#fannibalfest

[tattlexcrime]

@fannibalfest-toronto had some big ticket extra event items that you could pay an insane amount of money for. The biggest were the meals. The dinner with Janice Poon and the "Breakfast With Daddy" (Hosted by Janice Poon). The food that they served was very clearly not worth even close to the money they were charging.

Sadly, despite my extensive efforts into finding more examples of the food I was only able to come up with a few pictures. Even the official FannibalFest.com website doesn't have photos of the food so that should tell you something.

All I know is that if I paid that much money and was served any of this food, I'd have definitely complained. No matter how much of a #Fannibal I claimed to be.

[theseavoices]

Added a new section to my shop where you can buy original drawings used for Hannibal fanart including my FannibalFest Memory Palace poster and pages from my Ravage comic among others.

Most come with the addition of a signed, A4, museum quality Giclée print of the final art plus FREE-WORLDWIDE-POSTAGE

[thewitchofstjohns]

GUYS GUYS GUYS!!!! 🙆‍♀️🙆‍♀️🙆‍♀️

Look at the FABULOUS Hannigram portrait @pangaeastarseed created for me when I won a commission from them for the @fannibalfest-toronto auction!!! They are dancing at their wedding at the Norman Chapel. I am SO IN LOVE WITH IT 😭😭😭💗💞💖

[fannibalfest-toronto]

As part of Hanniversary Week FannibalFest SofaCON Presents

A Live HANNIBAL Webinar Event - Friday April 3rd with Martha De Laurentiis -HANNIBAL Exec Producer Loretta Ramos -HANNIBAL Assoc Producer Janice Poon -HANNIBAL Food Stylist

We have your back while you’re on Lockdown!

Join FannibalFest as we chat with HANNIBAL Crew Royalty!

•BTS stories from HANNIBAL set •Any much hoped for news on a show re-boot? •How has the Lockdown effected their day to day? •Q&A

They are here for the Fannibal Family on Friday April 3rd

1-3pm PDT (LA/VANCOUVER) 3-5pm CDT (DALLAS/WINNEPEG) 4-6pm EDT (NYC/TORONTO) 9-11pm BST (LONDON/DUBLIN) 10pm-12am CEST (ROME/BERLIN) 5am-7am JST/KST (TOKYO/SEOUL) Sat April 4th

Registration Info will follow

[hannibal-obsessed]

Coming Soon!! Chaos Walking!! First photo of #madsmikkelsen as David Prentiss. Mads was in Montreal, Quebec filming #chaoswalking (2017) when the first Fannibal Fest was happening in Toronto, Ontario...he almost made an appearance at #fannibalfest. My brother, who was transportation for the guests at #fft was all set to drive to Montreal and pick Mads up, so he could make an appearance, unfortunately the production was shooting all weekend. #theofficialmads https://www.instagram.com/p/CHvAvmXleTU/?igshid=1g0mv95b0ab0b

[wisesnail]

The con drop hit hard after FFT2 - an amazing experience, everyone was incredible and I'm so sorry I'm not good enough with words to properly express how grateful I am to be a part of the fantastic Fannibal Family <3

And finally I can share one of the works I did for FannibalFest - cards and poster are available on their Etsy shop :)

[cinabre]

Design I made for the Fannibal Fest @fannibalfest-toronto . It was printed on a kitchen apron, now available on their store (with the logo of the festival included).

Design fait pour le Fannibal Fest @fannibalfest-toronto. Il a été imprimé sur un tablier de cuisine, disponible actuellement dans leur boutique (avec le logo du festival inclus).

[cassraven]

My art pieces of a set of coaster themed portraits Hannibal-themed in tribute to the television series characters Hannibal Lecter, Will Graham, and the television series creator Bryan Fuller are all for sale/purchase in the online bidding auction of the 2nd Annual Hannibal TV Show Fannibal Arts and Crafts & Memoribilia Onlin Auction, that’s run by Fannibals for Fannibals by FannibalFest Toronto/ HANNIBAL TV Show FAN Convention onlin on the 3HeartAuctions website.

The trio coaster pieces I illustrated above in photos on that above link to it in the online bid were all made by hand, illustrated in Copic Markers, Art brush markers, Japanese Inks/Markers, and washes of Illustration Indian Inks on recycled white beer paper coasters.

