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Fack Ju Göthe is such an underrated movie series
#fack ju göthe#elyas is so hot hes literally the eye candy in all three movies#like yes go take off your shirt and flex your muscles while you beat up teenagers#also that whole. coke scene in the third movie. yeah#drug mention
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GET TO KNOW ME:TOP 10 MOVIES. list your top 10 favorite movies and tag friends to do the same
Donnie Darko
Fack Ju Göthe 1-3
Skinamarink
Babysitter
They Look Like People
Housebound
Jennifer's Body
Untitled Horror Movie
Clue
What We Do In The Shadows
Tagged by: @morttodea (thanks!) Tagging: @sunnysynergy @curiouscompanions @the-haunted-office @starlight-avenue @networksupported @darkandlightsides @morally-gray-omens
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GET TO KNOW ME: TOP 10 MOVIES.
In no particular order: list your top 10 favorite movies and tag friends to do the same
The Lord of the Rings
Alexander (2004 movie)
Captain America: The Winter Soldier
The Lionking
Pocahontas
Red Sea Diving Resort
10,000 B.C.
Fack ju, Göthe (German movie)
Im Labyrinth des Schweigens (In the Labyrinth of Silence - German movie)
What's your number?
tagged by: @iomadachd
tagging: @somewherebetweenrage, @wcrriorhearts, @dereiserne, @hellceo, @nomanslannd, @storyofwhoiam, @the-mjolnir-owner, @samhlaiocht, @knowseverythingaboutyou
#★ ( ooc )#(I cheated and wrote Lord of the RIngs as the TRILOGY lol)#(but if I have to pick one movie I'd say The Two Towers)#(peak cinema)
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favorite movie?
probably one of the Fack Ju Göthe ones
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[Rezension] Klugscheißer Royale – Thorsten Steffens
Klappentext: Ein rasant-komischer Roman um einen liebeswerten Klugscheißer: Für alle Fans von »Fack ju Göthe« und Tommy Jaud! Timo Seidel ist 28 Jahre alt und führt ein Leben ohne jegliche Ambitionen. Anstatt wie seine Freunde Karriere zu machen, ist er in seinem Studentenjob hängengeblieben. Dementsprechend uninspiriert führt er seine Arbeit aus, so dass er fristlos entlassen wird. Zu allem Überfluss hat seine Freundin Cleo beschlossen, sich von ihm zu trennen. Nun steht er also da: Ohne Freundin, ohne Job, ohne Geld und ohne Perspektive. Aus heiterem Himmel bietet sich ihm jedoch eine außergewöhnliche Offerte: Er bekommt einen befristeten Arbeitsvertrag als Lehrer. Nun ist es also offiziell: Für die kommenden sechs Monate darf Timo staatlich beauftragter Klugscheißer sein. Im öffentlichen Dienst! Vom Staat angeheuert wie James Bond! Quasi 007 Klugscheißer Royale! Schnell muss er allerdings feststellen, dass der Lehrerberuf doch ein wenig schwieriger ist als ursprünglich gedacht… Rezension: Ich hatte letztens eine Nachricht eines Autors auf meinem Blog, der mir sein Buch anbieten wollte. Irgendwie ein wenig schüchtern, fragte er nach und ich dachte, hach ja, irgendwann kann ich das Buch sicherlich einschieben. Also schrieb ich, dass es dauern könnte, bis ich das Buch lesen kann. Das der Moment diesmal wesentlich früher kam wie erwartet, lag daran, dass ich ein lustiges Buch zum Entspannen gesucht habe - einfach mal so für zwischendurch. Man lernt Timo Seidel kennen, der in einem Callcenter arbeitet und dessen Zunge vielleicht ein wenig zu spitz ist. Er macht diesen Job schon fünf Jahre lang und wird dann doch fristlos gefeuert - eben wegen dieser etwas zu spitzen Zunge, da seine Gespräche