#expect lots of bad metaphors

[nervouswreck-96]

Oh btw I'm back to writing Sonic fanfic

[silverwhittlingknife]

hiii! i just wanted to reach out n let you know that i just spent the last few days speed reading all your ao3 work bc i literally couldn't put it down. the way you write dick really just scratches my brain in the best way possible. he's a little (read: very) neurotic and it just. his motivations are so clear in your work, not in the sense that there isn't tension and anxiety but in that his core personality, his drive to help and the anger and trauma that has built him, his need to always be performing and catering to those around him, it comes across sososososos SO well. he was the first character that got me into comics and since then i've kinda stopped reading him bc i have lots of issues w tom taylors run (not the point so i digress) but you have really inspired me to go back and read more of his old stuff so thank you! you have such a clear grasp on his character and its something i admire very much! ur very very talented! and i really appreciate you sharing ur art! hope ur doin well :)

HI THIS IS SUCH A NICE COMPLIMENT???? <3333 This is so nice & sweet & it made my whole day!!! THANK YOU I AM HUGGING YOU ACROSS THE INTERNET AHHHHHH

he's a little (read: very) neurotic and it just. his motivations are so clear in your work, not in the sense that there isn't tension and anxiety but in that his core personality, his drive to help and the anger and trauma that has built him, his need to always be performing and catering to those around him

YEAH IT's HIMMMM i love this description <333

THANK YOU YOU ARE LOVELY & KIND PLS ACCEPT THIS DOG PICTURE AS TOKEN OF MY GRATITUDE

[seafoam-taide]

my freak wife

[guardsbian]

sooo much of trying to actively get back into writing has been looking at writing and like writing advice and going like oh. I don't like anything

[goldkirk]

.

[lesenbyan]

unfortunate and unexpected consequences of the pandemic: using inadequate to borderline offensive metaphors for it in poetry that prove the author either doesn't know what they're talking about or refuses to see the world as more than just X metaphor

[kiapet2]

Alright, it’s less than a week since the Owl House finale aired and as expected I’ve already seen two direct comparisons to Steven Universe’s ending and several more vague-blogs, because one of this site’s hobbies is using other queer shows to put down Steven Universe. So let’s do this, then. Let’s compare the endings of Owl House and Steven Universe, and what each is ultimately trying to say.

Steven Universe and the Owl House are both shows that deal heavily with the clash of individualism and self-expression vs. socially-mandated conformity, and both shows’ final villains ultimately embody this conflict. One major difference, however, is that Owl House approaches this from the perspective of legal/societal structures, while Steven Universe approaches it from the perspective of family structures.

Steven Universe has always been about family--and particularly the ways traumas and biases are passed down through a family--and it has always heavily used the language of metaphor to discuss these topics. The Diamonds are the ultimate extension of this theme, something a lot of bad-faith (or just bad) takes on the ending miss; they interpret the diamonds in their literal capacity as dictators, rather than the way Steven Universe always portrays them, which is as matriarchs, i.e. the heads of a family who dictate and control all the family’s other members. This metaphor becomes more and more blatant until it outright becomes text, with the Diamonds turning out to be Steven’s literal family members, with whom his part of the family is estranged because of their previous controlling behavior.

In accordance with this theme, we ultimately find out that the Diamonds’ toxic ideology, with its rigid standards of perfection, are not only something they enforce on the gems below them, but also on themselves. They are suffering from the system in their own ways, unable to live up to the standards they themselves created. And who among us hasn’t known someone like that? A parent or grandparent who grew up under a cruel, oppressive worldview, and instead of rebelling against it internalized it--who turned around and said “I dealt with this, and so can you”? And so the ending of Steven Universe is the Diamonds realizing exactly how toxic the rigid ideology they’ve spent their lives perpetuating really is, and confronting the fact that their adherence to this ideology is what destroyed their relationship with Pink, and that the only way they’re going to have a relationship with Steven is if they’re willing to commit to changing both themselves, and the family structure they’ve enforced for so long.

Emperor Belos, in contrast, is not suffering from the structures he created, because his rules were never meant to apply to him. He sees the witches (and demons, and so-on) as lesser beings, evil beings, who exist to be controlled, and ultimately, exterminated. And every element of the society he built--the schools, the government, the police force, the religion--he intentionally constructed to keep these lesser beings under his control. The real-world allegory isn’t hard to see, here. And because what Belos represents in the story is, in fact, a fascist leader, the story shows that he can’t be reasoned with in any way that matters, and instead he is ultimately ground into paste beneath the boots of the people he sought to destroy. Different themes, different endings.

Now the usual argument that comes up here is as follows: but the Steven Universe ending isn’t as realistic! Not everyone is going to change, not everyone is going to be able to be reasoned with. Not every older, conservative family member is eventually going to accept you for who you are. And while that is true, ultimately SU isn’t meant to be realistic; it’s meant to be a power fantasy. Rebecca Sugar has come out and said before that they wrote a world in which there was good in everyone, because that’s the way she wishes the world could be. That’s the world they want to be able to believe in. And I am never going to begrudge a person, much less a queer person, for finding healing in writing that kind of world.

But you know what else is unrealistic? What else is ultimately just a fantasy? Grinding your government’s fascist leader into paste under your boot, then taking over and remaking society into something that accepts everyone. Sadly, Trump is not likely to get his ass beat any time soon. And more generally, punching fascists, while ideologically sound, is something most people are not going to get to do, due to real-world consequences such as “getting beat up by the fascist’s angry friends” and “being arrested for assault”. And even if you did depose one leader, our very society is set up in a way that perpetuates all manner of injustices, and systemic change is a complex and lengthy process that almost certainly won’t be completed in our lifetimes. But it’s fun to imagine we could, isn’t it?

Both endings are power fantasies. Both show the way they want the world to be, rather than the way it is. They are very different power fantasies, which fill very different--and at times conflicting--needs. And in situations like that, internet culture really likes to pick one to be the right fantasy, the right way to look at the world. 

But the truth is, both fantasies are needed! Some people need stories about your queerphobic relatives finally realizing the error of their ways and taking the necessary steps to accept and reconcile with you. And some people need stories where you get to grind fascist bastards beneath the heel of your boot. It’s okay if you prefer one type of fantasy over the other! But in the end, both are valuable, and both are important. 

And isn’t it wonderful, for us to have such a diversity of great queer stories? That we can explore both of these deep, conflicting needs? Let’s appreciate each of these fantastic works for what it was meant to be, rather than trying to pit them against each other or make them conform to a single, “best” way to tell a story.

[boxbug]

A Canary’s Final Flight

My piece for @trafficzine 4th edition! Get it for free here! 200 pages of excellent art and fics, incredible work from all participants and from the mods especially!! huge shoutout to the mods for real

Process notes under the cut! (I struggled a lot so it's a bit of a novel)

So the entire process was a Ride. I knew when I picked this prompt that I was going to have a hard time, because Jimmy’s final death had been illustrated a billion times over by extremely talented artists. But I had a Vision of the snapshot of the second before the impact, when everything is still but you know what’s about happen. It was very much inspired by the clip of Fog by Jabberwocky, bu the thing is, they have the advantage of all the build up of the fall, and that’s when the trouble started.

This was my first version, and obviously it wasn't working. And I was trying so hard, with so many iterations! Small wings, big wings, no wings, different poses, less backgrounds elements. I'd done compositions were everything seemed peaceful but something is Wrong, but it wasn't working this time.

So instead I focused on what rendering I'd like to do - I tried a painterly approach, for that visceral feeling, but it wasn't working either (but hey, I did keep the red sky, so, progress)

At this point I'd been doing back and forths for weeks and I was just as lost as at the start. Now that's my tip for people who make art of any kind, in situations like that, stop thinking about how you can make the best piece possible, and think about you can have fun with it (because when you aren't it's visible). And for that was, 1 - going back to using ink and pen nibs and doing way too detailed inking, and 2- looking at Dave McKean's covers for Sandman (which, funnily enough, was also a reference for my previous trafficzine piece)

And from there I was actually going somewhere! Between the jagged rocks, the red sky, and the increased verticality with the borders, I had hit the vibes I wanted.

I did some experimentation with the border, and even though I really liked the bad boys I drew they were taking too much away from the lonely desolation, so I actually used Red (Unecessary Redstone)'s idea of all of Jimmy's worldy's possessions scattered on the ground post impact, with the idea to make it looks like the central image is his grave being dug.

(and yes for a short amount of time the were supposed to be clock markings on the sun, but there was already enough going with the wings so I scrapped that) (also fun fact the reason why the wings aren't fully material but more ghostly is because my toddler cousin was watching me draw the very first draft and asked why he didn't just use his wings and i went :( so the wings are a metaphor now)

So from there I found a bunch of picture and took some myself, cut and assembled everything together, added shadows in all the appropriate places, and repainted some elements so that everything would look better intergrated (some of the wheats are basically 100% handpainted, the cardboard as well). This took a suprisingly long amount of time, but I was done!

Well I wasn't expecting to have that much to say, but I hope if you're still reading, it was at least interesting!

