#everyone knows the implications..... everyones considering the implications......

[spadeprincesss]

How would the couples (each of them) react to their partners getting kidnapped, and what would happen to the said kidnapper(s)? (I say death)

this is such a good question that will definitely inspire thoughts! warning this is gonna get LONG because i love over explaining things and scenarios so full answer by ship under the cut!

1. Zelda if Green got kidnapped:

Zelda would honestly be the one with her head most on her shoulders if Green were to get kidnapped, because she’s the Queen and she can’t be seen panicking even though she’d be worried sick for him. Considering Green is the future King Consort him being kidnapped would be a pretty big deal and would warrant investigation (and a declaration if war if done by another country). However behind closed doors she’d be losing sleep, crying and praying to the Goddesses that Green is alright, while in the day she works restlessly, wishing she could go out there and look for him herself.

2. Green if Zelda was kidnapped:

Green would be beside himself with worry if Zelda got kidnapped, and of course given Zelda is The Queen the rest of the kingdom would fret with him. If they’re already engaged or married that would leave Green completely in charge of the kingdom, and although he’d take the responsibility in stride it would worry him beyond belief that he can’t go out to rescue her himself like he did once before. It would be extremely hard to get him to rest during this time, and just like with Green depending on who kidnaps her the implications would be just as bad or worse.

3. Red if Blue got kidnapped:

Red wouldn’t be able to believe the news once he receives it, unable to picture Blue in any sort of hostage situation. He’d cry and worry constantly if Blue is doing anything stupid, because he knows his lover isn’t patient and isn’t one to simply follow orders if he doesn’t respect the person, and acting like that while hostage is a quick way to get yourself killed! Red would NOT take no for an answer to joining the search party, and as passive a person as he is he won’t hesitate to go in rods blazing if Blue is in danger!

4. Blue if Red gets kidnapped:

Dealing with a worried Blue is torture to everyone around him, because although he’s worked on his anger management throughout the years he can still explode if dealing with a lot of emotions. And Red being kidnapped… would worry him more than anything. He’d be sending search parties left and right, bordering on overworking his knights, and definitely overworking himself. It would take everyone else sitting him down to get him to slow down, and Blue would break, saying he never wants Red to get hurt, he can’t lose him!

5. Vio if Shadow gets kidnapped:

Shadow being kidnapped would require some special circumstances given his powers, not many people would try to kidnap what is basically an immortal monster. I can picture it being a case that Vaati or Ganon or another big baddie is revived and they use their power to force Shadow under their control. That would piss Vio off, because all Shadow was ever wanted was autonomy, to ve his own person, yet left and right someone who thinks themself so high and mighty wants to use him as a puppet. Vio would be drawing up strategies and theories on how to both defeat whoever took Shadow and to rescue Shadow himself. He would not rest, not while Shadow is captive, it would take many interventions for him to slow down, because “Shadow wouldn’t want you to tear yourself apart like this”.

6. Shadow if Vio got kidnapped:

So Vio being kidnapped is honestly the one that is statistically most likely to happen in the context of my AU given he’s a scout and often goes into enemy territory lmao. What this means however is that if dealing with a worried Blue is bad then dealing with a worried Shadow is worse, because Shadow has powers, his form can shift, if out of control he can cause some real damage and the only way to really stop him physically is to hurt him which no one wants to do. He’d demand to be set free to tear apart whoever took Vio, but its not so simple, thankfully Zelda would hold his hands and let him cry on her shoulder, promising they will all do everything they can to bring Vio home.

As for what happens to the kidnapper that is very situational for most everyone, though Blue, Vio and Shadow would want to kill whoever is responsible. If it’s done by a small individual party Zelda and Green would be forced to give the guilty party a fair trial, if it’s another kingdom altogether well… war basically! Red would want to bring them to justice too, he doesn’t believe in unnecessary violence, but he won’t be nice about it either!

Sorry for the long reply, but i hope you enjoy!