aufgezeichnet werden und er deswegen schon genug Abmahnungen erhalten hat. Dass in dem Moment auch noch seine Freundin mit ihm Schluss macht und aus der gemeinsamen Wohnung auszieht, geschenkt. Es ist leider auch in der Realität immer wieder genau so, dass wenn was Negatives passiert es einfach weiter geht. Klar, dass das erste Aufeinandertreffen bei Freunden mit besagter Ex-Freundin echt schwierig ist, vor allem dann, wenn diese Ex auch schon einen neuen Partner hat und dieser beim Essen unter Freunden mit dabei ist. Dass dies eine schwierige, für Außenstehende vielleicht lustige, Situation sein kann, kann wohl jeder nachvollziehen. Dann erhält er auch noch ein Jobangebot als Aushilfslehrer in einer Abendschule und kommt in eine Schule, wo nur Frauen arbeiten. Dass dort ein Gezicke der besonderen Art stattfindet, kenne ich aus dem Einzelhandel aus Abteilungen mit einem ebensolchen hohen Frauenanteil. Ein Paar Männer im Unternehmen können da wirklich als Katalysator dienen und das Betriebsklima verbessern. Warum dies so ist, keine Ahnung, ich habe es nur schon oft selbst miterlebt. Deswegen habe ich bestimmte Situationen leider schon selbst miterlebt habe, zwar in einem anderen Umfang wie Timo, aber immerhin. Frau Penner, die Chefin von Timo, ist in meinen Augen einfach klasse, da sie immer wieder versucht gute Laune zu verbreiten, aber Timo auch mal einen anderen Blick auf gewisse Dinge werfen lässt. Da ist z.B. der Ausflug zu einer Lesung mit Alice Schwarzer, auch da deckt sich meine Erfahrung mit dem was im Buch steht. Autoren, egal wer, sind meistens wesentlich unkomplizierter als man im ersten Moment denkt, weswegen man immer wieder mal auf eine Lesung gehen und sich ein Bild von diesen Menschen machen sollte. Klasse finde ich, dass man die Frage, was will uns der Autor damit sagen, nicht mehr im Unterricht stellt. Das kann niemand wirklich wissen und jeder interpretiert etwas anderes. Solange es der Autor nicht kommentiert, gibt es kein richtig oder falsch. Goethe und Schiller mögen sich zwar so manches Mal im Grab rumdrehen, aber sie können nichts mehr dazu sagen. Mir persönlich hat der Autor vieles gesagt und mir auch den Spiegel vors Gesicht gehalten. Immer wieder mit einer Prise Humor, aber auch immer wieder etwas zum Nachdenken. Für mich ein Roman, der mir viel gegeben hat und der mich sehr gut unterhalten hat, zumal die Begriffserklärungen zwischendurch immer wieder klasse waren und ich mich über diese Klugscheißereien immer wieder sehr gefreut habe. „Klugscheißer Royale“ ist in meinen Augen ein Roman, der ernste Themen in einem lustigen Buch verbindet. Welche Themen noch so angeschnitten werden, sollte man selbst untersuchen, dieses Buch einfach lesen und sich gut unterhalten lassen. Titel: Klugscheißer RoyaleAutorin: Steffens, ThorstenBand: 1ISBN: 9783492501651Verlag: Piper VerlagPreis: 12,99 €Erscheinungsdatum: 1. August 2018 Bei unseren Partnern bestellen: Bei Yourbook.shop bestellen. Bei Genialokal.de bestellen. Bei Hugendubel.de bestellen. Bei Thalia.de bestellen. Die Buchhandlung Freiheitsplatz.de unterstützen! Die Büchergilde FFM unterstützen! Lesen Sie den ganzen Artikel
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German here.
The whole Germany = Bavaria thing is so insanely reductive, it's starting to really get on my nerves that it tends to be the only thing that's ever shown as "German". Germany is huge and varied and the Holy Roman Empire discourse only touches on a small part of that.
