#fascinating how they reverse the roles (also because women on this show have to be evil) but in a misogynist way still

[deadwerewolfgirlfriend]

5.03 Free to Be You and Me & 9.11 First Born // they aired this on television

[ffcrazy15]

Man I cannot be the only one who feels that it will be Extremely Uncomfy if the LD writers don't subvert the whole "sexy crime lady planet" vibes with the Orions next season by showing how it's not cool and progressive, actually, to be part of a culture built on massive wealth inequality, sexism, crime, and literal slavery, just because the women are in charge and wear leather and whatever.

Like the whole 'monehead club thing? Fantastic worldbuilding, loved it—provided that next season it's shown that it's actually really uncomfy and frankly scary that those places exist.

Aaaand no, it actually doesn't make all that okay just because Orion is a matriarchal society instead of a patriarchal society. I think that, handled well, next season's Orion arc could be a really fascinating study of a world where the gender roles are indeed truly reversed by means of a physical advantage that women on Orion have over men, and how leveraging that physical advantage to oppress the other gender creates a whole new kind of fucked-up, which humans just don't recognize as bad because we come from the other end of the spectrum. Having Tendi, the Starfleet scientist, use her position in the Syndicate to undermine that system is the only way I can see her character willingly take up the mantle of Mistress of the Winter Constellations again and still be a good person. Also, slavery? I think it's not a good idea for us to forget that Orion has (or at least had) a massive slavery problem.

I trust the LD writers to write a smart and introspective story about this culture. I trust them to take a critical look at this culture and planet and show how it's fucked up and in need of serious reform. But if they don't, I have to admit that I will be...uncomfortable at best, and extremely disappointed at worst.

[bluedalahorse]

Earlier today I alluded to the fact that Young Royals has some interesting stuff to say about heterosexuality. Let me elaborate.

One of the many intriguing moments in Young Royals season 2 (in my mind, anyway) is the phone call where Jan-Olof asks August a lot of questions and ends with the question “Are you heterosexual?” To which August replies that he is. It’s only ever been girls! (I think that’s how the line goes, anyway.)

What intrigues me about this is the way it puts the emphasis on heterosexuality as a label—or, to put it more colloquially, on the idea of being heterosexual as a “thing.” After all, the whole notion of being straight or hetero is a fairly recent one in human history. The word heterosexual hasn’t been around too long, first appearing in German in 1869 after being coined (along with the word homosexual) by Karl Maria Kertbeny. In the late 19th century, western culture saw a shift in how people understood sexuality, and people started describing sexual orientation as more of an identity thing (who you are) than a behavior thing (what you do.) If Wilhelm’s family has been on the throne at least as long as the IRL Swedish monarchs, then the current Swedish monarchy in Young Royals predates the ideas of heterosexuality and homosexuality. The Swedish monarchy as an overall institution definitely predates heterosexuality as a concept. Social constructs, baby!

That said, Jan-Olof, the show’s keeper of tradition, still asks August if he’s straight. What he’s really asking, given the uncomfortable reproductive subtext of the conversation, is whether August is willing to produce a legitimate heir to keep the monarchy going. This is interesting because of the way it conflates heterosexual identity with reproduction. We know there are plenty of straight people who choose not to have kids and use various contraception methods to prevent pregnancies from happening or being carried to term. (Heck, August and Sara themselves have a whole conversation about condoms.) We also know that there are plenty of non-straight people who have biological kids. Ultimately, straightness doesn’t matter for that kind of thing! And yet, by including a question about heterosexuality in a series of questions that’s really about reproduction, wrapped in an even longer list of questions about fitness for the throne, this conversation is putting forward the notion that heterosexuality isn’t just about sex and romance. It’s also a political stance.

And that’s… that’s kind of fascinating. Usually it’s queer people who are said to be inherently “political.” Straightness, of course, is just as political. It’s just that no one calls it that. So I’m struck by the reversal of that dynamic in the show.

I’m also struck by how August’s heterosexuality is a matter of attraction, performance, and labeling, and each of these is addressed separately and a little bit differently by the writing. We know he has heterosexual attraction toward Sara (and possibly Felice, depending on how you read that relationship) based on the fact that he has ~those kinda feelings.~ But there’s also the public performance of heterosexuality, where we see August hitting on Felice in a very overt and aggressive way. In those moments, August’s performance of heterosexuality becomes an expression of power and privilege. This is further reinforced by some of the crude sexual jokes he makes about women. Even the softer stuff toward Sara puts him in a protector role that lines up with gender roles by the end of s2. If the performance of heterosexuality is an attempt to claim power, then what does claiming the label of heterosexual mean? I think perhaps we’re supposed to see it as August declaring his alleged right to power, within this particular social system where heterosexuality means something specific.

Labels can confer power on a person by giving them the power to define themself, but labels can also be limiting, in a way. August is, for the most part, straight in terms of his identity, behavior, and personal politics. He’s willing to claim the power and privilege that straightness gives him. However, there are times where his heterosexuality gets a bit fuzzy around the edges. That time where he’s (fakely) singing Simon’s praises and out of nowhere kisses him on the forehead comes to mind as kind of a weird moment. Like, where did that come from, August? The fact that August has watched the video of Wilhelm and Simon a few too many times also hasn’t escaped fandom’s notice. Finally, the fact that August labels himself as hetero in a scene where he’s lying through his teeth about other things, and when the palace is trying to fabricate a perfect princely persona for him, really shows how much of a social construct sexual orientation labels are. They describe something real, but they can’t describe all the nuances of it.

My point here is not that August is some sort of hidden bisexual representation sleeper agent—he really isn’t! (Like I said he is functionally straight, and also these moments above still involve him behaving in aggressive and dysfunctional ways.) Rather, I’m more interested in the way August ignores his own fuzziness-of-orientation (however minute) when claiming the strict heterosexuality label, and therefore cuts himself off from the possibility of empathy for Wilhelm and Simon, as well as enlisting himself in a system where he wouldn’t really thrive. Sure, there’s lots of other aspects of his personality that play a role in this as well. But I wanted to talk about this one today, so I did.

Anyway, binaries are harmful and divisive and reinforce weird power structures. Regardless of our orientations, we would all do better if we all embraced a degree of queerness in the world and in ourselves, don’t you think?

(Hey, are there other characters in the series where you want me to talk about their relationships to heterosexuality? Let me know with an ask or something; I’d be happy to ramble.)

[atopvisenyashill]

how do you think alysanne would feel about gay targcest? because while i can believe the conqueror trio and jaehaerys see their incestuous traditions as a means to establish dominance over non-valyrians and produce pure-blooded dragon riders, alysanne always came off like she bought into the "romance" of it all. like if baelon ever came to her and admitted that he loves aemon more than he ever could alyssa, would she internally accept that as real love (even if not a politically convenient love) or would she insist that real targcest makes inbred babies and two brothers fucking each other is just a step too far for some reason?

okay first of all. fuck george for never giving us explicit mm targcest. i love rhaena the lesbian i think she’s a fascinating insight in valyrian gender roles and also she’s just a wildly interesting character. but she’s not enough dammit we need more queers. george stop being such a jersey boy and write anal. stop being afraid of penises george you're a grown ass married man.

second of all and keeping in mind i don't have f&b in front of me bc it's always checked out on libby. okay see i need to caveat this bc obviously there are different reactions to gay women vs gay men. but our only frame of reference here is RHAENA. (and laenor but alysanne didn’t know he was gay bc he was only like 4 when she died, LAENOR probably didn’t even know he was gay yet) and the thing is. they all know she’s gay! and no one seems to…care? alysanne & jaehaerys are happy when rhaena married androw but that’s bc it means she gets to live with ELISSA forever now. j&a aren’t like androw stans they don’t give a shit about that dude. they all seem very aware of who rhaena’s various girlfriends are! there’s no report of alysanne ever having a problem with this! it’s not like she showed up after the poisoning and was like “well maybe if you bedded your husband more often this never would have happened” does she? her problems with rhaena are all rooted in their PERSONALITIES in their TRAUMA like she’s not even recorded to have made some sort of nasty comment about any of Rhaena's lovers. in fact, the people who had an issue with Rhaena's lovers were a) the fathers of her girlfriends or b) Rhaena's own husband. Alysanne (and, to be fair, Jaehaerys) seems to view this whole ting more as like. Well that's just Rhaena, she's a bit odd. I think it adds to the almost Inhuman Beauty of Rhaena in a way - she's so larger than life, even her love can't be confined to the simple dichotomy of husband-and-wife, no she prefers her ladies instead (I was thinking of like, Lady Hideko from The Handmaiden - how the con artist mentions that there's a coldness to her that she could never be seduced by a man. An almost ethereal beauty there that is tied to the fact that she is not attracted to men).

What I think is key here is that a) they're both Valyrians b) Rhaena is her sister and Alysanne loves her despite the issues they have c) Rhaena "does her duty" and has a child by her Valyrian brother. SO. In my opinion, I think the specific scenario of Baelon coming to her and saying he doesn't love Alyssa, he loves Aemon, I think she would buy into the romantic nature of it. I think she would absolutely insist that he marry Alyssa anyway, if only to protect him from rumors and keep it like, ~in the family~ the way Rhaena and Aegon did, but if they only ever had Viserys, I think she would be okay with that. I think she would paint Alyssa as his "protector" in her mind - that fondness she saw between them wasn't her and Jaehaerys reborn after all, but perhaps more of the dynamic Rhaena likely wanted with Aegon (but reversed). Which isn't to say this won't devolve into a weird dynamic - the thing about this is that Alysanne isn't just projecting her own relationship onto her kids, she's projecting Rhaena & herself as well (imo Viserra gets the brunt of this) and Alysanne wanting her kids to playact a scenario where Rhaena is happily brother-married and living her best lesbian life still has just, so many openings to get really deranged. I think Jocelyn would face a lot of issues here. I think Alyssa might be allowed a level of GNC-ness that she isn't allowed in the books, but there's a trade off here where Alyssa is essentially playing Aegon the Uncrowned's role - and if she isn't happy with that, Alysanne would get upset. I think it's not unlikely Baelon doesn't get that "the Brave" epithet because he gets very force-femmed as a way to protect Aemon's reputation.

If Baelon was in love with like, some random household knight, that imo would upset Alysanne. But in love with Aemon? I do think she could make herself happy projecting onto that one.

[raetreaderarts]

I have a lot to say about Candide from the new Clone High season because she has been on my mind for the past week or so and I love overanalyzing and picking apart my fictional beloveds. It’s mostly just gonna be a lotta inane rambling about things I noticed and dots I’ve connected but if you’re into that then you can go ahead and read whatever I decide to put under here. Also spoilers for season 2 ofc

I don’t think people talk about her characterization enough since she’s not as popular as the clones and Scudworth, but there’s a decent bit to unpack about her from the sparse times she’s onscreen throughout the season. She’s presented as being cold and calculating, having no room for genuine connections other than with her reptiles. The only times we see her being vulnerable are the two times she’s drunk or the time Scudworth’s rabbit ripped her pets to shreds. Some of why this is the case is speculation on my part but there are also some details that stick out to me from the show.

For example, let’s start with her mommy issues (this section does have a small mention of fatphobia so cw for that). In the episode where she unleashes the stress monster onto the school, while she’s thinking of other ways to stress the clones out, she says something along the lines of, “Maybe we can hire someone to pick apart the clones’ bodily insecurities. Maybe my mom is available.” Then in the episode where Joan gets silly legs she tells Joan not to gain any weight while she’s on her business retreat. So there’s clearly something there that’s been carried over from her mother onto her which she is now projecting onto her own foster daughter.

And on that topic, in the sleepover episode, when she takes the truth serum, she admits she wants to be a mom, even though she has a foster daughter and treats her like absolute dogshit (Mr. B please come pick up your daughter Joan deserves better than this). This could either be because Candide doesn’t see Joan as her actual daughter or because she only wants a daughter she can project herself onto. The second point is backed up by the fact that in the finale she shows Joan what she could look like when she becomes the ruler of the world, dressed in a business suit and wearing square glasses- a spitting image of Candide. She wants a position she was never offered so she’s going to attain that power by living vicariously through her daughter instead.

There’s also the aspect of her being closed off due to her knowing how cutthroat the workforce can be, especially since she’s a woman. It would make sense considering that she’s (from what I read on the wiki) based off of Elizabeth Stanton who was a revolutionary for women’s rights. There’s also the literal glass ceiling she places above Scudworth’s office in order to keep an eye on him, which is of course a reference to the metaphorical glass ceiling that keeps women from attaining higher positions of power, however in this scenario the roles are reversed since she’s the one on top. I imagine that everyone is either competition or a pawn in her eyes, and vulnerability leads to the potential of betrayal. The only reason she allows herself to love her reptiles is because they are physically unable to betray her.

That’s about all I have to say right now, but I just find her to be wildly fascinating and honestly I was surprised to see she isn’t more popular in the fandom. Like I imagine people saw her and went “yeah that’s simp bait” and turned the other way, and to be fair that’s what I thought too until I accidentally fell in love with her, whoopsie daisy. But there is SO much more to her character than just being a massive bitch and also thicc as shit (amen 🙏), she’s so interesting even from what little information we’re given about her. She deserves more love as a character, I might draw fan art at some point.

[dontbotherwiththepronunciation]

Was there any responses on the Theon survey that made you feel differently about a certain headcanon, fandom trend or ship?

Thank you for your patience. It is uncommon for people to ask about my opinions but it brought a smile to my face, and your politeness only added to it.

To answer your question, sadly not, but there were still some developments on my perceptions.

Fandomwise I was mostly proven right over things I suspected in the past both in things I find uplifting and things that I find upsetting (TCKs and colonialism children in the Theon corner preferring Dany over Sansa and usually disliking the Theon/Stark ships, Robb Stark being a gift as the prevalent perception among throbb shippers, most people not caring about Jeyne Poole, thramsays being unhinged but very respectful and careful about people's boundaries) but there were a few things that had a positive reaction in me and maybe prepared me for changes.

I think I've made clear how I don't like engaging with Theon/Stark ships and sadly when it came to the squid prince and the steel skinned princess this didn't change at all, on the contrary, but when it came to the squid prince and the wolf-headed boy I was confronted with smaller subsets of the fandom that I felt could actually get me into it.

I used to be a lot more open about the later ship but as time passed it was ruined for me due to many personal vexations involving interpretation, (dismissal or vilification of) characters, themes and the constant use of show-scenes and quotes, but some of the responses from throbb people came very close to things I would theoretically enjoy in them as a ship (and as a closer characterisation of how I perceive Robb, clearly not a villain or an evil-doer but not someone I'd want to spend time with).

Nothing fully changed my mind, I didn't always agree with their reasoning and I am still sceptical because this was only a minority, but I think to some extent it made me more curious and, admittedly, less judgemental.

Here are some examples I am allowed to quote:

On Throbb as a ship, by throbb people

I only mildly dabble in shipping in asoiaf at all, however Throbb Is nice as when its done well It tends to have a lot of what I like (kidfic, canon divergences with some political element and happening around the early ACOK node, very specific hurt comfort dynamics, role reversals (enjoy Robb Is the one who had to experience Ramsay AUs even) exploration of the cultural/identity issues through conflicing loyalty etc . It rigorously has to be by people who love Theon better than Robb though

I'm someone where I will take whatever I can get tbh. All of the above. I do really enjoy stories where Robb is a darker character though, and relishes in the power he holds over Theon. Also just like playing with the theme of the Starks being wolves? And how the Ironborn were called like sea wolves by those in the riverlands and westerlands. It's very fun. I also do indulge in modern AUs where Theon is an unofficial member of the Starks. It's just very comfy. I like it less-so in canon fics because I think it very much writes off Ironborn culture in place of Northern culture. I am picky with them though because some of them are very much in the lane of "the Starks can do no wrong" and nope, the Starks can and have.

