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#fay cochran
retropopcult · 1 year
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The cast of Wings, 1994
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gatogotica · 10 months
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cheers-verse women on a spectrum of Diane-adjacent to Carla-adjacent
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carltonlassie · 7 months
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this was actually a rly funny episode
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usafphantom2 · 4 months
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Jun 1st 1964 -Jackie Cochran set new Fédération Aéronautique Internationale (FAI) World Record at Edwards AFB. She flew F-104G over 62.137 mile closed circuit, averaging 1,303.183mph
She still holds more distance and speed records than any pilot living or dead, male or female...
@CcibChris via X
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alexisgeorge24 · 8 months
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15 janvier:
Arrivé à 03h00 à Los Antiguos, je finis ma nuit en posant mon matelas dans la gare routière. À 07h00 je repars à pied vers le poste frontière argentin à 3 km. 3km plus loin je traverse le poste chilien et 9km plus tard, toujours à pied, j'arrive au village de Chile Chico. 15km sur de la route avec aucune voiture voulant me dépanner, super. Si je suis ici c'est pour aller à El Chalten de manière un peu original, à savoir en traversant le Parque Nacional Patagonia (100km, 3 jours) pour rejoindre Cochrane, puis bus jusqu'à Villa O'Higgins (la toute fin de la Caretera Austral, prolongation de la Panamerica qui commence en Alaska), puis bateau, puis 60km à pied jusqu'à destination. La partie la plus incertaine étant d'aller au parc depuis là où je me trouve. Pas de navette et personne pour partager un taxi 4x4 avec moi, je décide de camper au village et de tenter ma chance en stop le lendemain. Étant à la capitale de la cerise du pays, j'y challenge mon appareil digestif avec 1/2 kg. Explosion de saveur dans la bouche, ça faisait depuis le Pérou que je n'avais pas manger d'excellent fruit.
Bilan: 15km
16 janvier:
Je me positionne après la bifurcation vers le parc et lève le pouce aux quelques 30 voitures (surtout des pick-up) qui passeront en 3 heures. Tous me font signe qu'ils ne vont pas très loin; ce dont je ne doute pas du tout... Tant pis, ça me laisse l'occasion de méditer sur la lenteur du temps qui s'écoule, notre place dans le cosmos, la polarisation de nos sociétés, observer les fourmis, piafs, nuages, feuilles... bref, je me fais très profondement chier. Je ne sais plus quel philosophe a dit que tous les malheurs du monde viennent du fait qu'on est pas foutut de rester assis dans une piece sans rien faire. Dans ce cas je vais probablement provoquer une 3e guerre mondiale. J'abandonne le stop et achète, vaincu, un billet de bus vers Cochrane pour le lendemain, le village que je devais rejoindre en 3 jours de marche. L'après midi je me balade sur les bords du Lac General Carrera (2 fois la taille du lac Leman) et monte quelques collines de roche. Le soir je me reprends 1/2 kg de cerises, plus un ananas. Mon bide ne sera pas content le lendemain.
17 janvier:
Le trajet en bus durera 6 heures pour faire 180km, mais la Caretera Austral qui slalome dans les Andes patagoniennes me fait apprécier chaque virage. Je me dis que je peux envisager revenir ici lors de ma remontée vers Lima pour repartir vers le Nord en empruntant cette voie. Arrivé à Cochrane je prends mon billets de bus pour Villa O'Higgins, le prochain étant dans 3 jours. Très bien, je pars direct pour faire une boucle qui s'étalera sur 3 jours précisément dans le Parc Nacional Patagonia. Je ferai la partie sud de ce que je comptais initialement faire. J'entre dans le parc en contournant l'entrée et au sautant une barrière pour ne pas payer (oui j'en suis fière) et je monte vers mon 1er bivouac au bord de la Laguna El Cangrejo. Je suis absolument tout seul, il fait gris mais les rayons du soleil transpersent au loin les nuages, il pleut un peu, les oiseaux se parlent (sans se comprendre j'imagine) et je me sens bien.
Bilan: 12km, 900m d+
18 janvier:
Nuit glaciale, tout est gelé dehors et la tente est en carton. Le lac entier fume et avec le soleil qui vient tout juste de se montrer en contre jour derrière les sommets, le réveil est magique. Je monte à un col à travers une forêt, longe un plateau et me retrouve en haut de la vallée Chacabuco. Avec la hauteur je peux apercevoir plusieurs lacs verts, bleus, turquoises, noirs en terrasse sur le flanc de la montagne, je croise un groupe de guanacos (les 1ers de mon séjour), les sommets au loin sont enneigés, les nuages permettent un jeu de lumière, et je passe pas mal de temps à filmer et photographier les paysages. La marche est longue et j'arrive en fin d'après-midi à mon bivouac au bord du lac Cochrane. Il fait très beau, l'eau est cristalline turquoise, des plages bordent le lac, et je m'y baigne avec plaisir. L'eau n'est pas glaciale, peut-être 12°. En m'appretant à faire à manger je constate que la hance de ma popote est cassée et que ma bonbonne de gaz ne se vis pas au réchaud... par chance il y a un foyer pour faire du feu à 20m de mon bivouac. Je fais donc mon tout 1er feu de bois, et c'est un succès ! Par contre je dois jongler avec 2 branches pour manipuler ma popote qui n'a pas de hance.
Bilan: 31km, 600m d+
19 janvier:
La dernière partie de la boucle consiste à longer le lac Cochrane puis la rivière du même nom. Le sentier enchaîne montés et descentes avec autant de points de vue sur ces eaux parfois bleu claire, parfois turquoise, le tout dans une foret de pin dense. S'il n'y avait pas les sommets blancs au loin on pourrait oublier qu'on est en Patagonie. Arrivé au bout du sentier je fais les derniers 4km à bord d'une voiture qui s'arrête en me doublant sans que j'aie besoin de bouger un doigt, ni même le pouce. L'argentine me manque puisque je ne peux toujours pas me faire un restaurant arrivé au camping du village.
Bilan: 10km, 600m d+
20 janvier:
Le réveil est assez terrible puisque mes batteries de drone qui chargeaint dans les WC ont disparues. Sûrement volées étant donné que le chargeur lui est toujours là. Affolé je demande à qui je croise des informations, notamment au propriétaire, et je réalise que je dois y faire le deuil. Plus de souvenir aérien jusqu'à la fin du séjour. C'est dur émotionnellement mais je m'étais préparé à cette éventualité... Pour me consoler je me dis que je vais penetrer une zone avec beaucoup de vent où dans tous les cas je n'aurai pas sortie le drone. En plus je n'ai pas le temps de jouer à l'inspecteur Colombo; déjà je n'ai pas encore de "femme" pour alimenter ma réflexion mais surtout j'ai mon bus qui part pour Villa O'Higgins. La route sur la Caretera Austral est toujours sinueuse dans les vallées des Andes, on prend même un bateau pour traverser un lac et diversifier les panoramas. Arrivé à destination, soleil éclatant qui m'empêche de me reposer. Je grimpe alors au Mirador de la Bandera qui domine ce village marquant la fin de la Caretera Austral, mais aussi des lacs, sommets, glaciers, condors, etc etc, je commence à fatiguer à devoir décrire ces paysages qui sont tous uniques comme ils sont incroyables. Le soir, coucher de soleil au ciel sanglant et apero avec le couple de français que j'ai connu à Cochrane.
Bilan: 8km, 500m d+
21 janvier
La prochaine étape pour rejoindre El Chalten étant un bateau à travers le Lac O'Higgins pour le lendemain, j'ai donc le bonheur de me ballader dans cette région une journée de plus. Je vais donc jusqu'au Mirador Laguna El Toro et, OH MON DIEU, quelle surprise, un panoramas impressionnant... Sans m'en lasser, j'ai une vue sur le Lago Ciervo d'un côté et des glaciers de l'autre. De retour au village, c'est encore apero dans cet environnement au milieu des glaciers, des montagnes et de la forêt. S'ils devaient avoir un drapeau tricolore, il serait blanc, noir, vert.
Bilan: 19km, 500m d+
22 janvier:
La traversé du lac O'Higgins s'effectue dans un petit bateau pour 16 personnes. Le lac a plusieurs longues branches définissant les vallées entre les montagnes, ce qui fait penser à des fjords. Il fait beau mais si on reste à l'extérieur on se prend pas mal de flotte des vagues qui font danser le bateau comme dans un festival de techno. Arrivé à l'embarcadère du lieu-dit Candelario Mancilla, on sort administrativement du Chili en passant les frontières via la gendarmerie. 5km plus loin je laisse le groupe du bateau qui se dirige directement vers le poste frontière argentin, à 15km de marche. Moi je décide de faire une grosse boucle en passant par un autre bras du Lac O'Higgins d'où se jettent des glaciers. Arrivé au col donnant sur le point de vue attendu, j'ai une des plus belles de vue de mon séjour sur Terre. Lac bleu laiteux, mer de glace s'y jettant, chaîne de sommets couverts de gros glaciers en "rivière", ciel bleu, des condors. Je ne sais pas pourquoi les mots que je prononce en voyant tout ça ce sont des insultes. En longeant le lac, je me perds plusieurs fois à cause des sentiers faits par les vaches et des cartes sur les applications qui sont erronées. Mais la végétation n'est pas dense et lorsque je constate que j'ai totalement perdu le sentier, je fonce en ligne droite vers le bivouac que j'ai repéré sur la carte sans trop de difficultés. J'arrive à 21h15, le temps de poser la tente et de manger, il fait nuit.
Bilan: 31km, 1100m d+
23 janvier:
Dernière étape avant d'atteindre la destination tant attendue d'El Chalten. Je passe un col et me voilà en territoire géographique argentin. Points de vue incroyables sur la mer de glace mentionnée précédemment. Je longe une longue vallée à travers forêts, gués, cascades, lacs et me voilà au poste frontière argentin au bord du lac Disierto. Je longe ce lac qui borde le glacier du Cerro Vespignani et qui offre des vues inédites pour moi du fameux Fitz Roy. J'avais oublié à quel point il était impressionnant. Arrivé au bout du lac je prends une navette qui m'amène vers ce qui était dans ma mémoire le paradis, El Chalten. Vite je pose ma tente au camping et je fonce pour une bière avant de dîner au restaurant Ahonikenk, notre adresse préférée avec Jessica lorsque nous avions séjourné ici en 2020. Eh bien j'en suis très déçus... C'est cher, petite quantité (pour une référence argentine), et pas très savoureux... Je ne sais pas si c'est moi qui avait trop idéalisé le lieux, si ça s'est dégradé ou si je me suis habitué à bien mieux à travers l'Argentine. Il y a aussi énormément de monde, dont je m'étais complètement déshabitué.
Bilan: 28km, 800m d+
24 janvier:
Après une nuit partiellement réparatrice pour mes pieds, je me dis que ça serait pas mal de ne pas trop forcer les 2 prochains jours. Grasse matinée et chill au camping avant d'aller au Mirador del Condor qui offre une très belle vue sur le village, le Fitz Roy, le Cerro Torre et bien entendu, les condors qui font de la voltige au dessus de nos têtes. Le soir apero à la brasserie locale du coin (excellentes bières) et 2e tentative de restaurant, cette fois en suivant les conseils du Routard. Prix et quantité très correct mais la qualité n'est toujours pas là. Je pense qu'El Chalten est victime de son succès malheureusement. L'après midi le vent se lève et me fait craindre pour ma tente qui se tord dans tous les sens. Je la fixe et la tend comme je ne l'ai jamais fait, et elle tiendra la nuit.
25 janvier:
Repos forcé à cause de la météo. Je glande. Le camping est plein à craquer avec cette pluie et j'ai hâte de retrouver les sentiers. Pendant ma sieste, et après avoir (trop) regonflé mon matelas, celui-ci craque et 2 des 6 tubes fusionnent pour former un gros cylindre. Super, plus que 2 mois à dormir de travers sur cette bosse.
Bilan: 9km, 200m d+
26 janvier:
Je m'apprête à faire une chose pour la 1ere fois de ma vie: faire une rando pour la 2e fois de ma vie! Fitz Roy et Laguna del Torro sur 2 jours, presque le même itinéraire que celui fait avec Jessica en 2020. Je monte jusqu'au camping au pied du Fitz Roy pour y monter la tente et je continue jusqu'à la laguna de los tres. Je vois enfin de près cette aiguille gigantesque sans aucun nuage (pour la 1ere fois). En 2020 je pense que je ne réalisais pas assez à quel point ce sommet était impressionnant par sa forme et son manteau de glace. Pour rendre original cette balade j'essaie de monter au Cerro Madsen, à 600m d+ depuis le lac. Évidement je suis tout seul, pas de sentier visible hormis quelques cairns, c'est casse gueule, je dois monter par la crête, les rafales de vent avoisinent les 100km/h me forcant à me coucher tous les 100m, certaines portions doivent être escaladées, je me marie dans 6 mois, je n'ai toujours pas trouvé de photographe, je fais demi tour à 3/4 du sommet.
Sieste de retour à la tente et je fais une ballade au Mirador de Piedras Blancas, un glacier de pure glace (sans la moindre poussière) au milieu de la roche noir.