All of the stuff mentioned in the post is technically German, but it's just a tiny sliver, and in case of the music and literature, it's all very... high-brow, I suppose? If you asked someone here about what's the most popular and/or intrinsically German type of music, they would mention classic composers maybe at some point, but certainly not first. They'd mention Schlager, or its distant cousin Partyschlager (there is no translated version for this one, use Google translate at your leisure). They might say Neue Deutsche Welle or Punkrock (represented in mainstream by bands like Die Ärtzte or Die Toten Hosen) or Deutschrap. German mainstream music is incredibly Amerinacised these days, but we do still have our own pop music that isn't derived from whatever washes up here from overseas.
For literature, you can pick from a variety of genres. If your guy is into genre literature, they might read Wolfgang Hohlbein, Andreas Eschbach, Frank Schätzing, Markus Heitz, Cornelia Funke, Michael Ende, Walter Moers, Iny Loretz, Mark-Uwe Kling, Charlotte Link...
For classic German literature that isn't just Schiller and Goethe, you could go for Erich Maria Remarque, Max Frisch (who is Swiss but well-known in Germany), Wilhelm Busch, Erich Kästner or the brothers Grimm (those last three if the character wants to read stories to their children), Karl May (obligatory "beware of 19th century racism" warning), or Hermann Hesse.
If the character is more into film and TV, they might have heard about Lindenstraße, Gute Zeiten, Schlechte Zeiten, and Tatort (for TV, though Tatort is technically a long-ass series of made-for-TV films), or Der Schuh des Manitu (another "beware of early 2000s racism" thing, but there is context here that relies on knowing Karl May films, which is what Manitu is satirising in the vein of Men in Tights and Blazing Saddles), the Fack ju Göthe series, or Lola rennt (for modern films). There's also more classic films like Das Boot, Schulmädchen-Report (this is erotica, so heads up), Nosferatu, or Metropolis. If the character is queer, they might be really into the works of Rosa von Praunheim.
Food is super varied and more than just Bratwurst and Schnitzel. Comfort food might be a good choice for a character trying to reconnect. There's Currywurst, which is eaten just about everywhere but especially popular in Berlin and the Ruhrgebiet. In the north, you'll find a variety of fish sandwiches. There are potato pancakes with appe sauce or sour cream, and apple pancakes with cinnamon and sugar. If you want to get fancy, you could make a roast with potatoes and gravy, and Kaisergemüse (a veggie mix usually made up of broccoli, cauliflower, carrots, and sometimes green beans, usually seasoned with salt, pepper, butter and parsley/chives).
The nature is also not just the Alps. Where I live, everything is vineyards. You can't go anywhere without having one within sight of you. Probably also within walking distance, because we love our walks. It's a joke one of my friends makes, when I say I'm going for a walk she'll be like "okay, see you tomorrow". And yes, my walks go through the vineyards.
There's the loops and valleys and gorges of our biggest rivers, the Rhine, the Moselle, the Elbe. All wildly different sights and biomes. We have big, dense forests. The Mecklenburger Seenplatte. The North Sea coast and islands. Saxon Switzerland, which is beautiful and great for hiking, and this famous painting was inspired by it. Hell, we even technically have a desert that's like five square kilometres.
Lastly, Christmas markets are just a general thing. It's not actively religious in nature (it is heavily connected to Christmas as a religious event, but the market itself is far more commercial than spiritual). You go shop for arts and crafts, eat fast food (yes, Bratwurst and potato pancakes are huge here, but so are dishes with fried or sauteed mushrooms as well as things like churros and crêpes), and drink punch or mulled wine. There's also often at least one roundabout, maybe some puppet theatre, too, for the kids. It's a fair with a Christmas paint job more than anything.
