#everyone else if you did. pretend you didn't

[makingqueerhistory]

":')))))))) you realise that gen AI is available to everyone though right??? Queer creators can use it just as much as anyone else??? I just don't understand this post... It really feels like a cheap way to get on the 'AI Bad's bandwagon, and coming from such a thoughtful and insightful creator that's incredibly disappointing... It's okay to not comment on subjects you're not an expert in y'know...?"

Y'all know the drill, I am replying to this publicly but that is not an invitation to send any negative messages to the person I am replying to.

Anyways, let me start by saying that the original context of the post you're replying to is discussing an event where a queer org used generative AI to steal an interview with Keri Hulme. So let's start there. To be clear I don't even know if the original interviewer was queer so let's put the identities of stealer and stolen from to the side. I want to explain the harm done in this example specifically and I hope this is illustrative of what harm generative AI can (and does) do.

The original place I saw generative AI was a queer org that explicitly says they are using generative AI "for good", and as a way to bring more queer history to light. So let's take them at their word, and assume they are not out to cause harm. This is the best example of generative AI that I can imagine, so I hope that makes it clear that I am not coming at this issue from bad faith in any way.

Here is the harm they are causing:

Decontextualizing and rephrasing an interview: I am not going to pretend that I am an expert in academic best practices, but I do believe one thing, if a person is speaking on their own identity and lived experience, it is always much better to directly quote than it is to rephrase. As I read this source, I initially didn't know that it was AI, and I was already upset. An interview that is widely available on the internet with no pay wall, was poorly sourced and made more vague than it was in the initial text. By creating one degree of seperation between the original words of A WRITER (whose literal job was largely based in choosing the right words to describe experiences they had) harm is already done. It makes vague what was once clear, and removes Keri Hulme's voice from her own narrative.

The original interviewer is not paid, or given proper recognition: I get it, sometimes just copy pasting an interview doesn't feel transformative enough, but something that one would learn if they worked in the queer history field and weren't a literal robot rehashing what has already been said, is that not everything needs to be transformed. In those cases, we give credit to the person who said the original words (in this case Keri Hulme), and the interviewer who facillitated the conversation (in this case Shelley Bridgeman). This case (again a best case scenario), takes the attention and byline away from the original interviewer and gives it to an AI.

The original publisher of this story is deinsentivised from paying interviewers in the future: The original publisher of this interview has ads on their website. As a person who also has ads on their website, taking an article like this and rephrasing it for no good reason (the orginal word count was not prohibitive and the rephrasing did not make it more readable), takes money from the publisher. It's pennies, but it's also removing numbers could have been used to justify further interviews with asexual people and archiving of asexual stories. The org that stole from this publication does not interview people themselves so the money and numbers that could have gone to continue to preserve asexual stories goes to stealing them instead.

These are just the active harms that I saw in this specific case. As you said, I am not an expert in generative AI, and will not be speaking as if I am. But I will say that asking me not to speak out on active harm that is being caused in queer history spaces, is disrespectful to my many years in this field.

To illustrate this even clearer: if you were a patron, you would know I recently took down an old article. I have been rereading and editing our backlist of articles, and I found one that no longer fit my standards of sourcing. My standards had recently raised due to a video made by HBomberguy about someone in the queer history space who was stealing from other creators. I watched this video not as a work project, but because I watch most of HBomberguys videos, and this one made me think more critically about sourcing. An AI can't do that. All an AI has is what has been inputted, and it is right now impossible to input every available peice of information about ethics into an AI and get a coherent ethical basis on which it will function.

It is a distinctly human trait to absorb information and change in that way. AI can rephrase information that already exists, steal it, recontextualize it even, but it cannot create something altogether new.

Do I believe that there one day might be an ethical use for Generative AI? Maybe. Do I believe that coming into a queer history space, stealing the words of a Maori asexual author, rephrasing them, and giving the original interviewer and publication no form of compensation for their work, is accomplishing that? No.

On a more personal note: I am coming at this issue with a bias. As a queer history creator, I do not want AI in my space, because it is literally damaging to my financial prospects. It has been like pulling teeth to try and get patrons in the current state of the global economy. I don't blame anyone from that, but I feel very disrespected that I am being asked to compete with a machine now. Not only that, but I am being asked to shut up and be fine with it? No, absolutely not. I cannot and will not stay quiet as space that I have fought tooth and nail to create in mainstream discussions is taken and given to AI.

AI was not supporting me when I was sent gore to try and scare me off of discussing queer history. A person did that. AI was not there to tell me I had written too many sad stories, and I needed some happy endings to remind myself of the good in the world. A person did that. AI was not there when I was being harrassed for supporting and including asexual stories on my website. A person did that.

