funtime line of sentient animatronics and loan them out to locations all over the country, secretly programming them to abduct and murder children when no one was around so he could study the Remnant they produced. Tellingly, when his own daughter was killed by his creations, William left her soul to haunt his animatronics, leaving her behind to be tortured by his employees with "controlled shocks". If William ever did have a sympathetic motive, it was swiftly slipping in his quest for immortality.

Law enforcement would catch up to William once he started to do the dirty work himself, but he was able to hide the evidence and bodies well enough that he couldn't be convicted, so the ghosts of his victims would do the job for them. William would his in his old Spring Bonnie suit to escape his pursuers, the same outfit that he used to lure children away, which would then crush him to death within its spring lock mechanisms. From there, William would return as the undead monstrosity Springtrap, always coming back to slaughter children anew.

Even when he was alive, William Afton was a living nightmare. He was smart enough to build sentient child killing robots in the 1980s and cunning enough to get away with his crimes and escape legal retribution. Even when he was alive, William could rip the possessed Fazbear animatronics apart with his bare hands.

Moreover, William has spent years studying the ethereal substance of Remnant in order to understand its effects. With it, he could create illusion disks, devices that could allow him to create hallucinations. In life, he was able to use the device to make a girl hallucinate the death of her pet dog in a video game she's playing and in death, William can freely use his Remnant to create the illusory Phantom Animatronics, which are even powerful enough to tamper with machinery. Some of his illusions are so powerful that they've successfully tricked children into growing old and dying within his laboratory because they were convinced there was no escape, unaware that they weren't in their own homes anymore and that they weren't kids anymore. This is revealed to be the actual premise for the main gameplay of FNAF 4 as revealed in the Tales of the Pizzaplex books. Remnant even allows Michael Afton to regenerate from having all of his organs ripped out and being worn as a rotting skin suit.

While Remnant creatures don't reach the awe inspiring levels of power that they do in the book continuities or in FNAF World, William is still comparable, if not blatantly superior to several blatantly superhuman animatronics. Any one of Freddy and his friends can crush a human's skill in a Fazbear suit with ease. For example, Montgomery Gator is strong enough to catch a giant bucket landing on top of him before the walkway below him gave way, a 96 Megajoule feat.

William himself can even travel from one end of Fazbear's Fright to another in a literally blink of an eye, a feat that at it's fastest allows William to move at 1011 m/s.

William can further amplify these abilities with the Animstealth Module and the MODs available to animatronic delivered by the Special Delivery app. He can turn himself invisible, in which state he is invulnerable to electric shocks, an EM Booster to disrupt nearby electronics, and Hydrostatic Boosters that can amplify his speed by as much as 666%. Applying this to his baseline speed, and William can run at speeds up to Mach 21.

Moreover, he just doesn't stay dead. He will always come back, right when you think this franchise is finally ending.

William Afton is the grandfather of all mascot horror monsters to follow, a child murderer who always comes back, and a nightmare to parents everywhere.

Keep a close eye on your children next time you take them to their favorite restaurant. You might not ever see them again.

Throwdown Breakdown:

Alright, some clarifiers. For this matchup, I deliberately excluded anything that can be attributed to Glitchtrap or Burntrap, as it's not yet clear whether or not those characters are William or The Mimic.

That said, I don't think those character's abilities would change the verdict at any rate.

On Michael's side of things, he is considerably stronger (284 Megajoules vs 96) and more experienced. While William was the undead abomination called Springtrap for over 30 years in the games, he spent most of that time walled up in the backroom not doing anything, whereas Michael has been terrorizing Haddonfield for years depending on the continuity.

That's about all I can give him however. For as large as the strength gap is between them, the speed gap is even larger. William is already faster at a baseline (35.2172877628 m/s vs 1101 m/s), but throw in his speed amping mods and Michael is simply never catching up with him. Michael can dodge bullets, William can outrun fighter jets. Michael's teleportation can make up for this to an extent, but William's array of superior abilities counter him out.