[cookinguptales]

So… I’ve been turning all this over in my head since last night, and I wanted to make a post about vampiric transformation as sex, and how it’s being used in wwdits as a metaphor for sexual repression, sexual freedom, virginity, and cuckolding.

Before I even get into the obvious metaphors about virginity and cuckolding, I think we need to talk about the elephant in the room. Guillermo’s sexual repression and how that’s come to find an outlet in his vampiric longing.

Guillermo is highly repressed, sexually speaking, but I don’t think he’s asexual. He’s shown interest in sex several times, but in an uncomfortable “this can’t be for me yet” kind of way. He was clearly raised Catholic and has internalized a lot of that shame re: sex, especially gay sex. He wants intimacy, but he’s also internalized the idea that wanting these things is dangerous and shameful.

But… the vampiric world seems to symbolize all the things that Guillermo wants but cannot have. He wants to be strong, powerful, attractive, and sexually liberated. As much as their openness about sex embarrasses him, there’s a certain longing there, too. He didn’t just want to be handsome as a vampire — he explicitly used the word “sexy.”

A vampiric Guillermo is a version of Guillermo that gets to have sex. Loudly, proudly, and without shame. It’s a version of him that is wanted, that wants, and who gets to have the precise kind of intimacy he's always craved.

Now, how much Guillermo has actually done sexually is still up for a lot of debate in fandom, but I think that’s kind of immaterial. For most of the show, Guillermo clearly wasn’t having the kind of intimacy that he wanted to be having, and he only started to even begin to allow himself to seriously consider all that in s4, when he got a boyfriend and came out to his family.

As being gay and wanting to be a vampire. 

Guillermo is finally starting to own both his homosexuality and his vampiric life, and that means he’s finally starting to explore sex.

Now… At the end of s4, I talked about how Guillermo going to Derek in the finale had the air of a person who’d been fantasizing about losing their virginity in a certain way all their life — but then they finally give up on those dreams and hire a sex worker instead. There’s a resignation there in Guillermo that he couldn’t get it “the old-fashioned way,” he’s disappointed and jaded when it comes to intimate relationships, and now he’s tired of waiting for love and just wants a business transaction.

I wasn’t quite expecting for them to push that metaphor even more in s5! The money aspect was almost forgotten (Did… Derek even take the money? Why is he still cleaning toilets?) but the scene with Derek biting Guillermo was clearly a metaphorical virginity scene.

Guillermo’s nervous eagerness, his growing realization that this wasn’t actually the way he wanted it to happen. Asking Derek if he’d ever done this before and figuring out if he was “ready.” Taking off his clothes (that his grandmother got for him, even, that’s a whole meta post right THERE) and trying to make the vibe “right.” His insistence that though Nandor had never done this for him, they still had a caring and intimate relationship.

But… it was also a metaphor for bad sex. Many people lose their virginity in a way they don’t find satisfying, and Guillermo definitely seems to fall in this category. It was awkward, it was bloody, it hurt, his partner didn’t listen to him, they weren’t on the same wavelength, they didn’t connect, there was no emotional bond, and most importantly, he didn’t feel changed.

Like a lot of people do, Guillermo thought losing his virginity would change him. He’d be cooler, sexier, more powerful. His station in life would change. He’d become an adult his ideal form. But he’s still just Guillermo.

As he told Laszlo, as soon as he did it, he regretted it. He immediately knew that he’d been right, that this wasn’t the way he wanted to do it. He wanted to do it with someone experienced who loved and cared about him, who listened to him, and he wanted that person to be Nandor. But he wasn’t patient, he paid an inexperienced acquaintance for a one-night-stand instead, and he was left feeling deeply unfulfilled.

Most upsettingly, he immediately discovered that, like virginity, you can’t lose it twice. He can’t just have a do-over with Nandor now. He’s given something up that he can’t give to anyone else, and he’s going to have to live with the consequences.

Because like sex for humans, transformation has social implications in the vampire world. It can only be done in very specific situations. Guillermo seems to have grown up in a human world where sex should only be happening within a heterosexual marriage, and now he’s finding that in the vampire world, transformation is only supposed to happen between a master and familiar currently in a contractual bond.

So… him going to Derek and finding “outlet” in another relationship, so to speak, is effectively vampirically cuckolding Nandor. He’s given that honor to another vampire, which Nandor seems to find both vampirically humiliating and personally hurtful. It would in fact hurt him so badly that he would probably not survive it, in Laszlo’s words.

(There’s also definitely an element of an abusive “if I can’t have you, no one can” vibe in Nandor’s threat to kill Guillermo and then himself if Guillermo got what he needed from another vampire, but since when have we ever liked them well-adjusted?)

Guillermo is realizing that, as much as he’s been thinking of this in sexual terms, so have the vampires. He thought he was the only one who thought it was a big deal. He thought he was the only one placing intimacy and partnership and loyalty into this event. But now he’s realizing that as much as it meant to him, it might have even been a bigger thing for Nandor.

For Guillermo, vampirism-as-sex represents the idealized transformational aspects of losing your virginity. He’d built up this big event in his mind that represented his intimate bond with Nandor, he’d built up this idea that the event would change him, would make him better, would make him free. But he’s finding, like many first-timers do, that sometimes it’s not transformational. It’s just awkward and disappointing and the only thing that’s changed is that you ache in the morning.

He still doesn’t have the intimacy he wanted. He still doesn’t have the ability to be loudly himself. He still hasn’t been able to fully own his sexuality and ask for what he wants. He wasn’t ready. He didn’t enjoy it. He regrets it.

He also regrets it because now he knows it will hurt Nandor and the relationship they’ve built. Because for Nandor, vampirism-as-sex represents the societal aspects of sex. The rules people follow. The societal humiliation you feel if you’re cuckolded. The personal agony you feel when you’re cheated on. The sense that your home is broken if your partner goes to find satisfaction with someone else.

Guillermo, who has had to deal with societal disapproval of his desired type of sex in the human world his whole life, was viewing vampiric transformation as a way to be free of all that. The shame and the repression and the societal penalties for being himself.

But he’s just found himself in a mess of new rules, hasn’t he? Different culture, same struggle. And while the vampiric world has always symbolized a sexual liberation that both repulses and attracts Guillermo, he clearly doesn’t have as much freedom here as he thought.

So… to sum up, Guillermo always kind of thought of transformation as losing his virginity. He associated vampirism with sex, and he thought this would be his entrance into the sexual world. He wanted to have an intimate experience with Nandor, but eventually gave up on that and decided to pay for it — and then immediately regretted it, both because he found it personally dissatisfying and because it came as a betrayal to the man he loves.

The problem is that he thought he was the only person thinking of it as sex — he didn’t realize that Nandor does, too, just in a very different way.

Nandor was also thinking of vampiric transformation as this special act, and one that belongs only to him as Guillermo’s master/partner. He was thinking of it in intimate terms, but also in societal partnership terms. He’s thinking of his household, while Guillermo was thinking of things on more individualistic terms.

If only they’d both talked about all this shit even once. :’)

But that’s not how we do things here in Staten Island!!! We just long for things ineffectively, keep secrets, and fuck everything up!

(There’s also a whole thing here about how Nandor wasn’t keeping his side of the relationship bargain and that’s why Guillermo looked elsewhere in a moment of weakness, but I guess that’s probably a separate post. This is long enough already.)

[kamaluhkhan]

in my head, i play a supercut of us

pairing: conrad fisher x fem!reader

summary: you come back to cousins beach after a few years away. conrad is not particularly happy that you're back - and you aren't particularly thrilled, either. too bad there's a history (chemistry?) neither of you can deny.

warnings: drinking + smoking. lots of plot + flashbacks. there is some mention of injuries, body issues/self esteem (reader is a competitive swimmer), complicated family dynamics (reader is eldest daughter), slight allusion to alcoholism.

a/n: ohhh this turned out much longer than i expected it to be!! honestly i have so many ideas that this will probably become a series. for now please enjoy the summer, childhood friends to lovers to strangers vibes ;)

you still crave lemonade, but the taste doesn't satisfy you as much as it used to. you still crave summer, but sometimes you mean summer, five years ago. (alida nugent)

now — summer, age 18

driving up to the beach house after so many summers have passed, you’re struck with the memory of your first time swimming. 

it was mid-june in cousins; you must have been four years old. you stood on the edge of the pool for an eternity, until your father became impatient and threw you into the deep end. you screamed, imagined your lungs being filled with cold water, drowning in darkness. your neighbour had run over when he heard, and your father had to hold him back from jumping in to save you. instead, your life jacket kept you afloat, and soon enough you were kicking as though it was the most natural thing in the world. you discovered your love of swimming that afternoon and in that your father found his star athlete. you also realized your love for conrad fisher, the boy next door.

your summers in cousins, the friends you’d met here, conrad fisher — these composed your metaphorical lifejacket, once preserving your childhood. you’d taken it off for too long, spent years in the deep end alone, keeping yourself afloat, moving towards a carefully constructed future. now it all started to crumble, and here you were again, a different person; you wondered if the others were different, too. 

it wasn't your first choice to come back to cousins, but you were determined to make the most of it. after unpacking your things, you decide to make your way to the beck house, right next door to your own family’s. 

you knock once, twice, three times. there's no answer, so you figure that everyone is either in town or at the beach. you start to walk away when you hear the front door open. 

