#every hope of me not shipping this died in this episode

[howtodrawyourdragon]

Hey! Do you really think that pacifist Hiccup is fanon? No judgment, just...again, surprised by this interpretation. I'd imagine that if canon really thought Hiccup was balanced, they would have shown more of a moral struggle over the deaths related to him, no? But it's often left ambiguous (see Drago or random dragon hunter #3 who gets blasted out of the way Idk), which (to me) means people happily lived. Because they disappeared left and right without regard or mourning. We see no dead dragons or people on the ground after the Battle of the Bewilderbeast, for example, which makes the assumption that a lot of humans and animals must have died there, "objectively" wrong. Of course they needed to keep it kids-friendly, but I'd think if Hiccup was truly ruthless towards any threat to his family, they would have made the cost of peace a little more of an apparent theme. Thoughts?

I genuinely believe that Hiccup being a pacifist is a fanon thing because there's nothing in the actual canon to prove that he is.

Does Hiccup oppose war? Yes, he does. Httyd 2 is all about him wanting to prevent it from happening. In R(D)oB the thing with hiding the dragons away from Dagur was also to prevent a potential war with the Berserkers. (A war that did end up happening, although because Hiccup and Berk lied to Dagur and Hiccup fake protected him.)

Does Hiccup entirely oppose violence? Even as a means of settling disputes? No, he doesn't and every battle ever proves that. (More on that in the RttE section)

And if Httyd had a higher rating, we probably would've seen those bodies and we'd probably also see Stoick lying in pieces or at least disembowled from taking a plasma blast to the chest for his son and said son covered in his blood. The fact that we don't is simply because Httyd needs to appeal to all audiences and for the majority kids, like you said.

But this doesn't mean that people aren't actively dying in the tv-shows.

Barely passable screenshots, but these are from 'Heather Report Part 2' when Alvin holds Astrid above a cliff and that's not the face of someone who wants to be careful as he tells his Night Fury to blast him away.

Alvin gave Hiccup a choice in that scene; "surrender or I'll... well, you know the rest." Which in this context means that Hiccup should surrender or Alvin will drop Astrid to her death. Hiccup chooses to instead tell Toothless to "do it." And I doubt this means he holds no value for Astrid's life, but letting Alvin get away with the Book of Dragons just isn't an option either.

And let's not forget 'We Are Family Part 2', in which Hiccup and Toothless are so angry at Alvin for taunting him after hurting them (it's stated for days) that they don't think clearly and turn back around just to hurt him. A calculated move on Alvin's part, who hoped Hiccup would be too angry to think clearly. Angry people don't make for merciful people either.

Moving on from Alvin, shipwrecks are already hard to survive. You would need to wait for help to come to you and that is if you:

Don't drown first

Don't get picked off by predators

Die from lack of food or drinkable water

Die from exposure

Die from sickness

The USS Indianapolis is famous for having most of it's crew survive (like, 800 to 900 men?) the initial sinking of the ship only to lose most except for a little over 300 to exposure, lack of food/water and sharks. This crew started with over 1,100 men and only a little over 300 survived for four days until others learned of the sinking and send help. And that's a ship that sank in WWII, let alone a Viking ship that's mostly wood and doesn't have fancy ways to send for help.

Remember that comedic moment of Dagur vowing he's going to make Hiccup kiss his boots in the 'Smoke Gets in Your Eye' episode? When he's sitting on a piece of driftwood after the Smothering Smokebreaths tore his ships apart by taking all the metal out of them?

A funny moment, but Dagur genuinely could've died from either of the causes listed above and it's not like Hiccup looked back and had second thoughts, he went home and was glad Dagur wasn't terrorizing his village for another day.

There are plenty of times in RoB and DoB in which Hiccup and Toothless hurt people and dragons alike. Is it his intention to kill? Absolutely not, but he doesn't shy away from violence either.

For a character the fandom largely appears to consider a pacifist, he sure does spend a lot of his time committing violent acts.

Even his future wife has a tendency to show love and excitement by punching him in the dorsal fin button before giggling. Would a real pacifist put up with that? He literally spars with her for fun and she gets to throw him around, they both like doing that!

Would a pacifist even survive in a place like Berk? Where everyone is so rough and disputes sometimes easily escalate to violent action with sharp objects involved? If that is the case, we might as well call Stoick a pacifist, because he's the one going around stopping these disputes from escalating that far.

But anyway, moving on to RttE!

In Snow Way Out, this is what Hiccup says:

"If there's one chance to settle this without bloodshed, I have to try."

And seconds after, Hiccup has this interaction with Ryker:

Ryker - "In that case, surrender and you won't meet the same fate as your dragons."

Hiccup - "Okay, here's my offer. Leave now and your men won't have to find out what burning flesh smells like.

Fanon and canon agree that Hiccup is a bad liar. If he wasn't, he probably would've been able to come up with a better excuse then "I'm making... outfits!" when Astrid is on the cusp of finding out about Toothless.

Which means that Hiccup is not lying in this scene. Which means Hiccup intends on following through. Could be just a bluff, he and the rest of the Dragon Riders are kind of cornered in this scene, but that doesn't mean he isn't willing to fight his way out if his only other options are either surrender or die.

And he says it quite easily for a character so many consider a pacifist. A threat to burn Ryker's men alive.

The thing is, Hiccup probably does know what burning flesh smells like, he grew up in a village torn by war in which the other side are fire-breathing dragons. He's also literally one of the oldest children of three (he, Astrid and Snotlout are canonically 20 in Httyd 2 while Ruffnut, Tuffnut and Fishlegs 19) and the kids that aren't his peers are years younger than him. If you pay close attention to who walks around on Berk in Httyd 1, there are huge gaps in ages that continue into the tv-shows and the other movies.

So Hiccup probably is desensitized to seeing all of that, which could explain his lack of a reaction to taking lives, (a tsunami gets more of a reaction out of him) but that doesn't mean he can't mourn the failure in preventing more loss.

And let's not forget that this is also the episode in which Hiccup gave Toothless the order to shoot down Windshear, Heather and Ryker. Windshear and Heather who he considered friends until recently.

In the Guardians of Vanaheim episode, he has that moment in which he almost kills that Flyer with the Dragonblade in retaliation for the "deaths" of the Sentinels. The Riders genuinely think Hiccup is going to kill that Flyer, you can see it on their faces, which means even they think he's capable of that. Now ultimately, Hiccup decides not to and he tells the twins that they won't be torturing the prisoner. (And it's probably because of moments like that that fans decide Hiccup is a pacifist, despite all the violence he regularly partakes in)

But that doesn't change the fact that Hicctooth, Stormstrid and Snotfang chase after the Flyers with the intention of making sure that they never tell Johann about Vanaheim.

Flyer - "All I know is Johann will be very interested to learn of its existence. The others left to inform him,"

Tuffnut - "We should probably tell Hiccup."

Hiccup - "I heard, Tuff. Let's go everyone. We have to catch those Flyers."

And that is what they do. They catch up to the Flyers and make sure that they don't tell Johann about Vanaheim's existence and Vanaheim isn't mentioned again, implying that Johann never did learn about it.

Now, the show does decide to show us the Flyers surviving (one of the few they actually show us surviving, too) but that has more to do with RttE's rating than whether Hiccup is a pacifist or not. Because Hiccup really did use lightning to down them and being struck by lightning can be very, very lethal. For both the Flyers as well as the Singetails.

(And honestly, are we meant to think that they never left that little island? Considering Johann never found out about Vanaheim? Still leaves their survival kind of up for interpretation.)

In the King of Dragons two-parter, Hiccup tells his Dragon Riders to make sure Johann's ships don't make it out. That is a thing that he says.

Hiccup - "All right. Ruff, Tuff, Snotlout, you take out the ships. Make sure this is their last voyage."

All three of these moments show us Hiccup's willingness to do what it takes and it does include taking lives.

Although Hiccup does draw a hard line at when innocents are involved. Like how he didn't want to hurt the Singetails that were being forced to carry the Flyers. But it's also worth mentioning, that he did not plan on holding back when it came to the Rumblehorn that he believed threatened Gobber's life. (In RoB/DoB he didn't hold back with the Whispering and Screaming Deaths either. Even amongst dragons, Hiccup makes a clear distinction between "good" and "bad".)

That we either don't see the bodies if they're dropped by Hiccup and friends or see the enemy survive somehow (unless someone neutral or the enemy themselves take them out) has everything to do with the rating and Httyd's audience. Even the Red Death's death was bloodless and she exploded. Bits of her should've been everywhere! Instead we had the ash gently falling down to the earth.

This franchise isn't Game of Thrones, it's Httyd and Httyd has a rating that makes it appropriate for all ages. GoT level rating for Httyd probably would've given Hiccup+dragons Targaryen+dragons levels of carnage. And that isn't the case simply because of Httyd's intended audience.

And as for Hiccup's lack of a reaction to deaths supposedly caused by him, if we go back to the desensitization thing, if you used to watch people and/or dragons die in battle every other night for 15 of the most influential years of your life, you're not going to look up when you head into battle as a (young) adult on the back of a fire-breathing dragon and weep for every life snuffed out by you and your best Bud. Because one is a casualty of war and the other murder and something Hiccup hasn't done is murder.

^^^^ That is Hiccup's face as he looks into the water to see if he can spot a single sign that Drago has survived. He doesn't look like he's remorseful for Drago dying, instead he just looks worried. And knowing Hiccup's history with Drago and the reason why he set out to change his mind in the first place, it's not worry for Drago himself. It's worry that he might've survived. That he could come back to hurt his loved ones and (most importantly) his village again.

^^^^ Followed be the face of someone who wishes things had gone differently.

This is probably the biggest proof that Hiccup was meant to be chief. He set out to protect his village and he'll remain worried for his village. Maybe a hottake, but thematically/from a writer's standpoint, that points towards Hiccup destiny to be chief.

Of course, we know Drago canonically didn't survive due to the re-writes of Httyd 3 and the cancelation of The Fire Tides.

Now, I could talk about the Serpent's Heir.

I could talk about the absolute decisiveness in Hiccup's expression and everybody's lack of a reaction to Hiccup setting a guy on fire (the most we get is Astrid stating how she couldn't keep him out of trouble) and how this is the clearest evidence of Hiccup taking lives with his own two hands to protect himself, but most importantly, Toothless. (And just like many villains before him, Hiccup did try to talk sense into Calder)

I could talk about Dragonvine (I don't have an online version of that comic) and how Toothless was poisoned and Hiccup almost hurt young Silkspanners because he believed they were about to make Toothless' last few hours in life Hell. (Meaning each comic gave an example of Hiccup protecting Toothless against a human and dragons respectively)

But the movies and shows are teeming with examples of Hiccup getting his hands dirty (either with his own two hands or through Toothless) to protect either himself or someone he loves. And that makes him the exact opposite of a pacifist. Because Hiccup will use violence to protect who he loves and what he believes in.

But like I said, Hiccup isn't a one-dimensional character and it's true that he doesn't want violence to be his first option. Rather he'll often give his foes the chance to resolve things peacefully if it prevents bloodshed on both sides. I've mentioned it once before in another post, but with how many casualties there are on the opposite side at all times and none on the side of the Dragon Riders (minus the occasional arrow wound or Stoick's death) it's only fair for Hiccup to give his foes the chance the back out. It's just that they never do, always underestimating him and the Dragon Riders.

And with the Red Death that kind of was never an option to begin with and Hiccup knew that.

But we do see him try to forgive his foes even though they've either stabbed him in the back before or are obviously planning to and that is likely where the "naive" part comes from. But Hiccup is also 15 to 20 years old, he doesn't even have half as much life experience as his foes do, who are every single one of them grown-ass adults well over a decade older than him.

