#even when it's mostly to get mad at them

[mystery-moose]

EYO THE OSCAR NOMS ARE OUT

Let’s discuss!

BEST PICTURE: I've seen four of the ten nominees this year! Not a bad score for me. Of the remainder I am very interested in American Fiction, Anatomy of a Fall, and Past Lives. American Fiction in particular got Jeffrey Wright a Best Actor nomination! I love Jeffrey Wright! He deserves more recognition! Any film that can get him that has gotta be worth something.

Of the ones I’ve seen… I’d probably select Killers of the Flower Moon as the best? It’s a hard watch, but the craft on display at every level is exceptional. If not that, then… I dunno, maybe Barbie? The Holdovers is a safe choice, it’s a great movie, but there’s almost nothing… surprising about it. Barbie is CONSTANTLY surprising! But it’s also a madcap comedy bathed in metaphor so… man I don’t know!

Regardless, I wouldn’t pick Oppenheimer. Not to disrespect it, I genuinely believe it to be a very interesting film that’s compelling to watch, and as always Christopher Nolan’s ability to make weird-ass films with experimental structures popular with a mass audience is worthy of tremendous respect. But its pacing is rushed, its script is sometimes awkward to the point of parody, and I just don’t know that it’s saying or doing anything THAT interesting or enlightening about the real people involved or about people or history in general. Y’know?

BEST DIRECTOR: Nothing but Best Picture nominees here, which makes sense. Pretty blown away that Alexander Payne didn't get a nom here for The Holdovers. Not blown away at all that Greta Gerwig didn't get one for Barbie, despite that whole thing clearly being her baby. A real Streisand situation here, I'd say! "Eight nominations on the shelf, did this film direct itself?" Regardless of who wins (or even who I think deserves to!) I'd definitely say Gerwig got snubbed here.

BEST ACTOR: All best picture nominees here, save for Colman Domingo for Rustin. Had never heard of this film before, because it's a Netflix film and they always bury all their work, but it's about a civil rights activist so that makes... how many years that the Academy has included one of these in a Best Actor/Actress context? Selma, Harriet, Judas and the Black Messiah. I'm sure Colman Domingo gives a good performance, just noting that the Academy loves to nominate these for acting awards and not honor them in most any other way. (Hey, Jeffrey Wright's in that movie too! Good year for him!)

Bradley Cooper's here too. I don't think I like him very much! I've never disliked him really, but I've never loved his performance either. But the Academy seems to, since he's been nominated... TWELVE TIMES? Holy SHIT no wonder I wasn't surprised to see his name. Never won one, though. He keeps this up, maybe they'll throw him a pity one like they did for DiCaprio. Then again, I don't think Cooper assigns as much value to it as Leo did -- or at least, it doesn't feel like it. I care so little about Bradley Cooper! I don't follow his personal journey very closely! He's fine, I guess!

As a fan, I'd LOVE to see Jeffrey Wright take it, even though I haven't seen his movie. Of the ones I have, Cillian Murphy is very good in Oppenheimer, no question, but I've gotta give it to my man Paulie G. Dude is an incredibly talented actor with a non-traditional look who's done great work for decades and deserves a big win. He's fantastic in Holdovers too! It's a layered, funny, incredibly natural performance that he just falls into. Not particularly showy, which lowers his chances for a win, but to me (and most sensible folks) that makes it a better performance, so there, nyeh!

BEST ACTRESS: I haven't seen four of these but if they don't give it to Lily Gladstone they've fucked up. Sorry, other nominees, that's all there is to it. Also, where the fuck is Margot Robbie? She's incredible in Barbie! If I get to Supporting Actor and Ryan Gosling is there, this is misogyny.

BEST SUPPORTING ACTOR: This is misogyny!! But I'd love for Gosling to win for this. It'd be his first, and for a role like this that'd be hilarious. That being said it's still a tremendous performance! His commitment to the role both on-screen and off is clear, he's having a ball throughout, and he does his own dancing! God, I just wanna see his speech.

That being said, he has some extremely stiff competition. De Niro continues his golden year renaissance with an excellent performance of a very evil man in Killers of the Flower Moon, and Downey Jr. is so good in Oppenheimer that it took me a couple minutes and a scene transition to realize it was him at all! Also Sterling K. Brown and Mark Ruffalo are here! I like both those guys! If I had to pick one that I've seen that isn't Gosling? Probably Downey Jr. If I gave Oppenheimer one award, it would be this one.

