#even though i have....opinions about the story

[bluespider008]

Oc: Mayhem (transformers)

1. [are they associated with a certain color? what color do they wear the most?]

Like many other Decepticons she had a mainly purple color palette, though after leaving the 'con army she began to veer into more greys, various purples, 'n some yellow as well in her paint jobs (kinda like a Megatronus color palette)

2. [what sort of music would they like? have you thought about what genres or bands do they lean towards? do they have a favorite song?]

Absolutely LOVES rock 'n rap! 'Keep their heads ringin', 'Rollin', 'X gon give it to ya', 'The choice is yours', 'Till I collapse', 'No sleep till Brooklyn'

3. [weapon of choice? any particular reason they chose their weapon?]

Prefers blasters that she herself makes (being a weapons specialist/engineer) even if they don't always work the best. She's currently workin' on makin' a blaster that can also change into a sword (likely will never work)

4. [how crafty/resourceful are they?]

She is incredibly crafty 'n can make a weapon out of just about anythin', she specifically loves building weapons or items to make missions more fun for her chaotic self.

5. [how do they typically dress? does their wardrobe lean more towards practicality or aesthetics?]

She has spikes naturally formed on her helm but she added ones to her shoulders. She also likes comic stickers, 'n caution tape, as she heard they looked cool in human culture.

6. [how do they wear their hair? do they care a lot how their hair looks?]

No hair, just helm lol

7. [favorite animal? why?]

She likes platypuses.. cause, like- they are mammals but lay eggs? How? HOW???

8. [do they have a nickname? who gave it to them? if it's not derived from their real name, what's the story behind it?]

Bullet (from her brother. Y'can probably guess why she's called Bullet)

9. [favorite food? least favorite? are they a picky eater? do they have any dietary restrictions?]

She'll literally eat anythin'- even if she ain't supposed to 💀

10. [if they wear jewelry, what kind? do they prefer silver or gold? do they have a favorite gem?]

She likes any yellow stones/crystals as they remind her of her brother's optics

11. [what do they have in common with you?]

Fear of attachment/abandonment as well as love for buildin' things (same fam, same..)

12. [how long have they been around? do you know their birthday? is their birthday the day you made them or another day? what do they think of celebrating birthdays?]

Birthdays aren't really somthin' she's accustomed to celebratin'.. (also, cybertronian age is pretty confusin' so just think of her as a 17 year old in human standards)

13. [what languages do they speak? how fluently?]

Cybertronian, basic alien dialect, can learn any language by goin' through databases as well as mimickin' accents.

14. [are they any good with numbers?]

Ehh.. so/so

15. [how big or small is their family? who did they live with growing up? do they live with anyone now?]

The actual size of her family is yet to be known as she was raised by her brother. Neither of them truly never knew their sire or carrier 'n had been on the move constantly throughout their childhood.

16. [do they have any pets? what do they call their pets?]

She isn't allowed to have pets yet until she learns to be more careful with her large frame 💀 (she's already accidentally crushed multiple things)

17. [how did they spend their summers/free time as a child?]

As a sparklin' / young teen she spent most of her time on buildin' random projects, her first successful build bein' a hoverboard like invention (before she learned how to transform properly)

18. [their opinion on lying, stealing, and killing?]

All can be reasonable dependin' on the situation you're in.

19. [are they quick to anger? what sets them off?]

She's a bit of a hothead 'n can easily be set off when someone mocks her or her inventions.

20. [if applicable, can they drive? if they have their own, what color is their vehicle? is the inside neat and tidy, or a mess?]

She definitely drives like a drag racer 'n not so surprisingly becomes very competitive if she's actually challenged to a race. (Her alt mode is a deep purple custom '69 Ford Mustang Mach 1)

21. [their favorite place to be?]

She likes the mountains, finds the snow to be beautiful 'n peaceful durin' winter.

22. [do they sleep well at night?]

Depends on the night/ how hard she'd worked prior. Sometimes she'll fall into recharge rather quickly, other times she won't or she'll be jolted awake from dreams.

23. [how would you describe their voice? can they sing?]

She loves to project the voice of the singer she's listenin' to through her own vocalizer, pretendin' that she's the one actually singin'. She often switches through accents 'n speaks pretty fast, so it can be a bit hard to understand at times.

24. [do they have any creative hobbies? art, writing, music, etc]

Loves art, engineerin', 'n music.

25. [how good/bad is their hearing? what about their eyesight?]

She has very sharp hearin' 'n pretty good sight, though one time she'd almost lost her optics in a fight.

26. [how do they move? are they clumsy? light on their feet? do they use mobility aids?]

She's far too strong 'n flexible for her own good which only boosts her already huge ego, often gettin' to her head 'n causin' her to do very reckless things durin' battle, sometimes old Decepticon habits come into play 'n she goes overboard.

27. [if applicable, do they have a favorite sport they play any sports or prefer to watch?]

Boxin' 'n racin'. Gets WAY too competitive.

(Might do the last few questions some other time..)

i wanted to make an oc ask game 😋 things i like to ask people abt their characters:

are they associated with a certain color? what color do they wear the most?

what sort of music would they like? have you thought about what genres or bands do they lean towards? do they have a favorite song?

weapon of choice? any particular reason they chose their weapon?

how crafty/resourceful are they?

how do they typically dress? does their wardrobe lean more towards practicality or aesthetics?

how do they wear their hair? do they care a lot how their hair looks?

favorite animal? why?

do they have a nickname? who gave it to them? if it's not derived from their real name, what's the story behind it?

favorite food? least favorite? are they a picky eater? do they have any dietary restrictions?

if they wear jewelry, what kind? do they prefer silver or gold? do they have a favorite gem?

what do they have in common with you? how are they different? would you get along with them?

how long have they been around? do you know their birthday? is their birthday the day you made them or another day? what do they think of celebrating birthdays?

what languages do they speak? how fluently?

are they any good with numbers?

how big or small is their family? who did they live with growing up? do they live with anyone now?

do they have any pets? what do they call their pets?

how did they spend their summers/free time as a child?

their opinion on lying, stealing, and killing?

are they quick to anger? what sets them off?

if applicable, can they drive? if they have their own, what color is their vehicle? is the inside neat and tidy, or a mess?

their favorite place to be?

do they sleep well at night?

how would you describe their voice? can they sing?

do they have any creative hobbies? (art, writing, music, etc)

how good/bad is their hearing? what about their eyesight?

how do they move? are they clumsy? light on their feet? do they use mobility aids?

if applicable, do they have a favorite sport? do they play any sports or prefer to watch?

how do they show that they care about someone? how do they express that they don't like someone?

are they associated with any particular element (air, earth, fire, water)?

do they smell like anything notable?

do they like receiving gifts? giving gifts? what is their ideal gift?

do they have any habits that aren't particularly self-destructive, just maybe odd?

if applicable, how would your other characters describe them? i mean specifically the people around them.

how would your character describe themselves? it doesn't have to line up with how they really are.

do they ever return home?

[threeacttragedy]

Entry 12: The One Where We Start Laying the Yellow Brick Road to Italy

I realized the other day that, even though I like to bounce around from place to place in the Lukola timeline, I probably needed to start tightening things up on the ship if I ever wanted to get to the end of the story. And, yes, dammit, this story better have a finale at some point because there’s nothing more annoying than an open-ended ending, particularly in the romance genre.

Today we’re going to take a quick jaunt over to Italy because –

NO! Not because Luke is allegedly filming there. If you’re into real-time stalking, you’re in the wrong blog. But, I’m sure there’s a Discord for that.

It’s because I’ve had several people ask for my opinion about the change in behavior between Luke and Nicola during their Day 1 interviews there. Wait – people are interested in my thoughts? Wow, that’s actually kind of nice. Thank you! Okay, back to what I was saying –

Was there a change in behavior when Luke and Nicola reached Italy? Yeah, actually, there kind of was.

By May 9, we had been gifted with a slew of material from Luke, Nicola, and the Bridgerton cast and, I must admit, those early interviews are some of the most entertaining of the tour. In the very beginning, Nicola appeared as the utmost professional – charming, intelligent, and witty at the right moments – and Luke played her likeable counterpart to “Book Colin” perfection – bouncing between being awkwardly boyish and wickedly roguish, all while looking at Nicola like she had just served him homemade peanut butter crumble.

The two of them together, playing off each other, in my opinion, was better than Bridgerton Season 3 (you cannot beat the World Tour being 99% Luke and Nicola, with only a few random side characters taking up screentime). There was some major “Electric Love” radiating from those two throughout the tour, but it seemed very much heightened in the beginning (probably because they hadn’t yet answered the same question 67 times). By the way, if you haven’t heard that song by Børns, go have a listen. It will, at the very least – hopefully – put you in an upbeat mood for the day.

Now, where was I? Oh, yes – was there a change in behavior between Luke and Nicola when they reached Italy?

Absolutely.

Do I know why?

Absolutely not.

Perhaps Luke was bent because someone spilled his coffee, or Nicola was upset because her stylist made her to wear that little silver bow in her hair. In my opinion, the most intriguing part of Day 1 of the Italy press junket was that Luke and Nicola struggled with answering the question, “What is love?” I swear they both babbled on like two kids in debate class who hadn’t bothered to read the material given to them before taking their respective podiums. They finally seemed to settle on Luke’s “Maybe it’s, like, connection.” Well, they seemed to be missing the “connection” that day.

Honestly, no one can explain their “don’t stand so close to me” vibe during those first day interviews except Luke and Nicola. But, we can at least have some fun and speculate about it with a bird’s eye view. At this point, you should know that I love spreading the puzzle pieces out and seeing how they might all connect. Most people – when putting a puzzle together – start with the side pieces, right? You’ll get my joke in a moment (I hope).

In March 2024 – I don’t know the specific date because my timeline is rather murky going back that far (I was unaware Lukola even existed!) – Luke traveled to Los Angeles for a photo spread with InStyle magazine. I’ve heard two versions of this story. The first being that Luke traveled to Los Angeles with Antonia alone; the second being that he traveled to Los Angeles with his friend group, which included Antonia. I couldn’t tell you which is true, and it really doesn’t matter because it doesn’t necessarily add or take away from today’s story.

Before I get started, I wanted to give a “hurrah” to The-One-Whose-Group-Chat-Fills-in-Lots-of-Missing-Bits-for-Me-Including-the-Part-Where-Video-Footage-of-Antonia-in-Los-Angeles-Seemed-to-Indicate-a-Celebrity-Was-Not-the-Videographer-and-There-Were-So-Many-British-Accents-in-the-Background-One-Would-Fancy-a-Guess-She-was-Traveling-with-a-Group.

Moving along…

On April 7, 2024, Antonia posted a series of photographs and clips to her Instagram grid indicating she had been in Los Angeles, including one where she was laying on a blanket in front of the Griffith Observatory and one where she was sitting at a table marked with the number “95.” On April 14, she posted a second set of photographs, tagging her location as Beverly Hills, California and using “End of Beginning” as her audio (yes, I side-eyed this choice of music so don’t feel bad if you did as well). The second photo dump included her lounging on a rooftop.

I’m not going to delve into posts made by Luke and Nicola during that timeframe. I mean, I’m sure Nicola’s comment, “’Friends’…sure Jan,” on Luke’s April 11 reshared post about Bridgerton Season 3 was only meant to be applicable to Polin. And, if Luke wanted to use yellow and black hearts to represent the colors Nicola and he were wearing in his April 12 post, that’s cool, too. And, I am definitely not going to speculate on Nicola’s April 15 post (for Big Mood) that Luke liked, and she captioned, “I will bite off anything that dangles.”

