#expect that in future posts lol

[s3rrrpentine]

puppy soap!!!

[blondeaxolotl-twstocs]

I genuinley need to talk about the tear on murray is tail along with the necklace. I don’t know if you covered this or not but I remember the first comic for it where she is holding the necklace talking about the tweels is dad while holding the necklace so was it his?

Along with the rip on her tail did she get it out of a fight or the moment when something happened with their father? Im sorry if Its a bother I’m just attached to your art rn and wanna unravel it

Plus when you drew her as a kid I wanna know if it was either a small scar she got either if she was a kid or my random thought was right.

I hope you have a good day/afternoon/night I enjoy your art and the rambles you give us thank you for everything.

Ps. I found the comic but yeah she’s holding the necklace and all that I really wanna know more!

Hehe I was waiting for someone to ask about the necklace, I'm glad you asked 🤭🤭!

The necklace is a mourning locket. Mourning jewellery is very common and popular in the Coral Sea, since it's the most efficient way to grieve the death of a loved one. So the necklace isn't his, but technically IS him, since there's both a lock of hair and a picture of him inside of the locket (yes it can open, though Murray rarely opens it/doesn't want to)

For the rip in her tail, I'm actually impressed that you got it, but yes it's from when something happened to papa Leech. The rip was caused by Murray trying to escape and it got stuck on something. I can't say much since I am planning on making a little comic about it in the future but yes, you are correct about it being from something that happened to Papa over there.

I will eventually post more info about Dad Leech, his character design and how he interacted with Murray. Though that's going to happen after I introduce Murray's (adoptive) dad, since that old man is still very much in the picture and is one of the people who helped raise the tweels.

[alphashley14]

I haven’t posted any SDMI in a while so here. Decided I’d try my hand at text posts.

They are shit but I hope they make somebody laugh.

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[vampansies]

I made these and my friends told me I should post them because they'll allegedly get tons of notes

[somedayslater]

i didnt read the last chapters since i discovered it was the end (but i was spoiled by tumblr lol)... i didnt want to believe it... i want to still look forward to new chapters of No Home :(

For the last few years eunyung and haejoon have been my companions. I healed a little while following the story of eunyung, feeling like its ok to be angry and wanting revenge on your family and the society that continues to want to keep you in a "house" where you are mistreated. How the world isnt made for children at all, the absolute unfairness of it all. That you can choose to keep going, and if you do so its ok to keep your distance with what hurts you.

I healed too with haejoon, who came to terms with the fact that he will always be overcome with sadness and grief from time to time, and when that happens he can only let himself feel and wait for it to pass, and try to look forward to the next day.

Honestly this manwha was the best ever. I couldnt read this manhwa as a form of escapism because it was too real. It pulled strings in my heart i didnt know i had, made me question a lot of things about myself, about others, about my relationship with others. It made me have painful discussion with a few people. Following this manhwa, most of the time, was really unpleasant lol. I hated then loved eunyoung, I liked and then disliked haejoon (yeah sorry haejoon, i think you can be really cruel and stupid and i wanted to strangle you a few times in the last arcs (i would NOT be friend with that guy lol) -thats why this character is so amazing). But i felt so much while reading it i wouldnt trade it for anything. It was funny, it was dumb, it was deep, it was enraging and healing, but most of all it was sincere. The most sincere depiction of what being a person in a deeply flawed society is, and how there's happiness even while surviving.

It was so frustrating to see the manhwa go in a direction i didnt want it to go ! I wanted it to become my cozy refuge, where every problems are magically solved, where haejoon and eunyung ends up understanding and loving each other in a cliché way, where theres a new home with my *fave charas* and its a series of feel-good interactions. Instead the problems kept pilling up, most of them didnt have a satisfactory conclusion, eunyung and haejoon kept hurting each other and distancing themselves. Haejoon just cut contact with his father without knowing what were his nefarious motives or without this guy facing any consequences, we dont know if eunyung's parents will keep bothering eunyung unchecked, we dont know if they're going to be happy and rich, or if, realistically, as orphans without generational wealth and deep traumas, they're going to end up in a shitty life situation.