No one has bid on my art portrait coasters YET. The bidding and the online entire auction continues on from today Monday January 20th until it ends online on January 30th. May the best online auction bidder win one or all of those coaster art portraits. (Any that are not bid auctioned off won, will be moved in the future after the online auction onto my Etsy Art Shop for Purchasing later.)

[moku-youbi]

Hettiene texted Bryan to ask what Bev saw in the basement, and we finally got an answer. Yes, that is the actual text from him on her phone.

[tattlexcrime]

Once @fannibalfest-toronto had a successful Kickstarter (which I don't think they even thought would happen) they had to go and do actual work. Which makes it very unsurprising that they literally had no idea what they were doing. A basic ticket just to get in the door was at minim $163 dollars. The highest level ticket which was also just to get in the door (and didn't come with much better perks) was over $300 dollars.

Many people complained about the prices (so they offered installment plans). They didn't have the prices listed for most of the things at their convention until the last minute, and if you wanted to attend the entire thing and have as much fun as possible you'd be spending over $1000 dollars. You'd think that this utter failure would have convinced them not to do it again. It didn't.

[edtco]

For the Fannibalfest Benefit auction! The auction runs until August 31, 2019. IF you feel like bidding, here is the link: https://www.32auctions.com/FFestCrafts

The auction will help put FannibalFest back in the black so they can plan FFT3!

[fannibalfest-toronto]

Till we can sort out the Zoom issue for folks to access FFTSofaCon we've placed it on our YouTube channel.

[headfullofhannibal]

HFoH Ep27: FFT2: Taken by the Wendigo

In case anyone was wondering, post-Fannibal Fest we have not been hiding out in Will Graham’s barn and throwing ourselves on the mercy of our northern neighbors. We even recorded this long, rambling wrap-up episode fairly quickly, but then the rest of fall, various life shit, some travel, and now the Tumblr fiasco all sidetracked us. 

But now here we are, with our exhaustive review of the con. If you want to skip the details, we’ll sum it up for you: @fannibalfest-toronto knows how to throw that kind of party! Some of our favorite moments were: standing in Will-Fucking-Graham’s HOUSE, the incredibly thirsty medical panel, gaining insight from the episode re-watch with Vincenzo Natali and Michael Doherty, and talking dino porn with Scott Thompson (which inspired the episode art, think it’ll be flagged?). The con felt well thought-out, everything ran smoothly, we got to meet lots of other Fannibals, the guests were informative and entertaining, and we would definitely go back.

So until we can make this pilgrimage again we’ll be here on Tumblr, though we’ll also be watching in case Fannibals decide to migrate elsewhere. In the meantime, you can find us on Twitter, and you can listen to Ep27: FFT2: Taken by the Wendigo, on our website, iTunes, or your favorite podcast platform.

[cannibalhouse]

Don’t miss my interview with Hannibal’s Hettienne Park (Beverly Katz) for Nerdophiles!

I was SO excited to pick Hettienne’s brain about the wonderful women of Hannibal, working with Bryan Fuller, and her love of the Fannibal family. Check it out! 

[desperatelyseekingcannibals]

Here, After The Fall

Explicit // M/M // Will Graham/Hannibal Lecter // Tags: Season 4, Alternate Universe - Trans, Trans Character, Trans Male Character, FTM Will Graham, Dreams and Nightmares, Revelations, Will's relationship with water, Recovery,season 4 in a cabin of course, Companionship, First Kiss, Kissing, mentions of past Will/Molly, Nipple Licking, Blow Jobs, oral sex - front hole, fingering - front hole, mentions of hysterectomy, Making Love, Penis In Vagina Sex, Intimacy, Happy Ending Words: 6132 Chapters: 1/1

My First Place entry for @fannibalfest-toronto Stag Awards (S4 AU). Massive thanks to everyone who voted, it means the world to me 💖💖💖

When Will wakes after the fall he realises it's inevitable that Hannibal knows everything.

[Become a Patron] [Shout Me A Coffee] [Commissions] [My Fics on Tumblr] [TigerPrawn on AO3]

“You’re awake, welcome back.”

The voice a familiar comfort and Will found himself wondering how he could have ever considered that Hannibal had perished. So unfathomably godlike was the man, Will wasn’t sure if anything would kill him. He wasn’t sure whether that should be comforting or terrifying, but he remained numb all the same.

Will opened his eyes and found Hannibal sat next to him in an old wooden chair that, had it been in the room before, Will had not noticed.