And after all that, I am being asked to lie down and take it when my ability to pay the people who supported me in those ways, is being threatened. Nope. Not going to happen.

An AI doesn't have to make rent. An AI doesn't understand what it feels like to have to stop holding their wife's hand in public. An AI didn't get calls from people needing comfort in reaction to the election. Pay me for my work, and get this AI nonsense out of my face.

[astrofhobia]

I tried to help you.

We were never brothers. Pretending our relationship worked was what ended it. You never cared about me, I was aware of that to a certain extent. I pretended to care about you even if you knew better.

You got angry because of that, no, you didn't get angry because I pretended to care about you, you got angry because I wasn't honest with you, because I didn't tell you absolutely everything that was going on in my head.

Maybe things would have been different if they had treated you well, you were alone, trapped in someone else's mind, you felt pain but never showed it.

You were always very proud, Eclipse.

I tried to please you many times, staying extremely still in those analyzes that you did to me all the time. Until now I don't know why you made them. Was something wrong with me? Were you afraid Moon would take control? I guess you'll keep that secret until you actually die.

I was looking for a way to feed your ego and please you because it made me sad that you were alone without anyone congratulating your achievements. You always made me feel sorry for you. You can deceive yourself but you cannot deceive others. You were an artist deceiving others but you never knew how to continue with your lies and people came out of the threads you built around them. You tricked Moon and he tricked you, you tried to bully Sun and he bullied you. You killed me and I killed you.

Don't blame yourself. No one was really nice to you, no wonder you were so cold and empathetic towards me. Until Earth arrived.

She really changed your perception of people, right? You know, I love her, she's my sister. Nothing will make me hate her.

But I'm jealous of her.

She managed to get you out of your bubble without trying, it only took a few soft words for you to stop considering her a threat. You stopped seeing her as a hunting animal, you saw her as a friend.

I tried that many times. But the only thing I received was slaps and insults. You changed with others, but you never did with me.

That's my problem.

I tried to pretend that I didn't care about you. I regretted many times yelling at you, hitting you or disappointing you. I erased those feelings over and over again but they always came back.

I felt like you deserved a hug, a "I'm sorry" many times but I was never able to say it.

I was terrified that you would leave me. All those tests, I was so worried that you would leave me alone like they had left me... But my obsession with the star led me astray.

Maybe if I had been nice to you things would have been different. I mocked you when you betrayed me. But that really hurt me, my own creation stabbed me in the back.

I would have done it too if my creator abused me like that...

I'm not the Eclipse who treated you like that but I don't know how to talk to you without my larynx shutting down. I want to treat you better but our relationship is at the bottom of the sea and I don't know how to start a conversation without sinking further.

At the moment Earth appeared I was so hated by everyone, I was scared when she appeared, she didn't attack me, she didn't ignore me, she tried to be on good terms with me because she didn't know me. He knew what he had done, what he had done to you. But she still approached. She said I could have a second chance if I wanted.

I guess that's when I understood that I could improve.

I moved because I had done so much damage here that trying to walk near daycare or your family became extremely anxious and I hated that feeling.

When I got here I expected everyone to hate me. But apparently, this place is so different and the same at the same time. I feel at home but very far from there.

I try to start something new here, I want to get away from the problems but those problems are still there.

That's my problem.

But I still want to help you.

[sage-is-in-fact-very-tired]

a list of songs from arcane, in mostly chronological order, that are - to some degree - icarus coded or like. in that ballpark.

- Playground is . s1 ominous Bane. something about their base being underground something about the taunting something about leading people there something something

- Goodbye . I dunno . Something about prison duo during the cathedral something about broters after the cathedral and when they were kids something something

- Guns for Hire. Midas coded midas coded midas coded. Something about the loss of control Something about walls falling (like the Worldport) Something about being out of time and all of that and not being able to turn back and Something about icarus becoming midas' unintentional plaything and-

- Snakes is s1!prison duo. thank you for coming to my tedtalk

- What could have been. I've been saying this since the beginning that this song is icarus coded. Something about becoming something because of someone else, parts getting replaced and leaving other parts that don't quite fit together something about icarus' anger at midas something about how they coulve been good and alright is midas has more control and they didn't (however unintentionally) do what they did. "Why don't you love who I am?" Is both about midas and fable because like . yeah. "I am your ghost" because they're versions of each other and-

- Heavy is the Crown. Something about being a prince and having all this weight thrust on you and something about having this weight of needed to be what Fable wants. Also icarus would scream sing this and in this essay I will- (also something about everyone else assuming the worst once they sided with Fable. Something about how "if they want me to be the villain ill be the villain")