Speaking of fairs (so this is the last thing), this is also a really big thing here. Volksfeste are everywhere, big or small or anything in between. You have the really big ones, like the Munich Oktoberfest or the Kreuznacher Jahrmarkt, but also small ones in almost every smaller town (those would be called Kirmes or regionally in the south-west Kerb, usually). They're pretty similar to Christmas markets, but often without the religious aspect (sometimes they do have that because that's what many of them originated from, but for most the religious character was dropped entirely in favour of very worldly carousing). They also have food stalls, fairground games, roundabouts, bumper cars... They're big, open-air parties for all ages, and usually last two to five days over a weekend. This would be something that a character might seek out, combined with specific foods like Bratwurst, to get an impression of what a Volksfest is like.
...man, that got out of hand. Anyway, I hope that helps and expands the picture a little beyond Oktoberfest and Lederhosen^^
Belated edit: I almost forgot! Fasnacht! (Also German article because it's way better, again, use Google translate as necessary.) It originates in Christianity like a lot of traditions, but has shed many of its trappings over the years in favour of partying and political satire. It happens around lent, and usually consists of float parades where candy is thrown into the crowd with abandon (a tasty remnant of the religious origins, last time to stuff your face with sugar before lent), costume parties with music and speeches, and so called "Sitzungen", where you also dress up but don't go all-out, and the programme is usually speeches and skits satirising politics, rather than outright partying. A character might host their own Fasnacht party with costumes and candy for this one. They might play Partyschlager and eat Berliner at this party, as well as throw confetti and paper streamers, because those are everywhere and a pain in the ass to clean, but very fun. If they're more mischievous and don't mind getting into trouble, they might honour the tradition of Weiberfasnacht (women's carnival), which happens on a Thursday and where women go around with scissors cutting men's neck ties. The men usually wear old ties, or ones they bought specifically for this purpose, rather than their usual ones.
Characters reconnecting with their ancestral cultures in an interplanetary setting
@pixiedustandpetrichor asked:
Hi! I am writing a novel with three main female characters in an interplanetary setting. They grow up as orphans in an Irish-coded country and as children are mostly exposed to solely that culture, but they leave after becoming adults. Character A is Tuareg-coded, B Mongolian-coded, and C is Germanic-coded. It isn’t central to the story, but I would like them to get in touch with/learn more about their ancestral cultures, especially in terms of religion. A does this by actually visiting the planet her parents came from, but B and C do not. What can I do to depict their relationships with said cultures and their journey to reconnect with them? Would it be realistic for each of them to have different mixed feelings about participating in these cultures and for them to retain some sense of belonging to the culture they grew up in as well? Thank you for your time.
Hello, asker! WWC doesn’t have Tuareg or Mongol mods at the moment, so we're not able to speak to the specifics of cultural and religious reconnection for these particular groups. Still, I want to take this opportunity to provide some general context and elements to consider when writing Tuareg-coded characters, or other characters from groups that have experienced colonization in the real world. My fellow mods will then share thoughts about cultural reconnection in general and with respect to Germanic heritage in particular.
Drawing inspiration from groups that have experienced colonization
As you’re probably aware, the Tuareg are an ethnic group indigenous to North Africa. As with many indigenous groups, they have experienced colonization multiple times over the course of their history. Colonization often leads to the loss or erasure of certain aspects of culture as the colonized people are pressured to conform to the culture of the dominant group. In many cases, it’s near impossible to say what the ancestral culture of a colonized group was prior to colonization.
When coding a fictional culture based on a group that was colonized in the real world, it's important to ask questions about:
Which aspects of culture you're portraying
Where these aspects come from
Whether you're ready to tackle their implications for the world you're building
It’s not necessarily wrong to use elements of coding that draw from cultural aspects influenced by colonization. As I said, it can be very difficult, even impossible, to portray a “pure” culture as it would have been had colonization not occurred–because we simply can’t know what that alternate history would look like, and because so much has been lost or intentionally suppressed that the gaps in our knowledge are too wide to breach. But it’s important to be aware of where these cultural elements are coming from.
Where is your coding coming from and what are the implications?