Invisibility, mixed with the speed gap, makes tracking William down with teleportation nigh impossible, as William could feasibly disappear to anywhere in the building once Michael starts getting tough to handle directly. Especially when William can endure a lot more punishment than Michael can. Michael Afton regrowing all his missing internal organs is more impressive than any regeneration feat we've seen from Michael Myers and it happened much faster than Myers worst hits, which can take him weeks or months to recover from. Since William shares thr same Remnant powers as his son and is stronger than him (William can one-shot Michael Afton in any game in the series), he should be capable of replicating his regeneration.

While I do think Myers figuring out William's weakness to fire is possible, he's not exactly well equipped to take advantage of it. I must've missed the Halloween movie where Michael breathes fire. His best course would be to burn the house down on top of Afton, but that's still no guarantee. William survived Fazbear Frights burning down on him just fine and he's fast enough to just get out of the house before Michael can trap him. And if Michael is smart enough to piece together William's weaknesses, William can do it back in turn. He's been studying the supernatural for years before he even died and running a few successful businesses on top of that, whereas Michael largely has the mind of a child still. I could see William turning Michael burning the building down around on him by confusing him and keeping him trapped with illusions as it comes down on his head.

Overall, while Michael Myers is an experienced, powerful, and unstoppable slasher, William has the speed, versatility, and intelligence needed to make sure only one of them comes back from this fight.

This Throwdown's Winner is...

William Afton!

[acemarkey]

not to copy otsu but this was funny. fnaf movie moments

everyone screaming "shaggy rogers!1!1!!" at several points

every single time freddy was on screen we pointed and covered our mouths

"MATPAT!!!!!!" (despair)

"CORYXKENSHIN!!!!!" (estatic)

sing-along for the credits song. everyone sang.

"GOOD RIDDANCE NO MORE WOMEN" at That One Vanessa Part

cheering when the movie ended (everyone clapped)

calling golden freddy sans fazbear

cheering every single time a new animatronic showed up

going "is it freddy time? fuck. Freddy time? FUCK" before the movie started

"among us" every time the vents were shown

"ASS!!! ASS!!!" when mike was passed out at the end fight

and most importantly,

(rat crawling across screen) "kie (pointing at me) "ME!!! (slamming hand over chest)

[fnafagainstmodernfnaf]

50 MORE CENTS, BAYBEEEE

You dare bet on my misery? Am I but entertainment to you? You are but a mere hammerhead worm shadowed by my presents.

I will have you know that I am rapidly approaching your location. I am in the golden Freddy fazmobile zooming my Freddy Fazballs all the way to your residence to pull a “ballon boy” and sniff out your 50 pennys.

This is the third time I have succumb to your meaningless “bets”. I hope you know that I am but a mere foot away from your window. Look out, what do you see?

Nothing. Nothing is there.

Little did you know I’m not anywhere near your estate, yet you looked out your window. At least, it perked your interest.

Are you scared? You should be. I will squish you between my Freddy Fazballs. One day, I will get my revenge.

-Mod Golden Freddy Fazbear💛🎩

[psychedelic-charm]

@melissaduck, will you forward this letter to the Fazbear Estate? 😉

Dear Pizzaplex Pals,

As snowflakes dance outside our windows and the holiday spirit fills the air, we wanted to extend our warmest wishes to all our fantastic friends at the Mega Pizzaplex!

This season, as we celebrate with joy and cheer, it's the perfect time to reflect on the incredible memories we've shared. From thrilling adventures with Freddy and the gang to the delightful tastes of our favorite pizzas, this year has been filled with magic because of every one of you.

We want to express our deepest gratitude for your unwavering support and enthusiasm. Your laughter smiles, and endless fun make the Pizzaplex a place unlike any other. Thank you for being a vital part of our Pizzaplex family.

May this holiday season bring you warmth, happiness, and unforgettable moments. May your days be merry, your pizzas delicious, and your nights filled with joy and peace.

