#fantastic four fanfare

[geekcavepodcast]

"Fantastic Four Fanfare" Celebrates Marvel's First Family

To celebrate The Fantast Four: First Steps film (in theaters July 25, 2025), Marvel Comics will release variant covers, new collections, and more.

Fantastic Four Fanfare is a four-issue limited series set across the Fantastic Four's history. The series will feature new stories from Jonathan Hickman, Mark Waid, Dan Slott, Alan Davis, J. Michael Straczynski, Chip Zdarsky, Mike Allred, Mark Bagley, and more. Each issue will spotlight a different member of the team.

Fantastic Four Fanfare #1 includes:

a prank war between the Human Torch and the Thing from Mark Waid and Ramon Rosanas,

an underground adventure from Alan Davis, and

Mole Man interrupting Johnny Storm on reality TV from Andrew Wheeler and Sara Pichelli.

Fantastic Four Fanfare #1 (of 4), featuring a cover by Matteo Scalera, goes on sale on May 7, 2025.

(Image via Marvel Comics - Matteo Scalera's Cover of Fantastic Four Fanfare #1)

[graphicpolicy]

Iconic creators return for all-new tales of the Fantastic Four in Fantastic Four Fanfare!

Iconic creators return for all-new tales of the Fantastic Four in Fantastic Four Fanfare! #comics #comicbooks #fantasticfour

Marvel’s First Family make their highly anticipated Marvel Cinematic Universe debut in The Fantastic Four: First Steps on July 25, and Marvel Comics is celebrating this landmark event all year round with exciting variant cover programs, new collections, and more! And while the team embark on captivating new adventures in Ryan North’s current comic book run and play a pivotal role in the…

[coolcomicbookcovers]

[abbysimsfun]

Sims In Bloom: Generation 1 Pt. 7 (A Botanist in Space?)

The Nesbitts were thriving, and to surprise her husband, Daisy booked the family into a cabin for three days and nights in Granite Falls to celebrate Father's Day. But even though the summer breeze was warm, it was muggy, and the family spent almost the entire vacation indoors while it poured rain in their favourite mountain getaway. Neal did achieve a personal goal to identify an entire herbalism book worth of plants while they were there, but he wanted the family to rough it in a tent the next time they made the trip, so they all hoped next time would give them better weather.

Heather and Holly were both straight A students by the time River joined them at school, but he made friends just as easily – his best friend was Everett and Malia's younger brother, Kash. Daisy's work as a plant biologist garnered the attention of SpaceY, the Sims Aeronautical Space Agency, who asked her to join one of their missions to test flora and fauna in orbit soon after Easter. She was thrilled for the opportunity even though she had to leave home for weeks before the launch to train, but Neal called in the help of some of their friends to manage four kids on his own.

Daisy returned home with several space rocks as souvenirs, but without the elusive Unidentified Fruit Object, a space plant she'd read about in all her years researching gardening, and the one plant she had never seen. She was desperate to get her hands on a seed to study, and the search for one began to overtake her. Neal reminded her not to neglect her wellness as her obsession grew, but she was such an accomplished gardener with so little left to achieve. She wanted that UFO fruit almost as much as she wanted her children to grow up happy and healthy.

Neal met adulthood with little fanfare, at his request. Though he'd left behind his loner tendencies and now had a pristine reputation in town, just like his wife, he didn't need a party to celebrate. He simply asked his wife to bake them a cake to eat for breakfast before spending the entire day with his family.

On Henford Day, the Nesbitts returned to picturesque Isle of Volpe Park with some of the kids' friends, where they jumped from a cliff next to Cordelia Falls into the River Bagley, swimming for hours and searching for treasures left by others under Sophie the Snail. It was a sweet tradition, and they made sure to leave their own treasures under Sophie for future visitors to find.

Holly loved spending hours fishing with her mother in the park, and she'd already caught plenty of fantastically exotic fish in both Henford and Granite Falls before she was ten. Heather still had no luck with video game tournaments, but her parents never minded when she spent time on her phone or the family computer, because her grades never suffered and her social life was excellent, too. They really had so many reasons to be proud of their kids. The Pancakes thought the Nesbitts were great influences, too. They practically lived at each other's homes at both ends of Cobblebottom Street.

It was a blissful summer.

Would the heat of the season bring more bliss for the Nesbitts? ->

<- Previous Chapter | From the Beginning

[mysteryinkkat234]

The Night of Pleasure and The Past (Astarion x F!Tav/Reader)

I have lived, where have I been, how should I explain myself? The short version: work, school, low motivation, and being very very sad. But I'm back again, with a new obsession. For real, if I'm not working or at school or doing homework, I'm playing Baldur's Gate (I have four separate playthroughs Gods help me). Anyway, this series, Fangs and Nightshade, is going to be many anecdotes about my playthrough with my blue tiefling cleric, Luxia Nightshade, and her escapades with a sad vampire boy. The stories will be in order in the game so spoilers abound. I hope you enjoy it. If you have any suggestions or story ideas, my inbox is open.

Also shout you to my new friend @leighsartworks216 for peer reviewing, thank you!!

Summary: It was meant to be a night to escape from their days of fantastical shenanigans. A hag, the goblin camp worshipping a new and mysterious god, exploring the Underdark, there was a lot of stress built up in everyone. Luxia Nightshade, resident Cleric and unofficial 'mother' of the group, decided to take up Astarion's offer, to get lost in the night. But during it, she could feel something was wrong.

(This contains spoilers for Act 1 and references to Astarion's past, read with caution)

This is 18+ and deals with a lot of heavy subjects, especially about sex, if you are underage or your account does have an age, DNI

Spice Level Anaheim Pepper (500 - 2,500): This smut contains vaginal sex, outdoor sex, fingering, nicknames (bunny and pup), and basically everything that happens in Astarion's Act 1 companion scene.

Word Count: 4,300+ words

Read and Bookmark this story on AO3

~~~

It was a night of fanfare and victory after the Absolute Cult was defeated in the temple. The tieflings set up a small party at their camp. Everyone seemed to be having a lovely time: singing around their campfire, finally talking casually instead of tactically, and most of the children wanting to pet Scratch.

Everyone was having a great night… except Astarion, leaning on one of the poles holding up his tent, silently chugging the bottle of cheap and gross wine. It’s not that he was grateful to save these tieflings, it was more that it was the first time in two centuries that he did something good, something nice, something to help them instead of to gain something. He didn’t get a choice whether or not he wanted to save these tieflings, that would be the party’s unofficial leader: Luxia Nightshade. 

A blue tiefling with eyes as white as the moon, horns curled like a sheep’s, and the personality of a doting mother. Gale joked that Luxia acts as a mother and the rest of the party are the ‘unique’ children she has to watch over to make sure nobody dies a grizzly and painful death. Soon, that title of ‘mother’ seemed to stick to her. She would laugh at Karlach who instead of calling her ‘soldier’ started calling her ‘mom’. Luxia’s giggling at being called ‘mother’ was almost infectious… almost nauseating.

Astarion hated her. He thought she would be easy to manipulate; he looked almost like a lost child looking for her mother. When Luxia caught him about to bite her, she wasn’t angry… well sort of. More disappointed that he didn’t tell her in the first place. Is she being serious? Was she expecting him the first time they met: ‘Hello, My name is Astarion, I am a vampire’? But, she wasn’t an innocent kid – she was an adult, an adult with an understanding for others, no matter who or where they came from.

He knew after that day that Luxia could be trusted. She wasn’t asking about someone’s personal life for blackmail purposes, she was just genuinely curious. She was an open book.

Astarion thought about this when he saw her, socializing with the party’s wizard, Gale. Gale and Luxia looked perfect together; two magical dorks, plain and simple. It wasn’t that Astarion was jealous… maybe a little bit… He shouldn’t be, I mean, Luxia was pretty open with their friendship, she would probably tell someone that she liked them… and Luxia has said she liked him, as a friend, as a companion… was he reading too much into this?

“Astarion,” her sweet voice broke him out of his questioning. He almost stumbled a bit. She seemed to have a knack for appearing out of nowhere – she was probably small enough to do it too, being the shortest in the group. “Are you… ok?” She asked politely. Astarion coughed.

“Oh! Hello dear, didn’t see you coming.” Astarion lied, trying to act casual.

Luxia didn’t believe it though. Instead, she laughed, covering her giggles with her hand.

She immediately retracts her arm, holding her hands together behind her back. “No, I get it. I assumed you were getting all drunk and merry.”

He laughed at her comment. “You know, I never pictured myself as a hero.” Luxia tilted her head. “Never thought I’d be the one they toast for saving so many lives. And now that I’m here…” Astarion took another slug of wine from the bottle. “I hate it. This is awful.” 

Luxia shook her head, laughing again. “Come on, it wasn’t all bad,” she whined. “We took out the cult from the inside out, we found a ladder to the Underdark, the fire we made in front of the temple. Think about all the goblins you killed with that Alchemist’s Fire!” Her white eyes gleamed when she retold the story. Astarion could see her feet scuttling while she talked, like an excited kid.

He laughed to himself. “True. That was fun. Still, I would’ve liked more for my trouble than a pat on the head and vinegar for wine.”

“It can’t be that bad.” Luxia gently took the bottle out of Astarion’s hand. She took a sip and made a face. It was sour, almost too sour for it to be edible. She silently gave him back the bottle.

He exhaled through his nose as Luxia made a face. “See?” he asked cockily.

“Yeah… I’m more into sweet alcohol, I’m not a partaker in it anyway,” she said quietly, almost embarrassed by her expression. 

“I’m just looking for a little bit more excitement, a little bit more fun.”

Luxia tilted her head again. She knew where this was going, but she’ll play along. “What do you mean? Is living in constant peril not exciting enough for you?” she quipped back. His laugh was more audible, and her face was flushed, trying not to make direct eye contact. 

“Don’t be so sour – literally,” he snorted. “I like a good time as much as anyone.” Astarion’s ruby eyes trail off to Luxia, analyzing her body. Unlike the last time, when he looked at her and wanted to feed off her, he could feel a heat that wasn’t caused by the fire. She’s so small, Astarion could easily pick her up and ravage her, pin her against a tree, and make her squeak with pleasure… an idea popped into his head. He scratched the back of his neck. “You know, we could always make our own entertainment, darling. Get a little closer, so to speak.” His voice became more sultry, trying to lure her in. And it was working. 

Luxia looked down, her face darker from blush. She bit the knuckle of her pointer. She laughed to herself, trying to be composed. “Maaaaybe,” she steps a little closer to Astarion, “if you say ‘please’.”

Astarion was taken aback, dumbfounded. “What?”

She stepped closer and looked directly at him. She leaned forward, their chests almost touching. “Say ‘please’.” 

Her voice… Gods her voice, so sickly sweet, like honey slowly dripping down a hive. Astarion didn’t know she had this confidence – he took her more as the one to get hit on instead of the other way around, or maybe it was liquid courage.

He inhales through his nose, getting closer to Luxia’s ear. “Please?” He whispered. She could feel his hot breath, he could hear her exhaling quickly. He took her breath away. A sly smile planted on his face.

She laughed again, stepping back to give them both space. “Maybe. I’ll think about it. There are some other people I want to talk to. It’s not like I don’t want to, I just…” She took a deep breath, closing her eyes. “Let me think about it, ok?” 

“Hm, fine, I guess,” he sighed, both in disappointment and how he believes, “I’ll be waiting for you. We’ll find each other.” Luxia simply nodded and turned around. However, she was stopped as Astarion kept speaking. “I never thought you could make such a devoted leader. I’m happy for you.”

She smiled, her oddly cute pointed teeth shined in the moon. “Thank you,” was all she said, as she walked away from him, almost skipping for a few steps.

Astarion simply watched, his eyes still moving down to her waist: an innocent little skip with hips swaying back and forth, her tail whipping with it. He sighs, looking up at the stars. He indeed was just looking for some sex and that’s it, but that ‘something’ was back. He closed his eyes and imagined Luxia. Instead of pinned on the tree like last time, he could imagine her in an elegant bed, covered in the silkiest of robes or blankets… no, a nice dark blue silky robe. Maybe one of the sleeves falls off her shoulder, showing off her freckles sprinkled about… no, why was he thinking this? Did he think about this with other people? No, they were only victims, for him.

He looked around, looking for her again. She was with Shadowheart, sharing a bottle of that god-awful wine. Didn’t she just say she didn’t like it? They were laughing and giggling together, Luxia covering her face for a moment, to cover her flushed cheeks. In the night, Astarion could see her moon-shaped eyes looking right at him before she quickly averted her gaze. This was going to be a long night of waiting.