For example, while the Tuareg today are majoritarily Muslim, this was not the case prior to the Arab conquest of North Africa. Some elements of Tuareg culture today, such as tea ceremonies, are derived from the influence of Arab and Muslim culture and likely did not exist prior to the 20th century. As you’re developing the culture of the Tuareg-coded group in your fictional setting, you have to decide whether to include these elements. There is no right answer–it will depend on what you’re trying to do and why.
Is your setting in our far future, in which case we can assume your Tuareg-coded group is distantly related to today’s Tuareg?
In that case, they will probably have kept many cultural aspects their ancestors acquired through their interactions with other cultures around them–including cultural groups that colonized them. They may–let’s build hopeful worlds!–have reclaimed aspects of their ancestral culture they’d been forced to abandon due to colonization. They may also have acquired new aspects of culture over time. This can be very fun to explore if you have the time and space to do so.
I would recommend speaking with Tuareg people to get a better grasp of how they see their culture evolving over the next however many centuries or millennia, what they wish to see and what seems realistic to them.
Alternatively, maybe your setting is a secondary world unrelated to ours and you only want to draw inspiration from the real-world Tuareg, not represent them exactly. In that case, you need to decide which period of history you’re drawing from, as Tuareg culture is different today from what it was 50 years ago, and different still from 200 years ago or 1000 years ago. You’ll need to research the historical period you’re choosing in order to figure out what was happening at that time and what the cultural influences were. If it’s pre-colonial, you’ll probably want to avoid including cultural elements influenced by colonization from groups that arrived later on.
Finally, if the time period you’re drawing from is post-colonial:
Are you planning to account for the effects of colonization on Tuareg culture?
Will you have an in-world equivalent for the colonization that occurred in real life?
For example, will the Tuareg-coded characters in your world be from a nomadic culture that was forced to become sedentary over the years and lost much of their traditions due to colonial pressure to conform?
Where did this pressure come from in your world–is it different from what happened in ours? If so, how different? And what are the consequences?
Writing about colonization can be quite the baggage to bring into a fictional setting. I’m not saying it can’t be done, but it will certainly require sensitivity and care in portraying it.
In summary: think it through
I’m not saying all this to discourage you, but to point out some of the considerations at play when drawing inspiration from a real-life culture that has experienced colonization. Similar challenges arise for coding based on any other indigenous group in the world.
My advice to you, then, is to first sit down and decide where and when in history your coding is coming from, and what you’re trying to achieve with it. This will help you figure out:
which elements of contemporary Tuareg culture are pertinent to include
How much your coding will be influenced by the Tuareg’s real-life history
To what extent that will inform the rest of the world you’re creating
This, in turn, may help in deciding how to portray your character’s reconnection journey.
Again, I am not Tuareg and this is by no means meant to be an exhaustive list of considerations for writing Tuareg-coded characters, only a few places to start.
If any Tuareg or Amazigh readers would like to chime in with suggestions of their own, please do. As always, please make sure your comments adhere to the WWC code of conduct.
- Niki
Pulling from diaspora and TRA narratives of cultural reconnection
Marika here: This ask plotline could also pull directly from diaspora and TRA narratives of cultural reconnection. Many diaspora and TRA cultural reconnection stories are, in effect, about navigating the difficult process of resuscitating, or renewing ties to culture using limited resources in environments that often lack necessary cultural infrastructure or scaffolding.
See this question here to the Japanese team for suggestions of how to handle such a storyline in a similar sci-fi setting.
More reading: Japanese-coded girl from future
-Marika
Reconnecting with German heritage
Hi, it’s Shira. I’m not sure whether German-Jewish counts as Germanic for the purposes of your post but since German Jews were more assimilated than other Ashkies, Germanness does feel real and relevant to my life (especially because my father worked there for approximately the last decade of his life.) NOTE: when I see “Germanic” vs German I think of cultures from 1500 years ago, not 100-200 years ago, so I can’t help you there, but I’d be surprised as a reader if a character focused on that for reconnection to the exclusion of the 19th century etc.
