#except the first three

[leeyanyanyaaan]

side project that i just finished! my personal playlist :D

[egophiliac]

I love your take on Crowley!

I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?

I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.

thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.

that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...

[gunstellations]

gentle mornings

[wasongo]

Nil and I decided to read ACCA 13 after watching it some months ago. I wanted to draw the Lilium brothers (because I'm in love with them) and Grossular.

[paxcallow]

thanks BBVRAI/HLVRAI for reminding me how to draw. now i can come back to toblr.

[imaraincloud]

there's a lot of things to love about the pjo series, and I do love all of it, however. in this third episode, watching the pegasus (pegasi?) just hanging around and existing? inexplicable childlike wonder.

[respectthepetty]

Pride Petty Watch (SOTUS) 1/5

The crowd picked two blacklisted shows for me to watch during Pride, which were Love in the Air and The Untamed, and so even though I finished the first, I've stalled on the second, and it's all because of the beast named SOTUS. I watched this show when it aired in 2016, but I don't remember any of it. All I remember is that I'm very mad at it, yet this was the wild card show that was unlocked during the voting, so instead of fearing this show so much that I cannot bring myself to finish The Untamed, I'm going straight to the big boss, and fighting this demon NOW!

It's me and the gear in a battle until the very end, and even though I cannot remember a single thing about this show, as soon as I pressed play, all the hate in my body rose to the surface, so I already know this is going to be a ~journey~

First and foremost, I'm going to give this show and Krist a compliment because I HATE Arthit, which is exactly what I should be doing in the first episode. He is 🎶The Worst🎶 and he leans all the way into it. He snarls. He yells. He forces a girl to give him her number through mere power dynamics and sexism, and this isn't just 2024-me thinking this. 2016-me knows that this character is written well because the worst thing Arthit can think of doing to another man is making him say he is gay.

Then to casually whisper in that man's ear that he could find him a skirt to wear . . .

Arthit really is the epitome of the homophobe-to-homo character and I can't believe that it worked in 2016 since I feel that was late for a character like this to still be a love interest, yet it's still working so well in 2024 because here I am, pissed, pressed, and ready to fuck him up for being the douchiest bro in this damn cafeteria. It's refreshing how much I'm allowed to hate him.

Because even the way he screams Kongpob's name with his student ID every fucking two seconds is setting me off.

And I'm very disappointed in BL Land for only ONE video existing of him screaming Kongpob's name, and it's only the times from the first half of the first episode. Thanks, OP, but we are slacking!

But, honestly, if I had a boy who looked up at me like this every time I screamed his name, I'd probably be a lot worse than Arthit. You know, instigating fights and hands on me or something like that.

And now I'm questioning this series because if these two would just choke each other out then kiss, I would be fully for it and enjoying all my snacks along the way. I'd be fine with Kongpob telling the entire room he would make Arthit his bitch, but Kongpob instead says he'll make Arthit his wife, and . . . the vibe is not as kinky as I need it to be to support all that is being thrown at me from these two.

Which is why I'm heavily shipping Kongpob with M! Kongpob got in trouble for having two books, one which was M's, and had to say he liked men. Now, they are drunk at this table with homophobe Arthit and the hazers are staring them down while Kongpob is just holding M's face.

But let me actually rewatch this show instead of reflecting on how GMMTV messed this enemies AND lovers premise up twice (looking at you, Dangerous Romance) because right now, this show is trying to make me believe the girls would not wave hello to a babyface Off.

Once again, back to the actual rewatch, and because I don't remember a thing about this, I don't know if Wad is good or bad, but him busting out this move when Prem told him to apologize was equivalent to an older white Southern Christian woman telling someone to have a blessed day, so I felt that shade through the screen!

And I'm not victim-blaming, but I do actually think Kongpob and Arthit are trying to push each buttons to see who will break first and fuck (up) the other one because this is not a sane answer to "why did you stay?" when the possibility of the hazers physically harming someone is extremely high.

I only see my Kongpob and M ship now because when Arthit asked if anyone knew M, Kongpob immediately stood up and knew his entire life story. I have known my best friends for decades, and I still could not recite half of that information. Kongpob, what are the heterosexual reasons for you know any of this information about M?

JAN!