- To ashes and blood is . oh icarus morningstar . something about burning every bridge and killing everyone they can because they need to be good and make it through to the end of this (even when they won't)

- Remember me. Something about becoming quixis and everyone forgetting and something about icarus not wanting that to happen. (But also something about Icarus losing themself when they sided with Fable and something about how they couldn't even remember themself and something about how they needed other people there (who weren't) to remind them of who they were and-)

- What have they done to us is . s3!prison duo. heart . <3 ("you're not real and I can't pretend" it's like that thing they did in tearing it down its like that thing guys it's like that thing-)

- Spin the wheel has violet vibes to me, honestly. Violet feels very comforting and calm to me and I cannot accurately articulate why specifically this song is coded to him but. Also! Ember said it was wheel not fake when I threw it at him and I have to agree here. Something about a break between it all. And for the gut punch (/hj) dare I say the drinking stream-

- Ma Meilleure Ennemie is . prison duo. that's it. they were enemies but also they're gay and also they're sad and tragic and-

- The Line !! Something about the finale something about how the portal is slowly killing them and something about how it kills them worse after Fable dies and something about how this is where they die and end and how they don't want anyone to know and. "Keep the memories of who I was before" like before Fable came and they became so desperate for his love and- mmmm. "Did I disappoint you?" Something about icarus' fear of failure and how it's just. constantly there. "Will they still let me over if I cross the line?" Something about how they didn't know how people would react after they killed Fable, something about how everything they'd done to that point had been crossing the line (something about how they only ever wanted Centross back) "sure there's nothing left to try" you know . the wack. and how they tried everything with momboo. and how it never worked. and how it's not gonna work for them.

- Wasteland . oh its so finale icarus coded. Something about how they've tried so hard for the past 5 months of their life to just survive (and how the fact they had to do that is all their fault) and how they did and they're okay with death now because at least centross is alive and at least everyone else will be okay eventually and they'll all get to survive and icarus won't be there as a stain and how they're going to die anyway and how they might as well do it themself (and how they don't want to face it because they want Centross back and they just . Can't have that) and "if it weren't for you I'd be here all alone" something about how centross kept them from being alone for so much of their time in the resets and . "I know in my heart this is where we belong" like literally ic talking to Rae before they jumped in the hole- "Don't let me go" something about how even if death woule be better for them they don't want to go and they just want more time with centross and as quixis they don't want anyone to forget them and-

yeah anyway . music thoughts go brrr

[velvetvexations]

I did not mean to sleep all day. Here all the non-kink asks in my inbox lol.

Does a little dance. People being weird about transmascs on here has messed up my self perception so bad im not actually sure of my own gender anymore, yayyyyy

Fuck that anon, if you're man that rules. Being a man is awesome. You don't need anyone else's opinion to affect who you are, there is no bad gender.

just saw someone acknowledge trans men are often lumped into female spaces due to bioessentialism but then turn around and say that thats proof that trans men arent oppressed. lol.

People act like being let into the Woman Club is the one and only goal of being trans and it's so fucking annoying.

Ngl I still don't understand why femboys are a "transmisogynistic caricature that can't be reclaimed by transmascs" according to some people. Do you have any insights on this because I genuinely can't understand, femboy sounds like gnc boy culture and in my own experience, maybe transfems before they come out occasionally identify as femboys. Idk is it like, someone with an outwardly feminine appearance being a guy? Because that's why I like calling myself a femboy.

Some people think femboy started as a transfem thing because they're idiots who don't know shit.

hey if catboy is ubiquitous and having nothing to do with crossdressing why did Jerma crossdress when someone drew him as a catboy???

Because catboys are allowed to do that lol. Taking one example of a crossdressing catboy to mean catboys infringe on transfem copyright is wild.

Hi thanks for letting me vent to you cause I am at work and can't properly process my emtions otherwise rn. I've been otherwise generally in a slightly emotionally fragile place and then I just got an awful review for my first actual order from a stranger on Etsy. And like I know logically that it's not the end of the world and I gave them exactly what they ordered and it's not my fault that they measured wrong or didn't take my advice and size up a little for fit etc etc but no one else will know that and I just got started selling craft stuff and it's just a hobby and it sucks that this person clearly expected something that wasn't what they paid for (my prices are low cause it's a hobby sorry I don't have super professional materials that would make my stuff cost double) but it's really fucking me up and I am trying not to like cry at work because of this and it's so stupid. This was just my first purchase online that wasn't from a friend and I was so excited and they hated it and didn't even send a message or anything about the length (that was exactly what they asked for by the way) not fitting before leaving a review. It just fucking sucks and I wish my brain didn't react to the most minor disappointments/shows of dislike with the I'm going to kill everyone in this room and then myself meme as first response Thanks for listening. It really helps to be able to vent this somewhere <3

I'm really sorry anon, that sounds so frustrating and hard to deal with. I love you so much. <3 I know you do great work and I hope it goes better next time.