Wishing you a very Merry Christmas and a Happy New Year! Let's continue creating unforgettable memories together in the coming year.

Warm regards,

SweetHoneyRose Roleplay CEO

[blood-and-pizza]

Rockstar Freddy is autistic? Tell me more 😁

He's literally autistic-coded; his A.I. functions similarly to that of an autistic human's brain. Whether it's on purpose or by accident is unknown (knowing Henry, though, it's probably a mix of both). The coins are Rockstar Freddy's special interest, hence the intense collecting and obsession.

To be honest, quite a few of the animatronics have behaviors similar to autistic symptoms. Most notably, stimming.

Another notable Freddy who's autistic-coded is Funtime Freddy. His special interest, shocking as it may be, is anthropology... the study of humans. As much as Funtime Freddy doesn't trust most humans, he finds everything about them fascinating, from their biology, to their cultures, to their history. His excuse is that he wants to "know the enemy"...

Melissa Pomene, my self-insert in this AU, is also autistic... and so am I, for that matter. So... I sincerely hope I'm doing my fellow autistics justice as far as representation. If I'm failing in that regard, PLEASE tell me what I can do to fix it!

[fnafsbheadcanon]

One of the former Fazbear locations became a tax and loan consultancy business. The new owner bought the real estate for cheap.

Found so many old staffbots in disrepair and decided to hire a technician to repair a few. Ironically they’re pretty good at maintaining the building and filing papers.

Coolo

[yesthatssadirichardslove]

What to stream this week: '1989 (Taylor’s Version),' Emily Blunt and 'Five Nights at Freddy’s'

Taylor Swift’s “1989 (Taylor’s Version),” a Paramount+ documentary on the duo Milli Vanilli examining one of music’s biggest lip-syncing scandals and the horror movie “Five Nights at Freddy’s” are some of the new television, movies, music and games headed to a device near you

Among the offerings worth your time as selected by The Associated Press’ entertainment journalists are Julian Fellowes’ “The Gilded Age” back for a second season on HBO and Hollywood’s latest attempt to delve into the opioid crisis with the glossy “Pain Hustlers,” starring Emily Blunt, Chris Evans and Andy Garcia.

— Hollywood’s latest attempt to delve into the opioid crisis is the glossy, starry “Pain Hustlers,” starring Emily Blunt, Chris Evans and Andy Garcia. Based on a New York Times Magazine article (which then became a book) by Evan Hughes, “Pain Hustlers,” on Netflix on Friday, Oct. 27, centers on a pharmaceutical startup, Insys Therapeutics, which engaged in criminal activities like bribery and kickbacks and misleading insurers to push their addictive oral fentanyl spray called Subsys. Blunt plays a high school dropout who gets a job at the company, run by Garcia, where she excels. Directed by David Yates, “Pain Hustlers” was not generally well received by critics at its Toronto International Film Festival premiere, but Alyssa Wilkinson wrote for Vox that, though predictable, “’Pain Hustlers’ manages to be lively and moving.”

— The video game series “Five Nights at Freddy’s” is now a movie, available both in theaters and on Peacock on Friday, Oct. 27. The horror pic, from Blumhouse Productions, follows a security guard (played by “The Hunger Games’” Josh Hutcherson) who accepts a job at an old family entertainment center, Freddy Fazbear’s Pizza, where the animatronic mascots are mobile and murderous after midnight.

— Filmmaker Paul Schrader rounds out his unofficial Man in a Room trilogy (“First Reformed,” “The Card Counter”) with “Master Gardener,” arriving on Hulu on Thursday. Joel Edgerton plays a horticulturist named Narvel who works on the large estate of a wealthy dowager (Sigourney Weaver’s Norma). Narvel harbors some secrets under his gardening jumpsuits, though, including tattoos and a past with a body count. I wrote in my review that its ideas are many and perhaps not terribly coherent, but there are pleasures in the enjoyable performances from Edgerton, Weaver and Quintessa Swindell.