[katerinaaqu]

I believe I do understand what you are trying to say and there IS a difference in legal terms of assault in the past than modern day but the main aspect of it remained the same in antiquity ironically even if the legal implications were different

No it wasn't common to assault unmarried women actually. In fact I am researching on it for another ask and assault especially of unmarried or Virgin women in fact that was the definition of assault in ancient greek. But it was common for men to have affairs even if it doesn't seem to be preferable (see for example how Hera allegoeically as goddess of marriage doesn't like her husband's affairs so it feels more like it is tolerated rather than preferred) also in later years affairs were considered worse than rape because rape was a crime of passion but affair was premeditated and planned. So it WOULD be considered adultery even for ancient greek standards depending on how the thing was presented on context but as I said I agree because as I said I considered the whole thing with Circe a necessity he had no choice on so I disagree with the concept of cheating.

However the affairs were still recognized as affairs thus children born from them had no real legal right to their father's fortune. In the homeric poems and the sequels for example Helen is being bad mouthed for letting go of her husband and go to another man and marry him the same way as Paris is being bad mouthed for doing the same. But people like Agamemnon have mistresses but the mistresses are slaves aka people that have no right. There seems to be different with war prizes compared women of status or other. Also Aegisthus have an affair with Clytemnestra is not praised either. In fact his death both as an adulterer and murderer seems to be celebrated even by other characters in Greek tragedies.

Actually, no, they do not have a common that woman=bad in my opinion. I think that is a misconception. Was woman equal to man? Absolutely not. Did they consider her inheritently bad? No. In fact many women in antiquity had some lenient treatment (especially beautiful ones, look at the example of Phryne. The etaira even if she was accused with the same accusations Socrates was, she was saved when her defendant stripped her naked to the court and said "a woman like her there is no way of her being evil". And she was saved as opposed to Socrates that was executed). Of course there were people who spoke badly on women the same way they spoke badly about other men. Also, if you take comedies as source comedies, make fun of everyone. Their point was satire. I know modern people love to sag "oh if Clytemnestra was a man, she would be a hero," but is it true now? Is it? Because we have examples like Tandalus who killed his children and was punished for all eternity, Heracles who was punished with his 12 labors even if he killed his children under the madness of Hera we have Orestes who was tormented for a long time not because he killed Aegisthus but because he killed his mother. Odysseus had to cleanse himself from the murder of the suitors, Oedipus was punished by fate for killing his father even if he had no knowledge of the fact etc. So murder was never considered okay. In fact even Achilles has to be cleansed for the murder of Thersites when the latter mocked him on his mourning over Penthesilia.

So were women equal? Absolutely not and we have we myths that need to remind us of that? Absolutely. We're women depicted inheritently bad? No. Absolutely not. In fact even in Oresteia Clytemnestra had the warmest of support from the Furies speaking on her issues and her reasoning. In Trojan Women we have exclusively the viewpoint of women by Euripedes. If anything it is the men that are depicted as inheritently evil. We have so many powerful women even in Homer including Circe or Helen or Penelope. If anything Penelope stands alone in a sea of men who are presented as evil with some exceptions so no I disagree that greek mythology depicts women as evil. He depicts women as complicated as any other character. Do we have certain myths that involve monsters with female names? Sure. Do we have a lack of female figures as heroes? Yes. But nope I do not think that it is right to say that women are depicted as source of evil as far as humans are concerned. But I absolutely see why you say that and many people have said that as well. We can agree to disagree for sure as well.