And we do see him have moments of remorse, like in RttE when he tells Viggo that things didn't have to end so fatally in Shell-shocked Part 2 or when we see him make a big deal about not hurting the innocent Singetails in season 5 or even when deciding to give the fishing boat with the Scourge of Odin a proper send off. I think that's where the "pacifist" part of the fancanon probably comes from.

Even though we not only see Hiccup actively partake in violence without lying awake about it, but also be smug about both big and small wins and simply enjoy the thrill. (And to repeat once more, he actively enjoys sparring with his wife who likes punching his dorsal fin button to show him just how excited she is about something)

But anyway, a veeeeeeeerrryy long way of ranting about how the proof that Hiccup isn't a pacifist is from Httyd 1 all the way to httyd 2 (And the two comics) and that actual on-screen deaths are only not there purely because the franchise's audience is still largely children. :)

[khruschevshoe]

OFMD Critique: Mermen, the Gravy Basket, and Cognitive Dissonance

Warning: this is going to be a bit rambly.

So, I can't stop thinking about the end of "The Innkeeper." (OFMD 2x3, if you need the reminder.) About how I have completely different reactions to the final scene of the episode depending on who's POV/plot I'm considering it a part of.

As part of the Stede/Ed plot, and as part of Ed's personal character arc, it's masterful. The cinematography, the swelling music (and music choice, god is "This Woman's Work" a fantastic pick), the acting, the lighting, everything about it is so well done. It's a story about a man who has hit the absolute bottom of a depressive episode because he believes that love is only meant to hurt, that no love can exist without it dying, and who is pulled from the absolute Darkest Night of the Soul by the man who loves him- in the form of a merman. (I'm not going to harp on the symbolism and the perfection of choosing a mermaid, a rainbow, beautiful, queer-as-hell mermaid, as Stede's form here because others have done it so much better than I ever could.)

This final scene is PERFECT for the Stede/Ed plotline. I will give it all the props in the world for its gorgeous portrayal of the healing, divinely-coded power of queer love.

But from the crew's POV? From the end of a plot that was literally about a man spiralling and taking everyone down with him? From the POV of people who were just forced to shoot themselves, to fight to the death, to amputate limbs, who finally got to stand up to their monster after months of fear, of sobbing when Blackbeard couldn't see, of living on a knife's edge because if they put one toe out of line they'll get shot in the leg or pushed off the ship or worse?

I'm not looking at a man's rebirth; I'm looking at a villain's resurrection.

All I can feel is dread on behalf of a crew that literally just admitted to having been "living second to second" for months now. A crew that was ready to die at Zheng Yi Sao's behest because that's what they had been expecting from the man they just had to kill to survive a storm.

I can't ever fully immerse myself in the scene as I did the first time around, because I know how the crew's subplot is going to go. I know that they are going to vote Ed off the ship, finally gaining some agency, and then Stede is going let Ed back on the ship within a day with a slap on the wrist. Ed is going to give an "influencer apology" and that'll be that, because as Archie says, "they just kinda get away with these things." The crew will get no more agency in their own trauma recovery or their reactions to Blackbeard beyond Lucius' (very questionably handled) trauma recovery arc. This season is going to end with a character dying from a random gunshot wound to the side after Ed survived a CANNONBALL TO THE HEAD. (A character who, by the way, Ed put a gun in the hand of and told him to shoot himself. A man who, by the way, Ed shot in the leg, permanently disabling him. A man who, by the way, dies by apologizing to Ed for Ed tormenting him and the rest of the crew for months on end and driving them to the point that they would kill him.)

I try so hard to remain in the emotions I felt watching the merman scene the first time around, the hope I had for the Ed/Stede storyline, the hope I had for all of these characters. What I thought I was looking at was a sign of hope for all of them, the idea that they could all heal from their trauma, that everyone could experience some version of this love (whether romantic, platonic, or otherwise) for themselves.

But instead, the only other character to get a song died by the end of the season without ever getting a chance at a Gravy Basket of their own. And thus, I cannot ever feel what every possible Cinematic Cue in his scene is trying to get me to feel, because it will always, always be tainted by knowing that every one of those beautiful choices have been denied to Izzy, Jim, Archie, and Frenchie when it comes to their recovery arcs strangled before they could ever be completed.

[dabuerre]

so, normally, i would post way more, about specific episodes, as i tried to do, but like damn. my watch of season 2 absolutely flew by.

i have so many thoughts about everything. i think this is for me the same thing as star trek. thats the highest compliment i can give it.

i love the "crew". with every new episode, sam grows more beautiful.

"Holiday" hit me pretty hard, which i didnt expect.

apophis is dead? damn bro. like finally. but he died the most horrible death. i feel awful for his host. because, even though Daniel Jackson did the whole capture the soul in the statuette thingie, it doesn't matter, because heru-ur probably keeps torturing him eternally. not sure.

my god. "One False Step". also incredibly good. i knew, that Jack cared deeply for Daniel, but their friendship wasn't really there. something was missing for me, i guess. this episode completed it for me. that scene, when they are sitting on the hospital bed apologizing to each other? perfection. and the whole idea behind the concept, with the singing mushroom guys, i love this episode so fucking much. when daniel exploded with the whole "we are genociding a people" i was genuinely very worried that they are just gonna all die.

"Show and Tell". the Retoor. so fucking cool damn. but creepy asfuck aswell. that whole mother business creeped me the hell out. when the boy told Jack that he wanted to be called "Charlie" i was devastated, because i thought for the third time, Jack was gonna lose his son. atleast that didnt happen, ig. i do think though that the Retoor are possibly even a bigger threat then the Goa'Ulds.

"1969" was my kind of episode. absolute perfection. we got. time travel shenanigans check. we got hippies in a cool fucking bus? check. we got young lieutenant hammond? check. loved the whole road trip feel that the episode has. i think the actress for "old" Clarissa was not well chosen though. small nitpick.

and now, "Out of My Mind". now i immedietally you know that only Jack being in 2077 was impossible. the show couldnt continue if they got off-screened. but in my mind i assumed that maybe Jack is gonna time travel back to 1997 or something. but then when the Tok'ra doctor gave him the "high-tech hypnosis" device, i suspected that something shady is going on. the Teal'c insert, with the whole speech, and Bratak being beaten, was suprising to me. i genuinely thought more people would rally. but again, stargate is perfection, cuz yeah. these people completely lost their identity. like, jaffa, to me, is a title, right? Teal'c is not a jaffa, he is Tauri, i guess, be grew up on Chulak. so are they Chulakians? were there ever a time when they weren't occupied by the Goa'ulds? idk. cool to thing about. more to come i hope.

and then of course came the peak moment. now i dont really ship Jack and Carter yet. atleast i didnt use to. i thought they worked completely well as just great friends who have huge respect for each other. but when Jack killed Hathor, in that manner, and then the hug... yeah man, i knew. i knew haha. but yeah, not possible. fuck regulations. so i guess this will be another Beverly situation.

gonna start watching season 3 now. im so happy that i found this series haha. i thought it would take longer to find something on the same level as startrek. you people got it good in the 00s. haha.

[beevean]

Second half of S2. I think the best way I can summarize my state is saying

and trying to put my thoughts in order.

While it is slightly less disjointed than OG S3, the sheer number of plotlines that they attempted to tackle means that every scene lasts about 30 seconds before having to switch over. I genuinely struggled to keep up with what happens in each episode, until E6 where everything converges. And what made it even worse is the realization that... very little of what I watched actually matterered to the plot.

"But Beev, it's a character-driven story! Like Best Character Of All Time Isaac's!" I get that. And you know what? With stuff like Maria/Tera and Mizrak, I do see the potential for a good character-driven story, especially as the show is finally tackling more complex themes with vampirism instead of reducing them to elves or evil oppressors! But... I cannot get invested. I failed to connect with the characters, and the show keeps throwing other shit at me to divert my focus. This is simply a mess that has been bombarded into my eyes, while simultaneously being empty of content. And it is frustrating, because I want to like the less irritating parts.

Like this scene:

This is adorable. Random and another instance of fixing things too late, but it is a treat to see RoB Maria and finally some genuine emotions <3 literally the best scene in both shows idc. too bad it's drowned by the edgy pretentious Peak.

Anyway, time for the usual breakdown, character by character.

Taking a page from the OG S2, the heroes did nothing until the finale when they get to show off how cool they are. Think about it. Alucard recruits his sidekicks, they go to the Louvre, they get their asses kicked by Drolta, they split, and Annette suddenly has the revelation that the visions of her ancestors haunting her were trying to guide her to the solution of all of their problems: go and retrieve Sekhmet's third soul in the spirit realm.

And here I was hoping that it was some kind of internal turmoil for her. No. They were just the new Miranda, conveniently leading the hero to the solution. She just had to take five episodes to realize that for the suspence.

It's really weird. Annette in S1 was the focus of the season, infamously so, being all about her past as a slave and her desire to free everyone and thinking lowly of Richter for being a coward. Now, she was definitely made more pleasant for ship purposes, but then what is left of her? It says something that technically speaking, Annette wasn't even there in the finale! She was being possessed by Sekhmet!

Which, by the way, isn't just lovely? The descendant of a god being chosen by a god to become the vessel of a goddess. Why do we even keep Richter around?

This is not rhetorical. Why is Richter here? What does he contribute? Being the guy whose 90% of dialogue is swooning over Annette, fretting over her, telling us over and over why he loves her? (while I still don't know how Annette went from thinking he's useless to blushing around him and thinking he's cute.) Now, to be fair, he does kind of sort of talk about himself a few times... but it doesn't land. I don't care about his doubts as a Belmont now because they aren't relevant.

I've known I'm a Belmont and what that means since... since I could form words. Fighting evil, serving some kind of higher purpose. But then I watched Olrox kill my mother, and I understood the bitter fսcking truth. My mother died for absolutely nothing. Actually, she died because I tried to help her, which meant she had to protect me, and that's what got her killed. My whole life since then, I told myself it was so I could live. As if I was the higher purpose.

Why are we suddenly caring? Richter hasn't thought once of his dead moms (moms, Tera raised him too!) and in S1 he was all "I am a Belmont, and Belmonts kill vampires!". I understand the survivor's guilt, I do, I understand the logic "I need to fight otherwise my mother died for nothing", but okay, Richter, tell me: what does being a Belmont mean, in your opinion? Because it certainly isn't being locked in a generational fight against Dracula and realizing that once he dies, you have no purpose in life anymore!

The world's changing so fast. Belmonts, we're something from the past. Maybe there's no place for us anymore.

You know, I almost don't blame him. No wonder he thinks that Belmonts are a thing of the past. They sure were a thing of the 1980s-2000s. These shows hate the Belmonts with a burning passion and do everything in their power to make them tertiary.

But yeah, Richter and Annette bond over dead moms, woohoo. Thankfully this new, revamped Annette doesn't mock him over it, now that he has magic. It does get a bit ridiculous when Richter asks Alucard if he could change being Dracula's son, Alucard says that that would change other parts of himself that he'd rather not, and Richter immediately asks about his mother. I don't think Richter even knows Lisa's name, but he just can't help connecting to people through dead moms!

Oh yeah, Alucard! He's still a cunt. That's what his fans love about him. That, and how hot he looks after taking a bath in the shit-filled Seine, I suppose. E5 started with a moment so infuriating, it briefly took me to the OG S2 days:

call me carmilla the way i cry bloody tears

Now, to be perfectly fair, Annette does get her first big W by reminding Alucard that they all thought he killed Drolta and yet now she's back and stronger than ever. hell yeah it takes an asshole to put an asshole in his place 🥰 (although I wish they had done the same to her when she insulted Richter and no one reminded her that Edouard died because of her.) But more seriously, this shifts that line from "Sypha having a boner for Alucard and defending him at all costs" to "Annette trying to comfort Richter that he's not as useless as Alucard implies". I am glad that someone is finally on his side. But still, I am very tired of this. In the OG S2, Alucard was in theory justified because he was a grieving teen: how come this wise 300 yo old man still snaps at Belmonts when he's mad at himself? Now it's even worse due to the age difference. You can't have him stroke his dick over how old he is when emotionally he's still the same brat!