By April 21, Luke and Nicola were in Australia at the World Premiere of Bridgerton. I am only going to provide a quick overview of Australia instead of a full-fledged recital because, at some point, I will almost certainly dedicate an entry to this country. Let’s start with Luke pulling off the hottest walk-up in Netflix human history (I mean, have you watched it in slow motion?). Then, we had the hard launch of the handholding business (because why again?). And, we had Luke tripping over his words, “We’re very, like, giving…I’m not talking about those scenes…” Oh, and Nicola telling an interviewer that, “[y]ou can’t keep a good girl down,” and, in response, Luke’s lips curling into a wicked-ass Cheshire cat's. We had them in the garden, with Nicola bending down to hug Luke after she had scratched/hit/petted his head. Perhaps I should not mention the possibility of a man’s shirt being visible on a bed behind Nicola (I said possibility not that it was). And, Nicola telling Luke, “You’re the funnier one,” when he was concerned that perhaps Benedict was funnier than Colin. Then we had the “Nicola-in-the-green-dress” day where, as they were going down the steps, Luke seemed to instinctively reach for Nicola’s hand, but she played it cool and took his arm instead. Oh, and that entire “green dress” day in general (I mean, there was so much shit going on that day). And, best we do not forget Nicola saying, “the best foundation for love is friendship,” which mirrored the bracelet “someone…in Australia” gave Luke that read, “Do you believe the best foundation for love is friendship?” Because that’s not suspicious at all. Alright, let’s get the fuck out of Australia – but not before I mention Nicola commenting on Luke’s April 27 Instagram post with “Ready for the next?” and Luke replying, “Absolutely.” Yeah, yeah, yeah, their shenanigans in Australia expanded the USS Lukola tenfold.

Oh, also, let me throw this in here because, if you are a “ring truther,” this fact plays a significant role in the Lukola timeline. If you do not know what a “ring truther” is, that’s perfectly fine. You can catch up by reading Entry 6 (The One Where I Explained the Claddagh Ring to My Dad) of my blog. I mentioned in Entry 6 that some Lukola sleuths have stated the metadata they pulled from the sketches of the Claddagh ring uploaded by Chupi indicate they were done as early as April 26. In other words, it means the Claddagh was likely commissioned between Australia and Italy. In fact, if we are to believe Chupi when it said it took four weeks to make the ring, then it had to have been commissioned by May 9, 2024, at the latest. Oh, lookie there, that’s Day 1 of the Italy interviews.

But, before we get to May 9, let’s pause on April 29. That was the day Luke’s InStyle spread was published – yes, the one I mentioned earlier. Luke has pictures from this photoshoot still on his Instagram grid – in fact, Nicola commented, “Yess dude!!” on them – but those aren’t the pictures I want to talk about. No, I want to talk about the pictures InStyle posted on its Instagram grid that day. These photographs came directly from Luke, which was confirmed by the InStyle article when it said, “…the actor delighted the InStyle team by delivering the polaroid photos he’d taken for this story tucked oh-so-carefully in a little brown bag for safekeeping.” The pictures Luke provided, among others, included one where he was laying on a blanket in front of the Griffith Observatory in Los Angeles; one where he was sitting at a table marked with the number “95;” and one where he is sitting in a lounge chair on a rooftop. If you want to see the pictures, InStyle still has them available – you just need to go through hundreds of posts to find them. Luke did not like this InStyle post, which was kind of odd because he was tagged in it, and they were reportedly his pictures.

Why did these InStyle polaroids seem so familiar?

Oh, that’s right, because they were.

Remember that April 7 post of Antonia’s I mentioned a bit ago? Yeah, the one where Antonia posted a bunch of random pictures from Los Angeles and – only after InStyle posted Luke’s polaroids – fans realized Antonia had preemptively posted her version of some of Luke’s polaroids.

I am not going to speculate too much about these pictures or their implications in this blog post, but these pictures may resurface in future posts because I find myself side-eyeing the fact they even exist. And, we should probably accept that Luke was aware of them before his pictures came out on April 29 because he threw a like on Antonia’s April 7 post. Could it have been a “blind” like? Sure, I guess, but the logical side of my brain says he probably looked through them at the time she posted. Let’s not worry too much about it right now, though.

After trying to write out my “general” opinion about the pictures several times, I finally decided that the best way I could articulate my thoughts was through the conversation I had with my father. Yes, Dear Dad returns again for another insightful Q&A.

I started by showing Luke and Antonia’s three “matchy” pictures to my dad and then asked him to compare them. To be clear, the pictures were their respective Griffith Observatory, Table 95, and Rooftop Lounging pictures.

Me: “So what do you think?”

Dad: “About what?”

Me: “Ugh! Why did Antonia take those pictures?”

Dad: “Well, to show she’s part of the ‘in’ crowd. The only reason I can see them being taken is if she was going to put them on the Internet.”

Me: “Uhh, as a matter of fact, she did put them on the Internet! Approximately three weeks before Luke’s were published.”

Dad: “See! I’m not as dumb as you think.”

Me: “Whatever. So, you really believe that? She took them to show people that she was, like, there?”

Dad: “Yeah. Why else would she take them? They’re not the kind of photos you’d take normally. What’s she going to do, put them in an album and show her friends in five years and say, ‘Look, I sat in Luke’s chair?’ Who does that? Nobody. Plus, Luke’s pictures look like they were taken with a polaroid camera and Antonia took hers with, I guess, a phone. Why use two different cameras? Again, it doesn’t make sense. Seems to me like she knew what pictures he was taking, and she was trying to copy them so she could put them on the Internet.”

Thanks, Dad.

You do not have to accept my father’s thoughts on the photographs. Everyone is entitled to their own opinion. However, I think we can meet in the middle and opine that, at a minimum, Antonia’s pictures caused the weak Lukolas to jump overboard; at most, they gave some people stalker vibes; and somewhere in between, they introduced Antonia's negative influence over the fandom and what some may consider trolling behavior (even if it wasn’t recognized then).

Now, before we land in Italy on May 9, let’s summarize what has happened during the preceding two months.

First, we had Luke traveling to Los Angeles in March with Antonia, either alone or as part of a friend group. Luke had pictures of himself taken while there.

Second, we had Antonia posting pictures in early April that would be linked directly to Luke’s pictures by the end of the month.

Third, throughout the month of April, we had Luke and Nicola traveling together for the World Tour. We have all seen these interviews, and we have all formed independent opinions about them.

Fourth, based on Chupi’s own words, we know the Claddagh ring must have been commissioned no later than May 9.

Okay, now we’ve reached May 9, Day 1 of the Italy press junket.

Besides the press interviews, what happened on that day?

Well, Antonia reposted Luke singing Coldplay’s “Yellow” to her TikTok account.

Uhh… Huh. Interesting.

I mean, it’s possible that this was just a coincidence and she just liked Luke’s version of it. Or, it’s possible Antonia knew that “Yellow” was the Polin wedding song and she anticipated trolling Nicola and/or the fandom with it. But, if we believe she knew “Yellow” was the Polin wedding song, that means either Luke told her, or someone with that knowledge told her (i.e., someone from Luke’s team or family/friend group). We also know that Luke mentioned this song in the May 16, 2022 Netflix Tudum article when Nicola and he were asked about their song choices for Season 3. Luke stated his frontrunner was “Yellow” by Coldplay “because of Penelope’s dresses.” Regardless of why Antonia posted the song, I find it hard to imagine Netflix, Bridgerton, Shondaland, Nicola, or Luke were too impressed by Antonia resharing it on TikTok. I mean, at this point, Netflix & Co. would surely have been aware that Antonia’s “copycat post” went over with the fandom like a wet blanket in December in Canada. I imagine some questions were being asked and Luke may very well have received a hand slap from Corporate – and maybe even from Nicola.

But, that’s not the only thing that happened on May 9.

Luke posted his Homme magazine spread to his Instagram grid on that day, too. He captioned the post, “Chatting through all things S3 with @hommeplusmag [o]ut next week x.” Nicola commented, “Yessss,” and Luke tagged his post with the location of Hackney, London. That last part – about Luke tagging the location in Hackney – apparently sent the fandom into a deep-dive of…Nicola’s backyard. Why? Because Nicola lives in Hackney (Nicola herself confirmed she lived in Hackney in a March 18, 2024 interview with Derry Now), and rumors started to circulate that Luke’s pictures were taken at her home.

Hmm, I didn’t realize May 9 was such a busy day, did you?

So, which came first – the chicken or the egg? Did Antonia repost “Yellow” to her TikTok before Luke posted his Homme in Hackney images to Instagram, or vice versa? I’m sure someone out there has this information. The answer might help shine some light as to why Luke and Nicola seemed “off” in the early part of their Day 1 Italy interviews. But, then again, does the order really matter? Regardless of who posted first, it would seem to me that “Yellow” was a very possible culprit for the different energy on set that day.

That, or Luke really was peeved over someone spilling his coffee.

[tortillamastersblog]

Back To You - Part 4 | Sam Carpenter

Pairing: Sam Carpenter x reader

Warnings: mentions of violence, death, blood, injuries, and swearing

Summary: When Sam left after turning eighteen, you were devastated. You’d been in love with her since you were kids and her leaving meant you never got to tell her how you truly felt.

Fast forward a couple of years, Tara gets attacked and Sam returns. . .

Previous Part | Next Part | Masterlist

_______________________________________________

Present

Billy Loomis is Sam’s real dad. . .

Tara’s words and her recount of her conversation with Sam makes all the puzzle pieces fall into place.

That’s why Sam snuck into my room all those years ago. That’s why she changed so much after, and that’s why she left.

It all makes sense now, but it doesn’t change the fact that she hurt Tara by leaving, hurt me by leaving. It also doesn’t change the fact that she wasn’t there for me when I needed her to most. When I begged her to come back and she just screamed at me to stop calling without even letting me explain why I was calling in the first place.

I’m feeling so many things right now, it’s kind of overwhelming, but I try my best to stay calm so I don’t freak Tara out.

She’s been moved to a private floor since Sam left and slept earlier while I called Liam and Paige again. Now, she’s awake once more, curled into my side while we’re watching a movie together.

I really try to focus on what’s going on, but my mind keeps drifting back to Sam.

She could have talked to me! She could have told me about her real dad. Why didn’t she? Did she think I was going to hate her for it? Did she think I would stop being her friend if I knew?

I wouldn’t have done any of that. Who her father is doesn’t change who she is. At least that’s my opinion. She must think otherwise, because if she didn’t, she wouldn’t have left.

I’m mad at her for abandoning Tara and leaving me. I’m sad she felt like she couldn’t talk to me, and I’m heartbroken thinking about how she tried to numb her pain by doing every drug imaginable and sleeping with anyone who would have her.

I still love her, that’s for sure because if I didn’t, I wouldn’t be feeling like this, but I’m just not sure love is enough for me to forgive and forget everything she’s done.

“Hey.” Tara’s voice and her finger poking my chin snaps me out of my thoughts.

I clear my throat quietly and look down at her. “Yeah?”

“You okay?” she asks, her kind brown eyes darting between my own.

“No, not really, Sprout.” Tara wrinkles her nose and I chuckle. She’s never liked that nickname. “But I will be, and so will you.“

“You sure?” she asks and I nod.

“I’m sure. Now watch the movie, or I’m changing it,” I tease, making her laugh softly.

“Okay, okay. . .” She looks me over one last time before turning her attention back to the movie, mumbling, “You’re so annoying.”