And i couldnt thank wanan enough for this. They didnt take the easy way, the feel-good way, the way that would have given them a probably bigger fandom so a bigger source of money. I'm amazed by how they managed to hold this whole story so perfectly. Not a single misstep. Everything they draw was where it should have been, every action from the characters were understandable (and frustrating lol), the fucking subtlety of the developing relationships, no deus ex machina and no miserabilism. I didnt always agree with wanan's ethic or what i perceived of it (i think stealing or being violent is ok depending on the context, i dont think working hard to earn money is a virtue) but i respect how they choose to present it. I didnt talk about the other characters because honestly they didnt move me as much (except marie), but i love them so much too. I felt sad that eunyung and haejoon didnt become best friend 5ever (or even lovers hehe) but honestly, understandable lol. If i was one of them i WOULDNT become close with the other at all, so its kinda amazing they could still find this level of mutual understanding.

In short, wanan is an amazing story teller.

And an amazing image-composist (have no idea how to say this in english). The artstyle doesnt look like much, but this gave wanan a wide graphic range to convey emotions that wouldnt have been possible with a more sophisticated style i think -how will i forget the red swirlings mixing with eunyung skin ? The expressions, the choice of colors, the choice in showing something in particular without giving a clear explanation on why (often haejoon's surprised or contemplative face, which made me re-read chapters a few times to try to understand what was happening in his big head). It didnt feel like wanan thought their readers were stupid, nor did they play the fake-deep style. It was perfectly balanced.

And so even if i didnt read it, i have no doubt the end will be the same. Im so sad they decided to end this manhwa, but i know prolonging it would have been greedy and that ultimately, the manhwa would have suffer for it. Some authors do that : they have a popular series going on, and for whatever reason they keep writing new chapters without a clear goal and so the story becomes diluted, messy, useless. I love when they do this, because i can say goodbye to a story progressively as my interest in it wans, without feeling sadness or loss. But it makes me not think of the story at all in the future, since everything that was good about it became buried in new shitty chapters. Because wanan didnt do that, i know that i would think of no home for a long while, maybe forever,

,like i really lost companions when no home ended actually. Because it really, really hurts, knowing i wont be seeing new faces of the no home characters anymore. I know it sounds probably stupid ; i feel genuine grief here lol. I want to know what will happen to them, if they are alright, if they found a place in the world... if there is something to look forward after all, and i really dread not having answers every monday anymore. and the fandom is so small i cant comfort myself by re-entering the no home world every week or whatever... does anyone else feel this way ToT ? maybe i should participate myself but well,, i wouldnt know where to begin...

And saying that ! I'm almost never on this blog, i dont really have socmed accounts, i dont participate in fandoms at all. But I spent a looot of time reading and watching people who does -without being connected or interacting with posts or fanfics at all. AND i really want to thank you all for giving me so much material to chew, posts that made me think, fics that made me smile, drawings that inspired me, witnessing interactions that made me laugh. I was and i probably will continue to be a ghost on socmed, but i really want you to know that you had an impact on me and i was looking forward to your new posts (and will continue to!).

the "every no home chapter is a test of my willingness to Not blow my own brains out" and explosion eunhae monday of @skiptoyuri

the regular nohome posters which makes me happy to check tumblr regularly @shimamitsulover @lesbianpegbar @luckyswamps @tomoyoo @cloudbends @t0a2ter @solcarow @dragon-of-timeless-blue

the awesome artists who keep producing bangers nohome art @gohaejoon @maxsolosur @jjd5426 @bnnuycafe @ct-bunny @lentl-soup @fartaycat @jjd5426 @prokkoli @moxymaxing @ginangtan

the nohome posters that i enjoyed running into @pleuvoire @homolobotomized @podoro-vines @fmet @welpuu @revertrate @obstinaterixatrix @kulluto

the artists that made me interested in checking no home @cienfll @craysmo @ant-eaters @idledee @fruiitlins @froqpi-art @201918b @tinfishmeal @ohrsoh @30mingirlfriend

thanks @ditherslam for the awesome fanfics, obviously i read them all and they're some of my favourites. youre an amazing writer and i cant wait for the next chap of "your atoms"!!

thanks @homeless202 for being an insatiable nohome poster for a while (and @grannykombucha !)

im forgetting a lot of others but i really wanted to thank you all for your time, energy, work. i never interacted with your posts or with you but i really want to convey how cool it is that you all contribute to make no home a more well-known manhwa and the fandom alive

thank youuuu (hope the @ are ok tell me if its bothersome ill delete it)

and really, really, thank you wanan ! waaaa i want to cry

[agenderduck]