BEST SUPPORTING ACTRESS: I like all these actresses, I think America Ferrera is very good in Barbie, and Jodie Foster has been doing great work lately, but this award belongs to Da'Vine Joy Randolph. She takes a character that could be one note in The Holdovers and invests them with so much life and complexity and history. I still think about that movie in part because of her, and because she made choices that made that character feel more authentic. It's maybe the most I've been impressed by an actress in a good long while, frankly! She deserves this one! Don't fuck it up, Academy! (but I know you will)

ORIGINAL SCREENPLAY: All Best Picture nominees, save for a movie called May December... because it's a Netflix film, of course. God, they sure do make a lot of award-worthy films I never ever hear about, huh! Wild how that happens! (Did you even know a new Spy Kids movie came out this year? Of course you didn't! It was on Netflix!)

I haven't seen four of these, but heard good things about Past Lives. I do really love The Holdovers though! Unless one of the others really knocks my socks off, I'd be comfortable with that winning here.

ADAPTED SCREENPLAY: Oppenheimer does not deserve this. I'm sorry, maybe it's a failure of editing, but the pacing on this thing is too breakneck. Maybe that's a failure of editing more than screenplay, though. Then again, the dialogue itself is uh... often pretty blunt and borderline silly, in that Nolan sort of way! So, y'know!

I'd love to see Barbie win it. It's so fucking funny, and occasionally vibrating with pathos. But I haven't seen the others, and they might rule, actually! American Fiction might be great! I'm looking forward to finding out when it hits digital!

ANIMATED FEATURE: I still think we probably shouldn't cordon these off into their own category, but then so few would get nominated for anything, so let's just live in the world we have, huh? The Boy and the Heron is a Miyazaki film, so that automatically makes it a contender, though I've heard some mixed things about it. Nimona is a dark horse that I remember having some buzz around it earlier this year, and Robot Dreams is a sad movie about a robot so it's automatically a movie I vibe with! Elemental... exists! (Why in the hell was this nominated and not Teenage Mutant Ninja Turtles: Mutant Mayhem?! Why of all things did THAT get snubbed?!)

But we all know this belongs to Across the Spider-Verse. It might not be a complete narrative, but purely on visual spectacle alone, it should win. It is, without question, the wildest eyeball experience I've ever had watching a movie, finally dethroning the previous occupiers, the Wachowskis' Speed Racer and the animated film Redline. It is constantly visually surprising and experimental, to the point that much like its predecessor I don't know how they fucking did some of the stuff they did. It's not the out-of-nowhere immediate game-changer that its predecessor was, and it might not have the immediate influence on an entire genre in the same way... but I think it pushes the medium even further! I can't wait to see what other movies look like in the future because of it.

(also the production sounds like it was a nightmare, animators deserve more pay and more respect, unionize, etc.)

PRODUCTION DESIGN: I mean, of all the things about Napoleon, how it looked was the absolute best of them. I wouldn't be too upset if it won... except I would, because Barbie. I mean, come on. COME ON. This one's a gimme. (Though why is The Creator not here? I know it was a pretty bad movie, but the design? Absolutely impeccable vibes!)

COSTUME DESIGN: I mean. Barbie. Did you see Ken's outfits?

CINEMATOGRAPHY: This is my nerd-ass award I care about. I've liked Hoyte van Hoytema's work in the past, and if Oppenheimer won this I wouldn't think it a complete miscarriage of justice -- it's got some really great images in it. But to me this is Flower Moon's award to lose. I haven't seen the others, but I don't know that anything else is going to match that. It's not too showy, but it is pretty damn impeccable.

There are also movies that I think got snubbed here, like John Wick 4 (yes I'm serious) and Sisu (again, I'm serious) and The Killer. Heck, they didn't even nominate The Holdovers here, and that movie leans into its period setting by aping the cinematography of films from that period! That's neat!

EDITING: That Oppenheimer is here is more proof the Academy doesn't know what good editing is. I mean, if you isolated a couple scenes of that movie, there IS great editing there! And even structurally, I think it makes some bold choices that should be rewarded! But as a whole, I didn't feel like I had time to breathe during a scene, and most of that is down to Nolan always choosing to cut or transition too soon. Sometimes it's even a matter of seconds! But those seconds matter! They're the difference between me feeling like I'm moving through a room and feeling like I'm being hurried through a room, y'know what I mean?