Once again, Arthit is 🎶The Fucking Worst🎶 because instead of just taking his L, he made Kongpob say everyone's damn name, then ripped up May's name tag, only to scold Kongpob for giving her his, and now the kids are passing out from his ridiculous physical activities! As a member of a Greek-letter organization who was hazed because that was the culture of the time period, Arthit is being soooooo messy!

Hear me out - Kongpob and M would be so good together! Arthit is the antagonist. Kongpob is the protagonist who meets a sweet quiet boy on his first day of orientation. He helps the sweet quiet boy come out of his shell and watches over him. He cares for him. THEY FALL IN LOVE!

But instead I'm getting a love interest who nominated Kongpob because he knows he is cute, yet can't admit it because ~internalized homophobia~ Ryan from The OC would have never treated Seth this way, and they were in the early 2000s. What is your excuse, Arthit?! The show wants me to hate you, and for that, I'm thankful.

But I could never hate Minnie! Arthit came up quick like he was protecting the boys from Minnie being a predator, but Minnie would NEVER! I could never fear Minnie with the bisexual scarf? And now MDL is telling me the actor has only acted in one other series and that series is Deep Night. Gold star resume, and I truly mean that.

Look at them. LOOK AT THEM! Tell me they don't look good together. Tell me they wouldn't have wrecked every other ship. This is why I need GMMTV to let these MEN (no longer boys) kiss their homies. Kongpob x M. Singto x New. I ship it.

*punching walls and ripping doors off hinges* Kongpob gets kicked out the group and the FIRST one to stand up for him is the boy he loves (it's canon to me and IDGAF what the story's gotta say about it). Quiet and sweet M finds his voice just so he can ask to have Kongpob back. THEY ARE IN LOVE!

Arthit is wildin' out here trying to gaslight Kongpob with this bullshit of "if you keep helping out your friends, then they'll never stand on their own." Sir, you wanna fuck Kongpob so bad, you look stupid.

AND KONGPOB SAYS IT!

I cannot stress enough how kinky this is and could have been if 2016 BL Land was allowed to lean into this because Kongpob has already established through his actions that he likes showing up for the punishments, and here he says the quiet part very loudly - Arthit likes punishing him.

Taking a break from the kink to point out that GMMTV was always going to get My Love Mix-Up because in 2016, May's friend said that "In Japan, if you write down the name of your crush on an eraser and use it, that person will love you"

Then we have May asking for an eraser and keeping it just so she can write Kongpob's name on it. But who gets upset about it? M! Because he loves Kongpob and I'm not accepting that he likes May just like Atom realized he liked a boy instead of girl eight years later. M loves Kongpob. That is my truth!

And here comes the kink lite again! Kongpob could leave. He doesn't have to take this verbal abuse from Arthit. He doesn't have to eat that damn spicy ass plate of food. He doesn't have to finish it either because Arthit gets up and leaves, yet HE DOES! Because he likes this treatment. This makes sense if it's sadomasochism, and that will guide me through these next couple of episodes.

Because the decision to make Arthit the one who likes pink milk is a choice, and now I want an entire TED Talk on how Arthit is probably the most well done homophobic bully with internationalized homophobia falling in love with the boy he is bullying.

Because, joke's on him, the guy he falls for is into that kind of shit.

And all of this happens so we can end with Kongpob getting pink milk for himself after he finished an entire spicy meal that he didn't need to since he enjoys being punished should make me so happy, but the show is trying to lighten Arthit's behavior by having him pay for the bill (and get the freshmen food, and having been hazed himself, and blah blah blah) instead of just letting the toxicito be toxic and Kongpob being into it.

I never thought I'd write this, but I don't want Arthit to be tamed. I want him to be so much worse.

[hellaversity]

I swear to shit if I see one more person calling Charlie Morningstar a boring flat character i'm throwing hands

[luimagines]

You don’t have to answer this but what are quirks that would make the boys more smitten like a kitten?

Hmmm.... Like are these quirks for the boys or things that they would find endearing?

I'm going to assume things they would find endearing.

Talking to yourself/thinking out loud.

I'm basing this on the concept of 'likes to listen' and 'has a lot to say'. Link, as a more quiet/silent/non-verbal guy, probably would like someone else to do the talking and fill in the silence. Mostly. I dunno. I just think he'd find it cute.

Stimming

Is that the right word for what I'm thinking about? I think that he'd think it would be cute for Reader to just fidget, flap, chew- just do something that would imply their internal or emotional well-being. I'm losing my words. Someone send the cavalry.

