#fall/winter 1965 66
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Yves Saint-Laurent Haute Couture Collection Fall/Winter 1965-66. (top) “Mondrian” cocktail set No. 81. (below) “Mondrian” cocktail set No. 77. Roger Vivier chrome buckle pumps.
Yves Saint-Laurent Collection Haute Couture Automne/Hiver 1965-66. (top) Ensemble de cocktail "Mondrian" N°81. (dessous) Ensemble de cocktail "Mondrian" N°77. Escarpins à boucle chromée Roger Vivier.
Photo Frédéric Scheibe.
#haute couture#yves saint laurent#french designer#french style#fashion 60s#1965-66#fall/winter#automne/hiver#roger vivier#frédéric scheibe#mondrian#cocktail dress#robe de cocktail#buckle pumps
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Poppy Parker Colour My World - 2012
Yves Saint Laurent Modrian Dress and Rogier Vivier shoes - Fall/Winter 1965/66
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Yves Saint-Laurent Haute Couture Collection Fall/Winter 1965-66
Canadian actress Joanna Shimkus in one of the 4 “Mondrian” cocktail dresses (No. 81). On the feet, pumps with chrome buckle specially designed by Roger Vivier for the "Mondrian" collection.
Photo Peter Knapp
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Movies I watched this week - 37
Robert Bresson’s philosophical Pickpocket, inspired both by Raskolnikov from ‘Crime and Punishment’ and by Camus ‘The Stranger’. And in turn it inspired Paul Schrader, the other conflicted Christian filmmaker. Austere and mysterious.
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And so 3 by Paul Schrader (all starring Willem Dafoe):
✳️✳️✳️ The Card Counter, Schrader’s new masterpiece. A tortured soul seeking redemption in a ‘ballet of violence’, just like in many of his previous films. The part of the torture program in Abu Ghraib is tailored a bit too close to the real Mitchell / Jessen psychopaths. But OK. 8+ / 10
✳️✳️✳️ Affliction, a completely different set up: Nick Nolte’s turns into his drunk, abusive father in a cold New Hampshire winter. A sad story of how a family curse is passed through generations, without redemption. His poor daughter...
✳️✳️✳️ Auto Focus, atypical light Schrader pastiche about murdered actor Bob Crane’s friendship with John Henry Carpenter. Crane’s sexual obsession must have been the appeal to Schrader. Told as an uncanny pastel joke, that hides a dark and disturbed core.
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First watch: Sergei Parajanov’s homoerotic The Color of Pomegranates (1969), a stunning visual poem of nearly-ethnographic Armenian tableaux. Reminds me of Jodorowsky. The inspiration to Tarsem’s music video for R.E.M.'s ‘Losing My Religion’.
(Photo above)
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In 1965-66 American-backed anti-communist militias tortured and executed up to a million ‘enemies of the state’ in mass killings in Indonesia.
The Act of Killing is a 2012 terrifying Danish documentary where a group of these now-old death-squad leaders recreate and reenact their actions from that time.
Indonesia, it seems, is not a very enlightened country.
The most original film of the week.
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Sofia Coppola’s Somewhere, a privileged father-daughter drama. A new superstar actor lives at the Chateau Marmont, and spends some time with his 11 year old daughter. Contemplative with Coppola’s usual slow, long shots style, but pointless and bland. The parent-daughter part was OK, but the Hollywood-fame portion was uninteresting. Even the hot pole-dancing Playboy twins were not exiting.
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“Ah, the smell of goulash!”
First watch: Lubitsch’s That uncertain feeling, 1941 erotic comedy, full of sexual innuendos and double entendres that the Hays Code didn’t catch.
“Phooy!”
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Truffaut’s 4th film, The Soft Skin, with Catherine Deneuve’s dead sister, Françoise Dorléac. A married man falls in love with a young stewardess. After 3 New Wave originals, this was derided as a “bourgeois melodrama” and was a commercial failure.
Always with Georges Delerue’s music.
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Orson Welles’s existentialist The Trial, based on Kafka’s novel. Starring unconvincing and too young-looking Anthony Perkins as a man accused of a crime he didn’t commit and which he doesn’t understand. Also with Jeanne Moreau. One literary bad dream with lots of absurdist going-ons. It all hinges on K’s feelings of guilt.
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A different kind of a bad dream, the ultimate Orange County, CA very black “comedy” Very Bad Things. Like ‘The Hangover’, but worst-case-scenario bad.
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Recommended by my mom:
The Hundred Foot Journey, a predictable restaurant-porn about the second Michelin star in a “little, quaint French village”. By Lasse Hallström, who specializes in this kind of international fairy tales, and Oprah Winfrey. Commercial clichés and stereotypical tropes. 2/10
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"You're a cookie full of arsenic"...
Sweet Smell of Success - 2 slimy operators, “publicist” Tony Curtis and influential gossip columnist Burt Lancaster unethically conspire to destroy a jazz musician in a gritty Manhattan Noir. Another sizzling Ernest Lehman manuscript.
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Barry Levinson paid tribute to ���Sweet Smell of Success’ in his debut feature Diner, with one of the kids wandering around saying nothing but lines from the film. So I watched it again. What a wonderful piece of triple nostalgia (1959-1982-2021). Perfect in every sense, especially when showing unexpected sides to each character: Boogie doing hair, Billy playing the piano, Eddie dancing at the strip club.
“You’re gonna finish this?”
Best film of the week!
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Best Sellers, the new Michael Caine vehicle. He’s a cranky, washed-up, bitter author, who’s drunk the whole time. His orange cat is the only other good thing in this lame “comedy”. With a horrible Aubrey Plaza. 2/10
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2 X Vanya’s:
✳️✳️✳️ The 2020 British stage adaptation of Chekhov’s Uncle Vanya, with Toby Jones as Vanya, and Roger Allam as the professor. It deals with purposeful life, beauty, money, and one of the first discussions of ecological problems in world literature.
✳️✳️✳️ I’m glad I waited to watch Louis Malle’s last film, Vanya on 42nd Street, after the BBC version. Even though it was filmed 26 years earlier, it was much more contemporary. The combined talents of David Mamet, Andre Gregory and Malle modernized the play into a brilliant whole. Wallace Shawn was great! 8/10
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Chaplin’s delightful 1922 Pay Day, first (?) tramp film where he has a (nasty, harping) wife.
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U Turn, Oliver Stone’s sadistic, disgusting and pointless mess. Sean Penn is a permanently unlucky schmuck, who “pulls up to a tiny no place in the Arizona desert”. Bad Tarantino clone.
Thanks a lot for the recommendation, Sammy! 1/10
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Because Norm Macdonald died today, I watched his Dirty Work. A grave mistake! His dry humor was good for a few sardonic one liners, but not for this stupid, sophomoric loser. 0/10
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42 enjoyable minutes of a crash course on fromage, how to cut it and how to serve it.
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(My complete movie list is here)
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Since 1998, 73 orcas have gone missing or have died:
L84 (Nyssa) Male born 1990 to L51, declared missing August 6, 2019 (age 29)
K25 (Scoter) Male born 1991 to K13, declared missing August 6, 2019 (age 28)
J17 (Princess Angeline) Female born 1977 to J5, her second calf, declared missing August 6, 2019 (age 42)
J50 (Scarlet) Female born December, 2014 to J16 (Slick), her fourth calf, declared missing Sept 13, 2018 (age 3)
L92 (Crewser) Male born 1995 to L60 (Rascal)(who washed up on outer WA coast May 2002 at age 30), declared missing June, 2018 (age 23)
J52 (Sonic) Male born late March, 2015 to J36 (Alki), declared missing Sept. 2017 (age 2)
K13 (Skagit) Female born est. 1972 to K11 (Georgia), missing Winter, 2017 (age 45)
J2 (Granny) Female born approx. 1911, declared missing Jan. 2017 (age est. 105)
J34 (Doublestuf), Male born to J22 (Oreo), her first calf, born 1998, found deceased Dec. 20, 2016 (age 18)
J54 (Dipper) Male born to J28 (Polaris) in December, 2015, her second calf, missing Oct. 2016 (age 10 months)
J28 (Polaris) Female born to J17 (Princess Angeline) in 1993, her first calf, missing Oct. 2016 (age 23)
J14 (Samish) Female born 1974 to J12, missing August, 2016 (age 42)
L95 (Nigel) Male born 1996 to L43 (Jellyroll), found deceased March 30, 2016 (age 20)
J55 unk., born Jan., 2016 to either J14, J37 or J40, missing January 19, 2016 (newborn)
L27 (Ophelia) Female born 1965 (est.), mother unk., missing Summer, 2015 (age est. 50)
J32 (Rhapsody) Female born to J20, 1996; found deceased with fetus Dec. 4, 2014 (age 18)
L120 unk., born to L86, (Surprise!), her second calf, early Sept., 2014, missing Oct. 17, 2014 (age 1 mo.)