Bilan: 23km, 1400m d+
27 janvier:
Je rejoins la Laguna Torre par la Laguna Capri, toujours pour changer par rapport à 2020 où c'était via Laguna Madre et Hija. A part ce bonus c'est la même ballade. Même apothéose lorsqu'on appercoit ce glacier éclaté en icebergs à la rencontre avec le lac. Le vent me fait marcher de façon pas normal (au sens géométrique de terme, à savoir pas perpendiculaire au sol) et je me croirais dans un clip de Michael Jackson. De retour à El Chalten je passe une soirée confort.
Bilan: 25km, 400m d+
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if-you-fan-a-fire · 2 years
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“Total of Seventy-Four Cases Handled Here in Regular Police Court,” The Porcupine Advance (Timmins). June 11, 1942. Page 3, section 1. ---- One Woman Passed Out When She Was Fined for Careless Driving. Number of Liquor Charges Disposed of. Fifteen More Dog Owners Charged This Week. ---- Magistrate Atkinson presided over one of the longest courts held here for some time when he listened to hours and hours of evidence on Tuesday afternoon. A total of seventy-four cases were listed for disposition Tuesday and practically every one of them was handled during the afternoon. The court started at two o’clock and finished just before six.
Fifteen more dog owners faced charges this week and ten of them. were fined a dollar and costs for allowing their dogs to run at large. One man was the owner of four dogs and he had not purchased tags for them so he was fined four dollars and costs and told to obtain the tags in the near future. Four cases were adjourned. 
Nine motorists paid fines of a dollar and costs on charges of illegal parking while one man was remanded for a week on a charge of failing to have his name on the side of his truck. For going through a red light another man paid five and costs. 
Two motorists, Ben Chamberlain and Donald Hay, faced charges of speeding laid under the new War Measures Act Chamberlain pleaded guilty and paid a fine of ten dollars and costs while Hay as remanded for a week.
Hay was also remanded for a week on a charge of careless driving while two motorists. Lucille Desrosier and Omer Finn, paid fines of ten dollars: and costs on the same charge. Miss Desrosier pleaded not guilty to the charge but was found guilty and fined. When the magistrate fined her she dropper to the floor in a faint but was taken out of the room by one of the constables and revived.
A number of drunk charges were listed on the docket and most of them were disposed of. One man, Francis Patriquin, faced two charges, one of being drunk and the other of illegal possession of beer. He was remanded on both counts. Four men paid fines of ten dollars and costs on drunk charges while Exebe L'Heureaux paid fifty dollars and costs on a second offence drunk charge. Pearl Johnston failed to appear in court to answer a charge of second offence drunk so a bench warrant was issued for her arrest. 
Arthur Girard pleaded not guilty to supplying beer to an interdicted person but when he took the witness stand he admitted that he had purchased the beer for the girl and was convicted and fined twenty-five dollars and costs. 
A girl of 19 or 20 pleaded guilty to consuming beer while being a minor and paid ten dollars and costs. She offered the excuse that she was married and thought that if she was old enough to get married she should be allowed to drink in a beverage room, 
For having liquor in public place Jack Cochrane and Andrew P. Thomas each paid twenty-five dollars and costs. Police apprehended them near the golf course with a quart bottle partly filled with rubbing alcohol and water and a small bottle of rubbing alcohol.
For having wine in a public place Edward Journeau paid a fine of a hundred dollars and costs when he pleaded guilty, Police entered his home, which had been declared public by a court order a few months ago, and found a partly-filled bottle of wine that Journeau admitted he owned.
Two charges of vagrancy, laid by the provincial police were withdrawn Tuesday when they failed to produce any evidence. The girls were told that they could go.
An eighteen-year-old girl giving her address as 123 Main Avenue, was charged with vagrancy. She was picked up by the police wandering about the streets at an early morning hour and had no place to go and didn't have any money. She was told that her case was being remanded Tuesday so that the doctors could give her an examination. She will appear next week.
Emil Tanner faced a charge laid by Eino Tanner of failing to maintain his wife and family but was given his freedom Tuesday when the complainant failed to appear to press the charge. It was shown that Tanner was suffering from arthritis and was subject to diary spells that kept him from working
Henry Sasseville successfully defended a charge against him of assault causing actual bodily harm that was preferred by Jerry St. Onge. It was proved that 81. Onge had been under the influence of liquor when he entered Sanseville's cleaning and pressing establishment and indictations were that St. Onge had tried to fight with Sasseville. Both men were brothers-in-law.
 A charge of assault on a female against Prospere Dubeau preferred by Mrs. Adeline Davey was withdrawn by the complainant with costs. Two charges of failing to support their wives and families against two men were both withdrawn.
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mockingbirdie · 5 years
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Wings s4 e14
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aurora-daily · 2 years
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AURORA on Sounds Like A Plan podcast via Greg Cochrane, soundslikeaplanpodcast, and Fay Milton | 30.05.2022
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retropopcult · 3 years
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The cast of Wings, 1991
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mudwerks · 7 years
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The Beat Generation (1959) 
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doubleattitude · 3 years
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Radix Dance Convention, Las Vegas, NV: RESULTS
High Scores by Age:
Rookie Solo
1st: Mila Renae-’Soldier’
1st: Melina Blitz-’The Poet Creature’
2nd: Aliya Yen-’Loyal, Brave & True’
3rd: Sebastian Mancini-’Guerrerio’
4th: Dylan Reuss-’Lost Boy’
5th: Bella Mendez-’Pump’
6th: Emma Acosta-’Lip Gloss’
7th: Lexi Yeackle-’I Will Wait’
8th: Kaiya Carrillo-’Love Shack’
8th: Rylan Farrales-’Stand In The Light’
9th: Enslee Moore-’Ooh Child’
10th: Olivia Caylor-’Queen Bee’
Mini Solo
1st: Kinley Cunningham-’Glam’
2nd: Fiona Wu-’Red Dust’
3rd: Joy Line-’Broken Dreams’
3rd: Carrigan Paylor-’Orange Colored Sky’
3rd: Karyna Majeroni-’Pistolet’
3rd: Keelyn Jones-’Slowly Fading’
3rd: Fiona Sartain-’The Way You Move’
4th: Starr Castro-’Bang Bang’
4th: Peyton Szuberla-’Glacier’
4th: Addison Price-’We Will Not Give In’
5th: Madelyn Murphy-’Desierto’
5th: Roxie Onellion-’Drifting Down’
6th: Esprit Frank-’Grains’
6th: Claire Gestring-’On The Mast of Faith’
7th: Tiara Sherman-’Cielo’
7th: Jenna Le-’Matters to Me’
7th: Cerys Cogswell-’Pure Imagination’
8th: Jacob Barrow-’Shifting’
8th: Aurora Brady-’Hit The Road Jack’
8th: Cha Cha Shen-’Here I Come’
8th: Alyssa Mastroianni-’Crippled Bird’
8th: Leah Munson-’Copy Cat’
8th: Claire Hansen-’By The Roses’
8th: Peyton Nowacki-’Angels to Fly’
9th: Annabella Atkinson-’The Dutch Girl’
9th: Eden Hawkins-’Shadow’
9th: Olive O’Connell-’Live Like Legends’
9th: Ella King-’Like A River’
9th: Tatum Brady-’Fall Creek’
9th: Oliviana Mancini-’At Peace’
10th: Leighton Brandt-’Legs’
10th: Annie Carlson-’Young’
Junior Solo
1st: Kylie Kaminsky-’The Offering’
2nd: Brooke Toro-’As The Dust Settles’
2nd: Coltrane Vodicka-’Moon River’
2nd: Alita Kneeland-’Spine
2nd: Makaia Roux-’Unbound’
3rd: Alexis Mayer-’Vivid
4th: Emmy Claire Kaiden-’Eyesore’
4th: Naia Parker-’Lit’
5th: Bella Kidder-’Feeling Good’
5th: Hope Edwards-’Gravity’
5th: Lucy Cavender-’Material Girl’
5th: Isabelle Zorrilla-’Orion’
5th: Kira Chan-’Pump’
5th: Kendyl Fay-’To Build A Home’
5th: Aaliyah Dixon-’Toxic’
6th: Mackenzie Kleveno-’Lost It To Trying’
6th: Taytum Ruckle-’Perfect Lie’
6th: Anabel Alexander-’Plans We Made’
7th: Victoria Johnson-’Genius’
7th: Aedyn Bekker-’New York State of Mind’
7th: Brianna Gorksi-’Night Sky’
8th: Kendall Jundt-’Awakening’
8th:Lexi Godwin-’Debut’
8th: Casey Cheung-’I Remember’
8th: Ava Hill-’Shallow’
9th: Izzy Wadington-’Final Solution’
9th: Jovie Leigh Ugerio-’Ring Them Bells’
10th: Madison De Dios-’On My Mind’
10th: Clare Loftus-’Restless Night’
10th: Delaney Bojorquez-’Tessellate’
Teen Solo
1st: Ashur Taylor-’Relax’
2nd: Cydney Heard-’Black Mourning’
2nd: Gianna Mojonnier-’Inside Outside’
2nd: Olivia Magni-’Moonlight Sonata’
2nd: Coco Saul-’Transportin’
3rd: Jadyn Saigusa-’Wonderlust’
3rd: Emily Madden-’Vibeology’
3rd: Calli Perryman-’Still Running’
3rd: Michelle Cheng-’Sinking’
3rd: Georgia Ehrlich-’On My Mind’
3rd: Tyler Chiyuto-’Llarona’
3rd: Blanche Arnold-’How To Be Your Own Person’
3rd: Ava Lynn-’Everything’s Alright’
3rd: Addison Middleton-’Dark Dissonance’
4th: Charlotte Cogan-’You’
4th: Hailey Meyers-’Standing Still’
4th: Isiah Bowens-’Miss You’
4th: Avery Hall-’If I Think’
4th: Luke Barrett-’Eden’
4th: Emma Donnelly-’Departure’
4th: Ava Kendall-’Always On My Mind’
5th: Zuzu Duchon-’Twelfth of Never’
5th: Angelika Edejer-’Toxic Thoughts’
5th: Riley Platenberg-’Talking Points’
5th: Annabelle Mang-’One Small Step’
5th: Sabine Nehls-’No Regrets’
5th: Ella Montano-’Lonely’
5th: Natalie Bowen-’I Think I’m Alone Now’
5th: Cade Clark-’I Can’t Move’
5th: Berlynn Gonzalez-’Hero’
5th: Courtney Chiu-’Fever’
5th: Drew Rosen-’Exhalation’
5th: Rachel Polizzotto-’Entrapment’
5th: Raven Alanes-’Confusion’
5th: Mikaella Lopez-’Blues-y’
5th: Izzy Howard-’Amen’
6th: Sophia Oppegard-’You Can’t Leave’
6th: Elle O’Donnell-’Slowly’
6th: Lily Godwin-’Ode to Divorce’
6th: Aubrie Stoehr-’Now I Cry’
6th: Sofia Mah-’Life’
6th: Mia Ibach-’Koladi Ola’
6th: Piper Rovsek-’Innate Abstraction’
6th: Sakura Amano-’I Love You’
6th: Sophia Albornoz-’Even When It Hurts’
6th: Sammi Chung-’eight’
6th: Ella Sheppard-’Do You’
6th: Ally Cheung-’Cut The World’
6th: Kate Seleno-’Curtain Call’
6th: Kayla Harrison-’Crumbling’
7th: Kennedy Blazek-’Zilla’
7th: Libby Haye-’Work Song’
7th: Katelyn Neasham-’Touch’
7th: Sebastian Hsu-Kwan-’Scat’
7th: Lauren Pond-’Satellite Heart’
7th: Aleyna Laba-’Playdoh’
7th: Linda Diaz-’Paper Moon’
7th: Maya Krajicek-’Idea for Strings’
7th: Kennie Shen-’Feeling Good’
7th: Jenna Tarry-’Down The Line’
7th: Ava Thorp-’Blue Notebook’
7th: Emma Hellenkamp-’Blackbird’
7th: Felix Fulton-’A Dream I Can’t Forget’
8th: Dempsey Foxson-’Vain’
8th: Carys Ashby-’The Empress’
8th: Angelica Keamy-’Research’
8th: Melina Gurich-’Net Works’
8th: Raina Wu-’Looking In’
8th: Alexis Olson-’Just Say That’
8th: Gabi D’Ambra-’In For the Kill’
8th: Piper Camm-’Drones’
8th: Scotlynn Potter-’Cinematic Plea for an End’
8th: Ava Saremaslani-’Canvas’
9th: Maile Cochran-’Tesselate’
9th: Jera Linkins-’Put Your Records On’
9th: Kayla Seitel-’Monster’
9th: Alexis Ahn-’Brighter Days’
9th: Brayden Owens-’Tux’
10th: Addyson Smith-’Ecdysis’
10th: Presslie Novits-’Let Me Entertain You’
10th: Siena Riga-’Naked’
10th: Mandy Boaz-’Pink’
10th: Brooklyn Piano-’Solitary’
10th: Destiny Harris-’Up’
Senior Solo
1st: Alex Shulman-’In System’
1st: Ella Horan-’Silk’
2nd: Jade Bucci-’Sacrifice’
3rd: Alexis Weldner-’Release’
3rd: Jemoni Powe-’Second Thought’
4th: Brianna Sanchez-’Stolen’
4th: Charlotte Foldes-’You Forget Everything’
5th: Izzy Burton-’Gimme’
6th: Mallory McKenna-’I’m Lonely’
6th: Julian Menendez-’Note to Self’
6th: Kennedy Barry-’The Distance Between’
7th: Makaila Teagle-’Breathe Into Me’
7th: Vanessa Valenzuela-’Poem About Death’
7th: Bailey Holt-’Rose Water’
8th: Emmy Cheung-’Nostos’
8th: Alex Andrada-’Still In Love’
9th: Nina Sawaya-’All I Wanted’
9th: Lauren Polizzotto-’Distant Echos’
9th: Reese Willis-’Godspeed’
9th: Hannah Averbuck-’Got2BReal’
9th: Savannah Laughton-’Nostalgia’
10th: Izabel Hurtado-’Film Credits’
10th: Aleialanee Ponce De Leon-’Mirrored Heart’
10th: Megan Chie-’You’
Rookie Duo/Trio
1st: Studio Fusion-’Kansas City’
1st: Danceology-’Time of My Life’
2nd: Bobbie’s School of Performing Arts-’Tomorrow’
3rd: Notion Dance Concepts-’MILK $’
Mini Duo/Trio
1st: Mather Dance Company-’Respect’
2nd: Murrieta Dance Project-’Midnight Train’
3rd: Studio X-’Vogue’
3rd: Bobbie’s School of Performing Arts-’We Are’
Junior Duo/Trio
1st: Bobbie’s School of Performing Arts-’And So It Is’
2nd: Bobbie’s School of Performing Arts-’Inception’
3rd: Danceology-’Celloopa’
3rd: Evoke Dance Movement-’Everything Is In Line’
Teen Duo/Trio
1st: The Rock Center for Dance-’Make Me High’
2nd: Danceology-’Busy Signal’
3rd: Danceology-’Smile In The Rain’
Senior Duo/Trio
1st: Bobbie’s School of Performing Arts-’Refuse’
2nd: Studio Kin-’The Night We Met’
3rd: Studio Kin-’Never Love Again’
Rookie Group
1st: Danceology-’Ladies Room’
2nd: Mather Dance Company-’Fabulous’
3rd: Danceology-’Kingdom’
Mini Group
1st: Mather Dance Company-’Hot Stuff’
2nd: Danceology-’Happy’
3rd: Evoke Dance Movement-’Searching For...’