[age-of-moonknight]

“A Little Chaos,” Moon Knight Annual (Vol. 5/2024), #1.

Writer: Dan Watters; Penciler and Inker: Marco Renna; Colorist: Rachelle Rosenberg; Letterer: Cory Petit

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[scourgeblooms]

commander ⇾ wayfinder

[capricioussun]

trick or treattt ꒰⁠⑅⁠ᵕ⁠༚⁠ᵕ⁠꒱⁠˖⁠♡

One month closer to spring already! 🌷

[cerise-on-top]

IT'S MEEEE! 😆 how're you doing?

I want some ANGST! But with a happy ending with Fluff!

Valeria/Laswell/Farah have a stressful day, and they are in a bad mood and take it out in the reader.

Take your time and take care! 🫶

Hello again! Welcome back! I'm doing fine, I'm just a bit tired right now, but I should be alright by tomorrow! First off, I'm so sorry this took so long! I tried to make it a bit longer than I usually would as an apology! There's not a whole lot of angst, aside from the girls having had a rough day and accidentally letting it out on reader, but I tried! I hope it's to your liking! Thank you for your request!

Valeria, Farah and Laswell Taking their Anger out on Reader but then Comforting them

Valeria: It was likely Alejandro who got on her nerves, chasing her like a dog would its own tail, only to never catch her after all. If she could, she would have him killed just like that. Much to her dismay, however, he was slippery, a trained killer whose only weakness was either himself or Rudy. But even the latter was hard to catch, so both of them meeting a fitting end would yet have to wait some more. At that moment, all Valeria wanted was to spill some blood. Anyone’s would have been fine. Walking through the door to your shared home, she watched you fold some clothes in the living room, putting them aside carefully so as to not put too many folds in them. Waving to her once you put down the sweater, you greeted her, wanting to throw your arms around your partner. Yet, fear struck you as Valeria glared at you, looking as though she was about to rip your throat out using her bare teeth. Thus, you kept your hug to yourself, a bit intimidated by her.

Instead, you tell her that you made some food, some vegetable stew, which she could easily reheat in the kitchen. Somehow, that information made her even more furious. Seemingly disappointed in your choice of cooking, she cussed. At first not at you, but when you tried to deescalate the situation, insisting that you could cook her a meat based dish as well, Valeria’s fuse blew. Her voice grew louder, almost booming, with her explicitly telling you that she didn’t fucking care about the food. It wasn’t the first time you had seen her act like this, but not towards you. Therefore you figured she must have had an extremely rough day. Even so, when she was done, you muttered an apology, going to your room and avoiding her for the rest of the evening so she could blow off some steam. It wasn’t your fault, you couldn’t have known after all, but you still felt like a failure, awaiting the seconds, the minutes, the hours, until you could finally go to bed. Just hearing Valeria stomp around outside your room made your blood freeze in your veins.

It wasn’t until 21:23, as you were just about to head to bed, that you heard a knock on your door. Even without your permission, it was opened, showcasing Valeria on the other side, seemingly having calmed down a bit. Leaning against the doorframe, she complimented your cooking. It was as delicious as it had always been, very well seasoned and very filling after all. You did nothing wrong, she, too, assured you of that. While she won’t go into detail regarding what exactly happened for her to snap at you like that, simply mentioning a few sleazebags who had caught up with her, you will hear something that only ever leaves her mouth when she’s wronged you for no good reason: an apology.

If you let her in, then she’s more than happy to try and comfort you. Yes, it’s a bit awkward since she’s not used to doing so, but seeing your eyes wide, your body tense, all because of her does take its toll on her. If you don’t wanna be touched just yet, that’s fine, she can respect that. But if you do allow it, then she’ll gently grab your hand and squeeze it a few times. She’s tired too, so she likely won’t be doing anything big with you anymore that night, but she’s open to making plans with you and discussing them. She really wants to right her wrongs when it comes to you, so you’re more than welcome to make a suggestion. You wanna have a picnic with her? She knows Las Almas quite well, some beautiful, undisturbed spots coming to mind almost immediately. You wanna go shopping? You can ask her for just about anything you want, she’ll give you extras to go this time too. You wanna stay in and watch a comfort movie? While she may not be one for watching movies, she will make an exception for you. She always does when she can.