I just hum and scratch her head, settling deeper into the bed and actually focusing on the movie. Thoughts of Sam are still swirling around in the back of my mind, but I ignore them as best as I can.

About half an hour later, the movie is still playing and, much to my surprise, I’m actually invested in the story now.

Some shuffling and a grunt in the hallway outside makes me look away from the TV though. We’re on a private floor and no one but Deputy Vinson should be here. A nurse comes in every two hours or so to check on Tara, but she was just here before we started the movie.

Alarm bells almost instantly go off in the back of my head, but I don’t want to scare Tara, so I stay calm and shout, “Hello?”

There’s no answer.

“Vinson?”

Again, nothing.

My stomach drops. This is not good. This is not good, at all.

“Y/N?” Tara whispers fearfully, the beeping sound of her heart rate monitor next to the bed speeding up.

I swallow thickly and continue to stare at the open doorway, straining my ears to hear anything else. It stays quiet though, and with every second that passes, the uneasiness in the pit of my stomach grows.

“Y/N,” Tara whimpers and when our eyes meet I see the fear I’m feeling inside reflected back at me.

He’s back. It’s Ghostface. It has to be him. He’s returned to finish the job.

I can feel my own heart rate picking up speed, and after another beat of silence, I decide that we have to leave. We’re sitting ducks if we stay.

“Fuck this.” I swallow again and nod to myself before pushing the blanket to the bottom of the bed. “We’re leaving, Sprout.”

Tara’s eyes widen and she doesn’t protest when I disconnect the IV from the back of her hand. For a moment, she’s frozen, watching me disconnect her from all the machines she’s attached to, before springing into action herself.

With shaking hands, she removes the oxygen tube while I get up and pull the nearby wheelchair to the side of the bed.

I won’t be able to do anything with only one arm, so even though it hurts and I know I’m probably going to tear my stitches, I take off my sling.

I wince at the stinging pain that shoots through my neck and arm, but grit my teeth and help Tara with the rest of the wires. Then I make sure the wheelchair’s breaks are on before turning back to the bed.

“We have to get moving, c’mon. I know this is going to hurt, but we have to go,” I say, slipping my arms under Tara’s knees and under her back. I don’t lift her yet though, waiting for her to nod before hoisting her up.

The gasp she lets out makes me hurt for her, but I can’t stop now.

We have to leave.

Carefully, I lift her out of the bed and place her in the wheelchair, making sure I don’t bump her broken leg against anything.

My shoulder protests, screaming in pain even though Tara is easy to lift, but I don’t stop moving especially when the lights suddenly go out.

We have to leave, now!

Tara whimpers in fear and in pain, and I rush to turn off the breaks on the wheelchair before pushing her to the doorway.

He’s here. I know it.

I peek into the ominously dark hallway all while trying not to let panic take over my mind.

Fear is healthy, panic is deadly.

That’s what my father taught me, and I know if we’re going to get out of this alive, I have to keep a clear head.

The hallway is empty, and the only way out is by getting to the elevator at the end of the hallway, so I slowly push Tara out of the room, keeping my eyes and ears open for any movement near by.

Just get to the elevator.

The deafening sound of Tara’s phone ringing on the bedside table back in her room makes both of us jump for a moment.

Tara sobs quietly, and I tighten my grip on the wheelchair.

I glance over my shoulder, seeing the screen of the phone light up the room before turning back around. There’s no time to get it now, and even less time to answer it.

I push Tara into the hallway, slowly and quietly while letting my eyes dart around in the darkness for any sign of danger.

It still eerily quiet though and I don’t see anything, so I continue pushing her until we get to the nurses’ station.

That’s where a chocked gasp claws it’s way out of Tara and when I follow her line of sight, I freeze for a second.

Laying right there on his back on the ground, with a slit throat and a pool of blood around his head is one of the deputies Sheriff Hicks assigned to Tara’s floor. He’s still alive, even though only barely, and chokes on his own blood, his wide eyes staring unblinkingly at the ceiling.

There’s nothing we can do to help him, he’ll be dead within a minute, but still, the sight of him, so helpless and alone, makes the blood in my veins freeze.

That could be me, or worse, Tara.

Stop! Don’t think about that, Y/N. Focus.

My dad’s voice rings in my head and makes me snap out of it. He’s right, I have to focus.

I’m about to continue pushing Tara towards the elevator, but then a thought strikes me.

I pause and look around again before letting go of the wheelchair and crouching down next to the deputy. I reach for his belt, fumbling around until my hand grazes the holster of his gun.

With a gun, we’d at least stand a change against Ghostface, but as fate would have it, the holster is empty. The gun is gone.

Fuck.

Not only does that mean that we have nothing to defend ourselves with, it also means that Ghostface has the gun.

Tara sobs into her hands and watches me get back up, only to flinch and freeze a second later when we hear a door being opened somewhere down the hall.

There’s no time to ponder over the gun and its whereabouts now. I spin around and take a hold of the wheelchair again.

Getting to the elevator now is too risky. It’s too far away, so I wheel Tara into the room right next to the nurses’ station.

We need help.

Tara whimpers and cries quietly while I close the door behind us. I don’t shut it all the way, just enough to hide us from plain sight while still being able to see what’s going on outside. Then, I fumble around for my phone in my sweatpants.

Just like with the gun though, I come up empty, and the realization that it must have slipped out of my pocket while watching the movie makes my heart drop.

No, no, no, no, no. This can’t be happening.

My hands begin shaking, and it’s getting harder to keep my panic at bay.

We’re alone with a psychopathic killer, we have no way out, no help is coming, and I’m not in any shape to fight properly.

Tears well up in my eyes and I feel my bottom lip quivering. There’s no way out.

My heart starts pounding in my ears and my hands start shaking.

Please, no. Not now.

I’ve had enough panic attacks after my parents death to know what it feels like when one is about to start, and even though it sucks having them at any time, it would be especially inconvenient right now.

I force myself to calm my breaths and blink away the tears, but it doesn’t help much.

We’re trapped.

We’re alone.

I continue to focus on steadying my breathing while also keeping an ear out for any more sounds in the hallway.

That is until Tara nudges me. I clench and unclench my fists, and look at her. She has tears streaming down her face, but she’s urgently gesturing at something she can’t reach.

I follow the length of her arm with my eyes and almost start crying with relief when I spot the phone on the wall right next to the door.

I lunge for it and start dialing 911 with shaking hands only to stop a moment later when another door opens out in the hallway.

Tara clutches the back of my sweater with her uninjured hand and bites her bottom lip to prevent any more sobs from escaping her.

I flinch when another door gets opened, this time closer by, and hold my breath.

This is it. He’s here.

I lower the phone and square my shoulders, ready to fight when the door to our room suddenly swings open.

Tara yelps and I instinctively punch whoever just walked in.

“Ow!” Richie stumbles back against the doorframe and raises a hand to where my fist just connected with his jaw. “Ah, goddamn it!”

“Richie?” Tara’s pulls on the back of my sweater to get me to step out of her line of sight while I simply stare at Richie in disbelief.

I’m honestly relieved it’s just him, and that he’s here because now we’re no longer alone, but I can’t find it in myself to feel sorry for punching him.

“What are you doing here?” Tara asks as Richie continues to recover from the punch.

“Sam called,” he explains and as he continues to talk, I feel some of the tension in my body dissipate. “She said that you were in trouble.”

He doesn’t look at me when he says it, and the revelation that Sam probably only called about Tara is like a blow to the stomach.

I don’t get much time to dwell on it though because a split second later, Ghosface appears behind Richie, ready to strike with a knife in his hand.

“Look out!” I shout, stepping in front of Tara again.

Richie spins just in time to avoid getting stabbed, but the knife manages to cut his forearm. Ghostface goes in for another stab, but Richie manages to catch his wrist before he can bring the knife down on him.

He grunts and they struggle for a moment, but then Ghostface manages to grab the back of Richies head and slam him into the door frame, knocking him out.

“Shit!” I clench my jaw when Ghostface turns his attention to Tara and me, and quickly grab the IV stand next to us, flinging it at him.

Ghostface goes down because the monitor on the IV stand hits him in the head, and I rush to wheel Tara out of the room.

We’re almost back in the hallway, away from Ghostface, when he suddenly lands a punch on the back of my left knee, making my leg buckle. I stumble and manage to regain my footing without going down, but that little trip costs me a lot of precious seconds.

“Y/N!” Tara twists around in the wheelchair with wide eyes and even though I know Ghostface is now back on his feet and right behind me, it still catches me off guard when he wraps his arm around my neck from behind and punches me in the side, right below my ribs.

“Ah, fuck!” I grunt and grab his forearm, trying to pry it away from my neck, but it doesn’t budge. “Go, Tara!”

Another blow, this time to my ribs, takes my breath away, and even though I’m in pain, it fills me with an unexplainable rage.

Instead of trying to get his arm away from my neck again, I dig my heels into the ground and push backward until we hit a wall. Ghostface hisses in pain and I use the momentary distraction to get out of the headlock.

Then, I run to Tara, limping slightly and ignoring the sound of a phone ringing nearby. She’s crying and struggling to move in the wheelchair, and the sight of the blood soaked bandage around her hand makes my stomach clench.

I’m about to reach her, my arms already outstretched to grab onto the wheelchair, but then I’m tackled to the ground from behind.

My head hits the floor, making black dots dance in my vision for a moment and then my head is yanked up by my hair.

“Hold it right there, Tara,” Ghostface says, the voice changer eerily distorting his voice, “or I’ll slit Y/N’s throat.”

Tara freezes and wheels around in time to see Ghostface press the blade of his knife against my neck. He’s kneeling on my back and I know I have no way of escaping without getting my throat slit.

It stings when he pushes the knife down a little too hard, drawing some blood in the process, but I don’t dare to move.

“Y/N!” Tara cries and I try not to cough because of the weight on my back. “No, please don’t.“

“Tara, go!” I rasp, feeling the edge of the knife dig even deeper into the skin of my neck.

Tara shakes he head desperately, tears rolling down her cheeks. “No, Y/N, I—“

“Do you hear that, Sam?” Ghostface says and at the mention of Sam’s name my heart drops. He must be on the phone with her. “Your little sister and Y/N, begging for each other’s lives. Pathetic, don’t you think?”

Tara makes a move to wheel closer, but I pin her down with a stare to stop her. Go, I mouth, but Tara doesn’t move while Ghostface continues talking to Sam.

I can’t hear everything he’s saying because my ears are ringing, but when he suddenly gets off my back and approaches Tara with calculated steps, I hear him say, “So, the choice is up to you. Who is it going to be, Sam? Richie, Y/N, or Tara?”

Tara whimpers as Ghostface gets nearer, but she’s too injured to get away. She manages to turn the wheelchair around, but Ghostface is right there before she can even attempt to get away.

He grabs the handles of the chair and tips it forward forcefully, making Tara fall and land on the ground with a cry of pain.

No, not her. Not Tara. Please, anyone but her. She’s been through enough.

“Stop!” I groan, trying to get up, but slipping on something sticky on the floor. My shoulder stings and the side where Ghostface punched me burns, but I try to get back up again, and this time, I manage. On unsteady feet, I limp toward Ghostface who’s now standing over Tara.

He twirls the knife in his hand and raises his arm, getting ready to strike while Tara sobs.

“No!” I’m not going to make it. “Tara!”

Just then, the elevator dings and the doors open. Ghostface looks up, surprised, and dives out of the way when gunshots ring out.

My eyes widen at the sight of Sam and Dewey?! who dart out of the elevator.