This is one of many posts I have planned on electricity. For this post specifically, I’m touching on the lack of autonomy the puppets have, and the unhealthy coping mechanisms and regression they fall into. If you listen closely, duck and red are talking about stain edwards, specifically how they had been used as a replacement for duck, in the background while yellow is preparing to climb the staircase. Considering the bigger boys actions later on in the episode, this feels more significant than just a joke or a piece of background dialogue (it probably is, just bear with me for the sake of over analysis). It’s a detail I don’t see brought up often, but an interesting one nonetheless. Not just because it’s funny, but because it serves as insight for what’s to come. This conversation is barely audible as yellow stares up into the black abyss above him. A divide between the trio is set up here, they are not on the same page. As yellow scales the staircase, base level red and duck fiddle with electricity. Theres a lack of care for the objects, or even living things around them showcasing that have that potential to do worse like the big and bigger boys. On a smaller scale, yes, but there’s a colder quality to the scene. Electracy warns them that what they’re doing is too much, but they are ignored. This ultimately leads to the power outage, spurred on by the two’s reckless over usage of electricity

The limited use of technology, and by contrast overconsumption is intentional, as it showcases a real lack of freedom. The puppets are stuck in a cycle regardless of what they do. They desperately want to feel in control of something even if it’s trivial. When they’re not doing that, the trio find themselves waiting for things like having access to a computer once a year. It’s worth noting that Colin is an older model of computer, as is pretty much every other piece of technology in the house. Interestingly, the trio do actually own a laptop, which is a lot more modern in appearance. They are never seen doing anything with it however. The few things that do take on a more modern appearance are either unusable or serve as a distraction. So the choice of duck having a hand held device in the void feels significant. It’s almost like a reminder to the audience that in theory, knowledge is right outside of their grip but they will never have it. Everything they do is limited.

The fridge scene is a rare moment where we see the puppets speak their genuine feelings, no strings attached. Not at all one sided or hollow. Duck and Red sit beside each other in the fridge scene knowing this is not something they’re allowed to have, but you can tell they want to scoot closer. They live in an unforgiving routine where the mere act of looking at each other feels like rebellion. They’re something more tangible and warm than their bigger counterparts, even if through skin made of cheap felt and faux fur. Compare this to the cold emptiness of the big and bigger boys and how duck and red seem to grow further apart despite always being paired together. Even if they’re sitting at a similar length in both rooms, the bigger boys seem to be magnetically pulled apart rather than together. The big boys sit side by side with their limbs tangled, in defiance maybe, but they don’t question their environment anymore and the walls have gotten smaller. The bigger boys live in a pseudo- futuristic prison. They have become the technology seen being fiddled with before. They play into each other’s antics, but lack any real emotion which greatly upsets yellow once he comes across them. He watches as they poke and prod at a suspiciously stain edwards shaped hunk of meat as their only source of entertainment, thinking that this is as good as it gets. Technology prodding at flesh. A parallel between Stain Edwards and the puppets can be drawn here.

Stain Edwards, in their initial appearance clearly craves more in life, but their sole purpose is to be moldable, to be shaped into anything the hands that grasp them want them to be. The trio are the same way, though they don’t know it. They’re obviously not aware of their true situation, but each of them have their own level of awareness, albeit in different areas, but that’s a different post for a different time. Red and duck comply and mold to their environments out of fear, a fear of losing that false sense of control. So, the bigger boys become the perpetrators of violence. They let bitterness consume them until they’re unrecognizable. Their egos get the better of them, fully encompassing them and leaving nothing but mechanical empty husks behind. Red and Duck are tricked into believing they’re in control, when in reality they’ve dug themselves into an even deeper hole than before. They expect yellow to join them, as this is just the way things are, and this horrifies him. Here before him are creatures that sound vaguely like his friends but in a completely unrecognizable form. Ultimately, no matter what form they take on, yellow’s urge to search for answers will always scare them. Yellow’s batteries means change, and change means bad things will happen. No more false sense of control. Yellow literally has his awareness stolen from him time and time again through his batteries. Without them, not only can’t he properly articulate himself, but he also can’t remember what happened before.