I am truly here for literally any Theon ship and they all appeal to me in different ways for different reasons. Robb and Theon - Personally I think it's really interesting how Robb is upheld as this very honourable gentleman-type but he never calls out Theon on his horrible treatment of women or other uncouth behaviour and it's suggested he actually kind of admires him for it? It gives me the impression that Robb lives vicariously through Theon a little bit and I'm fascinated by the idea of them being devoted to each other but also jealous of each other? We never see Robb's POV in the books but I think he's interesting to view through a lens of a young guy with an immense amount of pressure and responsibility on his shoulders (even before Ned dies he has the responsibility of being heir and the pressure to live up to the Stark name). I imagine that Theon is one of the few people Robb felt he could be himself around without any pressure to be respectable or honourable. He probably craves the relative freedom Theon has whole Theon longs for the status and respect that Robb has. It's an interesting dynamic! Also there's the fact that Robb is literally the only person who likes Theon and trusts him when no one else does which makes it even more heartbreaking when he betrays him.

On whether Robb Stark is a gift or not, by throbb people

No. Lol. I mean, the thing is, Robb isn’t really a terrible person or anything – book!Robb especially is young and inexperienced and genuinely seems to be trying his best in a situation that is understandably overwhelming. That said, he’s careless, self-righteous, over-privileged, emotionally manipulative, a bit vainglorious and sometimes extremely selfish, and has a tendency to do things like blame the easiest, most vulnerable (as well as the one most likely to forgive him) target for his own mistakes. He’s somewhat emotionally constipated and fairly low on empathy. He's very loyal to his family (but as we see with Sansa, it’s far from unconditional) and I think he does try to do right by people, especially those he cares about, overall. However, in the context of his relationship with Theon (where this seems to be most prominent as a Concept) he fails rather significantly and the relationship is not nonredeemable or anything, but definitely toxic.

I've only got the impression that he is a gift by reading bran's, Jon's and Arya's chapters not by theon's. In book 1 he is such an asshole to him in that bran chapter... It's more fanon I think to make Robb a gift specifically to Theon and I understand it, the show gave to us a closer relationship and many liked it and projected to Robb a caring attitude we wanted someone to have towards Theon, at least that's how it worked for me idk. Also the potential for romance, angst and tragedy by making them closer is just *chefs kiss is Robb a gift? yes is he one to Theon? they definitely have love between them but I don't think he is one to Theon.

Robb Stark as a character can really be anything you want him to be. I think only seeing him through other POV characters (especially his family) was a stroke of genius on George's part, just as we first meet Stannis in person through Maester Cressen, and later experience him through Davos' eyes (two people who love him deeply). Robb was a 16 year old dealing with some incredibly high stakes situations and a number of traumatic losses. He's mostly just tragic to me.

I still think Robb's relationships to the women in his life (Cat, Jeyne, Sansa, Arya and Dacey) are more interesting to me since they are usually explored by fandom in a more ambiguous and, in my opinion, more canon-compliant light, but yeah these made me reconsider my negative feelings about Throbb.

To some extent this also happened with Theyne, a ship I do ship but always felt weird about and sometimes had this stupid and prideful type of wish to differentiate myself from the shippers who engaged with it in a more "wholesome" manner. I came to see a lot more interest in dubious and less-positive takes on the dynamic in some of the responses and it was oddly relieving, it made me less conscious about my self-perceived discredit of the text when adding romantic connotations to Theon and Jeyne's canon dynamic (although they are somewhat present in the text too. ?????weird situationship of mutual victimhood and hellish non-consensual polycule with their torturer acting as matchmaker, third wheel and sicko lurking on the window)

[...] If it happens, it will be later down the line, probably during a potential recovery arc or even at the very end of the books. I would like to see how that plays out and I think Jeyne as his co-survivor of torture would probably be the most interesting person to play that out with because there is a common history that will remain a can of worms between them, but Jeyne seems to be (just like Kyra who came to Theon with the keys even though she didn't have to do that for her rapist!) a genuinely caring, empathetic and kind person who seems to have already bonded with Theon, seemingly knowing that he just like her did not participate willingly in her rape even though he had been compliant to his torturer's demands out of fear. And all that probably holds true even if he is still in survival mode of "I have saved Lady Arya (do not take on your actual name because that will get us both thrown back to the Boltons, this charade ain't over yet, please keep this charade up for your and my safety)". Jeyne has been badly maimed and (not only, but predominantly sexually) tortured herself, of course, so I suspect that the bond they both share will be fraught with fears and pain and ugly memories that migth feel more pressing than just memories (hello, PTSD), but i can see a way forward for both of them that I cannot see for either Jeyne and anyone else or Theon and anyone else (apart from familial bonds that Theon still has. Jeyne has no-one but Theon now, her parents are both dead and any other relatives haven't stepped up when Littlefinger sex trafficked her and Ramsay ended up repeatedly raping, maiming and psychologically torturing her). They will probably at first feel not great with each other, but I truly believe that they can help each other heal as far as possible or at least manage the aftermath of such severe torture of all kings. If he (Theon) does end up in some capacity in a romantic or sexual re-exploration of identity through a relationship of some sort, I suspect that Jeyne, who was co-tortured sexually alongside and through him (not that he was a willing participant, just someone trying to survive, doing the least harmful thing for both himself and Jeyne by partaking in being forced to rape her for Ramsay while thus becoming a victim of rape himself; apart from his former strongly insinuated sexual abuse and possible genital mutilation), might be the only person able and willing to even entertain the idea of a romantic and/or sexual connection to him, even though I think that her own state after all the sexual and other abuse means that that will be very, very far into the future. Both will probably feel safer not engaging in anything sexual for a long while, if ever, and as for romance, I think it'll probably take on a very fragile, small-gestures-of-care type of form that's more reminiscent of familial love and care rather than passionate. Both will have struggles expressing their minds, their wants and needs freely, both will be scared of physical touch probably, but then there's that image of Jeyne, half-dead herself, extending empathy to Theon and stroking his cheek telling him "you saved me", so there's that part of caring about someone already that seems like some glimmer of hope for both of them. If Theon makes it out alive through the books, I can see him ending up on the Iron Islands and her married to him for protection's sake (seeing as she's got no-one else in the world, and he has proven himself to care for her by saving her from Bolton Winterfell; while nobody else will care enough about her, or him or even be remotely positive towards him to facilitate some other marriage. She's only a steward's daugther, but a minor noble house is still a noble house, so I don't see why in-world class issues would make this impossible. It would grant both of them a safe space to recover from the abuse through each other's now safe company, and maybe find a way to love and be loved despite being more or less dead to the rest of society for various reasons. [...]

Jeyne and Theon - I think their relationship is really interesting to explore as a kind of co-dependant comforting thing where no one else quite understands their shared trauma and neither of them quite trust anyone else any more. But also they have this really soft affection for each other and see things in each other that no one else does. I think they're both seen as kind of irredeemably broken and pathetic post-Ramsay but they see the strength and kindness and value in each other that no one else can.

theon jeyne: i generally prefer nonsexual interactions, however there are ways of doing sexuality that i can like: when it is initiated by and demanded by jeyne who seeks some form of reenactment or redress or nonviolent experience or corrective with theon that she considers safe/available for this and with a theon who is reluctant at best. i like intense dangerous codependency. i don't think regular romance is available to them or rather what they have is already past that.

Asides from those, not so many changes. I think the bigger and better outcome was just learning to be less judgemental and more open. I am honestly happy of having done the survey even if sometimes I wanted to stick my head in the oven.

[falsebooles123]

Finding The First Gay Kiss - Diary of a Big Ole Gay 1/14/23

Hey Whores, so first some good news. I may have a new job. Its tenous but I should have some breathing room and at least some part time stuff so thank god for that.

Second, um can we talk about M3GAN?

(yass qween slay)

So I just say it in theaters and its great and its about like parenting, and grief, and adulification and also the robot does a silly dance for no reason. Because she fucking can and its like this perfect encapsulation of this dicotomy between Innocence/Danger and Child/Adult. IDK Good Shit.

So as always sluts lets get into the Good Stuff

City Lights (1931) dir Charlie Chaplin

This is one of those films thats included a lot in general discussion of absolute kino. Not only is this one of the last silent films and the last of Charlie Chaplins films its also considered a favorite not only by the director himself but a lot of the later autuers that have graced the silver screen.

My opinion is that its .... alright.

Don't get me wrong this is a really great film, its enjoyable and I enjoy the vibe but I don't get the hype for it. The main reason why this is on the list is because the tramp basically has a sugar daddy in this. So Theres this Drunk Millionaire who whenever hes drunk he basically just wants to give the Tramp Money and kiss him on the mouth, and sleep in the same bed as him.

Basically what I'm saying is that the millionaire is tramp-curious.

Side Note: So random guy at the bar called himself "Bi-flitatious" and I kinda love that for him.

Besides that this movie is very straight and the Tramp gets up to a variety of antics.

Some LIke It Hot (1959) dir. Billy Wilder

So if you know anything about this film then you know that at the end of the film the guys goes, "I can't marry you I'm a man" in which his fiance says "Well Nobody's Perfect"

(honestly that line is raw, we stan)

I think I also summerized the queer aspects of this really well on letterboxd and since I'm having a lazy day I'm just gonna Copy & Paste this shit there.

"This cross-dressing comedy is more like the 60s and 70s ones were these filthy men are invading womens spaces!!!!

thats a joke, anyway this film of course has ride or die Osgood Fielding III who likes "Pobodies Nerfect". at the same time the bottom in the relationship is honestly kinda gender fluid in this to the point where hes just perfectly comfortable marrying a man and living with she/her pronouns so like thats a thing."

This is also to the best of my knowledge the last of the "Role-reversal" comedys which is ironic since this is also a movie so slutty it broke the hays code, (though I just watched the "Sadian Trilogy" and that was only a few years later and they were so god damn slutty).

Its hard to pinpoint why the role reversal comedy fell out of favor my best guess is that the lavender scare and the general culteral hatred for those filthy queers eating donuts. Thats not to say that there is not any drag comedies moving forward but the next resurgance I can think of in mainstream popular culture is in the 90s and 2000s and obvously in our modern decade drag queens are once again becoming popular. Its been an intersting experience within this niche genre because its always fascinating to see how different eras constructed gender.

Suddently, Last Summer (1959) dir. Joseph L. Mankiewicz

Ok there are a lot of great clips from this film but you just know I had to show a clip of Elizabeth Taylor being STUNNING.

so this is one of several adaptations made by GIANT GAY Tenessee Williams which deals with homosexual subtext. Along with Cat on a Hot Tin Roof, and Rebel without a Cause or something.

This film follows hot doctor, Montgomery Clift, (also gay), who is being ara ara between Katherine Hepburn and Elizabeth Taylor and its this amazing southern gothic vibe of incest and insanity and just being horny on main for the surrogate of your gay ass son.

There is definetly a subtext to the play that deals with the mental healtcare of the past and its hard not to draw the comparision between Taylor's threat of a lobotomy with the way that many queer people with lobotomized during the time. It should also be noted that Williams sister was lobotomized in real life so there is definetly a personal aspect to this story telling.

Also on the BTS Big Gay Time, Gore Vidal, Famous Bisexual, wrote the script for this film.

This film is textually about Elizabeth Taylor hanging out with her cousin who may or may not be paying the locals to suck his dick. Its very colonalistic. Anyway , Spoilers, he does get cannabilized by the locals like its a kenneth anger film.

Subtextually this film is just CAMP AF and so it also has this amazing amount of divas chewing the furniture. It is amazing.

Vampry (1932) dir. Carl Theodor Dreyer

Vampry ... Der Traum des Allan Grey , (ugh you know I have to say the full ass german name because I AM AN ASSHOLE). is just this random ass vampire movie made by Dreyer I think after he did his religious epic with that one saint the lesbians like.

(ok I also love Joan of Arc, who doesn't she was a bad bitch)

this is on this list because according to Dreyer he based this off of Carmilla and also so like super random short story he read. This film is a lot like Nosferatu in the sense that the tropes for vampires wern't solidified and this is super artsy. A lot of these early non Dracula Vampire films were just doing the most and while this movie is probably the least gay vampire film i've ever seen it was v v cool.

The Blood of a Poet (1932) dir. Jean Cocteau

So basically Jean Cocteau, (Gay), was talking to his rich friend who gave him a bunch of money and was like. Hey whore I want you to make the artsiest art film, just whatever goes throught that gay gay gay GAY gay gay brain of yours.

So this film is giving us Eux d'artifice vibes but at the same time this movie is not gay enough for me needs to be gayer. That being said there is two more of these films so I expect symbolic sucking and fucking in the sequels.

Also Tonight I'm watching some of Julian Eltinges Filmography. A lot of his work is lost so if your gonna watch twitch tonight ge ready for Isle of Love and Madame Behave. anyway Sluts and Slanterns you have a good night.

[stopbeingnecrophiles]

⚠️warning post regarding the users weimu (now ppgd), flonnezillas, & stupidneet (check blog description for updated urls)

UPDATE AS OF 5/02/2021 (BEFORE POSTING):  the user weimu now goes under the name “gabberzon“. this url was a past username flonnezillas owned, and is now in use under the user weimu. user flonnezillas has terminated (to our knowledge). stupidneet has also changed her url to darkishcircles. UPDATE AS OF 5/14/2021 (BEFORE POSTING): raquel has deleted her server. the people behind the post still find everything here relevant and necessary to bring to light. 

the following post was made as a warning to showcase the behavior of some of the users on the site. if you're a minor we highly discourage you from interacting with any of the individuals mentioned; if you're 18+, do as you wish but with discretion (and the trigger warnings in mind). we find the things these users have said and done to be morally reprehensible, and to be genuinely concerning. this isn't some random petty callout post; we sincerely believe the behavior of those mentioned to be genuinely concerning and need to be brought to light.

that being said, we also do not condone the harassment or hate towards these users. the people behind this blog recognize that bringing forth this sort of thing may incite other users to do so, but we highly are against it. sending hate and harassment is not the way to go about this. simply stay away from those users if you have nothing better to add to the situation. thank you.

(all images have been censored for proper viewing. if you don't believe the claims being made, you're free to ask for the uncensored versions of the screenshots off anonymous so long as you're 18+. usernames/icons censored are of the minors or those irrelevant to the post in the server.)

⚠️ major tw: necrophilia, lolicon + pedophilia mentions, nsfw, irl gore (one image in particular contains a 17 year old girl)/drawn guro, & underaged characters in torture/sexual situations. ⚠️

users mentioned + their past/present urls (please check description of the blog for updated urls): 

raquel/witch/cas (17 yrs at the time of posting) (neko865 > ureshichan > autismchan > weimu >  gabberzon >  omduvarmin > ppgd | past sideblogs were disgustchan, suicidegirlsjp, and now currently speedcorebeach [tw for guro/gore]) 

dasch/rena (18 yrs at the time of posting ) (catgirlmode >  slashermedia > mawisa > stupidneet > femcelirl > darkishcircles  > aspiechan > 719203727299272910822810 > 71920372729922980822810) 

maid/val/vale/valentine (20 yrs at the time of posting ) (morimiyamiddleschoolshooting > raspberry-valentine > nekrofylia > phonestalker > gabberzon > pukemaid > morimiya > flonnezillas | sideblog named ichigomashimaros)

url proof here. 