I'd probably go with Flower Moon here, but Holdovers has a lovely, languid pace to it and some very funny cuts, so I'm leaning in that direction too. Haven't seen the others!

MAKEUP AND HAIRSTYLING: How is Barbie not here?! What the hell kind of award show is this?! (A Bad one, we all know this.)

SOUND: (This used to be two awards, one for sound mixing and one for sound editing, and on a technical level those are two very different skills, but whatever, Academy!)

This is one I think that Oppenheimer will probably take, because it does some cool things with sound a few times. But it's also one that I think The Creator might actually deserve. Some really killer sound in that film, right up there with its production design -- which it should have gotten a nomination for! Also, Mission: Impossible dark horse, just to give it something. Because I love those movies, even if this year's was maybe my fourth-favorite Mission: Impossible movie that still makes it better than most movies!

VISUAL EFFECTS: It's kind of a long-shot, but I'm pulling for Godzilla Minus One here. Guardians looked good, The Creator looked good (it's about all it did) and I absolutely adore and respect the commitment to practical stunts and car chases and effects in Mission: Impossible and it should get all the recognition possible for throwing a real train off a real cliff... but c'mon. It's Godzilla. And by all accounts, it does so much with so little, at least in terms of budget. It's a movie directed by a guy who previously supervised visual effects! Of course it was gonna look good! That it looks that good at that budget though? Might be enough to get it the big win. Here's to hoping! It'd be nice to see a movie that cost about ten million dollars be recognized as having better visual effects than a movie that cost... two hundred and fifty million Jesus Christ what are you doing Disney.

ORIGINAL SCORE: Be neat to see Indiana Jones take this one! Good score, nice but not too reverent. But I don't have particularly strong feelings this like I have in previous ones. Don't remember many movie scores from this year, nothing's made it into my playlist beyond a couple Mission: Impossible tracks, certainly nothing's impressed me as much as something like The Batman's score or anything.

ORIGINAL SONG: Two songs from Barbie here, one from the Flamin' Hot Cheetos movie (yes it's real and yes it's historically inaccurate!) and one from... Killers of the Flower Moon. Uh oh. Uh oh! I was all ready to be ride or die for "I'm Just Ken" (and to be clear if it won I wouldn't object) but that song in Flower Moon and how it hits at the end... well. It should probably win, is what I'm saying. Even if it's not the fun choice. Be nice to see it performed, at least. These will all be great performances, probably!

DOCUMENTARY FEATURE: I haven't seen any of these! I usually don't until at least year or two after the fact! Just how I end up watching documentaries, usually. It'll probably be the one about Ukraine, though. Not necessarily because it's the best one, but because the Academy likes to think that making picks like that is somehow activism. (Also can you believe that's still happening? Ukrainian sovereignty, end the war, etc.)

INTERNATIONAL FEATURE: Haven't seen any of these, but heard good things about Society of the Snow. Zone of Interest is a best picture nominee, so odds are that'll be the one that wins. Surprised a Japanese film got in here but it's not Godzilla! Damn! Was hoping for a dark horse win for Big G!

ANIMATED SHORT: Never seen 'em!

DOCUMENTARY SHORT: Most of the short documentaries I watch are on Youtube these days!

LIVE ACTION SHORT: Good for all these people who got nominated!

THAT'S IT hoo boy the Oscars, huh. This year's a bit of a dull one, nothing that I'm really excited about winning anything outside of like, Barbie. Killers of the Flower Moon definitely deserves a lot of awards, but how many it'll get remains to be seen. Also I just realized DiCaprio didn't score a nomination for his part in that! Just Lily Gladstone! Haha! Good! (Though I do think DiCaprio's work has improved noticeably after he finally got his stupid Oscar. Almost like he stopped trying so hard and that made his performances feel more natural! Wild!)

Anyway, next year I'm gonna be stumping hard for Dune 2 so. Be prepared for that.

[egophiliac]

hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O

unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!

my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not

[flowerakatsuka]

pov : you're the rest of the sextuplets meeting kuroba for the first time.