Yellow loves his friends, he knows that they’re flawed, and he can’t help but scale back down the staircase time and time again to help them. They’re all he has. He knows that they’re smart to an extent, but is that enough? Will they be able to handle it this time? I think he knows the answer to this already, though he desperately wants it not to be true. He knows that it’s not their fault that they get like this, but also maybe it is. Because truthfully the two like to let it get worse. Yellow sees the good in Duck and red and he wants them to do better, even if his efforts are in vain. Because the puppets do not have autonomy. He shreds the book because he can’t bear a reality where his friends don’t love him, but also because that’s where his strings are pulling him to begin with. He looks to duck as he does so knowing it will make him happy, as if to say he’s not wrong anymore. All he ever wants is to please him. Truthfully, that book had nothing that could truly help them , as such a thing doesn’t exist. Still there’s that small thought in the back of his mind that it could, and ultimately he chooses his friends over knowledge every time. It was never his choice to begin with. It was inevitably going to end this way, and a small part of yellow knows that, even if he can’t express it. The puppets are prisoners here, prisoners to another prisoner. She too participates in the same routines everyday, she too has strings that hold her back, but that’s a post for another day.

[propheticjester]

bonkers interaction with a coworker today where he tried to make smalltalk over tv shows and i mentioned that I'm watching Gotham, to which he replied "oh, I liked how that show started but the ending... They made the penguin gay :(" AND I-

first of all, i think my brain did a complete factory reset bc I am NOT used to hearing people say things like that outside of family gatherings but anyway:

that's just the ending to him??? like, i'm literally on season 2 and i swear to god that bird bitch is just short of making out with Ed every time they're on screen together what show was he even watching?????

[spoondoodles]

OC Kiss Week Bonus!: Kiss on the Hand

To finish off OC kiss week, I thought I'd post a quick Ophelia interacting with an OC I made for a single comic and then never touched again lol. I didn't even name them! They're just 'the Intern', someone who shows up late in Kingmaker's timeline to take a job as an errand person for the central government; a messenger, a secretary, a duster, whatever is needed for quick jobs. They end up being an unwilling observer to the chaos that is the PC's and their companions and often get pulled into local drama reluctantly. They're just a fun little straight man I can put into Situations for my amusement lmao

[herrscherofmagic]

So, I just finished the new Trailblaze Continuance mission (no spoilers here), and I'd like to share my thoughts. Although I haven't done the event that follows, so no spoilers for that please x-x

All i have to say is... what the f***!??!

/pos btw, this is a "WTF" in all the right ways

Out of all the crazy things that happened throughout the game's story so far... I don't know how Mihoyo managed to go even further off the rails.

and still write a beautiful story with a shockingly deep message.

and also weave in the iconic Trauma(tm) here and there.

I'm still processing what the in the name of the Aeons I just witnessed

Anyways, on a totally unrelated note, I hereby declare myself a ninja initiate!

[architectural-sims]

Henford Hall -December, 18:39PM

[catcze]

hii catte!! it’s nice to meet you <3 i see your selfships, i am very curious about them! it is interesting to see wrio and sylus alongside kokomi and robin 👀 i am too behind on wuwa to know about zani i’m afraid :’) but i’m looking forward to interacting & i hope you have a great day !!

i woke up in the middle of the night to see the notif and i was half asleep when i clicked on your blog so i read 21+ as you have to be that age to interact and i was like oh maybe i can’t follow back and then i realised that was about your age and the rules didn’t actually say that lmao 😭

Omg hi Eris !!! ♡♡ It's so lovely to meet you too— I hope you've been having a great morning (?) so far !! ♡

And omg funny enough I've heard that a couple of times before 🤭 To be honest I'm not even sure myself if there's any consistent similarities that can be found between them— aside from the kinda generic similarity of 'in love w/me' and 'sweetheart who holds my hand and gives me kisses' type stuff, my f/o list looks like a big mixing pot of random characters HAHAHA 🫣♡

I'm still keeping stuff a teensy bit ✨mysterious✨ since I haven't gotten around to posting my selfship masterpost yet, but I've been married to Kokomi (my main f/o) for a while now !! We go on lots of dates around Watatsumi Island, and though I can't directly help her with her work as the divine priestess of the island, I do my best to make sure she's happy and healthy and that she knows she's loved ♡♡

asjhbdajks AAA thank you so much for the interest + the ask Eris !!! Now it's your turn to tell me all about your self ships, my dear !! 👀👀👀

[fideidefenswhore]

the downfall and execution of a tudor queen (2023) / the boleyns: a scandalous family (2021) / the king's pearl: henry viii and his daughter mary (2017), melita thomas / anne boleyn (tv miniseries 2021) / the mirror and the light (2024) / elizabeth (1998)

[onewomancitadel]

A polemic

So NaNoWriMo (the event in November where you try to write 50,000 words in a month) has announced its position on the usage of machine generation, which is that to ban it would be ableist and classist.