TW: THE SERVER ITSELF AND ITS CONTENTS

first thing we’d like to address here is raquel’s server and what goes on in it, as the server is not at all properly ran or moderated well. on her blog, she explicitly states this:

but still allows those under the age of 16 to join her server, and doesn’t even make it mandatory to make an intro or for the users in there to state if they’re a minor or not. however there are minors that are in the server, and it’s clear who they are. we wont be showing who they are, but there are a handful that have joined and are active within it.

raquel herself is also a minor (being 17) so it’s odd that she wouldn’t make sure that fellow minors wouldn’t be kept away from some of the things that are said and shown in the server. that being said, a few of the conversations that have gone on publicly in the server have been about:

dasch’s tights and how sweaty they were, with raquel and maid talking about wanting to do things to her tights

dasch offering her bra 

talking about having phone sex together

openly condoning gore in the chats and saying it’s fine to be 100% okay with gore (which isn’t true, it’s fine to have a fascination with gore but to be 100% okay with it or even obsess over it is not okay). 

(screenshots of the conversations can be found here & here.)

we recognize that a few of these conversations are obviously jokes/banter between the three, but it is still wildly inappropriate to publicly talk like this where minors can see. you have an nsfw chat, at least use it properly.  (important to note: in raquel’s server, the nsfw & real life gore channels were opened to the public for awhile, accessible to anyone at any age, before there was a complaint to make them hidden with a role. even with a role implemented, the guro channel is still visible to those who have the ‘baby’ role [and as guro is, the content is very sexual].)

TW: NECROPHILIA IN THE SERVER

second thing that is worthy of being addressed is how (mainly) dasch and maid fetishize irl gore, dead bodies, and crime scene photos. as stated prior, we’ve censored out the images that were posted, but if you would prefer to see uncensored versions of the images (if you somehow don’t believe what is being censored), you’re welcomed to come off anon and ask for the uncensored versions (so long as you are 18+). like the rest of the screenshots, they can be found in a separate link here.

TW: CONTENTS OF THEIR BLOGS & SOCIAL MEDIA

third thing that is noteworthy of the people mentioned are the things they post publicly to their blogs. on raquel’s blogs, she has warnings in her pinned posts. 

the warnings on her blog, while one being genuine and the other uncaring, do in fact warn users that content on her blogs are nsfw and explicitly state what she posts. however, this doesn’t mean she is exempt from criticism of what she posts. anytime raquel is called out for posting something questionable, she simply blames it all on “terfs”, that she’s allowed to post the things she posts because she is also a minor, or that you’re in the wrong for insinuating that a csa victim would even have lolicon art. raquel is not free from criticism from this, as she has posted art with actual children in it. the people behind this post mean no disrespect to raquel and the things she has been through and we respect that entirely. that being said, this does not mean you are free from criticism of the things you post willingly to your blogs. especially when some of the things you’ve posted in the past include children.  when asked why she doesn’t credit artists on her guro blog, this is what she responded with:

someone in her notes also pointed this out, but to our knowledge she never acknowledged what they replied to the post with (censored out as they are not relevant to the post).

regardless if you credit the artist or not, people can reverse image search to find the creator themselves. it’s also worth mentioning that you are blatantly admitting to posting from a pedophilic artist. you are still supporting this pedophile’s art by doing so. you are admitting the guro content you post is from pedophilic sources, and regardless if you source them or not, you are inherently posting pedophilic content.

we’ve provided examples of posts on her main blog here, and examples of posts on her sideblog here. major tw (for lolicon art & underaged characters), although we’ve censored the images, the content is still pretty intense. 

the next person we would like to shed light to and the things they post are maid. since the post started, maid has terminated her account. however some screenshot examples (with links) still exist, so those are what we will be using to explain the sorts of things she posts/has posted. 

before we go on, we would like to make it clear that we have no definitive proof that maid is a pedophile, but the content she is into is very questionable due to the nature of what they are. a few of things that she is into can be considered lolibait, which includes a lot of underaged girls. 

examples of the media (click the links for examples of her posting about it):

ichigo mashimaro (strawberry marshmallow): an anime/manga about 10-12 year old girls, that while not problematic itself, the creator of the anime makes lolicon-esque content of the girls (outside of the anime/manga). the media is also heavily known for being liked by lolicons.

ro-kyu-bu!: an anime surrounding a basketball team comprised of mostly young girls, the content of the anime itself is rather deplorable as it sexualizes the young girls very frequently (which is basically the only plot it has). very much known for being lolibait and liked by lolicons. 

on her main blog, she had reblogged this post:

(post contains two young teenagers from yuru yuri.)

just on the surface, this image isn’t necessarily sexual and we do not claim that maid reblogged this with sexual intentions, however with her consumption of media known for lolibait, it makes it questionable. 

she also has a body pillow of satou matsuzaka, a 15 year old girl from the anime “my happy sugar life”. we wont be getting into the content of the anime here, but it should be odd enough that this 20 year old woman has a pillow of a 15 year old girl. 

the last thing we’d like to address with maid is the posts on her instagram (can be found here. major tw for guro & emetophilia [all of which is censored]). a main point here that we haven’t brought up is that she blatantly fetishizes asian women and often posts about them. you can go here to look at a few of the things she’s posted and the fetish nature of the content she puts out there involving them. 

CONCLUSION

the point of this post was to highlight a few users in the animecore community who are clearly unable to host servers or interact around minors properly. we still do not condone the harassment of these users, and we would highly recommend to simply block them in response to this post rather than seek them out and harass them. there’s no point in doing so, however we realize we cannot stop every single person who reads this post from doing something. all we can do is state that we are against doing so and have no want or need to engage with that sort of behavior. 

to the users this post highlighted, if you’ve read everything through, good on you. instead of taking this as a call out post for drama (which genuinely was not the intent of this post), maybe the few of you can recognize the faults you have here and work on them and change for the better. this isn’t some post made because those behind it had personal beef or something with the users it mentions. this post was made because some of you cannot behave and act appropriately when interacting with minors and the general public. clearly not, as a server was allowed to exist with tons of minors alongside fucking weirdos. maybe give a shit about the minors you allow to interact with you. thanks

[rumblelibrary]

The Diary of Doctor Laszlo Kreizler

Chapter 1

Synopsis: Alienist’s notes are private, sometimes gruesome, secrets of others and of himself.Those pages belongs to secrecy and decadence, have a glimpse to this world made of drafts, notes, accidents and reflections. Or maybe it is you the only person that should ever reach for it.

While you read this imagine Laszlo mostly at the end of his day, scraping the ideas and the thoughts, adjusting previous notes with additions, closing the day behind himself with a couple of sentences while sitting in his evening robe, a good glass of whiskey and his glasses bridged almost at the tip of his nose. Or maybe imagine yourself, you sneaky thing, reach for it from a far shelf.

Word count: 3k

Warnings: listen, this is the set of ideas and confessions of a man living in the 1890’s. Most of them will be outdated, rough, even deprecating in some analysis of the roles of men, women and social status, religion, etc.So be prepared, my point is to make Laszlo reflect upon those topics, but to be as faithful as I can to his time. Mention of death, mutilation, self harm and a minor depiction of a fight. Psychologically troubled young children ahead! Author’s note: I am a nerd for a good Victorian novel and a sexy Alienist.I have always been charmed by Laszlo’s mind and inner conflicts. So I took the chance and tried to have a run into that rollercoaster.  The story is placed between season 1 and season 2.

Diary belonging to Dr. Laszlo Kreizler.  This is a professional book of annotations over medical treatments of an alienist toward his patients. Do not disclose and send it back to the address if found: Kreizler’s Institute, xxxxxx, New York City (NY) L.K.

Samuel Griswold Goodrich, Illustrated Natural History of the Animal Kingdom (c1859). Contributed for digitization by University Library, University of Illinois Urbana-Champaign.

Schiller in his “Die Weltweisen” wrote: So long as philosophy keeps together the structure of the Universe so long does it maintain the world’s machinery by hunger and love. From the philosopher point of view sexual life takes a subordinate position in human’s life, from recent studies pushed by European philosophers, everything is about sexuality and its development. I like to think of the experience of being an alienist as the process of Queen Penelope that, while waiting for her husband Ulysses return, undoes her craftwork every night. I undo the fabulous constructs of people’s beliefs to go back to the rough sketch that stands at the beginning of their loss, their complex, their pain. Maybe that’s why working with children is so motivating and fascinating. They can be saved and yet, I am well aware, some of those sketches already traced in their young lives equal to scars that not even the most advanced theories could cure. But I can sooth them. I can prevent them the torment, the anguish, the recollection at night of those monsters. I feel like a poet would be a better alienist than a philosopher, but I have got no poetry nor philosophy in my veins, but the cold experience of the razor blade judgment of Life itself.

Today I observed a fight among the children at the Institute. Age range between 10 and 12. Boys. The fight was over the possession of a side of the playground, the territory of a pack  of youngsters formed under the name of Steven. Peculiar lad, coming from a military background finds comfort in replicating the schemes he lived in his family. He takes the role of the Father/Captain of the team and subjects children that come from a similar background story, but do not posses his same attitude to the command. All quiet on the front, until the space he declared is own spot got affected by the presence of others.  Intruders. I knowingly let the events unfold to see how Steven would react to his challenged authority. His reaction was, at first, worded, a sketch, a stage-play of an action he witnessed over and over, and he knew the part so well that some of the contending kids lowered their stance against him. Among considering to mildly intervene into this pyramid scheme of authority, another boy, Jan, calls himself on the role of the educator and hero of the masses and proceeds to unfold a wild and well assessed punch on the newly declared dictator face. Balance is established again. No need for me to arbitrate, once more the laws of nature seem to apply to children as in a state of nature.

Meet John Moore over lunch. His job at the newspaper is picking up, he is charmed by the spirits and the wits that he finds in his shared office with all the other writers. He mentions many, goes on and on over qualities and troubles, gossips and tendencies, and even little scandals here and there. To be aware of all those details gives me no interest, but to see a dear friend so invested clearly gives me something to pick up. To consider also the amount of details and the way he describes this or that member of the journal, I can do a small exercise of analysis. It is almost too easy because John is painfully genuine, even some of the kids at the institute would beat him hands down in a battle of lies. The more he likes somebody, the more he goes on about all the details and the characteristics, often letting aside the physical appearance. When he doesn’t like somebody he has a couple of adjectives for the wits and around four or five for the physical aspects that usually indulge on some repulsive idiosyncrasies.  John is a man that painfully fits in the storyline of The Picture of Dorian Gray: to him physical beauty is spiritual beauty and, of course, the other way around. This part of him surely intrigues me, makes me want to tease more from him. But, as a friend, it concerns me as John is way too prone to purposelessly decide that somebody with good eyes is also a good human being, which is a very romantic and admirably naive way of judging matters. I noticed some names that keep repeating in his narration. I dread that it is synonymous of a soon encounter from my side with the objects of his admiration. Fetiches, I dare to say, that I will have to annihilate before they sediment into his mind, perpetuating a narration that soon sees John being mislead by others.

Reserved: Tickets for the Eroica, Symphony n. 3 by Ludwig van Beethoven. Thursday evening.

Note on the show: the first movement lacked the pathos needed to begin with, I am not sure that the guest orchestra really managed to portray the wider emotional ground needed to withstand the whole representation. As the evening progressed there were some outstanding performances by the cellists. Still not approving the choice of reprising the early quick finale movement against the lengthy set of variations and fugue that we are used to in presence of the Eroica. Underwhelming the performance of the horn and oboe, vital in the comprehension of the genius of Beethoven. 

Niki is a new addition of the Institute, quite old for the standards. He is already 16, he will leave when summer ends to some expensive college his family meant him to stay. His parents expect me to make him “normal” in the time we are allowed together.  He is Austrian and I let him act it out like I don’t understand German for the first week of hist stay until today. I believe I hit his pride, which is good, in the moment I answered back to one of his sneaky comments. Now he knows. He is not safe from me, he doesn’t like it. The young man has a tendency to danger, risky tasks and edgy situations. In his mother’s own words “Niki is not afraid of anything”. The phrase didn’t raise any excitement in the father, rather some sort of painful acceptance that is role as the alpha male of the house is probably not only being challenged, but  already diminished, if not abolished. I have taken in consideration that Niki will break himself a bone or two in the process of the therapy, probably out of the spite of boredom or rebellion. It took him less than few days to turn himself into an outcast among the outcasts, which only drives me closer to analyse the complexity of his narcissistic wall of self defence. I gave him a physical challenge to lift a certain weight, he is a pretty skinny one, he didn’t like the challenge, but I am sure he will take it. He is a brainy guy, he hates to be questioned on unfamiliar ground. He won’t sleep at night thinking about it.  A challenge, in this first phase, can only bring me closer to the ease of his pains. To continue the observation.

It is a sad privilege of medicine, in particular the one I practice, to be able to witness the weaknesses of the human nature and the reverse side of life. Nevertheless, I oblige this same privilege of the study as life moves into shades of darkness. To be aware of it gives more solace to my soul than to be victim of patiently waiting for the inevitable unfolding of the events. To be able to understand more about psychology would bring more comfort and elevation to any human being, the times might not be there yet, but eventually something will move into the direction of a more wholesome approach.

Dinner meeting with Sara Howard, at the restaurant Jardin Des Cygnes, 7 pm sharp.  Do not expect to reach the dessert. Do not know if John will be participating due to undeniable tension among the two and the fatal despise of John over French cuisine.

The case that Sara unfolded tonight to my ears feels more and more like pulled out from some gothic book or from the mind of a Roman historian that needed to justify the godly origins of an Emperor. One killing, apparently random, a very constructed iconography over the body. Signs and insults, shapes and drawings. Is this a work of art? Does the killer wants his victim to be his Mona Lisa? His David? I am charmed and destabilised. If this was a murder like any other, then why to spend so much time into it? Based on the description the act of killing itself was quick: a sharp cut over the throat, almost like not wanting to ruin too much the surface to use as base for, what? I keep rerunning those symbols over and over as Sara described them to me, my mind is flooded with the designs of greek philosophers that needed to explain themselves why the sky is above our head and never collapses on us. Hilarious how, no matter the science advancement, in the mind of many the sky stands inevitably overt their shoulders, suffocates them, brings them to a death of the soul and not of the body. Is all this graphic charade indeed only a form to scream for attention?  To stress the eyes of an unaware viewer? It seems ridiculously elaborate, a scream for attention would be quick, it would be like guided by instinct, not reasoning, craftwork. Any man with a knife can paint in blood red the walls of a room and that’s asking for attention. That is the primal howl: look at me! I am here! But this one.  I don’t know yet.

Spent the early morning reading anew my copy of The Metamorphosis by Ovid. Didn’t touch it in a long time and I got bedazzled by the world of terrible sensuality, anger and selfishness of those gods and mortals. I think back at all the deviances and weaknesses of human kind and I try to relate it to all of those humanoid figures. Niki would be a minotaur, the lonesome son left in the labyrinth and his strive for success is his bull’s head. Or maybe a centaur, because of his wits and strategic thinking. I might keep up the process, maybe this is the way to understand my patients better, to understand the killer better. Must remember not to romanticise it. Greek gods were probably the first form of self indulging of a society that needed gods to be forgiving and allowing favours and punishments, but only in exchange of sacrifices. But the sacrifice never comes from the God’s will, but from the will of the man that perpetuates the act of killing. To sacrifice someone or something is the sadistic response to a lack of love deeply inherited in human mind that becomes neurotic. Is the killer giving the God of his own neurosis a body to feast upon? 