Junior Group
1st: Orange County Performing Arts Academy-’Wind It Up’
2nd: Danceology-’Give Yourself In’
2nd: The Rock Center for Dance-’Over The Edge’
3rd: Orange County Performing Arts Academy-’Sing Sing Sing’
Teen Group
1st: Danceology-’Dream of Dreaming’
2nd: The Rock Center for Dance-’Heavenly Bodies’
3rd: West Coast School of the Arts-’All Coming Back’
Senior Group
1st: Mather Dance Company-’We The Soldiers’
2nd: Mather Dance Company-’For All We Know’
3rd: Studio Fusion-’Coconut’
3rd: Academy of Nevada Ballet Theatre-’Those That Follow’
Open Group
1st: Community Dance Training-’The Place You Left’
Rookie Line
1st: The Rock Center for Dance-’Inanna’
2nd: The Rock Center for Dance-’Suite Tea’
3rd: Studio Kin-’SK Crew’
Mini Line
1st: The Rock Center for Dance-’6 Out of Six’
2nd: Motion State Studios-’Sisters’
3rd: Danceology-’Time Passing’
Junior Line
1st: The Rock Center for Dance-’All Good People’
2nd: Danceology-’Just Got Paid’
3rd: Danceology-’Backbone’
Teen Line
1st: The Rock Center for Dance-’Cadance’
1st: Danceology-’My Hands Are Always Cold’
2nd: The Rock Center for Dance-’Hey!’
3rd: The Rock Center for Dance-’Dark Winter’
3rd: Studio Kin-’Hustle’
Senior Line
1st: Mather Dance Company-’Prisoner’
1st: Mather Dance Company-’Voice of God’
2nd: Danceology-’It’s Weezy’
3rd: Bobbie’s School of Performing Arts-’I’m The Hero’
Mini Extended Line
1st: The Rock Center for Dance-’Settle Down’
2nd: Danceology-’Ballroom Blitz’
3rd: The Rock Center for Dance-’Jump Jump!’
3rd: Danceology-’Mary Poppins’
Junior Extended Line
1st: Evoke Dance Movement-’Hold Your Own’
2nd: Evoke Dance Movement-’Better Than Ever’
3rd: Evoke Dance Movement-’Purse First’
Teen Extended Line
1st: Danceology-’Not Today Satan’
2nd: Evoke Dance Movement-’Adios’
3rd: Danceology-’Cha Cha Heels’
Senior Extended Line
1st: Danceology-’Above Below’
2nd: Danceology-’Burn Up The Dance’
3rd: Danceology-’Night Thirst’
Mini Production
1st: The Rock Center for Dance-’Mambo Baby’
Junior Production
1st: Danceology-’Rich Girl’
2nd: Danceology-’Blind Faith’
3rd: Danceology-’Level Up’
High Scores by Performance Division:
Rookie Jazz
1st: Danceology-’Ladies Room’ 2nd: Mather Dance Company-’Fabulous’ 3rd: Studio Kin-’Look Out Weekend’
Rookie Ballet
1st: The Rock Center for Dance-’Suite Tea’
Rookie Hip-Hop
1st: Studio Kin-’SK Crew’
Rookie Contemporary
1st: The Rock Center for Dance-’Inanna’ 2nd: Danceology-’Kingdom’
Rookie Lyrical
1st: Notion Dance Concepts-’Firework’
Mini Jazz
1st: Motion State Studios-’Sisters’ 2nd: Mather Dance Company-’Hot Stuff’ 3rd: Danceology-’Ballroom Blitz’
Mini Ballet
1st: The Rock Center for Dance-’The Invitation’ 2nd: Danceology-’Scarf Dance’ 3rd: Danceology-’Polinaise’
Mini Hip-Hop
1st: The Rock Center for Dance-’Jump Jump!’ 2nd: Evoke Dance Movement-’Get Up’ 3rd: Studio Kin-’Pure Water’
Mini Tap
1st: Danceology-’Happy’ 2nd: Danceology-’Luck be A Lady’ 3rd: Danceology-’Word Up’
Mini Contemporary
1st: The Rock Center for Dance-’6 Out of Six’ 2nd: Evoke Dance Movement-’Searching For...’ 3rd: Danceology-’Time Passing’ 3rd: Bobbie’s School of Performing Arts-’Fading Images’
Mini Lyrical
1st: Mather Dance Company-’Roar’ 2nd: Elite Dance and Performing Arts Center-’Beautiful Thing’ 3rd: Studio Kin-’Lighthouse’
Mini Musical Theatre
1st: Danceology-’Mary Poppins’ 2nd: Studio Kin-’Mean & Green’
Mini Ballroom
1st: The Rock Center for Dance-’Mambo Baby’ 2nd: Danceology-’Favorite Things’
Mini Specialty
1st: The Rock Center for Dance-’Settle Down’ 2nd: The Rock Center for Dance-’Salient’ 3rd: Evoke Dance Movement-’I Think I Love You’
Junior Jazz
1st: Danceology-’Rich Girl’ 2nd: Evoke Dance Movement-’Purse First’ 3rd: Orange County Performing Arts Academy-’Wind It Up’
Junior Ballet
1st: The Rock Center for Dance-’Over The Edge’ 2nd: Danceology-’Paquita’ 3rd: Danceology-’Passarinjo’
Junior Hip-Hop
1st: Danceology-’Level Up’ 2nd: Evoke Dance Movement-’Lose Control’
Junior Tap
1st: Danceology-’Just Got Paid’
Junior Contemporary
1st: Danceology-’Blind Faith’ 2nd: The Rock Center for Dance-’All Good People’ 3rd: Evoke Dance Movement-’Hold Your Own’
Junior Lyrical
1st: Mather Dance Company-’Anything Worth Holding’ 2nd: Mather Dance Company-’Salvation’ 3rd: Elite Dance and Performing Arts Center-’You Will Be Found’
Junior Musical Theatre
1st: Danceology-’Black Friday Fiasco’ 2nd: Elite Dance and Performing Arts Center-’Nicest Kids In Town’
Junior Specialty
1st: Evoke Dance Movement-’Better Than Ever’ 2nd: Danceology-’Backbone’ 2nd: Danceology-’Give Yourself In’ 3rd: Orange County Performing Arts Academy-’Sing Sing Sing’
Teen Jazz
1st: The Rock Center for Dance-’Shadow Work’ 1st: Orange County Performing Arts Academy-’Boom Pow’ 2nd: Bobbie’s School of Performing Arts-’Feeling Super Down’ 3rd: Murrieta Dance Project-’Sweet Melody’
Teen Ballet
1st: The Rock Center for Dance-’Dark Winter’
Teen Hip-Hop
1st: Studio Kin-’Hustle’ 2nd: Evoke Dance Movement-’Diva’ 3rd: Studio Kin-’All That Matters’
Teen Tap
1st: Danceology-’Mr. Blue Sky’
Teen Contemporary
1st: Danceology-’My Hands Are Always Cold’ 2nd: The Rock Center for Dance-’Hey!’ 3rd: The Rock Center for Dance-’Heavenly Bodies’
Teen Lyrical
1st: West Coast School of the Arts-’All Coming Back’ 2nd: Mather Dance Company-’Overdose’ 3rd: Mather Dance Company-’Out of Hiding’
Teen Musical Theatre
1st: Danceology-’Not Today Satan’ 2nd: Evoke Dance Movement-’Singular Sensation’ 3rd: Elite Dance and Performing Arts Center-’Footloose’
Teen Ballroom
1st: Danceology-’Cha Cha Heels’ 2nd: The Rock Center for Dance-’Movimento’
Teen Specialty
1st: The Rock Center for Dance-’Cadance’ 2nd: Danceology-’Dream of Dreaming’ 3rd: Danceology-’Passage’
Senior Jazz
1st: Mather Dance Company-’Prisoner’ 2nd: Danceology-’Night Thirst’ 3rd: West Coast School of the Arts-’How Come U Don’t Call Me Anymore?’
Senior Hip-Hop
1st: Danceology-’It’s Weezy’
Senior Contemporary
1st: Mather Dance Company-’We The Soldiers’ 2nd: Academy of Nevada Ballet Theatre-’Those That Follow’ 3rd: Danceology-’Above Below’ 3rd: Studio Fusion-’Weight of Silence’
Senior Lyrical
1st: Mather Dance Company-’Voice of God’ 2nd: Mather Dance Company-’For All We Know’
Senior Specialty
1st: Studio Fusion-’Coconut’ 2nd: Evoke Dance Movement-’Terrified’
Senior Ballroom
1st: Danceology-’Burn Up The Dance’
Best of Radix:
Rookie
The Rock Center for Dance-’Inanna’
Danceology-’Ladies Room’
Mather Dance Company-’Fabulous’
Studio Kin-’SK Crew’
Notion Dance Concepts-’Firework’
Mini
The Rock Center for Dance-’6 Out of Six’
Bobbie’s School of Performing Arts-’Fading Images’
Evoke Dance Movement-’Searching For...’
Danceology-’Happy’
Mather Dance Company-’Hot Stuff’
Motion State Studios-’Sisters’
Junior
Evoke Dance Movement-’Hold Your Own’
The Rock Center for Dance-’All Good People’
Danceology-’Rich Girl’
Orange County Performing Arts Academy-’Wind It Up’
Mather Dance Company-’Anything Worth Holding’
Bobbie’s School of Performing Arts-’Hey Hi Hello’
Motion State Studios-’Always, Forever’
 Murrieta Dance Project-’Luminous’
Teen
Academy of Nevada Ballet Theater-’The Great Realization’
Danceology-’Not Today Satan’
The Rock Center for Dance-’Hey!’
West Coast School of the Arts-’All Coming Back’
Bobbie’s School of Performing Arts-’The Need for One Another’
Studio Kin-’Hustle’
Murrieta Dance Project-’Memories’
Elite Dance and Performing Arts Center-’Change’
Mather Dance Company-’Overdose’
Orange County Performing Arts Academy-’No Ordinary Love’
Evoke Dance Movement-’Adios’
Senior
Mather Dance Company-’We The Soldiers’
Evoke Dance Movement-’Terrified’
Murrieta Dance Project-’Echos’
Bobbie’s School of Performing Arts-’I’m The Hero’
Danceology-’Above Below’
Academy of Nevada Ballet Theatre-’Those That Follow’
Studio Fusion-’Coconut’
West Coast School of the Arts-’How Come U Don’t Call Me Anymore?’
Studio Standout:
Studio Kin-’Hustle’
Mather Dance Company-’We The Soldiers’
Evoke Dance Movement-’Adios’
Elite Dance and Performing Arts Center-’Change’
Danceology-’Not Today Satan’
Bobbie’s School of Performing Arts-’I’m The Hero’
The Rock Center for Dance-’Hey!’
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usafphantom2 · 1 year
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7 September 1961. Jackie Cochran flew T-38A-30-NO Talon, 60-0551, to a FAI World Record for Speed Over a Closed Circuit of 500 km from Edwards Air Force Base, California to Beatty, Nevada, Lone Pine, California, and back to Edwards at an average speed of 680.749 mph.