The really interesting thing here to me, is that this is the thing that does your thinking for you and removes your actual participation in generating writing and generating ideas. It is not in my view an actual assistive device in the sense that it enables a disabled person to complete the same task with or near the ability as an abled person and in my view condescending to pretend that it is so.

There was a real worry about the keyboard (or indeed the typewriter) interfering with the creative process of meditating on each word you must write by hand. And then way back when, the idea of writing words down as opposed to oral performance had the same sort of fear shroud it (this is what makes Plato's dialogues so interesting from a perspective of form, because it is intended to mimic those conversational forms in writing. I'm not a classicist please be nice to me). Understandably the argument here is that the influence of technological evolution on the creative process - where the process is the craft - is something we can easily draw parallel from to argue machine generation is perfectly fine.

To circle back to the most recent change, the keyboard, for instance, lets me write basically as quickly as I can think. It is superior for creative writing because I can be fully immersed in my prose work to the point I forget everything else because I am so in tune with it. I forget to meet my human bodily needs - I forget to eat and drink, I lose all sense of time. Essays written on the computer are my preference by far. Meanwhile, I prefer taking notes by hand for uni lectures and classes: I remember things better that way; I can write very fast and take only what I know I need; I don't dither, and most importantly I don't divert my attention from a lecture or discussion to the pure focus of writing on a keyboard. I also keep a notebook for brainstorming, drafting, that sort of thing. My process here resists the idea that keyboard = new = good = supplanting all else, but keyboard also very good sometimes.

But a disabled person who cannot use a keyboard is not going to have an easy time as me - so what are the ways that enable them to transcribe their thoughts? Making it fit for an individual person's disability is going to be a case-by-case basis, but there are ways of tailoring keyboards to the specific limbs or fingers that a disabled person may be able to use, or to fit their comfort needs - it will cost more than a regular keyboard, but there are more programs to support accessibility for disabled people than there were before (sometimes also for trialling the use of these technologies, like with game controllers, I've seen a lot of those in recent times) - which in part is a complicated process because lots of people have different types of disabilities. Somebody who is blind will require very diffierent support from somebody who has sight.

Machine generation doesn't transcribe your thoughts. Machine generation does the thinking and execution. It doesn't matter how you change it or edit it, you have to be totally honest about what you're doing: you're outsourcing your thinking. It is condescending to say that disabled people do not deserve to think. This includes people who struggle with thinking, or struggle with focus, or struggle with mental illness which stymies that actual motivation to write. Thinking, dreaming, and writing are themselves sources of and motivation for existence, and to outsource that, to me, is grossly offensive. (I am not going to introduce my personal background in here, but if you try to dispute that MG should help mentally ill people to write... if there is one thing which alleviates my existence in any way, it's writing).

The stylus on clay tablet, the pen, the typewriter, the keyboard, never did your thinking for you.

The classist dispute is interesting.

I see. (I checked Big W and JB Hi-Fi. Big W has the better deals I think with mouse included. Also, my most beloved keyboard I used to write for several years was $12 originally but my brother got it for free where he worked. Don't knock a cheap keyboard 'til you try it. You don't need a fancy gaming keyboard).

Most people probably have smart phones they can write on (the cheapest you can find are around ~$200AUD), but you generally want to be writing on a computer. Laptops aren't good investments in the long run and are fairly expensive, so let's say you want a desktop PC, in which case I would say get a refurbished computer like me. For the screen, the computer itself, and all the cables needed, I paid $200 including shipping, and it came with a free keyboard and mouse as well as year's warranty. Of course you might have the issue of a desk and chair as well, in which case I suggest op-shops, but if you are Australian don't write off the non-Ikeas; sometimes local furniture shops having sales are actually cheaper.