I know which is why I also talk on the context by speaking on what Homer wrote not what modern writers wrote. Homer himself made it clear that none of them was okay and yet he portrayed the complication of gis own time with Odysseus not only remain with them for a long time but in case of Calypso even share her bed one last time and let it to his viewers to decide. But I definitely see your point and I agree which is why I think it is even more important that Homer felt the need to say to us how unwilling Odysseus was; in a world where affairs were generally excused so in theory as you said many would say "oh Odysseus had some fun big deal who didn't?" At his time and yet Homer felt the need to tell us that "hold on a minute. He had his chance but did he really take it? Or not?" Just some food for thought

In one way it was. Which is also perhaps why it is also important how his men eventually request to leave or how Odysseus gives in his thirst for knowledge and hears the sirens but he does so tied up etc. It is indeed highly possible

Not at all I thank you for bringing it up and that you speak up against fandoms taking over discussion of the classics! It is very important.

i’m so sick of the “odysseus cheated” debate… because it’s always “odysseus was loyal, circe and calypso assaulted him” vs “odysseus cheated because he slept with circe and calypso”. YOU CAN��T APPLY MODERN MORALS TO A STORY WRITTEN THOUSANDS OF YEARS AGO…. what odysseus did with circe and calypso wasn’t considered assault OR cheating….he was loyal to penelope either way…..tell me you understand that

[just-spacetrash]

text so good its got me writhing

[juniemunie]

If we're not giving up, don't give up wherever you are.

That's a promise.

[maythedreadwolftakeyou]

i have been mostly twirling my hair and sighing dreamily over Rook X Lucanis but i really did just put my girl in perhaps the worst JustNoMIL situation imaginable

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[double--cross-d]

Hate how everyone's proposing Kinger will abstract next when this tweet from Gooseworx implies Jax is probably next

[blluespirit]

I sort of like the thought that Zuko and Aang take the Sun Warriors' warning not to tell anyone about the dragons a little more seriously… and they keep it between them. Of course, they trust Sokka, Toph and Katara. Of course they know they wouldn’t tell anyone, but now three people (including Iroh) know the truth about Ran and Shaw. And that’s three too many when you’re trying to keep a secret.

(and there are other people at the temple as well - like Haru, Teo and The Duke - who, while trustworthy, aren’t as close to them as the others, and when it comes to secrets with as much consequence as this one, you can’t afford to take any chances.)

Furthermore, the culture within the Fire Nation since Sozin’s rein has been warped. The culture is not to respect the dragons as the original firebenders, it’s to conquer and kill them. It’s the ultimate proof of your strength as a firebender. All it takes is one mistake before rumour spreads, and people go looking for the ultimate hunt. It’s not something Zuko or Aang can risk.

Whether Katara, Toph and Sokka (and Suki) ever find out the truth is up to you. But post-war, after Zuko returns from a strange, poorly explained trip with a dragon, and eventually develops the ability to use rainbow fire, either the others have some questions about Aang’s knowing look, or they are finally let in on a monumental secret.

[all-thestories-aretrue]

Episode 91 Nara to Neil: Is it because you know, because you know that my affection is a means to an end or do you feel something for Wynn and don't know how to say it?

Episode 95 Neil to Wynn: If this is a moment where there’s a line in the sand about us staying together, you know I’ll follow you to go die.

Episode 91 Neil to Nara: I haven’t known these things maybe for a long time, and so I just sit in inaction because I don’t know.

Episode 95 Narration of Neil by Rob: When Wynn confirms to Britta that she’s in love with Kabir, Neil goes stock still.

[snowstories]

[Timmy Turner voice] I wish every Links Meet AU that uses Marin as a phantom to haunt and traumatize Link goes to hell no matter what

[blueskiesandstarrynights]

I'm rotating this ep in my head. I'm considering these interesting changes. I'm intrigued. I don't quite know if I like them yet but I'm still thinking.

[unproduciblesmackdown]

as "let's see if will roland's birthday prompts any billions production clues from posts castmates may make about it" continues to yield "no one's posting about it, while some castmates post about other people's birthdays," already having more thoughts abt [i'm sure he'll show up in at least one episode even if only to be written out] type things like:

a) would be insulting if winston is fired to serve a subplot about philip and taylor having some difficulty in finding their footing re: working together as coheads, like, we're good at anticassandraing things and have gone "lol what if philip & taylor disagreed abt quants in that philip preferred winston. which he feasibly could," so what if instead it's philip arguing that winston should be fired to streamline things or because everyone who's not taylor will want him gone b/c they dislike him, and in learning how to successfully work together, taylor's like well alright. like, don't pit these elements against each other the insult is instead just Anyone, higher ups or lower downs, wanting winston gone b/c they dislike him, so he's fired