“Tara!” Sam rushes to her sister’s side and drops to her knees, trying to help her to her feet.

“I’ll get Richie,” Dewey says, but then he freezes when his eyes land on me. “Y/N?! What are you doing here? Are you hurt?”

I wave him off and shake my head, looking around to see where Ghostface went. “Not now, I’m fine. Go get Richie, I’ll help Sam with Tara.”

“Okay.” Dewey nods and stares at me a moment longer before dashing past me to help Richie.

The last time we saw each other was at my parents’ funeral. He used to be like an uncle to me because he was friends with my dad, but after the accident, we kind of drifted apart.

Now is no time to dwell on the past though. I push through my dizziness and the pain in my side, shoulder and leg, and limp the rest of the way to Tara and Sam.

Sam’s already managed to get a crying and whimpering Tara to her feet, but Tara can’t walk with her broken leg, so as soon as I’m within reach I tug on Sam’s jacket to get her to stop dragging Tara to the elevator.

“Stop, let me help.”

Sam’s eyes widen. “Y/N, y-you’re here?”

“Of course, I’m here,” I snap, not because I’m mad but because there’s no time to talk. “Now, let’s get a move on!”

Still in disbelief, Sam doesn’t say anything else as I scoop Tara up into my arms.

“Ow,” she whines and I quickly apologize for hurting her.

I limp to the elevator with Sam hot on my heels and lean against the wall as soon as we’re inside. My legs are shaking and my entire body hurts, but I’m not letting go of Tara until we’re safe.

Sam holds the doors open while Richie and Dewey make their way to the elevator.

They’ve almost made it when, out of nowhere, Ghostface comes back, crashing into them from the side. Richie falls to the ground, and Dewey gets pushed against the wall which makes him fire his gun.

A struggle ensues between Dewey and Ghostface while Richie tries to get back up, and for a moment it looks as though Ghostface’s got the upper hand, but then Dewey headbutts him.

Ghostface stumbles back and Dewey grabs his gun off the ground, firing it at Ghostface before he can come at him again.

He stumbles back at the force of the shots hitting him in the chest until he crashes into the glass display cabinet on the opposite wall.

He sinks to the ground and stops moving, and even though I’m not convinced he’s dead, there’s no time to make sure he is. We have to get out of here as fast as possible.

Dewey must think so too because he gets to his feet and immediately pulls Richie up as well.

“Let’s get out of here,” he grunts, dragging Richie toward the elevator. “Come on, hurry up.”

They finally make it, and Richie slumps against the wall next to Sam who runs her hands over him and checks for any not-so obvious injuries.

“You okay?” she asks, her voice laced with worry.

Richie nods and exhales shakily. “Yeah, you?”

Sam nods. “Fine.” Then she turns her attention back to Tara who’s got her arms wrapped around my neck and is crying into my shoulder.

“It hurts, Sam,” she cries, and I press a kiss to her forehead while Sam takes a hold of her hand.

Dewey pushes the elevator button for the first floor, but before the doors can slide shut, he stops them with his hand and says, “The head. . .”

Richie frowns. “What?”

“You have to shoot ‘em in the head or they always come back,” Dewey explains, stepping back out of the elevator.

Sam gapes at him and asks exactly what I’m thinking. “Dewey, who gives a fuck?”

A forlorn look enters his eyes and as the doors slide shut, he says, “I do.”

“No! Dewey!” I try to step forward to stop him, but as soon as I shift my weight off the wall, my legs start trembling, so I slump back and grit my teeth.

It’s too late.

The doors close and the elevator starts descending. A tense silence settles over us for the duration of the ride, but then the doors open and Richie stumbles out first, shouting for help.

Doctors and nurses swarm us almost instantly and within seconds, a gurney is brought over and I place Tara on it.

She’s okay.

Seeing her being taken care of lifts a huge weight off my shoulders and the relief on Sam’s face makes me smile a little.

She’s going to be okay.

The dizziness I felt before suddenly returns full force now that the adrenaline is wearing off, but I can’t sit down and rest until Dewey is safe, too.

He’s up there all alone. Someone has to help him.

I stumble back to the elevator but a hand on my stomach stops me from entering it.

I look down, swaying slightly, before following the arm connect to the hand all the way up with my eyes until they land on Sam’s face.

Wait. . . Sam?

“Where are you going, Y/N?” she asks, frowning.

I blink to get rid of the irritating black dots growing in my vision and try to push past her. “D-Dewey, he needs—he needs help, Sam.”

“I know,” she says, stopping me again by grabbing a fistful of my sweater. “But you can’t go up there. The police are already on their way.”

“But. . . But Dewey,” I slur. I grasp at Sam’s hand to get her to let go of me which, much to my surprise, she actually does.

It doesn’t last long though because not even a second later my knees buckle and I fall forward, right into her arms.

“Y/N? Y/N!” Sam panics and grabs onto anything she can to stop both of us from toppling to the ground. “Oh my God, you’re hurt.”

I awkwardly slide down her body, bringing her down with me until we’re both on the floor and I’m gasping for air.

“Y/N, hey. . . Hey!” Sam grunts and manages to scramble out from underneath me before propping me up against the wall next to us. “Look at me. What’s wrong? What hurts?” she asks, but I can’t answer. My lungs suddenly feel like they’re on fire and every breath I take makes it harder to breathe.

“What happened? Did Ghostface—“ She falls silent when her eyes land on her hands and when I look down, I see why.

They’re covered in blood. My blood. But. . . how?

I think about everything that happened, and then dread settles in the pit of my stomach when the realization hits.

Ghostface wasn’t punching me. When he “hit” me all those times, he wasn’t punching me. He wasn’t punching me at all. He was stabbing me.

Welp, that explains why my side hurts so much. I thought I was going soft.

My eyes flutter shut and I cough, tasting blood in my mouth.

I guess no one noticed I was hurt until now because I didn’t feel anything until the adrenaline wore off and the blood soaking my clothes wasn’t visible because both my sweater and my sweatpants are black.

“Y/N, hey! Don’t you dare close your eyes.” Sam cups my cheeks and shakes my head slightly to get me to open my eyes again. “We need some help over here!” she shouts over her shoulder before looking back at me.

She’s frantic, more frantic than I’ve ever seen her, and her eyes are filling with tears. Her hands drop off my face and she’s quick to push my sweater up to take in the extent of my injuries.

“Oh my God.” Her voice cracks and when she presses her hands against my side to slow the bleeding, I cry out in pain.

I gasp like a fish out of water, still struggling to get enough air into my lungs, and push at her hands.

“No, stop— Stop!” she protests, desperately pressing her hands against my side again.

“Hurts,” I wheeze and Sam nods frantically with tears dripping down her cheeks.

“I know, I know,” she says, “but I’m trying to help.”

I writhe in agony, but don’t try to push her off again. I don’t think I even could if I tried because with every passing moment I feel weaker.

My eyes are also threatening to close again and when Sam notices, she presses down harder on my side and shouts for help again.

This time, a nearby nurse notices and she springs into action. She rushes over, dragging a doctor with her and tells another nurse to bring a gurney.

I don’t focus on her though. No, I keep my attention on Sam and how she’s desperately try to stop my bleeding.

She’s crying, covered in blood, and on the verge of hyperventilating, but she’s still beautiful.

So beautiful. . .

I cough again just as the nurse and doctor drop down next to me, and when Sam takes her hands away so they can examine me, I give into the urge to close my eyes.

_______________________________________________

Whew! I wrote this in one sitting, and only proofread it once, so please excuse any mistakes I may have made/overlooked.

Tag list: @artrizzler19 @btay3115 @canyonyodeler @quadofthec @pussyydestroyer @bella423

[buddiebeginz]

Reminder that this is how bummys talk about Oliver and worse. Let's not forget some of them also made a 4hr podcast months ago saying awful stuff about him, all because he was posting about hanging out with Ryan and not Lou. They've also been repeatedly calling him biphobic/homophobic because he said Buck should get to explore his sexuality more and have sex.

Some of these people used to be Buddie shippers but the truth is they never really cared about Oliver or Buck. They have the nerve to call us fetishists when a lot of us have been shipping two best friends for years who we just want to see take their relationship to the next level. The main draw for them with b/t is wanting to see two guys they think are hot together because it certainly wasn't about Buck and his happiness. They weren't ever looking at his scenes with Tommy thinking is this really the best relationship for Buck? They've always been more concerned with Tommy and wanting him to be a permanent fixture on the show. Almost immediately after 704 some of them were calling him Buck's endgame. Even though we were shown time and time again how much Tommy was never the right person for Buck.

Now that their ship is over they've inevitably turned on Oliver and are blaming him for it even though at the end of the day the person who made that decision was Tim.

Also and this is something I really really wish bummy stans would get through their heads, actors are allowed to have personal opinions about the media they act in. Oliver has said he's a fan of 911 so I'm sure he watches the show. It's clear from many things he's said that he genuinely cares about Buck every bit as much as we do. So acting like he's not allowed to have preferences for the show and for Buck just makes no sense. He's connected to Buck in a way none of us are so if anyone should get to have thoughts on Buck's story it should be him. He's allowed to like or dislike a ship or a storyline. I know it sucks if an actor that's part of a ship you like doesn't support that ship but it does happen.

Oliver has supported Buddie for years and been very transparent that he wants to see it happen. He was never going to become the captain of the b/t ship. He's never really been super supportive of any of Buck's other ships nor does he have to be. Oliver has always been respectful towards his co-stars and fans and always given respectful answers about Buck's past ships in interviews and that's all he's really required to do.

It's honestly baffling how bummy stans continue to play the victim and continue to try and come up with all these reasons for why they think Oliver is a bad person for not supporting their ship and Lou. The reality is b/t was never meant to last. Oliver knew this and didn't want to lead anyone on. It's also very likely that Lou didn't get along with the cast especially given how they went out of their way to say goodbye to Callum and there was nothing for Lou. Not to mention Oliver very deliberately leaving Lou out of his photography spoke volumes.

I also think Oliver saw at least some of the drama online this year both from b/t stans and from Lou and it made him less likely to engage with that part of fandom. Bummy fans spent a not insignificant amount of time this year saying terrible sometimes racist things about Ryan and Eddie (like telling Ryan he should have finished the job when he talked about his s*icide attempt). Ryan is clearly someone that Oliver cares a lot about so if he saw any of this I'm sure it didn't endear him to those fans. On top of that they continually pushed for a guest character, who was never meant to be anything more than a plot device in Buck's story to be a main character and have his own Begins episode.

I'm just really sad and angry that this is the kind of stuff Oliver is having to deal with. Buck's bisexual journey should be this amazing positive thing and bummy stans have repeatedly tried to warp it to be their way or no way. I just really hope that Oliver knows there are so so many of us who love him and appreciate all the work he's done.