L53 (Lulu) Female born 1977 to L7 (Canuck), missing Summer, 2014 (age 37)
L100 (Indigo) Male born 2001 to L54 (Ino), missing Summer, 2014 (age 13)
J8 (Speiden) Female born est. 1933 to ?, missing Fall, 2013 (age est. 80)
L79 (Skana) Male born 1979 to L22 (Spirit), missing Summer, 2013 (age 34)
L26 (Baba) Female born est. 1956 to ?, missing Spring, 2013 (age est. 57)
L2 (Grace) Female born est. 1960 to ?, missing Fall, 2012 (age est. 52)
L78 (Gaia) Male born 1989 to L2 (Grace), missing Summer, 2012 (age 23)
K40 (Raggedy) Female born est. 1963 to suspected K18 (Kiska), missing Spring, 2012 (age est. 49)
L5 (Tanya) Female born est. 1964 to L9 (Hopi)?, missing Spring, 2012 (age est. 48)
L12 (Alexis) Female born est. 1933 to ?, missing Spring, 2012 (age est. 79)
J30 (Riptide) Male born to to J14 (Samish), missing 2012 (age 16)
L112 (Victoria/Sooke) Female born to L86, Feb. 2009; found deceased Feb. 11, 2012 on shoreline of Long Beach, WA (age 3)
J48 unk., born Dec. 2011 to J16 Slick her fifth calf, missing Jan. 2012 (age 1 month)
J1 male (Ruffles) born est. 1951, missing Nov. 2010 (age est. 59)
L7 (Canuck) Female born +/- 1961; missing Sept. 2010 (age est. 49)
J33 (Keet) Male born 1996 to J16 (Slick), missing August 2010 (age 14)
K11 (Georgia) Female born est. 1933; missing June 2010 (age est. 77)
L114 unk., born to L77 (Matia) her second calf, missing June 2010, (age 4 months)
L73 (Flash) Male born 1986 to L5 (Tanya), missing May 2010 (age 24)
L74 (Saanich) Male born 1986 to L3 (Oreana), missing late 2009/early 2010 (age 23)
L57 (Faith) Male born 1977 to L45 (Asterix), missing Nov. 2008 (age 31)
L67 (Splash) Female born 1985 to L2 (Grace), missing Sept. 2008 (age 23)
L111 Female born to L47 (Marina) her fifth calf Aug. 12, 2008, missing late Aug. 2008 (age <1 mo)
J11 (Blossom) Female born +/- 1972 est. to J4 missing July 2008 (age est. 36)
L21 (Ankh) Female born +/- 1950; missing summer 2008 (age est. 58)
L101 (Aurora) Male born 2002 to L67 (Splash), her fourth calf; missing summer 2008 (age 6)
K7 (Lummi) Female born +/- 1910, missing spring, 2008. (age est. 98)
J43 unk., born to J14 (Samish), her fifth calf, in 11/07; missing April 2008 (age 5 months)
L104 unk., born Oct. 2004 to L43 (Jelly Roll) her third calf, missing June 2007 (age 2)
K41 unk., born Nov. 2006 to K22 (Sekiu), her second calf, missing Dec. 2006 (age 4 months)
K39 unk., born Sept. 2006 to K28 (Raven) her first calf, missing Oct. 21, 2006 (age 4 months)
K28 (Raven) Female born to K12 (Sequim), last seen Sept. 19, 2006 (age 12)
L43 (Jellyroll) Female born ca. 1972 to L37 (Kimo), last seen Sept. 2, 2006, (age est. 34)
L71 (Hugo) Male born to L26 (Baba), missing summer 2006 (age 20)
L98 (Luna) Male born 1999 to L67 (Splash) died, March 10, 2006 in Nootka Sound, BC after being separated from pod at 18 months old (age 7)
K31 (Tatoosh) Male born 1999 to K12 (Sequim) her third calf, missing Oct. 2006 (age 7)
L32 (Olympia) Female born est. 1955, missing summer 2005 (age est. 50)
L107 unk., born to L47 (Marina) June, 2005, her fifth calf, missing summer 2005 (infant)
K18 (Kiska) Female born +/-1948, missing December, 2003 (age est. 55)
L58 (Sparky) born 1980 to L5 (Tanya), missing June 2003 (age 23)
L3 (Oreana) Female born +/-1950 to L9 (Hopi)?, missing 2002 (age est. 53)
L102 unk. born to L47 (Marina), her fourth calf, missing Dec. 3, 2002 (age 1 month)
L60 (Rascal) Female born 1972 to L26 (Baba), washed up on outer WA coast May 2002 (age 30)
K32 born 2000 to K16 (Opus), last seen 2001 (infant)
L99 unk. born 2000, to L47 (Marina), last seen 2001 (infant)
L62 (Cetus) Male born 1980 to L27 (Ophelia), last seen 2000 (age 20)
L39 (Orcan) Male, born 1975 to L2 (Grace), last seen 2000 (age 25)
L11 (Squirty) Female born 1957 to L12 (Alexis), last seen 2000 (age 43)
L1 (Oskar) Male born est. 1959 to L35 (Victoria), last seen 2000 (age est. 41)
J18 (Everett) Male born 1977 to J10 (Tahoma), found deceased at Tsawassen, Canada March 2000 (age 23)
J10 (Tahoma) Female born est. 1962 tp J9 (Neah), last seen 1999 (age est. 37)
K4 (Morgan) Female born est. 1933, last seen 1999 (age est. 66)
L97 unk. born 1999 to L51 (Nootka), died Oct. 1999 (infant)
L51 (Nootka) Female born 1973 to L3 (Oriana), found deceased at Race Rocks, Canada in Sept 1999 (age 26)
J11's calf, unk. born to J11 (Blossom) 1998, died Dec. 1998 (infant)
L93 (Nerka) Female born 1995 to L27 (Ophelia), last seen 1998 (age 3)
L38 (Dylan) Male born est. 1965 to L28 (Misky), last seen 1998 (age est. 33)
L44 (Leo) Male born 1974 to L32 (Olympia), last seen 1998 (age 24)
K3 (Sounder) Female born est. 1954 to K8 (Tumwater), last seen 1998 (age est. 44)
J20 (Ewok) Female born 1981 to J10 (Tahoma), last seen 1998 (age 17)
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Here. The Black Presence in Western Art
This month, the Rembrandt Museum in Amsterdam opened a new exhibition entitled HERE. BLACK IN REMBRANDT’S TIME. The exhibition overlaps with The Hyde Collection’s presentation of the art of an accomplished, but little known, African American artist, Dox Thrash (1893-1965): DOX THRASH, BLACK LIFFE AND THE CARBORUNDUM MEZZOTINT. The Thrash exhibition is the first of three successive winter shows at The Hyde that will highlight African American art.
Dox Thrash (American, 1893–1965), The Champ, c. 1937–39, aquatint, private collection
I began this series with Dox Thrash, in part, because, as an artist, he fits neatly into the styles and history of western art that we know so well at The Hyde. He trained at the School of the Art Institute of Chicago in the western tradition. Henry Ossawa Tanner (1859-1937), whose portrait by Thomas Eakins graces the main stairs in Hyde House, was an inspiration to Thrash. Indeed, he may have met Tanner in France following the end of World War I, in which Thrash served and was wounded.
Thomas Eakins, (American, 1844-1916), Portrait of Henry O. Tanner, ca. 1897, oil on canvas, 29 5/8 x 26 x 2 1/4 in. The Hyde Collection, Glens Falls, NY. Gift of Charlotte Pruyn Hyde, 1971.16.
Inspired by the Harlem Renaissance, Thrash was driven to make black life - his childhood experiences in rural George, his time on the road “ho-boing” (to use his term) as a vaudeville performer, and his professional life as an leading citizen of the black community in Philadelphia - the subject of art. Almost alone among African American artists of his day, Thrash appropriated the European tradition of the reclining female nude for the black female body. We see this most assertively in Thrash’s print Siesta (ca 1944-48), which was inspired by John Vanderlyn’s infamous painting, Ariadne Asleep on the Island of Naxos (1809–14). Vanderlyn’s painting, although clearly within the European tradition established in the Renaissance by such a master as Titian - think of his Venus of Urbino (1538) at the Uffizi Gallery - scandalized Protestant ,and particularly Quaker, Philadelphia. Thrash’s reclining nude is proudly African American. Images of the black female nude had long be problematic in American art and society because of the country’s history of abusing enslaved women.
Detail: Dox Thrash, (American, 1893–1965), Siesta, ca. 1944–48, carborundum mezzotint, on loan from Dolan/Maxwell
John Vanderlyn (American, 1776-1852), Ariadne Asleep on the Island of Naxos, 1809–14, oil on canvas, 68½ x 87 in. Pennsylvania Academy of the Fine Arts, 1809–14. © Pennsylvania Academy of the Fine Arts.
A particularly powerful section of the exhibition contains Thrash’s portraits of African Americans. Most are not identified; rather, they have titles such as Woman in Blue (1940s) and Head of a Young Man (1940-50). Yet they are painted with such a powerful sense of character. These are clearly portraits of people Thrash knew personally. Their individualism shines through. Sporting a stylish hat, she is not a mammy; dressed in a tie, he is not a laborer – the two characteristic professions given to African Americans in the overwhelming White, racist media. These are successful, proud, self-confident members of the black urban middle class.
Dox Thrash (American, 1893–1965), Woman in Blue, 1940s, watercolor, private collection
In that they are without specific identities and represent a type, such images by Thrash relate to a well-established genre in European painting, the tronie. Particularly popular in the seventeenth century, the tronie was a type of genre painting in portrait format. It was an artistic exercise in the depiction and capture of human states and emotions, such as old age, anger, and laughter. The emphasis was upon the realistic portrayal of the particular emotion without necessarily conveying a sense of the individual or the model. Leonardo da Vinci (1454-1519) frequently juxtaposed tronies of old age and youth in his sketchbooks.
Leonardo da Vinci (Italian, 1452-1519), Heads of an old man and a youth, ca.1495, chalk, paper, Uffizi Gallery. © Gabinetto Fotografico delle Gallerie degli Uffizi
Both Peter Paul Rubens (1577-1640) and Rembrandt Van Rijn (1606-1669) painted tronies. But both also captured something of the character and identity of their live models.