He was suddenly hyper aware that Hannibal’s hand not only rested on the bed mere millimeters from his own, but that his fingers twitched as though aching to close the space between them. Will wasn’t sure what was stopping Hannibal now when he had many a time stepped into Will’s personal space. He hesitated to call it an invasion.

And then the realisation hit him.

“You have been treating me.” Will stated, not a question, his disused voice breaking over the words and ending in a cough that prompted Hannibal to produce a glass of water with a straw that he held to Will’s lips. Will coughed again and then drank the cool and soothing water, watching Hannibal intently as he did so. Wondering if his words held the accusation that he had felt.

Hannibal took a deep breath and let it out slowly.

[READ ON AO3]

cc. @hannigramfanfic 

[freeofmundanethoughts]

HANNIBAL Stunts with Ken Quinn and Tommy Chang Panel Transcript (Fannibalfest 2018)

Last one for today! I also have notes on the Sassy Science panels that I’m planning on typing up, and I did take notes during the episode commentaries too, but there’s already a much better transcript of those online on twitter, so I think I’ll probably leave off on those. 

I’ll probably come back and edit these again at some point as well, referencing some twitter posts people made during the event and such to see if I can plug any holes in my notetaking that way. 

More: Hair and Makeup, Set and Food Design

DISCLAIMER: THIS WAS TYPED UP OVER 2 WEEKS AFTER THE EVENT FROM VERY SHORTHAND NOTES. NONE OF THIS WILL BE DIRECT QUOTED, NOT EVERYTHING SAID WAS INCLUDED (due to my writing speed) AND THE SENTENCES MAY BE SLIGHTLY SKEWED FROM ORIGINAL INTENTION (I am aware that some of the answers that I was able to write down do not exactly answer the questions, but I can only fill in what my notes covered). 

If anyone has their own notes that fill in blanks or contradict anything that I noted, please correct me! I extrapolated a little based on the context of the questions to make my noted less caveman and more full sentences, so some of the answers may have veered off in the wrong direction. I would love to be corrected to make this as full and complete as possible!

PANEL:

Ken Quinn (K)

Tommy Chang (T)

Question from Moderator/Audience (Q)

Q: How did you get into the business? 

T: I was offered a job. My role was to get shot and fall down stairs. I didn't realize you needed pads for that and did it without them. It was 1984, so all the stunt work was done really cheaply. I had to pretend I was shot and walk down a live street [with real pedestrians]. 

K: I wanted to be a motorcycle driver, but went into marketing instead. I coordinated stunts, including myself, and was elevated from a regular stunt man to a stunt coordinator. 

Q: How has the industry changed?

K: Color film was big. It's also much safer now. The tech used is different, we have wires and green screen. 

T: Fights have evolved. In the 1980s it was a lot of Karate Kid, and in the 90s you got a lot more females fighting. Then there was a period of mixed martial arts, and now what's popular is what feels "real." 

Q: How did you become involved in Hannibal?

K: I was called in by the production manager. Hannibal was on a tight budget, and some stunt equipment wouldn't work in the cold. We had to keep bringing it into the tent and warm it up, then do another take. But Mads never complained. 

T: I was hired by Ken, so. Why did you hire me? 

K: We had worked together before. Tommy was brought in for the kitchen fight. The flip over the back was Tommy's idea. I can do all around stunts, but Tommy's a fight specialist. He's done a lot of work in fight choreography. 

T: Ken is one of the most respected stunt coordinators in the world. He takes jobs no one else will. 

K: I once did a stunt where I fell 14 stories off a building, on fire. It took 3 takes. 

Q: What fight took the most time, and who was the best actor to work with?

K: The kitchen fight took the longest. Mads is one of the most athletic actors from his background in dance. 

T: I liked working with both Mads and Lawrence. You really try to bring the script to the real world. I'd brake down the fight, block the moves, show Ken, train the doubles, showed Bryan Fuller and so on. The actors all trained really hard. Bryan Fuller called me back for the other fight because he liked my work on the kitchen scene. 

K: It was funny, because Bryan would say things to me like "I want an organic knife fight." So I'd make a knife fight. And then when I showed it to Bryan, he'd say, "this looks too much like a knife fight." And I'd tell him "that's what you said!" And Bryan would just go, "okay, le'ts not do a knife fight." 