~~~

He rolled his neck as he waited out in the middle of the woods, far away enough from the camp, but not too far away that it would be that long of a walk. He rubbed his chest, thinking deeply. She probably won’t come, he thought. She’s probably with Gale like I thought, using his Mage Hand to pleasure her. 

The rustling of the grass snapped him out of his trance. He turned his head and saw… Luxia? She walked slowly around, clearly looking for him. Astarion took a deep breath and made himself known to her. 

“There you are,” his voice was deeper, more sultry. “I’ve been waiting. Waiting for the moment I set my eyes on you.” He paused, he slowly brought his hand to her face, his fingers tangled in her messy blue hair. She softly smiled. “Waiting to have you.”

She laughed lightly, her hand slithered over his hand, interlocking through the gaps. “You don’t have me, yet.” Her thumb rubbed over his palm, her nails only grazing. “Were you waiting for me this whole time? What would happen if I didn’t show up?”

Astarion chuckled darkly. “Well, you’re here now, aren’t you? And, I don’t think you came here just to talk.” His hand slowly moved to her jaw as he stepped closer, the space between them closing slowly. “I think you want to be known, to be tasted.” His thumb rubbed her bottom lip. Gods her lips were so soft. He’d tasted her blood, and he hoped she tasted just as delectable as that.

Her smile went neutral, and she wrapped her hand around his wrist, taking it away from her face. Despite the feeling, Luxia could feel something underneath the showmanship. it almost felt… uncomfortably familiar. She took a deep breath before she spoke. “What exactly do you want then?”

“What do any of us want? Pleasure. Yours. Mine. Our collective ecstasy,” he clearly dodged the question with another question. Luxia started picking at the skin on her fingers. “That is what you want, isn’t it? To lose yourself in me?” He smiled, and his hand moved back, this time both of his hands rested on her jaw. 

Maybe he just wanted a distraction: They killed a hag, saved the Emerald Grove, and explored the Underdark – there was so much bottled-up stress that was in everyone. This’ll probably be the only night they get to feel something other than fear. People have different ways of releasing all this stress, and maybe this was his way of dealing with it. Luxia has met people like this and it was fine. She nodded in his hands. “Yes,” she whispered.

His smile turned more sly. “That’s what I thought.” His chuckle sent a shiver down her spine. “Now, how about I help you get comfortable.” Astarion began moving his hands around her body, starting with the blue corset compacting her, loosening it. Luxia sighed, now with her breasts freed from the confines of such an uncomfortable piece of clothing. She started undoing the buttons on her blouse, and soon, her chest was free. Astarion looked in awe.

A chill ran through the forest, making Luxia and Astarion’s nipples harden. Luxia hugged herself, covering her perky breasts in the process. Astarion laughed. “Don’t be afraid, little bunny. I have been waiting way too long to see your gorgeous body.”  

“It’s cold, Astarion,” Luxia whined as Astarion started loosening her pants, pulling them down with her underwear in the process. Luxia could still feel the chill, from head to the tip of her tail that started swaying more quickly than usual.

He laughs again as he loosens his own pants. “Darling, I will have you burning with desire from the inside out, hotter than the Hells itself.” When his pants and underwear were finally off, Luxia stared, trying not to linger for too long, but she was a bit obvious about it. He laughed. “You are just the cutest thing in all of Faerûn.” They finally did it, they kissed. And Gods her lips were just as delectable as he thought: soft with the subtle taste of mint and that sour wine. But, somehow, it tasted sweeter.

His tongue swiped her bottom lip, tasting that mint and wine, and plunging his tongue in. The moan that came out of her, sounded so heavenly, just as sweet as her laugh in the morning. He broke away, a string of saliva the only thing connecting them. Luxia looked into his eyes, red eyes staring back. She noticed that he had these moments of constantly looking around, probably so he could take something without anyone’s notice, but during camp, his eyes were always darting. Luxia felt important at the moment, but there was a feeling that… he was dissociating. 

“Astarion…” she whispered, her breath still taken away. “Are you okay?” she asked with genuine concern, her arms wrapped around his neck.

“Oh, I am more than ok.” His voice kept getting darker, his eyes trailing down to her lower half. With a sudden movement, Astarion lifted her up by her bottom, her legs suddenly locked around his waist. He laughed, carrying her and planting her back on one of the trees. His kisses continued, starting from her lovely lips to her neck, littered with freckles.

His lips grazed the puncture wounds, the same marks he made when she let him bite her. As he licked the wound, Luxia’s body shivered again. Inside of the chill was pleasure. “Fuck!” she exclaimed, her grip on his back grew tighter and more painful, her nails close to digging into him. “Fuckfuckfuckfuck!” She squealed under her breath. 

“Ah, so our innocent leader does have the mouth of a sailor,” he teased her. One hand left her bottom, his fingers masterfully massaging her folds and clit. Luxia gasped again. “I wonder what other cute noises you can make.” Astarion’s finger slips in, Luxia’s plan of desperately trying to keep her moans in has failed. Her body moved up and down Astarion’s body, her fingers moving around his back. Despite all the fights they’d been through together, his skin was quite soft, though she could feel prominent scars on his back – they didn’t feel random, they felt intentional. 

She laughs at Astarion’s little comment. Luxia gave him a slow and sensual kiss. “Really? Because I wonder what kind of cute noises you can make, too.” She leaned her full body forward, making Astarion lose his footing, stumble, and soon fall onto the ground. 

Now Luxia was on top, she thought her flirty little comment would ‘spice things up’, to try and one-up Astarion’s constant comments. But something still didn’t feel right, he was still staring, and his eyes didn’t seem to move to look at her body – not at her tail, freed from the tree, now wagging once again, not her hands on top of him, or even her blown-out white eyes, now filled with desire. Though he had a surprised expression when she ‘pushed him’ down, it immediately shifted to that damned smirk. Is he… getting any satisfaction from this?

Luxia smiled innocently, ready to suggest riding him, or maybe… she could go down on him? Get back at him? When she tries to move down to his lower half, Astarion stops her, gripping her by her shoulder. “Astarion?” she whispered, not sure what he wanted. Astarion through this whole situation didn’t communicate anything to her, he didn’t ask what she wanted, what he wanted. Body language can only go so far, especially when he looked like he was in a dazed state through the whole thing. 

Astarion’s sly smile became more toothy, and with the hand on her shoulder, he pushed her off of him. Luxia was pushed onto the ground, his arms trapped her underneath. “You think you’re shrewd, don’t you? Cheeky little pup,” he chuckled, looking at her shocked and blissed-out face. “Perhaps it’s time for the puppy to finally be punished.” 

He began rubbing himself up and down Luxia’s folds, now wet from Astarion’s previous escapade. He leaned his head down, kissing her neck softly. Even though he was a vampire, and technically undead, his body felt like it was on fire. His kisses felt like small embers hitting her neck, making her squeal and jump from it.

Astarion laughed, probably for the final time tonight. Simultaneously, he inserted himself quickly inside her and bit into her neck.  

Luxia moaned out, a mix of pain and pleasure. She wrapped her arms around his neck, Astarion’s thrusts were slow at first, probably because he was focusing on sucking Luxia’s blood. “Astarion stop~ I’m going to… pass out.” Her breath was being taken away, and she could feel her body getting weaker and weaker.

“Oh, darling~ Hold on for a little longer,” Astarion moaned out, his fangs finally out of her. His thrusts began getting harder, and the sound of slapping skin echoed into the woods as he sat up, holding her hips in place. Luxia’s hands scrambled, she had the instinct to hold onto his hands, the idea of her finger interlocking with his. When she moved her hands to his, to snake her fingers through, however, Astarion had different ideas. 

He lifted her legs, her ankles now resting on his shoulders. Astarion’s grip on her hips was steely, to the point it was starting to hurt. There was no room for her hands, so instead, she locked onto his wrists. His thrusts became faster, making Luxia more audible, her head snapped back from the pleasure. She started to beg. “Astarion, please~ I can feel it. Please, don’t stop~” she moaned out. The grip on his wrists, her nails were close to puncture his skin. “Please, hah~ Astarion!!” 

