the perfect gift.
pairings: lando norris x fem!reader.
summary: the tradition of the secret santa in mclaren never ends, much less now that lando got your name on it.
genre: fluff.
word count: 1k.
warning: none.
notes: no use of y/n or any names at all.
as someone who notices every little detail and always stays on top of things, you can’t help but pick up on the small comments your colleagues make. if someone mentions they like something, it becomes second nature for you to remember it. and the moment you come across that item, you instinctively get it for them without a second thought. it’s not even about the object itself; it’s just who you are, attentive and thoughtful. the drivers are no exception. if oscar casually mentions he likes something as simple as a keyring, you make sure to have one ready for him at the first opportunity. and when it comes to lando, well, it's a little different. not that you play favorites, of course, but there's just something about him. you find yourself wanting to give him more—small, thoughtful gifts that hold meaning, not just because of what they are, but because it feels like you're speaking a language only he can understand.
luckily for you, lando is the same way. he’s always been so attentive to his colleagues and the whole mclaren team, making sure everyone feels seen and appreciated. and now, with christmas just around the corner, festive decorations sparkling in every room, the smell of pine filling the air, and the buzz of the secret santa exchange spreading excitement through the halls, something different stirs. fate, with its playful timing, has placed your name in lando’s hands. and though most of your interactions have remained professional, you somehow have this strange power over him, lighting up his day with just a smile or a laugh. he can’t stop thinking about you.
determined to make this gift special, lando has spent weeks quietly gathering hints, listening closely to every comment you’ve made, every subtle suggestion. it’s almost like he’s reverse engineering your tastes, wanting to find something that reflects how much he cares. and finally, after all the planning, he finds it, the perfect gift. it’s not just a present; it’s something that speaks to your interests, something that carries meaning far beyond its surface.
on the day of the exchange, your heart is fluttering with excitement, but there’s also a familiar nervousness creeping in as everyone gathers around the festive table, gifts piled high, laughter filling the air. as soon as the room grows quieter, your heart starts to beat louder, like it’s trying to escape your chest. you try focusing on the cheerful chatter around you, but every time you sneak a glance at lando, all your attempts at being calm fly out the window. he stands across the table, nervously shifting his weight from foot to foot, and for once, his usual laid-back vibe seems to disappear. every time your eyes accidentally meet, you feel heat rush to your cheeks, forcing you to look away almost immediately. what is it about him that makes you feel like this?
it’s a quiet, unspoken game, the tension hanging between you like a string about to snap. even oscar catches on, watching the two of you from the corner of his eye, grinning to himself as if he's the only one in on the secret. it’s amusing, the way your obvious connection has become so noticeable to everyone but, somehow, not entirely to you or him.
when your turn comes, after what feels like an eternity, you try to steady your hands as you reach for the present in front of you. you know it’s from him. somehow, you just know. your hands move almost automatically, and as you tear through the paper, the room falls into a soft, curious hush. your fingers tug at the wrapping paper, and when the gift is finally revealed, you freeze. your breath hitches in your throat. it’s the book, a rare edition you’ve been searching for years. the one you never thought you'd get your hands on. and next to it, resting carefully in a little pot, is a delicate flower, your favorite. and a handwritten note with a poorly drawn smiley face: “merry christmas, i’m grateful i met you.”
your eyes shoot up, and there he is, standing still, watching your reaction closely. that familiar smile of his is softer now, almost shy, a look you rarely ever see on him. lando, always so confident, now seems unsure, almost vulnerable.
“oh my god, this is perfect, lan. thank you,” you manage to say, your voice trembling with gratitude and something else you can’t quite name. you don’t think twice; you step forward and wrap your arms around him, your cheek pressing against him. it feels so natural. his arms wrap around you too, holding you in a way that makes you feel seen. he rests his chin on your head, and you can hear his soft sigh of relief. there’s no denying it now, he has been paying attention, really paying attention to everything about you.
“i’m glad you like it,” he murmurs, his voice so close to your ear that it sends shivers down your spine. “i spent ages trying to think of something that might make you happy.”
your fingers lightly brush the petals, and a warmth floods through you, a warmth you've been ignoring, maybe even avoiding, until now. you look up, and there he is, looking right at you with that shy, almost bashful smile you rarely see on him. it makes your heart flutter, seeing him this thoughtful. for a second, it feels like the whole room has melted away, the room, the laughter, the others. there’s only you and him, standing across from each other, caught in the quiet magic of the moment. you can’t help it, you smile wide, your face flushing with joy.
“wanna go out sometime?” you blurt out, the words tumbling from your lips before you can even think to stop them. the second the words leave your lips, you feel a rush of embarrassment, but at the same time, relief. it feels good to finally ask, to finally say what you’ve been holding back for so long.
lando’s eyes light up instantly, his face breaking into a smile that makes your heart skip a beat. “please, i’d love to,” he nods, his voice soft, as if the question had been burning in his mind too.
before you can say anything else, oscar’s teasing voice breaks through the magic, making you jump. “thank god for that. i was getting sick of you two.” he gives lando a playful pat on the back, grinning, but nothing can wipe the smile off either of your faces now.
©⠀piastrisun original work. please don’t translate, claim or repost any of my writing, 24’.
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Alina Starkov - the most inconsistent main character. A tragedy of not wanting to have an identity.
The main character in Shadow and Bone trilogy, a prime example of "she deserved better". A.k.a. soldier, Sun Summoner, Sun Saint. In reality, a false saint and a false hero, who has less personality, goals, spine and consistency than her three love interests. How did this happen? Short answer - bad writing. Long answer? Here we go.
Her character at the beginning - a blank slate.