But yeah, this is Alucard in this season. They try so hard to make him sound old and wise and experienced and jaded. To the point where he says that he has fallen in love "countless times", and this is why he dares to give Richter advice on how to approach Annette romantically. I really don't know how to feel about this. It's not wrong, per se, but doesn't gel with my personal vision of Alucard - not just the game version, naturally, but I also can't really imagine show Alucard opening himself up like this, especially since this season paints him as being almost completely detached from human society. What sort of people does he fall in love with? The Belmonts? People like Greta? Eh, I could just take this as a cheeky reference to his Launcher of a Thousand Ships status lol. lmao imagine if they adapt the sorrow games and it turns out soma is one of alucard's many descendants when he lived his best slut life in japan fhdsjkfhskdhkj

I really don't know why they still bother to remind us that he's Dracula's son, though. Sure, they're correcting this from the OG show where the dude sympathized with vampires. But it's not like anyone gives a shit about Dracula anymore. Juste lowkey implied he's less impressive than Olrox. Richter didn't even know who Dracula was. In this setting, Dracula was just a more meow meow version of Erzsebet, not the closest thing to Satan who periodically threatens the world. Not even Dracula cares about himself anymore, since a WHOLE ECLIPSE happened and he's still chilling in Hawaii. Alucard has no reason to tie his identity to what in his perception is a dead man that was forgotten by history. He sure acts like a celebrity, though!

literally "bitch, don't you know who i am? 💅" i don't know, who are you? the one who allowed vampires to become human nobility?

There is, however, something that greatly bothers me about Alucard's untold past.

(why 14? had they said 18, it would have been a neat reference to HoD, even though I know it can't have happened)

If the Drolta plotline (more on that later) didn't convince me that this season was hastily rewritten, this would. Alucard keeps flipflopping between being solitary and being a Belmont ally through generations, which he apparently counted. I'd assume that, considering how much emphasis on his age is put, "years" for him means multiple decades, perhaps a whole century. So which is it? Did he fight alongside Christopher and Simon, whatever they did, and then got tired by the time Juste was born?

Speaking of the Belmonts, what happened to Dracula's castle? Why didn't they stay there, as their new hold? Are you going to explain that, show? No? Okay.

By the way, once again, I was ready to call Alucard a cunt (not helped by his condescending "Trevor would be proud [at Richter's sarcasm]" which I hate on principle), but him being tired of seeing Trevor's descendants die is a pretty good reason for wanting to distance himself and spare himself the pain. See, once again, I'd care much more about Alucard's experiences with immortality if he was more likeable. I'd accept him being more standoffish because his heart has been hardened by so many people dying, if he didn't start out as an 18 yo piece of shit who insulted Trevor's whole lineage for petty reasons.

Oh, and if he didn't literally, deadass, lead the actual Robespierre in the revolution. What the fuck. You know, I was joking about him telling Galileo Galilei about the heliocentric theory! Now I'm totally expecting the Sorrow adaptation to mention in passing that he was the one who killed Hitler!

And you know what? You know fucking what? For all of his posturing, Alucard is just as useless as Richter! His only purpose in the plot is to basically tell the gang "here's what we need to defeat the villain", then he failed spectacularly by allowing Drolta to snatch the McGuffin (and blamed Richter for it), then he basically inserted himself dick first in the Revolution plot to give him something to do in the two-parter finale! He didn't even care about the Revolution! He said so! The Revolution is a completely pointless backdrop to the fight against Sun Thundercat! You know, I'm impressed, I honestly thought he'd be the real protagonist of the show, but no, they managed to waste him too. peak.

Maria, Tera and Juste are all connected, but Maria is pretty much the only character going through an arc here, as Juste is nothing more than Maria's babysitter and adoptive grandpa (yeah, clearly they're trying to establish a "found family" theme as also mentioned by Alucard, but sure it's nice of him to call Maria his family when dude abandoned his blood grandson and hasn't still quite reconnected with him). I think that what they're trying to do with him is to basically prevent Maria from falling down the same pit of despair he did until two days ago, but it doesn't really work, Juste feels like a plot device and Maria's reaction is different than his anyway, since she's falling into... well, edginess.

In fact, Maria is so edgy, that she out of nowhere gets the idea of making her mom bite her to turn her!

Maria: It feels good... to have such power. To control such powerful forces. To have power over life and death. Juste: It shouldn't feel good, Maria. The world can be a dark place, full of horror. But if you surrender to the darkness, what's the point in living? None of us counts for much. All of us will be forgotten eventually. But there's something miraculous about us being here at all. To see this world. Breathe its air. Smell the forest at night. Feel the sun on our skin. If we're still able to do that... there is a point in living. Maria: And maybe there's even more point in living forever. He's right. This was different. Killing my father. This was murder. I can never go back to who I was. But I could be with you forever. *exposes neck*

Just a taste of the dialogue here. Juste doesn't even feel like a real person at this point. Why is he talking to Maria like she said that she wants to die? Is he projecting his own depression? Or is it only so that she can talk about living forever?

Maria, the girl who sees the world in black and white and therefore slotted vampires in the "evil" category, being ready to ditch her humanity because she'd rather live with her mom forever and perhaps out of guilt for killing her father out of revenge and not a righteous reason, is a very interesting idea. And this is why it's never brought up again :) Tera, with shocking self control for a newborn vampire, runs away from her to "find herself", leaving Maria crying and to be comforted by Juste. By the way, Tera's arc is done here lol. She runs away, lowkey implying that she manipulated Maria into killing her dad because "he deserved to die", and then she's the only open plot thread left for S3, enjoying the executions and perhaps glad of the dark path taken by her daughter, leaving ambiguous how much vampirism corrupted her.

Again, I kinda like this arc. I like that it ends with Maria declaring that the humans who worked alongside vampires (which I didn't notice at all, but maybe it was because I was inundated with too much Peak) deserve to be executed, probably still thinking about Emmanuel. It just rings hollow because Maria has always been a serious righteous fuck who only cared about the Revolution, with all that it entails, so I don't see much of a change in her. Maybe it could have worked better if they hadn't been cynical hacks in S1 and kept her RoB innocent personality. And I'm also irritated that they could have given this corruption arc to someone else...

(also, since I'm a horrible person, I am compelled to point out that the show leans heavily onto the "bite is sexual" trope, as shown by how predatory Sun Thundercat is with women and later on by Olrox with Mizrak. Therefore, having Maria begging for her own mother to bite her so that the two could live forever together is very. mh. well this is getting interesting i suppose)

As for the villains, before the finale, I just have to say: why in the sheer fuck do the villagers bow down to an obviously foreign vampire noblewoman?

Your Abbot, as you know, is dead. Murdered by a revolutionary. Your Abbot compared me to Joan of Arc. But I am not like her. She was defeated, burned like a witch. I will burn all your enemies. All your oppressors. Burn them all to ash. I am the one who wields the knife.

I get that these people are against the revolution, but really? They trust her as being better? I don't know anymore. Also her Sun Thundercat 2.0 transformation is a punch in the eye but we all know that.

oh right, olrox and mizrak. uhhhh they spend most of the time still doing their drama. Olrox is a passive force who mostly spends his time spying on everyone, Mizrak wants to fight. Since they don't really matter, I'll summarize the rest of their arc here: Mizrak joins the fight like he suddenly belongs, he's fatally wounded by a random vampire, Olrox saves him and decides to turn him into a vampire. The last shot we see of them is vampire Mizrak ready to rail that cockrox raw lmao. And, again, this is a good concept. Mizrak was shown being torn between his faith and his desire to sin with Olrox: therefore, vampirism for him means shedding his inhibitions and indulging in the sinful pleasures he has always coveted. This is good! And completely irrelevant to the story! Even thematically, vampirism hasn't been treated in this way by the story, not even with Tera! These two just make their own sideplot that never intersects with the main one! What's with this series and being unable to organically integrate gay people into their plot?

Okay, I think I covered everyone, so it's time for the grand finale.

The final fight is basically two episodes straight of this

and it's boring. I'm sorry. I get that the animation is cool and the anime fights are cool, but I just find boring to watch a bunch of people throw flashy but redundant spells to an invincible foe. Yeah yeah muh Harmony of Dissonance spells, that just pisses me off at this point, you didn't even mention Maxim once and had him and Lydie be fridged offscreen while the game can't happen due to the lack of Dracula's relics but you're pretending we're suddenly fans of the games?

(a small correction, though. Apparently, Juste's ring is not meant to be the friendship bracelet, but the Aurora Ring, the one that increases the power of the Sacred Fist. While I don't understand why it's specifically that ring, since Juste never uses punches, I do appreciate a more niche reference.)

Hey guys. Remember how fun it was to play Portait of Ruin and having to protect Charlotte for 20 seconds as she casts her plot-solving spells? This is Sekhmet's role in the fight. A sitting duck who tries, for half an hour of real time, to absorb Sun Thundercat's Sekhmet soul to weaken her, while Richter sometimes goes to cool her down with his ice powers. For a goddess, she is quite weak. And I would dearly love for someone to come here and explain to me what the fuck was that monster that Annette fought for the entirety of the finale in the spirit world. And, in the meantime, Alucard and Olrox fight Drolta, with the weird implication that the latter is stronger than Dracula's son since he's much more successful at keeping her down (and that they met once, because we like making fans speculating). Again, I need to stress out: the heroes do nothing of importance until the plot lets them win.

And then this happens.

alright. So, memes are in order.

But I think it's time to talk about rewrites, right?

Sun Thundercat's death feels not just pathetic, but spiteful. Compare it with other deaths: Dracula cried that he was killing his boy and let himself be impaled, Carmilla exploded herself to not allow Isaac to claim a victory, Lenore sunned herself because her life got a little more uncomfortable. They are undignified deaths, but they are at the very least graceful. We are meant to feel something for them. Sun Thundercat has an utterly pathetic breakdown, and then she's randomly betrayed by Drolta, who cements herself as the Real Big Bad.

No one liked her. Erzsebet Bathory has been, from day one, derided as a flat, cartoonish villain with a stupid plan. Her design is ridiculous, her personality never goes beyond "smug wannabe goddess", and her only power is being invincible. She is boring, and always has been. But Drolta? Oh, Drolta was cool. Nevermind that in S1 she also had the depth of a piece of paper. Everyone loved her many designs, everyone thirsted over her BDSM get up, everyone thought she was a huge badass in fight. So, what did they do? Give her a whole backstory and kick her upwards to the role of the true puppetteer who was in control the whole time :) basically, they gave her the Isaac in S3 treatment.

yeet, you waste of screentime

And in the meantime, I'm here left asking two questions. One, why didn't Drolta absorb Sekhmet's soul from the get go, instead of wasting so much time finding the right vessel and killing countless women? She had no hesitation trying it now.

And two... why did we spend so much time with Sun Thundercat? What was the point of hyping her up as this great figure, much more terrifying than Dracula, only for this to happen? This isn't cathartic. This isn't fun.

Sun Thundercat is a pathetic villain, by far the worst in the series, even more wasted than Carmilla, with less feats on her belt than everyone combined despite the hype. And they didn't even try to fix her. Instead of making her a better character, they doubled down on her being flat and then pulled a bait and switch for fanservice purposes. Drolta is probably the most inoffensive villain in the series since Dracula, but that doesn't erase the sloppy, disingenuous writing.