[melancholicstation]

Salvatore can wait, now it's time to eat soft ice cream — bobby f. kennedy

As Jack's wife many may propose your sex life to be exuberant and quite frequent: in reality it's nothing of the sort. After having your beautiful baby-girl Enya, you'd expressed fears and insecurities of being intimate about your new post-baby body with Jack to which he kindly dismissed them telling you that he loved you even more now. While hearing those words from a man you've loved half your life warmed your heart his sentiments fail to quell your fears. However, what sets you free from all your present worries and gives you release is in fact his own brother and your brother in-law: Robert.

taglist: @vile-harlot @dulcegal @rockstarfreddybby @starsprangledgirl @bluelancergirl @hisamericanmuse @violetharmonsfavgf @vampyiricris @rocker-chick-7 @reptaysgf @castiellover77 @salvatoresablondie @mckinleygirl98 @h-l-vlovesvintage @h-l-v-kennedy-blog @obsessedwithjohnjr @monturi @darcyspirits @unmarlou @remotewatch @kennedyism @bloxholden35 @fortheloveofjos @strip-weather-forecast @ultr4v1ol3nt @acrowdedstreetin1944

warnings: mentions of pregnancy, postpartum insecurities, possible inaccuracies to do with pregnancy and postpartum as i have never been pregnant before, infidelity, nipple play, desperate catholic man, unprotected sex, drunk sex, fingering, being eaten out, 18+

words: 2,950 words

It was a quiet morning for you. A statement that you could rarely ever leave your mouth truthfully due to your residence being that big egg-shell coloured house located at 1600 Pennsylvania Avenue in Washington—or how it's more commonly referred to as the White House. But you weren't in the White House, no, you for now were in the land of fado, wine, and poetry: Portugal.

Taking advantage of the barren land in your calendar managed by your assistant spacing between the 21st and the 28th you had decided to go visit your sorority sister, Alma, and her sprawling Lisboa estate 'Quinta da Abrigada'—or at least that's what she'd called it in her letters inviting you to the country house. You'd been initially apprehensive, a cross-country flight with a 6 month old baby seemed to be a recipe for complete and total disaster. Not to mention the press coverage, nit-picking your choices labelling you as an unfit mother, while hailing Jack as the dotting husband and father. Which he was, though that was when he was there which proved to be scarce.

Despite this worry of yours the person who truly convinced you was not Alma herself and her gushing about the residencies sparkling woods and breathing taking views of the Serra do Montejunto. In fact it was your very own tousled hair, chiseled jaw, president of the United States husband: Jack.

Apparently, in his astute opinion, he believed that some time away from the unrelenting US press and the ever thinning tightrope of public opinion would be good for you and the baby. Initially you'd worried that it would be to distressing for your little Enya to be away from her father that much for more than a couple days—you swore that you'd read a dreadful story in women's weekly of a baby forgetting the face of one of their own parent! You retold this story to Jack to which he only chuckled, and delicately cupped your face teasingly tapping the tip of your nose. In response to this he'd told you that once he'd finished up scheduled business in Palm Beach that he'd fly to Lisboa on the SAM 26000 Boeing. That was on the night before the 21st, and after listening to your husband you'd confirmed with Alma that you were in fact coming.

However it was now the 24th and Jack still hadn't shown up, and you were given no indication that he was ever going to.

Your melancholy about your marital situation was intermittently interrupted for a few days by Alma keeping you an incredibly busy working woman. You see, she was trying to convert the Portuguese country home into a fully functioning hotel and a wedding venue—she would never admit it to you or to herself but you had a sneaking suspicion it was a true vanity project in every sense of the word. You'd heard rumblings between European socialites that her Argentinian polo player husband was growing weary of her shopping sprees down at the Avenida da Liberdade and the last straw was a wine-filled rampage of the strip boutiques on Castilho Strett that ended in a bill of over sixty-two thousand euros.

Despite positioning your Portugal stay as a vacation Alma really put you to hard labour. Or at least your version of hard labour at 6 months postpartum which was lugging the ostentatious amount of floral and foliage arrangements for the happy couples who'd chosen the Portuguese country home to be a witness to their holy matrimony.

By 4 pm you were done for the day having laid out the varied bouquets of chocolate cosmos, primroses, hollyhocks, and wisteria. Some were incased by crystal glassed vase, like a trapped ballerina forced to spin inside of a music box. While others were allowed to roam free, tangled up the arched walls of the chapel, propped up by short and stumpy neoclassical stone pillars.

You'd initially underestimated how unhappy it would make you to see couples—each more happy than their former. It made you want to take a microscope to the state of your own marriage and shred it open. How unrecognisable you both were to the versions of yourselves that had walked down that Rhode Island aisle that day. Your marriage to Jack wasn't bad by any means: it was just different than it had been at the beginning. After having a child your relationship with Jack had morphed into more of a companionship rather than a romantic relationship. He'd become more distant: working later hours and coming to the west wing smelling of palo santo and black current bud.

A stark contrast to your personalised musk of waffle cone accord and vanilla...

But you were committed to make your marriage stick. For your sake, for your children's sake, and for the sake of Jake's whole presidential career. You were each other's best friend but sometimes, all of the time, you'd just wish he would touch and cherish you like a lover. You just wish he would be soft with your heart every once in a while.

You'd hoped a European getaway for the both of you would make some difference, but it seemed that Jack had made his choice. And so will you.

Because you had been such a help around the home Alma decided to watch Enya while you helped the florists prepare, the last time you saw your baby-girl was only a few short hours ago and yet your heart felt like it was being ripped from your chest.

Dusting yourself off, brushing away the cut stems of flowers and pollen from various flowers that were sure to stain the surplus of linen matching sets you had brought along with you, you made a bee-line away from the chapel and towards the main house. Maybe Alma truly was on to something about making the sprawling estate into a hotel what with its ample land of approximately 1,350,794 Sq Ft.

Due to its overwhelming size Alma had allowed you to stay in the third wing of country home which had been newly renovated to accommodate for her aspirations of it one day becoming an auberge, but much, much large. With its many rooms you and Alma, and Jack if he bothered to show, were more than comfortable. Though you could afford it with the shear square footage of the wing, Alma's cot stayed with you directly to the side of your king sized bed, a welcomed addition of the renovations by you.

You couldn't believe that Alma was taking this kind of project on, to you just planning it all out seemed hugely anal. What with all the construction needed to implement tarred streets, sidewalks, public lighting, water pipes, sewage, electrical and network cables at the entrance of each lot. I mean it was a lot.

As you push open the door connecting the wing you immediately b-line for the washroom: eager to get the confused scents of opposing flowers off of you this instant. You thought back to your conversation with Alma, remembering that she would be watching her until 5pm: delightful. Despite the absence of your daughter resting on your chest being deeply felt by you, it was a blessing to be able to take your time in the shower. A privilege that you had taken for granted in your twenties.

Apparently your darling Alma, along with Alma's own older children, was going to get a private tour of the romantic woods, the various sycamore trees, and even the proprietary chapel in between the scheduled weddings that day. You'd gathered that by now, taking a look at your watch while you start to disrobe for the shower, Alma and Enya would have already stopped by the church by now.

During your shower you lathered yourself with your 'garden essentials' body wash the scent of California lavender leaving you with a camphorous scent, awakening your senses invigorating you for the evening. Next, you applied a scotch pine shampoo bar to your scalp-a gift from one of your Californian friends from elementary school who'd turned to the all natural life—whatever that meant. Once out of the shower you palmed a hair oil blend of argan oil, natural antioxidants and fatty acids, pear seed oil, and castor oil throughout your locks. Since getting pregnant and after giving birth you had seen a direct decline in the thickness of your hair and an increase in hair loss, a symptom of postpartum you absolutely detested. Activating the arrival of your baby soon you'd decided to get your hair out of your face, since her favourite pastime of late seemed to be yanking your strands of hair with remarkable strength.

Speaking of postpartum symptoms... since you had started breastfeeding your baby girl, your nipples had gone increasingly sore and sensitive especially at nights. As a preemptive measure you put some nipple cream given to you by a midwife and went along with your out of shower routine slathering on your personal favourite body oil that you'd dispersed into a travel size bottle.

Moving out the bathroom after dressing your put on immediate edge. Despite its size you hear noises coming from the room adjacent to the bathroom you'd just stepped out of—the bedroom you and Enya had been staying in.

Ice hot horror had bleed into every crevice, and every vein in your body. Jack always told you to be wary of going places without security—always fretting over your security and your penchant for leaving unannounced, and now you were paying for it.

In an almost comical defence, you grab the nearest thing in your line of sight: ironically an erotic sculpture ground by a plinth that looked like it weighed a far few. Hands shaking you, grasp the brass handle and quickly turned the nob: trying to look as menacing as possible to an intruder.

But what was behind the door was anything but. There was Bobby, in all his grecian tragedian beauty, holding Enya with his big pilose arms supporting her head like a true natural parent—which you'd hope he was after having enough children to start as sports team.

Both of you looked equally surprised as each other.

"Christ, hun what ever are you doing with that thing?" Bobby says chuckling, while rocking back on the soles of his feet and motioning to the stone sculpture.

"Oh Good Heavens, Bob you nearly gave me a damned heart attack" you say clutching a hand to your chest. To which Bobby shamefully and discreetly looks at your chest—in his defence you were wearing a more than revealing top because you really weren't planing on any visitors.

"Oh I'm sorry, c'mere sweetheart how are you? It's been ages!"

"Bob we spoke over the phone two days ago!"

"Oh, c'mon now you that phone calls don't suffice for either one of us."

Bashfully you smile, but realise Jack has not accompanied Bobby, wondering where he is you ask,

"God Bobby it's good to see you too, tell me where is Jack around? did you tell him that there's stables he's probably there he'd love th-"

Interrupting you Bobby explains, "Sweetheart, he couldn't make it I'm sorry."

A bit embarrassed, you try to play it cool. Noticing your discomfort Bobby gently dislodges Enya from his chest to yours, and it's cheesing to say but the weight of her on your chest salves the wound ever so slightly.

"Bob how did you get her? I thought Alma was watching her?"

"Oh she was but we met down at the chapel and I offered to take Enya—she looked a bit occupied with her own roady children. I didn't want Enya to be forgotten about." he says while stepping closer to you, trailing the back of his hand against her cheek and then moving his eyes to you.

Flustered you take your time analysing him back: dressed in a rolled up button up white shirt, and khaki coloured slacks. Blushing, Bobby says,

"She seemed pretty sleepy when she was handed to me. Why don't you have some time on your own and I'll watch her for you?"

"Oh please Bobby i've had plenty of 'me' time. Your ramblings would do me good, would take my mind of Jack. Matter of fact I'm starving aren't you?"

"Famished! I tell you a palm beach flight to Portugal is no joke."

"Well that sorts it! we'll take her bassinet and have some food out in the grass."

"Sounds perfect, maybe some champagne. I know you can't drink but you can live vicariously through me!"

Chuckling you nod, and he follows you out of the room.

Moving into the kitchen you start to prepare the snacks. Looking at your bleak options since you haven't gone to the market you decide on hors d'oeuvres chicly displayed on a walnut cutting board gifted to you by a baroness. Gathering the necessaries: crisp bread, casalingo salami, foie gras parfait, chicken liver paté, and finally a bottle of pierre mignon for your beloved Bobby.

Delicately balancing the board with one hand, and the bottle in the crevice of your arm, you glance back into the bedroom with Bobby and Enya. Despite your unintentional eavesdropping you hear Bobby rocking Enya to sleep,

"You are so lucky to have your mom, huh? She's the best mom anyone could ask for don't you think?"

The comments warm your heart but you're unable to dissect that feeling as Bobby steps out of the room moments later and like a gentleman: immediately steps to take the bottle of wine and board from your hands.

And one thing leads to another, the hours pass, and by 10 pm you both felt drunk—and probably look it to any outsiders passing by. Despite not drinking a single drop you feel utterly intoxicated by his very presence.

Luckily, Enya had been picked up by Alma to be watched for the night after she'd landed upon you two in the grass: with Bobby's head in your lap, giggles emitting from the both of you.