— AP Film Writer Lindsey Bahr

— It was the album that fully cemented her move away from country-pop to mainstream pop superstardom. On Friday, Oct. 27, Taylor Swift will release the fourth release of the six albums Swift plans to re-record, “1989 (Taylor’s Version).” The Taylor’s Version albums, instigated by music manager Scooter Braun’s sale of her early catalog, represent Swift’s effort to control her own songs and how they’re used. Like the others in the series, Swifties can expect five previously unreleased “From the Vault” tracks written around the time of the 2014 album’s initial release, as well as the fan-favorite “New Romantics,” originally released as a Target exclusive.

— Also on Friday: Barbra Streisand and Columbia Records will release “EVERGREENS: Celebrating Six Decades on Columbia Records” and “YENTL: 40th Anniversary Deluxe Edition,” arriving a few days before the publication date of her highly anticipated memoir, “My Name is Barbra.” Unreleased tracks abound. Welcome to Streisand season.

— In preparation for his latest studio album, “Action Adventure,” the French Musician DJ Snake took crate digging to the next level: he bought 200 tapes on eBay, a collection that was recorded off the radio from a mix station in the Baltimore/D.C. area in the 1980s, and dove through his vinyl record collection for new music. (That latter is 60,000 records deep, so discovery at home is easy.) If that doesn’t speak to the producer’s dedication to evolving his craft, what could?

— A new Paramount+ documentary on the German-French R&B duo Milli Vanilli (appropriately titled, “Milli Vanilli,”) examines one of music’s biggest lip-syncing scandals — and suggests Rob Pilatus and Fab Morvan’s music producers were pulling the strings and knew more than they let on at the time.

— AP Music Writer Maria Sherman

— Apple TV+ has a new family friendly animated series from Dreamworks called “CURSES!” in time for Halloween. When a centuries-old family curse turns Alex Vanderhouven to stone, his wife, Sky, and their two kids Pandora and Russ team up to save him, break the spell, and return stolen artifacts to their owners. John Krasinski is an executive producer. Voice actors include Reid Scott (“Veep”, “The Marvelous Mrs. Maisel”), Rhea Perlman (“Cheers”), Phylicia Rashad (“The Cosby Show”) and Robert Englund ("A Nightmare on Elm Street”). “CURSES!” debuts Friday, Oct. 27 on the streamer.

— Matt Bomer (“White Collar”) and Jonathan Bailey (“Bridgerton”) co-star as two men who meet and fall in love during the 1950s McCarthy-era. Their love story stretches across the cultural and political milestones in U.S. history including the Vietnam War protests, the age of disco, drug use and nightclubs of the 1970s, and into the AIDS epidemic of the 1980s. The story is based on a novel by Thomas Mallon. “Fellow Travelers” will debut Friday, Oct. 27 on Paramount+ and on Showtime on Sunday, Oct. 29.

— Julian Fellowes’ “The Gilded Age” is back for a second season on HBO. The show features a large ensemble cast including Carrie Coon, Christine Baranski, Cynthia Nixon, Morgan Spector and Taissa Farmiga and takes place in New York during the industrialization period in the late 1800s. This time of extreme wealth and also extreme poverty became known as The Gilded Age, though is often more remembered for its extravagance. The Carnegies, Rockefellers, Vanderbilts and Morgans are prominent last names from this time period that still have relevance today. “The Gilded Age” series follows two wealthy families, one with inherited wealth and the other with new money, along with their domestic workers. Season two debuts Sunday, Oct. 29 on HBO and will stream on MAX.