People in the United States specifically, reconnecting with German heritage, often lean into Bayerischer/Bavarian kitsch, I’ve noticed. Personally, though, what I find most relevant is:
1. The food (although I’ve come to learn that what I grew up eating was closer to veal/chicken scallopini than actual schnitzel because it was drenched in lemon, but I do like the other foods like the potato salad and sweet and sour red cabbage etc.) Your character could try making one of these “ancestral” foods as a way to reconnect?
2. The classical music, because I’m a second generation professional musician – if character C plays an instrument, leaning into that might be meaningful (Beethoven, Bach, Brahms, Mendelssohn, Clara Schumann and her husband Robert, etc.)
3. The nature, especially specifics that I enjoyed during my time there – personally, I loved the bright pink flowers all over the chestnut trees, but there are a lot of choices especially because of the Alps. If C is an artist maybe they can sketch something Germany-related from old photographs they found on the Space Internet?
I think it is VERY realistic for the characters to remain connected to the culture in which they were raised, by the way, whether or not they have positive feelings about it. Culture isn’t an inherited trait. Sure, if they want to completely walk away, they can, but I bet there are still ways it will creep back in without them realizing it simply because it’s really hard to have universal knowledge of the origins of all our quirks. Plus, not everyone feels alienated from their raised-culture just because they’re genetically something else.
P.S. There is also Oktoberfest, which I don’t really get into but is a thing, and beer, which is another point of German cultural pride.
German gentiles, weigh in – y’all have your own stuff, I know! OH YEAH so for German Christians, Christmas “markets” are a whole thing. That’s worth looking up.
–S
What do you mean by Germanic?
Hello it’s Sci! I had to study German history for my historical fantasy novel set in the late 18th century Holy Roman Empire. I am not sure what is meant by Germanic as that can encompass a variety of things.
Germanic people: from the Classical Period of Roman Empire and early Middle Ages. Similar to Mod Shira, I unfortunately can’t help very much here.
The Germanosphere: regions that spoke German, which includes modern day Germany, Austria/Hungary, Switzerland, Lichtenstein, Belgium, and Luxembourg. I generally define this as the regions captured in the Hapsburg Empire along with Switzerland usually encompassing “Central Europe.”
Modern German national identity (i.e. German): post Napoleon and the Congress of Vienna (> 1815) only including the territory of modern day Germany.*
I ask this because modern German national identity is surprisingly recent since Germany only popped up in 1871 under Otto von Bismarck. Previously, Germany was divided into smaller states and city states as a very decentralized region under the German Confederation and before that, the Holy Roman Empire. Depending on the era, you can see different conflicts and divides. During the early days of the Protestant Reformation started by Martin Luther, the northern and southern German territories generally split along Protestant-Catholic lines. The 18th century saw Austria and Prussia as the foci of global power who warred against each other even though both were part of the Holy Roman Empire.
Other states and city-states like Baden-Wurttemberg or Saxony sometimes had power but it was typically more localized compared to Austria. Post-WW2, you saw the split of Germany into West Germany run under capitalism and East Germany run under communism as a satellite Soviet state leading to more modern cultural divides. Due to heavy decentralization historically, each region had its own character with religious and cultural divides.
Assuming that the Germanic character is not from the classical period or early Middle Ages but not from the 19th century either, you can include your character reconnecting to classical folklore like that of Krampus (if they’re Christian), German literature and music like the works of Johann Wolfgang von Goethe or Mozart, or German philosophy like Immanuel Kant.
*A major wrinkle: German royals and nobility married into other states and nations frequently with Britain and Russia being notable examples. In Britain, the House of Hanover took over after the Stuart House died without clear direct heirs. When Queen Victoria married the German prince Albert, they celebrated Christmas with a tree and brought the German tradition of a Christmas tree to Britain and the British Empire. Only during World War I did the royal family’s house of Hanover name change from House of Saxe-Coburg and Gotha to the more “English-sounding” Windsor. As a result, the German cultural influence may be even more widespread than we think.