As the night drew on you'd gotten immeasurably close physically, simply tripping over yourselves trying to catch each other up on both of your lives when you weren't with each other. Bobby being Jack's brother meant that a great portion of your life was spent next to Bobby, and even going a few days apart felt like a whole year for the both of you. Possibly a little co-dependent considering you both had parents but you both didn't want to question it to hard—the papers did enough of that themselves, always questioning your friendship or rather the existence of something more.

Once you two had sufficiently caught each other up on your respective lives, the conversation turned more soft and touchy. Bobby was extremely tactile when tipsy. You and Bobby had kissed a couple of times over the years but you'd never gone the distance, always stopping yourselves.

However this time neither of you wanted to stop, in a haste Bobby motions to take off your top, that was until Bobby's soft caresses of your body reminded you of the insecurities plaguing you for the last 9 months.

Feeling you freeze up Bobby, worried that he'd done something wrong, asks if you're feeling okay,

To which you reply, "It's nothing on you Bob, it's just that ever since Enya I'm so different to how I was. Now i'm sore and I ache all the time, and I feel so damn unloveable."

"Oh Hun, you're nothing of the sort. I see, before me, a woman not only worthy of love but of worship. Let me worship you, please I promise it'll be-"

Captivated, you nod almost immediately but cringe as you release you hadn't had time to wipe off the nipple cream you'd lathered on hours before.

Once your breasts are revealed to him you can't bear to look from embarrassment expecting him to recoil, but he doesn't in fact—your worries are bulldozed by the fervid pleasure of his mouth of your bud, sucking delicately for your pleasure and your pleasure only.

Taking his warm mouth of your bud for just a second Bobby says with batted breath,

"Take a deep breath, baby, C'mon"

Overcome, you arch your back like a Persian kitten. Your nails scrambling, and tearing into the soft grass: your moans turning into soft, delightful screams.

Overcome with gratitude and deference to Bobby you scream out, so loud that you're not entirely sure that Alma can't hear you,

"Baby, baby, baby, I'm-i'm your man"

Who knew you could cum from that? Certainly not you, that's for sure but alas you did.

You take several minutes to come out of it, to which he just cradles you brushing a few short strands of hair, dotting kisses along the concave of your breasts.

As if to give back you raise a hand to his chin, and engulf him in a sweet kiss, nothing reminiscent of dominate coming from either side: just tenderness.

"Oh I can taste champagne on your lips, Bobby!"

"Y'know I do have an idea on how to get rid of that taste" to which Bobby dramatically lays you on the ground and gets down to business on his hands and knees, fingering and teasing your mound: warm and inviting.

By the whole end of the ordeal you've had 5 orgasms and made enough noise to rival the neighbouring cats and dogs screeches and barks.

All the nipple butter has been removed from your breasts and is now squarely strewn around on Bobby's face and lips—they do say lanolin is a good moisturiser for the lips...

[fordtato]

I've watched the "Death of the Author" part of your Ford defence video and I largely agree with what you said

"Things can get misconstrued, (and) interviews aren't perfect. There is no perfect science to condensing something down for brevity so I'm not going to take any of the interview clips that I read today as an extension of Alex's, you know, moral beliefs. And as such, I would like y'all to not take my opinions of these statements as a moral judgment on Alex."

Personally recently I've been seeing various takes on Tumblr that tends to hate on Hirsch because of whatever he had said about Ford, and even goes on further to denounce Hirsch as an ableist or an abuser enabler. They would also pull up the commentaries of him making offhand remarks like how Fiddleford should have hit Ford to stop the project. Or cite how Hirsch was surprised about Pacifica's bell being considered conditioning.

A friend I know have written another entire essay about how abusive relationships in fiction is not the same as real-life abuse and at the end of the day, one's moral views isn't reflective of what they write on paper or later said in interviews/commentaries.

Even Hirsch believes "the customer is always right", so anyone is free to disagree with his takes, especially his views on Ford. I just note myself that Hirsch's views on Ford became more nuanced over time.

I mean, I want to be clear that there are reasons to criticize some of Hirsch's comments. He has said stuff over the years that has rubbed me the wrong way, but I also think that when you have a fandom as keyed in as this one, a fandom making archives of every single tweet and IG story and spare thought you have, there are bound to be things in there worth criticizing, from ANY of us.

I can agree that a lot of people have taken what seem more to me to be off-the-cuff remarks and then give those remarks a LOT of weight, and then make assumptions about his character, or his life, or his political views, and I feel less comfortable with that.

I mean, he isn't above criticism, but he's also not an activist. He's a showrunner and a celebrity. I respect his work immensely (obviously), but at the end of the day, he is a writer I enjoy, and he does not need to be the voice of a generation.

As a rule, and with respect to Hirsch, we should normalize not giving random celebrities so much political weight.

I do agree, though, that Hirsch's takes definitely seem to have softened on Ford over the years.

[hopeforchanges]

Institutionalized Misogyny: Why Women Are "Difficult" (and Why Galadriel Deserves Grace)

Can I get something off my chest, friends?

First of all, much like Tolkien, I believe in the inherent good of all people. And I have met more kind, compassionate and assertive people than I have met the other group.

But. I have to say this either way.

Institutionalized misogyny thrives on control—especially controlling how women express themselves. Here’s the catch: when women defend themselves, they’re labeled “difficult.” You can be the calmest, most articulate person in the room, but if you dare challenge someone, you’re suddenly “too much.” Too loud, too angry, too aggressive, too bitchy and snarky and defensive. Because heaven forbid you don’t smile politely and instead dismiss someone’s dumbass opinion.

It’s systemic. When men disagree, they’re assertive. When women disagree, they’re trouble. And this double standard bleeds into how we view fictional women, too.

Galadriel’s unapologetically herself. She is unabashedly unashamed of who she is even though she fucks up sometimes. She lets pain, grief, and rage cloud her judgment and inadvertently coaxes Satan out of retirement.

And yes, she should face the consequences of those actions. But let’s be real: men in similar situations get treated like heroes on an “arc.” A guy screws up? It’s a redemption story. A woman screws up? She’s irredeemable. She’s the problem.

Galadriel isn’t perfect—and that’s the point. She’s grieving, angry, flawed, and still standing. And that makes people uncomfortable because women are expected to apologize for existing, let alone for messing up. When men fail, they’re given room to grow. When women fail, they’re told to go join Hillary Clinton in the woods and never show their faces again.

Yes, Galadriel should be held accountable. But treating her like she is the villain rather than a victim of her own humanity (or elf-ness, whatever) is the exact reason women are held to impossible standards. Let’s allow women the same grace we allow men when they screw up.

Let them be rude, let them be angry, let them feel. Women don’t have to be picture-perfect role models 24/7. They’re allowed to act human in the face of tragedy. Treat them with compassion, not contempt, for their flaws.

And by the way, this is not the fourth wave of feminism hatred post to grab pitchforks and crucify men. In fact, I am ashamed and heartbroken to even say this out loud, but it is mostly women (at least in my life) who I have seen (and both experienced) perpetuating misogyny and unnecessary competitiveness.

This is a post coming from a place of love, calling out a HUMAN, institutionalized behavior, not just male behavior, that hurts women and therefore hurts storytelling which I deeply care about.

Thank you for listening and keep being awesome.

[ginnyw-potter]

Hi Kami, What’s your opinion on Harry breaking up with Ginny to protect her? I know a lot of anti-hinnyers use this as evidence that he didn’t really care about her and he wasn’t that heartbroken and blah blah blah, but I always felt that was the most tragic thing he had to do. He lost all of his loved ones, and he was terrified to lose her, so he was willing to give up the one person that made him the happiest he had ever been just so she could be safe. I thought it was the saddest thing in the world that the boy who lost everyone he ever loved was willing to let go of the girl he loved, who made him feel like he was living someone else’s life and was more than the chosen one, just so she wouldn’t be kidnapped, tortured, or killed. The kid did this at 16! Idk what people say, hjp is the most romantic noble git in the world and their love story is so obvious and sweet.

I pretty much agree with all you have mentioned.

Not only does it make perfect sense, it also shows incredible emotional maturity from both of them to have that conversation.

He cares so much about her that he can't risk her. All Harry knows is making sacrifices and so this one is logical to him. It's tragic, and it's the only thing he knows to do. He delays it even, but that moment he has to let her go. It's the moment he completely accepts he's the chosen one and he'll do what he needs to do

I think there are layers to this break up though. He wants to protect her (even if she was given Veritesarum, she would be able to say they were broken up) but also not keep her hopes up or waiting because he sincerely doesn't know if he will make it back.

Ginny also immediately understands it isn't about her, and she knows it's for a stupid noble reason. What she admires so much about him, is also the thing that hurts her the most. If it was up to her, she'd never make that choice, but she also understands why Harry needs to.

Ginny is also very synonymous with happiness, brightness and the future in the later books. It stars slowly in the Order of the Phoenix and then it keeps increasing. He can't have her as long as he's the chosen one. This is more poetic than it is literal but Ginny is the opposite of all the bad things in his life. Thinking of her when he dies is absolutely not a coincidence.

[arcane-ish]

Okay, so about Mel

I have a lot of Mel fans on my "following" list, so know I'm on a different place than most of them. I thought I would still sit down as a more casual Mel enjoyer and try to explain why I listed Mel as one of the better things in the last arc and genuinely read her as having one of the better arcs.

First let me say, I think I get some of the disappointment. There apparently was a lot of acrimony in fandom. And there sadly is often always a lot of bitching about being right. It's also one of those really annoying instincts for fannish people to value being right or getting character/ship payoff over quality. The kind of crappy shows or reasons I've seen people defend just because their ship was in it.

And I include myself within that. Two of my favorite ships, Timebomb and Zaundads got some stuff, and that has deeply clouded my perception of the season, even though my more neutral opinion is that season 2 was extremely spotty.

I get that from "I had to fight people in fandom" point of view, Act 3 sucked. I get that from a personal fan engagement point of view, it is always easier to stay excited and produce media if have a ship to hold on to rather than just being the fan of a singular character.

I'm kind of in a special situation, that I've always lowkey not liked Jayce and really only found him tolerable around Mel. I thought the beginning of Act 3 was still reasonably respectful to them. They protect each other, they do a couple fight with each other.

Yes it's weird that Jayce brings up now of all times to complain about the past, but for me that was pretty much wrapped by them fighting together against Viktor. Then we have this moment where Mel explains her situation to Jayce, we have Jayce complimenting her. Honestly, before the last minutes went full on "zomg, looping timeline gifts and zapping into space together", I thought the MelJay was a bit muted, but decent enough in a finale that was generally super busy and where tons of other characters didn't have too deep writing either. But again, I see where characters wound up, completely changed people's perception of how they get there (ie that Mel and Jayce actually had a decent relationship throughout most of the show and that in my opinion both Jayce and Viktor always and Cait and Vi recently had some really spotty writing).

Somethign that is more easy for me to bear, because, like I said, I never liked Jayce that much, so it's easier for me to not care.

Everybody's Arc Was Kind Of Shit And Mel Was One Of The Better Ones

This is my basic premise of season 2. If I think of season 2, if I think of the characters who to me had the better arcs I come up with for example Sevika and Ekko.

They had better arcs because they stayed roughly in characters, formed some new relationships, got some badass moments and ended up in interesting places in the end. However both their arcs BRUTALLY suffered by lack of airtime and often missing from episodes or even arcs like Ekko.

I think Jinx had one of the better arcs, because it was very emotional and poignant, was constantly present, but even if felt choppy and all over the place at times and people are mixed on where it ended up.

I guess Jayce counts as somebody with a really meaty arc with lots of airtime, emotion, ending up in a different place, getting hero moments, saving the day etc. But like I said, I dislike Jayce too much to really think about whether his story was actually good this season.