But if you are really working within limited means with absolutely nothing spare, there are library computers you may be able to access off the top of my head, and if you are a uni student, there are going to be computers available there. If the angle we're arguing is that it's limiting to people living in poverty to bar their use of machine generation, you're basically saying that if you're poor enough, then you shouldn't be allowed to dream and write yourself. Nuh uh.

This is actually so fucking obtuse lol.

In the case of a writing marathon, there is nothing weird about using the library or school or whatever to do your writing. 50,000 words spread across a month means you want to hit a little over 10,000 words a week, so let's say you ideally want 2,000 words a day, and if you're anxious about using a public space that much, let's say you want to go there five days a week so you need probably more in the realm of 3-5,000. But I think it would be fully doable if it's the event you've signed up to, and maybe you'd end up focussing better in a study-oriented space like that...

Critically the argument is founded on the idea that machine generation constitutes assistance and does not constitute the outsourcing of your own thinking. The argument normally launched against machine generation is from the repurposing of original creative material; the usage of machine generation is posited as 'sticking it to the man' punkish rebellion against copyright infringement, e.g.

this refrain was actually was the impetus for writing this post altogether, because it is so disingenuous as well as cruel and embarrassing, but I thought it was really interesting as well. Obviously that's not the angle I've taken throughout this post because I think that there is a weakness to this argument for a reason: yes, machine generation doesn't 'genuinely' remix material in the way the human alchemist imagination does, but the black box processes are kind of an ambiguous grey area. The real heart of this here is the allegation that legal enforcement of something is fundamentally heartless, not that laws and regulations in society are meant to actually service that society. It's concerning when they don't.

So it's really an anarchist sort of punk view versus my own which is that the hope would be that copyright laws protect artists (in the case of Disney it's clearly not so; that is neither here nor there), but that's really why I'm not arguing against that idea. I'm arguing against the idea that machine generation constitutes an assistive device, which it doesn't, because it supplants the person involved. Even if the way you feed an idea to machine generation is the way you've thought of it, its generated text is not yours; the machine generated it, irrespective of how that machine is trained off other texts. Even if you use it to merely brainstorm - and let's be real, that's not what's being argued here - it's offering ideas back at you the way a keyboard wouldn't.

Yes, I hate autofill text too. It should be turned off in word processing documents because it's disruptive.

The insistence is that machine generation is trained off other texts, and when you generate using those texts, you now have text that is some other author's work (because the machine generation is not thinking-feeling). The refutation to this from the pro-MG side is that this is what all authors naturally do, and then the refutation here follows that MG does not naturally transform a text the way a human would, always adding their own spin, always iterating. The pro-MG side then disputes that this difference is minimal and by the time a human involved edits the text - which is necessary at this point - it becomes something else. (That few people seemingly edit the text is beside the point).

I am rejecting this entire argument. I am also rejecting the idea that disabled people and poorer people should have to sit out NaNoWriMo because it may not be within their means, and I'm not going to dispute that at all; actually they should get to do whatever writing challenges they want, within whatever means that they require or desire, the same as any other person. That they meet those goals with different means because they can't do everything the same as an abled person is not in question.

Let's say an abled person chooses to attempt NaNoWriMo writing by hand. It's not roleplaying at making life difficult; let's say the individual has real difficulty with keyboards - or they can't afford a computer! I can handwrite several thousand words in a day and it would be fully possible, though with a lot of handcramping; it would require lots of pausing and stretching. I would get sick of it by Day 2. But it would be no less a legitimate attempt compared to other abled people who choose to attempt the marathon with a keyboard, or vice versa.

But I really wanted to square out my problems with people who launch criticism against MG and people who launch defenses at MG, because it goes around and around in circles. My issue with it is not necessarily an issue of copyright, though no doubt from a legalistic perspective that is in which the defense will be made; my view is one grounded in what the actual activity of writing is, and who deserves to have access to that (everybody) and where MG supplants that (fundamentally). Where writing begins is in your head. It is dreaming, brainstorming, thinking, and then executing that in constructed prose. When you don't do that, you're not writing at all.

[kaeruandtopo]

I did not wake up today thinking I’d make something like this

-topo

[analogodyssey1994]

Shame in 2022, photographed by Pooneh Ghana