b) winston getting bullied by anyone or everyone is seen as him distracting them &/or provoking it with his presence, so he's fired winston being friends w/tuk is seen as a bad influence of loserdom on the latter (or distraction, or annoying, or w/e) so he's fired some Problem that needs solving or otherwise some need to fire Some people that really doesn't have much to do with him gets him fired anyways. like 5x05 all over again, isn't it always. or even if he's particularly involved in some problem you know it'd be something other people could get away with just fine. see:

c) what's even "a problem" like that despite everyone being in a hostile workplace, winston is especially, and we're so graced with dollar bill back on the premises who has already harassed and threatened and assaulted him (not only limiting the lattermost to something like "did he hit you, and like, closed fist, and i mean pretty hard. well that's just what he's like, you're fine." or the way like sabotaging a toilet is just epic pranks and only a problem if something looks bad to theoretical investors and we should talk about what tmc people might be doing to deserve it) while rian has been holding down the fort bullying and using winston. perfectly in line with everything if this kind of thing prompting any hostility in turn is like, nobody blinks at the other stuff, wherein if anything everyone keeps trying to fix dollar bill's feelings for him and talk about how who he's being awful to needs to appease him asap, and rian simply Wanting to use winston as a chew toy is just taken in stride while separately people have already been motivated by theoretically looking out for her / supporting her in various ways as well. whereas if winston Acts like he regards her as a hostile party, which she is, rather than seeming to operate in good faith that they can have regular constructive basic respect interactions, which he does while those decent interactions seem to come through rarely and unreliably, then i'm sure he'd be seen as mean / starting shit / out of line / etc, especially when it seems him Disrespecting the Rules & Social Hierarchy that should disallow him from like, speaking unless it's to self-flagellate, means people see him as aggressive or whatever. basically the classic scenario like, kid's bullied at school, they're supposed to just ignore it or it's otherwise "not that bad" / stuff gotten away with, even if supposedly it's like well just tell an authority figure here, that won't/doesn't work, any resulting obvious tension/dislike between the kid and whoever is like "uh oh, a Both Sides problem" at best, same if there's a physical fight or something or else it's like well That was unacceptable and if it was initiated by Your reaction to all other kinds of terrible treatment for however long, you're the problem. not that i expect winston to throw a punch about it, but, figuratively / parallel to this scenario

d) winston is sick of his deluxe hostile environment, doesn't actually like whatever coheading changes, sick of rian and/or dollar bill specifically, and/or doesn't appreciate some other goings-on, like one that results in him even being threatened with firing, and gets to just quit as has regularly seemed like something he might want to do anyways since 4x11 and intermittently on

