#failed story idea

[bluerosefox]

Summoning the Summoner

Another summoning/long lost family au but with twist!

So Damian and his class are at Gotham museum for a small field trip for a school project. Thing is none of them knew until it was too late that the new museum curator was part of a cult that had plans to kidnap and sacrifice this class of kids for some ancient god/deity/spirit.

Damian barely manages to send a message to one of his brothers and to the cave before being knocked out when he sees his classmates dropping from knocknout gas.

When he wakes up the preparations for the sacrifice are almost ready. Damian being the most prominent person in the class is going to be the one chosen first. He is then taken to the alter and it begins after the whole villain speech. Damian does manage to get out of his bindings and tries to fight back, does lead them on a merry little chase to get more time for his family to come, nothing to Robiny though, but is forcibly restrained again.

Just as they bring Damian back to the alter none of them notice, or rather, care that Damian was bleeding from getting hit when they recaptured him. None of them notice when the blood dropped from his chin onto the summoning circle because the Batclan (any) just dropped into the room.

They did notice however when the summoning circle started glowing beneath them however.

And none of the cultists had time to finish the summoning chant.

Meaning the summoning circle was not under their control.

And before any of them could do anything, they are all ripped away from the Mortal Realm and everyone, Damian, his class, the cultists, and the Batfam in the room are pulled into the Infinite Realms.

They are no longer in the warehouse they were about to be sacrificed in but in a throne room. Surrounded by glowing floating people and some don't even look human.

And sitting on the throne was a teenager with a shoulder wrapped cape made of stars and galaxies, a crown of ice, stars, and aurora borealis lights shifting in between them, about Damian's age, with white hair and glowing green eyes who looked rather shocked.

The reason? Both him and Damian shared the same face.

-x-x-

Danny was annoyed as heck.

Ever since his crowning it was like every magic user from legendary to mediocre got a notice that a new Infinite Realms King had been crowned and that gave them the go ahead and try to freaking Summon him!

Luckily refusing a summons was well within Danny's Ghost King rights, he's King now he does what he wants (Sam's wise words), and the only summonings Danny answered were his friends and family (Dani is such a troll with it though, butttttt it does get him out of those annoying meetings sometimes and they get to hang out wherever she decided to stop at), sometimes he'd answer the odd teenage morons just to scare them (it's always fun)

Although there were a few summonings outside of that, that he had answered. Thankfully he could sense what kind of summoner was summoning him and intent was always a huge thing. And those that didn't feel like insane fruitloops well... Danny's curiosity often took over.

So imagine his annoyance when he felt another summon happening in the middle of a meeting with his council. But also imagine his surprise when the normally tight demands on the summoning wasn't there...

That meant...

Oh Danny was going to have a lot of fun with this.

This meant they summoning but don't have control on which way the summoning was going to go. Meaning, Danny could reverse summon them to him instead.

With a wide grin he instantly waved his hand and the meeting room shifted to his throne room, might as well pull out all the stops and play the "Big Bag Ghost King"

He could see his council (and good friends and allies) raise their eyebrows at him or tilt their heads but could also sense the attempted summonings power of him and knew he had something planned.

With a short laugh, Danny raised his hand, grasped on the invisible summoning line, and pulled.

Now he was expecting a good amount of people, the summoning felt large so that normally meant cultists but he was expecting so many! Heck some looked to be teenagers his age, and a few oddly dressed people besides the cultists! Oh boy did that mean sacrifices?! Well he'll be happy to put those cultists in their place if that was the case.

But first, find the summoner. Separate them from the group and -

Oh... why... why does he have Danny's face?!

Danny took a quick look at the normally invisible to everyone but him Summoning line and almost choked when he saw it was a sibling line, a blood sibling line.

[aprilblossomgirl]

Q said there is a sad puppy here, so that’s why we came.

We Are (2024) | Ep.13

[hamable]

Ify using his DM minute to save Barsimmeon, summon more APS, successfully launch his car to land on the airborne White House, and unquestionably win the NSBU kill count competition by killing 10% of the world’s population (it’s okay they were all white supremacist super soldiers) managed to be simultaneously the exact brand of insanity that giving a PC full power would entail, while also all being satisfactory, story relevant, and tonally appropriate and I think Ify keeps proving he should DM a season in The future

More on Ify’s skills as a storyteller in the tags⬇️

[cirusthecitrus]

Thinking about the portal incident again How it was never explained what caused the portal to appear, was Light Hope involved, was it someone else or was it wild magic. Was it planned or was it a pure random and luck How it saved Hordak from certain death. How it saved him from Prime How it appeared at the right place at the very right time. And had this happened a day late or anywhere else on the front lines, he most likely wouldn't have survived