She doesn't put much of a better fight, either. Now Alucard joins Richter in their epic team up, because of course. And I'm going to sound like a Classic purist, but I am sick and tired of the shows ignoring the Vampire Killer. Why in the fuck is Richter fighting Drolta with magic punches? Didn't Dracula mock Trevor for that? You have a consecrated whip, you imbecile!

oh, then they redo the same scene they did with Sun Thundercat, with Sekhmet being all angery that Drolta defiled her, Drolta sobbing and whimpering that she did everything for her, and the two engaging in some sort of Avatar spiritual fight that makes Annette's eyeballs explode or some shit.

Btw, gotta love this epic reference to Sonic '06:

I don't think you will live anywhere if you don't let her do her thing, genius.

I could be generous and think that he's so attached because he doesn't want to lose another person. I like some details here, like Richter using his ice magic to embrace Annette's searing body. It's just. I don't buy this romance's foundations, because S1 fumbled so bad. Alucard says that Annette laughs at Richter's jokes, and debates his ideas, which means that she loves him, but is that really enough for him to declare that she's more important than the world he swore to protect? Also, why does Annette like him back? Because he constantly tries to protect her, even though that should piss her off according to her S1 personality?

btw

shut up you cunt

Speaking of the cunt, Richter kills Drolta by using Alucard's sword infused with ice magic. No, I have no clue why it works except anime logic. The Vampire Killer can go fuck itself. yay. To top it all off, Richter is surprisingly chill when he spots Olrox, even calmly echoing his promise of "killing him one day, but not today". hey, remember how Richter used to suffer from PTSD over his mom's murder and panicked at Olrox' presence? remember how Olrox was built up to be this msyterious, charismatic figure with his own agenda and plans for the little Belmont? guess that's another tease for S3!

The ending feels like a fusion of the one of OG S2 and S4. Richter and Annette pull a whole Trepha and abandon Maria to her own grief. Nice job guys! She is still crying for her parents but you just have to bone in private, I suppose! So much for muh family! Well, at least Maria will hang out with her new grandpa and Alucard, who...

ah. mhh. well. This is bound to be very funny lol.

(btw, it's perfectly fine for a 16 yo to crush on an older man lol. We'll just have to see what said older man will do with it.)

Oh, Edouard! I forgot about him because he was nothing more than a jukebox: his only character development is that his extra hands move away from his face, maybe because he's no longer ashamed of himself. Well, he's coming to Saint Domingue too with Annette and Richter! Yes, as a Night Creature. Annette simply says "the people there have had worse nightmares than you" and the matter is settled. Hey, remember when she felt guilty for being the cause of his fate? Remember when she was this close to mercy killing him? It doesn't matter anymore! Yay, just like Dracula and Lisa! Conflict is for those who are sure they're going to get a next season!

And while Richter and Annette kiss and are all cute and everyone is happy, I'm left wondering who was the true protagonist of this season. Richter? No, he did fuck all until the end. Annette? Same. Alucard? He could have vanished in E1. Maria? She got a lot of focus, but ultimately irrelevant to the main conflict. Juste? Tera? Mizrak? Olrox? Don't make me laugh.

Drolta, then? The season took the time to give us her backstory to explain how she got here. She stole the mummy, which is what caused the final fight. And that's it. Once again, I feel the need to use Carmilla as a comparison: she was the true star of the OG S2, because she was the only character in both plotlines to actively do something, and she acted throughout the whole season, even if in the end she didn't get what she wanted. What is this season even about? How do you summarize it? Why is it so rushed and confusing? Why did they try so much and muddle every theme they could have tackled, like the effect of vampirism on your soul, or the dark path grief can take you, or finding a new family?

and oh right. the shadowy figure that seems interested in maria and tera. i don't even know. we'll see in s3 i guess. which will happen, since this season has currently a 100% on Rotten Tomatoes because it is considered peak fiction.

anyway,

[reijamira]

The Heart Killers episode 5: my first, wild reaction

SHIT! FUCK! DAMN!

My brain is all mushy, my heart touched. I want to smile, I want to cry.

I can't do this anymore! My pulse is out of control, my hands are ducking sweaty! I don't want ANYTHING bad to happen to ANY of them!! Please! Just no and NO and NOOO! FadelBison seem so tired and fed up with that hitmen life. They don't like it. They are being manipulated and forced. They crave a normal life. 😭 It's so clearly palpable this episode. Let's stop here, and they can live happily ever after. Yes? PLEASE!

No new scars for Fadel! I mean it! (Looking at the sling from the trailer! Go away!) Let's Bison be happy with someone else for the first time in his life!

Have you all seen how SWEET our precious Style was? I liked him before. NOW I'm madly in love with him! What a kind soul! How beautiful he is, inside and out! Gosh, he has already fallen in love with Fadel! Halfway!! And not just him. KANT admitted he is developing feelings, too. Dammit!

I loved that we got a bit of a background story for Style's character, finally. What a big heart he has. Helping his dad out (who was there for Style when his mother died and his dad fell apart???). I bet it's Style's BIG heart and his love for Fadel that makes him spill the beans in the next episode?

I melted at the "You chose me" scene. 😭😍🫠💛 (Fadel, honey, I loved you from the start. In each episode, I love you even more!)

I loved Fadel asking Style what Style likes about him! Style's answers were so funny and sweet. He likes the adrenaline of a good chase. And Fadel reminding him that it's no car race, and I'm watching this and thinking, "No, it's no car race, but it's a race against time, and a car is indeed involved". 😭😭 HELP!

Then their sweet, corny smexy times at Style's garage! I loved it! It was funny! It was hot! Yes, Fadel, pay him with your body! 💣🌶🫦

Speaking of body: Style making Fadel dance with him at the bowling alley by referring to Fadel's little dance at the host club was top-notch! He is such a quick thinker and sweet talker!

And while we are at the bowling alley: I adored every scene of their double date until it went heartbreaking. Especially the way Style convinced Fadel to wear the partner shirt. (He got the ship name right! Yeah! Put Fadel's name first because he would like it! 😭👌🫠 And KantBison also hit the mark!) I SO love Style's "You can take it off at my place!". (Kant's reaction: 🤭😁) Fadel hiding behind his beer when Style said he touched Fadel's body so many times, he knows its size, got me laughing so hard! 😂🤣

It's so clear that Style has Fadel wrapped around his finger! Our big hitman softie! The way Style can make Fadel fold! It was so beautifully shown in the scene at Style's garage when they wanted Fadel's help. Kant, ever wary of Fadel's grumpy, cool demeanor, noticed, too, how easily Style could influence Fadel! Loved Kant referring to Fadel as "big brother". That barely visible shift in Fadel's expression that followed immediately! Glorious!

I love how vulnerable Fadel was! He didn't tell Style about his past lover. And he also lied BLATANTLY about not liking Style. (Fadel, darling, we all can see those looks when you think no one is looking!) And that talk about laying oneself completely bare. OMG! My heart went out to him. He DID tell Style about his murdered parents, though! (LOL at Style's quick "I'm sorry! Let's change the subject!")

Can I take a moment to appreciate Style playing with Fadel's nipples TWICE this episode? That was hot! 💣🌶🫦 The mutual ass grabbing, too! 🫠🤤

So, no recording device in the pin. (I could have sworn...) No devices in Kant's apartment either. (DAMN, I was so sure. LOL!) BUT the camera in FadelBison's basement DID record the betrayal. Shit! I really don't want this! Both Fadel and Bison are opening their hearts. They are slowly letting others in, which is no easy feat for them. And in the end, it's a betrayal. I really hope both Kant and Style can assure Bison and Fadel that they do love them. I want them working together against their enemies. I don't remember the exact wording, but Fadel said something about people not wanting to risk their lives when they are with him. Maybe Style and Kant will do this? (Dear me, it looks like Bison is taking a bullet for Babe next episode! Look how invested our Bison is in Kant and his brother! He is so protective already!) Also, I really love that Bison is the mad dog here! I loved how feral he was there for a minute.

And yeah, Fadel's fingers on Style's chin made me swoon. Please, don't hurt this man, Style!

I need to rewatch episode 5 every day until next Wednesday! I need to write and read all the meta!

It was so amazing! But the foreshadowing is killing me dead multiple times! 😭😩

Before I finish this, one final thought or two: What is up with mother Lilly and her aversion against dating and being left alone? Abandonment issues? Trouble recruiting new hitmen?

What is with Keen? Is he a friend or foe? Surely, Mother has her eyes already set on him and his office boyfriend.

And now same torture as always:

I can't wait until next Wednesday! 😭😭😭😩

[ivystoryweaver]

The Only One

Episode 7

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Summary: The last time you saw Poe was right before he blew up Starkliller Base - a huge victory for the Resistance. Things go to hell after that and you are separated from Poe, needing to rely on your instincts...and the Force. A huge secret starts to be revealed.

a/n: This Episode glosses over the events in the film The Last Jedi. You don't have to be knowledgeable about the sequel films to continue the story - everything that relates to Elia is summarized here. She is a bit separate from Poe during film events, so this is not a re-telling.

Pairing: Poe Dameron x female original character. Fic is written in second person, but the female "you" has a name (It reads basically the same as any other xreader)

Word Count: 1.6k

Content: violence, action, little angst (no more than in the films), not beta'd

PREVIOUSLY on "The Only One"...

He turned around one more time, granting you another sweet smile. “Wait for me, Ells. I���ll be right back.”

Somehow his humor and good nature gave you hope. Poe always gave you hope.

“May the Force be with you,” you whispered to no one really. Or, to all of them.

The next week was hell.

Which was, perhaps, what a demon like yourself deserved.

At first, the Resistance buzzed with the thrill of victory. Poe and his team destroyed Starkiller Base after Rebel legends Han Solo and Chewbacca worked together with the stormtrooper who defected and a young woman named Rey.

But before you could celebrate or have much of a reunion with Poe, the stormtrooper, who you learned was named Finn, was sent to medical in critical condition, while Rey supposedly flew away to find Luke Skywlaker.

Kylo Ren had murdered Han Solo.

You thought taking out Starkiller Base would give the Resistance a huge advantage in the uphill battle against the First Order, but the New Republic had suffered tremendous losses, crippling, if not obliterating support for the Resistance.

Your assignment kept you apart from Poe for days, so you hadn’t seen him since that fateful moment directly before the Starkiller Base battle.

...where he kissed you and asked you to wait for him.

So many had been lost since then - the chaos, nonstop. After the most recent attack took out most of Resistance command, someone named Holdo took over.

You were dying to see Poe, desperate to see for yourself that he was okay. Every time something else exploded, you felt sure you’d receive a report of his death. The stress piled up as you worked separately from Poe, thinking he might die, or you might die.

To make a desperate situation worse, the attack on the ship's bridge left Leia seriously wounded. And directly before Holdo took command, Poe was demoted, which infuriated you.

And, aside from the fact that you were (thankfully) able to focus, or hyper focus, as it were, on computer programming and other computer tech needs, the news of Commander Dameron's demotion was all you could think about...

...or talk about.

Thankfully, Perrha was with you for the past few days and was a wonderful grounding force for you.

Now, the Resistance was trying to safely land transports on the planet Crait.

Everyone watched in horror as one after the other, the First Order blew them out of the sky. You kept yourself busy working, tears streaming down your face at the thought of Poe being on one of those obliterated ships.

Poe felt the same way.

After maybe the worst week of his life (aside from when his mom died), Poe woke up from the little nap Leia's stun gun gave him. He listened patiently as Leia explained Holdo's plan, then watched in horror as transport after transport was obliterated.

"Where's Elia?" He asked Leia, as if she might somehow know. He had lost too many today, not only on the bridge, but when some of his closest friends died in the hangar explosion.

Leia shook her head, unsure.

Poe stared out into space. "Which one is she on?" He murmured, thankful that his new friend Finn was at least safe for the moment. Hopefully.

The planet's surface was so close. You and Perrha might make it through this. But who could be sure what awaited you on Crait, with the First Order bearing down hard?