Physically small and weak, sickly, fragile, with a sour face and sourer attitude. Grew up in an orphanage funded by a Duke, who they were taught to basically worship while looking down on religion and beliefs in saints. Children in the orphanage were beaten if they misbehaved or didn't do chores, but were given education and fine food, which means they were faring better than peasants and farmers. Alina had not many, but several options in her life. She could learn a trade that would not require physical labour, like sewing. Or, she could marry and hope her husband was gracious enough to buy a donkey instead of making her carry heavy sacks of salt on her back, as we see a random man do to his wife. But Alina had no hobbies, interests, aspirations or ambitions in her life. Except her childhood friend Mal. Mal gets a mandatory draft in the First Army, and of course Alina follows, and settles for being a mediocre cartographer. Mal thrives in the army, showing off muscles and hooking up with women, while Alina dutifully waits for him saints know why. She doesn't have other genuine friends, she doesn't like people, she doesn't like anything. This is not a bad start in a sense that there is much room for growth and improvement.
Refusing to belong
Alina discovers she's a long awaited sun summoner, who can vanquish the Fold and unite Ravka. She doesn't want to be special, but not for the reasons you might think. Instead of fearing the burden of such an important task or genuinely becoming paranoid of being assassinated (she gets over those in five minutes), she just...doesn't want the responsibility of actually being useful for something. She'd rather not have powers at all, and go back to being in a constantly sickly state. She'd rather be tailing Mal like a mouse. Which doesn't make any sense for following reasons:
Alina's insecurities in SaB:
Not being pretty and talented
2. Not being as pretty and talented as Grisha
3. Being an orphan, being unwanted.
Being a Grisha actually solves all those problems for her. She gets prettier and healthier once she stops repressing her powers, has a unique cool power, and a community that cares for her. Plus, the support from important figures in Ravka. In time, she could have a family.
Instead, she refuses to acknowledge she's one of them, doesn't train properly, preferring to cling to her prejudices and make digs at Grisha. She'd rather complain that they're prettier, confident and pampered than acknowledge they are serfs, nothing but glorified servants with no basic human rights. Instead of her superstitions and prejudices being shattered when she starts living with them and realizing what Grisha have to go through, becoming rightfully enraged that her people are being treated this way, she still doesn't feel any empathy. In fact, she still doesn't see the General as a HUMAN BEING WHO MIGHT HAVE FEELINGS, even though he makes time in his busy schedule of running an army to make sure she's comfortable, jokes along with her, listens to her fears and reassures her, etc. Why would he go through the trouble if he was heartless? He's the General of the Second Army, by the King's law, she's his soldier. She is obligated to obey him regardless.
The narrative supports her delusions.
I get missing her friend, I get struggling to adjust, but it's more than that. Alina is getting dragged along from a plot point to a plot point kicking and screaming, as if she has anything better to do. She doesn't have a life, why is she so against of getting one? Once she finally somewhat adjusts to her life in the Little Palace, it turns out Darkling has had malicious intents towards her powers all along! Aha, you were right to be prejudiced, Alina! Now abandon your people, your country, and run!
“He … he said that Darklings are born without souls. That only something truly evil could have created the Shadow Fold.”
Imagine telling a person who saved your life that he was a soulless abomination, even though you do not know him, and he is still kind to you and reveals as much about him as he can. There is no grooming and manipulation here, it's just called not being a bitch. Darkling tells Alina he's over 120 years old, Alina is an adult, and the damned kiss was consensual. Of course he didn't tell her everything. Even regular people don't reveal their life-long ambitions and deepest childhood trauma to their crush after several conversations. It took Alina months to stop being in denial about being a Grisha, still didn't like being one, you're telling me if Darkling set her down and explained the complex political situation and his plan to overthrow the corrupt monarchy and bring an end to the war, Alina wouldn't jump out of the window?
Alina running away, not confronting the problem, and straight up deciding Darkling was evil incarnate with no evidence snowballed into Darkling deciding she couldn't be trusted and taking more drastic measures. Liberation of his people was on the line and one pesky girl screwed up a carefully planned coup because she couldn't handle her feelings.
False badassery
Throughout the whole three books, every time Alina makes a decision, it's immediately followed by self-doubt, shame and scorn. But no actual objective criticism. We often see variations of "It was foolish, but I didn't care", "I knew it was reckless but I couldn't bring myself to care", but never her actually analyzing why, or deciding not to do something like that again. Her small victories are immediately followed by thoughts on how would others feel about it, even though the person in question isn't even there and couldn't give less of a shit: "Never is it to be said that Ana Kuya didn't teach us manners", "A cheap trick, but a good one. Nikolai would be proud". Ana Kuya was an abusive mother figure, Nikolai was using Alina's status to get the throne. Sure, it's good that Alina is capable of learning useful things from every kinds of people, but she doesn't think "That was smart of me. I learnt that. I'm proud of myself for an accomplishment". She thinks "Is it good? Would they like it? They like things like that, right?". She attaches herself to people that fit her view of "deserving" and helps them, even though it might not be for the best. Extreme lack of self-worth, combined with entitlement.
When Alina hears a rumour Darkling ordered his heartrenders to sew a traitor's mouth shut, she's horrified. Even though that's hardly the worst punishment for a traitor in an army. But when some pilgrims insult Genya, she orders to have their tongues cut out after they're given only one warning. When Alina commits violence at slightest provocation, it's baddass. But when Darkling commits a controlled necessary military act to stop enemies from overrunning the country, it's madness and is falsely labeled genocide. Look up the definition, genocide is what was happening to Grisha.
The Darkling never kidnapped children and put them in the war zone. He only lied to Alina that he did, a clever strategy with no bloodshed. Meanwhile, Alina let her cult fight for her, whose members were brainwashed children, some only twelve years old.