@ron_eisele via X
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perfettamentechic · 2 years
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16 aprile … ricordiamo …
16 aprile … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2021: Helen McCrory, attrice britannica. McCrory è stata sposata con l’attore Damian Lewis. (n. 1968) 2019: Fay McKenzie, Eunice Fay McKenzie, attrice e cantante statunitense. Figlia degli attori Eva McKenzie e Bob McKenzie. E’ stata sposata anche con Steve Cochran. Madre dell’attore Tom Waldman Jr. e della scrittrice Madora McKenzie. Suo cognato era l’attore e comico Billy Gilbert. (n.…
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fuckyeaharthuriana · 4 years
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As a sequel of this post where I wrote down my fav tv/movie adaptations of arthurian characters, here i am with books!
Because these are novels, I could add some more characters so I put them in vague alphabetical order.
BOOKS
Agravaine: The road to Avalon (Wolf)
Arthur: Sword at Sunset (Sutcliff), Firelord (Godwin), The Great Captains (Treece)
Bedivere: definitely Culhwch and Olwen, then The Night Dance (Weyn), The Pendragon (Catherine Christian). Bernard Cornwell’s arthurian series also has a Bedivere-like character as the protagonist.
Galahad: The Forever King trilogy (Cochran), at least the first two novels, and Blessed Bastard (Lehmann)  
Gawain: the first volume of Down the long wind (Bradshaw)
Guinevere: Guinevere trilogy (Persia Woolley)
Igraine: the first volumes of the Arthor series by Attanasio
Kay: Exiled from Camelot (Baldry), Idylls of the Queen (Karr)
Lancelot: Lancelot (Gwen Rowley), Lancelot (Vansittart), The Once and Future King (White), and I have heard amazing things about Giles’ new Lancelot book (recently bought so I will read it soon!)
Lynette: The Squire’s Tales series (Gerald Morris)
Merlin: Mary Stewart’s Merlin trilogy, 
Mordred: Idylls of the Queen (Karr), The winter prince (Wein), The Great Captains (Treece), Guinevere trilogy (Persia Woolley), The Book of Mordred (Velde), Mordred Manuscript (Lacy)
Morgana: Morgana (Michel Rio), Idylls of the Queen (Karr), I am Morgan le Fay (Springer) 
Morgause: Morgawse (Lavinia Collins), Kieran Higgins’ arthurian series
Nimue: The Book of Mordred (Velde), Here Lies Arthur (Reeve), Queen of Camelot (McKenzie)
Percival: Here Lies Arthur (Reeve), Corbenic (Catherine Fisher)
Ragnelle: Gawain (Rowley)
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aion-rsa · 4 years
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The Best Creepy Horror Movies
https://ift.tt/31YlYtU
Creepy isn’t the same as scary.
Of course horror movies can be scary simply by using loud noises and sudden movements to make their audiences jump, but creepy is harder to pull off. To be effectively creepy, a film needs to establish a certain atmosphere; it needs to draw you in and make you care. It needs to give you something to think about when you’re trying to drop off to sleep at night; to make you wonder whether that creaking noise down the hallway was just the house settling or something lurking in the shadows. Creepy stays with you. It gives you goosebumps.
Here are 85 of the best horror movies (in no particular order) to chill your bones. Enjoy the nightmares.
Us (2019)
Jordan Peele’s follow up to his award winner Get Out is another social horror. While it might not be quite as accomplished or coherent as Get Out (the end is a bit of a mess) Us is arguably scarier than Get Out as a family staying in a holiday home find themselves tormented by evil replicas of themselves. It’s a film that keeps you constantly on edge with the performances of the main cast – Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph and Evan Alex – absolutely pitch perfect and never less than convincing as good and evil versions of themselves.
It Comes At Night (2017)
Though the marketing material was somewhat misleading, featuring the above scary-looking dude (who really isn’t a big part of the film at all), It Comes at Night, from director Trey Edward Shults is a claustrophobic slow-burner that insidiously ramps up the creep factor. Joel Edgerton plays the patriarch of a family holed up in a cabin in the woods to escape an unnamed wide spread virus. But when a man, his wife and their young child arrive seeking shelter his family life is disrupted. A coming-of-age horror with one of the bleakest endings around.
Mr. Jones (2013)
Nobody knows who Mr. Jones is. The artist is a recluse, but his bizarre sculptures have made him world famous. When a documentary maker and his girlfriend stumble across what looks like his workshop, they become obsessed with finding out the truth about Mr. Jones, but the truth isn’t particularly easy to stomach.
Read more
Games
20 Scariest Horror Games Ever Made
By Matthew Byrd
Movies
Best Modern Horror Movies
By Don Kaye
One of the most stylishly shot found footage movies you’ll ever see, the makers know the rules of the genre well enough that when they break them, it adds to the story rather than detracting from it. Also, those scarecrows are petrifying.
Under the Shadow (2016)
Set in war-torn Tehran in the late 1980s, Under the Shadow sees a would-be doctor battling the forces of evil for her daughter (and her sanity) even as everyone around her flees to safer ground. The juxtaposition of earthly and unearthly threats makes this a uniquely terrifying film, and Shideh (Narges Rashidi) is a wonderfully complex and sympathetic heroine. Not many films could make a sheet of printed fabric terrifying, but Under the Shadow manages it.
Gaslight (1940)
Bella (Diana Wynyard) thinks she’s losing her mind. She keeps losing things, and the lights in her house seem to flicker, even though her husband Paul (Anton Walbrook) tells her he can’t see anything wrong. Plus there are those footsteps upstairs… Just from that description, you might think that Gaslight will turn out to be a haunted house story, but the real explanation for all the weirdness is far more sinister than that. Walbrook does sinister like no-one else.
The Babadook (2014)
A character from a terrifying kids book comes to life to haunt a single mother (Essie Davis) grieving for the loss of her husband in this beautiful, sorrowful meditation on depression and despair. Top-hatted Mr. Babadook with his horrible, terrible grin is of course creepy as all, but Noah Wiseman as her needy and uncontrollable child gives him a run for his money in creepiness.
The Clairvoyant (1934)
Maximus, King Of The Mind Readers (Claude Rains) performs amazing feats of clairvoyance on stage every night in front of adoring audiences. The problem is, it’s fake – the mind-reading is all done through a secret code Maximus has invented to communicate with his assistant wife, Rene (Fay Wray). But one night, he meets Christine (Jane Baxter), and his abilities become real. He really can predict the future. If you’ve already guessed that’ll turn out to be more of a burden than a gift, you’re right. Gorgeously shot, wonderfully acted, this is a creepy delight.
Sleep Tight (2011)
The second Jaume Balaguero film on this list is just as bleak and horrifying as the first: Sleep Tight sees a concierge secretly breaking into the homes of the people he’s supposed to serve to try to make them as miserable as he is. When Cesar (Luis Tosar) finds one tenant is harder to upset than the others, his behaviour escalates until he’s committing unimaginably grotesque crimes against the poor girl. The ending will have you shuddering in your seat.
Lake Mungo (2008)
This strange found footage film from Australia takes the format of a mockumentary focusing on the family of a dead girl who think there are supernatural goings on surround their house. It owes a debt to Twin Peaks in its odd neighborhood vibe, and the twisty plot holds many surprises, as the movie wrong foots the audience time and again. It’s creepy throughout but by the time you finally discover what’s really going on it’s not only terrifying but emotionally devastating too.
Dead of Night (1945)
Probably the best horror anthology ever made, this Ealing Studios production includes five individual stories and one wrap-around narrative. The wrap-around sees a consultant arrive at a country home only to find that he recognizes all of the guests at the house – he’s seen them all in a dream.
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Movies
A Short History of Creepy Dolls in Movies
By Sarah Dobbs
Movies
Annabelle: Real-Life Haunted Dolls to Disturb Your Dreams
By Aaron Sagers
Spooked, the guests start recounting their own stories of the uncanny, each more unnerving than the last. Well, except for the one about the golfers, but that one’s just there for light relief before the film hits you with the scariest ventriloquist’s dummy ever committed to film. Just excellent, all round.
Hereditary (2018)
One of the most truly harrowing movies of recent years is Hereditary, the feature debut from Ari Aster. Toni Collette stars as a mother trying to hold together her family in the aftermath of a tragedy while around her supernatural goings on begin to escalate.
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Movies
Hereditary: The Real Story of King Paimon
By Tony Sokol
Movies
Hereditary Ending Explained
By David Crow
Hereditary has been called The Exorcist for a new generation, though it’s so much more than that. In fact at times, Hereditary is almost too scary, so oppressive is it’s escalating anguish and dread. This one is pure nightmare fodder.
Nina Forever (2015)
Rob (Cian Barry) can’t get over his ex-girlfriend. Nina (Fiona O’Shaughnessy) died in a car crash, which is bad enough, but when he tentatively begins a relationship with his co-worker, Holly (Abigail Hardingham), he finds himself haunted by Nina. Literally. She materializes in his bed every time he and Holly have sex – she might be dead, but she’s not letting go.
“Creepy” doesn’t feel like a strong enough word to describe this film – “devastating” might do it. It’s a sensitive and horrifying portrayal of grief, with a sense of humour as dark as the inside of your eyelids, and some extremely upsetting gore. Brilliant, but not one for the faint-hearted.
Robin Redbreast (1970)
When she moves away from London to a tiny country cottage, Norah (Anna Cropper) expected the change to be a bit strange, but nowhere near as weird as it ultimately turns out to be. As she gets to know the locals, she finds herself being pushed towards a relationship with karate-loving Rob (Andrew Bradford), and while she’s initially game, she soon discovers that her choices are being made for her. It’s a little bit Wicker Man, a little bit Rosemary’s Baby, and a lot of creepiness.
It Follows (2014)
Inspired by a reccuring nightmare director David Robert Mitchell had in his youth,It Follows is a clever, freaky take on the slasher movie, featuring, well, a sexually transmitted ghost. Maika Monroe plays a young woman haunted by a shape shifting spectre after a sexual encounter who slowly but relentless trails her everywhere – the film plays with the audience expertly, making us guess whether background characters could really be the monster. Ultra modern and highly effective, this one will leave you jumping at shadows long after the credits roll.
The Masque of the Red Death (1964)
A tyrannical landowner is plagued by, well, a literal plague in Roger Corman’s adaptation of an Edgar Allan Poe story. Vincent Price plays the Satanic Prince Prospero, who rules over his village with an iron fist, condemning people to death for the mildest offence and abducting any woman who takes his fancy, but all of his evils come back to haunt him when he throws a masked ball and Death shows up. Fittingly, it’s got the hallucinogenic quality of a fever dream, and the various incarnations of Death are wonderfully creepy.
As Above, So Below (2014)
A group of explorers heads deep into the Paris catacombs, only to find they’ve gone a little too deep and stumbled into an alternate dimension that might actually be Hell. It’s a brilliantly over the top concept, and the way it plays out is incredibly eerie. Yes, it’s found footage, and yes, it’s a little bit on the silly side – it chucks in quotes from Dante and a few too many sad-faced ghosts – but some of the scares along the way are properly frightening. Suspend your disbelief and let it freak you out.
Oculus (2013)
Eleven years ago, Alan (Rory Cochrane) bought an antique mirror… and then died, along with his wife. According to the police, they were murdered by their 10-year-old son. According to their daughter, the mirror is haunted, and something supernatural caused their deaths. Now Tim (Brenton Thwaites) is out of prison, Kaylie (Karen Gillan) wants to prove he was innocent by conducting an experiment on the mirror… But inadvertently puts both of them in danger all over again.
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Books
“God God – Whose Hand Was I Holding?”: the Scariest Sentences Ever Written, Selected by Top Horror Authors
By Rosie Fletcher
Movies
A24 Horror Movies Ranked From Worst to Best
By David Crow and 3 others
It’s chilling. The way director Mike Flanagan plays with reality, building unbearable uncertainty through camera angles and false memories, makes this film both incredibly scary and impossibly sad.
The Witch (2015)
After being cast out of a New England plantation for not interpreting scripture in the same way as the colony’s elders, a family strikes out alone, and soon discovers how inhospitable their unfamiliar new home country can really be. The Witch is a period piece, and the language is suitably archaic, but don’t let that put you off: it’s a brilliantly chilling portrayal of Puritan life, where belief can mean the difference between life and death, and horror is only ever one failed crop away.
The Amityville Horror (1979)
The Amityville Horror is the haunted house story. If you were only ever going to watch one haunted house movie, it should be this one, because this is the archetypal story: a family moves into a house where horrible murders happened, and then bad things happen to them. It manages a lot of things later imitators didn’t, though, which is that it makes the Lutzes’ decision to buy the house make sense, and also builds the horror slowly, so that they almost don’t notice when the things going wrong in the house switch from annoying issues to outright horror. If you’ve moved house in recent memory, this one’ll hit you where it hurts.
The Conjuring (2013)
If you were only ever going to watch two haunted house movies, the second one should definitely be The Conjuring. James Wan’s ode to ’70s horror has plenty in common with The Amityville Horror, but it also has plenty of ideas of its own – and at least half a dozen moments that’ll make your heart leap into your mouth.