However, without more specific descriptors of what Germanic means in the context of your story, it can be difficult to determine which aspects of German culture your character could reconnect to.
-Mod Sci
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hii zadie💓 kinda random, but i’ve decided to continue my german classes to get a higher degree and i think that a helpful way to do it is through watching german content (at least that’s what helped me become fluent in english),,
i think you mentioned before that you live in germany (i hope i’m not mistaken lmao😭), could you maybe recommend me some good tv series/movies or even youtubers?? (anything but gaming pls🙏🏼)
thank youu💗 -natalia xx
hi baby! sorry for my late reply!!! so exciting to hear about your plans!!! honestly ive stopped watching german YT videos in 2014 BUT i could deffo recommend you my boys jay and arya! they do movie/tv show related content like fun facts etc and theyre literally so so so funny!!! movies i rec are fack ju göthe, rheingold and wilde kräuter!
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The Risen Empire Faceclaim / Fancast
(mostly because I need it for drawing, but also because doing these is such fun)
Mary Chieffo - Rix Warrioress h_rd
An absolute no-brainer. Not just is she very tall and has quite the broad shoulders and is relatively buff (though not super soldier level buff for obvious reasons) and fits the physical description just perfect otherwise, playing L'Rell in Star Trek Discovery showed that she can both play brutal and very alien and also vulnerable and out of her depth at the same time. And in "Every Morning" she showed that she can play sapphic romances - she also is openly queer in real life
Irene Böhm - Militiaman Rana Harter
If this was a real cast Rana would need to be played by someone actually neurodivergent, but since this is just some thought experiment...
Böhm, a German actress, became famous by playing tribute Lamina in "The Ballad of Songbirds and Snakes". Though not being a big role, she gave her depth and dignity and vulnerability. I mostly chose her because with her red hair and her features looking quite similar to Chieffos, she fits the physical description quite well. The age gap is a bit big, Böhm being 19 or 20 I think and Chieffo being 30, but then again, thought experiment
Gizem Emre - Militiaman Rana Harter
Another german actress, Emre is another choice for Rana. She is most famous for school comedy "Fack Ju Göthe", where she plays a difficult chaos student, so quite different from nervous, insecure Rana. However, she brings enough depth into the role that I could imagine her managing it. I chose her because Rana actually is an actual arabic first name, so it would make sense when Rana is middle eastern (even if that would make her red hair quite unlikely).
Mandip Gill - Senator Nara Oxham
Nara is just described as being brown, but for some reason I imagined her as desi the whole time. Something about Gills vibes just seems right? From her acting in Doctor Who she also would likely be able to pull off the subtleties of being a powerful politician whoes telepathy helps her but also can very easily overwhelm and harm her. Not sure if, if this was a real cast, she would be needed to be played by an neurodivergent actress, since telepathy is not an real neurodivergence - but also her symptoms are just so similar to being actually neurodivergent.
Nathan Stewart-Jarrett - Captain Laurent Zai
Now, if this was real casting the actor would definitely have to be an amputee too. But whatever. The honestly quite small number of roles I know Stewart-Jarret from, an annoyed low level actor in "The Argument", and an desperate porn actor who ends up with more and more dangerous and gross roles in "Mope", are very different from Zai, but they show enough depth and varity that I could see him play an traumatized tactical genius slowly doubting his Empire. Also he is quite tall and lanky.
Amanda Seyfried - Commander Katerie Hobbes
Hobbes most striking feature is, that through the cultural habit of excessive beauty surgery of her home planet, she looks extremely conventionally attractive. Seyfried just fits that look very well, but I could also imagine her playing that contrasting with how no-nonsense and loyal Hobbes is.
Benedict Wong - Master pilot Joacim Marx
I don't know, something about the vibe just fits?
Eddie Redmayne - The Risen Emporer
Unpopular opinion but I loved how overdramatic and flamboyant but also very threatening he was in "Jupiter Ascending", traits that would fit the Risen Emporer too.