"excuse me!" laurel park's voice calls. you turn around, and the shock on laurel's face is clear. "y/n! oh my god, i almost didn't recognize you!" 

"four summers can do that," you note. 

you hear your name from inside the house, and before you know it, belly conklin excitedly runs out and tackles you in a hug. 

"hey, bells," you laugh. you notice how dressed up she is, something that changed from the oversized t-shirts and patterned shorts you remember her always wearing. "cute dress. where are you off to?" 

"oh. there's a high tea at the country club. sort of like an introduction for the debutante season." 

you raise an eyebrow, looking past belly towards laurel. "is this a lemon jelly belly situation?" you’re referring to the code phrases you used to exchange for different situations, depending on different flavours of jelly beans: pear, toasted marshmellow, lemon. it might have been childish (you were kids at the time), but it always worked. more than anyone, you know what it’s like to be pushed into something too quickly, too soon. even after all these years, and even though belly is only two years younger, your instinct is to defend her at all times.

"possibly," laurel sighs. 

"it's not," belly insists, giving her mother a pointed look. "i wanted to try something new this summer, and susannah promised it would be fun." 

the two of you walk back towards the house. when you reach the door, laurel brings you into a tight hug. the three of you walk into the kitchen, and you find yourself taking the seat you had once claimed as your own — a stool at the counter, third from the left. belly settles down next to you, and laurel grabs a pitcher of sweet tea from the fridge while you reach over to take three glasses from the drying rack. 

belly explains more about the debutante season, and mentions that steven and jeremiah are both working at the club this summer. she doesn't get around to what conrad is up to, because laurel suddenly checks her watch, then sighs. 

"i hate to cut this reunion short, but belly, we'd better leave if we want to make that tea of yours." 

"right." belly looks at you with a frown, like she's worried you'll disappear if you're out of sight. "i'll see you later?"

you smile, reaching over to squeeze her hand. "i'll be here all summer," you promise, and belly beams.

"you’re coming to my book party?" laurel asks, though it's more of a statement than a question.

"yeah, sure," you promise, sipping your sweet tea. "i'll see you guys there." 

with one final see you later and another hug from belly, you're left alone in the kitchen. you wonder if the fishers still keep the cereal in the same cabinet; if their cupboards are filled with the same sugary snacks you were never allowed to have, but you and the boys would sneak when the adults weren’t looking. 

"y/n, my little mermaid, is that you?" 

susannah always called you her little mermaid — inspired by your love of swimming, yes, but also that one summer you were convinced that mermaids were real, so you and belly spent hours looking for clues on the beach and painting your nails iridescent turquoise. all the adults scoffed at you, but susannah was the only one who played along, who allowed you to believe that magic was real.

instantly, you rise from your seat and hug susannah.

"you have no idea how happy i am that you're here this summer," susannah whispers. as you break away from your hug, susannah places her hands on your cheeks. she looks happy and healthy, if a little tired. you can't help but think of the years you’d been gone when susannah and her family were dealing with so much. there was only so much connection texts, calls, and emails could provide. to be here now, seeing susannah fisher alive and well? 

it was almost too much.

tears threaten to spill, but you swallow them. instead, you reply: "so am i." and, certainly more than before, you mean it.

“conrad’s out back if you want to come say hi. i’m painting his portrait. he’s been a bit down lately, but if anyone can make him feel better, it’s you.”

you feel your cheeks heat up. you finish the rest of your sweet tea and put your glass in the dishwasher, not quite feeling ready to face conrad — there was a complicated history between the two of you. unresolved tension, hurtful words, that sort of thing.

“i’ll, uh, let you keep painting. i should go get ready for laurel’s book party.”

“alright. i’ll see you there, sweetie.”

“yeah,” you confirm. you start to walk away before hearing susannah’s voice again:

“and, y/n?” you turn around. “i’m so glad you’re home.”

later that night, at laurel's book launch party, you watch conrad pour another glass of wine, and wonder whether or not you should join him. his eyes catch yours from across the room, but he quickly looks away. belly ended up having a date, she'd texted you earlier, and you were roped into a conversation with your mother and susannah before you could find stephen or jeremiah. 

"they grow up so fast," susannah muses. she then wraps an arm around your shoulder. "i can't believe that our eldests are 18! conrad’s off to brown in the fall — how about you, y/n?”

“princeton,” your mother boasts, draining the rest of her cup and grabbing another from a tray passing by. that’s her third glass, by your count. “we were so proud. it’s the best women’s swim team in the country.”

“stanford is a close second,” you interject. “besides, we don’t even know if i can start swimming for real by then.”

you’d broken your ankle a month and a half before. it didn’t need surgery yet and you were out of your cast, but you couldn’t return to your usual level of activity for a while — which meant no training camp, like you’d been going to the past few summers.

“you know, i did always picture you on the west coast,” susannah smiles at you. “all those beaches and sunshine.”

your mother frowns, ignoring susannah. “don’t be ridiculous. if you spend the summer doing your physical therapy and resting, you’ll be back in the water before we know it. your father and i agreed — that’s why you’re here.”

you resist the urge to argue with her and instead block her out as she brags about your siblings getting top prizes in their academic decathalon. the twins were thirteen now and had plans with their friends tonight, sparing them from attending this event. no offence to laurel or susannah, of course, but you’d rather be with your friends.

when you look for conrad once more, you notice that he's been roped into a conversation with laurel and someone who your mom had pointed out as cleveland castillo. even after all these years, you can tell when he needs backup: the impatient tapping of his foot, his eyes searching the room for an out.

after excusing yourself from the conversation, you make your way over to conrad. 

"hey," you greet, nodding at laurel and cleveland. "mind if i borrow this guy? we've got some catching up to do." if either laurel or cleveland said anything more after yes, then you don't hear them, already pulling conrad away.

you lead him to the back corner of the room, near a small couch. neither of you make a move to sit; neither of you say anything. up close, you could see the shadows under his eyes, the creases in between his brows. he was always quiet, the more calm and thoughtful one of the group, but always with soft edges, especially when it came to you. now, quiet could have been replaced with brooding, and all those soft edges seem sharper.

“so,” you start. you grab the wine from conrad’s hand and take a sip. “are you gonna keep ignoring me, or are you gonna welcome me back?”

“when my mom said you were back, i didn’t believe her.” conrad looks at you, his face still. “i wish you hadn’t come back.” 

stung, you take a deep breath. after everything, conrad thought that was the best way to greet you? if cold and closed off was how conrad wanted to act, you could play that game, too.

“fuck you,” is all you say before joining jeremiah and steven on the other side of the room.

steven’s eyes widen once they land on you. "no fucking way. y/n!" steven exclaims. "thought you'd never come back here, man." there’s a joyful undertone to his comment as he smiles. same old steven: always blunt, always laughing. 

"yeah, well, i’m here.”

jeremiah just beams at you, picking you up and spinning you around. 

“jere,” you giggle, half scolding, fully floating.

“sorry, sorry!” he laughs, setting you down. “i just — i can’t believe you’re here. how come you didn’t tell me you were coming?”

“yeah, well.” you shrug. “i thought you liked surprises.”

“well, i do. especially if it involves seeing you.”

"yo, speaking of surprises — what if we ditch this party and surprise belly at the drive-in?" stephen suggests.

you shake your head, though leaving was very tempting. 

"or, instead of ruining your sister's first date, we get some booze, light a fire, and go get drunk on the beach," you suggest.

"oh, i am so down!" jeremiah exclaims. "you've got my vote." 

“hell yeah.” steven grins and throws his arm around your shoulder. "you always did know how to show us a good time."

then — summer, age 11

you had plenty of bonfires before, on the beach with your parents, but that summer marked the first one with just the kids. you begged and begged, and eventually the adults were okay with it since conrad had earned his boy scout badge for fire safety in the spring.

it was the beginning of july, and an unseasonably cold evening — basically, perfect bonfire weather. jeremiah helped susannah make hot chocolate for everyone. belly wanted s'mores, so you had biked with her to the store earlier that day for the ingredients. everyone was stuffing their faces with slightly burnt marshmallows as melted chocolate and graham cracker crumbs decorated your cheeks, and you chased it all down with lukewarm chocolatey liquid. you were kids and it was summer; life was sweet, life was good. 

"conrad," steven announced, turning to the boy who was pushing a marshmallow deeper into the fire. "i dare you to go dunk in the ocean." a grin erupted on steven's face, and in the glow of the fire, he looked like the cheshire cat. 

"no way, man. it's freezing."

you knew the real reason conrad didn't want to go into the ocean. one night the week before, when the parents were out to dinner and the other kids were asleep, you and conrad had stayed up to watch jaws together, having rented it secretly from the local video store. ever since, conrad had been coming up with excuses to not go swimming at the beach. 