[vaguely-concerned]

in his and davrin's banters, lucanis exhibits a certain little shit energy I don't think we see him have with anyone else other than illario and honestly I am living for this

[kagoutiss]

green beetle black beetle

[al-luviec]

juvie buddies

[vaggieslefteye]

HELL'S GREATEST DAD ↳ from Hazbin Hotel Season One (2024): 1x05 - "Dad Beat Dad"

[the-way-astray]

alright everybody can we please stop tagging me/talking about me in the notes of pro keefe/sokeefe posts. i know strieefe has made it so that it's really funny to talk about how much i love him and how much i'm in denial when i say negative things about him under those posts (and that's all in good fun and not the problem), but we have to think about the fact that the ops are just trying to make a positive post and probably don't want a keefe hater in their notes /srs

[honeycreammilkshake]

i wonder if, in another world where sukuna had said yes and yuuji did take blobkuna back with him, they would watch movies together.

sukuna criticizes all of them and seems to be into only the mindless slasher or horror ones (the gorier the better) but one day yuuji puts on something more serious. sukuna complains the whole time as he sits in yuuji's cupped hands, but then the brat stops arguing with him suddenly and goes quiet during the sad part of the film.

it's not the film that moves sukuna. he didn't even bother to pay attention enough to really know what's going on. but for some reason, when yuuji starts crying, hot tears that drip right down on sukuna, the former king of curses can't look away and he doesn't realize until much later that his own eye is wet as well.

he denies it. he makes fun of yuuji for crying. maybe he even licks yuuji's tears off his wrist just to be gross and rile him up. but he can't stop thinking about how close he felt to yuuji in that one moment, almost like they were sharing bodies again, and maybe he would like to go back to living inside of yuuji. if only to make him cry instead of the movie doing it. or maybe he just likes feeling yuuji's emotions. maybe being inside of yuuji is the closest he can come to feeling those emotions for himself. because maybe it's not such a weakness after all.

[ambyandony]

mutually overprotective

[arkiwii]

very sad still see the saria/silence divorce headcanon still going around

have you ever tried to consider that they never dated before lone trail because it would be unrealistic with the timeline and the events and also because it would be overshadowing the actual truth of why they couldn't get along

[sereniv]

Well i think we ALL should be threatening not to vote for Harris if she doesnt call for an arms embargo. Id say ceasfire but lets be real

I think we ALL should be putting our effort into applying pressure on ending a genocide, rather than pressuring people to vote for someone who not only seems to be going back on policies she said she stood for, but is also not proving she will actually do anything on the situation in Palestine

The voting hasnt happened. You can't get mad at people for AT LEAST threatening to not vote for her. Threatening. As in, no one has voted yet. So it's all talk right now.

If people dont end up vote for Harris it will be her own fault. Thats just how it works. What she says, but more importantly what she does, is what makes people vote for her just like any other candidate

we arent even asking that much. At the VERY least, is to stop sending weapons. 1 thing she and biden are capable of doing but have shown having no plans on even considering it.

Now, I dont know what im doing when it comes to voting bc theres a lot that can happen until then. im not thinking of what im going to do, im focused on helping to apply pressure. Ive sent emails and called. But even just talking about it can help.

Yes, if Trump wins it IS worse, beyond Palestine. For the planet, and everyone.

But the fact is that some people will not vote for her. That is a fact.

Another Fact is some people will vote for her only if they feel confident she will actually do something about the genocide.

These are facts. You don't even need a source for that

Why are you wasting your time on people who wont vote, instead of convincing the Hold Voters to vote for Kamala by making Kamala someone they will want to vote for?

WE arent dividing the vote. SHE is.

Worry about the blame game for after the election.

For now, help us get her to agree that the United states will stop sending weapons to Israel and/or keep the halt (of weapons), if by some miracle biden gets something done.

[dailykugisaki]

Day 347 | id in alt

Kugisaki hasn't been around Gojo enough to gaf about him LMAO.

[keicordelle]

So I don't like, actually ship anyone from Idolish7 aside from yukimomo. I respect the Mezzo shippers, but I'm on the fence about it; I think they make a really nice platonic pair and I'm not really sure how I feel about viewing that in a romantic light. I see it, I get it, I'm on the fence.

BUT I could fully see Pythagoras in a QPR together. Nothing sexual about it at all, but they all just sort of come together and support each other in a way that probably makes others squint at them in confusion. You'll find them cuddled up together on the couch or in someone's bed because "it helps Nagi sleep". Know what brand of toothpaste and coffee and tissues the others prefer, makes sure to bring that home whenever they're running low. They go to each other first for comfort when something goes wrong, Mitsuki sneaks little memos into their lunches, Yamato brings home little gifts every time he goes out.