When Alina faces a dilemma or a tense military situation, her go-to strategy is suicide. That is not martyrdom, nor it is badass.
Darkling became a bad person out of good intentions and desperation, Alina is just a bad selfish person.
Desperate people are the ones capable of the worst acts. Darkling didn't go nearly as crazy as he could, and frankly had a right to on behalf of his people.
"Aleksander had marched south with the king’s soldiers, and when they’d faced the Shu in the field, he’d unleashed darkness upon their opponents, blinding them where they stood. Ravka’s forces had won the day. But when Yevgeni had offered Aleksander his reward, he had refused the king’s gold. “There are others like me, Grisha, living in hiding. Give me leave to offer them sanctuary here and I will build you an army the likes of which the world has never seen.”
It doesn't matter how much genocide, prejudice, abuse and dehumanization the Grisha suffered through for centuries all around the world, Alina never bothers to look at the big picture. Her help is only for those who she deems worthy of it.
She attaches herself to people who fit her narrow-minded view of "worthy". She immediately believes Baghra's rather flimsy expose of Darkling, even though the old woman has been nothing but unhelpful to her, only insulting her and beating her. But Alina associates her with her only mother figure, Ana Kuya, another old hag she had a toxic relationship with. And even though Baghra is an immensely powerful Grisha who refuses to help or even lift a finger, or just spit out vital information, Alina coddles her and provides protection. Instead of telling her to fess up the useful information and save her unhelpful comments, Alina looks up to her as a mentor.
When Genya tells her story, Alina feels bad for her, but not bad enough to see things her perspective. She only becomes protective of Genya once she gets mutilated, out of pity. If it was genuine compassion, she would've forgiven and understood her from the start.
Every Grisha has been hunted and shamed for merely existing, almost every Grisha has lost a loved one to war. But Alina pointedly ignores it, because she doesn't personally know and care for those people. Therefore, she doesn't feel empathetic. Because if she feels empathetic, she might start feeling guilty about how she runs away from her responsibilities at every given opportunity. Just look at this passage:
“You know what he plans to do, Ivan.” “He plans to bring us peace.” “At what price?” I asked desperately. “You know this is madness.” “Did you know I had two brothers?” Ivan asked abruptly. The familiar smirk was gone from his handsome face. “Of course not. They weren’t born Grisha. They were soldiers, and they both died fighting the King’s wars. So did my father. So did my uncle.” “I’m sorry.” “Yes, everyone is sorry. The King is sorry. The Queen is sorry. I’m sorry. But only the Darkling will do something about it.”
The Darkling never wanted power for selfish reasons. He didn't want to take over other countries or lift Grisha above regular people. He wanted his kind to have basic human rights. Centuries of diplomacy and servitude only gave him enough power to make a school for Grisha children and save adults from slavery and getting slaughtered by serving nobles. He wanted to use the Fold as a border, to stop enemies from invading whenever they pleased, so he would have the time to save Ravka from collapsing. What has Alina done? Started a civil war, destroyed the Second army and helped put a morally dubious man with no claim on the throne to continue an outdated absolute monarchy tradition.
Alina Starkov was meant to be the sun, but turned out to be a trick of the light.
Every time it felt like Alina was emerging from her cocoon as a beautiful butterfly, embracing her true self, she went back to the toxic situationship and the toxic mindset. The narrative also always struck her down. Every book begins and ends with her being sickly, fragile, missing an essential part of herself. It would be good if it was written differently and showed themes of being disabled or having a chronic illness accurately, but it's not. It started out well. Alina was removed from an abusive environment, found a purpose in life, started loving her newfound powers, outgrew the stupid crush who she was way too dependent on, but it all went downhill from there. And then some. This constant vicious cycle does not fit the theme of growth and improvement, and neither does the ending, where Alina loses her powers and goes back to the orphanage. Once again, she's frail and strange, servants (who she now employs) don't respect her, sneer and make fun of her, while her now husband Mal turns a blind eye. Everything is back to the way it was: Mal thrives, Alina is...there. The ending is supposed to be bittersweet, a couple who survived a war building a new life together, but I don't see the sweet part.
Trick of the light - definition: something appearing different from what actually is as a result of the quality of light.
Darkling wanted her to be a strong Grisha, his equal and balance. Grisha wanted her to be a capable leader, Bataar twins wanted a living saint they could worship, Nikolai wanted a wife interested in Ravka and politics. Alina tried to be all of that, but never really wanted to be any of those, so she half-assed it. Mal wanted the version of Alina who was small and insignificant, because anything more made him insecure, and he got his wish.
Illusion, mirage, spectre.
No matter how much the author tries to tell us that Alina's every problem is Darkling's fault, her thought process and actions paint a different picture. Alina was never mentally healthy and she never addressed or resolved her problems. Growing up in a controlled and abusive environment affected her more than anyone, including herself, wants to admit. I am not a licensed psychiatrist, so I will refrain from officially diagnosing Alina, even though she's a fictional character. I am NOT saying I know for certain that Alina has these, if any, mental problems, but she does have some alarming symptoms. It seems like depersonalization. While her symptoms don't fit into one particular mental disorder, I am reminded of psychiatric infantilism, but it is not a mental illness with symptoms. Psychiatric infantilism doesn't necessarily mean the person acts outwardly childishly. To explain very roughly and simply, it means the psych is not as developed as it should be (even if the person is very smart and clever). It shows in avoiding responsibility or not feeling it at all, problems with social connections, not seeing the big picture and taking it seriously, etc. When Harshaw tells the story of his brother getting brutally murdered by people who hate Grisha, even brash Zoya is appalled and expresses her condolences. While all Alina thinks about is that Harshaw might base his hope of having a better life on her now.