Luxia’s eyes were shut tight through the orgasm, her grip on his wrists finally let go, and what remained were small marks, thankfully there was no blood. She tried to open her eyes, the foggy outline of Astarion stretching. Luxia’s head started to hurt, her eyes slowly closed, and the cold embrace of the grass tickled her burning skin. Her breaths were heavy, trying to catch as much air as possible. Luxia let sleep take hold of her, thinking of Astarion holding her, as the world around her became muffled.

~~~

The sun’s rays shot through the branches onto Luxia’s body. Her eyes slowly opened and squinted at the new day upon her. She moaned out a yawn, stretching her legs, arms, back, and tail. Luxia rolled her neck as her vision cleared, and soon the image of Astarion appeared, bathing in the sunlight, his arms spread to take it all in. Astarion told her before that the tadpole allowed him to be in the sunlight without disintegrating. Luxia felt sorry for him – this was probably the first time Astarion got to bathe in sunlight in over 200 years.

She smiled at him, holding onto her knees. “You’re not going to stay and cuddle?” she asked, cheeky but also disappointed, hoping to hold onto someone. 

He inhaled, sighing. “You sleep light. I thought you would be exhausted after last night,” he commented. 

“Yeah, me too,” Luxia laughed it out, holding onto her bruised neck. Feeling the puncture wounds he left, a green glow emanated from her palm, healing the blood and wounds. She went back to a more serious tone, “Did you… enjoy it? You didn’t look like you were… all there.” Luxia said it with genuine concern, hoping he would understand it.

“I was holding back a little, it’s true. I didn’t want to lose control. Delicious as you were, I didn’t want to go too far.” Luxia blushed from the compliment, hiding her face in her knees. “Now, shall we go? I want to go before anyone else thanks me for saving their tails.” His tone changed, and he was quick to leave. Thankfully, Luxia was quick to stop him from leaving, wanting to talk to him more.

She now had a clearer view of the scars on his back. Just like Luxia theorized, the scars formed two circles of Infernal script. She paused, making sure she said the right words without offending him. “Wait, your scars… Where… How did you get them?” she asked in her curious and polite tone like always. It didn’t sound like she was fucked to the high Heavens last night. 

“It’s a poem, from Cazador. He considered himself quite the artist and used his slaves as a canvas. He composed and carved that one over the course of a night. He made… a lot of revisions as he went.” Astarion’s voice grew sad and cold. 

“Gods, I… I can’t imagine.” Luxia stood up as Astarion turned around to face her, stretching out her legs once more. As she walked over to Astarion, she could see the marks more clearly… it was written with a very familiar script. “Why is it written in Infernal?” she asked plainly.

This took Astarion by surprise, This took Astarion by surprise, how fast she was to jump to that conclusion, He was flabbergasted. “Infernal? I… who knows? The bastard was insane.” 

“You know, I could read it for you,” Luxia suggested, eager to help him in any way possible.

His eyebrows raised in surprise at her eagerness. “I… I suppose it couldn’t hurt.” Astarion was hesitant at first, Astarion was hesitant at first, but he allowed her to look at his scars. 

Luxia skimmed through the script, inching closer to him. She could piece together certain words that were familiar, but they looked to be random words strung together. “Oaths… fires below,” she whispered, her hand reaching out to maybe feel the words, but Astarion could feel the heat of her hand coming closer, and he stepped away from her, clearly uncomfortable.

“And? What does it say?” Astarion sounded embarrassed and insecure.

“This isn’t a poem. It might be part of a devil’s pact,” Luxia explained. “The word ‘oath’ is definitely a dead giveaway, but other than that, I can’t make out the other words.”

“Really? A tiefling not able to understand Infernal?” he scoffed.

Luxia pouted. “I’m sorry, but did you hear any of the tieflings speaking infernal in the Emerald Grove?” she snapped back.

Astarion paused for a moment, clearly embarrassed. “... A little?”

She laughed it off. “It’s fine. There were no other tieflings living in Karador besides me and my parents. I do know Elvish and Gnomish!” 

“Yes, because that’ll help us in the long run,” he spoke sarcastically, he turned around, not interested in this new information, “Still though, an infernal pact? What was that bastard up to?”

“If he did make a devil’s pact, he’s more dangerous than we thought.” 

“More dangerous than you thought, perhaps. I’ve never had any doubts. But if this is part of a contract, it must be powerful. Or valuable. Or both.” Astarion sighed. “No wonder he wants me back. What have I run off with…?” 

“Does Cazador know Infernal? Did he ever write in it before?” 

“No. I could have missed it, of course, but I doubt it. Cazador was only figuratively hellish - there were never any devils hanging about the crypt. Whatever he’s left carved in my flesh, it’s a mystery to both of us.”

“If you’re comfortable, when we get back to camp, I can get my journal and write out the signs. I can probably find a book that translates Infernal text.”

“... Thank you, that would be… nice.” Astarion relaxed, he picked up his shirt and Luxia’s clothes, handing them to her.

[comicbookclub]

'Fantastic Four Fanfare' Assembles FF Superstars For Brand-New Stories

Jonathan Hickman, Mark Waid, Dan Slott, Alan Davis, J. Michael Straczynski, Chip Zdarsky, Mike Allred, Mark Bagley and more tell tales of the classic FF in the new anthology Fantastic Four Fanfare.

Marvel Comics is diving into the world of the Fantastic Four in a big way in 2025, thanks to the release of The Fantastic Four: First Steps on July 25. And in anticipation of that, they’ve announced a four-issue miniseries uniting some comic book superstars for tales from the FF’s past: Fantastic Four Fanfare. Featuring stories by Jonathan Hickman, Mark Waid, Dan Slott, Alan Davis, J. Michael…

[jules-has-notes]

Get Back Up Again — VoicePlay music video

Most people will never undertake an arduous journey to save an entire community. But whether the task is large or small, everyone needs a little pep talk now and then. VoicePlay took this energetic anthem of self-motivation, added some extra harmonies, and put their own entertaining spin on it. Give it a listen and let them lift your mood.

Details:

title: Get Back Up Again

original performer: Anna Kendrick as Princess Poppy in Trolls (2016)

written by: Benj Pasek & Justin Paul

arranged by: Layne Stein

release date: 10 May 2018

My favorite bits:

recreating the Dreamworks fanfare with their adorable animated avatars sitting on the VP logo, particularly the harmonized ♫ "Ta-da!" ♫

Earl's vulnerable tone on his opening lines

the peppy major harmonies for ♫ "It's gonna be a fantastic day." ♫

that quick little bell chord on ♫ "gonna sing" ♫

✨ glitter farts ✨ as part of the group percussion line

the back row's little plucked guitar line behind Geoff's lead

the exaggerated auto-tune on J.None's solo riff, in keeping with the movie character

those subtle bass slides Geoff does underneath

Eli's clear, cheerful tone for his lead section

Earl and J doing little shoulder bounces to go with their stacatto harmony line

♫ "I'm really really really gonna be OKAY!" ♫ "Heeey." ♫

Layne's deep ingressive "Yeah!" transitioning out of the bridge

Eli's nervous ♫ "The bergens are coming" ♫ counterpoint

the camera shake timed to Earl and Layne's ♫ "knock knock" ♫

"Hug time!" "Hug time!" "Hug time is my favorite!"

Earl's silly "Hello!" with the spider in the outro

that sneaky snippet of "In the Hall of the Mountain King" as a coda during the end screen

Trivia:

The guys' animated troll avatars were drawn by artist Leon King. Both the art and VoicePlay's wardrobe were inspired by the characters in the original movie.

The stuffed worm that Geoff holds is named Mr. Dinkles, and is the beloved pet of Biggie. On the few occasions in the Trolls movies when he says anything other than "mew", he speaks in a surprisingly bassy voice.

That final excerpt from "In the Hall of the Mountain King" (an orchestral piece about trolls from Norse mythology) was included in the movie as a repeated motif in "Hair Up". Layne eventually created a full a cappella version of "Mountain King" for VoicePlay four years later.

This video was filmed at Studio One in Orlando, a new location for the group.

In addition to her usual role as production manager, Kathy Castellucci is also credited as "puppet master", with assistance from Hayley Cohen, Rek Dunn, and Nick Perez. Those plush bugs don't fly on their own, after all.

The YouTube description goof for this video is a simple, "Shhhhh… Candace Bergens…"

Layne's rhythmic stomping and accompanying antics during on-set rehearsals made J.None crack up.

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Layne posted a snippet of his editing process on Instagram while the guys were on the road as a teaser for the full video.

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They even made a dedicated teaser clip for this one. (Check out those lucious chords!)

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This track was later included on VoicePlay's "Citrus" album, which compiled most of the songs they recorded from 2017-19. Because the individual songs had already been made available digitally, that album is exclusively a physical item that can only be purchased at live shows or through their website.

[banjjakz]

once upon a december (things i almost remember); hananene oneshot

On the first day of Christmas My true love sent to me: A partridge in a pear tree The wine glass slips from her left hand and crashes to the floor in an ear-shattering explosion. Dark red liquid – frigid and insidious – seeps between the gaps in her stockings, dyeing her toes crimson from the outside in. She can’t be bothered to cringe at the unpleasant sensation. No, Nene is more preoccupied with dropping the card, clutching her head, and letting out the first wail she’s released since last December.

(Or: Aoi went missing last Christmas, and the chilling bite of the new year rendered her case cold to the touch. This year, on December first, Nene opens an anonymous Christmas card to find a lock of deep purple hair. Terrified, jaded, and freshly incensed, she teams up with the boy next door to track down her best friend before it's too late.)

wc: ~9.7k warnings: horror; psychological thriller; kidnapping; gaslighting; implied drugging; murder mystery; stalking; manipulation; bad end

🖤 read on ao3 🖤

December is the coldest month.

December, for Nene, had not always been cold. December was once filled with warmth and laughter, joy and friction, a vibrant collage of pale golden sun leaking through the bleary overcast sky; beams of light bouncing from snow mound to snow mound in a grand display of merry acrobatics; a fireplace and a hearth and a cornucopia of store-bought curry, leftovers gifted generously by the neighbors, trials and many errors of family recipes lost in the muddled translation of time; cable-knit sweaters; worn leather boots; snowflakes on the tongue like a burst of magic spreading so cold, so rapidly across her body it threatened to burn her alive; and a friend, to join her in this winter wonderland.

December had not always been cold.

Nene, very desperately, tries to remind herself of that fact this year.

It certainly feels colder, but this is admittedly due in large part to her broken radiator. The same radiator she’s been meaning for months now to ask Minamoto Kou from across the street to come and tinker with. She doesn’t know why she keeps forgetting. She should have told him in April, when it first threw in the towel. Should have, should have, should have. Now it is December, and Nene shivers at her own dining table, like she’s seen a ghost. Now, it is December first, and she might as well have, because the ghosts of time’s past are beginning to claw their way from underneath her tissues flushed down the toilet, all her tears buried between threadbare pillowcases. Now, it is December first, and the skeletons in her closet begin to reanimate themselves, cracking their joints stiff from disuse, skulls grinning madly in sadistic preparation.

An anniversary requires fanfare, after all. Twenty-four days until the big event.

How, she thinks, numbly. How has it almost been a year? It’s been simultaneously the longest and yet the shortest expanse of time in her mortal experience of life. Just yesterday she’d been burying her face into Aoi’s neck, red-cheeked with laughter. Eons have passed since she last saw her best friend’s face.

Time works in funny ways when you’re depressed. So does depth perception, apparently; Nene almost brains herself skating across a haphazard patch of ice that runs jagged down her driveway. Her arms windmill, flailing wildly in an attempt to brace what she knows will be an inevitably nasty faceplant. Perfect. An amazing end to a fantastic day at the start of her favorite month of the year. Nene would cry, if she had any tears left to spare.

Someone above must get bored of watching her aimlessly struggle, because she’s able to snag ahold of the mailbox at the last second, effectively steadying her unsightly downfall. Dry, peeling fingers clutch at the hard metal tin with all the force of an animal cornered. It takes her a second to unclench, to exhale, to remember that she is no longer in peril. The tunnel vision fades. Her breathing evens out. The ringing in her ears subsides. She notices the meek red little flag, erect and upturned on the side of the mailbox, valiantly standing tall and bright amidst the grey dreary backdrop.

She hasn’t received mail in months.

Her bills are paid online, for the most part. She doesn’t have any close friends. Her family stopped trying to contact her months ago, when the cherry blossoms began to wilt in the storm drains. Now there are no fruit bearing trees, and Nene lives alone – truly alone – with no one to send her mail. No one she knows of, at least.

That last thought triggers something in the back of her brain, sharp and chilling and alarming all at once, a sensation she has not embraced for months now: self-preservation.

Suddenly anxious, Nene rips open the mouth of the metal box and peers inside. A lone ruby envelope greets her. Before she can think better of it, Nene snatches the thing and hastily fixes her mailbox to fit the lackluster, lonely image she’s more accustomed to: close-holed. Flag down.

She hustles up her front steps, huddled around the strange package like a mother protecting its wounded young. Her neighbors must think her insane, but Nene doesn’t care about that. She hasn’t cared since – well.