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Movies
The Conjuring Timeline Explained: From The Nun to Annabelle Comes Home
By Daniel Kurland
Movies
Horror Movie Origin Stories: Directors, Actors, and Writers on How They Fell in Love With the Genre
By Rosie Fletcher
The camerawork, the music, the cute kids stuck in the middle of epic spiritual warfare… it all adds up to a completely terrifying experience. You’ll probably need to sleep with a nightlight for a week afterwards.
The Changeling (1980)
George C. Scott stars as Dr. John Russell in this classic ghost story, which is a favorite of The Others director Alejandro Amenabár. Following the tragic demise of his wife and son, Dr. Russell moves into a rambling Victorian mansion to compose music and pick up the pieces of his life. He’s soon being woken by relentless booming sounds coming from the heating system, precisely at 6am every day… Then there’s the old “apparition in the self-filling bath” trick (actually, this may be the first time this happened onscreen, but it sure won’t be the last).
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Movies
Dog Soldiers: The Wild History of the Most Action Packed Werewolf Movie Ever Made
By Mike Cecchini
Movies
The Best Horror Movies to Stream
By Alec Bojalad and 1 other
This is one of those movies which hits up all the clichés: people go into the dark, gloomy attic to search for clues, and to the library to look up old news archives on the microfiche; they visit the graveyard, and finally, hold a séance (which is overwhelmingly creepy). The eerie soundtrack and skilful storytelling result in a film which peels back its mysterious layers slowly for a satisfying finish.
The Hallow (2015)
If you go down to the woods today, make sure you don’t steal anything or break anything, or the Hallow will get you. Tree surgeon Adam and his family move into an ancient farmhouse to start sizing up the land for developers and quickly fall afoul of the supernatural creatures lurking in the trees, which turns out to be a really bad idea. This film’s got it all: foreboding mythology, grotesque body horror, and the most amazing line of foreshadowing dialogue you’ll ever hear.
The Uninvited (1944)
A couple of Londoners holidaying in Cornwall stumble across a gorgeous abandoned house on the seafront and immediately decide they want to buy it. The owner, a grumpy old colonel, is happy to sell it to them on the spot, but his granddaughter is reluctant. Turns out the house has got secrets, and, yeah, a ghost. The dialogue in this film is incredible in a very 1940s kind of way, and the tone can occasionally be accused of jolliness, but it’s also got its moments of proper creepiness. Best enjoyed with a glass of sherry.
Saint Maud (2019)
One of the best movies of the year, Rose Glass’s feature debut is a study of a young palliative care nurse who starts to believe she’s on a mission from God to save the soul of her dying patient.
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Movies
Saint Maud and the True Horror of Broken Minds and Bodies
By Rosie Fletcher
Movies
Saint Maud Review: Elevated Horror That’s a Revelation
By Rosie Fletcher
It’s a film about conflicts between mind, body and soul, but it leans her into genre territory as Maud (Morfydd Clark) hear God talking to her directly and punishes her own body in an attempt to feel closer to her spiritual side, while the cancer riddled Amanda (Jennifer Elhe) celebrates her body as it lets her down. Shot in Scarborough everything about Saint Maud is unsettling right up to the indelible finale. An absolute must watch.
Crimson Peak (2015)
Director Guillermo del Toro insists that Crimson Peak isn’t a horror film but is, instead, a gothic romance. That doesn’t mean that it isn’t creepy as all get-out, though. When aspiring author Edith Cushing (Mia Wasikowska) meets charming baronet Thomas Sharpe (Tom Hiddleston), she falls madly in love and agrees to move back to his ancestral home, Allerdale Hall – aka Crimson Peak. But the house is crumbling and full of ghosts, and Sir Thomas’s sister doesn’t seem terribly friendly, either…
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Movies
Best Modern Horror Movies
By Don Kaye
Movies
Lake Mungo: the Lingering Mystery Behind One of Australia’s Scariest Horror Films
By Rosie Fletcher
Del Toro’s visual flair is in full effect here, and every frame of this film (even the scary ones) are stunningly beautiful to look at. It’s a treat.
Baskin (2015)
A group of cops answers a call from the middle of nowhere and unwittingly stumble into something that can only be described as ‘a nightmare’ in this skin-crawlingly nasty Turkish horror. Abrasive, aggressive and deliberately difficult, this is the kind of film that burrows deep into your brain, only to resurface later at the worst possible time. Then again, by the time you’re stranded in the middle of nowhere with only dead colleagues and Silent Hill-style monsters for company, you probably don’t need memories of a horror movie to freak you out.
His House (2020)
A Netflix movie which could make a mark come award’s season the directorial debut of Remi Weekes sees a Sudanese refugee couple seek housing in London only to find themselves haunted by ghosts of the past and present. This is proper horror and it’s creepy as hell but it also leans into the horror of the refugee situation with the two marginalized, restricted, and treated as outsiders from the start – it’s a powerful but uncomfortable watch.
Host (2020)
The defining horror of 2020 – written, shot, edited and released on Shudder in just 12 week – Host is so much more than a lockdown gimmick. Following a group of friends who decide to do a seance via a Zoom chat, this ingenious movie trades on the real life friendships of the cast and crew and the absolute ubiquity of the video software during isolation. It’s seriously creepy too, utilising visions in the shadow but later some seriously impressive stunt work. Director Rob Savage and writer Jed Shepherd have signed up for a three picture deal from Blumhouse on the strength of this movie which absolutely needs to be seen.
The Haunting (1963)
Not to be confused with the remake of 1999, this retro gem not only features some classic sequences of spooky happenings, but a philosophical take on the paranormal. As John Markway says, “The preternatural is something we don’t have any natural explanation for right now but probably will have someday – the preternatural of one generation becomes the natural of the next. Scientists once laughed at the idea of magnetic attraction; they couldn’t explain it, so they refused to admit it exists.
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Movies
House of Dark Shadows: The Craziest Vampire Movie You’ve Never Seen
By David Crow
TV
How The Twilight Zone Influenced Are You Afraid of the Dark?
By Chris Longo
Dr. Markway (Richard Johnson) is investigating the mysterious Hill House, whose inhabitants often die in odd circumstances. With him he has Luke (Russ Tamblyn), the cynical heir to the home, the psychic Theo (Claire Bloom, way too cool for school) and Julie Harris as Eleanor, who has some ghosts of her own but figures a free stay in a mansion is as close to a holiday as she’s going to get. Markway is pleased the ladies haven’t done any research into the bad reputation of the house “So much the better. You should be innocent and receptive.” (The old dog.) This is a great, character-driven story with a dry sense of humor, and a mysterious heroine who feels oddly at home with the supernatural.
Unfriended (2014)
A cautionary tale about the dangers of cyberbullying, Unfriended achieves the seemingly impossible and manages to make the standard sound effects of everyday computer programs terrifying. The whole story is told through one character’s desktop, so you get to watch as she Skypes with her friends, posts to Facebook, or picks something to listen to on Spotify. The details are fascinating, and it’s kind of brilliant how the filmmakers manage to express so much about a character through her browser bookmarks and the messages she types, but doesn’t send. Once the horror kicks in, though, you’ll be too scared to notice much more of the cleverness.
Shutter (2004)
Jane (Natthaweeranuch Thongmee) is driving back from a wedding with her boyfriend Tun (Ananda Everingham) when she hits a girl – in a panic, they leave the body lying in the road and try to get on with their lives. They start feeling rattled when Tun’s photography is blighted by misty shadows and they both suffer from the odd hallucination which seems to show that their hit and run victim (Achita Sikamana) isn’t resting in peace.
Where would horror films be without photographic dark rooms? Even in the digital age, the dim red light and slowly emerging pictures remain classic tools of terror. Not to mention the room with rows of jars containing pickled animals, and the surprise homage to Psycho. This story has it all. There are also touches of dark humor throughout (the praying mantis is a recurring motif) and one of the most bone-chilling scenes has a hilarious payoff.
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TV
How A Creepshow Animated Special Pays Tribute to Series Legacy
By Matthew Byrd
Movies
The Weird History of A Chinese Ghost Story Franchise: Horror Comedy at its Wildest
By Gene Ching
Directors Banjong Pisanthanakun and Parkpoom Wongpoom skilfully create real characters and have the ability to communicate some of the most powerful and eloquent moments without dialogue.  The mystery deepens as more sinister evidence comes to light and the climax is truly chilling. This is one which will stay with you long after Halloween.
Spider Baby (1967)
The Merrye children live out in the middle of nowhere, with only one another and their family chauffeur, Bruno (Lon Chaney Jr) for company. Which is for the best, because they’re all afflicted with the family curse – a bizarre quirk of genetics that causes members of the Merrye family to begin to de-evolve once they reach a certain age. When some distant relatives come to visit, intending to challenge the kids’ right to stay in the house, things go sour fast. It’s a horror comedy, this one, but if you’re not a little bit creeped out by Virginia (Jill Banner), the Spider Baby of the title, and her spider game, well, good luck to you.
What Lies Beneath (2000)
Robert Zemeckis directs Michelle Pfieffer and Harrison Ford in this glossy supernatural thriller, with predictably high quality results. Clare and Norman Spencer live the perfect life – especially now their daughter has left for college and they’re enjoying empty nest syndrome. But the neighbors are causing some concern – especially when the wife disappears and Claire believes she is trying to communicate with her from “the other side.”
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Movies
8 Essential Gothic Horror Movies
By David Crow and 1 other
Movies
Horror Movie Origin Stories: Directors, Actors, and Writers on How They Fell in Love With the Genre
By Rosie Fletcher
Zemeckis has admitted that this is his homage to Hitchcock, and true to form, the suspense builds deliciously slowly. When Claire starts seeing faces in the bathtub (where else?) she goes to talk it over with a psychiatrist. A session with a Ouija board proves that somebody is trying to contact Claire, and it’s not long before she’s stealing keepsakes from grieving parents and reading books with chapters helpfully entitled “Conjuring the Dead.”
The result is a strong movie whether you’re enjoying the ghost story or the “Yuppies in peril in a beautiful house” aspect of it (and it doesn’t hurt that Michelle looks luminously beautiful).
Cat People (1942)
Serbian immigrant Irena doesn’t have a friend in the world when she meets Oliver. He’s kind and attentive and they soon fall in love, despite Irena’s lack of physical affection. She’s convinced she’s living under a curse that will mean she’ll transform into a panther and kill any man she kisses, and despite seeing a (deeply inappropriate) psychiatrist, she can’t shake her beliefs. Oliver is initially patient but eventually finds himself falling for his much more reasonable colleague, Alice. There’s no way this love triangle can end happily and, well, it doesn’t. Cat People is sad as well as eerie, with an increasingly paranoid atmosphere enhanced by skillful shadow play.
The Nameless (1999)
Five years after her daughter Angela went missing, presumed dead, Claudia starts getting weird phone calls. A female voice claims to be Angela, and begs her mother to save her. A series of weird clues leads Claudia to investigate a weird cult… but when things slot into place too easily, it seems like someone might be luring her into a trap. Thematically, The Nameless is similar to Jaume Balaguero’s later film Darkness; there’s a similar feeling of hopelessness and despair, a creeping horror that doesn’t let up, topped off with a horribly downbeat ending. Brrrr.
Dead End (2003)
The Harrington family are driving home for Christmas when they decide to take a shortcut. Obviously, that turns out to be a bad idea. Picking up a mysterious hitchhiker is an even worse idea. Dead End isn’t a particularly original movie, and it does have a truly awful ending, but there’s something about its characters, its atmosphere, and the way it tells the well-worn story that’s really effective. And creepy, of course.
The Others (2001)
Every ghost story introduces an element of uncertainty: are these things really happening, or are they in your head? Like The Innocents, The Others is partly inspired by Henry James’ novella The Turn Of The Screw. Grace (Nicole Kidman) has turned being neurotic into a fulltime job; her children apparently suffer from a sensitivity to light, which means the gothic mansion they inhabit must be swathed in thick curtains at all times. This makes things difficult for the new servants, who have turned up in a most mysterious manner… 
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TV
31 Best Horror TV Shows on Streaming Services
By Alec Bojalad and 1 other
TV
Best Horror Anime To Watch on Crunchyroll
By Daniel Kurland
Grace’s daughter has an imaginary playmate called Victor; her insistence that there are “other people” in the house vexes Grace until she begins to hear them, too. A piano playing by itself, shaking chandeliers and some truly traumatic hallucinations add to the panic as Grace questions exactly who she is sharing her home with. The tension builds to almost unbearable heights before a truly haunting ending. An intelligent script with a superb twist, quality acting and an atmospheric set (complete with graveyards, mist and autumn leaves) – what more could you want in a creepy movie?
Night of the Living Dead (1968)
“It is happening, and no one is safe.” Night of the Living Dead features some of the most brilliantly ominous radio broadcasts in all horror. When a group of strangers end up trapped in an isolated farmhouse together after the dead begin to rise, no one is in the mood for making friends, and it’s their own prejudices and stubbornness that leads to their downfall. (Well, that, and the fact that no one realized getting bitten by a ghoul would lead to death and reincarnation. Oops.)