When Rembrandt first settled in Amsterdam in 1632, he lived on Judenbeestraat (Jewish Broad Street) in a house that is now the Rembrandt House Museum. He not only befriended Jewish intellectuals like Samuel Menasseh ben Israel, whose portrait he etched in 1636, but he drew tronies based upon his Jewish neighbors. These he employed in his paintings of Biblical scenes, as Pharisees, high priests, and the like to lend his images an air of historical accuracy.
Among the neighbors who sat for Rembrandt so that he could develop his stock of characters were members of Amsterdam’s small African community. They too lived in the Judenbreestraat district. Although the Netherlands was heavily involved in the slave trade, Dutch law did not recognize slavery on Dutch soil. Scholars associated with the Rembrandt House Museum’s new exhibition have documented the lives of approximately 100 Africans living in Amsterdam. Most of the women worked as servants, many in the households of Sephardic Jews exiled from Spain and Portugal, two European countries that recognized the state of slavery on their soil. Many of the men were Brazilian sailors, who presumably jumped ship when they arrived in port to claim their freedom.
The exhibition contains seven Rembrandt images and forty-nine works by his contemporaries. The works are noteworthy for their lack of racist caricature and stereotyping. Many of the characters are represented with sympathy and compassion. They are ennobled by everyday jobs rather than disempowered, as so often in eighteenth-century portraiture, by appearing as servants.
In our collection, we have a superb painting that epitomizes this moment in seventeenth-century Europe when Africans were seen and recorded with sympathy and compassion, as individual human beings before the onset of racial stereotyping. The painting is my personal favorite in the collection, Rubens’ stunning Head of a Moor (ca.1618).
Peter Paul Rubens, (Flemish, 1577-1640), Head of a Moor, ca. 1620, oil on panel, 29 3/4 × 26 1/2 in. The Hyde Collection, Glens Falls, NY, Gift of Charlotte Pruyn Hyde, 1971.40.
Like any other tronie, this is an artistic exercise for Rubens. He is trying to solve the question, as a master colorist: How do I convincing render the face of an African man? It will not do for him to simply warm up a brown, add some white for highlights and black for shadows, as European artists had done in generations past. Compare Ruben’s head with the African magus in The Hyde’s Adoration of the Magi by an Antwerp Mannerist, ca. 1520. Rubens uses a stroke of red to define the underside of his African sitter’s chin. Red warms his skin tones in lighted areas. The shadows on the side of his face are made up of strokes of blue-grey and deep blue and black.
Antwerp Mannerist, after Jan de Beer (Flemish, ca.1475 - ca.1528), Adoration of the Magi, ca. 1520, oil on oak panel, 29 x 25 1/4 in. The Hyde Collection, Glens Falls, NY, Bequest of Charlotte Pruyn Hyde, 1971.2.
Rubens knew this man and this was not the first time that he had painted him. The Royal Museums of Fine Arts, Belgium has an oil study in which Rubens examines the same man from four different angles.
Peter Paul Rubens (Flemish, 1577-1640), Four Studies for the Head of a Moor, 1613-15, oil on canvas, 51 x 66 cm. The Royal Museum of Fine Arts Belgium, inv. 3716. Musées royaux des Beaux-Arts de Belgique, Bruxelles / photo : J. Geleyns.
That Rubens brought a black man in his studio to sit for him was such a significant event that others in the studio made their own studies. One, by an unknown hand, now hangs at the J. Paul Getty Museum. Anthony Van Dyck, who worked briefly in Rubens’ studio, included a profile drawing of this man smiling on the lower right of a sheet of eleven pen and ink head studies now in the Chatsworth Collection in Britain.
Anthony Van Dyck (Flemish, 1599-1641), Records of Eleven Head Studies, 1618-20, pen and ink, Devonshire Collection, Chatsworth.
Who the man was and how Rubens came to know him and to invite him to his studio at least twice over the course of a few years is not known. In the first half the seventeenth century, Antwerp was Europe’s leading port. Portuguese and Spanish merchants sent their ships directly there from their African and New World colonies. The man may have been a servant or have arrived as a sailor off one of those vessels.
This unknown African was not even the first Rubens painted. While in Rome in 1609, Rubens executed an oil study of an African man wearing a turban. The work is now at the Getty Museum. Shortly thereafter, he used the head to make a free copy of a famous portrait by Jan Cornelisz. Vermeyen (1500-1559) of a Tunisian king, Mulay Ahmad. Rubens’ version survives at the Museum of Fine Arts, Boston, though Vermeyen’s is lost.
Peter Paul Rubens (Flemish, 1577-1640), The Head of an African Man Wearing a Turban, 1609–11, oil on paper laid down on panel, 21 1/4 × 15 1/2 in. The J. Paul Getty Museum, 2018.48. Digital image courtesy of the Getty's Open Content Program.
Rubens employed the image of this turbaned African as the model for the Black King in several altarpieces depicting the Adoration of the Magi. A popular subject for altarpieces at the time, the Adoration of the Magi afforded artists one of their few opportunities to paint non-Europeans. In the later Middle Ages, the three kings had come to represent the three known continents. In Counter-Reformation theology, black Africans represented the Gentiles; those around the world willing to receive the Word and become Christians.
Peter Paul Rubens (Flemish, 1577-1640), The Adoration of the Magi, 1609, 1628-29 oil on canvas, 355.5 x 493 cm. The Prado Museum. © The Prado Museum.
Africansalso appeared as attendants in mythological and historical paintings. Rubens used two of the heads from the Brussels oil study in classical paintings: The Drunken Silenus, (1618-25) at the Alte Pinakothek in Munich and Nature Adorned by the Three Graces (ca. 1615) at the Kelvingrove Art Gallery and Museum, Glasgow. No surviving work has been found that specifically uses the head from The Hyde’s study.
Peter Paul Rubens (Flemish, 1577-1640), The Drunken Silenus, 1618–1625, oil on canvas, 212 x 214 cm. The Alte Pinakothek, Munich, 319. © Bayerische Staatsgemäldesammlungen.
Peter Paul Rubens (Flemish, 1577-1640) and Jan Brueghel the Elder (Flemish 1568-1625), Nature Adorned by the Three Graces, ca. 1618, oil on panel, 42 x 28.5 in., Kelvingrove Art Gallery and Museum, Glasgow. Commons.wikimedia.com.
At The Hyde, we will explore the works by African American artists again in the winter of 2021 with the exhibition THE HARMON & HARRIET KELLEY COLLECTION OF AFRICAN AMERICAN ART: WORKS ON PAPER. Dox Thrash will make a return along with other artists who sought to insert the black experience into the European art traditions in which they had been schooled. There will be others, like Horace Pipin and Jacob Lawrence, who used African rather than European models to create a discernibly black art. In the following winter, we will present ROBERT BLACKBURN & AMERICAN PRINTMAKING. This exhibition will highlight the work of this under-represented abstract printmaker, while also placing him in the context of his contemporaries, many of whom were white and are, thus, better known.
The Hyde’s Rubens and Eakins paintings discussed here are on permanent display in Hyde House. In addition, we frequently put on view in the Education Wing Sam Gilliam’s Asking. I hope it will not be too much longer before we can welcome you back to The Hyde and you can explore our works discussed here, in person.
Sam Gilliam, (American, born 1933), Asking, 1972, Acrylic on canvas, 82 x 76 1/4 in. The Hyde Collection, Glens Falls, NY, Gift of Dr. Robert and Jane Lewit, 2010.17. ©1972 Sam Gilliam
#hydecollection#doxthrash#rembrandt#goya#rubens#museum of fine arts boston#j paul getty museum#sam gilliam
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Wool and leather suit, from Bonnie Cashin, fall/winter 1965-66.
(source: Metropolitan Museum of Art)
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Three “Hommage à Piet Mondrian" Cocktail Dresses Fall/Winter 1965–66 Wool Photographer: Eric Koch (Dutch; b. 1940)
#Piet Mondrian#Mondrian#haute couture#French couture#French fashion#French fashion designers#Eric Koch#cocktail dresses#dresses#Yves Saint Laurent#Saint Laurent#Mondrian Collection#1960s#1960s fashion#Dutch art#modern art#Modernism#Dutch painters#Dutch artists#abstract art#geometric abstraction#De Stijl#fashion photography#Dutch photographers#black-and-white photography#Dutch paintings#1960s style#chic#shift dresses#French chic
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Evening ensemble - fall/winter 1965–66. House of Balenciaga, French.
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Camp: Notes on Fashion at The Met
“Through more than 250 objects dating from the seventeenth century to the present, The Costume Institute's spring 2019 exhibition explores the origins of camp's exuberant aesthetic. Susan Sontag's 1964 essay "Notes on 'Camp'" provides the framework for the exhibition, which examines how the elements of irony, humor, parody, pastiche, artifice, theatricality, and exaggeration are expressed in fashion.” - The Met
At least once a year, I make my way over to The Met. Partially to see the new rooftop piece and partially to see the new fashion exhibit. And this year’s costume exhibit is vibrant as hell, maybe even better than the exhibit from a few years back Manus x Machina (that I really liked). Here are my favourite pieces:
Above Photo: Cristobal Balenciaga, Evening Dress, autumn/winter 1965-66, dress of pink ostrich feathers and pink silk-thread dots; sash of pink silk satin
Above Photo: Christian Dior, “Tourterelle” Evening Dress, autumn/winter 1948-49, dress of pink iridescent silk taffeta; sash of gray iridescent silk taffeta
Above Photo: Giambattista Valli, Evening Dress, autumn/winter 2017-18, dress of light pink synthetic tulle
Above Photo: Gareth Pugh, Ensemble, spring/summer 2016, top of black silk faille and black cotton-silk net embroidered with copper meal coins; shorts of black cotton twill embroidered with copper metal coins
Above Photo: Gucci, Accessory Set, pre-fall 2019, scarf of polychrome printed silk twill; glasses of black and yellow synthetic, clear crystals, and metal; necklace of pearl beads, clear crystals, and metal
Above Photo: Manish Arora, Ensemble, spring/summer 2009, top of pieced polychrome silk-synthetic plain weave; carousel skirt of pieced polychrome silk-synthetic plain weave and gold and silver silk-Lurex plain weave with orange crystals, polychrome palettes, seed beads, cotton-and-metal thread, and vinyl appliqué
It’s such a colorful collection and it’s really just fun fashion, not terribly pretentious or ridiculous. Definitely go see it if you’re in New York this summer. I aspire to have the style of that Gucci one above.