e) not really another Way to imagine they kick him out but was thinking how like, Is a reason we're shown that taylor and rian hugging in the middle of an office was seen by i guess winston alone gonna be further relevant at all and about him making anything of it, which, he really couldn't possibly be wrong about any inferences. but going :/ at the taylor and rian dynamic just as a spontaneous, contained event would be self-explanatory too. but had the thought of like, maybe it's all "well taylor's been here 5 seasons and is in a more prominent position than last season, throw a PR problem at them for the first time for real, just as a shakeup / something that throws them off" wherein like winston wouldn't even have to be there to be cited in something like yeah i was fired or quit or whatever else and my former boss is dating an employee i think. or seems to have a real personal preference for them if not personal somethingship. which is true lmfao like? even if winston ""wrongly"" assumes they're dating like "oh sorry these claims are ridiculous, i only proposed as much to this employee who i already was informally mentoring and do favor such that she was promoted offscreen after like half a season to be able to make trades and this only came up when her using that capacity to do some shit she could've been fired for had me like 'but i'll take the heat for it' b/c any feeling that i'd wanna fire you is worth working through as a personal problem, and that employee turned me down not only just b/c apparently dating through work is too much (but not hooking up through work) but because she's afraid of how much she could love me, and now we're further personal somethings or who even knows what's ever been going on and so who can say if we were supposed to have fully closed the door on dating or not, even." wherein like....someone then doing further research consulting with every named tmc employee, in this hypothetical (and ignoring any hypothetical new, named/dialogued hires) scenario all now Former employees except rian who clearly won't have been firedor quit at the start of season 7, b/c yknow god forbid lmao....like, oh i'm taylor's best friend so no comment except that when i'm mad at them i'll apparently say that i always thought they inhumanly don't have feelings and all, very helpful. then there's like, oh yeah i was taylor's employee and dated them until business misalignments lead to a less than ideal breakup, and then kind of an aftershock of that for fun i guess. and then yeah i was also taylor's employee and knew they were dating another employee and i disapproved if only b/c i told them it could look bad but then also one of the reasons leading up to my quitting was having difficulty getting in touch with them while the other employee lived with them at least part of the time and i didn't seem to be a fan of that bonus access re: discussing business getting in the way of the formal structure / chain of command or whatever at work as well which is part of what i was already there to file a complaint over, so....even just the "it does look bad / people do think you leverage status for access to sex through employees" like no but that's My boss though. but also just that yeah taylor has at least tried to date employees twice, and their personal preference does affect professional matters, though that's also just like, pick any place of work and any slice of it, may not be a meritocracy after all versus how much it matters that some people are popular and/or liked by the right people while others can be recognized as Good Employees on paper but be left where they are or antagonized by peers or higher ups b/c of "failing" at the popularity contest aspect. and this could just be some new Kind of problem for taylor, and/or their just having to question themself more. or else go "ugh leave it to winston" and shrug it off once whatever's smoothed over.

f) winston isn't fully written off but rather it's something zany like, the twist is dollar bill coming back (god forbid he didn't either) while mafee, who evidently sees taylor outside work despite it all, is like eh we'll get dinners sometimes too, and does not likewise return despite saying he's the one who'd consider it. winston, being fired, or having quit, or just being unhappy w/things enough to consider it, is like well you're kind of regular at me sometimes and can't yell at me abt loyalty to taylor if neither of us work for them and you have weird confusing ideas about how they should be loyal to you if anything, and i can do the work of 50 phds, and i know you don't know shit abt the math and quanting but if you just leave it up to me entirely, that's pretty much been my work experience thus far anyways. then he'd be filming on different sets, possibly more rarely, and also dan soder has been likewise elusive but is also on site on the two even vaguely or implicitly [s7 production] related pics will's turned up in.

g) idk billions feel free to prank us where once again between seasons we worry winston could be written off but then he isn't, but elusivity paired with suddenly now castmates w/no mention of him for [march 5th] and [we are doing any bday acknowledgments] overlaps that otherwise get posts, especially. weird even if he Was written out in ep one but okay then

[sysig]

Pet names (Patreon)

[todayisafridaynight]

SORRY I MEANT TO FOLLOW UP EARLIER but I got caught up in talking about The One And Only Thing I've ever added to Jo's backstory and gotten invested in so I lost track of time 😭BUT NO YEAH GOING THROUGH THE LIST WAS A 10/10 EXPERIENCE... I just really enjoy your commentary and seeing your takeaways so I don't need anything In-Depth to have a good time, even just finding out what your faves are is pretty neat; as a guide I definitely think it sells the works while setting realistic expectations overall :] On That Note would love to hear your thoughts on the movie!