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TV
The Walking Dead vs. Real-Life Survivalists: How to Prep for The Zombie Apocalypse
By Ron Hogan
Movies
Night of the Living Dead: The Many Sequels, Remakes, and Spinoffs
By Alex Carter
The zombie imagery is some of the most haunting ever committed to film, as vacant-eyed ghouls wander in and out of the shadows, chewing on dismembered body parts as they lurch around, constantly in search of fresh meat…
Candyman (1992)
Say his name five times into a mirror and the Candyman appears. Despite his sweet-sounding name, that’s not something you really want to do: Daniel Robitaille was a murdered artist, stung to death by bees in a racist attack, and so he tends not to be in a good mood when he shows up. Set in an urban tower block, this film demonstrates that horror can strike anywhere, not just in spooky old mansions in the middle of the countryside. It’s gory, grimy, and really quite disturbing.
M (1931)
A child murderer is stalking the streets of Berlin and, as the police seem unable to catch him, tensions run high. In an attempt to stop the nightly police raids, the town’s criminals decide to catch the killer themselves, and a frantic chase begins. Though there’s no actual onscreen violence, Peter Lorre is amazingly creepy as the whistling killer, and there’s a sense of corruption pervading the whole film. (Since both Lorre and Fritz Lang, the director, fled the country in fear of the Nazis soon after the film was made, it’s tempting to speculate on what M might be saying about Germany at the time, which only makes it all the creepier.)
The Blair Witch Project (1999)
An early example of the found footage genre, The Blair Witch Project has been aped and parodied by everyone and their grandma, but there’s something unsettling about it that hasn’t quite gone away. Most of the film is improvised; the actors are really filming the scenes themselves, working from a loose outline of the plot, but without prior knowledge of what half the scares were going to be. That ambiguous ending lets you make up whatever explanation you like for the events of the film, which means whatever the scariest thing you can think of is, that’s what the film is about.
The Orphanage (2007)
Laura (Belén Rueda) is returning to her childhood orphanage with her husband and son in order to open it as a care home for children with disabilities. She’s busy, but still has time to notice that seven year old Simón (Roger Príncep) has found an imaginary friend, Tomas. He might have a sack over his head, but what’s a little creepy mask between pals?
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Movies
The Scariest Films Ever Made and How They Frighten Us
By Matt Glasby
Movies
Katharine Isabelle on How Ginger Snaps Explored the Horror of Womanhood
By Rosie Fletcher
Simón is adopted, so it’s only a little odd when a social worker shows up without an appointment. It’s slightly more odd that she’s snooping around in the shed at night. During a daytime party, Laura has an encounter of her own with a masked child, and then experiences every parent’s nightmare: Simón is missing. What follows is the story of a mother who takes the search for her son to the limits of her sanity. Geraldine Chaplin makes an appearance as the medium who conducts possibly the most spine-tingling of all onscreen séances, and there are some truly terrifying shocks during Laura’s search for the truth.
Director JA Bayona makes every shot count; the movie is visually beautiful as well as fantastically sinister. It’s a bona fide horror film but the ending might make you cry.
Ring (1998)
Ring isn’t a perfect film. It’s a bit too long and ponderous and there’s a bit too much irrelevant mysticism in there. But in terms of pure creepiness, it’s pretty damned effective. The idea of a cursed videotape was brilliant – who didn’t have zillions of unmarked VHS tapes lying around the house at the time? – and that climactic scene where the image on the screen crossed over into reality is bloodcurdling. Sneaky, too, since it managed to suggest that no one was safe. Especially not you, gentle viewer, because didn’t you just watch that cursed tape, too? An awful lot of people must have breathed a sigh of relief once their own personal seven-day window was over.
The Innocents (1961)
Based on Henry James’ The Turn of the Screw, this film sees a young governess heading out to an isolated old house to take care of two young children who appear to be keeping secrets from her. Their previous governess died, along with another of the house’s servants, but their influence still seems to be lingering about. Or is it? Just like in the original story, it’s possible to read the ghosts either as genuine spectres or as the fevered imaginings of an over-stressed and under-sexed young woman. Either way, though, the film is terrifying.
The Skeleton Key (2005)
In a decaying house on an old plantation, an old man is dying. Caroline is hired as his carer, but although her job should be simple enough, she begins to suspect that something weird is going on – especially when she finds a secret room in the house’s attic filled with spell books and other arcane bits and bobs.
Is the old man actually under a spell? Why does he seem so terrified of his wife? And might Caroline herself be in danger? The Skeleton Key is one of those films that’s far better than it has any right to be; it slowly ratchets up the tension to a crazy finale and ends on an incredibly creepy note.
Insidious (2010)
Insidious uses just about every trick in the book to creep out its audience, and for some people, that might seem like overkill. There are lurking monsters around every corner; there’s a child in peril; there are wrong-faced nasties; and there are screeching violins every five minutes. On repeat viewings, the plot doesn’t quite hold up (halfway through, the film switches protagonists, which is baffling) and the comedy relief seems grating rather than funny. But the carnival atmosphere, the nods to silent German Expressionist films, the demon’s bizarre appearance, that dancing ghost… there’s something brilliant about it, nonetheless.
Dark Water (2002)
Part of the initial wave of soggy dead girl movies, Dark Water is occasionally very daft, but still effectively creepy. Yoshimi Matsubara is a divorcee, forced by circumstances to move into a crumbling apartment block with her young daughter, Ikuko. Their new home isn’t in the nicest of areas, but it might be alright if it weren’t for the leaky ceiling – and, um, that creepy little girl lurking in the shadows, the one who’s never there when you take a second look. Directed by Hideo Nakata and based on a book by Koji Suzuki, Dark Water might not be as terrifying as Ring, but it’s still pretty eerie.
A Nightmare On Elm Street (1984)
The effects are dated, and the sequels utterly killed Freddy Krueger’s menace, but the first A Nightmare on Elm Street film is still creepy, in its way. The premise is amazingly disturbing – a dead child molester is attacking children in their dreams – and, combined with some of the deeply weird nightmare imagery in this film, it’s more than enough to give anyone a few sleepless nights. All together now: one, two, Freddy’s coming for you…
Uzumaki (2000)
Slowly, inexplicably, a small town is taken over by spirals. Some people become obsessed; others are killed, their bodies twisted into impossible positions. Uzumaki is a live action adaptation of the manga of the same name, and it’s incredibly weird. Unspeakably weird. Visually, it’s incredible, although the green filters look less interesting than they used to due to overuse by every horror and sci-fi movie since. Still, most films don’t go to the extremes that Uzumaki does.
The Devil’s Backbone (2001)
Yup, it’s another soggy dead kid movie, but this time the kid is a boy and the action is set in civil war-era Spain. A young boy is sent to a creepy orphanage, where the other boys scare one another by telling stories about the resident ghost, Santi, who was killed when the orphanage was bombed. Written and directed by Guillermo del Toro, this isn’t your average ghost story – it’s a companion piece to Pan’s Labyrinth, but it’s much more of a horror movie than its better known counterpart.
The Vanishing/Spoorloos (1988)
Saskia and Rex are on holiday when Saskia suddenly, inexplicably, disappears. Rex dedicates his time to trying to find her, but to no avail. He can’t move on, can’t live with the uncertainty, so when Saskia’s kidnapper reveals himself and offers to show Rex what happened to her, his curiosity wins out. It’s a simple yet eerie story with an utterly devastating ending.
Audition (1999)
Takashi Miike’s Audition is more often described as extremely disturbing rather than creepy, but if you can get over that ending (which, let’s be honest, most of us watched through our fingers or from behind a cushion while shouting “NO NO NO NO NO” at the screen), the rest of the film may well creep you out. It starts off slow: a middle-aged man is thinking about dating again, but rather than trying to meet women via traditional methods, he holds a series of fake auditions for a non-existent movie. He meets Asami, a shy dancer, and starts wooing her – but Asami isn’t as sweet and innocent as she seems. Pretty much every character in this movie is an awful person, and the way they treat one another is disturbing on many, many levels.
One Missed Call (2004)
Also directed by Takashi Miike, One Missed Call is a parody of the endless string of soggy dead girl movies made in Japan at the time. But somehow it’s still really creepy. The premise is that, as the title suggests, teenagers are receiving missed calls on their mobile phones. The mystery caller leaves a horrifying voicemail: the sound of the phone’s owner screaming in agony. And since the call came from the person’s own phone, and appears to come from a few days in the future, it’s clearly a sign of impending doom. Sure enough, the kids all die just as the missed call predicted. There’s a nasty little backstory about evil little girls, and a bonkers televised exorcism, and generally, it’s a great film whether you love or loathe stories about scary dead kids.
The Last Man on Earth (1964)
You might’ve thought about how you’d survive the apocalypse, but have you ever stopped to consider whether it’s actually worth doing? In The Last Man On Earth, Vincent Price is the only survivor of a mysterious plague that’s turned the rest of humanity into walking corpses, hungry for his blood. Every day, he tools up and goes out to kill the bloodsuckers; every night, they surround his house and try to kill him. It’s a dismal way to live, and a depressingly eerie film. It’s based on Richard Matheson’s novel I Am Legend – so skip the Will Smith adaptation and watch this instead.
A Tale Of Two Sisters (2003)
Part melodramatic family drama, part psychological horror, A Tale Of Two Sisters is all scary all the time. When a pair of sisters return from a mental hospital, having been traumatised by their mother’s death, they find their new stepmother difficult to adjust to. The nightly visitations from a blood-dripping ghost don’t help, either. But as always in these kinds of films, nothing is what it seems – you might need a second viewing to get your head round the ending.
Night of the Hunter (1955)
Robert Mitchum might have claimed not to be interested in movies or acting, but he’s great in this. As Harry Powell, a bizarrely religious conman, he’s terrifying, whether he’s preaching about the evils of fornication or chasing the children of his latest victim across the country in an attempt to steal a stash of money he knows they’re hiding. The use of light and shadow in this movie is just stunning; the first time Powell arrives at the Harper house is a particular highlight. Robert Mitchum’s singing voice isn’t half bad, either.
Peeping Tom (1960)
Peeping Tom was so controversial when it was released that it effectively ended director Michael Powell’s career. It’s violent, voyeuristic, and since it tells a story from the villain’s point of view; it’s entirely unsavoury. And it’s wonderful. It looks great, it has an amazingly twisted (and tragic) plot, and Carl Boehm is brilliant as Mark, the awkward, mild-mannered psychopath who feels compelled to murder as a result of his father’s deranged experiments. (That’s not a spoiler, by the way – but if I told you how he killed his victims, that might be.)
Psycho (1960)
Happily, 1960’s other movie about a disturbed serial killer was less of a career-killer. Alfred Hitchcock’s Psycho is wonderful, sodden with guilt and tension right from the opening scene. It’s a shame that so many of its twists are so well-known now, because watching this without knowing what was going to happen must have been brilliant. It’s still great – beautiful to watch, genuinely tense and frequently unnerving – but it has lost some of its shock value over the years. (Also, the bit at the end where the psychiatrist explains everything in great detail is utterly superfluous.) Anthony Perkins’ final twitchy, smirky scene is seriously creepy though.
City Of The Dead / Horror Hotel (1960)
Getting the timing of a holiday wrong can have disastrous consequences, as City Of The Dead illustrates. Nan Barlow is a history student who, under the tutelage of Christopher Lee’s Professor Driscoll, becomes fascinated with the history of witchcraft, and decides to visit the site of a famous witch trial… but she arrives in town on Candlemas Eve, probably the most important date in the witches’ calendar. Um, oops.
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The Underrated Horror Movies of the 1990s
By Ryan Lambie
TV
Best Horror TV Shows on Netflix
By Alec Bojalad
City Of The Dead is often compared to Psycho, and there are enough similarities between the films that you could assume it was a cheap rip-off – but though the campy US retitling supports that assumption, this was actually made before Hitchcock’s motel-based chiller. It’s definitely creepy enough to be worth watching on its own merits.
Village Of The Damned (1960)
For no apparent reason, one day every living being in the English village of Midwich falls unconscious. For hours, no one can get near Midwich without passing out. When they wake up, every woman in the village finds herself mysteriously pregnant. Obviously, their children aren’t normal, and something has to be done about them… Based on John Wyndham’s novel The Midwich Cuckoos, Village Of The Damned is more of a sci-fi movie than a horror movie – but it’s super creepy nonetheless.
Dolls (1987)
Re-Animator director Stuart Gordon toned things down a bit for this creepy fairy tale, but not much. When a group of awful human beings are forced to spend the night in the home of a couple of ancient toymakers, they soon get their comeuppance at the hands of – well, the title gives that away, doesn’t it? You’ll never look at Toys R Us in the same way again.
The Woman In Black (1989)
When a reclusive old lady dies in an isolated house out in the marshes, a young lawyer is sent to sort out her estate. But there’s something weird about her house, and the townspeople aren’t keen on helping sort things out, either. The TV version of this movie is far, far creepier than the Daniel Radcliffe version; there’s one moment in particular that will etch itself on your brain and continue to creep you out for years after you see it…
The Perfume of the Lady in Black (1974)
Beautifully shot with a great score, The Perfume of the Lady in Black is a dreamy, unsettling film where nothing is ever as it seems. The wonderfully named Mimsy Farmer plays Sylvia, a scientist haunted by melancholy and hallucinations. She’s never quite recovered from her mother’s suicide, and when she goes to a party where talk turns to witchcraft and human sacrifice, her sanity starts to unravel. But are her problems really all in her head, or is there something else going on? The film doesn’t reveal its secrets until the very end, when all that creepiness pays off spectacularly.