The house is cold, and dark. Shadows leap and jump in warm welcome as she meanders her way into the kitchen, flicking the right switch on the first try out of sheer muscle memory. All at once, her line of vision is illuminated in frosty fluorescents, rendering the pale wood and bloodless countertops an even more pallid hue. The dust that collects along the lone windowsill just above the sink unsettles itself at her arrival, motes floating benignly in the air, almost as though waving a shy little welcome home.

Her coat is shouldered to the tile floor. Her heels are kicked off somewhere near. The top two buttons of her work dress are popped open to allow for some breathing room. The bottle of wine she goes to uncork awaits her dutifully from the countertop, where she had uncorked it the day before, and the day before that, and even the day before that one. Tonight’s glass runs a little bit deeper, though. She has a feeling she might need it.

The first thing that strikes her as truly odd is the lack of a return address. She revolves the slim, rectangular envelope in one hand, inspecting it thoroughly from pristinely pressed edge to pristinely pressed edge, and yet she is unable to locate any address beyond her own, which is printed neatly in dark, black ink. If she didn’t know any better, she would’ve guessed it had been printed directly on the surface, what with how evenly the characters are spaced from each other. An errant smudge blurs the last zero on her prefecture code, however, and Nene deduces that this was hand-written and hand-mailed – by whom, she’s yet to uncover.

It should disturb her more than it actually does, this piece of mystery mail. A literal scarlet letter resting innocently enough in her lap, its insignia black as night, its arrival marked by the year’s darkest hour. These past eleven months have numbed her, she thinks ruefully. What’s frozen cannot feel.

At worst, it’s a lame little prank from some of the kids on her street. The adults know better than to prod at her, but she’s caught some of the junior high kids messing about on her lawn right around dusk, completely unaware that her dark windows do not denote vacancy. She’s the strange woman in the strange house at the end of the lane, she knows. Tragedy has painted her desolate. Maybe this is a note poking fun at her late age, her living in solace, perhaps even her style of dress, which is just as muted and bland as the rest of her general surroundings.

Maybe it’s an urban legend, placed in her mailbox to frighten her, boldly proclaiming that something terrible will happen in seven days if she doesn’t forward the message immediately.

Maybe the sender was one digit, one character off, and this envelope isn’t even hers to claim in the first place.

Unenthused and fairly exhausted, Nene feels nothing as she unhurriedly splices the red lip with her thumb.

Her immediate reaction is confusion. There is a Christmas card inside. Her family doesn’t celebrate the holiday. She doesn’t have any friends at work, or in her neighborhood that celebrate the holiday.

A prank, she reasons. It’s not a farfetched notion.

As she gingerly pulls the card out of its snug red outfit, she’s greeted with the sight of the Western caricature of a robust, profoundly smiling Santa Claus, who grins up at her from his boisterous perch atop a sleigh wealthy with presents. HO, HO, HO! Read the English characters emblazoned above his head, bright like headlights. She feels caught in their glare.

Yep. Definitely a prank.

Like ripping off a band-aid, Nene flips open the card in one swift, violent motion.

And her heart stutters to a standstill.

All around her, the house freezes in place; the dust-motes shrink back, captivated in disbelief, their once amicable air now petrified with the abrupt shift in the air; the shadows at her feet shrink back in empathy; and even the skeletons in her closet quiet their clamor for a handful of terrible, awful, painstakingly potent seconds.

A lock of hair is tucked gently into the spine of the Christmas card. A lock of hair Nene remembers brushing, braiding, caressing, adorning with clips and bows and ribbons and ties. A lock of hair Nene had watched as a child cascade down from the smooth, scarless expanse of an unblemished ivory neck, all the way down to an impossibly tapered waist, slim and cinched and imprinted on her living room couch, in her kitchen chair, in her bed. A soft lock of hair. A purple lock of hair. A fresh lock of hair.

(It still smells like her shampoo.)

The card is white and red and green and festive, with only the following words written as any kind of explanation:

On the first day of Christmas

My true love sent to me:

A partridge in a pear tree

The wine glass slips from her left hand and crashes to the floor in an ear-shattering explosion. Dark red liquid – frigid and insidious – seeps between the gaps in her stockings, dyeing her toes crimson from the outside in. She can’t be bothered to cringe at the unpleasant sensation.

No, Nene is more preoccupied with dropping the card, clutching her head, and letting out the first wail she’s released since last December.

The “gifts” continue to arrive, after that first fateful day.

Nene, in all her discombobulated panic, scrambled to look up the English text from which the sender was pulling. It was a Christmas carol, apparently. One that went on to detail twelve days of presents sent from a secret admirer to their ‘true love.’ In accordance with the rhyme, Nene received parcels for twelve days – each containing some remnant of the previous day, and a new addition to the mix.

They were all pieces of Aoi.

Locks of hair. Soiled socks. Broken bits of jewelry. The ribbon Nene gifted her as a birthday present two years ago. All of it intimate, all of it freshly pressed into an airtight Ziplock bag – and all of it smelling freshly and distinctly of Aoi. These keepsakes, Nene was convinced, were not coveted posthumously. Despite what the police department decreed, Nene knew eleven months ago what she knows now: Aoi is alive. She must be. She must be.

And her captor isn’t done with her yet.

As the week trickles through her ruddy, cracked, trembling fingers, Nene weighs her options. She could seek legal help once more, but she doesn’t know if she trusts them to do their job right. Not after they’d given up so easily, had let Aoi’s memory fade from their logs and legal books like the final wisps of a fire smudged out. No, she couldn’t go to the police. She couldn’t reach Aoi’s family, hasn’t been able to since the investigation closed out in January and the Akanes minced no words when they voiced their contempt – and their blame – for just who, exactly, was at fault for their daughter’s disappearance.

(“You lived with her,” Mrs. Akane had said, quietly, “and saw nothing?”)

There is nobody else on which Nene can rely, except herself.

She devises her plan on the eve of the twelfth night.

I’ll stay home from work, she reasons. Turn of all the lights. Close all the blinds. Pretend not to be home. And watch the mailbox like a hawk.

Worst comes to worst, the only person who graces her front lawn is a dutiful delivery man. But still, Nene finds that hard to believe; the packages that reach her are pristinely placed with care and precision, arriving on an individual, consistent, and daily basis. Surely the faults of the very human Japanese national mail system would have hit a snag at least once during this entire operation. As such, Nene is led to believe that the culprit is hand-delivering these dark little omens.

And she is going to catch them in the act.

That Friday is a slow one. Nene rises with the sun, or what little of it manages to peer past the caliginous cloud of fog that overcasts the city. She makes her coffee. She settles into her armchair – the one tucked into an obscure corner of the living room, just out of eyeshot from the street beyond her drawn curtains – and she waits. And waits.

And waits.

She is waiting for so long that it surprises her when the sun flirts with the horizon’s edge, dipping his does into dusky twilight. This is usually the time of day when she comes home to a new parcel.

Surely, they haven’t forgotten. It’s the grand finale, after all.

Something is decidedly different, then.

The time, unfortunately, does get the best of her. Despite her best efforts, Nene is powerless to the exhaustion of the week, the fatigue of remaining still and alert for the better part of twelve hours, and the draining anxiety that’s plagued her from the moment she’d received that first card. She’s drifting off before she can catch herself, floating aimlessly, blissfully in a dreamless scape, brought back to the world of the living by an offensive CLANG!

Immediately, Nene jerks awake, rattled.

God dammit. How long had she been out for?

Ears ringing, eyes wide and teary, Nene sits and stews in the silent dark of the house, straining her ears to sus out any more noise. It’s late, judging by the opaque black that coats the living room with a thick, ominous mood. Nobody on her street – not even the spunky kids – are out this late.

Creeeeeak…

The squeal is faint, but telltale. The sound of metal hinges whining in protest. The mouth of her mailbox opening. The mailbox.

Nene, with shaking hands, peels back the curtain just wide enough to peer out of the window.

A dark, shadowy figure is right there on her front lawn. Two arms outstretched into the rusty, tin cage.

Bingo.

She’s on her feet and out the door before she has time to second-guess herself. In that moment, she cannot see the consequences of her actions; rather, what plagues Nene’s mind the most is are the locks of deep amethyst hair, the fingernail cuttings, the socks, the accessories, the used tissues, the empty lipstick tubes, and everything else that has been sent in a boldfaced taunt to provoke Nene into the very same reckless action she has no choice but to take now.

For Aoi, her heart screams as she throws open her front door and barrels into the street, This is for Aoi.

“STOP RIGHT THERE,” exclaims Nene, projection boosted by the copious amounts of adrenaline running rapid like wildfire through her pulsing veins. It is a powerful yell, a wounded shriek, and it startles the hooded figure so badly that they stumble backwards in surprise, catching their footing right underneath the streetlamp. When they look up, the violent yellow lighting is enough to illuminate their face just enough for Nene to make out some key identifying features, but – wait – isn’t that –

“Yugi-san?”

The man across from her giggles nervously. “Hi, Yashiro. I am aware that this looks very bad.”

She blinks. “No shit.”

Yugi Amane, her next-door neighbor. The other black sheep of their strange little cul de sac. She’s spoken to him only briefly in passing, and each time was an oddly pleasant surprise. On one particularly noticeable occasion, he even helped her carry her groceries inside, and let her cry on his shoulder when the gallon of milk she’d lugged all the way from the grocery store did, in fact, burst all over her kitchen floor. He’d been kind. Offered to clean it up, and then fetched her some more the next day.

That was six months ago. They haven’t spoken since.

“Look,” he begins, frazzled, hands in the air as if to show he means no harm, “I’m not the creep you’re looking for. Believe me.”

“The creep I’m looking for?” Asks Nene, wary.

“You know… the… the guy? Who keeps stalking your mailbox?”

All the color drains from Nene’s face in an instant. “How do you know about—”

“I’m your next-door neighbor,” he scoffs, almost offended, “It would be stranger if I hadn’t noticed. He’s there every day, same time, hood up, face mask on. And, let’s be honest, Yashiro, you don’t have very many people over nowadays. Was I so wrong to be suspicious?”

“Excuse me?” Nene feels a vein threaten to burst from her forehead.

Yugi ignores her and barrels on. “So, I tried to catch him in the act tonight! Maybe rough him up a little bit! Teach him a lesson?”

“Teach him a lesson,” echoes Nene, hollowly. She eyes his body up and down. His five-foot-seven, rail-thin body, dwarfed by the egregious amounts of black fabric he’s swaddled himself in to fight against the cold. “You,” she repeats, just to clarify, “were going to teach him a lesson?”

“It’s the least I can do,” says Yugi, suddenly somber. “After all that’s happened.”

“I don’t need your pity.”

“Not pity. Try ‘basic human decency.’”

“You are so—” Nene stops. Re-centers herself. “Right. It’s too cold out here for all this. Did you… would you want to… I mean—”

His face shouldn’t loom that brightly. Not out here, not in the deep bottomless dark of the December night. He’s all pale skin and round cheeks, elusive like the moon, marked by twin bright points of luminescent amber. They twinkle at her in a dazzlingly spot-on impression of starlight. They wink in and out of sight as they’re scrunched upwards by the force of a sly, boxy grin. They bore into her, chilling her to the bone, shining bright and merry all the while.

“Why, Yashiro, I thought you’d never ask.” The comment hangs in the air for one beat, two beats, until Yugi breaks the tension with a well-timed quip. “I’m freezing my ass off!”

“’Teach him a lesson,” grumbles Nene, already spinning on her heel to lead the odd young man through her front door. “I’ll teach you a lesson.”

“Hm? Did you say something?”

“No, nothing at all.”

Amane – as he’d told her in no uncertain terms to address him as (“it’s not like we’re strangers, now, are we?”) – sits next to her at the dining room table with a troubled look on his face. The large, even spread of dark mahogany has functioned as her drawing board for the past week; laid out in two neat, even rows are every envelope, card, and keepsake she’s received thus far. Amane studies the twelfth card, which arrive in a small box in lieu of the paper manila envelopes Nene had become accustomed to. There was too much of Aoi to contain in a simple slip, this time.

“Hm,” hums the dark-haired boy, lip caught between his teeth as he studies the contents. “And you’re positive all of this is hers?”

Nene jerks back, as if slapped. “How could it not be?”

“What exactly is your plan, Yashiro?”

He’s standing up, now, svelte figure made even slimmer by the all-black sweater and jeans combination that hangs off of him like dripping gloom. Amane begins to circle the table, socked feet thumping gently, quietly, soundlessly against the wooden floorboards. Nene nearly thinks him to be a specter, floating effortlessly through the thick air, making maddening paces around her. “You charged at me with no weapon to defend yourself, no phone to call for help, nothing in your arsenal except eleven months of pent up hurt.”

She wants to get angry. It’s her knee-jerk response nowadays, and the things he is saying are out of line. They’re blunt, they’re insensitive, and—

Worst of all?

They’re true.

Amane’s slow revolution stops right behind the axis of her chair. He can’t see her bitten lip from her, her watering eyes, her hot cheeks. She wonders what he’d say. She sends a silent thanks that she’s shielded from his calculating view.