Having NPD sucks, lmao, sorry for the rant ahead. I have to remind myself that the 'mark' on shinigami eyes doesn't actually mean anything, but it's hard sometimes because it's still a stain on my reputation. :( some people will see that and take it at face value, forever associating me with the filth that is transphobia, and I can't do anything about it. I appreciate the people who actually know what a transphobe is going out of their way to remove that mark, but it's a losing battle against a bunch of buffoons who think catgirls are transmisogynistic. sometimes it's really hard to pretend that it doesn't bother me at all, because it's highly insulting for me to be associated with the things I literally fight against. What an insult to my legacy and efforts to even bother to care about other people, you know? I don't HAVE to take time out of my day to do activism, I could just not bother to care at all, but I still try. I deserve praise, not this bullshit😭

I'll praise you! Thank you for fighting against transphobia. <3

All this catboy talk. Wanted to say hi as a catboy. Meow :3

Nya~!

My prediction for TRF discourse in 2025: closeted, non passing trans men shouldn't wear skirts or other traditional women's clothing (even if they don't want to and literally have no other choice) because they're MEN and men wearing women's clothes is obviously always transmisogynistic

All trans men are transmisogynistic because they grew up mocking transfems by wearing women's clothes.

some of this discourse is just so fucking wild i cant believe this is something people are taking so seriously. sipping my tea from the sidelines as a chubby catboy therian lmao

You have a cooler head than I.

iirc the "catgirls are transfem" thing started happening around the time Ferris got popular as a character because, if I'm correct, Ferris actually is transfem (coded?) and following that some people just decided The Aesthetique belonged exclusively to transfems now (also you're so so so so based for loving Schrödinger I remember first seeing him in like 2007 and wishing I looked exactly like him)

Schrodinger is my secret fifth blorbo. I'm obsessed with him. I think about him constantly. High five.

als catboys are only white passing in the way that people love to say anime characters are white lmao (aka cant conceive of the fact that anime characters are actually light skinned Japanese). not to say anime doesn't have a colorism problem but They Are Not White and its racist to say otherwise

lol yes exactly

I might be really stepping in it here, but tangential to catboy/catgirl discourse, I'm starting to get really uncomfortable with how the cutesy moe-blob yuri is treated as "trans lesbian culture" these days? as though none of it was ever straight guy fantasy shit? as though it's ideal representation instead of another vector of impossible beauty standards? idk, maybe I'm just being way too touchy. 😬

It's fine if something becomes emblematic of transfem culture but you just can't pretend something was always transfem when it blatantly wasn't lol

you got marked red on shinigami eyes and i havev no idea why

My smoke too tough, my swag too different, my bitch too bad.

juggalo here. we don't want them.

Devastating.

For what it's worth, the "cats transforming into people" thing is probably based on the bakeneko, yeah. The "bake" in "bakeneko" means "transforming", often with the implication of transforming into people (like the better known bakedanuki and bakegitsune). The popularization of cat-people in anime probably came from Neko-Musume from Gegege no Kitaro (the anime behind the "youkai boom" in modern Japanese culture), who is a half-bakeneko.

Fascinating.

(Dif anon) "leading one to wonder what transphobia they think trans men do face" 99.999% sure at this point we're at "trans men experience misgendering... maybe...?"

Well that doesn't count since everyone wants to be a girl, an idea that I believe has universal appeal because I'm a self-centered moron.

You're awesome <3

Thank you anon. <3

I didn't realize I was trans from yaoi but I did largely realize it from memes about traps and accidentally stumbling across largely transfem subreddits via a anime memes despite being transmasc so. Great amount of respect for our yaoi soldiers.

Hell yeah!

[apolloagain]

Chapter 40.

Damn. Okay. I have thoughts and feelings. Was glad the other day to see the author thanking someone for a comment that "gets it" because my hubris makes me think that I Get It and would so prove that if I had an ao4 account yet (and yeah it was a good comment lol). But this one has challenged me!