I talked with Jan this morning. The young boy is about 10, but he acts like a full grown adult. I could easily asses that’s the reason why he could challenge Steven in that fight. Two children mimicking adults situations they know too well. Jan is son of an industrial man, but he is also son of the dialectics of the industrial revolution. He sounds like he swallowed some of those books about working class rights and communism, probably pushed by a resentful surrounding (mother?uncle? the midwife?) over the social role of his father. As much as incredibly smart and lectured, Jan lost most of his early occasions in life by spending a considerable amount of time using his fists. The anger ever present in the young boy always surprises me, he seems to be holding a power, a strength of a full grown man in those tiny arms. Nevertheless, he is already the tallest of the group. He is surely an idealist, which makes him also tragically fragile. His strength mixed with his heart of gold can make him the best of the heroes or the worst of the villains. He apologised for the fight, he specified how he didn’t like the sound of Steven’s voice, more than the sound, the level of pitch.  I can’t stand somebody shouting orders, I just don’t listen anymore. He is so mature even about his own feelings, almost a gentleman in his chivalry toward the weaker children, honest with his open heart and resentful against any form of injustice.  I am not spared by his ways, he would come at me whenever he feels like I was being partial over some of the kids, his sense of justice blinds him and transform a perfectly balanced boy into a ranging animal.

Ordered book, to be delivered around tomorrow evening: Introduction à la méthode de Léonard de Vinci by Paul Valéry. Suddenly feeling myself as a gross ignorant in art themes. I always regarded myself aware of the artistic personalities and tendencies of present and past, but this new amount of perceptions over the human figure and the human body leads me to document myself more. I could ask John for advice, but he wouldn’t take things at matter that seriously. I can almost hear him say how I can make gruesome a pleasant topic such as art. I should probably wait to see the body to push any further aesthetic study, but I find myself not being able to stop. I reckon, I can allow myself a vice or two.

Today I saw the body of the killed man, courtesy of the Isaacson's. To be fair, I had underestimated it. In Sara’s descriptions, probably due to her more analytic mind, all the charm of the representation got lost in favour of a less cryptic and reasonable understanding of the act. Sara got what some alienists will call a masculine mind, which I don’t perfectly agree on. If I apply that same approach John would be a very feminine mind, all wrapped up in romanticising even the ugliest. I guess that dividing the world in “fragile and gentle” and “strong and powerful” is just easier to explain the fluctuation of something that doesn’t need a real name or a category like human inclinations on thoughts.  I got a feverish sense of patience by looking at the body. Each symbol traced with sapient slowness, dense of the time that the killer spent with the body. That is a work of hours, he had time and meaning. He had resources and was able to spend not less than the time he needed to reach, a vision? An ideal? A message? Is it the message meant to be understood? Am I supposed to unravel it or it is maybe just the way the killer communicates within himself? And if I do decifrate the code, will that bring me closer to him? Or to his next victim?

Reminder: ask John to replicate all the symbols on the bodies in the correct measure and order. It might be needed some hard convincing. Addition: scheduled meeting, his house, 3 pm.

It wasn’t a day like any other when I met you. Or maybe it was, and that’s why I got so struck by it and now I am here playing it over and over through what my memory clung on so desperately. In my own experience, life was often similar to swimming in a lake. Those rich, dense lakes in the north of (illegible cancelled word) were my father used to bring us during summer. I still feel the pull, the draw down toward the abyss. It ashamed me, in a way, the fear that such a simple feeling aroused in my young mind, unaware nevertheless, that such a feeling would follow me through all my existence. It was a prophecy and, like most of the prophecies, was a riddle. I cradle in my heart the charm of those days, the mindless happiness. The foolish feeling of freedom. Little I knew that freedom would be taken away from me that soon, that the body that used to navigate me over the dense waters, helping me to fight the haul toward the unknown, would become my own cage. That day. Today. The day where I met you, the day I was afloat.  The child gasping for air felt the wrench become a gentle push and now he is floating on his back over the scary waters of reality and malice. It gave me relief and it gave me terror, because since that very moment I knew that I would never be able to move on from the sight of you. From the feeling of your eyes lingering on me. From the smile you so easily shone upon me. From the whiff of imported perfume that hit me when you turned on side exploding that swan like neck. And nothing, not even my stern look, could dim that wave of hope that your sole presence washed over me. The abyss roars, calls me to a home of damnation and terror and curses my name and yet you repeated that hell-bound name of mine after me and I felt safe.

John told me so much about you, it feels like I have always known you.

The rope is gone from my neck, the guillotine won’t fall on me, I am spared, I am free.

I have read your latest article, I am thrilled to help with the case.

I am in disbelief.

Your voice.

Dr. Kreizler

How dare you? How dare you to come into my life, to appear, like a vision, mystical, in a way I despised at University when all those theology students talked about the divine. In this very moment I can’t recollect much of what you said, something about the case, about going with John at the obituary. It feels confusing, I feel overstimulated, my memory fails me, I am not sure anymore. I write these few lines and it is passed the hour of the witches and I wish, I demand, to never see you again, because life should never grant hope to a condemned man. 

[bewitching-elizabeth-olsen]

Press/Gallery: Elizabeth Olsen Is Ready to Lead the MCU

An ambitious new Disney+ series might just give the strongest Avenger the happy ending she deserves.

  GALLERY LINKS

Studio Photoshoots > 2021 > Session 001

  ELLE: We can’t keep meeting Elizabeth Olsen like this. By “this,” I mean in the throes of catastrophe or bereavement, or, to put it plainly, when she’s an emotional wreck. In the 2018 Facebook Watch drama Sorry For Your Loss, Olsen assumes the role of Leigh Shaw, a young widow grappling with the unexpected loss of her husband and all the painful nuisances that come with death: the unbearable waves of sadness, the clichéd condolences, a grief support group that runs out of donuts. At one point, Leigh says through a cracked voice, “I’m just mad all the time.” It’s hard not to draw parallels to Olsen’s other angry character. After all, “mad” is exactly how 2015’s Avengers: Age of Ultron introduced us to Wanda Maximoff.

Defined by tragedy since her Marvel debut, Wanda (aka the Scarlet Witch) is an orphan with telekinetic powers. When not saving the world, she spends most of her time onscreen grieving the deaths of her parents, twin brother, or lover. Wanda’s never been allowed to fully exist outside the confines of her grief and anger, but with the launch of WandaVision—Marvel’s foray into serialized content for streaming—she may just be getting the happy ending she deserves.

Partly inspired by The Vision comic book, which follows synthezoid superhero Vision and his family as they move to the suburbs of Washington, D.C., the Disney+ series is an ode to the TV sitcoms we’ve come to love, with Wanda and Vision (Paul Bettany) basking in newlywed bliss—except Vision’s been very dead (killed twice, in fact) since the events of 2018’s Avengers: Infinity War. It’s unclear exactly how these starcrossed characters got to suburbia, but for now, it’s a delight to see the typically solemn duo sink their teeth into slapstick comedy.

“The show is like a blank slate for them,” Olsen tells me over Zoom, her light brown fringe a departure from Wanda’s red waves. The Scarlet Witch’s doleful glare is also long gone; in its place, Olsen’s eyes are wide with excitement. “Wanda and Vision’s journey to this point is a story of pure, innocent love and deep connection with another person,” she explains. “It was also very traumatizing. Tragedy has always been their story. In our show, we kind of wipe that clean and start fresh.”

But Wanda’s complicated past looms over WandaVision. Age of Ultron saw her and her twin brother, Pietro, initially opposing the Avengers (the siblings volunteered for a series of experiments with Hydra—a super evil organization within the MCU—after the deaths of their parents at the hands of Tony Stark’s Stark Industries) before switching sides to help save the Earth. The movie ends in victory for our superheroes, but yet another tragedy for Wanda when Pietro dies in battle. She finds comfort in the arms of Vision, an android created from the remains of Tony’s J.A.R.V.I.S. program, but even that bliss is short-lived. You see, Vision can only live with the help of the Mind Stone, which Mad Titan Thanos needs to take over the universe. In Infinity War, Vision asks Wanda to sacrifice him, and Wanda reluctantly agrees—but Thanos reverses time to gain control of the stone, killing the robot for a second time. Wanda’s pain is palpable: Imagine sacrificing the love of your life to save everyone else, just to watch him brought back to life and killed again—by the very villain you’re trying to defeat.

Though the thrill of playing a character with superhuman abilities is enticing for any actress, Olsen says it was Wanda’s internal battle with mental health that attracted her to the role in the first place. “[Joss Whedon] explained to me that Wanda Maximoff has always been this pillar of the struggle of mental health, from her pain and depression and traumatic experiences to how she completely alters the reality of the comics,” Olsen says of her early conversations with the Age of Ultron director. “The thing I held onto after reading the initial script was that she was not only powerful because of her abilities, but because of her emotions.”

In fact, MCU theorists would argue she’s one of, if not the, strongest Avenger. She can infiltrate the others’ minds to reveal their biggest fears (Age of Ultron). She can overpower Vision and send him plunging through several floors to break up a fight between warring superheroes (Avengers: Civil War). She can even bring Thanos to his knees, snapping his sword in half and forcibly removing his armor piece by piece (Infinity War).

Still, “they keep slapping her over the head with more grief,” Olsen quips.

As phase one of the Marvel Cinematic Universe began with the sound of clanging metal on May 2, 2008, phase four kicked off on January 15, 2021 with a kitschy 1950s sitcom theme: “She’s a magical gal in a small town locale / he’s a hubby who’s part machine / How will this duo fit in and pull through? Oh, by sharing a love / like you’ve never seen.”

With WandaVision, Marvel steers clear of the typical superhero trappings: no destructive battles at a Berlin airport or across the streets of New York City; no blonde-haired god time-traveling to other realms; no tree-like alien fight alongside a raccoon. Wandavision takes place after the events of Endgame in a fictional suburban town called Westview, and the biggest problem the newlyweds face in the show’s opening moments is creating a convincing backstory to get nosy neighbor Agnes (Kathryn Hahn) off their backs.

“They are just trying to fit in,” Olsen explains. “They’re trying to not be found out by their neighbors that they’re super-powered beings.” Now, if only we can figure out what the hell is actually going on. Olsen remains tight-lipped: “The reason it’s a sitcom shows itself later in the show,” she hints. “When Kevin [Feige] told me, it didn’t feel so bizarre. It felt like a great way to start our story.”

“With our show, you don’t know what the villain is, or if there is one at all.”

So, is Wanda stuck in the first stage of grief, denial? Has she altered reality as a coping mechanism for Vision’s death? Is she being held hostage by a terrorist organization (ahem, Hydra!)? One thing we do know is that someone is watching the couple and taking notes. At the end of episode 1, the camera pans out from a retro TV playing an episode of WandaVision (meta!) to show a hand jotting down notes. There’s a strange sword symbol on the notebook and a nearby control board, and in episode 2, the same sign appears on a toy helicopter lodged in the couple’s front yard. Later, when a mysterious beekeeper crawls out of the sewer on the couple’s street, the symbol is seen on the back of his suit. In its 20-plus movies, Marvel villains have always existed in plain sight. But with a new, less obvious darkness lurking at every turn, Wanda may have to return to her world-saving roots.

“Someone said to me when you watch any of these hero movies, you know when the villain’s about to show themselves, and you also have an idea of who the villain is,” Olsen says. “With our show, you don’t know what the villain is, or if there is one at all.” For now, WandaVision allows for glimmers of hope and optimism for Wanda and Vision, despite what darkness tries to threaten their happiness. “Wanda is trying to protect everything in her bubble, protect what she and Vision have and this experience,” Olsen says. “I think everything she does is in response to keeping things together.”

In addition to exploding the concept of the superhero onscreen, WandaVision toys with a different era of TV in each episode. The pilot takes viewers to the ‘50s with an episode filmed in front of a live studio audience, and Wanda dresses up in the quintessential housewife garb, not a hair out of place in her voluminous bob. By the time we click on episode 2, she trades in her apron and kitten heels for a more pared-down ‘60s look, while episode 3 gives a nod to the ‘70s, complete with a Brady Bunch-style staircase and a shag haircut for Vision.

While dressing up was the fun part, time-hopping through the eras required a lot of binge-watching old sitcoms to get the mannerisms down right. Olsen studied series like The Dick Van Dyke Show, The Brady Bunch, The Mary Tyler Moore Show, and Bewitched to “understand the tones of each era” and get a grasp of how Wanda and Vision should act as a couple. (One of her favorite TV pairings was Jane Kaczmarek and Bryan Cranston from Malcolm in the Middle.) She was fascinated by the way female characters evolved through the decades: “You have to learn appropriate manners—what’s considered being polite or proper. That coincides with women’s voices changing,” she explains. “I enjoyed challenging myself to match the syntax and the lyricism. I live in a very chest-register kind of deep voice. I had to remember not to bring it up at certain moments.”

For so long, Wanda served as a supporting character to Marvel’s biggest names, and the formulaic mundanity of the major theatrical releases made it easy to get comfortable. WandaVision offered Olsen a much-needed challenge. “I’ve only been working for 10 years, but there is this feeling where you start to get comfortable,” she says. “WandaVision was the furthest thing from comfortable for me. It felt intimidating. The character is a completely different thing.”

And fans hoping for a little Marvel action won’t be disappointed. “We still live up to what Marvel does,” she promises. “We just tell the story in a completely different way. It’s a very emotional, female story and it’s a story they haven’t told yet for either of our characters.” Whatever your theory is, keep the cliché condolences to yourself. No one will be uttering, “Sorry for your loss” in Wanda’s world.

Press/Gallery: Elizabeth Olsen Is Ready to Lead the MCU was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen

[hotcoffeecoldmornings]

(This shit is long so bear with me.)

Can’t Eat, Can’t Sleep, Reach for the Stars

I haven’t felt this way in awhile. This ‘can't eat, can't sleep, reach for the stars, over the fence, world series kind of love.’ 

It’s hard to describe. The last time I was all-consumed like this by a TV show and a ship, that TV show was The 100, that ship was Clexa, and my world was, quite honestly, turned upside down by it.

I used the first two seasons of The 100 as background noise as I wrote my Master’s Thesis in 2015. To be honest, I didn’t really know exactly what was happening until Bodyguard of Lies (an episode anyone reading this post probably remembers well) came on. And a passionate kiss between two world leaders left me speechless and shocked. I was blindsided by it, unaware that that kiss would be the beginning of not only finding myself, but also accepting myself, and then finding a chosen family I never knew that I needed because of it.

There’s been alot of (okay, not a lot, but more) f/f ships on TV since then. Maggie and Alex. Nicole and Waverly. Elena and Syd. Kat and Adena. Anissa and Grace. Stef and Lena. Karolina and Nico. And the list goes on… While each of these ships is equally important, and each one represents another push towards more inclusive storytelling, there was never a ship that hit me as hard as Clarke and Lexa did.

Until now.

Harold, They’re Lesbians

Gay. Witches.

Motherland: Fort Salem said the words. And I fucking came running.

Okay, so it took me a few weeks… Thank you, twitter timeline, for finally getting my ass on board. It’s not that I didn’t want to start the show. It’s that my anxiety-ridden brain had other plans for me in mid-March. Like spending the majority of my time researching a global pandemic and then crawling into a depression hole because of it… Or something like that.

But nonetheless, I’m here now. And I’m fucking staying.

I knew I’d love this show. The concept of witches peppered with the idea that sexuality is irrelevant is honestly my one and only weakness. So I went into episode one with high hopes. And I sure as hell was not disappointed.

Episode 1 gave me even more than I could’ve asked for. We meet three uniquely powerful individuals, who all come from three uniquely interesting backgrounds. Abigail Bellweather, born into a lineage of the most powerful and elite witches Fort Salem has ever seen. Tally Craven, the last one standing in her family’s long-line of service, selflessly choosing to say the oath when she didn’t technically have to. And Raelle Collar, who has an unparalleled set of powers, combining her mother’s Christo-Pagan ways with those of the seeds learned at Fort Salem.