“I’m not trying to be mean,” murmurs Amane, quietly. Nene can tell he’s being honest. “I’m trying to prepare you.”

“Prepare me?”

Amane steps into her periphery, then, silently urging her to look towards him instead of hiding behind the safe veneer of her hair. “The world can be cruel. You’re no stranger to that, Yashiro. When Akane-san left, it was hard for you. We all saw it. I saw it. I saw you.”

Nene looks up at him.

His voice is strange, affected in a way that Nene would have never thought to expect from her neighbor. The guy who let her cry over spilled milk, smearing her snot and tears all along the crisp lines of his nice button-down shirt. The guy who smiles at her – who has always smiled at her – when she was out and about in the neighborhood. The guy who never crossed the sidewalk when he saw her coming. The guy who never told his kids to stay away from Yashiro-san, the woman with the missing roommate. The woman whom tragedy seems to tail like a hound after its master.

“I saw you,” continues Amane, “and it hurt me to watch you go through something like that.”

He is pale, he is wan, and he is brightly flushed in the middle of her dining room, Sitting on her table. Fiddling nervously with the hem of his worn sweater.

She doesn’t know what to say. The words get caught in her throat, blocked by the lump that grows bigger and bigger with each word that comes tumbling out of Amane’s stupidly perfect lips.

“Let me help you.” His face turns fixed, resolute. “Anything I can do to be of assistance. Whatever you need, I’m here for.”

“But why?”

“I told you, already. It upsets me when you’re upset. I don’t like seeing you like that.”

“And when have you ever ‘seen’ me,” scoffs Nene, but it’s mostly to detract from the tears trickling down her cheeks.

Amane wipes them away with the pad of his thumb so impossibly gently it nearly hurts. “All the time, Yashiro.” His touch grounds her – or, rather, she’s being sucked into it, forced to lean on the first scrap of stability she’s been offered in nearly a calendar year. Where she is weak, and greedy for more, he is kind, and benevolent enough to offer her his comfort.

Surely, there must be a catch. Surely, she’s going to regret this.

Out of the corner of her eye, Nene spots the errant glint of one of Aoi’s favorite bracelets. It rests atop the card for the fifth day, along with a small mountain of her other personal effects, some of which Nene can recount the stories behind. Those earrings are from the boutique in Harajuku we visited on a weekend trip. She’s used that same brand of dental floss for years, now, ever since we were kids. I gave her that hairclip, I bought her that lipstick, I used to clip her nails for her when she was too tired to do it.

The loss hits her anew, driving her face further into the palm of Amane’s hand. He’s cooing something or other, his carefully crafted words spun like candy floss, but they fall upon deaf ears. All Nene can think of are the past twelve days, the past eleven months, the past lifetime she’d taken for granted with her best friend, and the ticking doomsday clock that lies ahead of her, counting down to one of the worst anniversaries Nene has ever had the displeasure of celebrating.

For Aoi. This is for Aoi.

It must be.

It will be.

The dust had nearly settled.

The last of the moving trucks pulled out of the driveway, leaving the two young women to their brand-new, freshly stocked, Real Adult House. This was a first for the both of them – a first that they were delighted – and purposeful – in sharing together.

It was an unseasonably warm autumn afternoon. As such, Aoi thought it appropriate to pour some lemonade into a pair of matching glasses, even while a litter of cardboard boxes crowded every conceivable surface.

“Oh, let’s just relax a minute, Nene. Un-packing can wait until we catch our second wind, hm?”

“I don’t know,” said Nene, taking Aoi’s offered glass all the same. “There’s so much to do…”

“Stop fretting. You’ll get wrinkles.”

“Ha-ha, very funny. Little too late to be worrying about that.”

“You shouldn’t be worrying about anything. We’re finally home. We finally made it. How do you feel, love? Talk to me.”

Nene swirled her lemonade and worried her teeth at the rim, the dull clink reverberating in the otherwise silent house. Her gaze draped lazily over the wooden banisters, the charming dark, earthy tones of the first floor, all of it bathed in the gorgeous amber glow of near-dusk. The windows had a lovely view, but they were rather large – they’d need to buy some curtains.

“The neighborhood is nice. Well groomed.”

Aoi, it seemed, was pleased by this answer. “It’s not the only thing well-groomed around here.”

“That was terrible.”

“I know.”

“…Who is it?”

“One of our neighbors,” Aoi giggled into her lemonade as she took a dainty sip. “I swear, he was ogling me when we were helping the movers. Like he just couldn’t look away!”

They never can, thought Nene, bitterly. “Which one?”

“Across the street. They’re two brothers, I think. The older one has got such a piercing stare. I’m not going to lie, if I didn’t know any better, I’d be a little frightened.”

“I’m sure.”

“Oh, don’t be like that, Nene. You’re going to find friends, here, too! And then we’ll settle down and live our happy little lives and be best friends forever. Don’t you think so?”

“… Yeah. That sounds nice, Aoi.”

“Of course it does, it’s our dream! Or don’t you remember?”

“I do, I do.”

“Good. Now, why don’t we go door to door and introduce ourselves? The old-fashioned way!”

Ten days.

They’d had to wait until they both had a day off from work to reconvene. As such, it is now the fifteenth of December, approximately four in the morning, and Nene is parked outside of a non-descript storage facility. She’s far away enough to ward off any suspicion, but close enough to carefully track the movements of each patron passing through the massive revolving door.

“Look alive!”

Amane crows from the passenger seat, shoulder-checking her hard enough that Nene is jolted out of her momentary reverie. “No sleeping on the job, silly.”

“’The job,’” scoffs Nene, “Funny you should mention one of those. There’s no earthly way you’re this awake at four in the morning. What is it that you do again, Amane?”

“Property management out in the banks,” Amane rattles off, dismissively, before leaning forward in his seat. “Ooh, now look who finally decided to show up. Closer, Yashiro, or you’re going to miss him!”

The ‘him’ in question is Minamoto Teru.

Amane asked her to conjure up a list of potential suspects. (“Spare no one. It is, unfortunately, those closest to us who pose the most threat. Y’know?”) So, Nene thought back to simpler times, where she and Aoi would sit and gossip on lazy Sunday afternoons about work, family, and the odd faces around town. One odd face always managed to steadily reoccur in every single one of Aoi’s anecdotes.

The elder Minamoto and his kid brother lived directly across the street from Nene, in one of the more traditionally styled houses on the block. Incense regularly burned out front, and the entirety of their porch was adorned with wind chimes, along with various other little tools and trinkets that she could not for the life of her even begin to decipher the purpose or use of. She’d never been spiritual – neither had Aoi – and so the orthodoxy of the Minamoto household was already rather unsettling.

What really drove the wedge in further was Minamoto’s penchant for staring.

There were many a night where Aoi would complain of a restless sleep, chalked up to the sensation of being watched. Nene – in her thoughtlessly callous manner – dismissed this often as a symptom of Aoi’s inflated ego. What Nene now realizes she’d failed to take into account is the fact that Aoi’s bedroom window peered straight into the second story of the Minamoto abode. The distance between the two houses was not that large; if they wanted to, they could push up the glass and shout to communicate.

Naturally, Minamoto is number one on Nene’s list of persons of interest.

After all, there’s something to be said for handsome, charming men with a seemingly endless knowledge of social niceties. Minamoto had never been anything short of polite to both her and Aoi, but the more that Nene reflects on their past interactions, the less confidence she holds in the sincerity of Minamoto’s respectful manner.

Even now, as she watches him stride through an otherwise empty parking lot, large packing bin held effortlessly on top of his right shoulder, his striking features are hard. Intense. Laser-focused. A far cry from the friendly smile he projects at home.

Beside her, Amane whistles low and long. “He doesn’t look so happy.”

“No,” Nene murmurs, agreeing. “I wonder what’s in the bin?”

“Well, it’s hard to say, but…”

He cuts himself off as they both watch it happen: Minamoto hefts the bin into the bed of his truck, and pays no mind to the shiny, metallic item that slips out from beneath the lid. It winks underneath the moonlight, practically inviting the two voyeurs to come and investigate its properties once Minamoto pulls out of the parking lot and off into the impending rising sun. As soon as he’s gone, they slip out of the car and peel into the parking lot, harping in on the lost effect.

Nene’s breath stutters in her throat as she gets a good look at it.

“Oh my God…”

A phone. The case is floral and pastel colored. Feminine. The most popular model and brand of last year’s winter.

But most importantly: it is Aoi’s phone.

Nene would recognize those scratches on the screen anywhere; she’d been apart of nearly all the stories that accompany them. Everything, down to the worried edge of the case where the design fades away, rubbed one time too many by Aoi’s anxious pinky finger, is familiar to Nene in a way that smarts freshly. It is astounding, how every piece of her best friend lives on so very vividly, even as the woman herself continues to elude Nene’s ever-desperate grasp.

“Is that--?” Asks Amane, but his tone betrays comprehension. Nene’s reaction is enough to confirm his suspicions. She presses the power button and nearly wails when it won’t turn on. She begins to spam it, frantically, her thumb coming to jam the home button as well in a cacophonous roar of clicks. She looks crazed. She knows. Yet she cannot bring herself to let go of the phone; she cannot stop hoping that maybe if she presses harder, or faster, the screen will light up and show her the lockscreen photo of her and Aoi sipping hot cocoa in front of the fireplace, taken just days before the unthinkable happened.

Before she can fall any further into disarray, two gloved hands find purchase on her shoulders. Nene belatedly realizes that she’s been shaking. Violently.

“Yashiro,” croons Amane, with infinite patience. “It’s not going to turn on.”

“I-it has to, it has to, it has to—”

“It won’t,” says Amane, not unkindly. He smooths his hands down her arms and comes to rest directly behind her, warm chest to her hunched back. “Can you feel me breathing?”

Nene nods jerkily.

“Try and copy it. Come on. I know you can do it, there you go. Just like that. You’re doing so well.”

The praise washes over her like a hot sauna over old bones. Just how long has it been, since someone has spoken to her like this? Has touched her gently, with intent, with purpose, with fingers so reverent she feels like she’s being worshipped? Has hugged her close to their beating heart and let her count her breaths to its steady rhythm?

In her rational adult brain, Nene knows that the man behind her is only doing what’s necessary to bring her down from what was gearing up to be a full-blown panic attack.

But in her fantastical, escapist brain – the one that commandeers the reign in times of duress, that whispers sweetly treacherous words? Nene cannot help but to allow herself to fall into the daydream that is being held in the arms of a man who cares for her; who camps out with her at four in the morning on a Saturday; who stands with her in empty, poorly-lit parking lots and sways their conjoined bodies back and forth, side to side, like the benign ebbing and flowing of waves at sea.

When Nene can open her eyes again, she finds that it has begun to snow.

Little flakes drift down to collect on her eyelashes, on the crown of her head, on the tip of her red-dusted nose and cheeks. She resists the sudden, childish urge to stick out her tongue.

“Better?” Whispers Amane. The steam from his breath lingers so closely that she watches as it wafts past her ear and out into the dark expanse of the night. Mutely, Nene nods.

“I told you, I don’t like seeing you upset. I’m going to make sure that this year is better for you. Okay? I promise. You can hold me to it.”

“You barely know me,” says Yashiro, finally regaining some clarity. Although she was present for all of it, finding herself entangled in Amane’s arms is somewhat of a shock, now. She’s speaking to a flickering lamp post in the distance as she continues. “Why are you doing all this, Amane?”

A humorless chuckle leaves his mouth. He breathes it into her hair. “Why do you think?”

The night is cold, the night is dark. Nene takes in a lungful of frigid December air and relishes in the way it burns the back of her throat. It feels like a brand, much in the same way that Amane’s arms do as they snake around her own, ever tightening.

“I’m going out!”

“Where? With who?”

Aoi stopped in her tracks, heels in hand, by the front door. “Aw, is Nene-chan worried about me? I can handle myself, you know.”

“I know,” grumbled Nene, indignantly. The stew she’d been working at for ages gurgled at her lethargically. “Just. Wanted to be safe. That’s all.”

“I will be. Don’t worry. I’ll let you know when I’m there and when I’m on my way home.”

“Is there any particular reason why you won’t tell me where you’re going, Aoi?”

Aoi’s face was wry as she finally slipped the last inch of her tiny foot into her gracefully lifted shoes. She looked like a vision – but she always did. That was just her. “You won’t like my answer.”

“What?”

“Nothing. Don’t wait up, okay? I’ll be fine!”

“Ah—Aoi, wait—at least take a jacket! It’s getting colder these days—!”

But she was already out of the door before Nene could finish.

Seven days.

It’s getting harder. Harder to keep up with work, harder to keep up with bills, harder to get out of bed on the weekends to make herself something other than instant meals and refried rice.

This time of year has always been overstimulating for Nene, but now that so much of the holiday season is imprinted in her mind with memories of bereavement, there is very little Nene can experience that doesn’t send her back to a different place in time entirely.

She begins to space out in department stores, in konbinis, in supermarkets, when she spots something that resembles Aoi’s wardrobe a little too closely. When she comes to, she realizes she has no idea how much time has passed, or if she’s someone has tried to speak to her. It’s frightening. It’s numbing. It should be sobering, but the closer the anniversary date looms, the harder Nene finds it to wade through the waking world.