I count Mel as among the better arcs, because she got at least semi-constent airtime, she imo stayed generally in character, she got to be badass, she ends up in a very interesting situation and they tried to be emotionally poigant with her and Ambessa. (her killing Ambessa giving major Jinx and Silco vibes even if the context was completely different) The pain of Mel's storyline has always been that she was a bit isolated from other characters, so I was happy that she at least got a badass fight together with Caitlyn. [honestly, in retrospect it's noteworthy that Mel got that spot with Caitlyn rather than Caitlyn fighting side by side with either her love Vi or her nemesis Jinx]

Just getting a badass fight isn't the same as actually getting poignant moments and developing a relationship with new characters. So that was definitely missing. People are just prone to not care as much about Mel's relationship with Ambessa, LeBlanc or Kino because from the point of view of the audience those are side or new characters and the audience only cares if the show really puts a ton of work in like in the case of Isha.

Overall the gist of Mel's storyline to me is that it seemed to be very League dictated. It's the origin story of Mel as a badass fighter, it sets up her character premise.

TBSkyen, a well known content creator in the League of Legends space, "reacted" to Arcane and he got quite angry at the finale, exclaiming something along the lines of "I thought this was gonna be a closed story, that the characters would complete their stories. But these stories are not complete, this is a sequel tease".

And that's exactly why Mel's story feels unfinished. She feels like she's part of that sequel tease (together with Cait looking at those strange map, maybe hinting at an alive Jinx).

There's a chance that Mel will get a proper resolution. But to be honest. I can't promise that. Maybe she'll get a badass Noxus based either animated or live action sequel... but we might have to wait 5-10 years for it.

Maybe the "Ambessa" novel is actually 95% about her. Maybe she will get a badass intro trailer like Ambessa. But I'm not gonna lie, even if the next season of League will be heavily Noxus based and they make heavy use of Mel in it. I'm not gonna lie, League's story telling can be very, very spotty. And even when it is decent, not everybody is particularly into collecting their infomation from short stories, splash arts, music vids, in game voice lines.

[animanga-bonanza]

I think the Black Rose subplot served four purposes.

Contextualizing Ambessa's actions. Ambessa is arguably the main villain of Season 2, and it's important for the audience to understand her motivations. By establishing the Black Rose as this powerful and dangerous threat, and having them kidnap Mel, Ambessa's fears are given credence. We can empathize with her and understand why she's so determined to push Piltover and Zaun into war and develop magic WMDs.

Developing Mel as a character. Mel saw magic as a way to change the world, and now she gets to do that as a mage. Plus, we know that Mel's family is important to her and that the Medarda name weighs heavily upon her. In her very first scene in Season 1, she expresses dissatisfaction with her status, for even though she's one of the wealthiest Piltovans, she's the poorest Medarda. And later in Season 1 we see how Mel has a very complicated relationship with the Medarda legacy. How she follows the path of the Fox but rejects the way of the Wolf. Mel's trials and tribulations at the hands of the Black Rose force her to become more Wolf-like, but also provide an alternative path for her, a new heritage that's based on magic instead of conquest. Mel no longer has to solely define herself as a Medarda; she's more than that now. Or, perhaps she can start building a new legacy for the Medardas.

Worldbuilding. We learn a bit more about magic through this subplot and get a look at some of the world outside of Piltover, which makes the world of Arcane feel more real and interconnected.

Setting up future storylines. Based on how Arcane ended, it looks like the next installment in this franchise (assuming we get one) will be Noxus-centered, possibly with Mel as the protagonist. The Black Rose will have a bigger role in that story, and in Arcane we get just a taste of their power to get us interested in what will happen next.

All in all, it's impressive how much the writers were able to fit into this subplot. I still think the plot in Season 2 was overly ambitious and Arcane could have worked better as a trilogy, but in my opinion, the writing was still extremely efficient and functional. Not a single moment was wasted.

[triglycercule]

thinking so much about horror and dust,,, gosh these SILLY goobers theyre so EYDAGHGGG!!!!! compliments to eachother,,,,,

i need them to make puns about topics that absolutely nobody should be laughing about and then DIE cackling because no waaay the punchline was a human's execution :333 (phantom papyrus is shaking his head in dismay)

need them to share stories about shitty experiences with humans and for horror to be impressed by dust's ability to keep coming up with new ways to kill his human and then for dust to also be impressed by horror's ability to handle with all different types of humans!!!

they make eachother food but dust poisoned horror's food and horror added rusted nails to his so theyre just like no you first you really should eat first i wouldn't wanna be rude no but i INSIST! they both know. it's a fun little game isnt it??? horror gets a bit scared of having to eat the food when dust's eyes turn red and cyan but it's okay because then he can just shove the shitty eggs he made into those eyes because theres literal NAILS cooked into it

sometimes they fight because thats normal and dust is annoyed at horror for hating undyne because she's a good person who just wanted to help others and horror's getting pissed because DIDN'T YOU LITERALLY KILL HER DONT YOU JUST VIEW HER AS EXP WHY ARE YOU DEFENDING HER!!! and they bicker back and forth and dust is really starting to wonder why he even empathizes with horror atp.... but its ok after a little quarrel they simmer down and move on. they dont change opinions at all the fight was for nothing

but then there's also times when they just wanna confide in each other because likeeeee theyre both shitty people who fucked up their undergrounds by their own accords and miss how peaceful life was back then. dust tells horror stories of life back before the human came because horror doesn't really remember it that well anymore and horror speaks to phantom papyrus through dust so he can pretend that this is just a conversation between sans and papyrus and everything's okay for just a moment. they both linger onto their memories of how things were before everything went to shit even though horror can barely remember and dust hates his previous self back then,,,,,

dust thinks horror's sooo much better than him for not literally mass murdering everyone but then goes around and stink eyes him for forcing his snowdin to eat humans and then leave the rest of the underground to starve. WHY DIDN'T YOU DO BETTER HORROR WHY DIDN'T HELP EVERYONE ELSE. horror scoffs because even though he kinda lowkey gets dust's philosophy of saving everyone and stopping the human through gaining LV he still killed everyone??? WHY WOULD YOU DO THAT TO THEM YOU IDIOT SHOULD'VE JUST FOUND ANOTHER WAY OR LET IT HAPPEN!!! the way they understand eachother on paper but then in reality despise what the other did,,,,,

ok SO WHAT if they encourage eachother's delusions. SO WHAT if they pretend the past never went away so WHAAAAT!!! it doesn't matter at least they found someone who can match their freak,,,,,, dust and horror peak duo PEAK DUO DARE I SAY OK

[youareatragedy]

In my opinion, the first and second CC books are better than ACOTAR, because at least no one in CC is as annoying as Feyre. Lidia is one of the best characters that came out of that series unexpectedly. If you decide to read it, it’s worth noting that CC isn’t as obsessed as ACOTAR with having characters experience SA soooo that’s a pro?

But yeah I think SJM have her own agenda with her kink being woven into the stories. It always tiptoes between rough and possibly even noncon-dubcon territory (which is fine I guess), but her trigger warnings aren’t widely known and probably aren’t as clear as they should be. I suppose that’s to market it to a wider audience. Still, I truly believe that across all three series, SJM handled SA the worst in ACOTAR.

This is evident in the fact that there are still people questioning whether Feyre was SA’d by Rhys or not. SJM seems to think she can just write a couple of pages addressing the issue for each character and call it done. It’s so tonedeaf. She couldn’t even do proper research. SA victims don’t just talk about their trauma once and then move on to having sex like everything’s fine because “it’s their mate.” That’s such a flawed approach, especially considering these books reach a wide audience with readers from all kinds of experiences.

It’s interesting, though, isn’t it?

By retconning Sangravah, creating Gwyn, and inserting her as a newcomer in the 5th book, SJM ended up writing a “healthier” depiction of an SA survivor. Simply because Gwyn was given the time and “care” that SJM didn’t provide to other characters. Feyre? She was what? Pregnant by the same man who SA’d her just a year later because she was “healed”? It’s almost like SJM said, “Screw it, they’re having hot sex anyway” and moved on.

Lidia‘s SA was handled even worse. Sjm would have lidia fuck Ruhn in mind at the same time she’s getting SA‘ed by her ex. Lidia never received proper time to heal from that sh*t. The moment Ruhnlidia made up in the third book they had mf sex.

Nesta had sex with Cassian right after getting SA‘ed by that weirdo kelpie from the lake, and that other time when Lanthys made her see that vision in which he SA‘ed her too. The SA from Tomas was also never properly acknowledged.

At least Gwyn had 2 years to recover. Most SA survivors in her books don’t receive much time to at least process it all before fucking. You’re telling me Rhys is all cool with going down on Feyre after 50 years of SA? Feyre can easily forget the sh*t Rhys did to her utm? Great.

If Gwynriel is canon, Sjm will most definitely fuck up her trauma like she always does.

Sjm: „Oh you were touched against your will?“

Sjm: „Here have a cock. That will heal you quickly!“

Worst of all is that the sex is always so… rough? Specifically for Nesta. At least worship her and make her feel safe instead of dicking her down like she‘s a good one night stand. Poor girl.

ya i'm just realizing that gwyn is at least not as bad as nesta or feyre or lucien or rhys or lidia. i haven't read any other sjm books but i know abt lidia and that's insane 😭 it's like she doesn't know how to write intimacy. it's like she thinks emotional connections only exist in sex.

it was insane how feyre only rescued lucien from being raped because she remembered her darling rhys and not because lucien is her first friend and also it's just the MORAL THING TO DO

( also why is it that everytime a couple fights in sjm's novels, they always have sex when they make up? i get that angry makeup sex is soo hot etc but like can no one have a conversation? can she not show how sometimes issues are talked out not fucked out? )

do NOT i hate how she wrote nesta i hate everything abt it. nesta was assaulted by tomas and when he found out he restrained her against the wall??? in the same manner tomas would have?? also i'm never going to forget how cassian tugged at the skirts of her dress and asked her 'what're you hiding under all this anyways?' without her consent, during a time in which they didn't like each other, and he was there on diplomatic purposes.

and i just checked but literally RIGHT after she was sa-ed by the kelpie, cassian not only had sex with her but he left her without any aftercare. bed still warm. rough sex as if she's a one night stand. she's sexually assaulted and then left wondering if cassian was 'punishing' her by leaving immediately. ugh i despise him i hate him.

and rhys? he literally has one (1) traumatic flashback to his trauma and whoop that's it yall we're done. and feyre wearing the same clothes she was wearing when she got assaulted for rhys, even though rhys was the one who assaulted her.

it pushes an extremely unhealthy narrative. very young girls (literally 15-16 year olds) read these books and they'll think these toxic, unrealistic, unhealthy dynamics are normal. it's so concerning and i hate the entire genre of dark romance for it but that's a story for some other angry rant

i hate the rough jackhammering sex. i fear she's gonna do the same shit with elain and lucien (😭). nesta deserves to be worshipped and praised and then given plenty of aftercare free my girlll

( for acotar stans who for some reason go into anti tags: do not interact u will be BLOCKED !!! okay bye 💋 )

[sidsinning]

Bruh idc bout the state of Fairy Tail this OP IMMEDIATELY HIT ME LIKE A TRUCK ITS SO FUCKIN GOOOOOOOOOOOOODDDDDDDDDDDDDDDDDDDDDDDDDDD

LIKE YOU EVER HAVE THOSE SONGS THAT JUST INSTANTLY SCOOP YOUR BRAIN UP THAT’S THIS

EPIC

[egophiliac]

(breathing into a paper bag) FRALIO....

can't believe they gave us another guy. oh my god. so I guess Kelka is more, uhhh, more OOO then, and Fralio is Ankh? not that it matters too much, although they do seem to be doing something with the connected Riders so. who knows. anything goes! or if I may, anything gOOOes! god. of course they're the Ambition parallel. of course they are. oh my god.

fortunately there's nothing else they can throw at me right now that could possibly --

AHHHHHHHHHHHHHHHHHHHHHHHHHHH

[jullbnt]

I really enjoy all of this too :D

Aonuma's comment about nostalgia was also because he genuinely seems to think more freedom = better games, so he doesn't understand why some fans like me prefer the old Zelda formula when it was more "restrictive" in his opinion.