Alina also might have Dependent Personality Disorder, but it's hard to say, since we are never shown her being on her own long enough to see whether or not she can take actually care of herself. But her relationship with Mal, Darkling and Baghra (after she no longer objectively needs them) is weird, to say the least.
She never gains the sense of self or an identity, she refuses to become something, then delivers an inner monologue of accepting her fate and five minutes later goes back on her words. Her willingness to sacrifice her life is never out of thinking of the greater good and future, justice, or patriotism. She just doesn't want to live, especially without Mal, who has been doing nothing but shitting on her. Her titles are slapped on her, and she peels them off. Her personality never really changes. Everything she went through feels like a really bad exchange program she was in for a year, and from which she has learnt nothing.
P.S. I don't hate Alina's character, I just mourn her lost potential.
If you have made it to the end, I salute you, congratulations and thank you. 😊 🙏 ❤️
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Hi I’m literally obsessed with this au
I have a couple questions I’m so sorry if I’m bothering you but I’ve been analyzing this comic for way too long
Who is leading mountain to be killed? Who is getting crowned? Why is mountain being killed? Are the rest of the knights/other portraits other ghouls? Who is helping phantom unbury him? Is phantom unveiling him at the end?
I’m so sorry I’m obsessed, your art is amazing and thank you for your time
Thanks for the time and energy you invested into this!!! Wow! I might disappoint you after this haha. But u know! Always analyze and believe in whatever you think it’s the best explanation! I love when ppl have their own understanding of a piece :) that’s why there’s no dialogue
Anyway about the comic…
It supposed to be a simple “once upon a time” kinda thing. A bedtime tell, someone’s small piece of memory, a casual story that’s melancholy. Nobody’s really important, except the little prince and his knight. There’s no deeper meaning other than the lonely prince lost the only person he cares about to a war.
Something about the titan knights is that they don’t care about their identity. Their powers and skills are the things that matters. That’s their identity instead of who that person is under that mask. They are weapons and they like to keep it that way. Meaning that if any one of them dies during the war, a weapon has served its purpose. The others will move on and there’s no sorrow. I don’t want to talk too much about different species lore here it’s a lot…maybe next time :)
However, the two anonymous knights are rather closer to Mountain and Phantom than everyone else. They are also more human-like. They are more sentimental than some others on the team. It’s not anyone’s fault that the titans are this way btw, it’s just how things is. These two knights care about phantom more than the others does spiritually, they kinda understand how close their captain was to the prince and what Mountain meant to him. So they take him to Mount. Usually titans don’t even take the dead body back with them. It’s not like they don’t care, they do, but to them dead body it’s meaningless. No longer serve any purpose. Titans don’t ever grieve, mourn, or anything.
Phantom does. Be glad that he’s even able to contact with the corpse one last time cuz a lot of times soldier’s grave is just an empty tomb. That’s also why he digs. He needs to see it himself in order to let go. He places the veil back to place and sees what he’s familiar with for his whole life. The mere illusion that Mount is still with him.
…
Honestly this whole thing came to me at 2am and I couldn’t stop thinking about it. I feel like its more of a vibe, very vague story and fear of death I didn’t executed it the way I wish I could (skill issue…) anyway my first actual try at drawing comics and it took me 2 miserable weeks(it was okay). I shared this before I have concentrate issue my attention span is short💀…ngl the process it’s challenging and I wasn’t expecting ppl to understand what’s happening or even read it. I didn’t expect myself to finish the whole thing even lol. Glad you like it and look at it with these much appreciation AND letting me know!!! :)) that’s what I was tryna say. 🖤🖤🫶🫶🫶
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What if Bill Cipher had a little sister? + Bonus Reverse! Gravity Falls Bally
What if Bill Cipher had a little sibling, yes I know he destroyed his home dimension but like what if he formed a version of him into his little sister and make them instantly related?
I would imagine them having like some kind of chaos junkie older brother and younger sister calmer girl relationship with each other. Bally knows she can’t scold Bill because well, for one, he formed her, and two! She is the younger sibling here so yeah no. But technically she can still scold him even if it results in a sibling fight. They express their platonic love for each other like that way.
Bally is more mature and calmer for a 12-year old triangular entity that has one eye as well, except she doesn’t have a top hat nor is yellow, she’s purplish-blue and has a dark purple bow on top of her pointy head. Eyelashes are more downwards and soft. Carries a little book around with her universal spells and all that little sh!t. She’s a nerd and she likes to study things about the cosmos.
Did I mention whenever she sings she has a very loud voice it can erupt an entire earthquake in just 3 seconds? Yeah so rule number one, no singing (bill said) Honestly she is very powerful but not as powerful as Bill, she can control matter and space, but not time. So she can basically form whatever she wants (an imaginary boyfriend)
Her spells usually come out in a bluish hue, indicating her rather calmer and insignificant side. She’s more exposed to nature then anything in the entire Galaxy. She’s never killed anyone! Not yet… but she is a well-behaved kid, even if she is billions of years old.
Now since she was formed by Bill, she doesn’t know what happened to her parents, well, not really her parents. But she wishes she had parents. She knows what they look like since she shares an individual mind with Bill. And trust me the clean-up process for her to forget all these memories was not pretty.
Sometimes she’ll make a dimension of her own and maybe spend time in it and remorse about lonely times, sit in a corner and draw her and her brother with their presumed dead parents hugging them both. Sometimes she wishes they could maybe hug her too if she was ever apart of the family when her older brother was younger. She misses them. She misses when she was just a little speck of dust in the universe for some reason before getting formed into a real Euclydian.