Q: Jack and Hannibal have very different fight styles. Jack is a boxer. How does the physicality of the actor factor into the fights? 

K: Lawrence Fishburne was just back from a hernia surgery, so that factored in. Both actors had their own ideas about the scene. They would change the styles to fit their character. Slamming the fridge door was Lawrence's idea. 

T: I'd bring in a template, and the actors would take the choreography and fit it into their characters. 

K: Both actors are gifted and trained. We were lucky. They knew the right fighting distance. Lawrence Fishburne is like a bear of a man, very strong. 

T: Both are in good shape. Other shows might take 3-5 months of training to deliver 1-2 good fight scenes, but the kitchen fight for Hannibal was done in 5 rehearsals. 3 with stunt doubles, 2 with the actors. 

K: Tommy can put a fight together in minutes, but it took a lot to please Bryan Fuller and the network and everyone else. 

Q: Does Hannibal have special abilities, or is he fully human?

K: Just his intelligence. Bryan Fuller was very involved in character development. 

Q: Did Mads' background [as a dancer] come into play in the Tobias fight? The choreography looks like a dance. 

T: I wasn't involved in that scene. 

K: The issue with that scene was that there was a lot of distance to cover in the office. Bryan Fuller really wanted the ladder involved, but the ladder didn't originally move, so we had to edit the ladder to move. But Mads knows how to cover space. Demore was not so good at moving. 

Q: What qualifies as a stunt?

K: A stunt is any physical action. For insurance purposes, it's required to hire a stunt coordinator to supervise a stunt. This could be for anything from grabbing, tripping, anything physical. Even those little stunts use spine protectors and pads to keep the actors from getting majorly hurt. The police can get involved in stunt accidents. Lots of actors don't want to do stunts. With Mads, it was the opposite. He wanted to do all the stunts. We had to tone down some of the stunts to make sure he wouldn't get hurt. 

Q: Demore said he swung the piano wire into his crotch. Were there any stunt accidents or bloopers? 

T: Mads wanted to spin kick Mason in the pig barn scene. That took 15 takes, and he'd hit the stunt man at the same place each time. The stunt guy actually really hurt in the stomach, but to tease him, I kept telling Mads to kick him harder to make it look better. 

K: Fights take so long, I think car chases are much more fun. Fights require much closer choreography and more safety measures. 

Q: For the cliff fall, how did they not hurt each other while falling intertwined like that onto a pad?

K: Luck. Things like that are often messed up. It's easier to keep them in position with wires. 

Q: In the Tobias fight, we heard that the piano wire kept breaking. How did that impact the scene? 

K: The prop department built that. It was constantly being repaired on set, they had no replacement for it. There was a time restraint, so it wasn't built properly. 

Q: Was there an actor you wanted to work with but couldn't? 

T: I wish the show wasn't cancelled. The actors were all great to work with. We could have done so much. I had a lot of ideas, because I had to keep topping my own work. 

K: Bryan Fuller asked me what I wanted to do, and I said a car chase. I wanted to see more action in Hannibal. We could have had more and different action than on other shows. 

Q: As a stunt coordinator, is there any stunt or fight you just wouldn't do because of the danger level?

T: Air ram. 

K: An air ram is a piece of equipment that launches people like from a bomb explosion. 

T: I did a scene where I was hit with a dragonball z type strike, and landed wrong. That was the worst experience. People didn't know the danger of these things and would just build them in their garages. 

K: One scene, Mads was on the bucket? The bucket was built to be stable, but Mads said it wouldn't be realistic, he wanted it to be unstable. Then he wanted to look like he was straining on the rope. He was on that bucket for 12-14 hours that day, and it was really cold in the studio. He got sick. And his neck was raw from the pressure of the cable for days. 

Q: Anything you remember from the small, intimate fight scenes? 

K: Honestly, I forget a lot. It's been a while since I worked on Hannibal. I remember the window scene, with Abigail and Alana. We were really far behind then, and had to build part of the house. The director wanted sparkles in the shot, but Bryan didn't like that, so we had to remove the sparkles in a reshoot. We had a stunt girl for Alana. The window was scored so it would break. We usually used tempered or breakaway glass for scenes like that. We did 2-3 takes. Also, the hand under the bed scene was a disaster. When they built the bed for that scene, they forgot that someone had to fit under the bed. Because the set wasn't built right, we had to saw the wall out.