How in that moment on the battlegrounds Hordak probably no longer believed he could be saved and just accepted his fate

How he might've as well been mere weeks/days old and his life could've ended before it even began. And he was ready to accept it

How in his mind he might have thought he was dying. And how confused and defeated he must have felt once he realized that he was still alive. That this portal did not kill him, but rather took away his chance at doing something "right", the last chance at pleasing his god. How he might've saw himself as an even bigger failure, because he couldn't even die right

How this sudden brutal separation from Prime and the Hive Mind was necessary and, in retrospect, was the best thing to ever happen to Hordak. How by physically cutting all the ties he had to the Horde and the known universe, some random portal did more to protect Hordak than most people in his life ever did

How Hordak himself viewed his situation not as a miracle but as fate worse than death. How at first he only felt immense pain, fear and grief, like a very young child whom was forcebly taken away from their abusive family. How he did not understand that it was good for him and only wished to return home and see his brother again. How Hordak wasted years of his life trying to find him. How his indoctrination, loyalty and love were stronger even than such powerful magic/technology

How Hordak had no idea what to do with himself at first, for he never thought he would've lasted this long. For he was not meant to live that long. And yet, he no longer welcomed death and once again found will to live. He did not let himself give up this time

How he's been looking for a portal home, hoping that one day it's going to appear again. How eventually, tired of waiting, he decided to create a portal of his own. How it became his life's work

How it was a portal that sent Adora to Etheria, someone who will one day free Hordak and the entire universe from Prime. How, if he wasn't waiting for another portal this entire time, no one would've come for her and Adora could've died on that field. But Hordak was there, and (as best as he could) he took care of someone who ended up in the same situation he was in

How it was a portal that brought Hordak to Etheria, and into Entrapta's lonely life. How they would've never met each other if it wasnt for that incident

How it was a portal that invited Entrapta into his life and helped him connect with a person who will forever change his life. How it was a portal that became a catalist for their friendship (and love)

How the "natural" portal that sent Hordak to Etheria can represent real connections and the painful process of growth and change (seeing new places, meeting new people, trying new things, distancing from harmful enviroment, learning independence, being responsible for oneself and others)

How the "artificial" portal Hordak created himself can represent desire to return to this false safety of the past, where everything was simple and familiar, as well as his desperate wish to rebuild his connection with Prime. A connection that was never there. How it was falling apart from the start, how at first Entrapta was so eager to help her friend succeed, but eventually realized that the portal was dangerous. How in the end it only hurt Hordak and everyone around him

How the portal that appeared "naturally" gave him not what he wanted, but what he needed. A safe place, people who understand him, a chance at better life, his personhood. How, after the "artificial" portal gave him something he thought he wanted, Hordak went back to square one. How, in reality, it only took everything from him

Portals, man...

[fictionadventurer]

I have a germ of a theory that good Christian fiction has stories that are less about shaving down your personality to meet some specific mold of what a good Christian looks like, and more about "how gloriously different are all the saints."

Not that the Christian life doesn't involve fighting against our own sinful nature and conforming ourselves to Christ-like behavior, but I think it makes for better, more realistic, and more universal stories when you also recognize that people have different gifts and flaws and they're going to be called to use their unique personalities to serve the kingdom of God in their own unique way, instead of assuming everyone has to conform themselves to a very specific (often secular-culturally based) image of good behavior. It makes for a much more vibrant story.

[front-facing-pokemon]

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[ask-the-druggieverse]

How does swap deal with the fatigue? And the heart problems? Is there anything that helps??

- ALT - There's not much I can do but I try to be well rested and I also try to reduce less stress! (Dream helps me with that)

Science assigned me a diet for less sodium and just basically eat healthy. I also have bi-weekly check ups with Doc and get heart meds from Sci

I also live with Ink, Dream, and Error just in case anything happens to me (my uh... my AU I don't really ent- ... nevermind)

INK: We pirated cussing hotel

Ink and Error... aren't really in good condition to help me but at least they don't encourage me to re-lapse (their cooking is really good tho)

SWAP: That's uh... pretty much all I can do SWAP: I kinda fucked myself over with... edibles...