I still prefer to keep the timelines separated but what you're saying makes sense, I better understand how it could work! I like the idea that the merging would be the result of very careful planning by the gods/goddesses that would take millenia, it's kind of fascinating (you're right "just" was a bit of a stretch). Don't worry my take is probably very confusing too, it has time travel and a whole crazy fourth timeline ^^

It's definitely been a while since SS, though I always found the time scale in BotW a bit ridiculous (10 000 years since the first Calamity just sounded like an alternate way of saying "a very long time ago" to me). Oh you didn't like the dragons in BotW? I love seeing them flying over Hyrule, I always stop to watch them. At least they're way better than the ones in SS, I still think they looked kind of terrible 😆

Yes Faron is the Water Dragon in SS and Lanayru is the Thunder Dragon, which never made sense to me (especially with Farore's Flame still being green and Nayru's being blue). The opposite would have been better in my opinion. It's a real pain in my side because the dragons play a big role in my story and I want them to be the same ones from SS (with an explanation for the way they changed), so until I find something not too convoluted to explain the swap I just ignore the inconsistencies… Anyway even with their elements swapped I think it's hard not to see the link with SS, especially with the sacred springs being on the map (sure SS only had two, but still). And if the dragons don't talk it's simply because they play no role in BotW ^^

I don't mind when things are a bit vague because it allows us to theorize, but I still think something as big as Rauru claiming to be the first king when he is not should be explained, that's way too confusing. What you said could be the case, but then I would have loved an explanation from Rauru himself. It didn’t need too be very detailed, just that he founded this new version of Hyrule on the ruins of an ancient kingdom with the same name.

(Also the new timeline we got in TotK Master Works is very confusing, it really makes TotK look like some kind of reboot. The events of Skyward Sword are never mentioned, the Secret Stones replace the Triforce, and Rauru is confirmed to be the first king of Hyrule. But maybe it could work with your theory, the gods/goddesses could merge the three timelines and then start all over again in this way. But I really wish they wouldn't kind of erase previous lore this way).

I think it's a bit different for the Oocca and the Minish, since both TP and MC had the excuse of being released before Skyward Sword and the official timeline (and they weren't sequels to other games). I won't argue about MC though, I think it never really fit in the timeline because it's too different from the rest.

In TP the entire story wasn't about the Oocca and they weren't the ones to seal Ganon, to name the Sages, to be the first rulers of Hyrule… Shad only theorized that they were the real creators of Hyrule, and since no one travels through time to see it happen there's a possibility that he just got them mixed with the Skyloftians.

Hyrule in game is the size of Kyoto, but I think we can assume in reality it would be a lot bigger, maybe even like a continent. I mean I can't imagine having a desert, a jungle, a volcano, and a few snowy montain chains cramped up together in such a small area ^^ Hebra alone could be the size of the Alps or something like that. But I agree, it would definitely be nice to know what's happening outside of Hyrule!

Yes the stones are blank power modifiers, I just find it a bit… lame. But my major issue with them is that I don't see how owning one makes anyone a Sage. As I said in previous games Sages had important roles and had a more spiritual aspect to them than just being warriors with magicial abilities (that's more like being a Champion from BotW). Usually the Sages all need to be awaken by Link for their shared power to be effective, which is something I like a lot. In TotK you can go straight to Ganondorf and fight all the bosses without the help of the Sages or with only half of them if you're good enough, and since I've seen people do it with only one heart we know that Link is canonically perfectly able to do so. That makes the Sages useless (the same could be said of the Divine Beasts in BotW, but it's less lore breaking. Though the fact that you can beat Ganon without the Master Sword is another story).

It's as if OoT Link didn't need the Sages to seal Ganondorf in the Sacred Realm and could confront him any moment after fighting all the bosses in a row. That would basically ruin Ocarina of Time.

I know about On'nen, I've actually read a bit about it to better understand Zelda lore and Demise's curse (though I may not have gone as deep as you). I'll definitely check QuestWithAaron, that sounds very interesting (thanks!). I didn't know gloom was Shoki though, I didn't understand why it was not malice anymore in TotK so that's a good point. But I think it confuses things even more between TotK Ganondorf and BotW Ganon for people who don't know Shintoism, which isn't ideal.

I still don't think Ganondorf with a secret stone would be more powerful than Ganondorf with the Triforce of Power. TP Ganondorf has just as many reasons for his resentment to grow after being exiled to the Twilight Realm, but he still can't break the Master Sword and he has a piece of the Triforce. I was really expecting an explanation for that later in the game, especially after Ganondorf recognizes Link and Zelda at the beginning and mentions Rauru (I was so excited about this, it felt big). That's one thing I hope I can better explain in my story.

Btw in French malice is indeed called "rancœur" (rancor) and gloom is "miasmes" (miasma). I'm not sure the official reason for weapon durability in BotW was malice, but it could be a good way to explain it!

Haha the Zonai being evolved Remlits is a fun idea ^^

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You're welcome! Yes something like Croifluances could work, though I prefer Confluances. It sounds closer to Crossflows so it could be a good idea! For Mipha it would be Cour Sainte Mipha (saint is masculine). Cour might not be the right word though, in French a "cour" is an open space enclosed/surrounded by buildings (more like a courtyard actually!). The French translation went with Parc Mipha, and I could also see something like Promenade.

Yes games centered around the non-Hylian races would be interesting. Though I think what I would love to see most in a future game is a Gerudo King that is not Ganondorf and is portrayed in a positive light.

OoT and MM are my favorites so I completely agree, I want to see something like that again. The subtext and depth of these games were unlike anything they did since, I really miss it ^^

Hi, sorry if this is a bit rude. 😅 I guess that I was just wondering. How would Jabul Waters, Zora Cove, & Crossflows Plaza be named in French?

I'm trying to give Jabul Waters an interesting name that works to go with my hc & I came up with "Jabuleaux." And Google Translate tells me that Crossflows Plaza would be Place des Flux Croisés. And, I'm seeing that Anse is the term to refer to a cove &, if that's true, then would Zora Cove be Zoranse? At the same time, somewhere else, it said that Anse actually means beach.

And, I believe that a town by a swamp would have cher, quier, bren, brin, or Hor- in it?

I'm sorry if this is weird... 😅

Hi! Don't worry it's not rude or weird at all! I offered to help and I'm happy to do so :D

Did you check the official French translations? I had a surprisingly hard time finding the French version of the map online so here's a screenshot I took myself:

Jabul Waters = Eaux de Jabule (this one only appears when I zoom out)

Zora Cove = Baie Zora

Crossflows Plaza = Place de l'Estuaire

In case you didn't know the Zelda Wiki often lists names for places or characters in various languages in the "Nomenclature" section of its pages. It's very helpful especially if you're searching for the original Japanese names. If we look at at the different names for Crossflows Plaza we can see that a literal translation from Japanese would be something like "Exchanging Place". I checked the Jisho dictionary and it seems to be an accurate translation, though "Place for Cultural Exchanges" would be more meaningful.

It's not exactly a good name in English so it makes sense that the localization team would come up with something like Crossflows Plaza instead, which in my opinion does a very good job of stating that this is both the place where the river meets the sea and where the two Zora tribes traditionally meet each other.

Other European languages all settled for variations of "Estuary Plaza" ("Place de l'Estuaire" in French), which is fine but looses the "cultural exchanges" aspect of both the original name and the English translation.

I've been trying to come up with a French translation of "Crossflows Plaza" but it's not that easy. To me "Place des Flots Croisés" or "Place Flots-Croisés" would sound better than "Place des Flux Croisés", but I still find it a bit weird ("flot" meaning flow, tide or stream). "La Croisée des Flots" is another option if you agree to get rid of Plaza/Place (it means "the intersection/junction of streams"), but I don't think it works very well as a name.

You could also mix words to create a name the same way it was done in English, something like "Place Croiseaux" (croiser/cross + eau/waters). If any of my French speaking followers is feeling inspired, please share your ideas! :)

(I just thought of "Place Cruciflot" and found it too funny not to mention 😆 maybe it sounds too much like crucifix)

In French we also have the word "confluence" that has the exact same meaning as it does in English: either the meeting of two rivers or a gathering of some kind. So to me the most obvious translation would be something like "Place des Confluences" or maybe "Place Confluence", as it would preserve the dual meaning, but it's not very fancy or creative. Maybe we could simply change the spelling to something like Place Konfluans, the same way "Village Côtier" (Seaside Village) is spelled "Village Kothié" (Seesyde Village). But it doesn't look like a French word anymore so I'm not sure that's something you'd like.

As for Jabuleaux, it can work but I prefer the official translation "Eaux de Jabule". Same thing for Zoranse, we would say "Anse Zora" or "Anse des Zora". The official French translation is "Baie Zora" (Zora Bay), which I think is more appropriate given the size of the sea inlet (in my understanding an anse/cove is a small baie/bay and isn't very deep). I think maybe it should have been bay in English as well instead of cove, but I might be wrong! Also I believe "anse" isn't used as often as "baie" and might be confusing for most people, so I would go with "Baie Zora".

I'm not sure where you found this information about swamps and town names? I didn't find anything to confirm it but I might not have looked in the right places.

French towns are often ancient and their names can derive from other languages such as Celtic, Occitan, Flemish, or regional dialects, so that's a very difficult question and I'm not sure I can give you a satisfying answer ^^

I still did a little search and found an Old French word for swamp, "palud" or "palu", that still appears in some town names such as La Palud-sur-Verdon, Saint-Pierre-la-Palud, Lapalud, etc. (today we say "marais" or "marécage"). You might be right about "bren", it could be something like muddy in Gallic.

There's also "vign" or "mign" (from Celtic), as in Mignéville or Lévignac, or l'Île de Migneaux on the Seine river (this one's in my city!).

Near where I grew up is a town named Hazebrouck, it literally means "hare swamp" (brouck/broek = swamp in Flemish). For a bit more French flavor you could maybe use -broucq or -breucq instead of -brouck.

I think the vast majority of French people have no clue about all of that (I didn't except for the last one and it's more Flemish than French), so I'd say don't oversweat it ;)

And that's all! I hope you'll find this helpful ^^

[goldensunset]

there are games that i enjoy playing more and there are games i enjoy thinking about more. sometimes the overall story and themes and blorbos are delightful but actually playing it is a little annoying so i just rotate it in my mind instead. sometimes i get absolutely sucked into the gameplay and the world and the experience for dozens or hundreds of hours and i enjoy listening to the soundtrack but it has little to no lasting impact on me as a person bc something in the story just failed to hit and that’s ok. both are good both are beloved. obviously the ideal piece of media is one i both enjoy actively consuming and thinking about but my mindset is that if a piece of media has any single good thing in it it’s a good piece of media. give me literally anything to work with and i’ll extract joy out of it. i’ve literally never played a game i didn’t like btw