Even the rooftop piece this year is pretty good, here’s a glimpse.
The Camp exhibit is on view until September 8th, while the rooftop one goes until October 27th.
#The Met#The Met costume exhibit#Camp Notes On Fashion#this is liz heather#Liz Heather#fashion#best of NYC#NYC summer 2019#things to do NYC#things to do NYC summer 2019
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Albums and Songs Recorded by The Rolling Stones (up until 2008)
1964 - England's Newest Hit Makers (US) (London/Decca) Not Fade Away * Route 66 * I Just Want to Make Love to You * Honest I Do * Mona (I Need You Baby) * Now I've Got a Witness * Little by Little * I'm a King Bee * Carol * Tell Me * Can I Get a Witness * You Can Make It If You Try * Walking the Dog 1964 - 12 X 5 (London/Decca) Around and Around * Confessin' the Blues * Empty Heart * Time Is On My Side * Good Times, Bad Times * It's All Over Now * 2120 South Michigan Avenue * Under the Boardwalk * Congratulations * Grown Up Wrong * If You Need Me * Susie Q 1965 - The Rolling Stones No. 2 (Decca) Everybody Needs Somebody To Love * Down Home Girl * You Can't Catch Me * Time Is On My Side * What a Shame * Grown Up Wrong * Down the Road Apiece * Under the Boardwalk * I Can't Be Satisfied * Pain In My Heart * Off The Hook * Susie Q 1965 - The Rolling Stones, Now! (London/Decca) Everybody Needs Somebody To Love * Down Home Girl * You Can't Catch Me * Heart of Stone * What a Shame * Mona (I Need You Baby) * Down the Road Apiece * Off the Hook * Pain In My Heart * Oh Baby (We Got a Good Thing Goin') * Little Red Rooster * Surprise, Surprise 1965 - Out of Our Heads (London/Decca) Mercy, Mercy * Hitch Hike * The Last Time * That's How Strong My Love Is * Good Times * I'm Alright (live) * (I Can't Get No) Satsifaction * Cry To Me * The Under Assistant West Coast Promotion Man * Play With Fire * The Spider and the Fly * One More Try 1965 - December Children (And Everybody's) (London/Decca) She Said Yeah * Talkin' About You * You Better Move On * Look What You've Done * The Singer, Not the Song * Route 66 (live) * Get Off of My Cloud * I'm Free * As Tears Go By * Gotta Get Away * Blue Turns To Grey * I'm Moving On (live) 1966 - Aftermath (London/Decca) Mother's Little Helper * Stupid Girl * Lady Jane * Under My Thumb * Doncha Bother Me * Goin' Home * Flight 505 * High and Dry * Out of Time * It's Not Easy * I Am Waiting * Take It or Leave It * Think * What To Do 1966 - Got Live If You Want It (US/live) (London/Decca) Under My Thumb * Get Off of My Cloud * Lady Jane * Not Fade Away * I've Been Loving You Too Long * Fortune Teller * The Last Time * 19th Nervous Breakdown * Time Is On My Side * I'm Alright * Have You Seen Your Mother, Baby, Standing in the Shadow * (I Can't Get No) Satisfaction 1967 - Between the Buttons (London/Decca) Yesterday's Papers * My Obsession * Back Street Girl * Connection * She Smiled Sweetly * Cool, Calm & Collected * All Sold Out * Please Go Home * Who's Been Sleepin Here? * Complicated * Miss Amanda Jones * Something Happened To Me Yesterday 1967 - Their Satanic Majesties Request (London/Decca) Sing This All Together * Citadel * In Another Land * 2000 Man * Sing This All Together (See What Happens) * She's a Rainbow * The Lantern * Gomper * 2000 Light Years From Home * On With the Show 1968 - Beggar's Banquet (London/Decca) Sympathy for the Devil * No Expectations * Dear Doctor * Parachute Woman * Jig-Saw Puzzle * Street Fighting Man * Prodigal Son * Stray Cat Blues * Factory Girl * Salt of the Earth 1969 - Let It Bleed (London/Decca) Gimme Shelter * Love In Vain * Country Honk * Live With Me * Let it Bleed * Midnight Rambler * You Got the Silver * Monkey Man * You Can't Always Get What You Want 1970 - Get Yer Ya-Yas Out! The Rolling Stones in Concert (London/Decca) Jumpin' Jack Flash * Carol * Stray Cat Blues * Love In Vain * Midnight Rambler * Sympathy For the Devil * Live With Me * Little Queenie * Honky Tonk Women * Street Fighting Man 1971 - Sticky Fingers (Rolling Stones) Brown Sugar * Sway * Wild Horses * Can't You Hear Me Knocking * You Gotta Move * Bitch * I Got the Blues * Sister Morphine * Dead Flowers * Moonlight Mile 1971 - Gimme Shelter (Decca) Jumpin' Jack Flash * Love In Vain * Honky Tonk Women * Street Fighting Man * Sympathy For the Devil * Gimme Shelter * Under My Thumb * Time Is On My Side * I've Been Loving You Too Long * Fortune Teller * Lady Jane * (I Can't Get No) Satisfaction 1972 - Exile On Main St. (Rolling Stones) Rocks Off * Rip This Joint * Shake Your Hips * Casino Boogie * Tumbling Dice * Sweet Virginia * Tom and Frayed * Sweet Black Angel * Loving Cup * Happy * Turd on the Run * Ventilator Blues * I Just Want To See His Face * Let It Loose * All Down the Line * Stop Breaking Down * Shine a Light * Soul Survivor 1973 - Goat Head Soup (Rolling Stones) Dancing with Mr. D * 100 Years Ago * Coming Down Again * Doo Doo Doo Doo Doo (Heartbreaker) * Angie * Silver Train * Hide Your Love * Winter * Can You Hear the Music * Star Star 1974 - It's Only Rock 'n Roll (Rolling Stones) If You Can't Rock Me * Ain't Too Proud To Beg * It's Only Rock 'n Roll (But I Like It) * 'Till the Next Goodbye * Time Waits For No One * Luxury * Dance Little Sister * If You Really Want To Be My Friend * Short and Curlies * Fingerprint File 1976 - Black and Blue (Rolling Stones) Hot Stuff * Hand of Fate * Cherry Oh Baby * Memory Motel * Hey Negrita * Melody * Fool to Cry * Crazy Mama 1977 - Love You Live (Rolling Stones) Fanfare for the Common Man * Honky Tonk Women * If You Can't Rock Me/Get Off of My Cloud * Happy * Hot Stuff * Star Star * Tumblin' Dice * Fingerprint File * You Gotta Move * You Can't Always Get What You Want * Mannish Boy * Crackin' Up * Little Red Rooster * Around and Around * It's Only Rock 'n Roll (But I Like It) * Brown Sugar * Jumpin' Jack Flash * Sympathy For the Devil 1978 - Some Girls (Rolling Stones) Miss You * When the Whip Comes Down * Just My Imagination (Running Away With Me) * Some Girls * Lies * Far Away Eyes * Respectable * Before They Make Me Run * Beast of Burden * Shattered 1980 - Emotional Rescue (Rolling Stones) Dance (Part 1) * Summer Romance * Send It To Me * Let Me Go * Indian Girl * Where the Boys Go * Down in the Hole * Emotional Rescue * She's So Cold * All About You 1981 - Tattoo You (Rolling Stones) Start Me Up * Hang Fire * Slave * Little T&A * Black Limousine * Neighbours * Worried About You * Tops * Heaven * No Use In Crying * Waiting On a Friend 1982 - Still Life (American Concert 1981) (Rolling Stones) Take the A Train * Under My Thumb * Let's Spend the Night Together * Shattered * Twenty Flight Rock * Going to a Go-Go * Let Me Go * Time Is On My Side * Just My Imagination (Running Away with Me) * Start Me Up * (I Can't Get No) Satisfaction * Star Spangled Banner 1983 - Undercover (Rolling Stones) Undercover of the Night * She Was Hot * Tie You Up (The Pain of Love) * Wanna Hold You * Feel On Baby * Too Much Blood * Pretty Beat Up * Too Tough * All the Way Down * It Must Be Hell 1986 - Dirty Work (Rolling Stones) One Hit (To the Body) * Fight * Harlem Shuffle * Hold Back * Too Rude * Winning Ugly * Back To Zero * Dirty Work * Had It With You * Sleep Tonight 1989 - Steel Wheels (Rolling Stones) Sad Sad Sad * Mixed Emotions * Terrifying * Hold On To Your Hat * Hearts For Sale * Blinded by Love * Rock and a Hard Place * Can't Be Seen * Almost Hear You Sigh * Continental Drift * Break the Spell * Slipping Away 1991 - Flashpoint (live) (Rolling Stones) Continental Drift * Start Me Up * Sad Sad Sad * Miss You * Rock and a Hard Place * Ruby Tuesday * You Can't Always Get What You Want * Factory Girl * Can't Be Seen * Little Red Rooster * Paint It Black * Sympathy For the Devil * Brown Sugar * Jumpin' Jack Flash * (I Can't Get No) Satisfaction * Highwire * Sex Drive 1994 - Voodoo Lounge (Virgin) Love Is Strong * You Got Me Rocking * Sparks Will Fly * The Worst * New Faces * Moon Is Up * Out of Tears * I Go Wild * Brand New Car * Sweethearts Together * Suck on the Jugular * Blinded By Rainbows * Baby Break It Down * Thru and Thru * Mean Disposition 1995 - Stripped (Virgin) Street Fighting Man * Like a Rolling Stone * Not Fade Away * Shine a Light * The Spider and the Fly * I'm Free * Wild Horse * Let it Bleed * Dead Flowers * Slipping Away * Angie * Love in Vain * Sweet Virginia * Little Baby 1997 - Bridges To Babylon (Virgin) Flip the Switch * Anybody Seen My Baby? * Low Down * Already Over Me * Gunface * You Don't Have to Mean It * Out of Control * Saint of Me * Might As Well Get Juiced * Always Suffering * Too Tight * Thief in the Night * How Can I Stop 1998 - No Security (live) (Virgin) You Got Me Rocking * Gimme Shelter * Flip the Switch * Memory Motel * Corinna * Saint of Me * Waiting On a Friend * Sister Morphine * Live With Me * Respectable * Thief in the Night * The Last Time * Out of Control 2004 - Live Licks (Virgin) Brown Sugar * Street Fighting Man * Paint It, Black * You Can't Always Get What You Want * Start Me Up * It's Only Rock 'n Roll (But I Like it) * Angie * Honky Tonk Women * Happy * Gimme Shelter * (I Can't Get No) Satisfaction * Neighbours * Monkey Man * Rocks Off * Can't You Hear Me Knocking * That's How Strong My Love Is * The Nearness of You * Beast of Burden * When the Whip Comes Down * Rock Me Baby * You Don't Have to Mean It * Worried About You * Everybody Needs Somebody to Love 2005 - A Bigger Bang (Virgin) Rough Justice * Let Me Down Slow * It Won't Take Long * Rain Fall Down * Streets of Love * Back of My Hand * She Saw Me Coming * Biggest Mistake * This Place Is Empty * Oh No, Not You Again * Dangerous Beauty * Laugh, I Nearly Died * Sweet Neo Con * Look What the Cat Dragged In * Driving Too Fast * Infamy 2008 - Shine a Light (Polydor) Jumpin' Jack Flash * Shattered * She Was Hot * All Down the Line * Lovin Cup * As Tears Go By * Some Girls * Just My Imagination * Far Away Eyes * Champagne & Reefer * Tumbling Dice * You Got the Silver * Connection * Sympathy For the Devil * Live with Me * Start Me Up * Brown Sugar * (I Can't Get No) Satisfaction * Paint It Black * Little T&A * I'm Free * Shine a Light