Rounding out that already brilliant cast is Scylla Ramshorm, the ‘sexy weird’ Necro who may or may not be evil (but we love her all the same). General Sarah Alder, the original witch who signed the Salem Accord, selling out every future witch to the United States Army, and whose ego quite often gets the best of her. And Anacostia Quartermaine, the Bellweather Unit’s Drill Sergeant who has a peculiar fondness (and leniency) for Raelle Collar.

The fact that this television show is entirely female centered (like, we’re talking 60 seconds of male screen time in the pilot), is what separates this show from most. Men exist in the world of Fort Salem as characters to exclusively propel the female leads forward, which is a stark contrast to the majority of shows right now.  And not only is the entire main cast female, the main lead is gay. And honestly, the sexuality of every character on the show is questionably debatable as well. Except for Abigail, who quite clearly is into any and all men, and Tally, who grew up on a Matrifocal Compound and ended up in Fort Salem as a virgin. Which, of course, no shade to her, but it did strike me as odd when Abigail immediately assumed Tally’s virgin-ness when growing up in an all-female world was brought up.

So let’s start there, shall we?

 The Heteronormative Narrative (or not…)

Something I did find puzzling about Motherland: Fort Salem (and the only thing, really) is how they portray sexuality, relationships, and love. In regards to sexuality, Eliot Laurence, the creator and executive producer, has been incredibly forward in interviews with the narrative that ‘your sexual preference doesn’t matter in this world.’ Which I appreciate to the fullest, trust me. But pardon my slight hesitation when I hear that line, because I think we’ve all been burned by it once before.

Motherland: Fort Salem has done a tremendous job of this. They’ve allowed characters to own their sexuality without question. It was never a thing when Raelle started dating Scylla. At Beltane, everyone went off with whomever the dance paired them with - even if that meant the same gender, and even if that meant three or four or five of them. Sexuality, in regards to same-sex partners, is never a character arc in this show, and it’s never there to create a plot point. 

HowEVER, there were a few things I noticed that confused that fact. 

Like I said about Abigail in the very first episode, when the Bellweather Unit is meeting for the first time, why was Abigail so quick to question Tally’s virginity after learning she comes from a Matrifocal Compound? If there are no heteronorms in the world of Motherland: Fort Salem, then why is it assumed that losing your virginity is related to relations with a man? Even though Tally is (well… was) a virgin, why would that question be brought up? If roles were reversed and it was Raelle living on the Matrifocal Compound, the conversation would’ve gone strikingly different, and it would’ve supported this heteronormative narrative that I thought we were trying to avoid. I’m just going to blame this one line on how badly Abigail wants the D, so sleeping with a woman wouldn’t even cross her mind.

But then what about the idea of this ‘five-year marriage contract’? It’s simply about producing a child, so I assume a woman could never have that sort of thing with another woman, and that those women could never add to their lineage (unless they entered into a five-year marriage contract simply to reproduce). Doesn’t this, alone, signify a heteronormative world without even meaning to do so? While they accept LGBTQ+ relationships, how do they actually fit into the society and culture that this show has created? Wouldn’t the gay witches be seen as almost inadequate in carrying on the gene if they don’t have a child? (AmI just thinking too much into this...?)

But then again, the whole concept of ‘love’ in Fort Salem is rather insignificant itself. As Gerit mentions, no one is supposed to spend their life with just one person. Witches are committed to one another in five-year partnerships to reproduce, and then that’s it. So in a way, I understand that nobody, no matter what their sexuality is, really gets to experience this fairytale ending that we’re used to seeing in a (*cough* heterosexual) ship on TV. And in a way, I also think that’s what makes this show all the more fascinating. Eliot Laurence gave everyone a level playing field by just removing the idea of a happily ever after altogether. In Laurence’s world, witches are meant to train and fight and die for their country. Love is their weakness. But what’s so compelling about that is even though love is their weakness, he made sure that love also manifests into their greatest strength.

From what I’ve seen in interviews for Laurence, every single thing has a purpose. So I’m quick to let this go, and see where he takes us. He’s been building this world inside his head for nine years, so I know that there’s so much more to this story than what can be told in a 10-episode season.

 But Back to the Lesbians

Anyway, back to love. Specifically gay love. I wish I could put into simple words my obsession with Raelle and Scylla. 

From the incredible chemistry that Taylor Hickson and Amalia Holm share on-screen together to the directors and writers who’ve portrayed their love story so magically, Raelle and Scylla are truly something special. They’ve taken the place of a ship this queer fandom lost when Lexa was killed. It’s a ship that you want to hate, because every part of this story tells me to hate Scylla. She’s Spree. She’s vindictive. She’s dangerous. Yet every part of my brain tells me to love her. And to love them together.

I don’t like easy stories. I want stories that make the ending worth it. I want hardships and pain and hurt and work when it comes to love. Which is why I like the story of Raelle and Scylla. There was a spark between them in their very first scene together- a spark you could feel through the TV. It was believable and real. They come from similar backgrounds of loss and solitude, and that’s what originally bound them together. And over the next seven episodes, we watched their relationship grow. We saw their vulnerabilities, their growth, their passion. But now we’re going to see the hardship. The pain, the anger, the betrayal. 

I appreciate that they’re not skimping on telling any part of their story. The two are special together, and so far, this show has proved that.

 She’s Special

I want to break down Raelle Collar before bringing up anything else, because, well, obviously she’s the main character, but she’s also got a lot going on. The fact that Raelle channels her power through something other than the typical ‘seed’ is something that will be of importance to why she’s so powerful. Petra Bellweather, herself, claims that Raelle’s mom, Willa, used unconventional methods that delivered incredible results. “She was the fixer every unit wanted to deploy with.” 

While all witches in Basic Training are learning about utilizing their extra set of vocal cords to create magic songs, Raelle can do it in a way that’s reminiscent of where she grew up- Chippewa Cession. In the very first episode, she makes note that her family was there before it became a Cession. Aka, before the land was given to the Chippewa tribe in exchange for their magic.

Raelle comes from a line of witches that all have more unique abilities than what’s taught at Basic Training. She uses a combination of Native American spirituality/Christo-Paganism skills during her days at Fort Salem, which brings up questions (and judgment) from other witches. It seems as though that kind of magic was the way witches used to do things before Sarah Alder released her song into the world and created a vocalizing army with it. Raelle’s peers look disgusted when they see her still using the same ways witches once did. It’s particularly noticeable when she heals people, and recites Matthew 7:7, “Ask, and it shall be given to you; seek and ye shall find; knock, and it shall be opened unto you.” The entire theme of the Book of Matthew, in regards to Christianity, is about prayer. Asking and receiving. That God will provide you with what’s needed, and nothing more. But when it comes to Paganism, it’s about the law of attraction and return in our universe. It outlines that there is no life without balance - that all prayers can be answered, but they’ll be answered with things that are taken from elsewhere. All prayers almost have a consequence. Just like all magic has a consequence. 

Raelle’s power, at least what she knows of it up until now, is based on a consensual balance, bringing the theme of Paganism’s Matthew 7:7 into the type of witchcraft she practices. She can heal someone, but what she heals them from will be transferred onto her. Balance. Consequence.

Bringing General Sarah Alder back into this, this is the same type of magic that she traded for back in the 1700’s when she granted the Chippewa Tribe the entire length of the Mississippi River. In exchange, she gained the magic that could keep her eternally young. But just like the magic that Raelle does, this age defying practice has consequences too, and requires balance. Every 50-60 additional years that General Alder adds on to her endless life, a young witch must be sacrificed to take on those years, and must stand by General Alder the rest of her short-lived life. 

But where does the balance go?

Adil is such a great addition to the cast because he sheds a light on something so crucially ignored on campus. All magic has balance. This is teased throughout the season, like when General Alder hits turbulence on her way to The Hague and jokes (but not really jokes), “I assume I have one of you to blame for that.” Or how Raelle soaks up her ‘patients’ illness. But it’s not truly smacked in our faces until Adil says it.

As Abigail is flaunting her ability to *one day* “grind iron into ore and mountains into dust,” Adil drops a truth bomb on her. “All that weather you fight with has a cost. Floods. Failing crops. Famine. Every war, people starve.” She’s quick to reply that the good they do far outweighs the bad. But to who? Certainly not to Adil and his people. Meeting him is going to give our recruits a serious insight into just how consequential their ‘work’ can be. He’s going to play a crucial role in realizing how manipulative and egotistical General Alder has been. 

Not only is weather an issue, but plagues. “Like the one attacking my sister.” Adil and Khalida come into the storyline because Khalida is sick with a deathly black webbing wrapped around her body. When they first make it to the Military Outpost (somewhere in the dessert between Russia and China?), the Soldier who meets them at the gate yells, “they’re here.” So were they expecting them?��

Raelle eventually is the one who heals Khalida, (by using her Christo-pagan means) but instead of taking up the illness like it usually does, instead, it infects the giant mushroom that Raelle touched earlier. 

The balance of Mother Mushroom.

I go back and forth between theories for the giant mushroom growing under Fort Salem. But today, I’m convinced the mushroom is attached to General Alder’s vitality. And consequently, the entire vitality of Fort Salem as well. In one episode, Berryessa reminds us that all life on campus is directly connected to Alder. And if what Scylla says in My Witches, that “life becomes death, which becomes life again,” is relative to the life on campus and how General Alder parallels that, then this theme of balance throughout the series is more prominent than we realize.

The giant mushroom living under campus is clearly important. It has hands and replicates faces and takes on diseases and Izadora is not a fan of  anyone touching it. So yes, you could say this fungi is a main character now.

But. Why?

“In the kingdom of plants, mushrooms occupy the underworld. Nothing ever really dies.” Mushrooms have an entire underground network of language to one another. And they are responsible for the breakdown and decomposition of death so that organic matter can become something else. Necros have an obvious connection to this ecological process too, so they must have a connection to the continuous process that General Alder goes through to support and sustain life on her campus. 

I think that the “Mother Mycelium” signifies each and every consequence that Fort Salem has accumulated. It holds the hurt and death and pain and regret of everything General Alder has created. And now that the Mushroom is infected with whatever plague Khalida had, I think it’s going to wreak havoc on Fort Salem. Magic is based on balance, and I think massive consequences are coming to make up for years of disparity. 

One last thing on my mushroom-thoughts, is when Helen Graves said “the dead make excellent eyes and ears.” An underground network of mushrooms all connected to recently dead organisms would certainly be a great way to gain insight too. Scylla mentions that she needs something recently dead to grow her deathcap, so does this Mushroom need to be constantly “fed” with death to continue the creation of life? 

Does Alder know about that? Are the mass-murders that the Spree are doing related to this? Killing hundreds of people at a time would definitely be a good way to keep the mushroom o’ death fed. Is Alder behind the Spree!?

 Sexy Weird 

Speaking of Spree... Can we talk Scylla now? First of all, what the hell is this girl’s timeline? When we first meet her, she’s a cadet (second year) in War College already, meaning she would’ve had to enlist on Conscription Day the year before Raelle. Yes? In Mother Mycelium, we see that she *might* (still don’t believe it) have been the person behind that first Spree attack on Conscription Day of this year (so when Raelle, Tally, and Abigail enlisted), so was she at Basic Training for an entire year before deciding to become Spree? Did she enlist knowing that she would eventually be Spree? Does this ever get addressed in the show?

Since we’re here, I might as well say there’s no way Scylla did that. I’ll never believe it. And I’m using my one semester of Greek Mythology in college to tell you why (who knew that class would eventually come in handy)

In My Witches, when Tally, Abigail, and Glory first meet Scylla, Tally makes it clear that ‘Scylla’ is a Greek name. Okay. Greek. Cool. Mythology. Let’s go. I already knew that Eliot Laurence doesn’t waste any minute of screen time when it comes to plot development and storytelling, so my meta brain did a little digging.

In Greek Mythology, Scylla was a sea-monster who haunted the rocks of a very narrow strait, opposite of the whirlpool of Charybdis. The monster’s purpose was to lead ships and boats towards the whirlpool, which was lethal to all who attempted to pass. Scylla was used to lure boats towards Charybdis, but was never meant for actually destroying them. Scylla was a fear tactic, not a murderous monster. In poetry, it’s often said that Scylla isn’t a monster at all, just born into a monstrous family. In conclusion (from my 4 months of Freshman-level Greek Mythology and a little refreshment on Google) I think Scylla is simply being used to lure people to the Spree, but not actually doing the mass-murdering that is being shown in the episode. 

What I do know is that Scylla Ramshorn is absolutely Amalia Holm. Mainly because I refuse to accept that Raelle is falling for the red head (sorry, red head). But also because at the end of the Pilot, when Scylla (in red head disguise) looked into the mirror, the balloon was her reflection, and it followed everything that she did. But in other scenes, when Scylla’s face is the normal Scylla face, she can see her own reflection. So the redhead girl is unimportant. Plus, IMDB says she never appears again this season... 

We Are The Spree 

As much as I hate to believe that Raelle’s mom (or Aunt!) is alive and leading the Spree, the connections between the two entities do add up. Both (Spree and Collar’s) are against the authority and power that the Witch Army has over populations of witches. They’re both against General Sarah Alder. I believe they both use spoken word magic rather than just vocalized magic. When the Spree carry out their attacks, they’re whispering words under their breath, not singing any song. Which is reminiscent of how the Collar’s do magic. Additionally, it would make sense as to why the Spree would want Scylla to bring them Raelle. And I still can’t get over the conversation between Raelle and Tally when Raelle explains her family’s combat charm. “A bowerbird’s foot. They love anything blue.”

Blue? Why. WHY. 

Maybe Willa Collar was captured by the Spree? Or the Aunt was? Or the Spree needs Raelle to heal someone? 

One last weird very unthought out theory goes with the other Biblical verse Raelle recites - Isaiah 43:2. “When you pass through the waters, I will be with you; and when you pass through the rivers, they will not sweep over you. When you walk through the fire, you will not be burned; the flames will not set you ablaze.” The fact that all Spree attacks have happened with something to do water- in the snow, at the pool, on a cruiseship. And the fact that the last line of that verse is literally, “you will not be burned; the flames will not set you ablaze.” This type of witchcraft has to relate to how the Spree does magic. Right??

Now I’m re-talking myself into the fact that the Collar’s might be somehow leading Spree...

 But who’s ‘we’?

If the Collar’s are in charge of Spree then this next theory would actually check out. 

Anacostia has been a little more over-bearing with Raelle than any of the other girls. On multiple occasions, she’s said how Raelle is gifted. In fact, they all have. Even Abigail in Hail Beltane mentions that “Raelle didn’t go outside of canon, she’s naturally gifted.” They all know she’s gifted. It would make sense if the Collar’s were the ones running Spree, and that Anacostia, aka. General Alder’s head bitch, was sent to protect Raelle from ever joining them. Alder wants to capitalize on the powers that Raelle has, and keep them in the Witch Army. 

But I also think Anacostia could be playing General Alder. There have been too many times where she stares at Alder just a little bit too intently, and I can’t stop thinking that she might be in some sort of rebellious group too. Maybe a certain cell of Spree?

Because you can’t deny that Anacostia has also taken in interest in Scylla, particular to keep her away from Raelle. When Anacostia first caught them flying high on Salva, she told Scylla to stay away from Raelle, and it seemed as though she (tried) to use some sort of coercion magic while doing so. When Anacostia then saw them together at the Bellweather wedding, she almost sounded shocked, “I expressly told you to stay away from her.” Did Anacostia attempt coercion magic on Scylla and it didn’t work? And if she did, why didn’t it work?

That entire exchange felt odd yet familiar. Like the two have history. “Your name wouldn’t have been on the list. You’re not supposed to be here.” Particularly the “you’re not supposed to be here.” Did Anacostia know about the attack on the Bellweather’s? And did she think it would be threatened with Scylla there? Or did she know that Scylla was supposed to bring Raelle to the Spree at 6pm. And was sent to make sure Scylla never completed that task. 