- IDK - Fuck it I'm just using regular font cuz chat font is being difficult with me, also HI SORRY FOR NOT UPDATEING IN A FEW DAYS!!! I recently just got two new guinea pigs and I'm trying to have all of my piggies get along! (uh... it's gonna take a long time because Butters/Pig HATES them... (it's slow progress! she's getting used to Reese right now :3))

MAIN: @inkyu

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[ssruis]

Saw someone say it wasn’t realistic that rui is now liked by more people & he should have to experience more social rejection and be fine with it for an arc because it’s “not realistic” & (extremely loud incorrect buzzer) uh oh! looks like someone failed their rui kamishiro classes.

A lot of Rui’s issues with connecting with others/being disliked by his peers had to do with people just not understanding him - assuming he was dangerous, that he was willing to put people in harms way, that he was just a crazy director. There was a massive gap in maturity, of course - if you put a super genius (autism coded) child in a group with average kids, he’s going to stick out. RMD shows this pretty clearly. He attempted to reach out through using shows as a common ground, which didn’t work.

Now that he’s in high school, and his peers are more mature, those who actually speak to him and spend time with him are able to recognize that he’s actually a good guy. Look at his relationship with Akito if you need an example. Additionally, through tsukasa & wxs Rui was able to realize he could connect to people outside of shows and he stopped acting very… indifferent to everyone around him, which also helped with making friends. The pandemonium crew were a special case because they all thought Rui’s knowledge/inventions/etc were cool from the get go, but other students… did not share that opinion. And still don’t.

There are a lot of examples I could bring up, but the 2nd card story in Rui’s “Brand New Style” 2* (TL Haruka’s penguins) is one of the best:

2nd year (greening) committee member A: Well, I’m still attached to the plants I took care of, so I thought I’d take care of them until I graduate.

3rd year committee member A: That’s understandable. Besides… ever since Kamishiro-kun joined us, it’s been much easier to take care of them.

2nd year committee member B: True, the flowerbeds aren’t getting vandalized anymore!

Rui: I don’t think I’ve really done much… but I’m honored to hear you say something like that.

3rd year committee member B: Yeah, I’m really looking forward to working with you again this year, Kamishiro!

Rui: (The atmosphere of this committee has changed a lot.)

Rui: (When I first joined, the looks everyone gave me weren’t exactly ones of “welcoming.”)

Rui: (Now, though, I seem to have gained their understanding. I’m grateful.)

Rui: (But…)

1st year committee members: Hey, isn’t that the senpai we heard those rumors about? The one from the weirdo one-two finish…

1st year committee members: That problem child who flies drones and conducts dangerous experiments in school? Why does he have to be in the Greening Committee…? I thought it was meant to be a peaceful committee…

Rui: (… Well, I suppose it can’t be helped.)

[rui is asked to be the one to explain greening committee’s responsibilities to the new 1st year members]

Rui: Would everyone please follow me?

1st year committee members: O… okay…

[scene change to outside]

1st year committee members: I never thought I’d end up getting involved with the senpai from the rumors like this…

1st year committee members: My friend’s older brother said to stay away from him because he’s supposed to be dangerous…

Rui: We��re here.

1st year committee members: O-okay!

Rui: All the flowerbeds facing this schoolyard are managed by the greening committee.

Rui: We’re in charge of daily watering duty, but we also work with the soil and plant new flowers during committee time.

Rui: The seeds for the flowers over there were planted a few months ago by the committee members. I’m glad to see the buds have finally sprouted.

1st year committee members: Hmm, you’ve been growing them from seeds, these flowers —

Rui: Ah, please be careful when you go to touch the flowers. It’s difficult to see, but there’s a net in front of the flowerbed.

1st year committee members: Woah, there is…! I didn’t notice at all, but there’s a net of threads like a spider web…!

1st year committee members: But what’s the purpose of that?

Rui: This flowerbed is positioned in quite a precarious place.

Rui: The flowers planted here were often crushed by stray balls from the tennis and softball clubs.

Rui: In order to protect the flowers from such accidents… but also to avoid spoiling the scenery, an almost invisible defense net was made.

1st year committee members: “Was made”… Did you make it, Kamishiro-senpai?

Rui: I did. I felt sorry for the flowers, you see.

1st year committee members: … Someone who’s known for dangerous experiments is working with the flowers…

Rui: … Oh dear. This flower seems to have withered.

1st year committee members: Ah… If it’s withered that much, I doubt it’ll grow anymore. You’ll be wasting the nutrients of other flowers, so it’s better to thin out—

Rui: … No.

Rui: I’ll put this flower in another planter and take care of it.

Rui: When it’s recovered, I’ll return it to this flowerbed. It should be together with everyone else, after all.

1st year committee members: Kamishiro-senpai…

1st year committee members: … I will do my best as a greening committee member.

1st year committee members: Senpai, please teach me a lot!