And through it all, of course, is Amane: cooking her dinner when she lets slip she hasn’t had much besides energy drinks and protein bars; picking up groceries when she cannot bear to take another step outside of her house; running errands on her behalf like it’s his civic duty; keeping her company while she knits, or reads, or even as she sleeps, so that she is never alone; and even when he isn’t at her immediate side, he’s just one door down. One knock away. Less than one hundred feet apart from her at all times. Always so close. Always.

Sometimes, he behaves… strangely. Erratically. On these days, Nene will hear him talking to no one in particular in the next room. He is louder, too, and proceeds with a manic edge. He laughs too hard. He laughs at the wrong jokes. Nene considers that she is not the only one with dark secrets, with loss brimming at the core of her being.

In her state of gradually building disarray, Nene finds it especially hard to keep track of her personal belongings. It starts with harmless items, things she can easily replace: her toothbrush; her hair comb; a few pairs of socks; a vial of nail polish. Although she swears she puts them back in their respective places, still they vanish into thin air, without a trace.

“Amane,” she hums, tonelessly, “the next time you go to the store, could you pick up some more floss?”

He snorts, like she’s just told him a funny joke. “Again? We should keep a running tally, at this point.”

Nene sinks down to rest her head on the kitchen table. “I don’t want to hear it, Amane. I feel like I’m losing my mind.”

“Really?”

“Yes,” groans Nene, miserably. “It’s like… I don’t know…I’m just sort of. Floating. Through life. You know?”

She peers up at him through her crossed arms and almost chokes on her own gasp. In the dim lighting of the kitchen, there stands two Amanes. The twilight of the late afternoon provides a sinister backdrop for the sight that Nene’s mind cannot even begin to comprehend. The two Amanes are grinning down at her, eyes bright, mouth wide open. And then she blinks, and they merge as one, and suddenly Amane is crouching down to her level, nose on her arm, pupils boring holes into her own.

He stares at her in silence for a few moments. This close, Nene can smell him – neutral, clean, yet faintly metallic. “What would make you feel better?”

“I just want her back,” Nene says, so very quietly. “Getting Aoi back would be the best Christmas present ever.”

Amane, Nene has noticed, for all his enthusiasm and passion for their investigatory activities, doesn’t appreciate it when Nene talks about Aoi. For whatever reason, his face falls flat, his eyes, dull, and the shift in his energy is so sudden it threatens to give her whiplash.

As the sun finally sets, it is just the two of them illuminated by a small table lamp several paces away. Amane is aglow with orange light. It bounces off of his cheekbones sparingly, rapidly. He’s drawn gauntly like this, a vision of nightmare in her mundane little kitchen. Golden eyes half-lidded and simmering with…

“Amane…”

“If that’s what you want,” he says, finally. “I’ll make it happen.”

“You can’t—don’t say something like that. It’s not funny.”

“I’m not trying to make you laugh.”

“… Promise me, then. Promise we’ll find her for Christmas.”

“I promise, Yashiro.” He hooks their pinkies together with a grim smile. “I promise you’ll get to see her again.”

Minamoto Teru stops by two days later.

He has the audacity to stroll up to her front door, put his dirty hands on her doorbell, and summon her outside where he awaits, a tray of what he announces to be baked goods occupying his right hand.

“Losing a loved one can make the holiday season burdensome. Please remember that you are in all of our thoughts, Yashiro.”

She slams the door in his face.

How dare he? How dare he? How dare he come onto her property and offer her his stupid fucking food and say – that – knowing damn well what he’s done. He is so sick. He is so sick. He is twisted and evil and Nene cannot breathe she is so livid. She rushes upstairs, little feet pounding hard on the wood, and throws herself into her bedroom, slamming the door shut in blind rage.

The collapse onto the floor is natural; her knees fail her and she plummets onto the carpet, fingers scrabbling blindly as she lets out a frustrated sob. The devil is her neighbor and he smiles in her face, invites himself to her house, and speaks of Aoi as if he doesn’t know full and well about her loss.

Delusional with upset, Nene fishes her phone from her pocket and dials the first number in her favorites. She expects the mindless ringing, the numbing dial tone, the familiar error message telling her that her call cannot be completed at this time.

What Nene does not expect, however, is the faint ringtone that wafts through the wall.

No, she thinks, panicked, I must have finally lost it.

Still, Nene crawls slowly, hesitantly, to the opposite wall – the wall which conjoins hers and Aoi’s rooms. As she makes her way nearer, the ringtone grows louder, easier to discern from the rapid pounding of her own overexerted heart. She strains to make heads or tails of it over the pounding in her ears, the rushing of her blood, the adrenaline buzzing through her veins. She crawls, on her hands and knees, unsure of if her feet could even carry her through a moment like this.

There are no thoughts in her mind. She is suspended in disbelief. Pressing her ear against the thin wall, she confirms that yes – that is Aoi’s ringtone. One of the prettier pre-set sounds on her model. Nene would recognize it anywhere. She recognizes it now, with her pulse in her throat.

Her mind is made up in the blink of an eye. Swiftly, silently, Nene rises from her muddled heap on the ground and moves towards her own bedroom door, tactfully twisting the knob and slipping through the miniscule sliver she creates for herself. Before she can think about what, exactly, may greet her, she’s shoving open the door to Aoi’s room and barging in.

The ringing grows louder, louder, and louder, until she hears it in her eardrums, can feel it in the heavy pit of her stomach.

“What are you doing in here, Amane,” breathes Nene.

He’s – here. Sat cross-legged in the middle of the room. Her room. Her phone is in his lap. Turned on. Miraculously functional. And ringing.

(Hadn’t Nene stored it in her dresser, the night they discovered it?)

“What do you mean, Yashiro?”

“Why are you—in here—”

“Didn’t you invite me over today?”

Did she? “Did I?”

“You wanted me to look for clues.”

“Clues…” repeats Nene, dumbly. She brings a hand to her head and massages her temple, as if that’s going to jog her memory. Why can’t she break through the heavy fog permeating her mind, obscuring from her even the most basic of mental passageways?

What had she done all day? Where had she been?

If Minamoto Teru never came by, would Nene have awoken from her stupor?

“The phone…”

“You gave it to me,” Amane reminds her helpfully. “I told you I found a way to unlock it.”

She considers, for a brief moment, arguing. She wants to tell him that she doesn’t remember anything he’s saying. The past twenty days have all been a blur, exacerbated by Amane’s introduction into her otherwise benignly lugubrious existence. Just what is his real motive, here? Why insert himself into her personal affairs after months of watching from afar? What does he know that she doesn’t? The questions swirl inside of her, ready to leap forth in a vitriolic outburst, but one good look at Amane stops her dead in her tracks.

This… is one of his strange days.

The days where he acts like a stranger wearing Amane’s skin. Jerky movements. Pitchy laughter. Shrunken pupils. He smiles innocently up at her, nearly childlike in its simplicity, and chills erupt along the rigid line of the back of her neck.

“Okay.”

“Are you hungry?”

“…Yes.”

“I’ll go make you something!”

“I can help.”

“No,” says not-Amane. “Let me.”

“Okay.”

“Okay!”

He brushes past her on his way out of the door, pocketing the cellphone as he descends the stairs.

Nene realizes that she probably should have asked for it back.

The next four days are something out of a nightmare.

Nene is barely lucid for any of it. Bits and fragments of her days find her like bottles drifting aimlessly onto the shores of a deserted beach, with nobody there to properly receive the message.

Amane had to leave for the weekend – something about business and taking care of the properties he manages – and so Nene is left to her own devices in one of the worst states she’s found herself in. She has to call in sick from work. She can’t go out. She can barely make it from the dining room table to her bedroom without some form of setback.

As always, Amane seems to have been prepared for this. He left her packaged meals before he left, encouraging her to eat to her hearts content. He cooks for her all the time. He is very kind to her, even if sometimes Nene is a little frightened by just how far his kindness extends.

The food is good, but her condition gets worse. She doesn’t call an ambulance, because she doesn’t know what she would tell them. I’m sleepy and depressed and obviously dying because of this.

Very quickly, reality begins to blend with her dreamscape. She sees Aoi at the bottom of the stairs during the nighttime hours. She wakes up to a voicemail at three in the morning left by an anonymous caller; when she clicks on it, she hears her best friend’s bloodcurdling shrieks of terror. Minamoto Teru haunts her, stalks her property, prowls around her house like a predator studying its prey. Is that it? Is he mulling over how he’s going to catch his next victim? She refuses to answer the door when he knocks – not even when he shouts that it’s important, not even when he says that she isn’t safe. What does he know? He’s the one who—

She’s in the bathroom, sifting through the cabinets, throwing out decrepit old orange pill bottles. She looks up and Amane is behind her in the mirror. She blinks in surprise and he’s gone again. The back of her neck is still warm. Nene wonders how he always manages to get into her house—

She’s in the garden. Do they have a garden? Aoi always wanted a garden. She’s in the maybe-garden and she’s planting a radish, only it’s not a radish, it is a pale, thin, slender arm with fingernails painted an extravagant lavender hue, and Nene is powerless to do anything other than shovel more dirt onto the appendage until it disappears from sight completely. She tries to dig up the body, but her hands don’t move fast enough. She should have done more—

She’s in her bed, and she’s being jolted awake. Truly awake. Nene tries to scream, but a gloved hand covers her mouth.

Amane is leant over her.

“Yashiro,” he says, gravely, “I found her.”

Wordlessly, she nods, once. Hard. Resolute. She went to bed in her day clothes (time had long since stopped meaning much of anything to her) and so there is little she needs to do to get ready to accompany Amane. Shoes. Coat. It’s dark in the house, what time is it? It doesn’t matter. Nothing matters, except that she is finally – finally – going to be reunited with Aoi.

Before Nene can get too far out of the door, Amane draws her back in with one arm, bringing them forehead to forehead, nose to nose, breathing in one another’s air. They are so close that Nene feels it when his heartrate picks up as he caresses her cheek.

“I did this for you,” he reminds her. “It’s all for you.”

“I know,” says Nene, lips pressed into his palm. “Thank you, Amane.”

“Always. Come on, let’s go.”

“What day is it today?”

“Christmas,” Amane says from the driver’s seat. “I heard your wish loud and clear.”

Not for the first time that morning, Nene’s gratitude is intermingled with an underlying sense of insecurity. She pushes it down. Amane would never tell anything but the truth, and he’s the only person who cared enough to take Nene seriously and help her find Aoi. If anything, Nene owes Amane more than she could ever possibly give.

Perhaps this is why she doesn’t question him, when he tells her that the way to Aoi is long, and she must rest beforehand.

Perhaps this is why she doesn’t object to taking the bottle of water he hands back to her, with claims of concern for her health.

Perhaps this is why when she wakes up hours later to sand and water surrounding the car, she trusts Amane when he says to get out and follow him.

Perhaps this is why she trails dutifully behind him, slipping through nooks and crannies, hustling through underbrush, scurrying through nature’s back alleys, relying on him to direct their path.

Perhaps this is why, when they come upon the secluded one-story cabin, she clings to him as they enter inside, her fists white knuckled and tense as they dig into the back of his black jacket.

“Is the—” her fearful whisper splits in half right down the middle. “Is Minamoto here?”

Amane is silent for a beat. “No,” he finally says, without turning to look at her. “So this is the perfect time, yeah?”

“Yeah,” Nene agrees. “It’s really… wow, it’s really normal-looking in here. I can’t believe someone like him can have a cabin out in the banks, all furnished and decorated or whatever, and then he just – does these horrible, awful things. It’s sick. He’s disgusting.”

Again, Amane is silent.

“You think so?”

“I know so,” sniffs Nene, hot on Amane’s heels as he opens some sort of trap door and begins to climb down a concrete ladder. “Scum like him are so good at pretending to be normal, likable. But it’s all a ruse. Just to get close enough to their victims. And then they strike.”

“Strike?”

“Well, sure. They… they take people.”

“How?”

Nene’s brow furrows. This sure is a long way down. Some light would help guide her way. “How? Um, well. I guess he would have lured Aoi in with a false sense of security, right? Made her feel nice, take her out, call her pretty, that sort of thing. And just when she was getting really comfortable, he probably…” Nene chokes. She doesn’t like thinking about this. “… he probably tied her up and threw her in his truck and drove all the way out here. She probably woke up alone – cold, scared, on Christmas. He would have dragged her inside, and down all these stairs, and then he’d… have his way with her.”

“Are you sure?”

Nene nearly stops mid-climb. “Excuse me?”

“Must it be so violent, Yashiro?” Amane must be significantly farther down than her – his voice sounds odd. “Why couldn’t he have knocked her out for it?”

“That’s unrealistic.”

“Really?”

“Yeah. What if she woke up before they got down to – here?”

“What if she followed him willingly?”

“I can’t imagine her doing that. Aoi’s too smart.”

“What if she thought someone was in danger?”

Nene is quickly starting to lose patience with this pointless conversation. “But who, though?”