Now she doesn’t really talk with Bill much, since he’s too busy with much other sh!t he has to deal with anyways. Sometimes she wishes he had the time to spend time with her, but no! THAT never happened. She knows he’s got “big plans” coming up soon. But she can’t just stop time and make him hangout with her. It’s beyond her control. He formed her because he wanted someone to call “family” since he misses his parents.
But she doesn’t think that he wants her as family. He just didn’t care and formed her to clean up his own messes, which she always ends up doing. Part of that is true, some of it is not. She knows the trauma he has.
Fast forward a billions years later to the near 80s. It had been a long time ever since she saw her brother. Distant and alone and hungry for brotherly bonds and relationship, but they never seemed to happen in the end. That is until her mind peaked at a glimpse of Bill’s plans on Earth. Stanford Pines. A genius. Yes. She could finally find someone to connect to. So she headed down to Earth in a human form of herself to maybe see what her brother was up to. She could’ve done this any time, any day, any century, but no. She didn’t want to disturb her brother. After stumbling across Gravity Falls, Oregon. She mentally located the site Stanford was located at and found it, carefully wandering about it. She noticed that Ford was asleep and she decided to enter the Mindscape and see what his brain was filled with. Man, a genius. He was like her. She saw Bill and Ford playing chess, and once Bill detected her, he rushed over to her and said, “Heya sis! It’s been MILLIONS OF YEARS ever since I last saw ‘ya! How ya been?” He acts as if he had seen her last month. She got frustrated and stormed off, Stanford looked at her in sympathy, poor girl was lost.
Now she got angry because he acted as if he had seen her just last week, and he pretended to actually care when in reality he didn’t. This made her very frustrated, screaming at the top of her lungs as she ripped out pages of books that floated inside of The Mindscape. Bill tries to calm her down, which soothes her. What a fool she was for believing he actually cared for her in the end. She smiled and hugged him gently. Bill introduced Bally to Stanford, “Bally, Stanford! Stanford, Bally!”
Bally looked at Stanford in a curious way and smiled. He might be connected to her in some way in the near future. But when she found that portal they were planning, it ruined her. She knew something. She knew connecting The Mindscape with Earth would result in destruction. She tried stopping Bill. It didn’t work. He manipulated her. She ended up crying and storming off, she never saw Bill and Stanford ever again, assuming they were at their worst points.
Authors note: Man this was a very long lore story to go to! Anyways here’s a drawing of her and Reverse!Gravity Falls AU her!
I’m hoping you all enjoyed the lore reading. She might be a bit tad out and cringe but I like her for that. I might change her up later!
Some facts about Sally and Bally.
-Bally likes reading books and using her books to make spells or summon random things. She glows blue whenever she does something incredibly powerful.
-Bally believes Bill didn’t actually care for her, which he didn’t care for her actually. He manipulated her and why should she trust him?
-She got cheated out of her own childhood.
SALLY
-Sally is an ENTP, silly and more extroverted, honestly had no care in the world whatsoever and a chaos junkie like Bill.
-Makes fun of Will (Reverse!gravity falls AU Bill Cipher) for being so easily depressed and cries easily. She thinks he’s weak, she actually cares for her older brother.
-Literally the type to say “ROFLMAO!” “LMAO” “LOL XD” “<3” Gen Z type.
-Honestly does not care about Earth or any other dimension. WORKS FOR NOBODY.
NOBODY. NOBODY NOBODY NOBODY.
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Hello!
Wanted to get your thoughts on Elain not fitting into Night Court because per Cassian she is drowned out by “Night Court Black”? This also came up when Elain did not wear Illyrian leathers. One of the podcasts that I listen to (though mind you are very much in love with the red haired characters of the books, though they try to keep is unbiased) mentioned this. To me this has always been a bit of a faulty argument, especially about the Illyrian leathers because of course she would not want to wear that. Nesta was the same way. Cassian thinking that was an interesting way to word it—Mor nor Amgen regularly wear black yet he points this specifically out about Night Court. People tend to think well that must be it..Elain belongs in Day or Spring. Personally, I think SJM is perhaps pointing her to a different court all together—>Dusk perhaps???? Or it means absolutely nothing and Cassian is just oblivious to everyone except Nesta, despite the podcasters constantly talking about his emotional intelligence.
The 'black dress' comment has been addressed many times, and I can go back and kind of regurgitate the same info:
it's not the Night Court, it's specifically Hewn City
the plain black dress was there for a reason. To take all attention from her, and place it all on Nesta.
Elain volunteered HERSELF to go to Hewn City and play this role. She stated that she was 'part of this court' and would do what's necessary.
This is all canon and all in the book. So like I said, I am not going to regurgitate this info because the rebuttal of their arguments is already in there.
However, the Illyrian leathers thing is interesting.
Feyre stated that Elain possessed a 'different kind of strength' and SJM, in one of her interviews, said the same. Elain's strength, her powers are not connected to her abilities as a fighter. That's why she won't become a warrior. She is not a Blade. She is a loaf of bread. She is a flower. She is a rose in a mud field. She is a slice of cake. She is home. She is life. She is love. Her strength is that she does what is necessary, even if it's violent and cruel, and then she walks away. She doesn't dwell on it and doesn't take pride in causing pain.
However, unlike all of them, ELain was the only one who didn't need Illyrian leathers to deliver the most devastating blow of all--she stabbed the king. She didn't need any physical power to make a huge difference in the war--first by Seeing Vassa, who came in and destroyed the navy, and then by finding the Suriel with her Seer's Eyes, and through the Suriel, Amren learned how to shed her 'skin' and how to come to full power, thus developing a devastating blow to Hybern.