I found it interesting that Anacostia was never seen fighting off the balloons like every other Witch was when they appeared. And her being at the actual wedding felt odd too. Especially if she’s General Alder’s right-hand (wo)man, because last time I checked, Alder and Petra Bellweather weren’t on the greatest terms. In fact, none of the General’s are on great terms with Alder. 

Since we’re now on Bellweather season...

Camarilla. No, not Carmilla.

There’s certainly a second threat in this show. And they were the ones behind the attack at the Bellweather’s. Not only has this already been proven by Jessica Sutton on Twitter (lols) but the clues were literally all there. They didn’t use any magic to fight. They had to use a mechanized sound machine to stop Abigail and Petra from using their powers. Then they covered themselves with gasoline and lit themselves on fire before the mother-daughter duo blew them away. It wasn’t Spree. But it was meant to look like Spree. And I think the balloons were simply a distraction, so all efforts and power would be outside fighting off the balloons while the civilian waiter’s could attack. 

But who is doing this?

It’s been brought up that there are alot of humans who don’t agree with the Witch Army that Alder leads. Even the President of the United States is hesitant about them. “You, too, are bound by rule of law to the will of the American people, who have elected me to represent their interests and protect them. Don’t you forget it. Or you may find yourself reminded.” Then Tally gets confronted later in that episode by a civilian who says, “It’s witches who are committing these attacks. It’s your kind of people .” And then even later in the series, there’s talk of a “growing debate in congress to revoke the Accord and disband the army.” So you could say there are definite opinions about this Army by civilians. 

In A Biddy’s Life, there’s a shot when Raelle and Scylla are in the room with weapons once used to kill witches. There’s an undeniably important shot of the Camarilla Scythe. Camarilla, itself, is defined as a small group of people acting as private advisers to a ruler or politician with a shared and nefarious purpose to carry out secret plots. 

Since civilians are the ones that are most opposed to the Witch Army, it makes sense that maybe the President, herself, is the one behind these attacks. She’s trying to take down the most Elite of the Witches (the Bellweather’s), hence inhibiting the Army from being as successful as it’s been in the past. And what better way than to kill the most elite witches of child-bearing age. 

While this theory checks out, I can’t help but to also think that Petra Bellweather could be behind the attacks. I know, it’s a stretch, (specifically because it’s her own family that’s being targeted) but I do love that ‘good powers, bad people’ trope. And what better way to make sure nobody questions your efforts if you’re the last one they’d suspect? Petra Bellweather has been itching to boot Alder from head witch honcho for awhile. Since killing Bellweather’s is the ultimate attack against witches, this would be a great strategy to showcase that Alder is inept in dealing with these enemies, creating a fall in power. And eventually, a rise in another. A Bellweather. 

Okay, I know what you’re all probably thinking. “So you’re saying that she wanted her own daughter killed!?” Not necessarily. When you watch Bellweather Season, and specifically the wedding scenes, they put an insane emphasis on timing. And I don’t believe that that’s just because of Scylla trying to get Raelle out of there by 6pm. When you watch the sequence back, the Bellweather Unit was supposed to be having their interview with the Dean of War College, starting at 5:30ish. If the interview took a good bit, say 30-45 minutes, this would strategically put Abigail not in the line of fire (aka Charvel’s room) at 6pm when they struck. 

But on the complete other hand, Abigail was supposed to be up with Charvel at that time helping her get ready. Meaning if it wasn’t Petra Bellweather, someone perfectly timed both Bellweather’s of childbearing age to conveniently be in the same place at the same time. 

Then the fact that Scylla was meant to leave with Raelle at 6pm (the exact moment the waiter’s and balloons struck), can’t go unnoticed. Did they want her to leave with Raelle at 6pm because the Spree knew about the attack? Did someone warn them? Does this explain why Anacostia was shocked to see Scyalla. “You’re not supposed to be here.” Why wasn’t she supposed to be there????

I’m just going to tap out of this theory now. 

But One More Thing

This might be a totally aggressive theory, and I have to credit the initial spark of this idea to my girlfriend, because during my 67th rewatch of this show, she brought up something I’d never thought of before. She asked me what Scylla’s purpose of attending the wedding was, and if the person she was supposed to bring to Penelope Road at 6pm really was Raelle? 

This got thinkING. What if it was someone else???

When you look back at all the times Scylla spends talking to her balloon mirror, they never actually say Raelle’s name. Sure, we’re meant to believe that Raelle is the obvious target. But what if that’s a cover?? What if she’s using Raelle to infiltrate something else and get to someone else??

It would make sense to use Raelle to target Abigail instead- an elite Bellweather. Like I said, this is a very unlikely theory but it would definitely be a shock to literally everyone (except my girlfriend apparently)...

Has the entirety of the show been leading us down a path to distract us from something else going on!? With every other ounce of brilliance here, I wouldn’t even doubt it.

In Conclusion

I went into this show expecting to be seen and represented as a queer woman, but what I actually got was so much more. What I got from this show is the realization that me being queer doesn’t have to have anything to do with me being a woman at all. My strength, and will, and mistakes, and growth, and grace, and support, and passion, are what make me a woman. Each of our stories are deserving enough to be told just because we are women.

I’ve struggled with that fact my entire life - my womanhood.

Femininity, feminism, and female empowerment are all things I’ve only recently connected with. I was raised in the culture of traditional gender roles. My dad went to work and my mom stayed home.  It’s not that I was necessarily taught that men and women must occupy those roles; it’s just that’s all I knew. To even further confuse my adolescent existentialism, not only was my mother a stay-at-home mom, she was also in the Marine Corps. And she never really understood the fact that not all women are as strong as she is.

My mom’s a badass, don’t get me wrong. She’s one of my hero’s. She came from a family who didn’t have much, and after realizing that she couldn’t afford to go to college, she enlisted instead. Six years later, she went to Penn State on a full-ride. She’s worked for every ounce of success that she’s seen, and she’s worked her ass off for it. But because of that, she struggles with the idea of feminism.

I can’t blame her too much. I understand the mindset she’s coming from. Growing up with that being instilled in my mind was hard though. Because it was expected that I, too, grow up to be a strong independent woman. 

I graduated in the predominantly male industry of agriculture (I want to be a farmer, okay!?). All through college, grad school, and post-grad school, I worked on farm after farm after farm. And it was there that I was introduced to the idea of toxic masculinity. I tolerated comments that I won’t even say out loud. I’ve “accidentally” been touched in more ways than I care to count. And what I hate the most about it all, is that I fucking tolerated it. I’d laugh it off, and then I’d walk away, mortified at what I’d actually just put up with. And while by no means do I blame my upbringing and home life on this, I do blame the upbringing and home life on the female characters I saw on television. If Brooke Davis was constantly and overly sexualized in high school then I guess I was supposed to, too. Right??

Sure, I still hear comments that I wish I didn’t. But I’m also surrounded by people and characters who taught me to never put up with the shit I once did. Female characters are portraying a storyline that people take more seriously now. They’re persevering. And that jumps off the screen in Motherland: Fort Salem. 

It’s taken me a while to realize how Raelle and Scylla have affected me as much as Clakre and Lexa did (two characters who literally awakened my sexuality). But I think I get it now. 

I love both Raelle and Scylla. Each one. Individually. As witches. As warriors. As females. As humans. As strong female characters. So, in a way, watching this show has awakened something else in me that I’ve also been suppressing all along. My femininity. My strength. My perseverance. 

Sure, Raelle and Scylla are my favorite ship right now, but it wasn’t them being together that made me fall in love with this show. Oddly enough, it was them being apart. It’s the fact that each one stands on her own as a unique and beautifully complicated story. And it’s the fact that I, too, am deserving of a beautifully complicated story.

Last Section, I Swear 

Motherland: Fort Salem is a magical mix of intense story building, relatable character development, and fascinating cinematography, all while being told through a gender and sexuality normative opposite of what we’re used to seeing. It’s a show that encompasses female strength unlike anything I’ve experienced before, where men are the background noise who aid in pushing the plot forward. It’s a show that deserves another season. And another and another and another and another. 

It’s a show I needed ten+ years ago, at 18 years old, freshly out of high school and wondering why the fuck I never had crushes on guys like everyone else my age did. It’s the show I needed so I didn’t always wonder why I was so obsessed with Peyton Sawyer and Summer Roberts and why I was the only one I knew who thought Torrance and Missy should’ve ended up together. It’s the show I needed to learn that my femininity doesn’t make me any less tough than my male counterparts. It’s the show I needed so I never put up with anyone’s shit. It’s the show I needed to teach me that I am storm and I am fury. 

It’s the show I needed then. But it’s also the show I’m so happy that I have now.

[medeafive]

You mentioned you don't get anon questions that often, but would you be open to them? I'd love to hear your thoughts on TFAWS, what you wish Buckynat could have been in MCU, or what you'd like to see in the comics, for them or other characters, but I don't want to bother you. Side note: am I the only one pissed off about how many characters are arbitrarily calling Bucky James? Especially Zemo? I can't be alone in that rage. Good day, nor night, if that's your case.

Sure, ask away! I don’t want to get into discourse(tm) on here because I hate arguing on the internet but I’ll gladly give my two cents.

I’m reserving judgement on TFATWS until I’ve seen the last episode. I’ve read quite a few critiques of the show that might very well be adressed in later episodes (especially à la not giving enough of a role to Sam/Sharon/whatever) so I don’t want to do that. However, because I’m always here to complain about Endgame, it fascinates me how much we learn about the world post the reversal of the Snap while we never learned much about the world in the five years after the Snap except for three shots in Endgame, and putting in such a monumental event and then hardly thinking about the consequences is dumb.

About Buckynat though!!! There are a lot of takes about how Marvel was never going to do them anyway and they were just leading us on and I don’t think that’s true. There were a lot of deliberate hints (Natasha is the first person to tell us about the Winter Soldier, he shot her with a Soviet rifle (in 2009!!), the she’s mine, the you could at least recognize me, the Romanoff locker, her Red Room teacher vaguely looking like him, they’re the only characters with a canon connection to Russia/the Soviet Union). I think they deliberately put in those hints to keep the possibility for that storyline open while keeping the hints so small they don’t have to go for it. Of course, I would have loved a Black Widow movie after CATWS where she goes looking for Bucky as he retraces their shared past, or one shot where she helps the Wakandans in dismantling his brainwashing or just checking in on him with Steve and Sam, but I was actually optimistic there could still be a chance for Buckynat if they choose to do it, since there was still so much of Bucky’s and Natasha’s past to deal and that would be a good opportunity to connect it with other characters we already know (each other). So I always thought it could be picked up in any future film if it fits the plot and the writers are interested in it and it wouldn’t have been a problem that it didn’t get mentioned so far because they can point to all these hints and we know we don’t know very much about these characters’ pasts. That’s of course until Nat died, and now all bets are off and I’m just pissed about that.

I can’t really say anything about the comics because I haven’t read that many - I keep meaning to get into the comics for real but I haven’t so far. Maybe this year.

You’re not alone about the James thing! I was also annoyed with that. Though I should say it’s not a bad choice story-wise, it’s just offensive to me personally. Same with giving the deprogramming scene to Ayo - it’s fine, it’s just that I wanted it to be Nat. On the other hand, I don’t mind Bucky flirting with other women at all, that just seems like a sign he’s getting back to himself :D

Okay, enough rambling, I hope that’s what you wanted to know! If not, feel free to ask more specific questions. I have to admit that Nat dying kind of killed my interest in canon so I take everything they’re doing now as a mere suggestion.

[aion-rsa]

Tumblr’s Top Fandoms of 2020

https://ift.tt/37LLRPI

It’s been a weird and often devastating year, and our social media has reflected that. Tumblr has just released its top fandoms of 2020 and it’s fascinating to see how a year of pandemic and quarantine has affected transformative fandom and broader cultural trends. In a year when almost everyone spent a lot more time at home, Animal Crossing: New Horizons was the most blogged about topic on the social media platform, followed by animated dramedy Steven Universe, Belgian SKAM adaptation WtFOCK, K-pop supergroup BTS, and Star Wars: The Rise of Skywalker. We talked to Tumblr’s Trend Expert Amanda Brennan about how she interpreted the biggest trends of the year, how this was a big year for animation and international media, and why 2020 was the year everyone stopped worrying about what was cool and just embraced what they love. But, first, some 2020 Tumblr statistics:

Top 20 of 2020 

Animal Crossing: New Horizons

Steven Universe

wtFOCK

BTS

Star Wars: The Rise of Skywalker

Artists on Tumblr

Critical Role

Avatar: The Last Airbender

Boku No Hero Academia

Black Lives Matter

Pokémon

COVID-19

The Witcher

She-Ra and the Princesses of Power

The Magnus Archives

Reylo Rey & Kylo Ren, the Star Wars universe

RWBY

Sanders Sides

Catradora Catra & Adora, She-Ra and the Princesses of Power

Zuko | Avatar: The Last Airbender

Top 25 Ships 

Rey & Kylo Ren, the Star Wars universe (m/f)

Catra & Adora, She-Ra and the Princesses of Power (f/f)

Richie Tozier & Eddie Kaspbrak, It (m/m)

Geralt of Rivia & Jaskier, The Witcher (m/m)

Aziraphale & Crowley, Good Omens (m/m)

Zuko & Sokka, Avatar: The Last Airbender (m/m)

Luz Noceda & Amity Blight, The Owl House (f/f)

Kara Danvers & Lena Luthor, Supergirl (f/f)

Park Jimin & Jeon Jungkook, BTS (m/m)

Dean Winchester & Castiel, Supernatural (m/m)

Live Action TV

Wtfock

The Witcher

The Mandalorian

Good Omens

Skam France

The Umbrella Academy

Doctor Who

Supernatural

The Untamed

Killing Eve

Animated TV

Steven Universe

Avatar: The Last Airbender

She-Ra and the Princesses of Power

Miraculous: Tales of Ladybug & Cat Noir

The Owl House

Invader Zim

Ducktales

The Dragon Prince

Rise of the Teenage Mutant Ninja Turtles

Gravity Falls

TV Characters

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Zuko

Catra

Jaskier

Sokka

Adora | She-Ra

Geralt Of Rivia

Katara

Aang

Crowley

Aziraphale

Movies

Frozen

The Old Guard

Star Wars: Episode IX The Rise of Skywalker

Birds Of Prey

Twilight

Hamilton

Little Women

Parasite

Sonic Movie

Lord of the Rings

Movie Characters

Kylo Ren

Harley Quinn

Bucky Barnes

Batman

Steve Rogers

Tony Stark

Rey

Spinel

Peter Parker

Richie Tozier

Actors

Chris Evans

Henry Cavill

Sebastian Stan

Adam Driver

Tom Holland

Pedro Pascal

John Boyega

Robert Pattinson

Tom Hiddleston

Timothee Chalamet

Actresses

Katie Mcgrath

Jodie Comer

Daisy Ridley

Margot Robbie

Zendaya

Lili Reinhart

Naya Rivera

Brie Larson

Florence Pugh

Jodie Whittaker

Books

Harry Potter

Percy Jackson & the Olympians

Warrior Cats

The All for the Game series

Pride And Prejudice

Midnight Sun

The Secret History

The Raven Cycle series

Carry On

Six Of Crows

Authors of Books

J.K. Rowling

Rick Riordan

Erin Hunter

Nora Sakavic

Jane Austen

Stephenie Meyer

Donna Tartt

Maggie Stiefvater

Rainbow Rowell

Leigh Bardugo

Video Games

Animal Crossing: New Horizons

Among Us

Pokemon Sword And Shield

Undertale

Minecraft

Sims 4

Fire Emblem: Three Houses

Danganronpa

Overwatch

Persona 5

Video Games Characters

Obey Me Lucifer

Obey Me Mammon

Tom Nook

Link

Sans

Cloud Strife

Dandelion

Kirby

Raihan

Arthur Morgan

Animal Crossing Villagers

Raymond

Marshal

Poppy

Fauna

Julian

Claude

Marina

Stitches

Bob

Ankha

Anime & Manga

Boku no Hero Academia

Haikyuu!!