I felt my "indignant" levels go through the ROOF this chapter. We all knew that Sarah's suffocation plan wasn't going to work, but that made it quite easy to root for her attempt. So seeing that fail - and I don't know about anyone else, but that was my last stab at a suicide plan for her - and then the doctor's "Lucky you don't have a choice" after her very sincere but pragmatic speech that could not make her wishes clearer... damn, I mean, I felt the frustration. I really really did. Like some fucked up cousin of Kafka where the system is completely built to circumvent yourself despite your best efforts, except everyone won't STOP caring and "loving" you. Notice how I put loving in quotes? I've been enjoying living through Sarah vicariously, feeling her rage and humiliation but also enjoying it, being a step above as the horny dream-god-reader I am. But this time... well, sure, still doing that a little, maybe. But feeling Sarah's nightmare quiteeee a lot this time! I FELT felt that trapped rage and humiliation and it DIDNT feel good!

First of all, like said, the lead up really has made this a claustrophobic and aggravating place. But then the punishment... okay, damn, look, the spanking before was hot, but somewhat subdued. Even the degradation seemed to end very quickly. But this... wow, jesus fucking christ. Way beyond that. I mean, whipping her BACK???? That's fucked up! That's really visceral! Jesus!!! I'm not at all surprised to hear that every other instance has been under that threshold, but wow, yeah, this one... double the threshold... I can believe that too! Sure, sure, making her say "Yes Mistress" is hot and dommy and whatever, except honestly, the actual content of the punishment is such an upsetting change of pace that I can barely take that in.

This sounds a little like a criticism - it's nothing more than my honest reaction. In reading all of these chapters, I guess I make meta-fantasies. So here's the one I realised I was having for this one: I really wanted Sarah to not back down. The glorious human spirit, I don't care what you call it. I want her to keep saying how until she's been abused to a shocking point. I want Rose to realise what she's done in a savage-hypocrisy- in claiming to love her, instead inflicted real physical damage and torture and really, really hurt Sarah. I wanted the guilt to come crashing down on her, for her to try and say sorry but know nothing can help, for to realise that she took a massive gambit and it FAILED, Sarah WON, the bluff was called and Rose went above it and is a monster for it and Sarah still didn't back down even though she's asking to die and part of Rose really now can see why, which makes her want to as well.

This sounds like a pretty morbid and sadistic fantasy. It IS morbid, but it's not sadistic- again, Sarah being whipped on the back was honestly a bit uncomfortable for me. It's more a fantasy of childish self-pity, like a "They'll all be sorry about how I treated me" catharsis. Most of my fantasies have been, sans Sarah submitting and loving the affini, kind of from Rose's desires- that is to say, it's taken delight in the cooing and embarassment of watching Sarah play pretend on screen, even though I think that I've experienced a lot of that fantasy THROUGH the placed-perspective of Sarah (urgh, there are literary terms for what I'm trying to distinguish here, but even if I could remember them it would be muddled by me being a messy switch lol). But what happens right after Rose's eyes are glowing then? Sarah poops the party with Facts and Logic, putting what she's doing both matter of factly - Hab wouldn't make her feel "self-conscious" - and presenting it as a bad thing Rose is doing that further proves that her narrative of "love" is self-serving and illegitimate. When she does this, Sarah has to fight holding back a smirk. That's HER bratty ol' fantasy, a self-satisfied rage against the machine that's not just calling them klats and being violent to herself/rude to them, but undermining their control, shaping the narrative her way, no, fuck you, I can condescend right back because this is a disgrace, I'm indignant, I'm RIGHT, this is NOT the story you think it is, fuck you, I hate you, die. That's a cathartic fantasy in and of itself. And I've indulged in that meta before reading this... but not much. Firstly, because from the title alone we know that it's a foregone conclusion. Secondly, because the other one is hotter lol. But thirdly... well, look at how I'm feeling indulging heavily in those emotions and narrative right now. I wanted Sarah's suicide to work! Beyond that, I wanted Rose to go overboard and harm Sarah ONLY so that she can feel bad about having done so. Undermining Rose's system by undermining Sarah. It's self harm, ultimately. Sorry Sarah, but the horrible truth is that your way of life leads to harm. It's too destructive a fantasy, ultimately helping no one.

And yet... and yet this chapter did still make my indignation levels go critical. And I think that despite looking forward very much to the next few chapters, I found this one less enjoyable than maybe I was meant to. Ifelt bad for Sarah man, I just did! Am I taking it too seriously? Am I getting too wrapped up? And YET And Yet... that comment that had the author saying they "definitely get it"? Well, I take comfort from it, because I think I really DO get it- because here's part of it:

Sarah has made a lot of really good points. It does make me hope that Sarah will be able to win some sort of victory. It won’t be a total win - a total win against the Affini is impossible. But some sort of concession or something. You know?