"what's the matter, con? you scared?" jeremiah taunted, wearing a similar cheshire grin to steven’s.

"what?" the marshmallow conrad was trying to roast fell into the fire. he huffed, and belly handed him another one. "i'm not scared. it's just freezing."

"come on, man. you’ve gotta do it. besides, there's a fire and hot cocoa here for you when you get back," jeremiah reasoned. ten-year-old jeremiah was never very concerned about following the rules, except when it came to truth or dare. 

"i'm good," conrad snapped.

"aw, i think he's scared," steven laughed.

"i'm not scared —"

"what if i went with you?" you interrupted him. 

"but it's not your dare," belly pointed out as she continued carefully assembling a s'more. nine-year-old belly was competitive, so it was very important to her that the rules of any game were followed. 

"yeah, but if connie —"

"is scared," jeremiah coughed under his breath.

"wants company," you continued, ignoring jeremiah. "then, it'll be more fun, right?" you were a mix between jere and belly: you were competitive, but you didn’t particularly care about following the rules. especially when it came to your friends, even more when it came to conrad.

conrad smiled at you softly. "right." 

reluctantly, jeremiah, belly and steven agreed to the terms of the dare. you removed your beach cover up, and conrad his shirt, leaving you both in your swimsuits, dry even with swimming in the pool a few hours before. you ran to the water, pulling conrad with you. you stopped at the edge of the sand, waves tickling your feet and the light, and warmth, of the bonfire a recent memory. it was much cooler here, closer to the water.

"ready?"

conrad nodded once. "ready." 

hands still clasped together, you jumped into the ocean, leaving the comfort of the shore behind. 

now 

jeremiah finds stale marshmallows in the kitchen and steven makes a bonfire on the stretch of beach between your two houses. you head home to change out of your silk mini skirt and back into denim cutoffs. you switch your cream blouse for a short-sleeved button down, left open over your favourite bralette. when you get back to the beach, the boys have invited some people over, most of whom you don't recognize. 

"here," jeremiah hands you a lukewarm beer, which you accept gratefully. then, he throws an arm around your shoulder. "come on, there's some people i want you to meet." 

jeremiah introduces you to a few guys he works with at the club, and some girls who are doing the deb thing with belly. 

"jeremiah mentioned you’re a swimmer." gigi, one of the debs, smiles, eyeing the way jeremiah leans against you. "what's that like?"

the girls all wait expectantly for you to answer. 

"intense," you decide. you leave it at that. the fire flickers a few feet away, vibrant and alive. 

you want nothing more than to go back to those summer nights when you were kids. you want belly to be looking at the stars for elaborate constellations while jeremiah burns marshmallows to a crisp. you want steven to be laughing and making outrageous, impossible dares. you want the five of you together, huddled around a small fire that conrad had carefully crafted. you want conrad to be okay. 

"i hear that competitive sports can like, really fuck with a girl's self-esteem and body image," gigi continues. you don't necessarily think she means it as an insult, and it's certainly not anything you haven't heard (or felt) before, but you still bristle.

"like i said: intense," you answer cooly. 

"hey, man, when are we gonna get the marshmallows going?" steven suddenly appears, his face slightly flushed. he holds hands with shayla, who, as jeremiah pointed out earlier, steven is dating. 

"in a bit. i asked con to pick up chocolate and graham crackers for s'mores." jeremiah looks around before saying: "speaking of: look who's here!"

jeremiah runs off to meet his brother, while you stay back and take a sip of your beer. 

"looks like he brought nicole, too," steven observes.

who the fuck is nicole? 

nicole, you learn as the group sits around the bonfire and roasts marshmallows, is the girl conrad is either dating or hooking up with. jeremiah isn't quite sure.

the night grows darker. the air is warm with smoke from marshmallows roasting, the smell of burnt sugar dancing around. people start to leave to go to other parties, and soon enough it's only steven, shayla, nicole, conrad, jeremiah, and you. having less people around made it harder for you to ignore conrad. nicole is nice and pleasant to talk to, but you can't help but feel something churn in your stomach when you see how close nicole and conrad are to each other. plus, she's wearing a red sox cap, and you know for a fact that conrad hates the red sox, unless that obviously fundamental part of his personality changed too. 

jeremiah must have noticed, because he suggests a drinking game for the group to ease the tension. 

"never have i ever gotten a tattoo." 

you’re the only one to take a sip of your drink. 

"i meant a real one," steven rolls his eyes. 

"i do have a real tattoo." you remove the button down and point to the left side of your rib cage. 

the others take a closer look, except conrad, of course. he was always an expert at pretending not to care, but so were you. tonight is a prime example: since the bonfire, you hadn't said a word to each other. 

"why a starfish?" nicole asks. she leans further into conrad’s arms.

you look at conrad, briefly, then shrug. "i like the beach." 

the game continues until the fire dies down, and you’re left with a burning sensation from conrad glancing in your direction, at the starfish etched on your skin.

then — summer, age 13

"that's disgusting," steven said, scrunching his nose. 

"no, steven, that's friendship," you replied, just as jeremiah leaned over to take more from your cup, and vice versa.

"right, friendship." belly raised her eyebrow at you, and you rolled your eyes in response. you then decided to take an interest in your formerly white sneakers (after so many summers, they were now decorated with sand and sea water and permanent marker doodles. your mother hated them.)

that summer, belly became convinced that jeremiah had a crush on you. she said that he was absolutely lovestruck and that you were too blinded by years of being best friends with him to notice. jeremiah had made you promise not to tell belly the hilarious irony of the situation — that it was belly he so clearly loved.

"see, steven. friendship can be sweet!" jeremiah grinned, chewing the chunk of bubble gum he had fished from your cup. that was the type of cheesy thing only jeremiah could say and make others laugh unironically. 

years before, when you were just kids, you and jeremiah believed you had solved the most complicated problem in the world. you loved bubble gum ice cream, but hated the bubble gum chunks. jeremiah loved bubble gum chunks, and didn't care if the flavor clashed with his favorite rainbow sherbert because he loved you even more (platonically, of course). 

during the whole interaction, conrad was silent, looking out towards the beach. 

the five of you had walked to the nearest ice cream shop (there was no baskin robbins in cousins, but some nautical themed place with 50 flavors and unlimited toppings). you decided to come back and sit on the porch of the fisher house (where there was a decent amount of shade) rather than on the beach. it was one of the hottest afternoons of the summer, late july, when the sun was at its peak. those who'd been coming to cousins their whole lives knew that being at the beach in such weather was only good for swimming. 

you glanced at conrad, who took another bite (an actual bite) of his chocolate ice cream. he was sitting on the railing instead of the stairs like the rest of you, so you had to crane your neck slightly. you tapped his ankle, which was decorated with a temporary tattoo. the night before, the two of you had found a few left over from when you were kids and, having a sugar rush from too much cream soda and root beer (and maybe stolen sips of sangria when the adults weren't looking), decided it would be hilarious to see if the tattoos still worked. so, conrad had a cartoonish-looking shark on his ankle, and you had a similarly cartoonish-looking starfish on your arm. 

"you okay, connie?" you asked. you only got a nod and a small smile in response. more and more, as summer crept on, conrad would be laughing, loud and lively, one second (exhibit A: using those temporary tattoos the night before was his idea -- we don't want them to go to waste, y/n, he grinned mischievously) and the next he'd be silent, closed off (exhibit B: since you came back from your ice cream excursion, he'd barely said a word). 

even though you couldn't really read minds, you had an aching feeling that you knew what conrad was thinking in that moment, because you’d been thinking it, too: time was passing too quickly. in a few days, it would already be august, and september was just around the corner. the summer - your childhood - was as temporary as yours and conrad’s tattoos: vibrant and saturated, slightly faded, then gone. 

"i wanna go swimming. anyone wanna join me at the beach?" jeremiah suddenly asked. 

"i've gotta pick up the twins from day camp, but i'll try to meet you guys later." you knew that wasn't true though — things were getting more and more tense between your parents, your father storming out angrily after useless arguments and your mother passing out on the couch after one too many glasses of wine. someone needed to watch your siblings, and neither of your parents seemed pressed to find an actual babysitter.

"i'll stay with you," conrad said.

belly and steven took jeremiah up on his offer. once the other three were gone, you stood up. "scooch over." conrad shifted slightly and you went to join him on the railing, your knees practically knocking together. 

"so. did the tattoo help you get over your fear of sharks?" 

conrad took another bite of his ice cream, this time with a giant chunk of chocolate. "i don't fear sharks," he replied. then, he turned to you and shrugged. "i just respect them, you know?"

you bumped your shoulder against conrad's. "right. you respect them so much that you avoid the ocean at all costs." 

conrad smirked. "says the girl who avoids eating on the beach because she's scared of seagulls!" 

you were laughing, teasing each other, not caring that your ice cream was melting, when mr. fisher opened the front door, car keys in hand.

"oh, hey kids. we were wondering where you were."

"we went to scoops ahoy," you explained. you took a bite of your ice cream and resisted the urge to spit it out once you realized that it had a chunk of bubble gum in it. 