Anybody Yamato or Nagi dates learns really quick that they must be okay with the qpr trio or they will not be asked out again. Pythagoras comes first

[silusvesuius]

g*lmar rly has to be the best skajrim character on the real like even if you don't like him he just is . literally The best one i think......... on dat note i also imagine that he and ulfr*c despite being fairydust BFFs for lyfe genuinely have the worst communication skills ever seen

[good-beans]

(Milgram self-insert oc masterpost hehe)

Name: For the sake of posting online I’ll call her Rose!

Color: #E7355B [the pink in the art]

Age: I guess she’d be 20 given when Milgram started huh.

Status: Milgram Staff, Machine Technician

Symbols/imagery: ballet/musical theater, science experiments

Song genre: very similar to Mahiru's, something upbeat and extra pop-y

Tentatively she's number 011? She's not really prisoner but she's also not free to come and go, so I'm not actually sure if she'd get a number (Edit: I've decided she'll actually be 012. Staff is given the 01X range, and even though Es doesn't actively have a number they'd be staff member 011, making her 012.)

Story: Since the project is supposed to be realistic/present day, the mv machine would be brand new and unpredictable tech, so they’d want someone keeping up on maintenance and making sure the brain-invasive process won’t cause any harm to the prisoners. Rose was studying abroad in Japan working on some cool neuroscience tech (irl I know nothing about technology or brains but shh) and she stumbled upon some secret tech/plans from Milgram. Long story short, she was dragged into the experiment to make sure things ran smoothly.

Writer's Reasoning: She’s really fun for me to play around with, as she allows me to work with a character who has a tiny bit of pull over Es’ mindset in conversation but not the final decision (aka mirroring the voting system), and someone who is simultaneously trapped in the prison but has a reason to see all the canon content.* I really enjoy the character interactions and dynamics Milgram has set up so far, so it’s been super fun seeing how things change for better and worse when someone not quite aligned with either Milgram/the prisoners is thrown into the mix!

*As much as I love dramatic irony in fiction, it would drive me crazy if I knew every detail of of the vds/mvs but Rose didn't – and every single Milgram character is The Worst Communicator Ever so I couldn’t justify that she’d hear it secondhand from them...

Story roles:

She’s a bit conflicted -- she’s officially Milgram staff and knows she should remain neutral on the prisoners, since she won’t be allowed to interfere with the process/executions. At the same time, her job description is literally “make sure the machine doesn't hurt them and everyone's safe :)” and she's way too emotional to avoid getting hopelessly attached to everyone 😅

I really enjoy the theory that the machine extracts videos based off of priming, so one of Rose’s duties involves listening in on the interrogation and making sure there’s been enough material discussed/not too much time has passed overall (hence the ringing of the bell happening at different lengths for each vd -- That's her ringing it :3). She then watches the mvs along with Es to make sure there are no machine glitches, and know how to calibrate it better for next time.

(IEdit: I've since decided to add in official trial mvs, but before when I wasn't ready to tackle that:) She has to run some tests on the machine to make sure things are calibrated correctly, so she'd extract little things here and there. It gives me the opportunity to think up lyric snippets and recurring symbols for her without worrying about full encompassing music videos.

I'm not afraid to admit she can fall into Mary Sue territory every so often by being everyone's friend, because it's less about "aw everyone likes her" and more about "canon is too painful rn and I need a fix-it tool to take care of these guys and give them hugs and tell them someone forgives them and cares about them and unfortunately these characters wouldn't let anyone less than a friend do that." Rest assured she's definitely not perfect and will fuck everything up on occasion :3

Miscellaneous: Whenever I play around with normal au ideas she's still working on the machine (but in a public, more ethical setting), and she's Mahiru's roommate :) Her character isn't super focused on love, but if I had to pick a cover song it'd be Stickybug II. It's very much my vibe, the lyrics fit well enough (better than most songs, at least lol) and it's one of my favorites out of my limited knowledge of unchosen Deco songs! (Edit, I've actually given her non-deco cover songs hehe)

So yeah, I hope she's not too boring without a cool crime to decipher, but I wanted to share since I was really proud of her! It took a bit of tinkering to find a way to fit her into a perfect secret-third-thing role that runs very smoothly with all of canon, so I was very excited!