Discussing those plans with you, she’ll try to make you smile at least a little bit. Once she’s sure you’re not afraid of her anymore, she’ll give your cheek a little kiss, joking around a bit more than she did before. She won’t bother you for the rest of the evening unless you explicitly seek her out, but she will keep an eye out for you, leaving you a few snacks right in front of your door. Maybe even some money so you can get yourself something fancy and nice. Problem is, she likely won’t have too much time, but she’ll be damned if she won’t take better care of you, if just temporarily. Even though she’ll always try her best to take care of you, it’s you we’re talking about, after all.

Farah: Another stressful day during the revolution. With an ambush surprising her, leaving her and her people a bit more vulnerable than usual, with her almost losing some of her best and closest fighters, it was only natural for Farah to be a bit more on edge than usual. Normally so calm, able to calculate the best moves and maneuvers for just about anything, no matter what happens, this was something she did not foresee at the time, thinking she had had the upper hand instead. It was only when she finally had the time, just a day or two, for you, mad as she usually never was, that she walked through the door, throwing her gun to the cabinet. Despite not being such a loud person, a sniper had to be quiet and patient, after all, she made quite a ruckus when she had finally returned. You were ready to greet Farah, give her a big smile and make her feel welcome and home as only you could. Soon enough, however, you did feel that something was off. Despite being stressed more often than not, she usually wouldn’t scowl at you like that for no reason.

You offered her a hug, opening your arms wide despite your expression betraying your nervousness. Aside from a glare, you got no reaction. Eventually, you put your arms down and she greeted you, venom spewing from her words. The toxins could corrode even the strongest iron walls, leaving you defenseless in your fear. Did you do something this time? Likely not, Farah just got home after all, but the thought still lingered. Although she was normally so chatty when she was just a bit exhausted, she stomped away, not saying a single word to you. First the bathroom, then the kitchen and lastly her bedroom. The clanking of cutlery against a plate could be heard, but that’s about it. You felt awful, something properly terrible must have happened to her for her to act like that. But it wasn’t like you could change it, so you lowered the volume of your TV instead before turning it off entirely and reading something on your phone.

Another few hours had passed, you barely even dared to move a muscle aside from scrolling on your phone, much less make any noise. What if it was you after all? What is Farah was about to leave you for something you didn’t even know about? Your thoughts spiraled, with every following one being worse than the previous one. You folded the blanket and put it on the arm of the couch, ready to head to bed when you bumped into her. Quickly, you uttered an apology before being ready to dart off to your own room, but Farah held you in place, asking you if you had a moment to spare and listen to her. It was dark already, with the dim artificial lights doing you no favors in seeing her any better either, but she sounded calmer than before. Still slightly annoyed, but it seemed like whatever had gotten into her had lessened its grasp on her. Tugging you onto the couch, she apologized for giving you such a harsh and cold treatment, simply figuring that waiting until she had calmed down would be better than letting it out on you, who had no part in it. The situation was dire for her, she told you a bit about it. About the ambush, about the people she’s almost lost during it. She knew that she really shouldn’t have been acting like that towards you, and for that she apologizes one last time.

Once she was done explaining what had upset her to you, she’d be quiet, remorseful, until you’d speak up again. She’d love to make it up to you, you really didn’t deserve such harsh treatment after all. If you just want a hug or a kiss as a form of apology, she’ll smile at you, being more than willing to give you just that. However, she will also ask you if that’s everything you wanted. That would be your chance to ask for something reasonable from her. Sure, she won’t be able to buy you a new car, but you’re more than welcome to ask her for some alone time, just the two of you. She might only have a day or two away from the fight, which she was going to spend with you either way since she rarely gets to see you, but if you have special requests, that would be the best time to suggest them. There may not be too many fancy restaurants or malls nearby, but you can always just watch a silly movie or take a walk together.

Farah would literally swear to you that she’s going to make it back in one piece to you. After all, there’s no one else she’d rather roam the streets with during a beautiful cloudless night. Besides, she made two promises that night: to make it back to you and to make it up to you. Farah would fight any deities out there to make it back to you, no matter if it was a losing battle or not. If it’s you then she’ll fight as dirty as possible to see you smile again.