LMAO YOU'RE GOOD i wasn't expecting a follow up anyhow so it's alright :]

and im glad the list was enjoyable. i suppose LMAO AGAIN i tried not to go too much into things so my thoughts are relatively sparse (because rest assured i have PLENTY of notes on everything i've seen but i didn't want the thing to be 100 pages long (╯▽╰ ) ) but as long as it gets the job done then that's fine with me:)

OH BUTTHE MOVIE YAYAYA I WATCHED THE CORRECT ONE THIS TIME LMAOOO IT WAS EPIC definitely enjoyed it A LOT and was a really great way to end the series !! again i love the sound design and track and i esp loved the music that played when the team was working out how to sneak into the house of representatives (i've noticed that bitches LOVE acoustic guitars in this series and While Unexpected it works SOOOO good)

the whole Handcuff Bit with inoue still gets me like My Brother In Christ How Long Have You Worked Here BUT I ALSO GET IT. AND ALSO WHEN HE WENT TO ARREST OGATA AND OF COURSE DIDN'T HAVE ANY CUFFS... GIRL I DIED FR...

anyway 11/10 movie SOOO glad you directed me to it LMAO

[lesbianraskolnikov]

Rodya truly is a character ever i truly adore him sorryy. So well done. I love u. Im ignoring the epilogue chapter 2 though

[astronomalyy]

Thinking about the lifespans of Dungeon Meshi elves... The fact that they're completely unnatural alters my brain chemistry, because you can tell just how haphazardly the demon implemented their wish. They live five times the length of tall-men, so they age at a fifth of their rate. It's simple maths and the implications are terrifying. No wonder their birth rate and population are declining - their early development is so slow that at the age of two, they're still unable to stand.

They don't reach adulthood until their eighties. What does the infant mortality look like? How many elves succumb to illness or injury before they're fully mature? It only takes one accident to lose the child you've been raising for decades - and could you bring yourself to care for another? Add to that the implication elf culture has no idea how to process grief... just look at the way the Canaries treat Rin after the death of her parents. They're callous and insensitive and detached - part of that's racism, but there's also an element of pure cold ignorance. They don't even recognise the emotion on her face.

And that's just scratching the surface... does elven memory accommodate their extended lifespan? Once you reach two hundred or so, do the years start blurring together? Kabru mentions that their temporal awareness is remarkably poor.

Two years feel like a few months. Their lives are longer but not fuller. They're older but not wiser than the short-lived races, and most refuse to understand this. Those that do grasp it are interesting - namely Otta, who's ostracised for pursuing half-foot women.

A 30-year old elf is a young child; a 30-year old half-foot has entered middle age. Otta is in the equivalent of her late twenties. She knows that her elven lifespan makes her no more mature than a half-foot - but she also acknowledges that it creates a rift between herself and her partners, and not just in the eyes of society. 'She dumps them as soon as they pass 30', but probably not for the reasons Lycion assumes. For this to be a pattern, decades must have passed - it's possible Otta doesn't want to watch them die as she herself barely ages. No doubt some of her previous lovers have already passed away. In the end, all living 400 years accomplishes is leaving them out of sync with the rest of humanity.

Marcille's perhaps the best example. As a half-elf, she's got 95% of her life ahead and the thought terrifies her. She's going to lose everyone she loves, over and over and over again, and this cycle has barely even started. She runs at a different pace. This context adds so much to her dynamic with Falin in earlier chapters.

Marcille loves her! She's scared for her! Maybe even of her! She's grown attached to a short-lived girl who she met as a kid when Marcille was a teaching assistant! Biologically and developmentally, they're the same age, but chronologically she's twice as old as Falin! Considering what happened to her mother, is history repeating itself? Her feelings towards Falin are tangled and messy and fascinating. They're also more than a little homoerotic, which makes Marcille's infantilization of her friend all the more interesting. It feels like her way of resolving their power imbalance, of remaining a responsible (former!) authority figure... but it's also a coping mechanism. She's frightened by the ways Falin is maturing and changing - aging - and keeping her mental image of her friend as young as possible is her way of denying the march of time that's destined to sever their bond.

Marcille's dream of lifespan extension would remove the need for this obfuscation, render them equal... only, they already are! This desire is imposed onto Falin, but it's primarily for Marcille's benefit. Watching her fight for a world nobody wants, for reasons both selfish and altruistic... it's as tragic as it is understandable. I love this manga.