"better watch the ice cream, huh, y/n?" mr. fisher said, smiling like he said the funniest thing in the world. he patted his stomach to further his point. "if you want to keep up at those swim meets."

you suddenly froze, mid bite. you cleared your throat and dropped the spoon back in your half-empty cup, suddenly queasy.

"dad," conrad said, not raising his voice, but definitely irritated. "what the actual fuck."

"language, conrad," mr. fisher scolded. without another word, he got in his car and drove away.

"he shouldn't have said that," conrad said instantly.

"it's fine," you replied, too quickly to be true. you set down your ice cream between you and conrad. "it's nothing my own father hasn't said to me."

being a teenage girl was brutal, and competitive swimming amplified that, especially the older you got. there was always someone faster, someone more skilled, someone better. ice cream churned in your stomach at the thought. was your father right: had you wasted your summer, not practicing your technique and stuffing your face with sugary treats? 

conrad picked up your ice cream and handed it to you. he then took the spoon from his own cup, and stated: "fuck dads who are jerks." 

you couldn't help but smile. somehow, he always knew what to say to make you believe that you weren't alone, that things would be okay no matter how fucked up the world was. 

"fuck dads who are jerks," you echoed, raising your spoon.

"and,” conrad paused. he looked at you with gentle eyes. “to always being there for each other."

you smiled at him, heart soaring. "to always being there for each other." 

you clinked your spoons together, and ate your ice cream, and shifted closer so your legs pressed together — and it didn't feel like a temporary promise.

now

you always loved mornings in cousins. the beach was particularly beautiful at sunrise, the water at its most peaceful.

the morning after the bonfire, you need that peacefulness to wash over you. as quietly as you can to avoid waking up the rest of your family, you make a fresh pot of coffee and pour some into your favourite mug. it’s from the rainforest cafe: bright green with a cartoon frog on it. you brought it back from a swim meet in niagara falls when you were 10, and got one for the fishers as well. theirs was orange with a cartoon iguana. conrad would use it all the time; you imagine it collecting dust in the kitchen cupboard now.

you make your way down to the beach, and notice someone already sitting at your usual spot by the water.

conrad doesn’t say anything when you sit next to him. he’s wearing a red hoodie over his clothes from last night, a cigarette tucked behind his ear. he glances at you as you sip your drink. 

“morning,” he whispers.

you shiver, and not just from the cool morning air. you’re reminded of the last time conrad spoke to you so softly, the last time you’d caught an early morning sunrise together. such a contrast to where you are now.

“morning,” you finally reply. 

as the sound of waves fills the silence between you, conrad lights his cigarette and takes a puff. then, he hands it to you. in turn, you offer him your mug. a peace offering — you both accept. the space between you becomes open, comfortable.

“since when do you smoke?” you exhale, letting the smoke warm your lungs. 

conrad takes a long sip of coffee, looking out towards the ocean. “since i quit football.”

“i thought you loved football.”

“i loved it,” conrad answers. he takes another sip, then gives the mug back to you. “i don’t love it anymore.”

you take another drag of the cigarette. your fingers brush against his when you return it to him.

“once you love something, you never really unlove it,” you muse, even though you know exactly what he means — when it comes to sports. 

“don’t misquote spirited away at me,” he laughs, and you can’t help but smile. the first time you'd watch that movie was when you were 8. all the kids crowded into the den of the fisher house on a rainy day. susannah prepared an impressive spread of candy, popcorn, and soda for you all. you drank dr. pepper from a twizzler straw and cried when chihiro reunited with haku.

conrad glances at you and the sunshine highlights his smile, his brown hair, the hazel of his eyes. golden, radiant. 

you shiver again, looking away. before you know it, you feel something draped across your shoulders.

“i’m not sure nicole would like it if i was wearing your hoodie.” you joke, but your words are laced with a bitterness you hope conrad doesn’t catch. unlucky for you, conrad knew you too well. 

“you don’t get to do that,” he snaps.

“do what?”

conrad scoffs. “be jealous.” 

“well, you don’t get to tell me how to feel.”

“so, you are jealous?”

you exhale sharply; you can practically feel the wall between you two reappear.

“it’s too early, con. and i’m too hungover to deal with this.”

there’s nothing more left to say. you get up, throw his hoodie on the sand, and walk back towards your house, the beach and conrad further away with every step you take.

it makes sense that way: you were always the one to leave first.

[just-a-ghost00]

Are you on the right path?

Group 1

Song : Meltdown - Motionless in White, Lost At Sea - B.I ft Bipolar Sunshine & Afgan Cards : Knight of wands, Emperor, queen of pentacles, Empress, knight of cups, 7 of cups

Not only are you on the right path but you're also on the verge of manifesting your divine counterpart. With a bunch of other lovely souls that will likely confuse you. Because all of them are possibly soulmates. Group 1, are you a candle? Because you shine so bright a lot of people are gathering around you and celebrating you. Some might even want to blow that candle of yours (pun intended). The future seems pretty positive for you so far. Expect several romantic offers, a lot of flirting and a lot of fun, mixed with a pinch of confusion. It feels like even though you reject some offers, these souls will stay in your lane because yall are a team. A soul fam. A pack of hungry wolves that strive for success. Look at you! All sexy and pampered, ready to secure the bag and be the next big thing. Dear Lord, you are gorgeous! The Universe is clapping for you and so is good old Wade. What more can you ask for? You'll be stepping into your power, getting them opportunities and living your best life. Yall have been doing the work and it's paying off big time. In terms of potential zodiac signs to look out for, we have Aries, Sagittarius, Taurus, Cancer and Pisces. Possibly Scorpio and Leo as well. You'll be attracting men and women identifying individuals alike, even non binary people. Every one seems to be drunk in love with you. I feel like you're the Empress in this spread. And then you have two knights, one queen and one emperor circling around you like sharks. And this isn't necessarily a bad thing. The Emperor person is your divine counterpart. Now, choosing them isn't mandatory. I feel like there is no wrong answer in this situation. Whomever you choose to be with is the one for you. Fate is in your hands.

Letters/possible significant signs : M, B, E, K, camels, horses, koi fish, stars

Group 2

Songs : Nakigahara - The GazettE, Awake and Alive - Skillet Cards : 10 of cups, the world, 5 of wands, 4 of wands, 7 of cups, black numen rx

Though you may face hardships coming from your community or the environment you're in, feel confused at the amount of fork in the roads you're presented with, you are heading in the right direction. And the outcome of your journey is a positive one. You may be travelling or relocating soon, finding a new home. This is a new begenning for you. You're getting out of a dark night of the soul. I was about to write "dark knight" instead. There could be Batman fans in this group. If we take the Batman metaphor, Bruce Wayne has been through a lot. Many times, he was faced with hardships and doubted his purpose. He doubted the good in him as he was flirting with the shadows of humanity, dealing with the worst in people. Yet, he never stopped moving forward. He kept fighting, he kept hoping for a better future for humanity. And eventually he'd find something positive to hold on to. Well, same goes for you. Because there are obstacles on your way and people that don't see eye to eye with you doesn't mean that you should stop believing in and fighting for your ideals and dreams. Which you will be doing in the future without a doubt. Expect more happiness, fulfillment in most areas of your life. Expect a healthier and more supportive community, a lot of interesting opportunities. You're taking your destiny in charge and deciding to work towards your goals no matter the opinion have of you. This time, you are choosing yourself over others. That's the spirit group 2! Hit the bull's eye! You can be proud of yourself.

Letters/possible significant signs : koi fish, dogs, roses, A, W, N

Group 3

Songs : Break me The GazettE, path of the wind aekasora, The Beginning One OK Rock

Cards : knight of swords, 10 of pentacles, king of cups, wheel of fortune, page of pentacles, hanged man

You may have had a rough time lately group 3 and were in a phase where your reality didn’t match your expectations and hopes nor did it align with the amount of effort you put into manifesting your desired reality. You may have felt desperate, depressed, frustrated. But let me be the bringer of good news : that vicious cycle is ending. A new wind is blowing in your direction. One that will make you soar high and above that dark cloud you were stuck in. You’re going to see the bigger picture and you will thank yourself for holding on all these years. Your career and studies are going to take a major positive turn. Luck is in your favor. Yes, you are on the right path. You always were. You just didn’t see it because you were in the maze. But you’ll gain a new perspective soon with that hanged man energy. I feel like you’ll be taking a completely different approach to your life in general. If you were considering completely changing your work methods or habits, that is definitely your sign this is the right thing to do. If you were the kind to follow others and hang to tradition as a safety measure, now you’ll be taking the lead and innovating. If you were the kind to wait for others to notice you and ask about you, now you’ll be the one reaching out and asking about people. And vice versa. You may be learning new skills that will benefit you financially. You may get help from an Earth and/or a Water sign. If you are a Virgo or a fixed sign (Leo, Taurus, Aquarius, Scorpio) then this is your confirmation this reading is for you. You are encourage to keep going in the direction you’re heading and be resilient. You are doing a good job group 3. There may be a connection solidifying in the 3D over time. That grounding of the connection will however happen slowly. It may take a lot of time before it comes to fruition. You may at some point enter a stagnating energy and feel like nothing is moving. Do not be scared when that happens. This is only temporary.