As you entered the planet's atmosphere, the transport closest to yours exploded - near enough to your own that the blast and debris wreaked havoc. You were taking serious damage - hit hard enough to crash, just not to explode instantly like the neighboring transport.

Everyone around you was astoundingly calm, focused and professional, but a crash landing would not be avoidable.

Perrha's eyes met yours frantically as fire, debris and smoke filled the transport.

"We're not gonna make it," they gasped, coughing from all the smoke.

Panic gripped your heart. You didn't want to die. For once in your life, you really wanted to live and not just in terms of survival. You wanted to help the Resistance. You wanted them to win. You needed to learn about the Force, and ascertain from Leia if you were truly doomed to be a servant of the darkness.

Perrha was your friend and so was Poe. Your very best friend. Your heart broke as you thought of never seeing him again. It couldn't end this way.

So instead of giving in to despair, you opened yourself up to the flow of energy - no. The Force. A wall of fire swept through the transport.

"No." Your voice could barely be heard over the commotion. It wasn't a plea but a command.

Perrha cried out your name as you stretched out your hands and literally pushed the fire backward.

Your breathing steadied, your countenance - a mask of serenity. Your eyes fluttered closed as the Force surrounded you, flowed through you.

The fire would not touch you. Nor Perrha.

The remaining Resistance fighters watched from their transports, in awe, as a transport-on-fire gently touched down on the planet's surface.

You heard nothing. You only felt.

Calm.

Finally, you heard Perrha screaming your name. "This thing is gonna blow, come on!" They quite literally jerked you away - your boots thumping on the planet's surface as you ran for your life.

The ship exploded, knocking the survivors to the ground with a concussive force - dangerous, but not fatal.

Your ears rang, dusty salt filled your lungs, but Perrha hauled you up. You ran again, as fast as you had ever in your life.

The First Order had entered the planet's atmosphere and took up position at the mine entrance - the old Rebel base. Unfortunately, your transport's crash left you quite far away on foot. But thankfully, the First Order would assume your exploded crash site would leave no survivors - giving you time to run.

A battle raged overhead and in the distance. Blaster and cannon fire, and boot prints turned the ashy, salty surface blood red.

Your group finally made it to the mine, but there was no getting in the front entrance. The huge blaster door was sealed, but under heavy attack.

"Is there another way in?" You wondered aloud.

"Is there another way out?" Perrha countered, panicked. "Are they trapped in there?"

Your ragtag team rallied, determined to find a way to either get in to the safety of the mine, or help the remaining Resistance fighters escape, if they were trapped.

Suddenly you saw an old rust bucket ship zoom overhead and land at the edge of a shallow cliff.

Your team arrived just in time to see a young woman...making dozens of piles of rocks...float. This action served to clear a blocked path, allowing the Resistance fighters to escape the mine.

You saw the stormtrooper, Finn. The young woman must be Rey. You were so distracted by her dazzling display of the Force, that you almost didn't notice that just beside Finn...

was Poe.

Finn raced into Rey's arms for a hug, but it was Poe who noticed your ash-covered, singed, rag-tag crew, confused, for a moment, as to why you would have appeared with Rey.

"Elia," he breathed, pushing his way past anyone and everything in his path, including the huge boulders Rey had lifted moments before.

You were an adorable mess, most of your hair had tumbled out of your twin buns. Soot tarnished your cheeks and clothes. By some miracle your unlaced boots stayed in place while you ran for your life.

As Poe clambered toward you, your hands anxiously grabbed for your backpack straps…only to come up empty.

“M-my backpack,” you gasped, frantically touching your arms and chest.

Okay, people were dead.

Your transport crashed and exploded.

You only survived because you wielded the Force and ran for your life.

The First Order was bearing down.

Poe was alive!

But your brain?

“My backpack,” you repeated, desperately, craving the familiar soothing touchstone of its frayed straps.

“Here, sweetheart,” Poe gently offered, reaching for the fallen strap, to pull it back onto your shoulder. “Looks like the other one got burned.”

Which meant…

You grabbed for the other strap urgently, realizing the little pack might have been destroyed, leaving your wings out in the open.

Poe, so relieved to see you alive, wishing with all his heart that the could throw his arms around you, tried to understand…

“No, no no …” You shook your head, eyes wide with horror.

“Ells?” He asked, confused, holding up his hands in a supplicating manner, trying to show you he wouldn’t touch you if you didn’t want him to. “Baby, are you hurt?”

“I can’t…my backpack,” you gasped, short of breath. “I can’t…” Shaking your head rapidly, you backed away, running into Perrha…who got a look at your exposed back.

“Oh, Elia. A-are you - w-what happened…” they trailed off, glancing at Poe, confused at the sight of your tightly furled, dark wings. Perrha wasn’t sure if you were burned, or what was going on.

“What is it?” He demanded. “Is she hurt?” He reached for your arm to turn you around, but before his hand made contact, you clenched your fists and cried out.

“No!”

…sending tiny bits of rock flying outward from you body in every direction.

This got Rey’s attention.

As far as the young Jedi trainee knew, she and Leia were the only ones capable of this sort of thing.

Poe backed away, stunned, brushing bits of gravel from his face and hair, exchanging worried glances with Perrha, but determined to make sure you were all right.

He thought to approach you, but stopped short at a miraculous sight.

Your hair had tumbled down, beautiful and wild, your eyes closed in concentration.

Hands clenched by your sides, you held yourself still as bits of rock and earth circled you slowly.

And behind you, dark, slick wings unfurled.

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[gojuo]

what Are your thoughts on show aegon trying to escape when he finds out Viserys is dead and they want to make him king? in the books he was with some paramour, no attempt to escape is mentioned.

Though the good septon admits Prince Aegon was with a paramour when he was found, he insists the girl was the daughter of a wealthy trader, and well cared for besides. Moreover, the prince at first refused to be a part of his mother’s plans. “My sister is the heir, not me,” he says in Eustace’s account. “What sort of brother steals his sister’s birthright?” Only when Ser Criston convinced him that the princess must surely execute him and his brothers should she don the crown did Aegon waver. “Whilst any trueborn Targaryen yet lives, no Strong can ever hope to sit the Iron Throne,” Cole said. “Rhaenyra has no choice but to take your heads if she wishes her bastards to rule after her.” It was this, and only this, that persuaded Aegon to accept the crown that the small council was offering him, insists our gentle septon.

Fire and Blood, p. 398.

You see, I don't think portraying Aegon as someone who knew what was coming for him once his father died and running for the hills trying to escape that fate is an inaccurate or uncomplimentary interpretation of this moment at all. It adds a layer of tragedy to both his character and the general situation at hand if he has the understanding that just his mere existence means certain war.

The actual issue with HOTD's version of this passage is what the writers deliberately took out and what they replaced it with. Any time an adaptation removes something that is in the source material, anytime it makes changes to the source material, whether it be an addition or substitution, you have to ask yourself: why? Why would they do this? Why did the writers for HOTD ep. 9 take out the part in this passage where Aegon is convinced by Criston to take up the crown because not only his life, but the lives of his entire family members are in mortal danger if he doesn't and replace it with a line wherein he says he will abandon every single member of his family instead, even his dragon ("Let me find a ship and I'll sail away, never to be found.")?

For what reason was this change made? What does this deliberate change to not just Aegon's motivations to act & his character arc, but Criston's and the entire Green cause as well mean? Well, you don't need me to explain it to you because I have been bitching and moaning and ranting and shouting about this transparantly deliberate change to the canon for over 2 years now, ever since that piece of shit episode 9 aired in 2022. Seriously fuck this show. These writers are so fucking childish, downplaying the Green cause at every turn and taking away everything that was good about Aegon and replacing it with something that makes him look worse than he was in the book (like how in the show they changed the plot so much that he now deliberately abandoned Helaena and Jaehaera for no real reason unlike in the book). I genuinely hate everything about HOTD.

[everything-person]

Captain Swan SuperNatural Summer

I was looking so forward to this event. I had so many ideas and concepts. But real life happened and my muse ran away so i was unable to write any of my ideas no matter how hard. But with this being the last event I will not turn up empty handed so I made art for all the ideas. @cssns

TRIGGER WARNING under cut has 9 art pieces they are numbered the 9th piece contains images of blood

1.) Sands of time based on the movie/video game Prince of Persia. King Nemo ruled with his brother and right hand Jafar. The King already had sons but one day while wandering the market he found two orphan boys that showed grant potential and took them in. After invading the sacred oasis of MistHaven Killian is framed for the murder of his adoptive father. With the help of Princess Emma he escapes and finds there is more to the dagger and plot behind his fathers death then he thought.

2.) Phoenix Diamond Based off of Onward. Henry never knew his father Graham. ON his 16th birthday his mother gave him a gift from his father it was a magic wand powered by a phoenix diamond to bring Graham back for one day. He tried the spell himself but it didn't work. But when his mother touched the wand it began to glow. The spell went a miss and now they are in a race against time to find another phoenix diamond to bring him back unbeknownst to them the dangers that lie in their quest.

3.) Living in the Dark inspired by Being Human. Killian is a vampire that has stopped drinking from fresh blood. Graham is a werewolf. They get an apartment together and be roommates. They wind up renting from Emma but there's something strange about her son who randomly pops in on the guys. Everyone trying to get a sense of normal life but how can they living in the dark.

4.) Wrong Ship inspired by Doctor Who episode. Jolly Roger magically tranforms into a human woman and goes to find Killian. Confusion and misunderstanding puts a rift into Emma and Killians relationship.

5.) Sandcastles and Riptides Liam and Killian are mermen raised under their grandfather King Triton brother to King Poseidon. Emma is the princess of misthaven raised under her well meaning but over protective parents. Each of their worlds forbidden from each other but fate demands them together.

6.) The Swan and the Hook is a pirated themed story with lots of twists and turns. I know doesn't appear supernatural but trust me there was/is supernatural undertones.

7.) Witches of Storybrooke loosely based on Hocus Pocus. After Henrys mother dies he goes to live in the sleepy town in Maine. He learns the legend of three witches that used to live there and of a candle that was to bring them back to life. Hoping maybe he could find some magic to bring his mother back he ventures into the woods. But he finds there is are two sides of every story when the witches do come back.

8.) Dance with the Devil Killian succeeded in his revenge against Rumplestiltskin and turned into the Dark One as a result. For centuries he stayed in the dark ones castle until one night he heard of princesses coming of age ball. Unable to turn away the temptation he slipped into the ball and had a hypnotizing dance with a beautiful blonde before barricading himself back into his castle. What happens when he finds the same blonde battered and abused in his forest years later?

9.) How a got a pet vampire was a supernatural comedy that came about from a discord discussion of a prompt.

Those were my ideas and maybe some day I can actually write them the titles might change if I do these were just the best I could come up with.

[imagionationstation]

so I would like more ideas on the whole “2012 Donnie ends up in prison dimension” au thing.

if you don’t have any it’s completely okay!

just maybe…how are the 2012 turtles (and Splinter) holding up? And how would the 2018 turtles react when 2012 Donnie has to go back home? Does he? Or does he stay? I think it’d be fun if their were two alt endings. One where 2012 Donnie stays in the rise universe and one where he doesn’t. Idk

Srry I’m yappin’ lol

Oh, don’t worry. I’ve been poking at this AU all day.

I have, like, five scenes overlapping each other. Because I’m normal.

*ahem*

“So what if instead of merely erasing him, she decided to put him somewhere that no one could ever reach him? A dimension from where things are known never to return? A place where April could never get him back without her assistance?”

Lil’ miss overpowered demon would have wanted April to know that she shipped Donnie off somewhere instead of outright murder. Then, she could hold it over her head you need me to get him back to prevent her from ever shattering the Crystal. But considering that’s blackmail and April knew that the longer that freak was in her brain, the more likely it was that she’d obliterate New York- well, she was determined to find Donnie back without her help.