Elain has never been and hopefully will not be about fighting, slicing and dicing. Elain fully lives into the Nephelle philosophy. The weakest, the most 'insignificant' person can make the most difference. Nephelle with her too small wings, with her lack of physical powers also made a tremendous amount of difference in the previous War.
Cassian, the great warrior, the general, all clad in Illyrian leathers was no match for the King of Hybern. No matter his training, his physicality, his strength, he still fell, and was ready to die. But then Elain stepped out of the shadow and rammed Truth Teller through the King's throat.
That's her power. That's her strength. She does what needs to be done and then she returns to her quiet life, and continues to create.
That's the significance of Elain Archeron.
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So... SKs...
I need to talk about my positioning on the Zenix/Vylad/Malik Death thing too because i may have changed that opinion a teeny bit with a tiny bit of speculation... but i digress. that'll be another post, i'm just warning you that the yap travelling circus is coming to your city
anyways
SKs!
tw, this is discussions about SKs, and so will be talking about themes involving death, torture, and manipulation.
Lore about Sks really becomes defined after Laur becomes one, because he's a major character and it really makes sense that way, but we do get a lot of lore even before he becomes a recurring character, really. Especially through Zenix and the storylines adjacent to him. I really do think that Sk lore was peaking when Zenix was one of the major antagonists for the series, because it was just very interesting to have to explore that he was experiencing it away from the main storyline, and Aphmau would have to make an active effort to understand and build that knowledge, and even as she is starting to know more she is still kind of in denial that he is capable of the things he is doing.
And this becomes especially interesting that she is learning this through other people, when we compare it to what Zenix himself says about being a Shadow knight.
SKs have been around since episode one, maybe not in the way they were later developed to be, but the idea of this little band of antagonists that follow 'The King' and want lords dead, and are stunting villages, and we don't really know why except for monarchism. And as we build upon our knowledge over the episodes we find out they don't live in an active monarchy, but that the King is some supernatural force, and that the little band of villains are too, and they're trying to bring him back.
And then we get, in episode 31/32, that not all SKs are guards, and they don't only kill lords. Of course, the baker is only a knight in training, but the idea remains. The following of the King is ideological, they don't only recruit guards off of some need for the bond between lords and guards, they will recruit whoever is willing to do what they want, kill who needs to be killed.
In fact, the first time we ever really get the guard/lord talk in regards to Shadowknights is in episode 35, by Zenix. Zenix seems to have this idea that Guards and Lords are intrinsically connected, that the life of one is dependant of the death of the other, and there is always this idea that guards are expendable and so they are the ones to die and the lords live. However, if the guards kill the lords instead, they become the King's loyal servants, blessed with power, with immortality.
He cannot be killed like when he was human.
This is the origin of the idea that Sks are not only immortal, but have to kill the one they love most to transform into that immortal state. And it's not exactly what he's saying. He's saying that guards are always expected to die for their lords, but then the King tells them 'hey you kill your lord, i'll let you live forever' and then they're like 'oh neat' and kill their lords to gain that immortality and power.
I understand how this little rant of his later turned into that lore, but i think the implications here are much more interesting. Again, he says 'No one can touch me! No one can kill me like when i was human' and whilst you can take that to mean that he is no longer mortal, it also kind of reads like he has been killed or at least severely harmed before before... which has been implied by Azura earlier on, and sort of himself in the same conversation, where he says 'Garroth told you... didn't he? How he found me?' 'I wasn't in such good shape then either.' What this all overall implies upon SK lore is that the King preys upon victims to find followers, he takes those who have been victimised before, and he offers them the chance to not have to suffer that way again, they just have to do as he tells them to.
It's not some urge they cannot shake off, it's not this feeling deep inside of them that they cannot remove. They have been hurt they have been offered to not have to never be hurt again. It's a choice, through and through, but in the same way it isn't. It's not this primal hunger for blood, so much as a scrabbling for survival, it's fear, and desperation, it's a needing to not suffer through that trauma again and so they say yes. They say yes, because they will do these awful things because it's better to do bad to others than them do bad to you.
Later lore has them do these things because Shad has taken their bodies, and brought them back, changed their memories and given them the urge and the want to kill. He preys on victims because he can only turn those in his clutches into Knights. Earlier lore has him turning people by ideology, he is preying on those who he knows are already vulnerable, he is not limited by scope of domain, but merely by how convincing he can be. And that is terrifying.
Guards aren't killing lords because they need to kill who matters most to them, because they can't stop themselves no matter how much they try.
they're doing it because he told them to.
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ahh I'm somehow starting to love BoMiha. Bojan testing and observing if he's old enough yet to have a real chance with Kris' dad... Of course in his mind Bojan has been old enough since he turned 18, but he knows it takes time to become a man from a boy. So whenever he's visiting Kris' house he's being very polite and very attentive as always, but also trying to be more and more assertive, to show that he has his own opinion and his own power. And that his body is his own tool and Bojan knows how to use it and show it off. Of course Bojan doesn't really expect anything, he's just testing the waters, it's been a game that he's been playing for years at this point. No need to tell Kris either because for one if Kris doesn't notice then it doesn't matter, right? Except one evening after another regular stunt at subtle seduction in Guštin house, Bojan gets cornered in a dim hallway by a tired and very frustrated Miha, asking Bojan what the fuck is he doing and that Miha wasn't born yesterday, and if Bojan wants to get disciplined so much then fine, Miha can provide... 👀
Anonyboo, you cannot leave us hanging like that!
Obsessed with the idea of Bojan being a little tease, thinking he's just playing, it's just a fantasy, it's safe.