The moment her feet hit the ground, she’s seized suddenly from behind. Nene struggles in the pitch black darkness, shrieking out for Amane, but her cries for help are rendered defunct with the man himself croons low in her ear:

“You.”

Oh.

Oh.

Her body goes limp with the realization. Her hands poised for attack slacken on his forearms. Her kicking legs sputter out weakly, until they drag lamely on the dirt floor. Her unseeing eyes – glassy, watery with emotion – flutter, stunned.

She cannot speak. She cannot move. All Nene can do is whimper, now properly ensnared in the spider’s web.

“I’d never hurt you though, Yashiro.” Amane’s voice is sing-songy, light and airy, flirtatious and fun as he drags her body through what feels like an endless array of catacombs. “Would never hurt a hair on your pretty little head, hm?”

Oh my god.

“The—the phone, Minamoto—”

“I planted it there, dummy.”

“In his personal storage unit?”

“People really do a terrible job at creating reliable passwords and pins nowadays.”

They take a turn, and there’s distant light up ahead. Nene tries to hone in on it, but it’s multicolored, and focusing on it for too long makes her vision blur. “Why Aoi? If you wanted me, then why did you take her?”

“She was a distraction. She was holding you back.”

“Holding me back from what?”

“Me.”

The light grows nearer. Now that Nene no longer has to strain her eyes to parse out the source, she can recognize that the forceful glimmer is actually—

A Christmas tree.

It illuminates the dank cellar just enough for Nene to look around and take in the chilling sight. A decrepit armchair with a few springs popping out of the seat sits perpendicular to the tree, with some poor excuse of a throw hung over the back of it. Mysterious stains litter the upholstery in a disturbing splatter pattern that she must look away from, if only to preserve her sanity.

The rug is dingy and cheap, if not outright taken right from the dumpster of some overstocked department store. Leaves and brush still cling to its prickly surface. Where the hell did it come from? How did he drag it all the way down here? Is this supposed to be some sick attempt at a heartwarming Christmas scene? Nene feels bile creeping up the back of her throat.

Now that Amane has brought her up close and personal, she makes the mistake of looking underneath the tree.

“Holy fucking Christ.”

“The ‘best Christmas present ever,’ right, Yashiro?” Amane’s voice jolts her back to reality. Nene startles in his arms and he lets her go, watching fondly as she stumbles around like a newborn fawn, collapsing next to the limp hand farthest away from the tree. The purple nail polish is still fresh, still bright; so bright, in fact that Nene can glimpse her own horrified face in the distorted reflection.

“Merry Christmas.”

This can’t be real.

Nene looks up and sees double. The two Amanes are laughing – absurdly, ridiculously – with arms outstretched and cheeks flushed pink. “I got you the best present ever, right? You like it, right? Right?”

“R-Right,” gasps Nene, because what else is there to do?

“December can be warm. December can be bright. I can’t wait to spend all mine with you, Yashiro. I’ll make sure you’re happy. You know I hate it when you’re upset.”

Curled next to the tree, clutching the cold, lifeless hand of her best friend, Nene smiles. It is watery and it is wobbly, but it is a smile and she knows, now, that there is no other option. “Thank you, Amane. I’m r-really happy.”

“Of course.” He crouches down to her level, and brushes the sweaty, tangled hair from in front of her face. “Anything for you. Merry Christmas, Yashiro. I love you. I always have, and I always will.”

An incessant pounding at the door awoke Aoi in the dead of night.

She was not above admitting it – Nene returning home to spend Christmas with her family left Aoi alone in their brand-new house. She felt odd, and a little strange, by herself in such an unfamiliar environment. Hopefully all of the new-neighbor activities she’d participated in would shield her from any misfortune – at least until Nene returned.

She hurried down the stairs with urgency, in fear of some poor soul needing help on Christmas night of all nights.

When she wrenched open the door, she was met with the sight of… their next door neighbor? Yugi Amane, if she remembered correctly. Before she could ask him what on Earth brought him there so late, he began to speak frantically.

“Yashiro is in danger! You’ve got to come, quickly!”

“Danger?” Mused Aoi. “I haven’t heard anything from her.”

“I know.” Amane held up a blinged-out phone, adorned with two charming hamster clip-on charms. “I found this at the end of the street.”

“Oh, God.”

“Please, come with me. And hurry. I don’t know how much time we have.”

“Oh, God, okay, okay. I’m coming.”

And so Aoi went, with no knowledge of what was in store; with no clue that they were not the only new tenants in town, and that in fact Amane moved in one month before they’d settled down, entirely on purpose, after he’d seen the activity in Nene’s bank account and connected the dots to their brand new location. And so Aoi followed him, wholly unaware that if anyone knew where Nene was, it would in fact be Amane, as he did, in fact, know where she was, as he knew where she was all the time.

And so Aoi believed him, crawling willingly into the spider’s web.

Aoi was not a stupid woman. Aoi could not ignore the red flags that waved overhead, announcing the imperfections of such a convenient danger. But if her friend was truly in distress…

For Nene, she thought. This is for Nene.

[redshift-corridor]

Okay consider this me feeling prompted to just send an ask about whatever

What are some of your favourite Octopath tracks, from either game?

OKAY time to dig into this. I'm trying not to get too excessive so I'll keep it to a few thematic categories (yes there are way too many tracks I like that I don't want to cut out :,D) This will be heavily OT2-biased too - while OT1 is still my second favorite OST of all time, it lost a bit of ground in direct comparison to 2.

Character Themes

1. Agnea / Partitio

This is a case of "whichever I'm listening to atm is the better one" but overall I think Agnea has the upper hand if I take all versions of her theme into account (Song of Hope goes without saying, and I'm very partial to her pursuit theme).

2. Osvald

No one seems to like this one as much as I do :,) It's not as immediately in your face as most of the other themes and takes a bit to pick up, which is a bit of a problem with the pursuit theme (my favorite in the game by far) and short battle intro dialogue. I feel this this is the only theme where you can really hear the character development in the progression from character theme to final battle.

3. Primrose

Mainstream choice, I know, but this one stuck with me. Probably because of the immense Yuki Kajiura vibes.

Region Themes

1. Leaflands

Literally the reason why I decided to buy the soundtrack based on a 40 second sample lol. The day version is my second favorite theme overall.

2. Hinoeuma

A theme I didn't pay too much attention to until I played the game and ended up standing in the desert just to listen. The night version wins here. That flute. <3

3. Sundering Sea (Night)

Extremely underrated. Idk how much time I spent hanging out on the ocean to this theme.

4. Frostlands

Just so I have three real region themes in here, but this is one of my favorite winter/snow themes in games.

Town Themes

1. Wellgrove/Timberain (Day)

Probably my favorite game theme period. Wellgrove has kicked Tarrey Town of all things off the favorite town top spot and that's saying something. I just love that place okay. Sometimes it gets hard to listen to the rest of the soundtrack because I keep getting stuck on this one lol. (Reminds me a lot of Wild Wind too, another old favorite.)

2. Montwise/Merry Hills (Night)

I don't actually have a lot to say here, I just love this SO much.

3. Crackridge/Gravell (Day)

You know a soundtrack is fantastic when the theme that caters exactly to your tastes is only your third favorite.

4. Flamesgrace

Honorable mention to my favorite town theme ever before OT2 came out.

Battle Themes

1. Normal Battle I (OT2)

Another unpopular one because everyone seems to prefer II. I don't care. I wish this would play in higher level places.

2. They Who Govern Reason

Oh hey, OT1 got in the top 3 without the nostalgia boost. Favorite boss theme ever and not even the OT2 themes come close.

3. Fierce Confrontation / Critical Clash I

Another shared slot for the same reason as the character themes, I can't pick one.

OT2 Final Battle Themes

(yes these get their own section :D)

1. Song of Hope

No competition here, next. Lol. Agnea's theme is already that good on its own and this makes it so much better.

2. The Journey for Revenge Ends

Like I said, character development my beloved. You can hear how this man goes from nothing to lose to something to protect and they didn't even change the theme much.

3. The Journey for Kingship Ends

Took Hikari's theme long enough to do something for me, but it does it really well now. Points deducted for the fact that I couldn't really enjoy the battle because I loathe boss rushes and I didn't want to risk having to do the tedious duel again.

4. The Journey for Happiness Ends

Four again because I can't leave my beloved merchant out lol. What can I say, it's Partitio's theme. Probably the one that worked best for me while playing. Protip: sunset looks great here.

Other themes in no particular order

Victory Fanfares

Love those, especially 2.

Unshakable Resolve

I'm not crying. Phenomenal use in Castti's final chapter.

Beneath the Surface

OT1 wins in the dungeon theme department with this one, hands down.

Invitation to Darkness

Why didn't we get a whole dungeon with this. JFD felt really rushed tbh.

Final Final Battle Themes

Both are fantastic, but I very much prefer 2 to 1.

Sorry for the wall of text ;D

[smashedpages]

On this day in 1984, Marvel released Questprobe #1, featuring the Hulk -- a comic book tie-in to the video game of the same name by Mark Gruenwald, Bill Mantlo and John Romita Jr.

Back in those days, Marvel was looking to expand their brand to video games, so they teamed up with Adventure International and their founder/lead developer Scott Adams (not the cartoonist of the same name). Together they produced three video games for the Atari console, the Commodore 64, the Apple II and several more as part of the Questprobe line. Subsequent games and comics featured Spider-Man and the Fantastic Four -- specifically the Human Torch and the Thing.

After Adventure International went out of business, the game line and planned 12-issue miniseries both ended prematurely. An issue featuring the X-Men was created and would run in an issue of Marvel Fanfare, while the game's villain, the Chief Examiner, would pop up in Quasar.

[pinnithin]

Reading through Whale Weekly has reminded me of the wind arrangement Of Sailors and Whales by composer Francis McBeth. There are 5 movements, each titled after notable scenes/characters from Moby Dick. Some of you may have performed it in high school or university band (I certainly did) and I think it's really cool going back and relistening to the arrangement with full context from the actual lines in the book.

Ishmael is the first movement, and its swelling crescendos of brass and trumpet fanfares captures the awe and wonder of our narrator beginning his tale, waxing poetic and hopeful about the sea and whaling.

The second is Queequeg, fast paced and intense with rapid, dissonant horn runs to signify Ishmael's initial disorienting encounter with the harpooneer, with lots of back and forth between lighter notes and heavier, powerful percussive hits. It's a really fun song.

Father Mapple is movement three, a haunting hymn relaying the sermon in the Whaleman's Chapel, backed by ominous bell tones. Honestly it still gives me chills.

Movement four is Ahab, commanding and temperamental, the timpani and the loud brass feeling like its smacking you in the face. It's the shortest movement and blows over quick like a pop-up storm.

The final movement is called The White Whale, and McBeth included the following quote in his program notes:

"Moby Dick seemed combinedly possessed by all the angels that fell from heaven. The birds! - the birds! They mark the spot … The whale, the whale! Up helm, up helm! Oh, all ye sweet powers of air, now hug me close … He turns to meet us … My God, stand by me now!”

So much of this movement is dedicated to capturing the feeling of being on the deck of the Pequod, muted trumpets calling like gulls, brass swelling like the tossing of waves, interspersed with the eerie calm between wave breaks as discordant woodwinds. It's fantastically immersive.

TL/DR: If you've never listened to Of Sailors and Whales before and are enjoying Moby Dick, I highly recommend giving it a listen. It's on youtube for free and it's less than 20 minutes long altogether.

[tilbageidanmark]

Movies I watched this week (Year 4, week 4)

The blue caftan, my first Moroccan drama by Maryam Touzani, and another one starring Lubna Azabal ('Incendies', 'Tel aviv on fire'), this generation's Hiam Abbass. A daring topic about a closeted bisexual tailor who hires a new apprentice while his wife slowly dies. It's extremely slow, and tbh took me a few starts to get into, but eventually it won me over with its beauty, especially the metaphor of the embroidered blue caftan itself which he eventually finishes. 8/10.

*Woman Director

🍿  

“Everyone has their reasons”

First watch: Jean Renoir's The Rules of the Game, a comedy of manners about the haute bourgeoisie in Europe on the eve of World War 2. Banned nearly everywhere for two decades.

As of now, I haven't seen four from the Sight & Sound Greatest 50 films of all time list, ('Beau travail', 'Sunrise', L'Atalante' and 'Wanda'), which I plan on visiting soon.

🍿  

2 with André Dussollier:

🍿 François Ozon's latest film, The Crime is Mine, was an unexpected 1930's-style screwball comedy. A light and fluffy murder bonbon with a lesbian subplot, a feminine message of sort, and Isabelle Huppert as a faded Norma Desmond diva who used to act in the silent movies of “the great Alice Guy”! 7/10.

🍿  Truffaut's worst film, A Gorgeous Girl Like Me, was a chore to finish. No wonder I never heard about it before. An unfunny, unsexy black comedy about a an immoral, horny grifter who was arrested for murder, and the hapless sociologist who fell for her. 1/10.

🍿  

"... Evidently, an Ethiopian in the fuel supply: Seems to me I'm getting the old heave-ho..."

My Little Chickadee, a strange western spoof, with two completely subversive cynics, who really had nothing to do with each other, and yet were thrown here together in a middle of an otherwise-unfunny mix. W C Fields, a boozing, resigned con-man, and Mae West, an eye-rolling, horny sex-pot. How incredible this story 'could' have been, if it was given air to breath, filled completely with one-liners, was not censured, and stripped of all the fake moralities!