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Yves Saint-Laurent Haute Couture Collection Fall/Winter 1965-66 Canadian actress Joanna Shimkus in one of the 4 “Mondrian” cocktail dresses (No. 81). This jersey dress is part of a set also composed of a white cloth coat. On the feet, pumps with chrome buckle specially designed by Roger Vivier for the "Mondrian" collection.
Yves Saint-Laurent Collection Haute Couture Automne/Hiver 1965-66 L'actrice canadienne Joanna Shimkus dans l'une des 4 robes (N°81) de cocktail "Mondrian". Cette robe de jersey fait partie d'un ensemble composé également d'un manteau de drap blanc. Au pieds, les escarpins à boucle chromée conçu spécialement par Roger Vivier pour la collection "Mondrian".
Photo Peter Knapp.
#haute couture#yves saint laurent#french designer#french style#fashion 60s#1965-66#fall/winter#automne/hiver#mondrian#joanna shimkus#canadian actress#roger vivier#peter knapp#cocktail dress#robe de cocktail
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#102: Watch every movie on the IMDB top 250 movies list
The goal of this list item was to expand my pop culture exposure I guess. I hadn’t seen most of these before. There were too many war movies and westerns on this list for my liking, but at least I can say I saw them. I put little <3 next to the ones I really liked. This list was created 31/12/15 when I finished started last year’s list.
1. The Shawshank Redemption (1994)
2. The Godfather (1972)
3. The Godfather: Part II (1974)
4. The Dark Knight (2008)
5. 12 Angry Men (1957)
6. Schindler’s List (1993)
7. Pulp Fiction (1994)
8. The Good, the Bad, and the Ugly (1966)
9. The Lord of the Rings: The Return of the King (2003)
10. Fight Club (1999)
11. The Lord of the Rings: The Fellowship of the Ring (2001)
12. Star Wars: Episode V – The Empire Strikes Back (1980)
13. Forrest Gump (1994)
14. Inception (2010)
15. One Flew Over the Cuckoo’s Nest (1975)
16. The Lord of the Rings: The Two Towers (2002)
17. The Matrix (1999)
18. Goodfellas (1990)
19. Star Wars: Episode IV – A New Hope (1977)
20. Seven Samurai (1954)
21. City of God (2002)
22. Se7en (1995)
23. The Silence of the Lambs (1991)
24. The Usual Suspects (1995)
25. It’s a Wonderful Life (1946)
26. Life is Beautiful (1997)
27. Leon: The Professional (1994)
28. Once Upon a Time in the West (1968)
29. Interstellar (2014) <3
30. Saving Private Ryan (1998) <3
31. Spirited Away (2001) <3
32. American History X (1998)
33. Casablanca (1942)
34. City Lights (1931)
35. Psycho (1960)
36. Raiders of the Lost Ark (1981)
37. Rear Window (1954)
38. The Intouchables (2011)
39. Modern Times (1936)
40. The Green Mile (1999) <3
41. Terminator 2: Judgement Day (1991)
42. The Pianist (2002)
43. Whiplash (2014)
44. The Departed (2006)
45. Back to the Future (1985) <3
46. Memento (2000)
47. Gladiator (2000)
48. Apocalypse Now (1979)
49. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
50. Star Wars: The Force Awakens (2015)
51. Sunset Blvd. (1950)
52. The Prestige (2006)
53. Alien (1979)
54. The Lion King (1994) <3
55. The Great Dictator (1940)
56. The Lives of Others (2006)
57. Cinema Paradiso (1988) <3
58. Paths of Glory (1957)
59. The Shining (1980) <3
60. Django Unchained (2012)
61. The Dark Knight Rises (2012)
62. WALL-E (2008) <3
63. American Beauty (1999)
64. Grave of Fireflies (1988)
65. Aliens (1986)
66. Citizen Kane (1941)
67. North by Northwest (1959)
68. Princess Mononoke (1997)
69. Oldboy (2003)
70. Vertigo (1958)
71. Das Boot (1981)
72. Once Upon a Time in America (1984)
73. Star Wars: Episode VI – Return of the Jedi (1983)
74. M (1931)
75. Amelie (2001) <3 <3 <3
76. Witness for the Prosecution (1957)
77. Reservoir Dogs (1992)
78. Braveheart (1995)
79. A Clockwork Orange (1971)
80. Toy Story 3 (2010)
81. Requiem for a Dream (2000)
82. Taxi Driver (1976)
83. Double Indeminity (1944)
84. To Kill a Mockingbird (1962) <3
85. Lawrence of Arabia (1962)
86. Eternal Sunshine of the Spotless Mind (2004)
87. Full Metal Jacket (1987)
88. Amadeus (1984) <3
89. The Sting (1973)
90. Singin’ in the Rain (1952)
91. Bicycle Thieves (1948)
92. 2001: A Space Odyssey (1968)
93. Snatch (2000)
94. Monty Python and the Holy Grail (1975) <3
95. Inside Out (2015) <3
96. The Kid (1921)
97. Toy Story (1995) <3
98. L.A. Confidential (1997)
99. For a Few Dollars More (1965)
100. Inglorious Basterds (2009)
101: Rashomon (1950)
102. The Apartment (1960)
103. All About Eve (1950)
104. Indiana Jones and the Last Crusade (1989)
105. A Separation (2011)
106. Metropolis (1927)
107. The Treasure of the Sierra Madre (1948)
108. Scarface (1983)
109. Yojimbo (1961)
110. Some Like It Hot (1959)
111. Batman Begins (2005)
112. The Third Man (1949)
113. Unforgiven (1992)
114. 3 Idiots (2009)
115. Up (2009) <3
116. The Hunt (2012)
117. Raging Bull (1980)
118. Downfall (2004)
119. Good Will Hunting (1997)
120. Die Hard (1988)
121. The Great Escape (1963)
122. Chinatown (1974)
123. Heat (1995)
124. Sunrise (1927)
125. On the Waterfront (1954)
126. Pan’s Labyrinth (2006)
127. Sholay (1975)
128. Mr. Smith Goes to Washington (1939)<3
129. My Neighbor Totoro (1988)
130. The Bridge on the River Kwai (1957)
131. The Gold Rush (1925)
132. Ikiru (1952)
133. Ran (1985)
134. The Seventh Seal (1957)
135. Blade Runner (1982)
136. The Secret in Their Eyes (2009)
137. Lock, Stock and Two Smoking Barrels (1998)
138. Wild Strawberries (1957)
139. The General (1926)
140. The Elephant Man (1980)
141. Casino (1995)
142. Howl’s Moving Castle (2004)<3
143. Warrior (2011)
144. The Wolf of Wall Street (2013)
145. V for Vendetta (2005)
146. Gran Torino (2008)
147. Judgement at Nuremberg (1961)
148. The Big Lebowski (1998)
149. A Beautiful Mind (2001)<3
150. Rebecca (1940)
151. The Deer Hunter (1978)
152. Mad Max: Fury Road (2015)
153. How to Train Your Dragon (2010) <3
154. Cool Hand Luke (1967)
155. Gone with the Wind (1939)
156. Fargo (1996) <3
157. Trainspotting (1996)
158. Dial M for Murder (1954)
159. Incendies (2010)
160. The Sixth Sense (1999)
161. Into the Wild (2007) <3
162. It Happened One Night (1934)
163. Finding Nemo (2003) <3
164. Gone Girl (2014)
165. No Country for Old Men (2007)
166. The Thing (1982)
167. Mary and Max (2009)
168. Rush (2013)
169. The Maltese Falcon (1941)
170. Kill Bill: Vol. 1 (2003)
171. Life of Brian (1979)
172. Hotel Rwanda (2004)
173. The Wages of Fear (1953)
174. Platoon (1986)
175. There Will Be Blood (2007)
176. Butch Cassidy and the Sundance kid (1969)
177. Network (1976)
178. The Martian (2015) <3
179. The 400 Blows (1959)
180. Stand by Me (1986) <3
181. Persona (1966)
182. The Revenant (2015)
183. Touch of Evil (1958)
184. 12 Years a Slave (2013)
185. The Princess Bride (1987)
186. The Grand Budapest Hotel (2014) <3
187. In the Name of the Father (1993)
188. Amores Perros (2000)
189. Million Dollar Baby (2004)
190. Annie Hall (1977)
191. Ben-Hur (1959)
192. Shutter Island (2010)
193. The Grapes of Wrath (1940)
194. Wild Tales (2014) <3
195. Hachi: A Dog’s Tale (2009)
196. Nausicaa of the Valley of the Wind (1984)
197. Diabolique (1955)
198. Stalker (1979)
199. Jurassic Park (1993)
200. Gandhi (1982)
201. The Wizard of Oz (1939) <3
202. The Bourne Ultimatum (2007)
203. The Best Years of Our Lives (1946)
204. Sin City (2005)
205. Donnie Darko (2001)
206. 8 ½ (1963)
207. Before Sunrise (1995)
208. Strangers on a Train (1951)
209. Twelve Monkeys (1995)
210. The Terminator (1984)
211. The Truman Show (1998) <3
212. Groundhog Day (1993)
213. Monsters, Inc (2001) <3
214. Jaws (1975)
215. Memories of Murder (2003)
216. Rocky (1976)
217. The Battle of Algiers (1966)
218. Infernal Affairs (2002)
219. Harry Potter and the Deathly Hallows: Part 2 (2011)
220. The Avengers (2012)
221. Dog Day Afternoon (1975)
222. Barry Lyndon (1975)
223. Fanny and Alexander (1982)
224. La Haine (1995)
225. Guardians of the Galaxy (2014) <3
226. Throne of Blood (1957)
227. The Imitation Game (2014)
228. The King’s Speech (2010)
229. Ip Man (2008)
230. A Fistful of Dollars (1964)
231. High Noon (1952)
232. Prisoners (2013)
233. Pirates of the Caribbean: The Curse of the Black Pearl (2003) <3