Until Miha calls his bluff. Because Miha has also been waiting, just keeping an eye on things, keeping his hands and his thoughts to himself. Completely understanding why his son is so fond of him, but knowing that Bojan can never be his. Or can he? Just once?
What happens in the hallway?! Does Miha put Bojan's hand on his cock to let him feel how hard he is? Does that little tease Bojan kiss him, just to test his reaction? Does Miha drag him into the bathroom and put him on his knees to see if that mouth is good for anything other than chatting shit?
Or maybe there's just that one comment, just a hint of "I'm not joking if you're not joking" backed up by a hand slipping under a shirt for a fraction of a second. And they pretend everything is normal the rest of the evening, until they sneak away to find each other in the middle of the night.
A finger over lips, they need to be quiet.
"Kris never finds out."
"Agreed."
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[WM — September 2024] Prompt 6 — Time-Turner.
Rating: G.
TW: none.
Characters: Remus Lupin, Seren Lupin (OC), Mary Macdonald, Sirius Black (in the haunting-the-narrative kind of way).
Additional Tags: actor Sirius Black; celebrity Sirius Black; trans Remus Lupin; past trans male pregnancy; Mary and Peter are great friends I just need to say it; modern au; actress Seren Lupin but she’s just starting; Seren as a wolfstar baby except Sirius doesn’t know she’s his (or Remus’s for that matter).
Summary: Seren Lupin gets the lead role for upcoming coming-of-age movie Time-Turner.
Words count: 975.
A/N: Heya! I dropped this au in @impishtubist askbox some time ago and since it refused to leave my brain I'm now forced to write about it idk. I’ll write Sirius and Remus’ first meeting (in twelve years) for a later microfic I think lmao. Hope you like it! 💕
@wolfstarmicrofic
read on ao3.
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Remus is worrying himself sick, pacing alone in the kitchen, opening and closing the fridge to make sure the cake is still here, getting the glasses out, putting them back in, starting making tea, forgetting it halfway through the process. He should have joined them after work, but he was too stressed and too scared of somehow destroying Seren’s chances.
It’s her last audition today. Some sort of chemistry test? To see if she gets along with the other actors? It all made sense when she was excitedly telling him about it yesterday again, but it’s like his brain is mush now.
The door opens, cutting him down from his own spiral, and Remus perks up, more stressed out by the whole affair than his daughter ever was.
“Dad! Dad! I got it!”
Seren appears in the kitchen, grinning like the little gremlin she is, teeth out and her brown curls slipping free from the careful braid Mary pushed them into this morning. Her eyes, a circle of dark brown cascading into a warm grey, are shining with delight and joy, and Remus finds himself breathless with love — just like almost twelve years ago, when they put this small, red, squealing baby on his chest with a congratulation.
His daughter jumps into his arms and he laughs in tandem with her. “That’s amazing! I knew you could do it!” He lets her free, just enough to put his hands on her cheeks and look at her in the eyes. “I’m so proud of you.”
She beams with the force of a thousand suns.
“Thanks! It was so cool, and, oh, you’ll never guess who’s gonna play my dad in the film! And Mister Dumbledore said that we could get a TV show too!”
Albus Dumbledore, one of the most acclaimed film directors still alive, with so many successes behind him — yet so eccentric you could never guess what he will go for next. After a blockbuster about a young crowds of vigilantes saving their world from tyranny, a rather depressing story about a young orphan in the middle of WWII becoming the oppressor, and a passionate but tragic gay romance at the end of the 19th century, a coming-of-age children story is right on par for the course. Time-Turner, as it’s called, will follow a young girl — played by Seren, his own daughter! — discovering her time travel power, while dealing with her mother’s recent demise.
Which makes the father of the heroine the other lead of the film, and someone Seren will have to spend a lot of time with. Remus hopes he’s a good person. Someone nice, who wouldn’t be put-out by her unlimited energy and her never-ending supply of questions.
“So?” he asks as Seren stops talking to take a breath. “Who will play your dad?”
She grins, more excited even than before. She has always looked more like him, in general, with more elegance in her traits and grace in her body than he ever possessed. But like that — oh, like that, she looks just like…
“Sirius Black!” she yells, bouncing on her feet, and she can’t help but do a little, victorious dance.
“That’s great,” he says, croaks out more than anything, and smiles as wide as he can, drowning the drumming of his heart and fear as much as he can. “Why don’t you call your grandparents to tell them the news?” He checks the time. “And your uncle Peter? He should be out of work by now.”
Seren nods and babbles some more and disappears toward her room. Mary, who was standing silently near the door the whole time, finally comes around.
Remus starts busying himself with tea. It’s easier than thinking through his rising panic.
“So,” says Mary, because of course she cannot not say anything. For a brief second, Remus wishes Peter had been the one disponible today — he would have judged silently but not said anything, him. “You never told us Sirius Black is Seren’s father.”
He groans. His face hits the table and he considers staying here forever.
“No one knows,” he finally mumbles. “How did you even guess?”
“He was here today.” She ponders her words an instant. “They’re a lot alike.”
“But he doesn’t—” He stops himself, but Mary has known him since they were kids. She can read him too easily.
“I don't think he does.”
Remus sighs. It’s not ideal; it was already not great when Sirius Black was Seren’s idol, but it will be worse now that they’re in contact. Now that he will be in her life.
“Do I ask how it happened, since you didn’t tell me at the time, or are we doing that later when you can get drunk?”
“Second option,” Remus immediately answers. He can still remember, after all those years, how Sirius kissed him like he was important, the warmth of his hands on his body, the softness of his hair— But they had basically been strangers to each other, several hook-ups to escape boring parties resulting in Remus's panic at his sudden pregnancy and a total loss of contact. And now— Now he has so much to lose.