I think this card story is a microcosm of how he started to be more accepted at school - 1st years are scared of him, then they spend time with him and realize he’s not Some Insane Dangerous Monster but instead a nice guy (… when he’s not being a freak), and are like “oh ok he’s not a bad person we accept him.” Crucially: there are still other students who don’t accept him. & Rui has never really had an issue brushing this off, even if it’s obviously not something he enjoys experiencing.

I could talk at length on how I think this is actually a pretty realistic portrayal of what it’s like when you go from being really misunderstood (and therefore unliked) as a kid and then have an easier time making friends when you’re older, but I don’t think that’s necessary. I will say that I think if pjsk elected to instead constantly hammer in the fact that some people still don’t like rui it would kind of run against the story’s message of improving your life. We don’t need to dwell on sad things constantly in the Hopeful Hatsune Miku Game. But whatever ¯\_(ツ)_/¯.

The thread also mentioned that Rui should have been more upset in BLF over not immediately succeeding, which I don’t have as much to say about beyond. No? It shouldn’t have? Why would it? Rui himself acknowledges that he’s not as well versed in the world of movie directing, and he’s always been eager to learn, which is a sign that he knows there are gaps in his knowledge. Similar to the rest of WxS, setbacks regarding his passions are something he views as an opportunity to improve.

Also. Rui *has* failed before as a director, just not on a massive scale. He mentions regretting type casting Tsukasa up until the torpe show, he mentions being at a loss for how to help Tsukasa in Phoenix, he talks about how his lack of singing knowledge was detrimental to Nene’s growth. I agree that it would be interesting to see him struggle in a big way with directing specifically, but it’s just not true that he’s never failed at anything ever wrt directing.

[youthofpandas]

I keep coming back to how in Hell Screen when Yoshihide is torturing his apprentices for reference material, that he uses a snake and then a bird, and the two animals eventually attack each other and vanish after escaping the room. Two very Sinclair coded animals... Given Sinclair's already established understanding of Ryoshu + the fact in Demian he is, of course, also an artist even if that aspect of his character has yet to be shown in Limbus, I just really like to imagine in Ryoshu's canto we might get a former apprentice character who she had mistreated before and has now grown up to hate her and consider her an enemy and that Sinclair will get an Identity based off of them...

Relevant passages below for anyone who hasn't read Hell Screen or wants to look at them again.

[iwritenarrativesandstuff]

I wanted to give my own quick interpretation of the scene where Atsushi... imagines? hallucinates? all those people while conflicted over what to do in the most recent chapter, because idk I haven't seen people talk about it that much?

See, the whole conflict with Atsushi in this arc is that he's replaced the constant demeaning of the orphanage director in his head with encouragement from his mentor, and he can control the tiger, and he supports the people around him... but Kunikida makes a point of saying (before everything went to shit) that while Atsushi's tiger is strong, he himself is still weak.

I don't think this has to do with Atsushi's character per se. I think it more so has to do with his still very simplistic views on people or the world - things are very black and white, good or bad. And when faced with a problem without a simple solution, Atsushi's unfortunate tendency is still to freeze up. This is not surprising - he may be 18, but he's a very... how do I put this... a very young 18. He hasn't had anyone teach him these things or guide him. He very much craves support and encouragement from others. He likely also didn't see much of the world outside the orphanage before he was kicked out either. And let's not forget how absolutely shot his self-esteem is. The fact that Atsushi functions and believes in the best in people as well as he does is testament to how kind-hearted and resilient of a person he is.

But here's the problem: Atsushi's self-confidence hasn't done much developing.

What Atsushi has learned throughout the story is how incredible the Agency as a whole is, and as he grows to learn and care about them and realize that he has been given a place to belong, he grows to support them in turn; pulls his weight in a number of increasingly badass ways (he caught a bullet with his teeth. GODDAMN). But all that confidence goes away the moment he is left alone. Atsushi has confidence in his own strength in a group - and only in a group.

Unfortunately, the Agency, though I believe well-intentioned, kind of enables this mentality in him. We see Ranpo, Kunikida and Kyouka in turn, who echo things they have said and would say to this situation.

"Don't you even know that?" Ranpo would ask this, rhetorically, and then solve it himself. Atsushi would not have time to come up with an answer of his own.

"Failure is unacceptable." Kunikida would say this and then act, no matter what. Atsushi would be left to follow what he does.

"You don't have to do anything." Kyouka would protect him. Atsushi wouldn't have to do anything because she would grab his arm and take over from there.