234. Castle in the Sky (1986)
235. The Help (2011) <3
236. Roman Holiday (1953)
237. Notorious (1946)
238. Who’s Afraid of Virginia Woolf? (1966)
239. Papillon (1973)
240. Beauty and the Beast (1991)
241. Spring, Summer, Fall, Winter…and Spring (2003)
242. The Night of the Hunter (1955)
243. Anatomy of a Murder (1959)
244. Before Sunset (2004)
245. Catch me if You Can (2002)
246. Three Colors: Red (1994)
247. The Killing (1956)
248. La Strada (1954)
249. The Graduate (1967)
250. A Streetcar Named Desire (1951)
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// Google search Lainey Gossip The Best Films of the Decade (2010s): Part I December 19, 2019 at 6:24 PM by Sarah John Wick movie poster 352687 After months of consideration, and getting so deep in the weeds that the words “best”, “film”, and “decade” have lost all meaning, here it is: my list of the best films of the decade. This list, which was supposed to be 20 films and ended up at 32, is a combination of quality, influence, and gut feeling, but all are films that stand out when looking back on the cinema of the 2010s. As always, this list is alphabetical, not ranked. A Girl Walks Home Alone at Night (2014) An Iranian-Western-vampire genre mashup, Girl is strange, creepy, feminist, and at times, achingly romantic. This is also the first film on the list that marks a decade trend of women claiming genre spaces to do brilliant, inventive work. A Hidden Life (2019) Terrence Malick has wrestled with themes of human suffering, perseverance, and religious fervor throughout his career, and A Hidden Life is his most perfect expression of beatific suffering yet. It’s also a timely story about standing up to Nazis, which gives Life an immediate resonance Malick’s films don’t usually carry. A Simple Favor (2018) Satirizing everything from Cool Girl thrillers to the true crime craze to mommy bloggers, A Simple Favor is a black comedy that also works as a (completely batsh-t) mystery. This movie has everything: secret twins, incest, a series of increasingly insane plot twists, and some of the best contemporary artistic design of the decade. The Act of Killing (2012) Co-directed by Joshua Oppenheimer, Christine Cynn, and an anonymous Indonesian, The Act of Killing is a portrait, made terrifying by the relative mundanity of these men’s lives today, of some of the men who led death squads during the Indonesian killings of 1965-66. The men recreate their atrocities as classic film scenes, until one man pretends to be a victim in a scene and then simply cannot go on. It is a testament to the power of cinema, and of stories to evoke empathy, even where you believe no feeling can exist. The Avengers (2012) I can hear you, Black Panther hive, and believe me, I thought about it. But the fact is, there is no Black Panther without The Avengers. This is the film that started it all, and it had an immeasurable impact on Hollywood, setting records previously thought impossible, giving audiences a once-in-a-generation experience, and popularizing the blockbuster cinematic universe. That it holds up as an entertaining, thrilling adventure is almost just a bonus. The Babadook (2014) Jennifer Kent’s debut feature film is either a horror movie about a haunting, or it’s a domestic drama about grief and mental illness. Either way, this is one of the creepiest, most unsettling genre films of the decade, and it also gave us one of the most memorable sound effects since a tyrannosaurus rex roared. Blue Ruin (2013) This is not the sleek, sexy revenge of typical Hollywood thrillers. Jeremy Saulnier’s Blue Ruin is bleak, brutal, and spare, with a protagonist shattered by trauma and whose revenge is uncoordinated, sloppy, and carries an inter-generational price. This is the best case against backwoods justice since Reba McEntire sang, “That’s the night the lights went out in Georgia”. Carol (2015) A romance that is at once universal and achingly specific to the roadblocks and repressions of queer women in the middle 20th century, Carol typifies Todd Haynes’ rich, detailed style and intimate sense of drama. Romantic, intimate, and infuriating, Carol captures how simple it is to fall in love and how hard it is to be in love, especially when society does not accept you. Compliance (2012) A gut-wrenching, almost impossible to watch psychological thriller/horror movie, Compliance begs you to fact-check its “based on a true story” narrative (it’s terribly, awfully true). No film this decade better captures both the ease with which people surrender their civil liberties to authoritarians, and the ease with which people will stand by and do nothing as a woman is abused. Compliance is as infuriating as it is chilling. The Duke of Burgundy (2015) An erotic S&M fantasy set in a world with no men, The Duke of Burgundy is a lavish exploration of sex, intimacy, and power exchange. Writer/director Peter Strickland uses fetishism to examine a deteriorating relationship and the particular poignancy of a love affair coming to an end. There have been a lot of breakup movies this decade, but none as unique as The Duke of Burgundy. Get Out (2017) A horror comedy that works equally well in either genre, and works even better on second viewing, Get Out is an immediate genre classic. It gave us a new way of thinking of the black experience in America, and also the insidious supremacy of white liberalism. This is one of the sharpest social observations of the decade, and also a really damn good horror movie. The Guest (2014) Stylish, sexy, and violent, The Guest mashes up horror and superhero tropes into a story about a super-soldier gone rogue, who will stop at nothing to cover his tracks. It’s easy to get lost in the aesthetics, but The Guest has something to say about the toll of America’s endless war, and bad men who only pass as good because we’re socially conditioned to accept them. The Handmaiden (2016) Park Chan-wook adapts Sarah Waters’ novel, Fingersmith, into an erotic thriller set in colonial Korea. Using shifting perspective and a twisty, layered crime plot, Park tells a story of colonialism, class, gender, and love that is sexy, smart, romantic, and surprisingly funny. Inherent Vice (2014) Any one of Paul Thomas Anderson’s three feature films this decade could have made this list, but in the end, I chose the film that is the MOST Paul Thomas Anderson. Like if you asked me what PTA’s whole deal is, I would point you to Inherent Vice. Shaggy, strange, and risky, Inherent Vice is a cinematic psychedelic trip that invites multiple viewings. Inside Llewyn Davis (2013) The Coen Brothers also had a couple contenders this decade, but Inside Llewyn Davis is exceptional for the prickliness of its lead character (played by a breakout Oscar Isaac) and the mundane lyricism of his story. This is not a tale of transformational genius, this is a tale of mediocrity and near misses featuring Llewyn Davis, one of contemporary cinema’s greatest cynics. John Wick (2014) Keanu Reeves experienced another career renaissance with John Wick, giving us an immediately indelible, impossibly cool character with the titular John Wick. Sleek, stylish, and with a laughably, yet incredibly effective, streamlined story, John Wick is a high-water mark for American action cinema. Part 2 coming soon… Tags: Movie Reviews and Previews PS I Still Love You trailer stills 352677 PS. I Still Love You Peter Kavinsk…oh HI John Ambrose! It’s here! The first trailer for PS I Still Love You, the sequel to To All The Boys I’ve Loved Befor December 19, 2019 at 5:27 PM by Lainey Sebastian Stan on the set of The Falcon and the Winter Soldier in Atlanta, December 19, 2019 352688 Sebastian Stan Year In Review: Hotness Maintained Sebastian Stan caps off his Year In Hot by appearing in Men’s Health. 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Rallye Schweden: ŠKODA und Kalle Rovanperä kämpfen um Tabellenführung in der WRC 2 Pro-Kategorie
› Mit einem guten Ergebnis können sich Kalle Rovanperä/Jonne Halttunen in der Zwischenwertung der neuen Weltmeisterschaftskategorie an die Spitze setzen › Auch der finnische Meister Eerik Pietarinen und Beifahrerin Juhana Raitanen sind von ŠKODA Motorsport als punkteberechtigt in der Kategorie WRC 2 Pro nominiert › Mit 16 genannten ŠKODA FABIA R5 stellt der tschechische Hersteller mehr als die Hälfte des 30 Teilnehmer starken Feldes der R5-Fahrzeuge
Mladá Boleslav – Bei der Rallye Schweden, dem zweiten Lauf der FIA Rallye-Weltmeisterschaft 2019, schickt ŠKODA Motorsport in der Kategorie WRC 2 Pro am kommenden Wochenende (14. bis 17. Februar 2019) zwei Teams ins Rennen. Der finnische Werksfahrer Kalle Rovanperä und Copilot Jonne Halttunen kämpfen ebenso wie ihre Landsleute Eerik Pietarinen/Juhana Raitanen um die Spitzenposition im Feld der R5-Fahrzeuge, das mit insgesamt 30 Teilnehmern stark besetzt ist. Auf den Hochgeschwindigkeitspisten durch die winterlichen Wälder Schwedens und Norwegens treten in der neu geschaffenen WRC 2 Pro-Kategorie fünf Crews der Marken ŠKODA, Ford und Citroën an.