Letters and significant signs : spiders, eyes, squirrels, B, O, K, P, W

[blueismakingfanfics]

What in Hell is Bad

Which Devil's have praise kinks?

What in Hell is Bad Headcanons featuring the following Devils: Leraye, Juno P(Ppyong), Valefore, Eligos, Phenix, Amon, Stolas, Naberius, Morax, and Gamigin.

Warning: Praises Kink and horny devils!!!⚠️

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Leraye: Leraye will go out of his way to seek your praise. Leraye has extremely low stamina, after one round he's ready to pass out on the bed, but if you want him too he's more than glad to work, and overstimulate himself for your pleasure, he can't get over the sweet words you tell him when he's doing a good job!

"Ah~" Please! I can keep on going! We don't need to stop just yet~!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Juno P: Ppyong is eager to please as long as long as you touch him. Please touch him, he's so good for you, please tell him how good he's doing. Ppyong feels no shame and isn't a stranger to begging to get what he wants. When he's pleasing you tell him how good he is because all he wants is to be good for you!

"Touch me there! I promise that I'll be good for you! Just please touch me, I'm all yours!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Valefor: Valefor can be a bit greedy when it comes to your praise. He will do things that will make you praise him, he's always seeking your praise as if his life depends on it, he wants to hear those words all the time and can never get enough of it. He's yours, so he'll be good for you. The best way to praise him is to compare him to Mammon.

"Do I feel as good as Mammon? I do, that makes me so...happy..."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Eligos: Unlike the others, Eligos expects to be praised just for being alive. He's cute, and you should know that. Tell him that he's cute all the time. He thrives off of your praise and calling him cute. Please tell him that he's cute when he's taking you so well, soft tears running down his eyes with flushed pink cheeks. What's not to love!

"I- nugh~! Do I look cute when I take you? I'm doing good, right?"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Phenix: Phenix gets turned on by a lot of things, including praise. Anytime you praise him he cums right then and there! He already had a hard time controlling himself around you and praising him takes him right over the edge!

"Ahhh~... I can't hold it in when you talk to me like that!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Amon: Amon's praise kink my not be as obvious, but if Amon is in love with you, he wants to be good for you. You probably won't realize that he has a praise kink at first, but Amon can't help but notice the throbbing in his pants anytime you tell him that he feels good. Before he falls in love with you, he usually seems overly tired and seemingly uninterested while having sex, but when he does fall for you, he's much more awake and active in giving you pleasure. His cock throbbing in his pants everytime you tell him he's making you feel good.

"Please tell me that you're close? I want to make you feel good..."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Stolas: Stolas so clearly has a praise kink, but he wouldn't dare tell you. He tries to hide it and pretend like nothing is wrong, but when you praise him, he can't help but shuffle, trying to calm down his boner. Stolas wants to be good for you, he wants you to feel good, he wants to be calm and collected but he loses himself in pleasure and let's it all out, he can't help but focus on the pleasure you bring him.

"Please, please, please, please, please!!! Keep going, ah~! I'm almost there! I'm gonna cum! Your good boy is gonna cum for you! Ah~ all for you!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Naberius: Naberius is calm and collected. He tries to keep calm and think rationally, but the moment you call him a good boy, he loses all his pride and sense of respect. He's on his knees for you and so desperately wants to be your good dog, it drives him crazy. You have him on a metaphorical and literal choke hold. He's willing to do anything to be your good boy no matter how embarrassing.

"Yes, yes, yes! I'm your good boy! I'm a good boy, I'm a good boy, I'm YOUR good boy!!!"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Morax: Morax lives to please you. All he wants to do is make you feel better. If you're stressed out, he's more than glad for you to take out all your frustrations on him. He doesn't mind how rough you treat him, but when you call him sweet names, his heart starts to flutter, and his dick gets harder. Please treat him sweetly, and he'll love you for life.

"Ah~ You can keep going, I'll be good and take it all..."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Gamigin: If Gamigin still had a tail, it would be wagging every time you praised him. He's a good boy and loves it when you tell him he is. He will go out of his way to try and be better for you even though he's already doing amazing. All he wants to do is adore you!

"I can do more, I promise! Let me make you feel good, too..."

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/N: Thank you to everyone who read this! I know it's a bit short, but I wanted to post! Hehe! I know the fandom is dying after the last update, but I still wanted to write for WHB!(´･ω･). I'm accept requests, so please don't be shy to ask for me to write anything! I love all or you, and have a nice day!(*＞∇＜)ﾉ

[trillscienceofficer]

I would like to clarify that when I say that Seven's situation on Voyager is fucked up (like in this post I wrote yesterday) I don't mean that Janeway should've listened to her demands and let her go in “The Gift”, or that Janeway and the Doctor had no right to start removing her implants (leaving them would've killed her after all). What I mean is that the fucked-upness is in the whole situation that made Seven's reclamation from the Borg possible but also put her in an environment (the USS Voyager) where survival is guaranteed by the close collaboration of everyone on board, which also means concessions of personal freedom and privacy. Other crewmembers entered this pact voluntarily (we can discuss some other time what choice did the Maquis actually have other than join the crew), but Seven unequivocally did not. Yet it's the only way she could've been reclaimed because we know, and the show drives this point home multiple times, that she was so young when she was assimilated that Seven of Nine, Tertiary Adjunct of Unimatrix Zero One alone would always choose the Borg. She knew of no other alternative.

I don't think letting Seven go back to the Borg in “The Gift” would've been an actually ethical choice, even if it's true that that was what she wanted. She was undoubtedly a prisoner, but I think that we forget (well, I do sometimes at least) that Seven, outside of any metaphor, can be very dangerous. She is strong and quick, she has Borg weaponry and technology at her disposal, she is relentless when pursuing her goal, and even as a drone she knows how Voyager works inside and out. Janeway took the gamble of disconnecting her from the Collective in “Scorpion, part 2” because they were expecting her to try and assimilate Voyager on her own, which she promptly tried to do as soon as the Species 8472 was no longer the main threat. So imho the ethical question posed by “The Gift” is, what do you do when an extremely dangerous individual asks you to be freed so she can rejoin the genocidal alien army of brainwashed zombies that terrorizes the galaxy? They will likely pursue you afterwards, but even if by some lucky chance they don't, you'll still have given back both a weapon and cannon fodder to the genocidal alien army. In addition to that, there's the concrete possibility that your prisoner might one day start living a different life once the brainwashing loses its hold on her.

So no, I really don't think that Janeway made a bad or even questionable choice in “The Gift”, even if it's painful to see Seven struggle against it. The complication has only just started at that point, imho. The fucked-upness comes from her having to “become an individual” in a highly-regulated and closely-surveilled community, one she could've never chosen on her own. On one hand this allows Seven to develop skills she completely lacked in a somewhat safe environment, but on the other hand it limits quite severely what she can or can't do. And while at first she rails against those limitations (she spends the entirety of season 4 doing just that), with time she starts understanding the value of living on Voyager. She manages to resist the Borg Queen's threats in “Dark Frontier” because she has learned compassion in the meantime, eventually choosing voluntarily to return to Voyager. It's a turning point that definitely does a lot to compensate for her lack of agency in “The Gift”. She thinks of Voyager as her new collective, which is equally a testament of how far she's come as much as it is a worrying admission that her new group identity is not that far off the Borg, in her mind.

By season 7 Seven is outright grateful for everything Janeway has done for her, but it still doesn't make her arc learning to ‘fit in’ any less of an exercise in shaping herself into the mold she was given as her only possible future. Is it better than being a murderous, mind-controlled zombie? Yes, it absolutely still is. Seven's independent thoughts and actions now matter, even when they clash with the rules, which is just not comparable with being a Borg drone in any way. Yet it's easy to see why her role on Voyager is also stifling, and that again she can't choose differently because she knows of no other alternative, and none are available to her anyway.

The fucked-upness also comes from extra-diegetical, production reasons, of course. The stupid ideas about what a woman is and what Seven should do to really be one (does she even want to be one?), the fact that a medical practitioner could control so closely how she presents and what she eats, the lack of actual clothes in order to make her a sexy babe for the 90s Trek target audience (“males aged 16-40”), the lack of locks on Cargo Bay 2 where she regenerates, and many other aspects that I'm sure I'm forgetting now... Ignorant, ‘default’ assumptions on how things ‘are’ that the show simply refuses to acknowledge. I know they only seem so obvious now because more than twenty years have passed since Star Trek: Voyager was on the air and the culture (in the US) has changed so much since then. This, I agree, is the kind of fucked up that I could easily do without and Seven's story would be better for it.

So in conclusion, when I say that Seven's situation is fucked up it's not so much because I think Kathryn Janeway should have chosen differently when it came to her; it's more that Seven's arc on Voyager is very complicated, for the most part, by design. Even if I think Janeway could've handled some things in a different way, in most cases it makes sense for her character to have taken those decisions regarding Seven, and I don't always think it would've made for a better story if she hadn't. Obviously I wish the production-level assumptions weren't there, and I think part of what Star Trek: Picard did right in its first season was flipping a lot of those assumptions on their head in just a handful of episodes where Seven appears.