JoJo’s Bizarre Adventure

Beastars

Naruto

Mo Dao Zu Shi

Demon Slayer: Kimetsu no Yaiba

One Piece

Fruits Basket

19 Days

Anime & Manga Characters

Midoriya Izuku

Bakugou Katsuki

Dabi

Wei Wuxian

Aizawa Shouta

Hawks

Todoroki Shouto

Kirishima Eijirou

Lan Wangji

Levi Ackerman

And, now, our chat with Brennan. (This Q&A has been edited for clarity and length.)

Den of Geek: I’ve heard you refer to the users as the Tumblr hive-mind or the orchid, whatever it is. I was just hoping you could generally talk about what the Tumblr hive-mind is to you? Which is the way of saying, who uses Tumblr generally? And how and why? If you can even extrapolate those things. Go!

Amanda Brennan: Most of our audiences is Gen Z; it’s at 48%. Our new user registration with Gen Z is even higher; I’m pretty sure it’s 60%. These are people who come to Tumblr because they love something so much they just want to share that love with people who love it as much as they do. I know that feels like a giant umbrella, but that’s the thing: Tumblr is what you make of it. If you love sports, sports Tumblr is intense hockey Tumblr, so good. If you love TV, you’ll have all of that. K-pop Tumblr, totally amazing. Furby Tumblr is off the hook and they make these incredible creations. I’ve recently gotten into Stained Glass Tumblr.

There’s layers upon layers. No matter what you love, there’s something on Tumblr for you. That’s both the easiest thing and the hardest thing about it. You have to go in being like, “Alright, I’m so into this thing, what does Tumblr have for me?” It’s not like the other social media networks, right? It’s really about what you love rather than who you know.

Yeah, I like that. I did want to ask you specifically about the process of how you track trends and how you make decisions about what to track?

We built the whole taxonomy that powers fandom metrics based on what Tumblr talks about. I’m a librarian, as you know, and I kind of reverse engineered it. My first year in review at Tumblr in 2013, they handed me a spreadsheet and they’re like, ‘OK, go to town.” So I was like, “Cool, let me pull out the threads that I see.” We really let the data tell us how to analyze it, if that makes sense. So when it comes to what we track, I have a running notebook that I’ve kept all year of the things that I’ve wanted to have in year in review.

The Witcher has been on my list since it came out. Animal Crossing has been another one. The Old Guard had a huge moment. I was just writing notes, like, “Oh, what is this thing? And we’ll keep an eye on it.” I have an amazing team. We all are into our own pieces of Tumblr. So we’ll all work together to just keep an eye on different fandoms. I don’t know if you know about Minecraft YouTuber fandom?

Yeah. I was actually listening to the latest Fansplaining last night and they mentioned it in that. I was just like, “OK, a new thing.” There’s always a new thing to learn about.

There’s always a new thing. That’s the beauty of Tumblr. It’s so fluid in fandom. You can go from one fandom to another and then you’ll see like, “Ooh, what is this thing?” I’ve got Supernatural on the brain, as who in the fandom doesn’t right now. [This interview was recorded on the day of the Supernatual series finale.] I was telling someone, the whole reason I got into Supernatural was because I saw a gif from the show on Tumblr and I was like, “What is happening? Let me go back and watch this entire series.” That’s the vibe of Tumblr, right? You see a thing and you’re like, “Oh, I need to know everything about that.”

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Hmm. Yeah, for sure. I was interested in talking to you or getting your insight into how trends you saw or data you saw that were maybe tied to the very unique experience of being in the middle of a pandemic.

Yeah. I was looking back at the predictions that I had made last year and like four of those things didn’t even come out. It was just so unexpected. There’s two things that we really saw tied to the pandemic. The first was “cottagecore” as an aesthetic. It kind of touched everything because it’s soothing, it feels comfortable. In March and April in the early days, when you didn’t know what to do, you’re stuck in a forest isolation. Cottagecore has got this vibe of chosen isolation. It was very fantasy-driven and something to reach out for.

That evolved also into nostalgia. I think this year’s really big theme is nostalgia and comfort. We saw huge returns to fandoms like Twilight and Avatar: The Last Airbender. Avatar going on Netflix was such a world-breaking moment. Not only did it introduce a new, younger fandom to the show, there’s a lot of Avatar content once you get into it, but it brought people back to a younger time in their lives. Remembering and rewatching. The Avatar fandom, as you see, it’s all over all of the lists. Zuko is number 20 on all of the things on Tumblr this year. Avatar was able to redefine people’s year. Because you know what, we’re all at home, I’m going to binge Avatar. Reignite my love for this fandom.

A lot of TV too, because TV is episodic, you get lost in it. Movies had a really rough year. When we look at the movies, movies like Megamind were trending this year. That comfort movie that you go back and watch 17 times.

Yeah. I was curious about that too. The balance or proportions between older fandoms and newer fandoms, like the Avatar example. I was curious how much that changed this year? How much you thought it was tied to the pandemic? How much is tied to accessibility and things, like Avatar coming to Netflix? Do you think that is an interest in older fandoms? Or that it’s going to continue past the pandemic?

Yeah. I think another high-level theme of this year is the rejection of cringe culture. I’m getting a little ahead of myself, but I’ll tie it all back in. I think people are realizing what their values are and not being afraid to admit that they like a thing. Not caring what other people think of the things they like. Unabashedly loving the things they love. That’s why I think we do see a resurgence in these older fandoms.

Because people who may have loved them their whole lives, or may have been nervous to share that they liked it when they were younger they’re not afraid anymore. They’re like, “You know what? Twilight, it’s not that great, but I love it. This is my emotional support vampire.” Recognizing that you can be critical of something. You can see where its flaws are, but you can still love it. That duality of fandom is something that is going to persist into next year. That freedom to just like a thing, because you like it. Be able to see its flaws, but still be like, “You know what? Overall, this brings me joy and the world is melting down.”

I’m on board with that mission, that plan for 2021. I did want to ask about the role of non-English language media, especially live action stuff. Generally because I was someone who fell into The Untamed this year, but I saw that there were two SKAM remakes as well that are on the top 10. In general, have you seen over your time at Tumblr, and maybe especially in the past few years, an increase in non-English language content? Do you think that is mostly English speakers and Americans being more open to that or being able to find it easier? Or do you think it’s also an influx of people from outside the United States coming to Tumblr? Or both?

Interesting. The data that we work with is actually stripped of all user information. I don’t really have an insight into where these people are coming from. I do think that users in general are more open to content in any language. Tumblr is more interested in characters than where the story comes from. Thinking about The Untamed, it’s just such a compelling story, it doesn’t matter if you have to read subtitles.

To parallel it to something in major pop culture, Parasite. People are becoming more open to just watching content because it’s good. SKAM is really fascinating to me because the number one live action show is wtFOCK. Then, I think two years ago, 2018, the original SKAM was number one at some point. This show really transcends language barriers. It transcends geographical barriers. At the core, the story of the teenagers is just so relatable to anyone. We’ve seen lots of translation happening and not just into English. Translation of SKAM into other languages, just because people want more of these characters and their iterations, no matter what locale they’re based in. I’m waiting for some professor to have a class on it, because it’s so fascinating to me.

I also wanted to ask about how you thought the election cycle affected Tumblr this year, if there were any trends or data that you were like, “Yes, of course this is what people were doing on Tumblr this year.”

Tumblr has always had this backbone of social justice. This year, it came out stronger and in more force. No matter what fandom you were in or interests, everyone I know on Tumblr was participating in sharing social justice stuff. Even politics, if they weren’t from the US, those kinds of memes that were like, “I feel for you”. The way that fandoms do. I see your show is ending and I’m sorry.

The one thing that Tumblr really had leading up to the election was such an appreciation for the postal service. Especially Gen Z, their world is so much larger due to digital connection. Mail order, just as well as sending letters and keeping in touch with your digital friends is just as important as keeping in touch with your IRL friends. All of the artists on Tumblr, so many of them turn to mail order to replace cons. This is their livelihood. By the time the fall hit and the postal service was having all these issues, people are ready to jump in. There were the Transformers dressed like mail people.

https://morethanmeetstheass.tumblr.com/post/626466946047705088/i-completely-forgot-to-post-this-guy-here-this-is

There were all these comments like “support your postal workers,” “support the USPS.” It really boils down to the fact that we are all connected and the mail service is something in the US that connects everyone. Even overseas. Supporting these artists whose livelihood went from IRL to online and having to deal with all of this.

And the “Super Putin Election.” The confluence of those elements. I was just surfing on my personal computer and I was on Tumblr and I saw a post being like “Destiel’s canon.” I’m like, “Excuse me?” I immediately texted my team. I was like, “Open up your work computers, let’s go.”

It’s time.

We all signed on trying to figure out what’s going on and watching the numbers. That, to me, is thrilling. I said this to someone else, but it felt like the night of The Dress. To have that moment where everyone on the internet is feeling the energy. The things that kept getting layered on top of it. Putin and Sherlock and all the anime mysteries. It was breakneck speed, and it was really thrilling just to be in that moment, and so Tumblr.

I did want to ask you about an increase in animated fandom and potentially anime fandom. A lot of these things I’m anecdotally or just observing things in my own little corner of the internet. It just seems like animation and anime, probably at least partially because Netflix has accumulated a much larger anime collection and seems to be investing in these sorts of things. Have you seen that increase? Could you talk about it, if so?

It plays into what we were talking about earlier, twofold. That nostalgia vibe, the late nineties anime vibe, that art style. Also your comfort zone and being open to more stuff just because it’s good. Not worrying about reading subtitles and stuff like that. But anime in general had a huge year. Haikyū!! ending also transposed into other fandoms because that moment of the final panels, it brings people together. People being so excited to see this massive thing come to a close. You might not be familiar with Haikyū!! in general, but you’ll see the fanart and be like, “Oh, I feel that.” It’s the emotion of it.

The popularity of Avatar did also open people’s doors to like, “Oh, well, what else can I watch? What else do I want to learn about”? Boku No Hero was consistently on our Week In Review every week. BEASTARS is another Netflix anime that’s at the top. Then Mo Dao Zu Shi, thinking about The Untamed, the story of Mo Dao Zu Shi is so fascinating. I don’t think I can name another piece of content that has that storyline. People are just ready to take it all on.

I did want to ask you, I think you’ve probably talked about some of these already, but what were some of the biggest fandom moments for you on Tumblr this year?

Oh boy. So many things going canon. Catradora was a huge, huge moment. I cried watching that. The Witcher, Jaskier, introducing this whole new world to Henry Cavill. I saw a post yesterday that was like once Superman was goth, a lot more people realize that he’s hot. Repurposing and looking at things in a new way. Among Us, so huge. There is a user who is doing a comic about White and Pink being in love. She’s giving them lore. She’s giving them backstory, personalities. It is amazing.

Unus Annus, I am not very into streamers, but I’ve caught some of those videos. When they had their final stream, I was tuning in. I was like, “Are you really going to delete the channel?” Then they did. Just watching the fans have that moment, even though I am not in that fandom, it was wonderful so meaningful.

Harry Potter being taken by the fans. Fans own Harry Potter now, and that’s what matters. The Old Guard also came out of nowhere and really blew Tumblr away. The Immortal Husbands. I love that ship. I’ve got to touch on almost all of the places, MCR, My Chemical Romance. Those fans have woken up and they didn’t get their tour, but they will. They’re not going to sleep until they do.

Because we maybe all have Supernatural on the brain, to a certain extent. I’m just curious how you think, that show’s been on for 15 years. The fandom has gone through literal generations. How do you think the fandom is going to change?

There’s always going to be a supernatural gif for everything. People will continue gifing it. It’s going to surpass what it is and it’s going to become that comfort show. This is a personal anecdote, but when I go to the dentist, every single time supernatural is on. It’s just like, “Oh, I get to watch my boys while I’m getting my teeth cleaned. That’s good.” It’s always going to be there. It’s always going to be there for people when they need it the most. We’re going to see a lot more fan creations. People love these boys, men now they’re adults. People love these characters. I haven’t watched this season. I am going to watch the finale tonight. I’m going in almost cold. I know that a lot of fan favorites have returned. My prediction for Supernatural fandom going forward is seeing these side stories come through in fanfiction even more than they already do. Lots more Charlie. That’s personal of mine because I love her.

I don’t think you’re alone in this.

Yeah. Who doesn’t love Charlie? Seeing these smaller characters come out and just shine in their own fan works, more so than the world might’ve provided them in canon.

It feels dangerous to make fandom predictions based on what happened this year, but if you have any predictions and or hopes for the coming year in terms of Tumblr and fandom?

Where we’re at now and going forward, it’s all about true authenticity. Screw what people think. We’re rejecting our old ways of thinking. We’re about flipping perspectives and forgetting what you thought was important in exchange for what you truly love. 2020 has helped us all figure out what our values at our core are. It’s about choosing something that makes you happy, that supports you, and your people. Choosing the happiness of those around you and making sure that you’re fighting for the goodness in life. Which sounds really sugar sweet, but one of the things, again, that I love about Tumblr is it is about putting people first based on the things they love. That’s what I see happening.

Explore the rest of Tumblr’s Year in Review lists here, and let us know what your biggest 2020 fandoms were in the comments below.

The post Tumblr’s Top Fandoms of 2020 appeared first on Den of Geek.