I do know. Apparently we'll be heading to the C Chapters soon, so I have little faith in Sarah holding out for some melodramatic shadow of what my righteous justice wants here- she'll be saying Yes Mistress eventually, and I imagine the next few chapters of her Actual Punishment are going to be a lot of fun again, hopefully in a more erotic way than how genuinely shocking the back whip thing was. But overall.... well. Like I said, there are two fantasies at play here, and I believe they both need satisfaction, and I believe Ms Floss (feel like that's a good way to distinguish between character and writer lol) knows that too. I think that by the end of this story, Sarah will be sprouting by some of her own terms as well. It wouldn't be right to have her whole heartedly become a Winston Smith without any rebellion meaning anything, because I wouldn't be able to love Big Brother myself. Sarah's fire will burn, the Affini leaves will catch it somewhat, and there'll be a small mutual respect and understanding for the girl who stoked it. Even if most of said relationship is built on her being the most adorable floret the world's ever seen, who can't believe they were ever so nasty and allergic to happiness and are sure to get teased and reminded by Rose for it.

A spoonful of sugar helps the medicine go down.

"Every Sophont is a Seed" is a really good HDG fic. Sarah rages like a force of nature, her resistance to the Affini is incredibly strong-willed and really feels like a proper fight (despite, you know, the inevitable). There's good reason for it too- to be THAT much of a fighter, you can't just be intelligent and stubborn, but genuinely, well, mentally unwell and destructive. The arc is going to be a long and richly deserved one.

Also it's hot, also it's regularly updated.

[firstprinced]

the cutest sleepy baby (+ henry)

[lucienne-thee-librarian]

Just to minimize my chances of being genuinely misunderstood OR deliberately misinterpreted, and crucified for something I don't think, How Dare You Say We Piss on the Poor website etc...I'm gonna say this right up top. I absolutely understand why people don't like Thessaly as a character, if anyone does completely unironically stan her as some kind of feminist hero who Did Nothing Wrong uwu, I personally see it as a bit of a red flag. I don't like terfs real or fictional. In a vacuum, I could even completely sympathize and agree with the people who want her cut.

HOWEVER.

It's really something to me to see people clamoring for her to be cut, because she carries and expressed an ugly indefensible prejudice (transphobia) in words towards (1) person. Meanwhile Hob fucking Gadling enacted one of the most violent forms of antiblack racism I can even think of against thousands no, millions of people, the ripple effects of which still affect billions more today. Just a little light idk, profiting off the fucking slave trade and had to be told by someone else that it was bad...and he's a fan favorite.

People are saying Thessally being Dream's love interest reflects badly on him or is somehow endorsement by the narrative (?!?!?!?!?!? Didn't she (SPOILER ALERT AS IF IT MATTERS BY NOW) help participate in his extended assisted suicide? She's not painted as a great person to me just another character what are y'all SMOKING whatever fine. It's fine this is fine.) But shipping Dream with Mr. Former Slaver is not only not verboten or frowned on widely in the fandom but its THEE most popular pairing by far. So...why the difference?

Like where are the same fans who are saying Thessaly shouldn't just be more clearly shown to be wrong, she shouldn't even be in the show at all when it comes to Hobert's crimes??? Yes, transphobia is indefensible. Isn't racism?

And I hear the cries of "it's fiction!!!" Already rallying (if anyone who needs to hear this even sees it lol) to which I say:

HORSESHIT. I KNOW you don't, deep down, really agree because if you did, why get upset about Thessaly being included??? Why does what she said to one person matter if it's Just Fiction You Guyze. Fictional characters are allowed to do bad things and fiction isn't reality sweaty....except when you only apply that standard to fictional racists you like and simp for, but fictional transphobes you don't are SO HARMFUL they shouldn't even be portrayed in fiction.

Like. Give me a big fat BREAK. This looks like bullshit, no? I'm sorry, but I'd love for someone to try and give any other explanation besides one personally offended you or hit home for you, and the other doesn't.

And if that bothers you or you feel like it says something negative about you...idk what you want me to say??? You can't control how other people perceive you and that's how people outside this majority-of-the-fandom bubble see it. You don't need to respond, I just wish and genuinely hope this gives you a moment to think about why fans who ARE bothered by both (and not just paying lip service to being bothered by the one but railing against the other) are so frustrated with people saying everyone is welcome but in practice only bending over backwards for the comfort and emotions of themselves, and people they can easily relate to.