Laswell: She was likely taken off a case, in spite of her having enough evidence to prove everything that needed to come to light. With her wit, with her having the right people at her disposal, she could have brought this to an end. However, her incompetent superior had other plans, letting it all rot in darkness instead, until everyone forgot it ever even happened. Laswell was furious, no matter how much she argued, her superior wouldn’t budge and for that she silently cursed. Normally so calm and composed, this time she wished she could have blown someone’s brain out for being the dumbest creature alive. But alas, such a thing was illegal, if someone ever were to find out. She entertains the idea for a few minutes, but quickly enough shakes her head, thinking of other ways to accomplish her goal. Walking through the door, she already heard you singing along to some tune, the music unnecessarily loud. You likely didn’t hear her come in, which in and of itself wouldn’t have been a problem. On any other day.

Only when she turns off the music do you realize she’s here. However, her grimace was already telling. Shyly, you greeted her, but not much else, letting her speak instead. The fury had gotten to her head, her face being slightly more red than usual. This time, she was stern, telling you that you really shouldn’t listen to your dumb music this loudly at such an hour. She was going to get a massive headache from today, if only because of you needing to turn up the volume impossibly high. While Laswell wouldn’t yell at you, her words would be sharper than an obsidian knife instead. Indeed, she’s not trying to actively hurt you, in fact, once her little lesson on you maybe being a bit more quiet is over, she’ll feel bad, apologizing immediately. It would take her much, much longer than that to actually calm down, but once she sees your scared, saddened expression, unable to really say much, she’ll say she’s sorry and let you go, watching you as you quietly trot away with your head hung low. Sighing to herself, she already comes up with plans on making it up to you, but she knows she can’t control her anger as she was right now.

A few hours later, you’d hear the bell ring, but not be quite ready to leave your room just yet. It likely was for Laswell, not for you, so you simply stayed put, hoping that she had calmed down a bit by then. However, your ears would perk up upon hearing her knock on your door, asking you to come to the living room so you could eat something together. Despite being a little bit skittish still, afraid to anger her further, you soon enough noticed she had calmed down again, with your favorite takeout from a restaurant you usually suggest lying on the table. Once seated, Laswell opened the packages, handing you your food. In a much more serene tone, she’d apologize yet again. Your music wasn’t dumb, it wasn’t giving her a headache, she just had a very rough day and needed some peace and quiet. Laswell hopes you can understand this, even if she did treat you unfairly. She recognizes that, and that she also tells you, with her promising to try her best to not have it happen again.

Laswell won’t go into detail either regarding what happened, for obvious reasons, only that some inconvenience happened today, which upset her a great deal. But that wasn’t what was important at that moment. She was calm, hopefully you were as well. And if not, then she’d try her darndest to make it that way. Considering she, technically speaking, had more time that day, and the following ones as well, she’d be the one to suggest going out the next evening. Maybe a nice and fancy restaurant, maybe a show like a musical at the broadway. Or maybe the two of you just want to take a vacation somewhere nearby. Either way, Laswell has plans for the two of you, having brainstormed a few in the past few hours. She’ll get her way at work eventually, it just might take some time, so she’ll happily “indulge” her superior for a few days before going back to crack the case either way. It would make her all the less suspicious. Besides, she’d get to spend time with you as well, even if all you wanted was to just go window shopping at the local mall.

That evening, she’d likely just want to watch TV with you, continuing to discuss your plans for the next few days. But after that she’s more than happy to book whatever it is you want to do afterwards. While she might not be the biggest fan of such, she will even go to the nearest Six Flags with you and ride a few attractions just to see you smile and hear your laughter, as well as excited screams, yet again.

[simgerale]

✨ Coming Soon… ✨

Sequel to Regal

[coldblooded-angel]

COVID AU where Art and Tashi are forced to quarantine when the city wide lockdowns prevent them from traveling. They find a motel that would let them rent the room for as long as they need to. Thankfully, Lily is with her grandma and they’re both safe.

I want forced proximity. I want Tashi going stir crazy not having anything to do. I want Art still attempting to keep in shape until one day he’s too lazy to workout or get up out of bed. I want Art and Tashi forced to actually talk about anything other than tennis.

COVID AU where Patrick gets trapped in the lockdown. He knows he can’t stay in his car forever so he goes to the nearest motel and uses his emergency credit card to rent a room.

One day, he decides to use the amenities. He knows the motel has a pool and he’s not surprised to see other guests already there. He knows he should stay 6 feet apart. Except he recognizes that blunt short bob and that mop of blonde curls.

Yeah, Patrick Zweig just casually quarantining with the Donaldsons. It’s definitely gonna turn out fine.

(Blame @lovethelittlerthings for implanting this in my brain 😵‍💫😵‍💫)