Personally I find it valuable to keep in mind that Seven's storyline on Voyager can be complicated and fucked up without necessarily wanting to make it ‘better’. It still is interesting and effective because it's far from perfect, because everyone tried the best they could given the very difficult circumstances, because we've never seen the whole crew, much less the Captain, outside of survival mode. Yet Seven is also a survivor of almost unimaginable violence and coercion and it makes sense, I think, that her presence regularly poses ethical challenges to what other characters and even the audience might consider ‘right choices’ or ‘right behavior’. Survivors in real life, I think, often challenge our societies (none of them perfect, and where many also live in survival mode) in precisely the same way.

[the-bi-space-ace]

I genuinely think the first time Echo and Crosshair fought it was like the ship had been set on fire.

Their mission was shitty. It beat them into the ground and there was a lot of death in that battle and it had run them all ragged. Everyone was on edge. And Crosshair made some shitty comment that set Echo off. He was already pissed off and upset and overstimulated and Crosshair made the mistake of being a dick at the wrong time.

And Echo lashed out at him with such an intense dressing down that everyone just stared in silence as he did it. Crosshair didn’t help his case. He threw back just as many metaphorical punches and buckled down and made it worse because if someone’s going to call him out he’ll make sure it stings. It’s going to linger, hurt when it’s thought about.

By the time it was over they both sulked on opposite ends of the ship and avoided each other like the plague. As well as snapped at the rest of the batch when they tried to even ask simple questions or dare to sit nearby.

For the next three days it was like walking around two landmines. They refused to remain in the same room as each other, wouldn’t talk to each other or anyone else. It took locking them both in the cockpit and only agreeing to let them out if they talked about it before they finally broke down and had a conversation (stubborn as hell they are.)

They aren’t good at talking, especially about their feelings, so it took some more arguing before one of them got honest. It was probably Echo who, tired of fighting, finally admitted that sometimes Crosshair crosses (lol) a line and he doesn’t let it go. And it hurt (which he begrudgingly admits after some prodding.) to which Crosshair can admit that his pride gets in the way when someone confronts him and he may have dealt some low blows.

After an awkward silence they could maybe admit that fighting with each other sucked so bad but it felt kind of impossible to patch things up. This is the fight where Echo learned Cross will only patch things up when he’s ready (and he usually has to let it get pretty bad before he’ll admit any fault) and Crosshair learns that Echo can spit fire if he’s pissed and doesn’t back down from a fight.

Their fights aren’t always that bad. Although, like any people who live together 24/7, they get into spats every so often. Most of the time they’re easy to patch up. Some deflection, a distraction, a grumbled peace offering. Crosshair also learns that if he can get Echo to laugh then he’s basically forgiven for the smaller things. Crosshair will bring a small gift in apology within the week. It’s like clockwork. Echo has learned to expect it. And while he tries to pretend he won’t accept the apology gift because he’s still mad he does end up softening up when he finds stupid little trinkets in his pack.

Echo just brings Crosshair food when he wants to apologize about something. Usually tossed at him with some sort of grumbling over how ‘this looked gross thought you’d like it’ and it ends up being some sweet he knows Cross loves.

They may not get along 100% of the time but I like to think that the fighting ends up getting patched up in a way that is uniquely them.

[despairots]

PIECE OF LOVE! — till ivan | alien stage.

till said he liked you, but he always looked at mizi whenever she walks past. maybe if he looked back, he would notice you. waiting, staring, wanting it to be your turn before you finally looked the other way.

content warning | character deaths, swearing, unrequited love, brief cannibalistic metaphors, love triangles, male reader but not mentioned (they/them prns).

till never looked at you, if he did (which is rare), it would be because of you talking to him just to get his attention. despite him saying he liked you when you both were young, he never gave you anymore attention once mizi arrived. till never talked to her, always expecting her to look back at him without asking her for it.

maybe that’s what you felt when someone you love is looking everywhere but you. you were always there for him, he knew too, always comforting him in his darkest times, praising him when he did a good job at his practice, making him gifts so he can be happy, but not once did he return it.

does he appreciate it? yes. returns your love? no.

till doesn’t know it but maybe if he looked back, he would see who was waiting for him all this time. it was only a matter of time before they turned away from him too when he finally looks back, and you were just waiting for you to eventually give up on him.

praying, wanting, needing for it to happen. if only things could be that easy, you would’ve been a lot more free. instead, you’re bounded to be hopeless forever, no matter how many times your alien owners tried to cheer you up. gifts, clothes, toys, stuff you needed to live until this day, it would never work.

it was until recently, at the rip age of 17, that you finally grew up and matured. turning around and living the life of a young star, your owners busting their asses for you to live a life of a celebrity. it felt good to finally be free, maybe you missed being chained down to till, after all, you still cared for him.

you wanted him to be apart of you, you still wanted him carnally, sinking your teeth into him, almost like you could smell his flesh from miles away. all that you concluded that you wanted to let go so bad, was that you still loved him.

till never looked at you.

“ [name]? “

ivan’s touch on your cheek woke you up, realizing you slept on a couch, uncomfortably so from the neck in your pain when you sat up. his black pupils that had a hint of red stared right back into yours as he kneeled infront of you while cradling your hands.

“ivan..?” you trailed off before realizing he won his match, making you softly smile, “congratulations.” ivan nodded back in acknowledgment before he stood up, pulling you up with him to bring you into a hug, putting your arms around him as you buried yourself in his neck. you were lucky ivan was here with you, loving you like till could never bring up the courage to do.

now, as you raise up your platform, dressed in white with the boy you once called yours beside you, a look of concern glistening in his eyes, wondering why you weren’t looking at him like you used too. all you were doing is staring at the ground, like you lost the will to win.

till never looked at you.

watching ivan die, just to save till with no regrets while giving him a goodbye kiss as he fell to ground made you realize something, ivan looked at both till and you, just to die for both of you. when he died, you died alongside him, now till has to go up against you.

till watched you walk up the stage, wanting to get this round over and down before he followed you like a lost dog. he never heard you sing before, he never listened to your rounds or music, he was too busy with his but once he heard you live, you sounded ethereal, pulling him into your downfall.

he didn’t notice that he was being your back up vocals before you grabbed his hand, mic just inches away from your lips, did he start his singing part. till noticed how dead your eyes looked, how cold your skin felt, and how you harshly let his hand drop yours grasp.

his eyes kept following your figure, noticing how smooth and soft your movements were, aswell as how soft your voice was being when you looked at him whenever he looked away from you. despite everything, you could never hate him.

you, who didn’t wish him harm.

you, who wished he looked back at you.

and you, who didn’t want to win.

because of that, you grabbed his wrist to pull him into a short kiss, pulling away until he pulled you back in, shocking you more than anything. a part of you wanted you to believe that he was only doing it because he missed mizi, that you were just filling in the role of her until he pulled away.

a sad smile on his face as his lips moved, saying words that you weren’t able to hear, there was a ringing in your ears, the scoreboard showing that you won. till managed to catch the look of disbelief when your eyes went back to him, he was glad that the glint in your eyes were back, just not the way he didn’t want it to come back.

the tight feeling on his neck disappeared, reaching up to grasp at it did he realize you placed it on yours. no, no! he’s already lost mizi, ivan, and now, you? it’s like the world didn’t want him to be happy with the amount of blood splattered on his hands.

your smile, and ivan’s smile will now haunt his dreams, watching your body collapse onto the ground next to him with your blood on his cheeks did he yell out of despair, cradling your body close to him as the crowd watched in disbelief.

till never looked at you.

he always did, whenever you weren’t looking in that case.

“i’m sorry for not loving you enough.”

[natalyarose]

𝓟𝓲𝓬𝓴 𝓪 𝓒𝓪𝓻𝓭 - 𝒲𝒽𝒶𝓉 𝒮𝓅𝒾𝓇𝒾𝓉 𝒲𝒶𝓃𝓉𝓈 𝓎𝑜𝓊 𝓉𝑜 𝒦𝓃𝑜𝓌 𝒜𝒷𝑜𝓊𝓉 𝓉𝒽𝒾𝓈 (𝑜𝓇 𝒶) 𝒞𝑜𝓃𝓃𝑒𝒸𝓉𝒾𝑜𝓃…♡🪽

This reading is likely going to lean towards romantic themes, but there may be messages regardless- we'll see! Pick the picture you feel most drawn to. It can help to close your eyes & visualise purple to connect with your intuitive sense & pick the 'right one'. Since this is a reading intended to reach many people, discretion is advised but I trust that who is meant to find it will. If you are looking for a more specific message, I do offer personal readings (peep my pinned post).

Let's get into it! 💞

edit: these readings ended up being verryyy hyper-specific so I'm not sure how many people will actually end up resonating with them, but I suppose there will likely be at least a message or 2 to take with you either way if this is where spirit has lead you. If nothing did resonate, that's totally okay!