You don't have to like Thessaly (I don't. I find her an interesting antagonist, I don't stan her. And frankly imo likability is not. the point of her character) but you'll pardon me for feeling more than a bit cynical and side eying people's motivations for what seems a...pretty obvious double standard, on what fictional crimes related to real world issues matter to y'all, and which clearly don't. Either actually bring the same energy to the table for fictional people who committed atrocities, even if against a group you're not part of and thus don't feel the need to empathize with, or just carry on, but accept that you don't have the SLIGHTEST room to talk about cutting characters who do immoral things. And you also need to accept that you look like a hypocrite when you do.

[aeolianblues]

I'm not an extrovert. At all. In everyday life, I'm a yapper, sure, but I need someone to first assure me I am okay to yap, so I don't start conversations, even when I really want to join in sometimes! It's just the social anxiety acting up. God knows where from and why I lose a lot of my inhibitions when it comes to talking to people about music. I don't know where the confidence has suddenly sprung from. I've made a crazy amount of friends in musical circles, either just talking to people about common music or (since it is after all in music circles) talking to bands about their own music. I let out a sigh of relief any time an interaction goes well, because in truth it's going against my every instinct. I wish I could do that in everyday life

[omarfor-orchestra]

FUCK

[msmelissalin]

"Freedom? From what exactly? Me?" The laughter that followed was un-humored. Instead, it mirrored disbelief as a hand raked through her hair. For a moment, she forgot that she probably looked in a state. And cared little — because this carousel of emotions was going off-kilter, and she was not enjoying it.

Instead, Melissa simply decided to let him rant. 

She'd seen Andrew similarly over the years, but their relationship differed from the one she had with his son. Mutual respect seemed to be lost on Gideon once he deemed her unworthy. 

But Gideon, the almighty, the righteous, condemned her for playing the game: like he'd expected her to be better than the rest. Even if he didn't...it was unreasonable thinking on her behalf. Melissa presented herself like a broken mirror: a hundred different faces...her forward, most facing sharpness had always been gentler with him. She’d favoured him for some time. But when did she stop? When did enough become enough? 

Standing there, those dainty shoulders squared, hands flexing at her sides as she tried to let go of a feeling that was curling at the base of her spine. At her five foot three, Gideon towered over her, even from where he stood. Instead, Melissa made an executive decision.

Flip the goddamn cards, Melissa.

She wasn't one to crumble under fire. And yet, when he finally stopped, her head tilted, lips pressed into an unforgiving thin line. Suffocating, bitter.

' — do you take me for a fool, Melissa?? '

"Funnily enough, Gideon, of everyone I've met...I always thought you to be smart." a short pause. "...you’re angry, far more than you used to be, Gideon, but I see no fool." It wasn’t a question she understood. 

“You think I’m just this..." A laugh broke through...hurt. "This...fucking puppet master pulling strings at every corner...and yes, to a degree. I am. I don't pretend to be anything different. But what you so often forget, manipulating everyone around me is my job — not for the fun of it.” two steps closer. "You're always so damn eager to believe the worst in me. It’s easier, isn’t it? To paint me as the main villain, so long as I give you someone to hate? To blame..." 

Grabbing the coat and bits she'd piled together. She couldn't stay here, not when he was in a mood like this. "I believe in power. I believe in control." If she didn't, that lovely life that he'd been afforded by Andrew and Cerys would've been far different. "Because I’ve seen what happens when you don’t have it," and she shot him a look. 

Standing there, coat in hand...looking at him. How she'd missed him...and still, he drove the knife in time and time again. “I’ll find somewhere else to sleep.” And he better pray she didn’t find a way to send Roman over here, so she could bunk with Benjamin.

Without another word, she scoffed and walked out of the tent doors.

"No, Mrs. Lin. I'll do what I please without your restrictions. You see, that's thing about being free." The Rutherford corrects her, dismissing the exceptions she tries to impose. Doesn't she fucking get it?... He's like any other man existing outside of her damnable hierarchy —because of the choice he had made so long ago to refuse her. It leaves her no remit over him, no power to do anything more than ask.

... And Melissa Lin has too much pride to ask. He doesn't even know how he'd fallen for it last night, how he'd honestly convinced himself in his alcohol-addled state that she was genuinely asking for him to stay in their tent, that she needed him.

A game, Gideon thinks now, burning with anger and regret. Another game like the kind she's always played. Which is why it's so bloody comedic when the lawyer tells him;

'Believe it or not, not everything's a play for power.'

"This! From the lips of the same woman who insisted that power is everything, who insisted that it's the end that justifies the means, who's tried to convince me it's the most important thing there is in life — do you take me for a fool, Melissa??" Gideon fears and suspects the answer, so he doesn't give her the time to reply. "Is the irony entirely lost on you?... If Amélie is in over her head it's because of people like you!!"

Like hell if he'll let her play the saint now, Amélie's personal guardian angel.