🍿  

Now that Jon Stewart is returning to 'The daily show', I discovered that he wrote and directed Irresistible 3 years ago, which came and went without fanfare. It's a mild and old-fashioned political satire about a Democratic consultant, the likes of which were done many times before. But it contained a fantastic twist at the end that made the whole thing absolutely vibrant. Rose Byrne is gorgeous as usual, and Mackenzie Davis felt to fill the moral fulcrum of the movie, and the end showed why. Don't read anything about it beforehand, if you decide to watch it. I saw it twice in the same evening. 8/10.

🍿  

Beyond the Bolex is an interesting documentary about a fascinating man, Jacques Bolsey. It is deftly told by a young director who was not aware that the unheralded inventor of the Swiss Bolex camera was her own great-grandfather. The story of this nearly forgotten pioneer is reminiscent of other giants of the arts, forgotten and now re-discovered: Hilma af Klint, Georges Méliès, Alice Guy-Blaché, Vivian Maier, each of them earned a new comprehensive biography.

(Unfortunately in my view, this one was the blandest of the five, due to the narrator's irritating intonation.)

*Woman Director

🍿  

"Stay Gold". First watch: Coppola's seminal The outsiders, the first of two coming-of-age adaptations he made of SE Hinton novels in 1983. Teenage gang members in a mid 60's Oklahoma town, born on the wrong side of the tracks, with early performances by a bunch of the "Brat pack" members, including young, red-haired Diane Lane, and cameos by Tom Waits, Melanie Griffith, and Sofia Coppola as a child looking for 15 cents. Now I'm off to see 'Rumble fish'. (Photo Above).

🍿  

An Irish Goodbye, a benign trifle about two estranged brothers, one of whom has Down Syndrome, dealing with the death of their mother. Won the 2023 Oscar for live short.

🍿  

3 re-watches:

🍿 “Sometimes you do your best work when you got a gun to your head.”

After reading the New Yorker story about $300K/week script doctor Scott Frank, I had to go back to his breakthrough Hollywood satire Get shorty. And indeed, wow, what a brilliant screenplay, economy of dialogue, elegance and balance, and a perfect cast (each of the 10 top billings stars was born to play their roles here). And so appropriate of him to place the emotional 'Touch of Evil' viewing scene at exactly the 45 minute mark, where it serves as the heart of the story. 9/10.

🍿  “This is your Rubicon. Do not cross the Rubicon!”

My second watching of Alexander Payne's absolutely charming The Holdovers (and the adaptation of the 1935 French 'Merlusse', which I saw last month too). 10/10 again for superb soundtrack and writing-directing as well as general kind-hearted wholesomeness.

I haven't seen 'American Fiction' yet, but in my opinion Paul Giamatti and Da'Vine Joy Randolph deserve to win this year's Oscars for best actors. Also that this will quickly become an American Christmas classic.

🍿 Oh, how I didn't like the heavy-handed Paths of Glory on re-watch. Yes, it exhibited a brave anti-military sentiments for Cold War 1957, but the injustice inflicted by the generals on the privates was laughably outdated. In was nice to see young Joe Terkel, in the second of his three Kubrick roles. And at least, it was the only time that Kubrick raised his own private curtain, by directing his (then-new) wife, as she closed the movie with her tearful cabaret singing. 3/10.

🍿  

The Constant Gardener, my 3rd by Fernando Meirelles (after 'City of God' and 'The two Popes'). It's an adaptation of a John le Carré's thriller about corrupt British diplomats in Kenya, a corporate conspiracy by multinational drug companies, and a love story (which is the weakest part of the whole thing).

I had a mixed reaction to this, nothing serious, won't go into it. The only lasting memory of this for me will probably be the Kothbiro leitmotif. 6/10.

🍿  

Torremolinos 73, a Spanish sex comedy from 2003. A bald, plain-looking man and his loving wife start making explicit home movies in 1973 Spain, after his career in encyclopedia sales ends, and 'become big in Scandinavia'. The premise is somehow promising, but it quickly develops into a ridiculous story about how he becomes interested in legit movies making. He ends up directing one symbolic Bergman-inspired art fart, with none other than young Mads Mikkelsen. 2/10.

🍿  

2 short shorts:

🍿 Dollar Pizza - Food porn of the highest quality makes you hungry: Now I want a slice! No judgement! 9/10.

🍿  The sheep and the flower, a real time (2 minutes) animated movie that fits in 8 kilobytes. Decent graphics, animations, direction and camera work, and the matching music… all in 8kB.

🍿  

Throw-back to the "Art project”:  

Pizza Adora.

🍿  

(My complete movie list is here)

[pierre-reads-comics]

Fantastic Four Annual (1963) #1 — Stan Lee, Jack Kirby

Oh, so he still finds them without much fanfare? Bit disappointing. I would've liked to see Namor's actual reaction to finally finding his people.

But, damn, what a fantastic spread from Kirby! It's a shame that it has that damn white bar in the middle of it, but he can't really be blamed for that.

Curious when they finally figure out how to do a proper page spread without that damnable white bar.

[amaya-veerapen]

Costume: Myrtha, Queen of the Wilis 

The curtain opens in a dark and gloomy forest on the banks of a pond. Giselle’s tombstone can be seen at the left; the bluish gleam of the moon gives a cold and misty appearance to the scene. Several gamekeepers arrive, hoping to set up an observation post, but Hilarion warns them away: this is the place where the Wilis gather at night, attacking any men who stray into their territory, drowning them or forcing them to dance themselves to their death. Distant chimes strike midnight—the hour when the Wilis appear—and the men flee in terror as will-o’-the-wisps flash threateningly around them.

Myrtha, the queen of the Wilis, arrives on the scene, mysteriously radiant and piercing the shadows of the night. She summons the other Wilis to join her in a fantastic ball. The Wilis, including Moyna and Zulma, present themselves to their sovereign, and soon all of the Wilis are waltzing with abandon, gratifying their love for dancing which they were unable to fulfill in life. Before long, at a sign from the queen, the dance comes to an end, and Myrtha announces the arrival of a new Wili. Giselle appears, rising from her grave, wrapped in a shroud. When Myrtha touches her with her rosemary branch, the shroud falls off and Giselle is transformed into a Wili. She dances with fervor until a sound is heard in the distance. The Wilis disperse and hide themselves.

Some youths are returning from a festival in a neighboring village. The Wilis seek to detain them and try to force them to dance. However, an old man throws himself in their midst warns them of the danger; they barely escape, with the Wilis in hot pursuit.

The grief-stricken Albrecht appears with his faithful squire, Wilfride. Though Wilfride begs his master not to linger near the fatal tomb, Albrecht sends him away. Soon thereafter, Albrecht, in his state of sorrow, believes he sees the ghost of Giselle. He tries to embrace her, but he cannot. She looks at him lovingly and throws him some roses. Giselle disappears back into her tomb. Albrecht is about to depart the scene when he sees Hilarion.

Hiding behind a tree, Albrecht watches as the poor hapless gamekeeper, frightened nearly to death and begging for pity from the Wilis, is forced to dance himself to exhaustion. The cruel Wilis throw him into the pond and then begin dancing amongst themselves.

As a last resort, and seeking revenge on the Wili who robbed her of her prey, Myrtha extends her hand toward Giselle and casts a spell on her. Giselle begins a slow, graceful dance, as though transported by an involuntary delirium. Albrecht is unable to resist the Wili Giselle and he leaves the cross—the only thing that could protect him—and begins dancing ardently with her. Giselle has no choice but to keep dancing, for she is under Myrtha’s spell. Albrecht becomes exhausted.

Just as it seems Albrecht will dance himself to death, the first rays of the sun appear. It is morning! The chimes strike four. Albrecht’s life is saved. Because the Wilis lose their power in daylight, they must withdraw. Giselle, too, must return to her grave. Albrecht kneels by her and gives her a kiss, as if to restore her to life, but Giselle seems to say that she must obey her fate and leave him forever. Suddenly, loud fanfares are heard; Wilfrid, the faithful squire, arrives on the scene with the Prince and Bathilde, whose efforts, he hopes, will be more effective than his own in persuading Albrecht to leave this place of sadness. Giselle points Albrecht toward Bathilde, as if to tell him it is her last wish that he marry the young noblewoman. Albrecht is heartbroken, but the Wili’s command to him seems sacred. With sorrow, Albrecht gathers up the flowers on her grave and lovingly presses them to his lips and to his heart. As he falls into the arms of those who surround him, he reaches out his hand to Bathilde.

[comicbookclublive]

'Fantastic Four Fanfare' Assembles FF Superstars For Brand-New Stories

Jonathan Hickman, Mark Waid, Dan Slott, Alan Davis, J. Michael Straczynski, Chip Zdarsky, Mike Allred, Mark Bagley and more tell tales of the classic FF in the new anthology Fantastic Four Fanfare.

Marvel Comics is diving into the world of the Fantastic Four in a big way in 2025, thanks to the release of The Fantastic Four: First Steps on July 25. And in anticipation of that, they’ve announced a four-issue miniseries uniting some comic book superstars for tales from the FF’s past: Fantastic Four Fanfare. Featuring stories by Jonathan Hickman, Mark Waid, Dan Slott, Alan Davis, J. Michael…

[worldweaverofmediocrity]

Progress Report 7/28/24

948 words. transcript finally complete. time for bed

“It’s such a wonderful world!”

Aqua was shown in a field of glowing lights and spread her arms like she was going to catch someone falling. Then Kazuma slashed his short sword down in a small valley.

“Look! A Dazzling Fanfare of light.”

The camera turned and revealed a giant golem that Kazuma completely missed. At both the golem’s and humans’ feet were rocks with very derpy eyes. To Kazuma’s left was Darkness clutching her sword in a (useless) defensive position. To Kazuma’s right was Aqua casting Blessing upon her teammates. To Aqua’s right was Megumin holding her staff diagonally across her body, probably mimicking Darkness’ defensive position. 

On “Dazzling” the giant golem threw a punch which Darkness blocked with her sword. Even Darkness couldn’t miss her sword swings at this close of a range. On “Fanfare” Kazuma runs up to a goofy eyed rock and smacked it with his sword. Aqua was in the back ground cheering him on as the rock swelled, shedding light.

“It’s always there waiting for us.”

Kazuma gritted his teeth and swung his sword rapidly against the stones until the rock exploded. There was a split second of a single frame where Kazuma realized his mistake and tried to hide behind his sword. Alas, he was uneducated in the ways of violating reality with a sword, thus Kazuma was propelled upwards by the explosion. 

Darkness glanced back away from her enemy and saw the falling Kazuma amidst slabs of rock. Darkness proved that she was the Heiress to the Dustiness Dynasty by jumping up to a rock slab then over to Kazuma and grabbed the back of his belt.

“Theres no need to hesitate anymore.”

Megumin was standing over the quarry form a nearby hill. The camera swirled around her, growing closer until Megumin’s gleaming face took up the whole screen. Megumin twirled her staff and blue ribbons of energy swirled around her staff. 

Camera changed to show Megumin was standing on a cliff’s edge. The energy stablized for a split second into a massive four pointed star inside of a crescent moon. Which was overshadowed by Aqua’s own massive ass. Aqua strangely was staring in shock at the amount of energy Megumin was producing.

On “Anymore” the rock quarry was shown, there were three of the golems and several more of the explosive rocks. Fourteen massive red magical circles appeared above the quarry in an hour glass formation. 

“Time and time again, let’s get greedy”

The magical circles swelled and a orange-red explosion seared its way into existence at the bottom of the hour glass, instantly killing the golems and explosive rocks. The [Explosion] filled the entire screen and kicked up rock.

This instance of [Explosion] ran on Lina Inverse logic, leaving our protagonists exhausted but intact. Kazuma was the furthest from the camera and the first one to stir. Darkness was on the left, Aqua was in the middle, and Megumin was on the right, all of them were laying down with their heads pointed towards Kazuma. Kazuma looked back at his gang of idiots.

“And take it all for ourselves!”

Darkness used her now cracked sword to push herself up, Aqua used her arms to push herself upright after a little hop. 

“Let’s go! We’re Fantastic Dreamers!”

Megumin mrely turned her head so that her face was visble beneneth her hat and smiled, Aqua gave a thumbs up. Kazuma sighed, smiled, and returned the thumbs up. 

Kazuma’s sword gleamed in the sunlight. 

Wiz’s shop was shown with her behind the counter and the front door glass slightly blurred. A small wooden oval with two half circles carved out of the ends with the metal hanging bit being a witch on her broom served as Wiz’s entry sign.

Inside of her shop, Wiz clapped her hands together and produced a jiggle in her boobs.

The barbarian was shown in front of the full tavern and raised a mug to the camera. 

Chris was shown on a rooftop as her scarf billowed in the wind, presumably spawned by her Goddess Half.

Then Beldia’s cape served as the transition into showing him in a castle corridor with a large blue window looking into a presumed unseen courtyard.

Then Kyoua Mitsurugi was shown with his Cursed Sword Garm resting on his shoulder. The red-haired Fio and the green-haired Cremea were running up to their party member.

The four barmaids were shown in a small corner of the tavern, presumably by the desk. The light brown haired one had a tray of tea, creamer, burger, and a four layer sandwich. The blonde haired one and the brown haired one were holding more of the drinks, and the black haired one at the back was holding the order board.

Yunyun had her only season 1 appearance, we saw the back of her head and she turned around, her boobs bounced crevealing the complete lack of support in this clan of hers. Though she would eventually gain a personality in season 2.

Luna and the rest of the randomly appearing support staff were in a break room as Luna smiled at the camera.

The final shot of the opening was the four protagonistw standing on a cliff face overlooking Axel. Darkness was on the left, then Kazuma, Aqua, and Megumin clutched her staff at the right.