May (2002)
May was always a weird child, and unfortunately she’s grown into a weird adult, too. Unable to form any meaningful relationships with the people around her – not even a class of blind children she thinks might be kinder to her than the people who can see how strange and awkward she is – May decides she’ll need to take this “making a friend” business into her own hands. Dark and twisted and incredibly gory, May is as sad and sweet as it is creepy. A lot of that is attributable to Angela Bettis, whose performance is adorably unnerving.
Nosferatu (1922)
In this unauthorised take on Dracula, the evil Count is depicted not as a tragic or romantic anti-hero, but as a horrifying embodiment of the plague – complete with an entourage of rats. Max Schreck makes a brilliantly weird-looking vampire, all teeth, ears and fingernails; his shadow is especially unnerving. Although the ending as presented seems a little abrupt, it’s conceptually horrifying – as is the fact that, due to a copyright claim filed by Bram Stoker’s estate, all but one copy of this movie was destroyed back in the 1920s.
Vampyr (1932)
In a spooky old inn, Allan Grey is visited in the night by an old man who leaves him a gift-wrapped book, with instructions to open it only on the occasion of the man’s death. Which turns out to be soon. The book explains that the town is plagued by vampires – and, helpfully, gives instructions on how to kill them. Vampyr is an early sound film, so while there is some sound and a little dialogue, most of the silent film conventions are still in place. It has a fairly straightforward, Dracula-esque story, but the plot’s not the point. It’s a deliberately strange film, full of disembodied dancing shadows and weird dream sequences; there’s something almost otherworldly about it.
Dracula (1931)
Bela Lugosi is the definitive Dracula. With his eerie eyes and wonderful accent, he’s brilliantly threatening as the charming Count, but despite his iconic performance here, he’s not the creepiest thing about this film. Nope, that honor goes to Dwight Frye’s portrayal of Renfield, the lunatic spider-eater under Dracula’s control. He’s amazing, all awkward body language and hysterical laughter. Lugosi’s oddly cadenced speech has been emulated and parodied a zillion times, which takes away some of its power; Frye’s performance, on the other hand, is just downright disturbing.
White Zombie (1932)
A year after Dracula, Bela Lugosi starred as Murder Legendre, an evil voodoo master, in one of the first ever zombie movies. The zombies here aren’t flesh-eating ghouls but obedient slaves, working tirelessly in Legendre’s mill. Even when one of them tumbles into a grinder, work doesn’t stop. When the plantation owner goes to Legendre for help winning the heart of the girl he loves, he’s handed a dose of the zombie potion – and now the only way to break Legendre’s spell over the innocent girl is to kill him. Lugosi is suitably menacing, and the drone-like zombies are properly eerie.
The Cursed Medallion/The Night Child (1975)
For a few years, in 1970s Italy, Nicoletta Elmi was the go-to creepy kid. She pops up in Mario Bava��s Bay of Blood and Baron Blood, and in Dario Argento’s Deep Red, among others, but she’s never more creepy than she is in The Cursed Medallion. Here, she plays Emily, the daughter of an art historian who’s making a documentary on demons in paintings. She’s given a medallion but, as the title suggests, it’s cursed, and she ends up possessed by the spirit of a murderess. It’s atmospheric, lovingly photographed and, of course, Elmi is awesome in the lead role.
The Descent (2005)
A group of friends go off on a spelunking holiday, but get more than they bargained for when it turns out that the caves they’re exploring are dangerous in more ways than one. There’s enough time spent on character development that you really feel it when the group starts to get thinned out; there’s some incredibly painful-looking gore; and there are some amazingly freaky monsters. Watch it in a darkened room to make the most of its wonderfully claustrophobic atmosphere.
Paranormal Activity (2007)
The shine might’ve come off this movie because the Paranormal Activity franchise has become Lionsgate’s new one-every-Halloween cash cow, but there’s something deliciously creepy about this movie. Rewatching it now, even knowing when all the scares are coming, it’s still chilling. In a neat twist on the traditional haunted house story, Paranormal Activity’s entity haunts a person, not a house – so its victim can’t just pack up and move. The found footage conceit is used to great effect, making you stare intently at grainy nighttime footage of an empty room, straining your ears for distant footsteps, before making you jump out of your skin with a loud bang. (Pro tip: the movie has three different endings, so if you think you’re bored of it, try one of the others.)
Ju-on: The Grudge (2002)
So much of the effectiveness of a horror movie comes down to its sound design. A well-placed creak, groan, echo, or jangle can make the difference between something completely normal and something terrifying. New scary noises don’t come along very often, but Ju-on: The Grudge managed to come up with something unlike any other scary noise you’ve heard before. Its ghost makes a weird rattling, burping groan as she approaches; it’s kind of like a death rattle, kind of like a throttled scream, and it’s creepier than anything you’ve ever heard before. The film is relentless, light on plot and heavy on jump scares, but it’s that noise that’ll stay with you.
Julia’s Eyes (2010)
Julia and her twin sister, Sara, both suffer from the same degenerative disease – one that causes them to go blind. When Sara undergoes experimental surgery and subsequently kills herself, Julia suspects foul play – and, indeed, something weird seems to be going on, with whisperings about an invisible man lurking in the shadows. But as Julia gets closer to the truth, her own eyesight suffers more and more…The film restricts our vision almost as much as Julia’s; it’s almost unbearably claustrophobic, and ultimately heartbreaking.
The Eye (2002)
Another film about eyes and the horrors of going blind, The Eye follows Mun, a classical violinist from Hong Kong, as she undergoes an eye transplant. Although the transplant seems to be successful – Mun can see again – something isn’t right, because now she can see dead people. And most of them are terrifying. The ending is vaguely preposterous, but the rest of the film is creepy enough that it’s forgivable.
Zombie Flesh Eaters (1979)
Lucio Fulci’s unofficial sequel to Dawn Of The Dead features perhaps the creepiest zombies ever committed to film. When a boat turns up in New York harbour with only a zombie on board, investigative reporter Peter West sets out to find out where the boat came from and what’s going on. He ends up on the island of Matool, where the dead are returning to life to eat the flesh of the living… and they’re really, really gross. Zombie Flesh Eaters was initially classified as a video nasty in the UK, and it’s not difficult to see why. Its atmosphere elevates it above your average exploitation movie, though; there’s something really melancholy about it.
[REC] (2007)
When a local news crew decided to tag along with the fire brigade for an evening, they probably didn’t realise they’d end up fighting from their lives in a zombie-infested tower block. Co-written and co-directed by Paco Plaza and Jaume Balaguero (yup, him again), [REC] is a decent enough zombie movie, until the final reel, when it reveals an even more terrifying ace up its sleeve.
Let Me In (2010)
Although remakes are usually terrible, Matt Reeves’ take on this unusual vampire story was both respectful of and different from the original and, for my money, it’s creepier. Lonely tween Owen doesn’t have any friends until the equally strange Abby moves in next door. They embark on an odd friendship/proto-romance, but Abby has a secret: she’s a vampire. The use of a candy jingle is, against all odds, really eerie, and by paring the story down to its most essential elements (and getting rid of that daft cat scene) Let Me In makes for a scarier watch than Let The Right One In.
Carnival Of Souls (1962)
After a traumatic accident, weird things start happening to Mary. A strange man seems to be stalking her, though no one else can see him, and she feels irresistibly drawn to an abandoned pavilion out in the middle of nowhere. Once upon a time, the pavilion housed a carnival, but now it’s just an empty building… or is it? There’s nothing surprising about the plot of this movie to a modern audience – you’ll have the whole film worked out within about five minutes – but it is gloriously creepy. The climactic scenes at the carnival are pure nightmare fuel.
The Shining (1980)
Probably the most effective of all the Stephen King adaptations, The Shining plonks Jack Nicholson down in the middle of a creepy hotel and lets him do his thing. Nicholson plays Jack Torrance, a struggling writer who gets a winter job as caretaker of The Overlook Hotel, where the isolation and/or ghosts send him out of his mind. There are so many creepy images in this film: the twin girls who just want to play, the woman in room 237, the lift full of blood, and, oh, lots more.
The Cabinet Of Doctor Caligari (1920)
Appropriately, watching The Cabinet Of Doctor Caligari feels like slipping into a nightmare. Caligari’s cabinet holds Cesare, the sleepwalker – a catatonic oracle able to answer questions of life and death with eerie accuracy. Is Caligari a hypnotist, a murderer, or both? It’s a strange story, made stranger with a twist ending, and rendered impossibly creepy by the Expressionist production design. The weird, distorted hand-painted sets give the film a crude, unreal beauty and, if anything, the passage of time has increased the film’s creepiness, because it’s so utterly unlike modern films.
The Exorcist (1973)
An obvious choice, but The Exorcist is genuinely scary. It’s deceptively simple: the filming style is realistic, the locations are ordinary-looking and, by comparison to more modern horror movies, there aren’t many elaborate effects or stunts. But the film makes every scary moment count. It’s atmosphere is oppressive, claustrophobic – there’s an ever-present sense of dread throughout. It ought to feel more dated than it does, but even now, the demonic makeup and scratchy voice of the possessed Regan gives me goosebumps.
The Omen (1976)
Damien is probably the ultimate creepy child. Adopted by the Thorns when their own newborn dies, it doesn’t take long for his dark side to emerge: Damien is the Antichrist.
There are so many iconic moments in this film, so many things that have shaped both the horror genre and our culture’s idea of evil; something about this film really struck a chord, and even now it’s pretty effective. Every death scene in this movie is memorable, but the suicide of Damien’s nanny at his birthday party particularly stands out.
Ghostwatch (1992)
Originally shown on UK TV at Halloween, Ghostwatch scared a whole generation shitless. It’s presented as a live broadcast, starring familiar BBC faces: Michael Parkinson plays host, while Sarah Green and Craig Charles report from the scene as a normal family recount their experiences with the terrifying ghost they’ve dubbed “Pipes”. The shadowy figure of a man is glimpsed several times throughout the show, some appearances more obvious than others, and as viewers call in to share their own stories, things get weirder and weirder…Okay, this isn’t technically a film, but it is so amazingly creepy and brilliant that it couldn’t be left off the list.
The Wicker Man (1973)
The Wicker Man is a wonderful mishmash of genres: it’s got humour, horror, singing and sex. It frequently teeters on the edge of absurdity. But at heart, it’s deeply creepy. When devout Christian Sgt Howie visits the isolated community of Summerisle, he thinks he’s investigating the abduction of a little girl – and the villagers certainly do seem to be acting suspiciously. But as his investigation continues, it becomes clear that something entirely different is going on. Howie runs headlong to his doom, and its final scene is downright spine-chilling.
Suspiria (1977)
Suspiria is Dario Argento’s finest hour. It’s eyeball-meltingly beautiful to look at, all unnatural neon lighting and ridiculously lavish set design; the music is cacophonous, a never-ending wall of sound that doesn’t let up; and the plot is, well, it’s functional enough.
Suzy, an American ballet dancer, flies to an exclusive dance school in Germany only to find herself in the midst of a murder investigation – and something weird is definitely going on with the teachers. If you haven’t seen Suspiria in a while, treat yourself to the Blu-ray. There’s nothing restrained about this movie, nothing ordinary; it sneaks up on you and worms its way into your brain. It’s brilliant.
The post The Best Creepy Horror Movies appeared first on Den of Geek.
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[TASK 200: ANTIGUA AND BARBUDA]
In celebration of June being Caribbean American Heritage Month, there’s a masterlist below compiled of over 170+ Antiguan and/or Barbudan faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. If you want an extra challenge use random.org to pick a random number! Of course everything listed below are just suggestions and you can pick whichever faceclaim or whichever project you desire.
Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags, @ mention us or send us a messaging linking us to your post!
THE TASK - scroll down for FC’s!
STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!
STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!
STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)
STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.
THINGS YOU CAN MAKE FOR THIS TASK -  examples are linked!
Stumped for ideas? Maybe make a masterlist or graphic of your favourite faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by an artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on culture and customs.
Screencaps
RP icons [of all sizes]
Gif Pack [maybe gif icons if you wish]
PNG packs
Manips
Dash Icons
Character Aesthetics
PSD’s
XCF’s
Graphic Templates - can be chara header, promo, border or background PSD’s!
FC Masterlists - underused, with resources, without resources!
FC Help - could be related, family templates, alternatives.
Written Guides.
and whatever else you can think of / make!
MASTERLIST!
F:
Anna Maria Horsford (1948) Afro-Antiguan, Limba, Dominican - actress. 
Patsy Moore (1964) Afro-Antiguan / Unspecified - singer and poet.
Marianne Jean-Baptiste (1967) Afro-Antiguan / Afro-Saint Lucian - actress. 
Drena De Niro (1967) Antiguan, African, Creole / Unknown - actress and producer. 
Rozonda Thomas (1971) African-American, 1/16th Bengali Indian, 1/16th Afro-Antiguan, possibly Unspecified Native American - actress, dancer and singer. 
June Ambrose (1972) Afro-Antiguan - tv personality and stylist.
Fay Wolf (1978) Afro-Antiguan / Ashkenazi Jewish - actress, singer and pianist. 