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Die sollten mal eine Verfilming von Christus machen, aber mit Elyas M'Barek in der Hauptrolle
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ooooh thanks for the taaaaag 🥰💚💚💚
last song: currently listening to stones for diamonds by SERA (she is a very talented queer artist! love that voice!)
favorite color: green, turquoise, dark blue
last book: am rand der abendwelt (sumpflochsaga 7.1) by halo summer
last movie: either fack ju göthe 3 or beetlejuice, beetlejuice idk man
last show: bridgerton s1
sweet/spicy/savoury: savoury and then sweet!
relationship status: single. not exactly happy about that but i think i gotta work on myself before i start dating again...
last thing i googled: why do i hate myself (💀 no worries i will start therapy soon 😅)
current obsession: bridgerton, gracie abrams new album, halseys new album, taylor swift always, johnlock always, creating new playlists i will never listen to...
looking forward to: watching arcane s2! and bridgerton s2 and therapy ✨
tagging: @dreamerofthemeadow @darkkitty1208 @helloliriels (man i suck at thinking of blogs) @therealharrywatson (lol) @totallysilvergirl okay fuck it i'm gonna tag my basic people lol @safedistancefrombeingsmart @a-victorian-girl @lisbeth-kk @inevitably-johnlocked and ANYBODY WHO WANTS TO JOIN!
ten people i'd like to get to know better
tagged by: @megkuna thanks <333
last song: the phantom of the opera
favorite color: muted green
last book: uhhhhhh oh man i really need to start reading books
last movie: phantom of the opera which i watched with a friend
last tv show: the original star trek which i also watched with a friend
sweet/spicy/savory: sweet, i love sugar too much
relationship status: single and not looking, i'd rather just have more friends
last thing i googled: "how to know if skincare routine is too harsh" my pimples hurt in a Different way now :(
current obsession: probably still mob psycho 100 but it's not what it used to be. yay depression
looking forward to: when my family finally moves into the new house
tagging: @scarecloud69 @disorganised-thoughtss @daneonrainbow @lawful-goof @officialkarinuzumaki @leo-probably @vychodocech @umkayonninay @mocha-blossom @spageddy29 no pressure though <3
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Sort by Movie
#
4 Könige
100 Streets
A
A Cinderella Story
About Alex
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Alice, Darling
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As Trés Marias
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B
Bed Rest
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C
Captain America
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Descendants
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Eva
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Get Out
H
Heiter bis Wolkig
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Imperial Dreams
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Jûni-nin no shinitai kodomo-tachi
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Mark, Mary & Some Other People
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O
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Queen & Slim
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Scream
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T
The Bubble
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Tudo Que Aprendemos Juntos
V
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Wasp Network
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Casillero del Diablo Commercials
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Daughter
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Lady Parts
M
Making of de Bingo: O Rei das Manhãs
S
Solo Loewe
Style Magazine Italy
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I have no regrets...
Just imagine...
#Jey talks#Shitpost#Bnha#Mha#boku no hero academia#My hero academia#Fack ju göthe#Suck me Shakespeare#shouta aizawa#eraserhead#Class 1a#bakusquad#denki kaminari#hanta sero#mina ashido#kyoka jiro#Sorry not sorry#The Germans will probably understand this more#This was supposed to be funny#Screenshots
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Photo
Neele Marie Nickel
Facts
born 2000
German actress
Filmography
Sabine [Fack ju Göthe 3: 2017]
Jenny [Das Pubertier - Der Film: 2017]
Anne [Fünf Freunde: 2012]
Appereance
blonde
blue eyes
1.58m
Roleplay
playable: child, teenager
#Neele Marie Nickel#fem 2000s#fem german#2000s fem german#fack ju göthe#das pubertier der film#fünf freunde#blonde fem child#blonde fem teen#2000s fem blonde#blue eyes fem child#blue eyes fem teen#2000s fem blue eyes#child female#teenager female
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Aus dem Mathebuch meines Bruders
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