— Alicia Rancilio

— In 2010, bestselling writer Alan Wake went on vacation in the Pacific Northwest and never came back. Turns out he’s been trapped all these years in “the Dark Place,” trying to maintain his sanity and write his way out of the nightmare. Enter Saga Anderson, an FBI agent investigating a series of ritual murders that she thinks might be connected to the missing novelist. That’s the setup for Alan Wake II, Remedy Entertainment’s long-awaited sequel to a game that’s become a cult favorite. If you were rattled by the David Lynch-meets-Stephen King vibe of the original, Remedy is promising to lean even further into the creepiness. The horror returns Friday, Oct. 27, on PlayStation 5/4, Xbox X/S and PC.

— Lou Kesten

[catflowerqueen]

There also seem to be some inconsistencies across shows, but I chalk that up to the fact that some (most) of them are apparently bi-mechanical due to something Golden Freddy did. That is why you have some aging and growing, and no one seemed to have any issues with the Freddies going to high school or the fact that Glamrock Freddy and Roxanne not only got legally married, but also went to a divorce attorney. Who definitely would have known they were at least partially animatronics.

And, like... Sun and Moon do get paid. Glamrock Freddy has come to the daycare a few times to talk about paychecks and he mentioned employee benefits to Earth.

And I'm pretty sure that Nexus legitimately bought that house under their old name. I feel like I recall the real estate agent mentioning that she'd sold properties to other animatronics before. Or at the very least she would have been more than aware that Nexus wasn't human and simply didn't care if it was purchased under a fake name as long as the money was good.

There also seems to be a difference between "getting fired" and "getting decommissioned," considering what happened to the pizzaplex in that one universe where Moon never existed beyond being an idea on paper... but that could also just have been Glamrock Freddy being nice and giving the duo a heads up to leave before someone came to kill them--because even though Eclipse's spell was making him hate them, that didn't mean he wanted them dead.

Then there is also the fact that the Fazbear lawyers got Lunar that apartment... but that might just be a case of Fazbear in general and their dealings are just wildly different and out of touch with reality compared to everyone else in the world--or there is basically a checks and balances system in place precisely because they do know the animatronics are sentient--sure, they might not have rights. And it is very easy to exploit them. But at the same time, if they really didn't like their situation, their sentience gives them tons of ways to work around that. And make life very miserable for Fazbear--they know all the company secrets and intel, after all. And pretty much all of them are capable of indiscriminate murder. Or premeditated murder.

Or just messing around with their plans because they can invent something better.

...Or maybe it is just that they favor the daycare family because they keep providing them with more cheap labor given how often they either spawn new AI or just outright build new siblings/kids and basically immediately set them to different tasks in the daycare.

Anyways.

My point was that either the rules are just different across grouped shows, with TSAMS and LAES leaning more toward "they do it all under fake identities" while the others lean more toward "animatronics totally have at least some rights," or else if the rules are the same it is just that animatronics who are bio-mechanical do have actual rights of some sort, if not on the same level as general human rights, and those that are purely mechanical do not and have to either do things under fake names or get one of their bio-mechanical friends to do the things for them.

...Which I could actually see as being part of the reason Moon and Monty got so close, come to think of it. Monty is way more willing to get up to shenanigans that are illegal even for humans to do, compared to someone like Glamrock Freddy who is generally more "by the books" and is often horrified by some of the stuff he is aware Monty has done. And Monty knows that Moon is both smart enough to make tons of money and very free with distributing out said money when it comes to their friends. Moon was definitely bankrolling most of Monty's antics back in the day, assuming they aren't still doing so now. So it makes sense that Monty would be willing to do the things for Moon that do require someone with at least minimal rights to be the face of, in order to keep the partnership going and the money flowing.

Can we please, PLEASE talk about animatronic rights in TSBS?

Every animatronic in this show has some form of awareness. Even the ones who aren't possessed. Sun and Moon say that one day, they spontaneously gained intelligence. Every single character, even the staffbots who are way stupider, have SOME form of sentience. Even Spaniard, who was coded by Moon, is NOTHING more than coding, has some form of feelings and sentience. He can make his own decisions, talk for himself, think for himself, even if he can't move, Spaniard is a PERSON. The animatronics are PEOPLE.