Group 1 ~ 7 of Wands, the Hierophant, the Hermit

~channelled messages

'is this really what you want?'

'trying to keep the peace'

'a charade'

'rushed to the altar' (likely a metaphor)

This may be very specific, I was trying to brainstorm as many possible interpretations as I could.

For this group I'm seeing an energy where there is a person who is in a relationship or pursuing a relationship with someone solely because culturally/societally it is what is expected of them or what has been planned/seeds that have been sown since childhood. Even being rushed into marriage. There is a feeling of being trapped, 'I don't wanna do this'. For some this is the classic scenario of older family members pushing you to get married and/or start a family before you're truly ready.

For others, this is somebody holding onto a current relationship or an ex solely because you honour the commitment and feel under pressure to keep the 'charade' going, but really you are not happy and either have outgrown this connection entirely, or never were totally compatible in the first place. For some, you may be in the 'talking stage' with someone. You may genuinely like them, but feel socially pressured to rush into a commitment.

It definitely seems like if this is your group, you'll know about it because there seems to be a very conscious sense of friction about it all.. like you're grinning and baring it, but really you're gritting your teeth and frustrated. It could be all internal, but from what I'm feeling it definitely seems like there are other people involved and they're veryy 'in your face' about it.

You could be dating someone or agreeing to something just to get others off your back, when in reality you need more time to figure out what you truly want & what happiness looks like for you.

Whatever it is, I'm definitely feeling an array of situations with these themes for this group, but the message here is to not feel guilty about taking a time out. Distance yourself from these pressuring people/energies, and truly take the time to understand what you truly desire. Don't let anybody emotionally bully you into something you don't truly want. There is no shame in taking a different path, and trust that the path you feel most drawn to is the one that is meant for you.

Not all of us are born to fit the mold we were born into and taught, and it's time you stop trying to appease these external people 💟

Group 2 ~ King of Cups, 2 of Swords, 6 of Wands Rx

channelled messages~

'I wasted my opportunity'

'I'm not proud of what i've done'

'I want to make things right'

Group 2, I'm seeing a person who feels that they really did wrong by you. They feel like they've failed you. They're really not proud of it, and they're thinking about the situation a lot. They may be withdrawing their energy from you/distant from you, but it's because they're embarrassed and think you want nothing to do with them (and that might be true). I'm picking up on a looot of embarrassment, a lot of shame over a bad decision they made. They may have been deceptive about something too. Once again, much like the previous pile, I think if this is your group you'll know about it, you likely know who this is & it does feel fairly recent. For some it's more recent than for others- no more than 5 years ago likely. This person is reaaaally in their feelings about it and so deeply ashamed of themselves. Whatever they did to you, feels to them like a 'fall from grace', like even they thought better of themselves. It's like they wish they could give to you, somehow make things right but they know there's nothing they could do that could make it right.

They see you as very strong and feel it isn't fair that you're baring the burden of whatever it is they've done. I'm not sure they'll admit it or not because again, the sense of embarrassment is extreme, but they are really looking at you and acknowledging that you are 'the better person' and deserved so much more. I think they want to say they're sorry, but they're kinda feeling like words aren't' enough to fix it and they've already shown their character to you so you won't care. Yikes, I'm in this person's energy and it's extremely intense, I feel nauseous... the emotions run deep. They really do care about you, but that doesn't make anything they did to you okay. They are so embarrassed and mad at themselves. I can't specify what this person did because it'd be different for everyone & once again, I think if this message is meant for you you'll know. Whatever they've done completely uprooted a foundation, maybe there was a sense of trust together or loyalty and it's just been totally destroyed. This one might be very specific, but I almost feel like whatever they've done has made them a social pariah or would if it was known to the public.

It definitely feels like you have moved on, it still weighs on your heart but you are very strong and focusing on yourself. The message here is basically that this person is feeling very ashamed of themselves and contemplating their actions, while you''re going on with your life and being the 'bigger person'. Whoever picked this group, if someone has hurt you or wronged you in the past and you've been wondering if they feel any remorse about it, this is a sign that they absolutely do- but I don't feel this means you should reach out to them or go back to them. Again, it does feel fairly fresh and recent.

Just know that you are doing the right thing, you are in a much better place than they are, and this is a huge lesson for them. Keep your head up high and let them feel this shame on their own. For some of you guys it feels like you have a whole new life since this person. Keep doing what you're doing, and I'm hearing 'don't look back'... don't feel bad that this person feels bad. Whatever happened was this person's own karmic lesson. Some of you may be needing to hear this because you may blame yourself for what happened or what this person did to you. Know that what you went through is a testament to your own strength 💟

woo.. that was intense...

Group 3 ~ 8 of Pentacles, Knight of Cups, 8 of Swords

channelled messages~

'please don't make me look like a fool'

'going in blind'

'i feel silly around you'

Okay, group 3 is slightly more lighthearted which is nice. There is somebody- if there is a specific person you asked about, it's likely them- who is attracted to you. It's a very romantic energy, like they're literally looking at clouds or the moon and daydreaming about you. It's very sweet. I also see them studying you- but the catch is, they are sooo nervous. It's funny, it's like they're so nervous to the point that they're kinda pissed off both at themselves and at you. Like they're mad that your presence destabilises them so much. They feel very judged by you even though they like you, but in reality it's all in their head? They do want to make a romantic gesture towards you, but they're holding back/staying quiet about it because they're extremelyyy afraid of rejection. Like they're scared to death. I almost feel as though they're getting panic attacks over it ;(

Some of them are acting like they're not interested in you or being snarky with you because they feel so nervous. I think this person has deep insecurities/worries in part because they're placing a lot of value on whether this works out or not. Like this person is in their heads envisioning a whole future with you. It's as though they have almost like a whole meticulous movie in their head.

I do feel like if you were to get into a relationship with this person, it would be really nice at first, but their insecurity issues would play up a lot. I'm sensing a person who doesn't necessarily intend to hurt others, but when they're feeling insecure or embarrassed, they'll hurt someone else or try to make you feel bad to deflect their own feelings. The energy is reminding me of an ex I had- not to make it about myself but just to illustrate the energy I'm getting, here's a storytime~

he took me to the skatepark and he was about to show me all his ~skater trickz~ and impress me, but I think he hadn't done it in a while or something so his skills were rusty, and he started getting really flustered and embarrassed. Suddenly he was trying to pressure me to use the scooter we brought along, and I was like oh no thankyou, I don't feel like that'll end well- but he kept pushing me to do it. I ended up falling over and grazing my knee really badly, and he just laughed at me and kept walking ahead lmao. It was like he was very embarrassed because his plan to initially impress me backfired, so he wanted to make me feel bad too??

Anyway, I don't feel like this person is intentionally malicious but yeah, they definitely have a crush on you and are nervouss. This could just be a warning that maybe at this stage they have some work to do on themselves.

I feel like you are aware of this person. The message is kinda to just sit back, and be in that state of awareness for now. 💟

Group 4 ~ High Priestess, The Star & the 6 of Cups

channelled messages~

'divine timing'

'you will meet again'

'this is more important than you realise'

Ooh- Group 4, one thing I'll say is I'm personally not sure where I stand on soulmates and that type of thing (I believe in them, but I think I'd need to go within and meditate on it a bit to figure out what feels like the 'truth') but this really feels like a soulmate connection. I'm trying to discern the message here, but first and foremost this spread is highlighting a veryy significant connection. If you've been wondering if somebody is your soulmate, or exceptionally spiritually connected to you, or something like that, this is a sign that they are.

I feel like with this connection, you are already aware that it is significant. You may be wondering why this connection feels so intense. This might go over the heads of some/be a bit 'woo', but I do feel like this spread is alluding to someone you have a past life connection to/is in your soul group hence why it feels so strong. I'm not necessarily getting that you're 'meant to be together' or anything like that, because sometimes we do have strong, electric connections with people but aren't necessarily meant to partner up. There is just undoubtedly a very strong spiritual component to this connection that is being highlighted/confirmed to you. If you no longer have contact with this person and often find yourself thinking of them, I do feel this reading is divulging that you will very likely cross paths again with this person some day.

However, I feel like this reading is intended to give you closure more than anything. Whoever this is for, spirit has been seeing you almost be stuck on this person or very mesmerised by their energy (I'm seeing like a black cat in the night staring at something other people can't see and awestruck, like it's seeing a ghost). Spirit wants you to have this information so that you can essentially, move on with your life and focus on your goals a bit better.

You may find this person ends up in your dreams often and all of that kind of thing. You're attracted to them, but beyond that you're genuinely confused about why they keep popping up in your mind/why this feels so heavily significant. This spiritual connection is felt between both of you.

I also feel like this person and the effect they've had on you, is meant to be a catalyst for something else.

In time all of it will come together & make more sense to you, but for now just keep focusing on your goals rather than being transfixed by this connection.

I also feel like outside of this person, trust in divine timing and know that there are some things you should simply leave to the universe rather than trying to understand everything. Hindsight is 20/20 & you'll have it eventually! Enjoy life & focus on your passions now rather than trying to understand it all at once 💟