Bei der Rallye Monte Carlo beeindruckten Kalle Rovanperä und Beifahrer Jonne Halttunen zum Auftakt zur FIA Rallye-Weltmeisterschaft 2019 mit einem unerschütterlichen Kampfgeist. Nachdem sie im ŠKODA FABIA R5 schon in der ersten Wertungsprüfung auf einer vereisten Passage von der Strecke gerutscht waren, starteten sie eine starke Aufholjagd. Im Verlauf der Rallye verbesserten sie sich vom zwischenzeitlich letzten Rang um 66 Positionen. Eerik Pietarinen, ebenfalls aus Finnland, bewies seine Klasse bereits im vergangenen Sommer, als er bei der Rallye Finnland im ŠKODA FABIA R5 die Kategorie WRC 2 gewann. Inzwischen wird er als amtierender Finnischer Meister vom finnischen ŠKODA Importeur unterstützt und ist bei der Rallye Schweden von ŠKODA Motorsport als zweiter offizieller Fahrer des Teams in der Kategorie WRC 2 Pro nominiert. Rovanperä/Halttunen und Pietarinen/Raitanen sind nur zwei von insgesamt 16 Crews, die in Schweden im ŠKODA FABIA R5 antreten. Damit stellt ŠKODA mehr als die Hälfte der 30 genannten R5-Fahrzeuge.
Die Rallye Schweden startet am Donnerstag (14. Februar) um 20:04 Uhr mit einer spektakulären Show-Prüfung auf der komplett vereisten Pferderennbahn von Karlstad im Süden des Landes. Die nur 1,9 Kilometer kurze Prüfung ist der Auftakt zur eigentlichen Rallye, die am Freitagmorgen (15. Februar) beginnt. Wenn die Teams den zentralen Serviceplatz in Torsby um 6:00 Uhr verlassen, liegen weitere drei Tage mit insgesamt 18 Wertungsprüfungen vor ihnen, die sich über knapp 320 Kilometer durch die einsamen Wälder Schwedens und Norwegens winden. Am Sonntag, den 17. Februar, endet die Rallye in der Nähe des Serviceareals in Torsby mit der sogenannten Power-Stage, der Sieger wird gegen 13:00 Uhr auf dem Podium erwartet.
Im Vorfeld der Rallye Schweden hat ŠKODA mit Kalle Rovanperä gesprochen:
Kalle, wenn Sie auf den Saisonauftakt bei der Rallye Monte Carlo zurückschauen, wie lautet Ihr Fazit?
Kalle Rovanperä: „Obwohl ich mir wichtige Zähler für mein Punktekonto in der WRC 2 Pro-Meisterschaft sichern konnte, war das Ergebnis natürlich nicht gerade das, was ich mir ausgerechnet hatte. Nach unserem Missgeschick auf der ersten Wertungsprüfung, als wir in einen Graben rutschten, fuhren wir einige gute Zeiten. Wie auch immer, die Erfahrungen der diesjährigen Rallye Monte Carlo werden mir sicherlich in der Zukunft helfen.“
Was sind Ihre Erwartungen für die Rallye Schweden?
Kalle Rovanperä: „Ich fahre diese Rallye zum ersten Mal. Aber ich liebe es, auf Eis und Schnee zu fahren, und freue mich wirklich auf die Veranstaltung. Um in Schweden zu gewinnen, muss man absolut am Limit fahren und darf sich nicht einen einzigen Fehler leisten.“
Sie fahren bereits die zweite Saison im Team von ŠKODA Motorsport. Was ist Ihr Ziel für 2019?
Kalle Rovanperä: „Im vergangenen Jahr war mit Ausnahme der Rallye Großbritannien jeder WM-Lauf neu für mich. Dieses Jahr kann ich von den Erfahrungen profitieren, die ich während der sieben WM-Rallyes gesammelt habe, die ich 2018 gefahren bin. Aber ich muss noch viel lernen. Die Rallye Schweden ist, wie gesagt, neu für mich. Ich kann es kaum erwarten, mich zusammen mit meinem Beifahrer Jonne Halttunen in den Wettbewerb zu stürzen. Unser ŠKODA FABIA R5 ist genauso gut vorbereitet wie wir.“
ŠKODA Motorsport hat Sie für die gesamte Saison in der WRC 2 Pro nominiert. Was erwarten Sie von dieser neuen Kategorie innerhalb der Weltmeisterschaft?
Kalle Rovanperä: „Alles, was unseren Sport nach vorne bringt, ist gut. Ich liebe den Wettbewerb, und speziell bei der Rallye Schweden rechne ich mit einem harten Kampf in der WRC 2 Pro und auch im stark besetzten Feld der R5-Fahrzeuge. Mit einem guten Resultat könnte ich die Tabellenführung in der WRC 2 Pro übernehmen. Aber mein vorrangiges Ziel ist es, mit voller Konzentration eine fehlerlose Leistung zu bieten und zu den Schnellsten zu gehören. Ich freue mich wirklich auf die Rallye.“
Wussten Sie, dass…
…die Rallye Schweden zum ersten Mal 1950 veranstaltet wurde und jahrelang als ,Rallye zur Mitternachtssonne‘ im Sommer durchgeführt wurde? Erst seit 1965 findet sie im Winter statt.
… die Temperatur während der Rallye auf unter -25 Grad Celsius fallen kann?
…die Fahrer ihr Auto manchmal absichtlich an den Schneewänden entlang der Strecke anlehnen, um eine höhere Kurvengeschwindigkeit zu erreichen?
…jedes Team eine Schaufel an Bord haben muss, um im Falle eines Ausrutschers sein Auto aus dem Schnee ausgraben zu können?
…die speziellen Schneereifen mit jeweils 384 Spikes gespickt sind, jeder davon 20 Millimeter lang?
…1973 nur Winterreifen ohne Spikes erlaubt waren und der schwedische Lokalheld Stiq Blomqvist den Sieg feierte, obwohl er wegen eines Problems mit der Benzinpumpe schon früh zehn Minuten verloren hatte?
…im Jahr 1993 Pavel Sibera/Petr Gross im ŠKODA FAVORIT 136L die Klasse A5 gewannen?
…alleine die berühmte Sprungkuppe ,Colin’s Crest‘, die nach dem ehemaligen Rallye-Weltmeister Colin McRae benannt ist, Tausende Fans anzieht? Der Kalender 2019 der FIA Rallye-Weltmeisterschaft (WRC 2 Pro) Veranstaltung Datum Rallye Monte Carlo 24.01.–27.01.2019 Rallye Schweden 14.02.–17.02.2019 Rallye Mexiko 07.03.–10.03.2019 Rallye Frankreich 28.03.–31.03.2019 Rallye Argentinien 25.04.–28.04.2019 Rallye Chile 09.05.–12.05.2019 Rallye Portugal 30.05.–02.06.2019 Rallye Italien 13.06.–16.06.2019 Rallye Finnland 01.08.–04.08.2019 Rallye Deutschland 22.08.–25.08.2019 Rallye Türkei 12.09.–15.09.2019 Rallye Großbritannien 03.10.–06.10.2019 Rallye Spanien 24.10.–27.10.2019 Rallye Australien 14.11.–17.11.2019
ŠKODA AUTO › wurde in den Pioniertagen des Automobils 1895 gegründet und ist damit eines der weltweit traditionsreichsten Automobilunternehmen. › bietet seinen Kunden aktuell neun Pkw-Modellreihen an: CITIGO, FABIA, RAPID, SCALA, OCTAVIA, KAROQ, KODIAQ sowie KAMIQ und SUPERB. › lieferte 2018 weltweit mehr als 1,25 Millionen Fahrzeuge an Kunden aus. › gehört seit 1991 zum Volkswagen Konzern, einem der global erfolgreichsten Automobilhersteller. ŠKODA AUTO fertigt und entwickelt selbständig im Konzernverbund neben Fahrzeugen auch Komponenten wie Motoren und Getriebe. › unterhält drei Standorte in Tschechien; fertigt in China, Russland, der Slowakei, Algerien und Indien vornehmlich über Konzernpartnerschaften sowie in der Ukraine und Kasachstan mit lokalen Partnern. › beschäftigt mehr als 35.000 Mitarbeiter weltweit und ist in über 100 Märkten aktiv. › treibt im Rahmen der ŠKODA Strategie 2025 die Transformation vom Automobilhersteller zur „Simply Clever Company für beste Mobilitätslösungen“ voran.