"Don't pretend you give a toss who my family is or isn't nice to, not when you've been more than happy to adopt their methods and sing the tune." He runs a hand through his hair, indignant and disbelieving. "... Boy, your hypocrisy really is something."

[leejeann]

So I’m American and therefore never experienced study halls for gcse specifically, but we did still have yearly standardized testing from like 3rd grade onward and these study hall scenes that are almost silent aside from the teacher loudly breaking the silence to announce something or get on to someone for whispering are giving me flashbacks to all of them lmao

(CRTs, EOIs, AP exams, the ACT, hate that)

[toyonberries]

I think it's actually so important to be your own audience. I spent so much of my life feeling like I wasn't funny or like I was boring and just overall so caught up in what other people thought of me. Doing things just because they'll amuse me, even if no one else will find it funny or even notice what I've done, has made me so much happier. It feels really good to do something and think "god, I am so funny" and not care if anyone else is laughing

[alittlebitofrainbyyourside]

.

[snekdood]

bitches prolly out here psychoanalyzing my old art on behalf of my abuser to cushion their belief that im a Horrible Person but then dont see the irony when I point out the shitty things my abuser has drawn and how I see it as clear evidence of their mindset and beliefs (of what's okay to do and how to treat people) descending and pairing that along with everything else they've done and it paints a clear picture of how this person got to the point of thinking it was okay to abuse me the way they did and then the people looking for reasons to hate me through my art will act like "they're just drawings !!!" about their art. which one is it. does someones art say something about them or not? or does it only say something about them if you hate them?

[klara-rosa]

my co-worker was on sickleave for a month and I did all my work and hers too and she didn't even ask me once how everything went and what's new and how I was doing when she returned to the office today 🤡🤡🤡

[nightprompts]

&. 𝐫𝐢𝐯𝐚𝐥𝐬 (𝐭𝐨 𝐥𝐨𝐯𝐞𝐫𝐬?) 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

(  various  dialogue  prompts  to  send  to  your  worst  enemy  (affectionate).  feel  free  to  change  how  you  seem  fit.  )

❛ oh great, it's you again. ❜

❛ you? kill me? that's funny. ❜

❛ for being someone you hate, i'm sure on your mind a lot. ❜

❛ you're the last person i wanted to see, actually. ❜

❛ do us both a favor. stay away from me. ❜

❛ you really are an asshole, you know that? ❜

❛ i'm the asshole? what does that make you then? ❜

❛ sometimes i think you must hate me. ❜

❛ i thought you said you never wanted to see me again. ❜

❛ if you want me to go, then you have to tell me to leave. ❜

❛ well, someone's cranky today. ❜

❛ well, someone needs to shut the fuck up. ❜

❛ just stay out of my way. ❜

❛ of all the idiots in the world, i'm stuck with you. ❜

❛ what is it you want this time? ❜

❛ sometimes i wonder if you're in love with me. ❜

❛ do you honestly think this is easy for me? ❜

❛ why would i ever want to be friends with you? ❜

❛ can we please just talk? ❜

❛ there is nothing for us to talk about. ❜

❛ you can yell at me later. just let me help you. ❜

❛ touch me, and you're dead. ❜

❛ oh, so now you care? ❜

❛ there is something deeply wrong with you. ❜

❛ i know i'm the last person you probably want to see, but... ❜

❛ you don't think we could be friends, do you? ❜

❛ i'm tired of fighting against you. ❜

❛ don't pretend you give a shit about me. ❜

❛ you're an idiot, but... i trust you. ❜

❛ oh, don't be cute. ❜

❛ wait, did you just say that i'm cute? ❜

❛ we're not good for each other. ❜

❛ if i say yes, will you shut up? ❜

❛ don't you have to be stupid somewhere else? ❜

❛ maybe we should kiss just to break the tension. ❜

❛ i'm sorry i can't turn off my feelings as easily as you. ❜

❛ maybe there's a universe out there where we're friends. ❜

❛ how can you be so smart yet so dumb at the same time? ❜

❛ don't think this changes anything between us. ❜

❛ you look ridiculous in that outfit, by the way. ❜

❛ if you die, i'll kill you. ❜

❛ is that a challenge? ❜

❛ ah, so you're not heartless after all. ❜

❛ i don't think i've ever seen you smile. ❜

❛ you never cared about me, so why now? ❜

❛ why didn't you kill me when you had the chance? ❜

❛ i don't even remember why we started fighting. ❜

❛ i don't have time for distractions right now. ❜

❛ you're not as bad as everyone says you are. ❜

❛ enemies make the best lovers, you know. ❜