And so April assures that brothers that he’s alive. And they immediately begin a search ✨

I’m sure that there would be a lot of tension, fear, and worry, but they KNOW he’s alive out there somewhere, (probably suffering if Za-Naron’s vague taunts were true), so they’re going to get him back, and the sooner the better. *Insert car chase music*

And the best part is that the 2012brothers have never actually been separated for more than a few hours. Like, in any episode.

Imagine days apart not knowing if Donnie is even alive.

At least they have each other. Donnie, on the other hand…

I think how the Risebrothers react to their arrival to bring Donnie home would depend highly on how long Donnie remains with them. However, it’s not through an “we adopted him” standpoint.

Remember, Leon and Donnie were stuck in a crippled dimension for weeks. They were barely surviving, avoiding Krang at every turn, convinced that they’d never see their families again. Leon would have told Donnie about the prison dimension’s purpose and how no one could ever risk coming. How his family had to see to it that no one ever came through for the sake of everyone in his dimension.

They had to live with that knowledge for a time period that probably felt like an eternity.

A seed of doubt was planted and they coped in different ways.

Donnie, keeping them both alive and his flickering hope burning through each passing moment, holds to the stubborn belief that if they wants to make it out, he only needs to, “Try harder.”

And Leon, willing to fight for Donnie but unwilling to surrender to the pipe dream of getting freed, assists the fight with a timid, but unbudging, “It’s not about me.”

Then, when they get out, their perspectives will be entirely different.

Leon will be home, but a part of him, the part that was counting down the minutes ‘till he dies, will still be in the prison dimension.

Donnie will be safe, but everything in him, every minuscule cell in his being that prayed for release, will be yearning for home.

So, we have two options. And no, I do not believe one of them involves him permanently living in the Rise verse. (Many apologies.)

Option one: Angst ending (They find him fast.)

Okay, so, if the 2012brothers were to arrive within days of Donnie getting free, I have no doubt that a desperate Donnie would go home without a second of hesitation and Leon would lose his anchor. He’d be stricken at the thought, aware of how much Donnie needs to leave, crippled under the looming weight of that sacrifice. He only suffered lived so Donnie wouldn’t be alone in that hellhole nightmare, and now Donnie is abandoning him leaving.

He’d be stiff, silent, barely managing a weak “okay” when Donnie shares the news. The conversation distracts anyone from really noticing his state of mind. It’s only once the 2012 gang leave the room that Raphael makes the mistake of touching his shoulder. After they barely calm a flash-back induced panic attack that leaves him wheezing and pale, crying and bleeding on the floor where he’d attempt to flee from them, the Risebrothers decide that they can’t let Donnie walk out. Raphael and Michael are torn, because Donnie needs the familiar sights of home as much as Leon needs Donnie, but Don has no such limitations. I almost want to say the same for Lou. He sacrificed the world for his kids. This is nothing.

As you can imagine, family fights for custody never go well.

Option two: Happy Ending (Finding him takes time)

If the brothers were to arrive several weeks/month or so into the future, long enough for Leon to readjust to society and no longer need Donnie as a reminder that he’s home and not completely delulu in the brain, it would go much smoother. Obviously, Donnie would be more desperate than ever to get home. The kind of desperate that leaves him broken in their arms when they finally appear, promising through sobs that he tried so hard to get back to them he did he swears he never stopped he tried-

And considering the Risebrothers don’t have a single cruel bone in their body, they wouldn’t hesitate to let him go home. He’s welcome any time, of course, and Leo makes him promise to find a way back during one, big goodbye squeeze, but they accept that right now, he needs to go. Donnie kept their brother alive and helped truly bring his scattered brain home. Why shouldn’t they return the favor?

[rosypenguins]

YES OKAY PEOPLE SHOWED INTEREST IN MY ELM IDEA LETS GO I’M NOT GOING CRAZY! (I mean I am but-)

Anyways Elm! Elliot and Dominic! We’re all familiar with these goobs! We love them! Time for my very- ahem, well-thought out explanation for this ship!

…Okay so I don’t actually have one. I have zero evidence for this beyond just me looking at Dom and being like “…Well that’s a little fruity.”

I mean-

I mean…

He’s a lil 💅 you know? Just a lil bit. Like those looks aren’t hetero. Those are homo eyes. 👀

I think the real reason I ship these two is because I like unrequited romance and Drew died in the new episode so I had to push that dynamic on someone else and-

And I like Dom! I like Dom a lot! You know what I do with characters I like? That’s right! I put them in a blender and crumble them up into pieces. (I am normal human I do not need to touch grass I promise.)

And I also really like the trope of ‘shy character who’s really insecure is a lot more charismatic and charming than they realize, thus leading to several characters falling head-over-heels for them’ because it kinda takes their insecurities and reverses them, showing that you can think of yourself one way but there will always be people out there who absolutely adore you, and want to stay by your side. And I mean Elliot already has Milly head-over-heels for him, and he also somehow manages to fluster Bradley every other interaction so we can say Brad’s somewhat a simp? Just throw Dom onto the pile and now you got yourself three Elliot simps!✨

Also, I think Elliot and Dom would have a really cute dynamic, with Dominic being all silly and impulsive and Elliot keeping him grounded. (Opposites attract my beloved.) And I think it’d be so cute to see Dom actually develop feelings and suddenly go from this charming little stinker to just an absolute awkward loser. Like laughing way too much and never knowing what to say. Sort of like Milly, but instead of going quiet he tries to say eighty things all at once and accidentally gets himself in a nervous laughing fit. Meanwhile Elliot’s oblivious and very clearly pining for Milly, so Dominic knows from the start he doesn’t have a chance with him, but it still hurts sometimes whenever Milly comes to the garden and Elliot practically gets hearts in his eyes as he shows Milly around. And he knows he should be happy for Elliot. He is happy for Elliot. But a part of him wishes Elliot could’ve found those feelings of love with him instead. And as a way to cope, he teases them. He pretends he doesn’t have a crush on Elliot and pretends to be just as supportive as the rest. Teasing them and telling them to get a room whenever they talk to each other. (Maybe he just doesn’t want to see how close they are.) He’s already accepted Milly and Elliot are going to get together, and all he can do is watch from the sidelines hoping his own feelings will simply fade with time.

Oh, and uh… I may or may not have already started a one-shot for this very idea. Might post it, might not. Who knows?

TDLR: I like Elliot but I like Dom more so I’m gonna give Dom an unrequited crush on Elliot.

[lostcauses-noregrets]

Hey, Lost hope u doing good, I'm just a like a half-year-old eruri and I love them so much with all my heart canon or not but there has been a thing lately I've come across many people saying eruri is dead even among eruri fandom. Since the end of Aot' final ofc it' not same but as someone who reads eruri a lot, and wants to write too, it's making me lose my enthusiasm. I really would want to keep it going but it weighs on my mind heavily. Would want ur expert opinion, is it really dead?

Hey Anon, welcome to the fandom! Please don’t be put off by people proclaiming that Eruri is dead, people have been saying this ever since Midnight Sun was published in 2016, and yet the fandom is still thriving. We’re still getting official art, we have an astonishing number of amazing artists and the number of Eruri fics on AO3 is increasing every day.  Having said that, all fandoms have peaks and troughs that follow canon media cycles and the Eruri fandom is no different from any other fandom in that respect. It’s to be expected that some people will move on when a beloved character dies, or a series ends, but that doesn’t mean the fandom will die out altogether. Far from it!  It can actually be quite freeing for a fandom when the canon media comes to an end as it gives you free rein with the characters. (Not that transformative works ever have to be bound by canon of course.) 

In terms of the Eruri fandom, many fans did leave when Erwin died, others drifted off during the Marley Arc, and when the manga or the anime ended.  One thing I’ve noticed over the years is that a lot of new fans are coming to the fandom via fanworks rather than the canon media which I think bodes well for the longevity of the fandom, though it can lead to some "interesting" characterisation.

It’s also understandable that fans get attached to “their” fandom; the chapters that were published, the episodes that were airing, the popular artists and writers who were active when they first joined the fandom.  It can be really sad when those people move on, and it can feel a bit as if “your” fandom is dying, even if new fans are discovering the ship all the time.  I’m no different in that respect, I still get nostalgic for the Eruri fandom c. 2016, the intense highs and lows, the outpouring of creativity, the amazing friends I made at that time.  However it really bugs me when I hear people saying things like “the fandom died when X artist or Y writer left” because that does a massive disservice to all other artists and writers who are still active in the fandom. 

I think there’s also something to be said about some fans increasingly treating fandom as content to be consumed, rather than a community to contribute to.  Once they’ve consumed all the “popular” content, they declare the fandom is dead and move on, rather than actually contributing something creative themselves.  Fandoms thrive on collective creativity and their longevity depends on having an active community rather than one or two big name fans, writers and artists. 

Anyway, all this is to say, just ignore the killjoys and enjoy this amazing fandom. Enjoy all the gorgeous fic and art by the incredibly talented writers and artists that have come and gone over the last ten years, and support the new writers and artists who are creating equally amazing work. 

[jdorian]

wow okay i say that as someone who ships both couples, but way to take a minority of people and saying that the biggest group should be punished for it and to include everyone together... Especially when these comments on official publications are on insta and twitter, and you're bringing them on tumblr.

It's so funny because every time someone use that argument, all the nasty comments by fans of bucktommy don't seem to matter, and the whole group of fans don't need to be punished because of them.

okay i'm "bringing them to tumblr" by talking about what's going on? by having conversations about what is actually going on? the 1300+ comments that are largely just saying "buddie canon" (which fair enough who cares) and "tommy dead september 24" "hope he dies and gets stung" "hope he gets shot" and so on and so forth... like you can say it's a minority of the fandom, but they are loud as fuck for sure.

and yeah, i said what i said. i don't want dickish little children thinking that this behaviour will get them what they want, that being homophobic and a bully over a fucking fictional character who for all we know might be like in 4 episodes next season? or none? or just who really cares, cuz he's still not fucking real.

like yeah, if you don't want the majority to be "punished" because of their behaviour, then maybe call it out? not just dismiss it with whataboutism of how "well the bucktommys said mean things too" and "well we used to be misogynistic towards LIs before, so we can be homophobic to LIs now" as some people have recently tried to.

i'm sure they did say mean things. and i probably blocked them for it too. though, talk about minorities...

anyway. maybe a good rule of thumb would be to 1) call out shitty people regardless of which fictional men they wanna see date each other and 2) understand what the conversation is actually about; which in this case is me saying that it's a shame this behaviour is happening and my personal wish is that it's being nipped in the bud and not be rewarded.

cuz i genuinely care more about the show and shitty people getting their karma, than who Evan Buckley is fucking, respectively.

[aceofheartzzz]

My (death wish) opinions on ships pt. 1

⚠️THIS IS MY OPINION, PLEASE DO NOT ATTACK OR HARASS ME! RESPECT MINE AND I’LL RESPECT YOURS!⚠️

Okay now that the warnings placed I’ll get on with it.

Nuzi

I. Frickin’. Love. This. Ship.

These two are perfect for each other in every way and dear god they need therapy asap but it’s okay because they have each other and after episode 8 they’re both gonna be screwed but they’re so cute and I am so normal about them-

Vuzi

This ships nice. I like good ol’ doomed yuri/enemies to lovers, this ship has grown on me greatly tbh because of the potential comfort they could give each other in an aftermath au, I also love how they bicker and “Intermission” showed that beautifully.

envy

Okay I’m just gonna say it, I see them more as platonic friends than romantic. NOW BEFORE YOU COME AT ME WITH YOUR PITCHFORKS! I wanna say that while I don’t ship present envy, manor envy is plain adorable and I wouldn’t mind seeing more of it.