“I’ll call Peter,” Mary nods sagely. Then, after a beat of silence, “it will come out at some point, you know.”
“I doubt it,” he mutters, prays. “It’s not like he’ll remember me, anyway.”
How could an acclaimed actor, known all around the world, remember a random waiter he slept with twelve years ago? Remus didn’t impact his life the way Sirius impacted his. He’ll never regret it, of course — Seren is the most precious thing in his life, and all the moments preceding her existence were pretty great too — but it's not like Sirius would want to have anything to do with them, anyway.
Remus can at least try to speak it into existence.
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Core Gems
So when a ghost becomes injured, they have a last ditch defense where they retreat into their core. And I mean, injured badly where their body is rip apart to the point they can’t hold a solid form anymore. And they basically go into a hibernation state until they are strong enough to form again.
Ellie, Danny, and Dan are all injured in a final battle against the GIW. The organization was destroyed and the ghosts were safe but the halfas ended up being so injured that they reverted to core form and then went to sleep for a bit. When they woke up, they were still weak but at least recovered enough to gain consciousness. And realize…they are in some kind of auction…in the middle of a heist. It appeared that two furries (one in a bat costume and one in a cat costume) were ducking it out. And they…they were a necklace. All three of them had been turned into a necklace with their cores as gems accompanied by sapphires, pearls, and opals. And frankly gorgeous craftsmanship as the metal was crafted around their cores as if to cradle them and the other gems.
Unfortunately, they were too weak to take a form properly, they could still feel the strain on their bodies. But at least they could still communicate through their auras. Then the cat lady punched a hole in the glass container surrounding them and grabbed their necklace.
However, the bat grabbed the other end and it resulted in a sort of tug-a-war. Meanwhile, Danny, Ellie, and Dan were having a back and form commentary on the situation and what they should do. Completely unheard by the other party.
In the corner of their eye, the three halfas finally noticed a third contender. Some kind of clown who was…hold on…holding a gun?! And it was pointed straight at the two fighting furies who had yet to notice him. The ghosts’ protective instincts went into overdrive and they frantically tried to shout, yell, move. Just do something to warn the two but their cries fell on deaf ears. All they succeeded in doing was faintly glow which immediatly caught the attention of the fighting duo. The two turned to look at the strange necklace but right at that moment, the clown fired and a gunshot rang throughout the auction room. Having no other options, Danny and the others poured every ounce of ectoplasm they had to try and phaseshift, making the two furries intangible as the bullets passed right through them, but in their shock, the two jumped away in opposite directions and accidentally ripped the necklace apart. Gems and pearls went flying and the three cores bounced along the ground.
Luckily, the two finally noticed the clown and went to deal with him and his minions who had appeared. Seemingly putting their fight on hold and forming a temporary truce. The three halfas could only watch as the battle finally wound down, ending with the cops barging into the place and arresting the clown and his grunts, the cat managing to escape with half the scattered gems and pearls from the broken necklace along with a few other jewelry pieces (none of their cores though) and the bat leaving through a skylight.
The auction continued and in the end, despite being broken, their necklace seemed to have caught someone’s interest. A man named Bruce Wayne bought up every piece of the shattered jewelry wear. The auctioneers appeared relived that the item managed to sell in the end and gratefully gave it to him.
Bruce had no idea what happened at the auction, but he could have sworn that some of the gems faintly glowed right before he and Selina were shot. If the necklace was some sort of magical item, then he needed to understand exactly what has been brought to Gotham. It was unfortunate that Selena had taken some parts of the necklace but he utilized his vast wealth to make sure all the other parts ended in his possession. Now he would take them back to the mansion for examination.
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people doing this whole "look at how rhaenys acted with corlys's bastard son vs how catelyn acted with jon snow" to demonize one or the other is weird because, like, maybe it's just me, but i think that catelyn and rhaenys had different reactions because they're different people in different situations.
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me, having slept ~5/6 hours a night for the last 10 days, working 16 hour days to try to finish this fuckass dissertation: brain no thinik good i can't do this i'm so tired
also me: a statistical analysis of pierre-luc dubois x ovechkin's uptick in goals after finding a new stick he liked last season = ovechkin is going to score 50 goals this year and break the all time record (and PLD will hit 60/70 points as his centerman). in this essay i will
also also me: ovechkin should sign a 1/2 year extension so he can hit 1000 goals, and piss off all the pittsburgh fans and xenophobic canadians haters who say he's an empty net/PP merchant
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decided to play the heirs of fate dlc this weekend (ive been meaning to for awhile; admittedly my knowledge of it all comes from browsing the wiki, and i really wanted to experience the anankos characterization for myself). this isn't even the part i was excited to get to BUT I AM REELING OVER IT..........FOR REASONS I WILL DISCLOSE IN THE TAGS (from part iv: light's sacrifice)
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Why don’t you want five in school?
Oh, I've ranted about it before in the tags of THIS POST but in general it makes me wildly uncomfortable. As an adult, the thought of hypothetically being forced back to high school is the fucking pits, you could not pay me enough to do it - and I even had a good time in high school! Five is almost 60 years old and they're going to force him to go to classes and hang out with teens? That feels bad from every angle! It forces Five to act in a way he'd only do under great duress and fucks his agency and autonomy as an adult so badly. There are better, more interesting ways to play with the consequences of his physical vs actual age than sending him to goddamn high school. There's other, less dominating options for the "he looks like a kid and never actually graduated" problem.
You do you if that's your jam, don't let a random dude on the internet yuck your yum, but Five in high school is a squick for me.
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another childhood bucket list item obtained: i finally have a snuggie
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@antebellumite shhhh he’s firing his single neuron
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