#event agency

[charlieevents]

Best Event Management Company in Delhi: Charlie Events

When it comes to hosting memorable events, the importance of choosing the right event management company cannot be overstated. In the bustling city of Delhi, where culture and innovation blend seamlessly, Charlie Events stands out as the best event management company, dedicated to turning your visions into reality.

Why Choose Charlie Events?

Expertise and Experience With years of experience in the event management industry, Charlie Events has built a solid reputation for excellence. Our team of seasoned professionals brings a wealth of knowledge and creativity to every project. From corporate functions and weddings to birthday parties and social gatherings, we have managed events of all sizes and complexities, ensuring that each one is executed flawlessly.

Tailored Services At Charlie Events, we believe that every event is unique. We take the time to understand your specific needs and preferences, offering personalized solutions that align with your vision. Whether you need assistance with venue selection, catering, decoration, or logistics, our team is here to help every step of the way.

Innovative Concepts Creativity is at the heart of what we do. Our team constantly explores new trends and ideas, ensuring that your event is not only successful but also memorable. From thematic decor to engaging entertainment options, we infuse innovation into every aspect of your event, leaving a lasting impression on your guests.

Comprehensive Event Management Services

Charlie Events offers a wide range of services to cater to various types of events:

Corporate Events Whether it’s a product launch, annual meeting, or team-building retreat, we understand the importance of professionalism and attention to detail in corporate events. We ensure that your event reflects your brand values and goals.

Weddings Your wedding day is one of the most significant days of your life. Our wedding planning team takes care of everything—from venue selection and catering to decor and entertainment—allowing you to enjoy the celebration without stress.

Social Events From birthday parties to anniversaries, we help you create unforgettable experiences for your special occasions. Our team handles all aspects of planning and execution, ensuring a seamless event that your guests will talk about for years to come.

Destination Events Planning an event outside of Delhi? No problem! Charlie Events specializes in destination events, coordinating all logistics to ensure a smooth and enjoyable experience, no matter the location.

Why We Are the Best in Delhi

Client-Centric Approach At Charlie Events, our clients are our top priority. We pride ourselves on building strong relationships and maintaining open communication throughout the planning process. Your satisfaction is our ultimate goal, and we strive to exceed your expectations at every turn.

Attention to Detail We believe that it’s the little things that make a big difference. Our meticulous attention to detail ensures that every element of your event is carefully planned and executed. From the invitation design to the final send-off, we cover every aspect to create a cohesive and beautiful event.

Affordable Pricing Quality doesn’t have to come at a high price. Charlie Events offers competitive pricing without compromising on the quality of service. We provide transparent cost estimates and work within your budget to deliver exceptional results.

Conclusion

When searching for the best event management company in Delhi, look no further than Charlie Events. With our expertise, personalized services, and commitment to excellence, we are here to make your event dreams come true. Contact us today to start planning your next unforgettable event!

Feel free to modify any sections or let me know if you need additional details!

[kaciart]

Accidental Cryotherapy: Falling through a frozen lake / Hypothermia

Collab with @asidian scenes from their fic Shelter From The Cold

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Patreon | Ko-Fi

[thienanmedia]

[totallynotcensorship]

credit to motaz azaiza

[leahaart]

Soon after his escape, Edwin starts to learn about the things he’s missed.

[ublogsblog]

Having a good event planner is a must for any organization. There are several online event organizer in Morocco like Global fairs & events and she is classifying of the best one that can satisfy your need of organizing interesting events.

[dbdaghostmas]

Save the date, Dead Boy Detectives fandom! You've been invited to a holiday event! 🔎

12 days and 12 prompts to create any and all fanworks to celebrate Dead Boy Detectives this holiday season!

More information will be released soon! If you have any questions you can send asks through this account or reach out to me on my personal blog, @alltimefail!

[blank-house]

Hey I got kind of a controversial question but....it's one that's been bubbling up in my head for a while! I don't mean this with malice but why are we only allowed to play three events (besides the barbecue) per playthrough? I read in another ask that the intent with the game was to build a slowburn in regards to developing relationships (platonic or romantic) with the boys, so wouldn't the option to play all 5 moments contribute much more to this? We would be "forced" to play through all the moments before reaching relationship milestones in the full game (and when summer/fall releases). I've also read that this was done so the player had some type of agency but I feel like that option of choice is already delivered with how we can chose the order of the moments and the different "routes" per each moment. Or is this only a "spring-quirk" considering the short timespan (2 weeks) compared to the other seasons (3 months)? Congrats on the kickstarter, I wish well to the team!

Thanks for the well wishes!