Vizzy

This is also one of my top ships, as they give off the most lesbian vibes I have ever seen and their relationship is hilarious and adorable. I wish we saw more and I hope we see more of their interactions because most of their interactions made me genuinely laugh.

VHad

Honestly, like envy I see them more a platonic, mainly because Thad gives me Aro/ace vibes and a friend and I headcannon that they have Mario cart nights and I will stand by it forever.

ThUzi

Similarly to V x Thad I see them as a platonic pair, though it is growing on me a little and I can see them as having a bit of a queer platonic relationship especially in an athermath au.

JUzi

I don’t really like this ship, it just doesn’t sit right with me. Good on you if you ship it though.

OilRose

Can some tell me how people got Oilrose as a ship name for J and V? Like I’m genuinely curious. Anyways, this is a classic and I’m okay with it, is nice but due to the lack of interactions between the two I don’t really ship it.

Khori

A solid ship, love it. It’s great for heart wrenching angst when you need it and I hope they get reunited because I want to see them talk to each other again.

PurpleMalice

Doomed/ toxic yuri. This ship grew on me after episode 6(I think) and when I listened to Curses by the crane wives I kinda just went “Whoa… this is so Nori x Alice singing together core.” So yeah :)

Yeva x Nori (idk the ship name)

Honestly I see them as siblings. They looked too similar to not be related in my opinion, might write some Yeva angst about Yeva dealing with Nori’s death since I headcannon Yeva died after Nori and took it upon herself to look after Uzi while she was grieving.

Gonna make a part 2 later

[dent-de-leon]

For the ask game, I have to know your take on Widomauk. What made you ship them?

oh I feel like it's very predictable of me, but....I was watching all the early episodes of C2 live from day one, and it was so exciting to see everyone's relationships evolve and grow week after week, never knowing what would come next. But I don't think I ever actually shipped anything until Alfield--when Molly runs in to put out the fire and comfort Caleb. Gives him a tender forehead kiss and some soft words of encouragement, carrying him back out into the sunlight with Beau. I think that's what really did it, and I've adored them ever since :')

There's also some adorable moments right before the Nein lose Molly. "Ja, ja." "Oh, that's cute." And, "'The only magical thing here is you, friend.' Pat pat on the cheek," certainly come to mind. And I'm pretty sure that's in the episode before he dies. So,, yeah, it was........very easy to get attached, not knowing what was coming. And seeing those two have all these lovely little soft and playful moments right up until episode 26--and I was so excited to see where their story would go, and really thought they had a whole campaign ahead of them...

So I shipped them since pretty much the beginning, and once things start heading into Aeor arc--when Caleb realizes getting Molly back is a real possibility, that "reunion" is possible and he keeps fighting for it? It just warmed my whole heart. I always found all these little glimpses of their relationship compelling, but you really don't see how much Molly truly means to Caleb until after he's gone. "Shine bright, Circus Man," Caleb digging Molly's grave, and everything that comes after--how he grieves and mourns, but never truly "knows defeat" until he believes he's lost Molly again for good. Asking everyone what they even came all the way to Aeor for, if it wasn't all to bring back Mollymauk--

Kingsley falling for Caleb all over again when he wakes up just feels so right to me, and I enjoy those little stolen moments between him and his Magician so much. I really hope one day they get the chance to explore those feelings more--or at least, King reaches a place where he's more comfortable opening up to Caleb. I feel like the fact he always insists he isn't the same but still lets Caleb call him his Circus Man says a lot, as does him experiencing the same feelings for him again and again. Something about constants and every incarnation of Tealeaf sharing the same heart.

I feel like there's a just,, a lot of elements that make widomauk so compelling to me, and I've babbled about them so much. It's bittersweet and nostalgic, it's two people with such painfully similar pasts and scars giving each other hope.

Molly bringing a bit of color and this spark of light into Caleb's life--the way it makes Caleb so determined to save Molly in turn. How their positions kind of reverse over the course of the narrative; Caleb being in this place where he has had so much time and space to grow and heal, while King is still very much haunted and running from the past. Caleb always reaching out the way Molly did for him.

There's a lot that really drew me to them, and I think it can kinda be summarized by that one bit in the Lucien novel where Molly thinks back on that forehead kiss so fondly. Caleb being "softness and light" to him is just...the sweetest thing to me.

And I think my favorite line of the campaign is Caleb begging Molly not to give up, promising that he deserves another chance, that he has his whole life ahead of him, "Please don't give up, you can still find your own life again. There will be time for that later." Caleb being a fond memory from Tealeaf's past, and the promise of his future--

[neyswxrld]

weightless

Wrecker & Tech

summary: Wrecker and Tech meet in the afterlife.

warnings/vibe: it's not something that is all too sad i guess; there's an explosion, some clichés (the light in the darkness, force ghosts, you know the drill!)

words: ~1490

a/n: happy final bad batch eve! 🖤❤️🧡🖤

ok, hear me out - i don't want to fuel or believe in any theories before the final episode tomorrow. this is just for myself, for comforting and assuring myself that no matter what, everything will be okay eventually! of course, i absolutely hope nothing bad is going to happen, but for the case that wrecker dies ((and tech actually is dead)), i needed something to hold on to. and i'm sharing this because maybe someone finds some comfort in this one, too.

p.s.: english isn't my mother tongue, sorry for mistakes!

The last thing he sees is a bright fireball.

The last thing he feels is that burning heat all over his body.

The last thing he hears are Crosshair's frantic screams for him.

And then there's nothing.

Everything is quiet, peaceful.

There aren't any aches, or pain.

He isn't hungry, thirsty, too hot or too cold.

Everything feels content and for a short moment he thinks he's flying.

Floating around, weightless. Which is funny, because due to his mutations, he's always been the biggest of his brothers. And the heaviest. But he didn't mind, as long as he was able to protect them. Keep them safe.

He almost feels comforted by the nothingness surrounding him.

Everything seems balanced. Okay.

For the first time in a long while, he doesn't even feel scared. Just... indifferent. Good indifferent.

But suddenly there's that small light in the distance.

It's almost sparkling, whirling around, and he almost feels like it's calling for him.

Slowly, he starts to float towards the light.

It seems to be warm and bright, a huge contrast to this foreign quietness surrounding him, but it's not unwelcome.

It kinda... feels like home. Like he needs to go to that light. He needs to touch it. Feel its warmth, its energy.

Carefully, he reaches for the light.

The warmth emitted from the ball suddenly swarms through his body, reaching every inch, every hair, every scar. Inside and outside.

It's so good... It feels so good. Like he has to be here.

The longer he touches the light, the brighter it gets, filling up all the surrounding space.

He has to close his eyes, the light is getting too much, and... and-

When Wrecker opens his eyes for the next time, he looks into the googled face of his brother.

This one looks down at him with a confused frown plastered across his face.

He looks... Just like on the day they lost him.

"Tech?" he asks, confused, worried.

Why is he here? Is he dreaming? Tech was... Tech is... Tech is dead. How could this be?

"Wrecker," Tech says, adjusting his goggles.

"What's goin' on?" he asks, groaning slightly as he sits up.

But it's more a reflex. Nothing... hurts. He feels fine.

"How long was I out? Has to be for a long time, I feel good, nothin' hurts. At all," he raises his arms over his head, stretching, "I- I dreamed you died. Stupid plan 99, should've never came up with that, you'd never leave us like that, right, Tech? Wouldn't just... do that," Wrecker rambles and scratches his neck with his hand, looking up to Tech.

His older brother looks at him with a weird look on his face.

"I indeed executed plan 99. It was the only way out for the majority of the squad. I kept you safe," Tech says, pulling his lips into a straight line.

"W-What?" Wrecker asks confused, before shaking his head.

For the first time, he looks around and sees some sort of space shuttle. Maybe Phees ship? Or was it the one Rex arrived with? He had no idea.

"What can you remember?" Tech asks next, shuffling on his feet a bit.

He stands in front of the bunk Wrecker lays in. The rest of the room was empty, quiet. He could hear some muffled voices outside the room, but he couldn't make out any words.

"We were going in on Tantiss. There was this massive animal kicking my ass. Hurt like hell... But I still made it. I'm not made of sugar, right? Then...," Wrecker stops for a second, thinking about everything. His memory starts to get sloppy.

"Just remember meeting Omega somewhere. She freed that zillo beast. It was huge! And then... There's something about an explosion. Crosshair almost got caught in it. I shielded him, I think," Wrecker murmurs and takes another deep breath as the memory of that burning pain around his body catches up with his brain.

But that's all - just a memory... Nothing hurts for real.

"Is he safe? Are the others? Where are they? Why are you here? Tech, I'm really confused right now," Wrecker shakes his head and looks up at his older brother again.

Tech swallows before nodding.

"They made it out fine, Wrecker," Tech assures him, before swallowing for a second time.

Why is he acting so weird?

"Great!" Wrecker exclaims, at the same as Tech says, "But you didn't."

They look at each other, keeping quiet for a while.

"I didn't?" He asks, "What do you mean by that?"

"You blew up, Wrecker. I think... you died," Tech states.

"I'm dead?" he echoes, before adding, "You think?"

"It appears that the explosion you shielded Crosshair from was a lot heavier than anticipated. While you saved Crosshair's life, you... you lost yours," Tech explains, breaking the news to him.

Wrecker looks at him for a few seconds, speechless.

That would explain why there isn't any pain. Or why he's able to talk to Tech.

They're both dead.

"I-I don't... Where are we? Why are we here?" is the next thing he wants to know, not fully able to understand how he should approach this new... situation. Everything's so strange.

"Currently, we are on a shuttle with the others. I dragged you up here. It appears that we are some kind of ghosts. At least we're in a state after life, which takes part in either some kind of parallel universe or in a temporal upheaval. I am not certain about that," Tech says, adjusting his goggles again.

Wrecker looks at him with raised brows, a huge question mark forming in his head. "You don't know?"

"In all that time I've been here, I wasn't able to fully conclude the whole extent of this... situation. But I've met some other clones, following their loved ones around in this state. So I assume it's a part of life, or, more precisely, the afterlife," his older brother sighs a little.

Wrecker pulls his feet over the edge of the bunk so he's fully sitting now, holding his head in his hands.

"Can the others see us?" Wrecker asks and Tech looks at him like he just lost his head.

"Of course not."

Wrecker feels like he just lost his head.

"It takes time getting used to. I'll leave you alone so you can think about it," Tech says.

Wrecker thinks he still acts a little odd. Not like the Tech he used to know. Not like the Tech that... was alive.

Tech seems to be honest about the fact that it takes some time to get used to the new situation. Wrecker isn't sure if his brother even got used to it by now. Not with how he's acting. And now... He's here, too.

"Tech," Wrecker starts and reaches for his brothers' wrist, gently laying his fingers around it and pulling him towards him.

"I-I don't want to be alone. Can you stay?" he says and moves to the side a little.

Tech nods and carefully sits down, unusually close to him.

"Have you been alone the whole time since..?" he wants to know, but Tech just shrugs.

"I was following the squad around," Tech murmurs and sinks into Wrecker's side as he lays an arm around him.

They haven't 'cuddled' like that in so, so many years.

"But now you have me," Wrecker whispers almost. He doesn't know if he's glad or sad about it.

Sure, he saved Crosshairs life. He helped his brothers. He had Tech again. But he'll miss the others. So, so much.

Tech has had to go through those first steps alone. He must have been so lost in the beginning. So lonely.

"Are we going to see the others again when they... When they die?" he wants to know after some time.

"That seems to be very likely," Tech answers, and Wrecker nods again.

That means he could still watch over them, be with them, and meet them again. And now, neither him or Tech, or the others will be alone for a while. Hopefully.

They freed Omega, they made a run for their lives.

They lost brothers, gained friends and family.

They settled down on a remote planet.

Quiet and peaceful.

They made a life for themselves, far, far away from the empire and all the evil in the world.