Quelle: ŠKODA AUTO Deutschland GmbH
Rallye Schweden: ŠKODA und Kalle Rovanperä kämpfen um Tabellenführung in der WRC 2 Rallye Schweden: ŠKODA und Kalle Rovanperä kämpfen um Tabellenführung in der WRC 2 Pro-Kategorie › Mit einem guten Ergebnis können sich Kalle Rovanperä/Jonne Halttunen in der Zwischenwertung der neuen Weltmeisterschaftskategorie an die Spitze setzen…
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Since 1998, 73 orcas have gone missing or have died:
L84 (Nyssa) Male born 1990 to L51, declared missing August 6, 2019 (age 29)
K25 (Scoter) Male born 1991 to K13, declared missing August 6, 2019 (age 28)
J17 (Princess Angeline) Female born 1977 to J5, her second calf, declared missing August 6, 2019 (age 42)
J50 (Scarlet) Female born December, 2014 to J16 (Slick), her fourth calf, declared missing Sept 13, 2018 (age 3)
L92 (Crewser) Male born 1995 to L60 (Rascal)(who washed up on outer WA coast May 2002 at age 30), declared missing June, 2018 (age 23)
J52 (Sonic) Male born late March, 2015 to J36 (Alki), declared missing Sept. 2017 (age 2)
K13 (Skagit) Female born est. 1972 (mother unknown), missing Winter, 2017 (age 45)
J2 (Granny) Female born approx. 1911, declared missing Jan. 2017 (age est. 105)
J34 (Doublestuf), Male born to J22 (Oreo), her first calf, born 1998, found deceased Dec. 20, 2016 (age 18)
J54 (Dipper) Male born to J28 (Polaris) in December, 2015, her second calf, missing Oct. 2016 (age 10 months)
J28 (Polaris) Female born to J17 (Princess Angeline) in 1993, her first calf, missing Oct. 2016 (age 23)
J14 (Samish) Female born 1974 to J12, missing August, 2016 (age 42)
L95 (Nigel) Male born 1996 to L43 (Jellyroll), found deceased March 30, 2016 (age 20)
J55 unk., born Jan., 2016 to either J14, J37 or J40, missing January 19, 2016 (newborn)
L27 (Ophelia) Female born 1965 (est.), mother unk., missing Summer, 2015 (age est. 50)
J32 (Rhapsody) Female born to J20, 1996; found deceased with fetus Dec. 4, 2014 (age 18)
L120 unk., born to L86, (Surprise!), her second calf, early Sept., 2014, missing Oct. 17, 2014 (age 1 mo.)
L53 (Lulu) Female born 1977 to L7 (Canuck), missing Summer, 2014 (age 37)
L100 (Indigo) Male born 2001 to L54 (Ino), missing Summer, 2014 (age 13)
J8 (Speiden) Female born est. 1933 to ?, missing Fall, 2013 (age est. 80)
L79 (Skana) Male born 1979 to L22 (Spirit), missing Summer, 2013 (age 34)
L26 (Baba) Female born est. 1956 to ?, missing Spring, 2013 (age est. 57)
L2 (Grace) Female born est. 1960 to ?, missing Fall, 2012 (age est. 52)
L78 (Gaia) Male born 1989 to L2 (Grace), missing Summer, 2012 (age 23)
K40 (Raggedy) Female born est. 1963 to suspected K18 (Kiska), missing Spring, 2012 (age est. 49)
L5 (Tanya) Female born est. 1964 to ?, missing Spring, 2012 (age est. 48)
L12 (Alexis) Female born est. 1933 to ?, missing Spring, 2012 (age est. 79)
J30 (Riptide) Male born to to J14 (Samish), missing 2012 (age 16)
L112 (Victoria/Sooke) Female born to L86, Feb. 2009; found deceased Feb. 11, 2012 on shoreline of Long Beach, WA (age 3)
J48 unk., born Dec. 2011 to J16 Slick her fifth calf, missing Jan. 2012 (age 1 month)
J1 male (Ruffles) born est. 1951, missing Nov. 2010 (age est. 59)
L7 (Canuck) Female born +/- 1961; missing Sept. 2010 (age est. 49)
J33 (Keet) Male born 1996 to J16 (Slick), missing August 2010 (age 14)
K11 (Georgia) Female born est. 1933; missing June 2010 (age est. 77)
L114 unk., born to L77 (Matia) her second calf, missing June 2010, (age 4 months)
L73 (Flash) Male born 1986 to L5 (Tanya), missing May 2010 (age 24)
L74 (Saanich) Male born 1986 to L3 (Oreana), missing late 2009/early 2010 (age 23)
L57 (Faith) Male born 1977 to L45 (Asterix), missing Nov. 2008 (age 31)
L67 (Splash) Female born 1985 to L2 (Grace), missing Sept. 2008 (age 23)
L111 Female born to L47 (Marina) her fifth calf Aug. 12, 2008, missing late Aug. 2008 (age <1 mo)
J11 (Blossom) Female born +/- 1972 est. to J4 missing July 2008 (age est. 36)
L21 (Ankh) Female born +/- 1950; missing summer 2008 (age est. 58)
L101 (Aurora) Male born 2002 to L67 (Splash), her fourth calf; missing summer 2008 (age 6)
K7 (Lummi) Female born +/- 1910, missing spring, 2008. (age est. 98)
J43 unk., born to J14 (Samish), her fifth calf, in 11/07; missing April 2008 (age 5 months)
L104 unk., born Oct. 2004 to L43 (Jelly Roll) her third calf, missing June 2007 (age 2)
K41 unk., born Nov. 2006 to K22 (Sekiu), her second calf, missing Dec. 2006 (age 4 months)
K39 unk., born Sept. 2006 to K28 (Raven) her first calf, missing Oct. 21, 2006 (age 4 months)
K28 (Raven) Female born to K12 (Sequim), last seen Sept. 19, 2006 (age 12)
L43 (Jellyroll) Female born ca. 1972, last seen Sept. 2, 2006, (age est. 34)
L71 (Hugo) Male born to L26 (Baba), missing summer 2006 (age 20)
L98 (Luna) Male born 1999 to L67 (Splash) died, March 10, 2006 in Nootka Sound, BC after being separated from pod at 18 months old (age 7)
K31 (Tatoosh) Male born 1999 to K12 (Sequim) her third calf, missing Oct. 2006 (age 7)
L32 (Olympia) Female born est. 1955, missing summer 2005 (age est. 50)
L107 unk., born to L47 (Marina) June, 2005, her fifth calf, missing summer 2005 (infant)
K18 (Kiska) Female born +/-1948, missing December, 2003 (age est. 55)
L58 (Sparky) born 1980 to L5 (Tanya), missing June 2003 (age 23)
L3 (Oreana) Female born +/-1950, missing 2002 (age est. 53)
L102 unk. born to L47 (Marina), her fourth calf, missing Dec. 3, 2002 (age 1 month)
L60 (Rascal) Female born 1972, washed up on outer WA coast May 2002 (age 30)
K32 born 2000 to K16 (Opus), last seen 2001 (infant)
L99 unk. born 2000, to L47 (Marina), last seen 2001 (infant)
L62 (Cetus) Male born 1980 to L27 (Ophelia), last seen 2000 (age 20)
L39 (Orcan) Male, born 1975 to L2 (Grace), last seen 2000 (age 25)
L11 (Squirty) Female born 1957, last seen 2000 (age 43)
L1 (Oskar) Male born est. 1959, last seen 2000 (age est. 41)
J18 (Everett) Male born 1977 to J10 (Tahoma), found deceased at Tsawassen, Canada March 2000 (age 23)
J10 (Tahoma) Female born est. 1962, last seen 1999 (age est. 37)
K4 (Morgan) Female born est. 1933, last seen 1999 (age est. 66)
L97 unk. born 1999 to L51 (Nootka), died Oct. 1999 (infant)
L51 (Nootka) Female born 1973, found deceased at Race Rocks, Canada in Sept 1999 (age 26)
J11's calf, unk. born to J11 (Blossom) 1998, died Dec. 1998 (infant)
L93 (Nerka) Female born 1995 to L27 (Ophelia), last seen 1998 (age 3)
L38 (Dylan) Male born est. 1965, last seen 1998 (age est. 33)
L44 (Leo) Male born 1974 to L32 (Olympia), last seen 1998 (age 24)
K3 (Sounder) Female born est. 1954, last seen 1998 (age est. 44)
J20 (Ewok) Female born 1981 to J10 (Tahoma), last seen 1998 (age 17)
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