And to answer your question— yeah I want a slow burn but I don’t want a “slow” game. At some point, the story would’ve dragged if I have you play through ALL of the events in the game.

Can you imagine? Before you can even date someone— you might have to play 20 events? Then when you’re finally at the end, you’ve played over 60?? And they all take either an hour or even two get through?? That’s more than a regular play through for a Persona game!

No no—

Time passes, things are always changing— and even if you want to, you can’t do everything you want to do in life. Especially in college, where you know when your semester ends and when you graduate.

Your time is always valuable, and how you chose to spend it at that moment will always impact what you do in your future. And I want that done in game too.

[dbdayuletide]

Wish list (Gift Exchange)

Publish your wishlist with the tag #dbdaWishlist2024.

Anyone can use our Wishlist template to fill in a list of requests to repost on their account. Creators can then pick up the requests that they like to fulfill them and gifting them to the original poster. A few examples of wishlists will be posted alongside the template, but let your imagination roam free!

The gift exchange will be open, public and unmoderated.

Open: anyone can join at any moment with a list of requests and anyone can fulfill as many as they like. That means that some requests may receive more than one entry, while others none.

Public: Everything will go through social media, so it means that both the wisher and the creator will be visible to everyone.

Unmoderated: As mods we cannot guarantee that every request will be matched, but we hope that this event will run smoothly and that everyone will have fun!

Coordinated between @dbdaYuletide and @dbdaGhostmas.

[psychosassicvampire]

thrilled to be paired with the lovely @clockworkcheetah and set her up to write some fluff for this event.

her piece for the reverse bang makes me giddy with joy, it’s such a sweet time. read it here and show her some love!!

[aviondubaiae]

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

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*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[kaciart]

Day 5 - Stealing my breath (give it back): “I'll count, you just breathe.”

imagine if his mom died and passed over

no unfinished business

maybe he always thought he'd get a chance to talk to her as her unfinished business

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Patreon | Ko-Fi

[opheliasam]

The thing is that the ways in which dean and sam need each other are both compatible and parallel in their nature.

Dean needs sam to stay with him (let him take care of him look after him and be with him) and sam despite all his need for autonomy and freedom which he does desire of course (he needs dean to respect his choices and see him) also needs dean to need him—choose him. It’s always been that way—something we see from the very pilot itself. He goes with dean in the pilot after dean admits that he doesn’t want to do it without sam even if he is capable for it.

It affects sam profoundly when dean gets close to other people—especially men because it threatens the idea that dean could need people other than him (even the mere desire to want for others apart from him is distasteful even if he doesn’t want it to be—he just can’t help it, it’s the way they are.) Of course dean has never needed for anything more than sam, that sam and just sam has always been more than enough but sam needs that from him, constantly and actively.

In Sacrifice (8x23), when he reveals that the fact that dean chose to turn to people (an angel, a vampire) apart from him was unbearable to him was just so.. much. And it’s interesting because we know that sam too is friends with cas, has never been shown to consider him a rival in any sense (but just the mere possibility of sam and just sam not being enough for dean is devastating for him.) He doesn’t harbour any resentment or competition towards cas, it’s just that he needs to be the choice over everything else from dean. He needs it because he chose that too, even when he had a chance to get out—multiple times over. And yes, the circumstances shaping his choices are often not ideal, are sometimes not even entirely choices but he always stays because of the knowledge that dean will always choose him.

The conflict then is often caused by doubt—dean, deeply insecure about sam’s loyalty. For him, it’s a given—that sam will always be first, has always and forever been above everything else but he expects sam to know it too. Despite everything he puts on him and says to him, despite the fights and the anger and the mistrust. None of that will ever change this one fundamental thing.

But Sam doesn’t (!!) Maybe at one time he did, before the demon blood and the soullessness and the countless countless ways he thinks he fucked up but somewhere along the line it became clear to Sam that he could not trust it to always be Dean’s first choice, can’t know it for sure.

Doubt again, Sam—unable to know if Dean will always choose him over all else and Dean unable to verbalise that enough because of said insecurity (the fear that he needs sam more than sam needs him) and unable to understand why Sam would feel this way because he expects him to already know that Sam will always be above all else, at the end of the day despite whatever happens because that is who Dean is.

[goodomens-girlie]

Everytime I watch Dead Boy Detectives I try and figure out where I’ve seen Kassius Nelson before and I just figured it out.

She played Fiona (the hooked handed man’s younger sister) is A Series of Unfortunate Events

[dbdcentral]

Dead Boy Detectives Appreciation Week: 10th-16th June

Please don't hesitate to send us an ask if you have any questions! You can also join our discord (link in source)!