#even if one of them is awful

[percephilous]

art dump i fear

hi aster i AHTEHIM

trueforme nonsense

dont worry about august hes doing. great

[lazylittledragon]

weddings are out, carving matching rings and getting blitzed by the river is in

[azfellandco]

It's about Crowley bearing witness to Aziraphale's desire, about the way that desire is animal and visceral and enormous and terrifying*. And about how Crowley sees that and wants it. Crowley offers the ox rib and watches Aziraphale eat because eating provides them no sustenance, it's purely for pleasure, sensual, selfish. And Crowley introduces Aziraphale to this, and thousands of years later still takes obvious pleasure in feeding Aziraphale, in watching him eat. In watching Aziraphale's pleasure.

And I think it's significant the things we see Crowley put into his body in s2, and why: six shots of espresso, as something bracing before seeing what it is that made Aziraphale call him in his "something's wrong" tone; whiskey, because he has to give Aziraphale some bad news; wine, because they "might as well get comfortable" during the storm coming down on Job, after Aziraphale learns that Crowley is actually pretty unhappy with Job's suffering; and poison, to dispose of it so Elspeth (or Wee Morag, I've fogotten which is which) doesn't die. Crowley doesn't take Aziraphale's "something that calms you down", only consumes things that not only don't bring him pleasure but are an attempt to prevent pain. Crowley, who introduced Aziraphale to this important physical, sensual, selfish pleasure, denies it to himself. He denies himself the eccles cakes, he denies himself partaking in food, and he denies himself Aziraphale.

And we see throughout the rest of the season other things he's denying himself: the comfort and safety of a home in the bookshop in favor of the mobility and ready-made escape of living in the Bentley, the surety of saying what he really means during the confession. He cannot bring himself to admit what he wants, that he wants. Gabriel and Beelzebub "going off together" is not what he wants. He wants Aziraphale, but he doesn't say that, because he's never, in the years and years and years we've seen this season, let himself want or be seen wanting. "Going off together" is as close as he can get to speaking it. "A group of the two of us" is as close as he can get. So he has to watch as Aziraphale leaves and takes his pleasure in the world with him.

[vancalox]

nothing is more sacred and healing than being a dragon age fan who doesnt hate a single companion in any of the titles. cannot recommend it enough honestly. its all neutral and up over here. i see the opinions and i permit them to pass over me and through me. and when they have gone past i will turn the inner eye to see its path. where the opinions have gone there will be nothing. only i will remain

[lastoneout]

Ngl the fact that the guidelines for shinigami eyes say that theyfab is not an anti-trans slur and thus not enough to mark someone as anti-trans and equates transmedicalist as being just as harmful as "tenderqueer" despite it claiming to support nonbinary people is uh. Yeah starting to kinda think this extension has overall been a net negative for the trans and queer communities and was always going to end up like this.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[clownowo]

a little bit obsessed with this guy

[sluckythewizard]

PART OF A BIGGER DOODLE PAGE. WHEN ITS DONE ILL TUCK THE LINK INTO THIS LITTLE X RIGHT HERE ----> [X] I REALLY REALLY LOVE THE TOM N JERRY DYNAMIC W EMIZEL N VEX. IMAGINE BEING SO SO HAUNTED BY A LITTLE GUY THATS JUST SSSSOO FUCKING ANNOYING.

[liketolaugh-writes]

I know I focus a lot on Danny's complicated relationship with his parents, but there's really not enough on how messy his relationship with his friends can be.

Because in some ways, they are the best friends. They're amazing. There is no amount of crazy, no amount of terrifying, no amount of danger that can make them abandon him. They are ride or die to the end.

But they are also such teenagers.

And that's fine! They're allowed to be! It doesn't make them bad people or even bad friends. But God, these two are Danny's only support system, and emotionally speaking, they can be... kind of unreliable.

Because both of them? Are constantly trampling on Danny's feelings. Which Danny has a lot of, all the time, because his life is awful, and Sam and Tucker... don't really seem to respect that. (Again, perfectly understandable! They're teenagers and they've become used to this as their new normal.)

Every time Danny breaks down from the stress (WHICH HAPPENS A LOT) Sam and Tucker bitch about it, and his behavior, and how rude he's being. Whenever he's in a bad mood, he's a buzzkill, he's belligerent. When he's doing something just for himself, he's abandoning them, he's irresponsible. A lot of times, during intensely traumatic events, they openly blame him for what's happening.