Claudette Peters (1979) Afro-Antiguan - singer.
Javine Hylton (1981) Afro- Antiguan or Barbudan, White - singer.  
Gemma Hunt (1982) Afro- Antiguan or Barbudan - presenter. 
Masaba Gupta (1988) Indian / Antiguan - fashion designer.
London Hughes (1989) Afro- Antiguan or Barbudan - comedian and presenter. 
Xiea Hull (1993) Afro-Antiguan - model.
Aaron Philip (2001) Afro-Antiguan - model. - Has Cerebral Palsy - Trans!
Au/Ra / Jamie Lou Stenzel (2002) Antiguan / German - singer-songwriter.
Donalia Jones (?) Afro-Antiguan - actress.
Nicoya Henry (?) Afro-Antiguan - model.
Mara (?) Afro-Antiguan - instagrammer (mara_mac).
Tamzin (?) Afro-Antiguan, Nigerian, British - singer (instagram: tamzinmusic).
Catherine Melenciano (?) Afro-Antiguan - instagrammer (cathiimedialuna).
Melisa N. Charles (?) Afro-Barbudan - model.
Desiree Heslop / Princess (?) Afro- Antiguan or Barbudan - singer.
F - Athletes:
Ruperta Charles (1962) Afro-Antiguan - sprinter. 
Jocelyn Joseph (1964) Antiguan or Barbudan - sprinter.
Laverne Bryan (1965) Antiguan or Barbudan - middle-distance runner.
Heidi Lehrer (1966) Antiguan [White] - canoer.
Monica Stevens (1967) Antiguan or Barbudan - sprinter.
Heather Samuel (1970) Antiguan or Barbudan - sprinter.
Charmaine Gilgeous (1971) Afro-Antiguan - sprinter.
Barbara Selkridge (1971) Afro-Antiguan - sprinter.
Charmaine Thomas (1974) Antiguan or Barbudan - sprinter.
Dine Potter (1975) Antiguan or Barbudan - sprinter.
Kevinia Francis (1978) Afro-Antiguan - cyclist.
Sonia Williams (1979) Afro-Antiguan - sprinter.
Amy Harris-Willock (1987) Afro-Antiguan - long jumper and Miss Caribbean UK. 
Priscilla Frederick (1989) Afro-Antiguan / African-American - high jumper.
Christal Clashing (1989) Afro-Antiguan / Costa Rican - swimmer.
Samantha Edwards (1990) Afro-Antiguan - sprinter. 
Amelia Green (1991) Antiguan - footballer.
Tamiko Butler (1991) Antiguan - cyclist.
Afia Charles (1992) Afro-Antiguan / Unknown - sprinter. 
Karin O'Reilly Clashing (1992) Afro-Antiguan / Costa Rican - swimmer.
Satara Murray (1993) Afro-Antiguan, Afro-Barbudan, Afro-Jamaican, Afro-Guyanese, English - footballer.
Desirèe Henry (1995) Afro-Antiguan, Afro-Guyanese - sprinter. 
Sabrina Frederick (1996) Afro- Antiguan, Jamaican - footballer.
Kaila Charles (1998) Afro-Antiguan / Trinidadian - basketball player.
Samantha Roberts (2000) Afro-Antiguan - swimmer.
Sher-Rhonda Greenaway (?) Afro-Antigua - IFBB Elite Pro Athlete and Miss Antigua overall Bodyfitness Champion 2017.
M:
King Short Shirt / Sir MacLean Emanuel (1942) Afro-Antiguan - singer. 
Romeo Challenger (1950) Afro-Antiguan - musician. 
Kool DJ Red Alert / Frederick Crute (1956) Afro-Antiguan - disc jockey.
Jazzie B / Trevor Beresford Romeo (1963) Afro-Antiguan - DJ and music producer.
Shashi Balooja (1968) Antiguan - actor and filmmaker.
Andrew Keoghan (1980) Antiguan - singer-songwriter. 
Tian Winter (1985) Afro-Antiguan - singer-songwriter.
Ricardo Drue (1985) Afro-Antiguan - singer-songwriter.
JB Gill / Jonathan Benjamin Gill (1986) Afro-Antiguan - singer. 
Killian Lyrik (1991) Algonquian, Antiguan, Jamaican, Dutch, German - singer, model and writer.
Lucien Laviscount (1992) Afro-Antiguan / English - actor and singer. 
Kirk Knight (1996) Afro-Antiguan / Grenadian - rapper.
Quan The Supreme (1997) Afro-Antiguan, Afro-Barbudan - tiktoker (quanthesupreme).
KneeCaps (1998) Afro-Antiguan, Afro-Barbudan - youtuber.
Sheku Kanneh-Mason (1999) Afro-Antiguan / Sierra Leonean - cellist. 
Clifton Joseph (?) Afro-Antiguan - dub poet.
Shirville Jarvis (?) Afro-Antiguan - actor and model.
M - Athletes:
Maurice Hope (1951) Afro-Antiguan - boxer.
Andy Roberts (1951) Afro-Antiguan - cricketer. 
Viv Richards (1952) Afro-Antiguan - cricketer. 
Cuthbert Jacobs (1952) Antiguan, Barbudan - sprinter.
Maxwell Peters (1955) Antiguan, Barbudan - triple jumper.
Everton Cornelius (1955) Antiguan, Barbudan - sprinter.
Leon Richardson (1957) Antiguan - cyclist.
Elisha Hughes (1959) Antiguan - cyclist.
Alfred Browne (1959) Afro-Antiguan, Afro-Barbudan - sprinter.
Eldine Baptiste (1960) Afro-Antiguan - cricketer. 
Brian Lyn (1961) Antiguan - cyclist.
Richie Richardson (1962) Afro-Antiguan - cricketer.
Oral Selkridge (1962) Afro-Antiguan, Afro-Barbudan - sprinter.
Curtly Ambrose (1963) Afro-Antiguan - cricketer. 
Lester Benjamin (1963) Afro-Antiguan, Afro-Barbudan - long jumper.
Howard Lindsay (1963) Afro-Antiguan, Afro-Barbudan, Afro-Jamaican - middle-distance runner.
Jacob Lehrer (1964) Antiguan [White] - canoer.
Ira Fabian (1964) Afro-Antiguan - cyclist.
Dale Jones (1964) Antiguan - middle-distance runner.
Winston Benjamin (1964) Afro-Antiguan - cricketer. 
Pieter Lehrer (1965) Antiguan [White] - canoer and footballer.
Rolston Williams (1965) Afro-Antiguan - footballer.
Daryl Joseph (1966) Antiguan, Barbudan - boxer.
James Browne (1966) Antiguan, Barbudan - long jumper.
Mitchell Browne (1966) Afro-Antiguan, Afro-Barbudan - sprinter.
Neil Lloyd (1966) Afro-Antiguan - cyclist.
Kenny Benjamin (1967) Afro-Antiguan - cricketer. 
Ridley Jacobs (1967) Afro-Antiguan - cricketer. 
Anthony Henry (1967) Afro-Antiguan - sprinter.
Robert Marsh (1968) Afro-Antiguan - cyclist.
Reuben Appleton (1968) Afro-Antiguan - middle-distance runner.
Derrick Edwards (1968) Afro-Antiguan - footballer.
Robert Peters (1970) Afro-Antiguan - cyclist.
Kenmore Hughes (1970) Antiguan or Barbudan - sprinter.
Hamish Anthony (1971) Afro-Antiguan - cricketer. 
Michael Terry (1973) Afro-Antiguan, Afro-Barbudan - middle-distance runner.
N'Kosie Barnes (1974) Afro-Antiguan - sprinter.
Adam Sanford (1975) Afro- Antiguan or Barbudan - cricketer.
Marc Joseph (1976) Afro- Antiguan or Barbudan - footballer. 
Ben Challenger (1978) Afro- Antiguan or Barbudan - high jumper. 
Emile Heskey (1978) Afro-Antiguan - footballer. 
Speedy Claxton (1978) Afro-Antiguan - basketball player.
Kieron Dyer (1978) Afro-Antiguan / English - footballer. 
Rory Gonsalves (1979) Antiguan - cyclist.
Shannon Falcone (1981) Antiguan [White] - sailor.
Robbie Joseph (1982) Afro-Antiguan - cricketer. 
Joel Anthony (1982) Afro-Antiguan / Unknown - basketball player. 
Mikele Leigertwood (1982) Afro-Antiguan - footballer. 
Justin Cochrane (1982) Afro-Antiguan / Saint Lucian - footballer. 
Gavin Tonge (1983) Afro-Antiguan - cricketer. 
Brendan Christian (1983) Afro-Antiguan - sprinter.
Julius Hodge (1983) Afro-Antiguan - basketball player.
Kurt Looby (1984) Afro-Antiguan - basketball player.
Damien Farrell (1984) Afro-Antiguan or Barbudan - footballer. 
Peter Byers (1984) Afro-Antiguan - footballer. 
Ronayne Marsh-Brown (1984) Afro-Antiguan or Barbudan - footballer. 
James Grayman (1985) Afro-Antiguan - high jumper.
Ayata Joseph (1985) Afro-Antiguan - triple jumper.
Colin Kazim-Richards (1986) Afro-Antiguan / Turkish Cypriot - footballer. 
Dexter Blackstock (1986) 1/4th Afro-Antiguan, Unknown - footballer. 
Colin Kazim-Richards (1986) Afro-Antiguan / Turkish - footballer. 
Daniel Bailey (1986) Afro-Antiguan - sprinter.
James Walker (1987) Afro-Antiguan or Barbudan - footballer. 
Moses Ashikodi (1987) Afro-Antiguan or Barbudan - footballer. 
Luke Blakely (1988) Afro-Antiguan - footballer. 
Myles Weston (1988) Afro-Antiguan - footballer.  
Marvin McCoy (1988) Afro- Antiguan or Barbudan - footballer. 
Malique Williams (1988) Afro-Antiguan - swimmer.
Orlando Peters (1988) Afro-Antiguan - cricketer.
Justin Athanaze (1988) Afro- Antiguan or Barbudan - cricketer. 
Keiran Murtagh (1988) Afro-Antiguan or Barbudan - footballer. 
Jyme Bridges (1989) Afro-Antiguan - cyclist.
Devon Thomas (1989) Afro-Antiguan - cricketer. 
Josh Parker (1990) Afro-Antiguan or Barbudan - footballer. 
Kemba Walker (1990) Afro-Antiguan / Antiguan [Antiguan, Crucian] - basketball player.
Kiernan Hughes-Mason (1991) Afro-Antiguan or Barbudan - footballer. 
Jamol Pilgrim (1991) Afro-Antiguan - paralympic sprinter.
Nathaniel Jarvis (1991) Afro- Antiguan or Barbudan - footballer. 
Hayden Walsh Jr. (1992) Crucian [Afro-Antiguan / Unknown] - cricketer. 
Keanu Marsh-Brown (1992) Guyanese, Afro-Antiguan or Barbudan - footballer. 
Quinton Griffith (1992) Afro-Antiguan - footballer. 
Kareem Valentine (1992) Afro-Antiguan - swimmer.
Zaine Francis-Angol (1993) Afro-Antiguan or Barbudan - footballer. 
Rahkeem Cornwall (1993) Afro-Antiguan - cricketer. 
Norvel Pelle (1993) Afro-Antiguan - basketball player. 
Calaum Jahraldo-Martin (1993) Afro-Antiguan - footballer. 
Rhys Browne (1995) Afro-Antiguan - footballer. 
Mahlon Romeo (1995) Afro-Antiguan / Unknown - footballer. 
Cejhae Greene (1995) Afro-Antiguan - sprinter.
Ché Adams (1996) Afro-Antiguan / Unspecified - footballer. 
Blaize Punter (1996) Afro-Antiguan / Unspecified - footballer. 
Connor Peters (1996) Afro-Antiguan or Barbudan - footballer. 
Alzarri Joseph (1996) Afro-Antiguan - cricketer. 
Courtney Wildin (1996) Afro-Antiguan or Barbudan - footballer. 
AJ George (1996) Afro-Antiguan - footballer. 
Vashami Allen (1997) Afro-Antiguan - footballer. 
Luther Wildin (1997) Afro-Antiguan or Barbudan - footballer. 
Shai Gilgeous-Alexander (1998) Afro-Antiguan / Unspecified White - basketball player.
DJ Buffonge (1998) Afro-Antiguan - footballer. 
Daniel Bowry (1998) Afro-Antiguan or Barbudan - footballer. 
Noah Mascoll-Gomes (1999) Afro-Antiguan - swimmer.
Stefano Mitchell (1999) Antiguan - swimmer.
Zayn Hakeem (1999) Afro-Antiguan - footballer. 
Thomasi Gilgeous-Alexander (2000) Afro-Antiguan / Unspecified White - basketball player.
TJ Bramble (2001) Afro-Antiguan or Barbudan - footballer. 
Patrick Spencer (?) Antiguan - cyclist.
Rowan Benjamin (?) Antiguan or Barbudan - footballer.
Problematic:
Conrad Mainwaring (1951) Afro-Antiguan - hurdler. - Sexual assault allegations.
Mohammed George (1982) Afro-Antiguan / Afro-Jamaican - actor. - Assault allegations.
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