See what's happening here? These are no longer demeaning words from the headmaster (in fact, I want to reiterate that I believe they are all well-intentioned), but they still insinuate that Atsushi is incapable on his own. And indeed it's interesting that Atsushi sees these "visions" of Dazai guiding him all throughout the hunting dogs, sky casino and decay of angels arcs. I, for one, think this is just Atsushi's imagination and not a real vision (unless we get some evidence to the contrary in the future) but for now, it implies that Atsushi's self-confidence is still so abysmal that he has to imagine someone giving him advice and advising him on what to do - instead of being able to consciously admit these ideas are his own.

And then Fitzgerald shows up - "No one expects anything from you." Looming over him, a symbol of power and status over the panicked, conflicted form of a boy who feels eternally powerless without support.

And then it gets interesting.

Akutagawa shows up in Atsushi's mind, for the first time in a guiding role, not a demeaning one. And there's a definite reason for this - when Atsushi was all alone, when he admitted to himself he had no idea what to do and was terrified to be left to fight with no one else with him - who showed up?

Akutagawa. Akutagawa, who in spite of everything, fought by his side and was reliable. And the thing is, Akutagawa cannot take over, not in their kind of plans, or they just won't work. They have to work together. They have to be equals. And on some level, I think this part shows Atsushi's realization of the rather surprising amount of trust Akutagawa had to have placed in him - and him alone. I find it rather heartbreaking that Atsushi appears to have just now started to realize this after their plan failed due to a lack of trust (mostly on his side I'd say) and Akutagawa died.

So, Atsushi receives guidance from Akutagawa, and of course, from Dazai, the person he is extremely grateful for as a mentor. They don't tell him what to do. But still, Atsushi is guided into looking - "get out of your head" and moving - "the door is right there - do something about it". These "visions" still spur Atsushi into action, but the action itself? It's Atsushi's alone.

Atsushi still needs to justify his actions by imagining others giving him support, but this is definite progress for him restoring a sense of personal... agency (see what I did there?) within himself.

And yes, his eventual course of action is to find Fukuzawa and have him make the final decision on the matter - but really now, he's just been told something that apparently has Teruko (who I am certain is older than much of the cast and likely a former soldier from the war) drained and tired and seemingly conflicted herself - this isn't really the kind of issue you want to be deciding on all by yourself. Also, admitting you don't know what to do but moving forwards anyways to actively ask for advice or help is very much still making a decision and moving forward. Actively asking someone what they think about a complex situation is very different from being passive while others take control around you.

Atsushi made the decision to walk out that door into uncertainty. And I am convinced he's going to have to pick a course of action anyways - as of right now, Fukuzawa is out of commission, as are Dazai, Akutagawa, Ranpo and Kunikida (we don't know where Kyouka is yet).

It's been a long time coming, but this is serious progress for his character.

[calethescammer]

Just a thought but what if the ancient powers are like a failed version of Cale's story? Just like how tboah is of tcf.

Basically Super Rock is like Cale and they killed the ancient White Star but he lost everyone in the process. And also the way Super Rock behaves saying things like do not sacrifice yourself and that sacrificing yourself isn't right.

Isn't that something Cale might say when he realises how badly his 'selfishness' is affecting his family? Like remember when he said, "I think i finally find my life a bit precious" or something like that. So when he's finally self aware, won't he realise that sacrificing yourself is not right? Just like Super Rock does now.

Also remember how Super Rock left all of his friend's belongings at the villa and Cale after losing everyone (in wind AP test) does the same?

It doesn't change anything, but you know, just a crazy theory.

[thelonelyshore-if]

Folks over on the forum have also asked for a 'god mode' with stat checks that are automatically passed. That one I haven't decided on adding yet, but we'll see.

Since you are also a believer in failure as an opening for a new path and not a punishment. I propose to you: 'trash mode', the opposite of 'god mod', where all of your stat check are automatically failed even if its MCs strong stat. You know, for that extra wet cat energy.

Omg Nonnie. Just, 'MC has a terrible, horrible, no-good, very-bad day', the story. Everything goes wrong forever. The most pathetic meow meow and their inability to win anything, ever. I'm like...kind of fascinated by this idea.

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[susie-dreemurr]

By the way I’ve had this “mha definitely doesn’t have that much planning in long-term and horikoshi just makes it up as he goes, and that creates contradictory story beats like… all the issues with the ‘saving’ villains plot” idea of a post in my head for YEARS PLURAL and um. Does. Does now seem like a good time to write it?

[fictionadventurer]

I don't care if The Last Jedi "ruined your childhood" or "destroyed a beloved character". I'll always defend it because this is the Star Wars movie for scrupulous people.