(In fact, Sam and Tucker are a big part of why I hold 'struggles to assert himself' as a cornerstone of Danny's character.)

And they're kids, it's not their job to be Danny's therapists or his emotional sponge, and they should absolutely not be his sole source of support... but it's also so, so bad for him. Have I mentioned that Danny's life is a nightmare of abuse conditioning? Because it is.

And this is of course not the only or even the most important aspect of their friendship! But it's such a recurring theme (both with them and in Danny's life in general) that I'd love to address it at some point.

[starry-bi-sky]

DPXDC Idea: Mother of Monsters Dan(yal)

Specifically Fem!Dan because I made this in mind with my Fem Danyal Au bUT. The best part about Dan is that I get to play dress up with her, and Fem Dark Dany is gonna go by Layal (pronounced lae-el) because it means "the nights" and it sounds similar to Danyal, and I think she'd choose that name to mock Dany. ANYWAYS

Mother of Monsters Danyal. She may be evil but she's an Al Ghul at her core (even with vlad's soul merged with hers - however, considering that Layal looks and sounds like Dany, she considers that soul to be the more dominant one.) and loves animals. And she might be heartless, but she adores the monsters of the infinite realms.

Mother of Monsters Layal who hates everyone but utterly dotes and adores on every manner of beast she comes across. Stealing the eggs and infant young beasts of the Infinite Realms to raise as her own because she wanted them. Her own island full of monsters, a monstrous menagerie of her own. She steals most often from poachers or exotic pet keepers and other menageries -- the full grown beasties can keep their young.

And with every monster she raises, she can shapeshift their features onto herself, allowing her to change her shape from humanish to any matter of monster or hybrid creature. She calls herself their mother, and them her children. Her precious little babies, capable of incredible mass destruction and mayhem.

From little griffins the size of kittens, to stymphalian vulture chicks, and leviathan young hatching from eggs the size of her pinkie, to creatures native of the ghost zone that didn't even have names in the living realm. There really wasn't a limit to what or who she would take in and she didn't limit herself to any form of mythology. If they were beasts and they were unwanted, she wanted them. And as such, amassed her own mini army of "children" willing to listen to her any command.

Earth doesn't know what hit it when she attacks them.

There are many monstrous forms she could take on, the first one I've thought of is a combination of various serpentine/reptilian features. The body of a naga -- her lower half long and serpentine, her upper still human -- with spiked fins connecting from the bottom of her arms to her sides, ever seen Sinbad where Eris goes "you might have seen my likeness on the temple walls" and her arms do that fin thingy? Same concept. Her hands are webbed and taloned, perfect for slicing through the skin of the living, and her teeth are needle-sharp and shark like. Her hair can either be spiny and feathery-like like the spines of a lionfish, or frilled like a frilled-neck lizard. It's perfect for dealing and doting on her reptilian and amphibian-inclined darlings.

I'm more of a fan of aus where Dan is a sibling of Danny's rather than their kid, so Layal's redemption(..?? probation?) proceeds with her legally becoming Danyal's "twin" sister, who had been lost to the foster system before the Fentons adopted Dany, and was only recently reunited with her. The two of them look so alike that the lie is easy to take root and spread.

Layal is very indignant to the fact that she's now ten years in the past and has to restart her menagerie all over again. Do you know how much blood and sweat went into raising those children? How dare you separate them from their mummy. Although she'll admit she does miss their juvenile years, so she won't mind (too much) needing to raising them again. Dany is helping her retrieve all of them though, dammit.

long story short: epic the musical's "Scylla" has a CHOKEHOLD on me and this is the result of it

Unlike her Dan counterpart, Layal's voice is dancing and sirenic. It's purposely alluring and motherly, in order to lure people into a false sense of security until she feeds them to her "children." Echidna doesn't have shit on her. She almost seems friendly and reasonable, until you get too close and realize it was all an act and she drops it to metaphorically swallow you whole. She's like an anglerfish that way. She and Dany both sound like Scylla from Epic.

[surreal-duck]

lullaby for another

[tsukk1]

more puppyama & catsukki

[jesuis-assez]

↠ Tim & Lucy ↳ 2x10 - The Dark Side

[poorly-drawn-mdzs]

Courtroom Catastrophe [Bonus Comic]

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[corrodedparadox]

Also hi take these