They saw Omega grow up.

They saw the others growing old.

They saw the others live the life they never had the chance to. And they were happy for them.

When Hunter joined them one day, they welcomed him with warm hugs and reassurances that everything would be fine.

As soon as Crosshair was with them, they almost felt complete once more.

When they followed Omega to Rex and his remaining brothers, they met Echo again.

Together, they kept watching over their baby sister, never forgetting their promises of staying with her.

MASTERLIST

TAGLIST

@isthereanechoinhere96 @trixie2023 @freesia-writes

[woundlingus]

Colour Grading, Insincerity, and Loki is right and Gabriel is wrong; a Lokiel Meta

It’s the big gun, it’s the mother lode of me ripping apart Unfinished Business frame by frame to feed my shipping and laying out all my thoughts on the matter clearly as can be so maybe I can sway some people sitting on the fence or at least give some context to those who see my posts and go “wtf” because they’re not viewing this through the lens of my insanity. Want to know why these guys haunt me? Here;

Credit where credit is due, the one thing I’ve always really liked about supernatural is how they use colour grading to tell the story, and it’s not really all that secretive that the Gabriel episodes look aesthetically like some of the best episodes because they colour them very specifically to set the tone for them;

Fun

Nonsensical

Insincere

The three big tells that something trickster is afoot in the episode, (and I apologise for the scuffed quality on some of these, I’m skating the tumblr upload rules).

(Tall Tales 2x15)

(Mystery spot 3x11)

(Changing Channels 5x08)

It tells us that whatever is currently happening typically feels very real to those experiencing it, but is actually not at all. This is make believe. It’s a figment of Gabriel’s imagination that he’s whipped up at his own convenience to tell the story he wishes to impart upon the narrative. While this is obvious in the earlier season when they’re still shooting on film and using the dark overlays to create a spooky ambiance, it still follows through to the end for Gabriel until he puts down the trickster label and picks back up the archangel one and officially joins the Winchesters bringing him into the same dark coloured world that we’re used to viewing. There’s a sadness in it, that Gabriel went from all these bright colours to essentially having his spirit snuffed out by Asmodeus, but it gives us a very clear point to reference when things are real and when they’re make believe.

Obviously Gabriel is a liar, we’ve all known that to be true since his very first appearance- but there’s one incident that I talk about often that bothers me deeply but I’ve never really explained why.

The hotel with the rest of the trickster gang.

Gabriel tells this story three times in a pretty short time span- short enough for Dean to remember and call him out on it in the moment, and every time he tells it the story is altered ever so slightly.

I was alone with porn stars in Monte Carlo

I was alone with Loki and Co in Monte Carlo

I was with porn stars AND Loki n Co in Monte Carlo

He’s always been a very unreliable narrator, but this one was particularly on the nose and when it comes to “continuity errors” Gabriel is always aware of them, he does it on purpose because he wants to get caught. We should ask the question, why did it take you three attempts for us to hear this?

He tells his final iteration of the story in grand bright colours, telling feats of his sexual exploits and how good he is at cards, “and then everyone clapped and cheered for me” and then Loki Judas betrays him because Gabriel is so cool and his brothers are so tough and Loki was scared witless and hoping to avoid bloodshed blah blah blah…

Here’s what the real world looks like in comparison to Gabriel’s little fantasy he’s got running here-

This matches the rest of supernatural, this is a realistic portrayal of events through the eyes of Sam and Dean. This is the bitter reality Gabriel is avoiding with his fantastical little displays; he’s a broken little man who is hurt, injured, and scared.

So, Loki tells another variation of this story, yes? Gabriel was the betrayer here, not Loki. Gabriel ran out recklessly and while passing world saving information to the Winchesters, both saving the world AND the vast majority of Loki’s family, he cannot convince Odin to leave and he dies in battle (and like, he would’ve gone to Valhalla can we just unclench a little?). That is why Loki chooses to damn Gabriel to Hell with a very reckless move to attempt to take down an archangel, sell him to a demon, and then cross his fingers and pray his bestie- the 6th most powerful thing in all of creation ever- doesn’t break free from this pitiful demon eventually and come looking for him. But the environment tells another story, look;

It’s the return of the high vibrancy filter, because this room isn’t real, Loki isn’t real, and neither is the story he’s telling. What are the tricksters, if not liars and showboats?

There’s a huge lack in vulnerability which is what they’re both trying to paint over in these scenes to make themselves cool, to make themselves the victim, to make themselves untouchable. Loki tells a half cocked story about the archangel bastard who took his father, completely detached from any real sort of attachment to Gabriel or Odin- even says himself that he hates Odin! And in a story where we know the ending is Gabriel at the hands of Asmodeus he spends ninety nine percent of the story talking about pornstars. They cannot be vulnerable with these outsiders watching them, they also don’t seem to want to admit to themselves what the crux of the issue is here.

They both want to be the ultimate victim of the situation, they’re painting these half done stories trying to convince an audience (Sam and Dean) that doesn’t care that they are right and the other is wrong—

Until they meet each other;

You can lie to everyone, but you can’t lie to yourself.

We’re back, grounded in reality in this moment when they come face to face with each other, the lighting darkens and becomes gritty once more meaning all facades are down and what’s transpiring here between them is without tricks, and there’s an honor in that when it is a battle between two very clever tricksters who could make this endlessly complicated if they wanted to. When they fight, Gabriel is next to silent (listening, or trauma response? You can decide) and Loki does all his talking for Gabriel and Gabriel alone. They have no one to impress here, they sent the Winchesters on a fools errand to have this moment alone creating a tense intimacy where Loki shreds Gabriel’s facades and calls him out for what he truly is and lays out his deep rooted fears and secrets bare, letting us as the outside party they’re unaware of know that what the two of them were here wasn’t some ordinary friendship or half cocked deal out of desperation, but a real and honest bond between two beings terrified, alone, and looking for safety and someone to confide in. They’re each others secret keepers. Long time confidants. Their most trusted. The reason both of them ran to begin with, in a plan that would involve them wrapping themselves so tightly around the other they’d become one in all ways but physical, and promise to keep each other and that secret until death do them part.

It is bloody, and messy, and Loki has no real way of winning this fight because he cannot hurt Gabriel in any way that matters because he’s an archangel and whether he takes damage or not he will live because of the way he was made, only one of them is killable here and only one of them has any intention of killing the other and it’s not Loki. It’s never been Loki. Ever faithful Loki.

They made a vow, and maybe it was childish and unrealistic but that’s what the two of them are by nature are they not? Fickle, childish, and endlessly devoted. To their families, to their lovers, to their fathers, to each other.

Loki should run at this point, if he has any intention of wanting to live. He’s not stupid, he knows Gabriel better than anyone else in the world and Gabriel acknowledges this by how hurt he is emotionally by the way Loki talks about him and the secrets they’ve passed over the thousands of years they’ve known one another. He’s smart enough to know sentiment won’t save him here, it didn’t save his sons, Sleipnir tried that already and it failed spectacularly. Gabriel is here to kill him, and when you take into consideration the wild power imbalance here in this battle what Loki is doing is essentially laying his head down on the chopping block for Gabriel. He’s a smart creature to survive this long, he could be gone if he really wanted to be just like the many times we watched Gabriel disappear.

He doesn’t.

To me, the crux of their story here is abandonment. You left me. Gabriel made the choice to break his vows, and chase after a family he left behind and even though YES it was for a noble reason that is still nothing when it was a personal stab in the back to Loki who also left his family behind to run away with Gabriel and didn’t go for Odin even though the call was put out to Loki to join the gods for the evening.

Loki didn’t go for his family, but Gabriel did.

Loki didn’t go to save his father in an event they were both invited to, Loki had the opportunity to go and save Odin and he chose his bond to Gabriel over saving him. Gabriel discarded his vow and went anyway, and Odin died.

Gabriel betrays Loki, and it’s not that Odin died, it’s that Loki was willing to sacrifice the opportunity to save him and Gabriel couldn’t say the same for his own family. Odin died for nothing, when Loki could’ve been there the whole time to come get him, and he was robbed of that opportunity while Gabriel went behind his back to do exactly that for his family.

Loki was faithful to his own detriment, and Gabriel was not.

Gabriel is punished fairly in Loki’s eyes because this isn’t just about some deadbeat dad (who chained Loki in a cave to torture him). This is a slight of a much more intimate nature. This was a betrayal of the worst kind.

Gabriel is unfaithful.

Everyone knows that Asmodeus is the demon Prince of lust, but in a little more detail that’s not entirely what makes him up. The cardinal sins are the worst because they are what you inflict upon others, an upon your very soul. Lust is something inherent to the condition of just being alive, but the sin is in the act of hurting others and yourself, so the vast majority of what Asmodeus is imagined ruling over is the adulterer, he is most often the one depicted punishing the unfaithful. Loki wasn’t just looking for a way to hurt Gabriel for the sake of inflicting pain, the trickster is never like that. The trickster doesn’t strike just to maim. Loki is sending a very explicit message to Gabriel by giving him to Asmodeus of all people;

“You were unfaithful.”

— Okay, maybe it’s wrong to say that Loki had every right to do what he did because it was definitely still A LOT to do to someone, but it’s far more understandable when the emotional weight of Gabriel’s crime is made clearer. You probably shouldn’t torture anyone ever for any reason— I’m avidly anti-torture— but dick move Gabriel…

And look, yeah they both sleep around and invite porn stars and hookers to the hotel rooms and what not and I certainly will not hang my ‘Gabriel is a bad person here’ hat on the human morality of monogamy because I think it’s shallow and a disservice to the kind of bond the two of them actually have, but there’s an extra added pain in it that Gabriel also turns up for his ex girlfriend in this situation who is willing to betray him for basically a can of pop but not for Loki who will let Odin die to protect Gabriel.

Gabriel comes back, and he offers no apologies because he isn’t capable of learning his lesson, he is selfish by nature (Also the inherent message of the nature of Hell and torture being one that is wholly unnecessary and cruel, punishment never breeds change internal or societal, you can’t change and reform under immense duress it just further traumatises and keeps you locked in the cycle, the system of Hell shouldn’t exist period). Instead, Gabriel comes to kill Loki’s boys so he can watch them struggle and die first before Gabriel delivers the final blow to the man himself. Would you want to live after all of that either, entirely alone without your family or the one who loved and understood you the most- or so you thought?

And could Gabriel live with it either, knowing the punishment didn’t fit the crime but that Loki had a point (see script) and he wasn’t innocent either and it’s cost him everything because now he gets to look at what it was he saved and it’s a brother who seeks him out in the dark just to torment him about his abuse?

And the story ends circular here, devastating me personally even further by twisting the knife.

Gabriel ran away because his family was so horribly broken, and Loki took off with him to escape his torture. Together they made the plan to become one and Gabriel could use Loki’s face and name to hide among the pagans, and his archangel might to take all the hits being thrown Loki’s way and keep him hidden, because no one’s going to fuck with the god who has the freaky new upgrade and just escaped the slammer. Slowly over time what was Gabriel and what was Loki had melded into two very similar personalities, a little different based on their life experiences, but still so the same they were indistinguishable to everyone but each other.

The core difference between them is their life experiences.

Until Gabriel comes back, tail between his knees and asks Loki to please take him back and let him resume playing the ‘Loki’ character, and Loki says sure, and he binds him and and subjects him to torture at the hands of Gabriel’s very own snake in the cave. Mouth stitched shut. “Be me, then,” He says. “Be me in my entirety.”

And Gabriel comes back after this, bitter and angry and he picks up a weapon and he starts knocking Loki’s family down piece by piece, stalking them through the night no matter how far they run, to make sure Loki’s family is as broken as his own before he delivers the final blow to end his life.

Loki’s family as shattered as Gabriel’s, Gabriel as shattered as Loki himself. Fully one in death.