But they don't have rights! This has been bugging me for so long, to do anything legal in the show they have to use fake identities. Buying a house? Gotta pretend to be human on the paperwork. Renting a studio? Put in a human name. They joke about it, but that's genuinely awful!

The animatronics aren't just coding anymore, they can have children, build bonds with each other, think, THEY'RE JUST WEIRD HUMANS AT THIS POINT!

This has been on the back of my mind for months now, but today's episode just reminded me of it. Moon says that since Dazzle is an animatronic now, being a helper in the daycare is one of her only options. CAN WE TALK ABOUT HOW FUCKED UP THAT IS??? WHAT??? Like. Even if she wasn't possessed by a human soul, these robots have real aspirations, real GOALS, real FEELINGS. Dazzle will never grow up. She will never go to college. She will never work her first job. She'll never get married and have a family of her own one day.

And you could say that's because she's a ghost and can't age, which, sure. But it's even worse for the kids that can!

Think about FC, think about Francine. They will grow up with nothing, once they're too old for daycare they will have NOTHING, no hope of school, no hope of work, no hope of life outside unless they pretend to be human.

It's messing with my brain, HOW IS THIS A BACKGROUND DETAIL IN THE STORY???????

[autisticsupervillain]

It's Complete Monster Throwdown!

The show where we take two Pure Evil Monsters and make them kill each other!

This Week's Monsters....

Michael Myers vs William Afton!

Michael Myers:

Michael Audrey Myers begain his descent into evil by murdering his older sister for no discernible reason when he was six years old. Escaping from jail as an adult, Michael again goes on a brutal killing spree, before trying and failing to kill Laurie Strode. Returning time and again across multiple continuities, Myers commits several atrocities in each. From raping and impregnating his teenaged niece Jamie to leaving his mutilated victims strung up for future prey to find later, and even slaughtering a cult that worships him after growing bored of them. Notable instances include crushing a paramedic's voice box and dressing him up as himself to get him killed and psychologically manipulating an outcast into going on a killing spree for him while Myers is too injured, before killing him once he wears out his usefulness. Be he the result of a curse, the bogeyman himself, or even evil incarnate, Michael Myers set the heinous standard for all slasher villains to come.

William Afton

William Afton is the main antagonist of the original Five Nights at Freddy's Franchise and the harbringer of all the misery in the franchise. A heartless father even before he was a serial killer, William showed complete indifference to his oldest son Michael accidentally crushing his youngest son's skull in a horrible prank gone wrong, only taking an interest when his youngest's ghost possesses an animatronic to come back to life. Hoping to experiment on this process to gain immortality, William murders several children at numerous Freddy Fazbear locations, allowing them to possess the animatronics and murder anyone in the building when night falls. His most notable victim during this time is the daughter of his best friend and Fazbear co-founder, Henry Emily. Founding Afton Robotics and building several animatronics specifically designed to lure away and kill children, Afton rents them out to numerous fast food locations to collect more victims, including his own daughter. Afton's experiments in this time include having children tortured for years on end with hallucinations and having his undead daughter tortured with controlled shocks. When Michael tries to investigate his sister's death, Afton leaves him to be skinned alive and worn as a still living flesh suit by his animatronic creations. Finally killed by the ghosts of his victims, Afton returns as the undead animatronic abomination Springtrap, attempting to slaughter an entire restaurant full of children before being put down. Returning time and again to kill more innocents and proudly relishing his status as an undead monster, William Afton set the bar for all of the monsterous killers of the Mascot Horror genre to come.

Conditions:

Canon Composite Michael Myers vs Game Continuity William Afton.

Scenario:

Fazbear Entertainment buys the rights to the Myers estate in order to shoot a crossover movie "Springtrap vs Michael Myers". The resurrect William from hell in order to have him coach the actor playing him for authenticity. Said actor gets killed by Michael Myers mid interview and the camera crew decides to just record the resulting fight instead.

Dr. Loomis was approached to play himself. He refused.