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[biglittlesshop]

Great Dane 5 Things You Should Know About This Woman Dog Mom She Loves Dogs More Than Human Tee Shirts

I didn’t know anything about this brand when I first bought it it was a Great Dane 5 Things You Should Know About This Woman Dog Mom She Loves Dogs More Than Human Tee Shirts good price and I needed some things so since I was there I picked a few stuff amazingly I really like the products the eye liner does wonders I love it. In response to last week s tatoosday post we got so many tattoos from last unicorn fans around the world that it will take months to showcase all of them to help make things go slightly faster than that and because it s neat to compare and contrast we re going to make today a two tattoosday post take a look at these very different approaches to showing the human and unicorn versions of peter s classic character in one image ashley knight schroeder s tattoo is beautifully stylized I just got this done on saturday the last unicorn has touched my life and helped me through many a rough patch even my sons will watch with me and sing talk along to the movie rippy s tattoos did the work I have no idea who did the original design I saw it and feel in love would love to find the original artist brittni lynn martin and her artist phil meyers from california opted for classic heartfelt look this movie has been my favorite since I was little and is now my favorite book and I have a 3 year old daughter who also loves it and we watch it together so it’s been a huge part of my life so beautiful both of these. The only way to protect your body from these dangerous toxins and reverse the damage that has been done is to use a natural nutritious cleansing program one that will give you exactly what your body needs to flush out all of the toxins that shouldn t be there and boost your metabolism at the same time an easy 3 day program with a complete shopping list and simple recipes that you can make from home without punishing depriving or starving your body start now 3 day cleanse with danette may detox program detox beauty diet fashion cleanse smoothie

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Great to have time to visit anton’s retrospective at bucerius kunst forum hamburg until january see you tomorrow night larr the Great Dane 5 Things You Should Know About This Woman Dog Mom She Loves Dogs More Than Human Tee Shirts no edge adam u2 u2eitour antoncorbijn. Diane kendal for nars cosmetics thakoon really wanted girls to look healthy and very american this beauty look is inspired by the 80’s super models cindy claudia linda and christie found in peter lindbergh’s photography skin is gorgeous makeup is fresh and beautifully groomed face concealer sheer glow foundation cheeks deep throat blush eyes last frontier velvet eyeliner smudge across eyes and lower lashline goddess velvet shadow stick audacious mascara brows matte eyeshadow shades blondie bali bengali coconut grove brow gel lips sex machine velvet matte lip pencil. Yesterday was a busy day of meetings and airplane travel for peter and connor but last night peter took some time to share his thoughts on the passing of the great christopher lee christopher lee was the tallest actor I ever knew he was also by far the most literate when we first met in a los angeles studio where he was recording his lines as king haggard in the last unicorn he had just recorded haggard’s speech about his first sight of unicorns and I mentioned that it was probably my favorite speech in the book he immediately wanted to know well did I do it properly we can always redo it right here of course he’d handled the lines perfectly but writers and writers’ opinions about their work mattered intensely to christopher that same afternoon we discovered that between the two of us we we could call to mind just about all the lines of g k chesterton’s poem the rolling english road we also discovered a mutual need to hit the men’s room and my son dan in his mid teens at the time still has a very clear memory of christopher simultaneously peeing while declaiming in that voice which no one could ever keep from imitating after fifteen minutes with him before the roman came to rye or out to severn strode the rolling english drunkard made the rolling english road a reeling road a rolling road that rambled round the shire and after him the parson ran the sexton and the squire I leave it to the reader to imagine that voice in the tiled acoustics of a hollywood bathroom we met a second time in munich where the last unicorn was being dubbed into german most of my memories of that time and of chris lee have to do with books and authors he had known both j r r tolkien and a writer who mattered more to me t h white we had a long ongoing argument in munich about a chapter of the sword in the stone that appears in the english edition of the book but not in the american one he turned out to be right he usually was he never failed to mention the last unicorn as one of his very favorite books and as one of the movies he was most proud of having made indeed he left my whopperjawed as mark twain would have put it when we were being interviewed together on austrian television and he announced oh yes I simply couldn’t resist a chance to play king haggard one more time even in another language after all and he looked straight into the camera it’s the closest they’ll ever let me get to playing king lear the camera swung toward me to catch my stunned reaction and chris looked across the studio at me and winked but my most vivid memory chilling as it remains to this day has to do with the day that I and michael chase walker associate producer of the last unicorn and the one who really got the film made in the first place somehow found our way out to dachau I can’t now recall how we managed it considering that neither one of us spoke german and that you had to take both a subway and a bus to get there from the hotel where the crew were staying but we got there somehow and spent a good half of the day roaming with other tourists around a legendary concentration camp peering blindly into the huge crematoriums but staring with equal horror and fascination at the endless rows of filing cabinets containing every record of every human being who was ever imprisoned starved gassed or simply worked to death in this place michael and I grew quieter and quieter that afternoon until by the time we started back to munich we weren’t speaking at all I think we both felt that we might say anything in words again the first person we met in the hotel lobby was christopher he took one look at us and announced you’ve been to dachau we nodded without answering chris strode toward us looked all the way down from his six foot five inch altitude lowered his voice and inquired still smells doesn’t it with the end of world war ii christopher as a member of the special forces and whose five or six languages included fluent german had been assigned to hunt down and interrogate nazi war crminals and had been present at the liberation of dachau and yes the smell of death had undoubtedly faded somewhat since 1945 but it was still as real as michael and me wandering dazedly between the ovens and the filing system we just didn’t know what it was but christopher did and i’d know it again I never saw him again after munich though we spoke on the telephone a few times on the last occasion when I had called to wish him a happy 90th birthday I remember him assuring me that if by the time you come to make your live action version of your movie I have passed on do not let it concern you I have risen from the dead several times I know how it’s done he worked almost to the last as the real artists of every kind do they work to be working because that’s what they do and they die when they stop I always regarded him as the last of the great 19th century actors that bravura larger than life style went with him no modern rada trained performer would ever attempt it today nor should they it would inevitably come out parody however earnestly meant yet there was always more to christopher lee as an actor than dracula or the mummy or saruman or sherlock holmes for that matter though he was very proud of having played not only both holmes and watson but sherlock’s brother mycroft as well lord summerisle of the original the wicker man probably his favorite of his own movies is most likely closer to chris’s dark benignity than any other role he ever inhabited I believe this because lord summerisle sings a surprising amount in that movie and chris passionately loved singing if there is any such thing as an afterlife or reincarnation I truly hope no believe that christopher lee will return as a wagnerian opera singer if he hadn’t been considered too old in his 30s to be accepted for formal vocal training he might have been in his own eyes at least a happier more fulfilled man but we would have been deeply poorer for it and never have known See Other related 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[starfleetdoesntfirefirst]

do you want pike to be captain or are you annoyed about the current captain situation? i stopped watching halfway thru s2 but really want to get back into it!

Hi anon! In answer to your q, the second one—I’m annoyed at how, in a franchise that has had the protagonist be the commanding officer of the ship/station in all six of its previous shows, DSC not only made it so that the first woman protagonist of color did not begin her show as the captain/commanding officer (even Sisko, the man of color who perhaps-not-coincidentally was the only other Trek protagonist not to start his show with the rank of captain, still very much from the beginning was in the traditional Trek role of being fully in command of the space station his show centered around), but then made it so that the captains for the first season, second season, and at least the beginning of the coming third season are three (3) different white men. And at how the Season 1 promotional materials in particular did a bait-and-switch by hyping Burnham and Georgiou before making the actual show 2.5+ seasons of white dude captains, and at the way that, even after Lorca is off the show at the end of Season 1, Season 2 brings another white man to show “what a Good Starfleet Captain is like,” as though the example of the Good Starfleet Captain couldn’t have been a woman of color, or a nonbinary disabled person of color, or...

However, I can see how the way I set up my post about the Pike show made it unclear whether I was using the concept of ‘reverse bait-and-switch where women of color are the captains in the Pike show’s first seasons rather than Pike’ in order complain about DSC, or in order to complain about the hypothetical situation I had described where Pike wasn’t the captain. Thanks for asking for clarification!

Also, to be clear, I’m happy for anyone who loves Pike and is thrilled to have a Pike show specifically. I personally ended DSC Season 2 liking him as a character much more than I did at the beginning of the season, and the actor is awesome—I don’t wish the new show ill. And I’d be especially thrilled if it actually handles Pike’s future disability well, though given how badly the new Treks have handled pretty much every type of topic related to identity, I don’t have my hopes too high on that count. But it feels very glaring that not only did CBS and the showrunners have the first 2.5+ seasons of their show with a woman protagonist of color have three (3) different white men as the captains, and not only did Season 2 in particular focus so much on Pike and Spock—and write 20something Spock as being (out of character; I love TOS!Spock!) repeatedly physically violent to his sister without apologizing or being accountable—now one of the new show slots will go to a white man. Which doesn’t mean that SNW won’t have good aspects, or that there’s a damn thing wrong with people who love the specific character of Pike being thrilled about this—what’s glaring is the trend of how, with DSC and PIC and now SNW, CBS seems to think that they need to cater to viewers who want any/every/only white men as captains, and how the hypothetical reversed scenario of having three different characters who all happen to be women of color replacing Pike as captain for the first 2.5+ seasons would be so noticeable to viewers—and is so unlikely to happen in any modern mainstream Hollywood show—because white men are seen as default leaders in a way other people are not.

Re the second part of your ask, all of the above being said, DSC is my personal favorite of the Trek shows, so if you really want to get back into it I absolutely recommend it! I strongly dislike the choices I rambled about above, and the fridging of Georgiou and Landry, and so on. But I love the characters, and the chunks of writing and the actors that make those characters possible, and the gorgeous production and effects. Bluntly, we’re at a point where MOST (though not all!) big-budget genre TV shows and movies have a lot of death, fridging of non-white-men characters, and gore, so if I’m gonna watch modern genre TV, I at least want to watch a show with a lot of great characters, on-screen queer representation, and a woman of color lead who is an amazing and nuanced character (yes, Michael’s plotlines have gotten short shrift, but thanks especially to Martin-Green’s acting, her characterization and development are complex and fascinating).

Also, as has been pointed out frequently, it historically has taken Star Trek shows a season or two to find their footing, and there were a lot of behind-the-scenes issues and chaos affecting the writing and producing of DSC Seasons 1 and 2, so there seems to be a decent chance that Season 3 will center Michael more and avoid gross tropes. That being said, the pre-Season-2 hype made me genuinely believe we’d get a healing arc for Michael and less gratuitous trauma porn in general, and we got neither of those things, so I’m a little hesitant about believing Season 3 will indeed be better...but it sounds like they really may have actually have taken some steps to reduce poorly-handled grimdark this time (and IIRC the new showrunner is a gay woman?) so I’m holding out hope that it finally will.

Since you mentioned that you stopped watching halfway through Season 2, a word of warning (that will make me sound like a broken record to anyone who has been seeing me rant about 2x10 for over a year now) that there is what I consider to be an egregiously violent scene toward Burnham in episode 10, so heads up if you continue watching (feel free to anon me for details!) But yeah, despite all my qualms, DSC is my fave Trek—I just wish it’d do better.

And if the Pike show does pull a bait-and-switch and give us a season or three of women captains of color, I will not say no. ;)

[nellie-elizabeth]

The Handmaid's Tale: Mayday (3x13)

Well, this was an undeniably intense and breathtaking finale. Let's talk about it.

Cons:

They should have just killed June. I really thought for a moment there that she was going to be killed off, and I was so excited. Not because June has been annoying me this season, although that's certainly true. I just thought - if they actually do this, if they actually kill off their protagonist, then the story opens up. There are so many other stories to tell, so many other things we could explore. June is a complex character, certainly, but the fact that she's still alive means that next season, they will probably find some way to set up a new status quo, and then June will... what? Keep trying to get kids out? Try to find Hannah? The one major obstacle this show has always had is that it might become stale, and I thought killing June off would have been a very refreshing way of avoiding just that.

At the same time, even without killing June off, there was a lot of savior imagery here. The other Handmaids and Marthas coming back to make that stand with June, so the kids could get out, was certainly an awesome moment, but there was this strange vibe to it, like they were coming back because of June. Because she inspired them. I've expressed my slight discomfort with this idea before. What makes June so special? Why is she the leader of this little rebellion? I always liked how in the books, she was just... a woman. One of many, forced to do what she had to in order to survive. The longer this show goes on, the more special and significant June needs to be come, to justify her role at the center of the story. I really don't know how I would fix this, but I am identifying it as something of a problem.

Pros:

But okay. Obviously this episode was pretty awesome, and I'm very pleased with it. The big thing is this: the plan worked. The kids escaped. This is so important. If the big rescue operation had failed, and we were back to more tragedy with no sign of hope, I would have been very frustrated. Last season ended with Nichole and Emily getting out. And now, one season later, we have more than 52 kids, along with some Marthas, making their escape from Gilead. It was an incredibly powerful moment. All of the treading water that's been going on this season became worth it, because finally the good guys won an important victory. Kids were rescued. Action was taken, and it paid off. This is the kind of catharsis that is so desperately needed in a show like this one.

Commander Lawrence is so fascinating to me. That scene of him reading to all of the kids was one of those complicated moments, equal parts heartwarming and uncomfortable. Because throughout it all, I can never once forget who this man is, and the way he helped to orchestrate the torment of so many innocent people. It's interesting that the loss of his wife has made him a softer, kinder person. It would be easy to imagine that the reverse might happen, but I like this way better. He's crushed by loss, but he isn't defeated. When it looks like the escape plan won't be possible, he does try to pull the plug. But when June stands her ground, Joseph doesn't turn her in. He could have blown the whole thing up, and instead he lets his home continue to be used as a base of operations. He reads a forbidden story to a bunch of little girls, a story about adventure. The final goodbye, when he calls June by her full, real name, was very powerful. You can't exactly forgive Commander Lawrence for all he's done, but you can still be grateful for the choices he's making now.

There was a lot of excellent tension and action in the scenes where the large group was making their way through the woods towards the plane. I really wasn't sure whether they were going to be successful or not, and my heart was in my throat the whole time. It just seemed so unlikely that they could really pull it off. When the women threw rocks to cause a distraction, and were shot down for their trouble, it meant that the kids could get free. It also meant that a lot of women were willing to give up their lives to pay for that freedom. They were true heroes. Every one of them. As I said, I kind of wish that they would have killed June, but I like that this episode kept me on my toes enough that I thought she might actually die. When she got shot, I winced. When we saw her lying on the ground, staring up at the sky as the plane took off, I wondered - is this it? Does June die, secure in her final moments that she succeeded? That's good story-telling. I really couldn't be sure where they were going with this.

Jumping to the subplot for a moment, we see that Serena continues to enjoy visitation privileges with Nichole, while Fred is questioned about the inner workings of Gilead. Serena has been given immunity in exchange for her cooperation, but Fred tells Mark Tuello about Nick, about how Serena had June sleep with him to get pregnant. Serena is arrested for facilitating this rape.

At first I was a bit unsure about this development, because Nick and June's relationship was hardly the worst thing Serena had a part in. But looking at the larger political reality, it makes sense. Serena gets immunity for stuff that Gilead forced her to do, and what happened with Nick and June was outside of that scope. The fact that Fred told Tuello about this is just huge. He was looking to hurt Serena, to punish her. But he also may have severed her last tiny sliver of hope of being any sort of mother to Nichole. Not only because she's under arrest, but because Fred has just confirmed that Nichole is not the product of the Ceremony at all. Any legal right that Serena may have tried to claim to her daughter, is moot. Even by Gilead's standards. I really want to see what happens with the Waterfords next season. It should prove to be very interesting!

I also want to talk about the little girl that June talks to, about what her life will be like outside of Gilead. For now, this girl is our proxy for all of the girls being smuggled out of Gilead. We don't know how all of them are going to react - for most of them, this life is the only one they know. I can imagine that next season, we're going to see some difficulty in assimilating. Some of these children will want to go back to their families, the only families they've ever known. But for now, we get to see the hopeful side of things. June tells this girl that outside of Gilead, she can be whoever she wants to be. She doesn't have to be a Wife or a Mother. She can wear whatever she wants. Then, as the plane lands in Canada, she asks Moira timidly - "is this the place where I can wear whatever I want?" It's such a simple thing, such a child-like example to hold on to. But it also means everything. The choice of what to wear may seem inconsequential, but it is one of the biggest ways that Gilead has to control its people. To go from a place where people are uniformed according to their function, color-coded according to their fertility and status as a woman, to a place where you can dress however you want? That's not trivial at all.

I'm so glad that we got to see the rescue through to its conclusion. Moira, Emily, and Luke are all there, along with lots of other volunteers, to see to the children as they are welcomed to Canada. There's so much going on in such a short amount of time in this final scene. Rita and Luke meet and embrace, and Rita tells Luke that this miracle is all thanks to June. We also see Luke watching the kids get off the plane, hoping against hope that he's about to be reunited with Hannah. That was heartbreaking, and makes me excited to see what happens next season. I want that reunion so bad, but I know it's not going to be easy.

This finale was pretty damn wonderful. Sure, I have the same complaints I've had all season about June's characterization. Obviously she was very brave and very much a bad-ass here, but what happened with Mrs. Lawrence is still difficult for me to accept, and the same goes for the other deaths she's helped to cause this season. All that said, I'm hopeful for what we might be getting in Season Four. I want to see more of the fall-out from this daring rescue mission. I want to spend much more time in Canada with all of our escaped characters - now including these new kids and Rita, along with Moira, Luke, and Emily! I want to see the political implications of Fred and Serena's imprisonment. I want to know what the hell is going on with Nick! There's a lot more of this story to tell, and I hope Season Four can tell it well.

9/10