#even if it was written in blood

[booasaur]

Yellowjackets - 2x01

[lasnevadaslaborunion]

It frightens and discourages me how pervasive "tribal" stereotypes and imagery are in the fantasy and adventure genres.

It's all over the place in classic literature. Crack open a Jules Verne novel and you're likely to find caricatures of brown people and cultures, even when the characters are sympathetic to the plight of the colonized peoples - incidentally, this is the biggest reason I can't recommend 20,000 Leagues Under the Sea to everyone, despite Captain Nemo being one of my favorite fictional characters of all time.

You can't escape it in modern cinema, either. You'll see white heroes venturing bravely into jungles and tombs to steal from natives who don't know how to use their resources "properly." You'll see them strung up in traps, riddled with sleeping darts, forced to flee and fight their way out. Hell, Pirates of the Caribbean, a remarkably inclusive franchise in many other ways, had an extended sequence of the white heroes escaping from a cannibal civilization in the second film.

And when fantasy RPGs want a humanoid enemy, the "bloodthirsty natives" are the first stock trope they jump to. World of Warcraft is one of the most egregious examples, with the trolls - blatant racist caricatures with faux-voodoo beliefs, cannibalistic diets, Jamaican accents, and a history of being killed in droves by (white) elves and humans - being raided and slaughtered in nearly every expansion.

It doesn't matter how vibrant and distinctive the real-world indigenous, Polynesian, Caribbean, and African cultures are. It doesn't matter how much potential these real civilizations offer for complex and sympathetic characterization. Anything that doesn't make sense to the white western mind is shoved under the same "savage" umbrella. They're different. They're strange. They're scary. They have to be escaped, subjugated, eliminated, ogled at from the safety of a museum.

Modern writers, directors, and developers don't even seem to realize how horrifying it is to present the indigenous inhabitants of a place as "obstacles" for non-native protagonists to overcome. "It's not racist," they say, "because these people aren't really people, you see." And if you dare to point out anything that hurts or offends you as a descendant of the bastardized culture, you're accused of being the real racist: "These aren't humans! They're monsters! Are you saying that these real societies are just like those disgusting monsters?"

No, they're not monsters. But you chose to design them as monsters, just as invaders have done for hundreds of years. Why would you do that? Why can you recognize any other caricature as evil and cruel, but not this?

This is how deep colonialism runs.

[sabrinasfadingmoon]

thinking about all the wenclair fics where wednesday sees enid covered in blood and thinks she’s beautiful and how now it’s cannon.

Wednesday saw enid— finally after having been looking for her and she was covered in a mess and couldn’t help but immediately think how strong enid was. How beautiful enid was. And then SHE FALLS INTO HER SAFE PLACE TO LAND ?!?!

Oh— OH KILL ME NOW STARS THE WORLD IS SPINNING SO VERY FAST

[atopvisenyashill]

Thoughts on the Alysanne is Maegor's daughter AU? I feel like it has some interesting potential, and it vastly recontextualizes different parts of Jaehaehae (I do not like him sjsjsjs) and Alysanne's relationship (such as Jaehaehae's treatment of their daughters) but I wanna hear what you think about it!

I’ve touched on this a bit before but since you actually want to hear my thoughts, allow me to present to you my Jaehaerys Is The Goddamn Worst, And Alysanne Annoys Me Too: An Essay lmao but my answer is basically “yeah all of what you just said.”

I think it makes Alysanne much more palatable (to me) as a character because as she stands, she just fixates on forcing her daughters through these fucked up marriages at too young an age bc it traumatized her to be married and pregnant at 15 too but she’d never admit that being a willing participant in her own kidnapping by her brother-husband was the single worst thing that ever happened to her, and because Alysanne doesn’t want to admit it (and Jaehaerys would never see it as wrong or a mistake) F&B really shies away from delving into the fact that Alysanne is as deranged of a mother as Cersei is. So as she stands, she’s very flat to me because she’s presented very flatly and inconsistently. She’s so in love with Jaehaerys, she’s maritally raped by Jaehaerys, she’s a loving and doting mother, she forces her daughters into marriages when they’re the same too young age she was, she accuses her teenage girls of being scheming whores then gets angry when her husband accuses their teenage girls of being scheming whores, and worst of all we are just told “Maegelle tells them to make up so they do” so we don’t know why Alysanne gets over all of this. What is the point of riding a dragon when you never use that dragon to protect your daughters from unwanted teen marriages? We’re just not given a good enough justification for why her behavior is so weird and frustrating towards her daughters.

Make her Maegor’s daughter though…most of her behavior as an adult makes more sense. Like a worse version of Rhaenyra’s childhood almost - a father desperate for a son, but lowkey obsessed with his daughter, who makes all his hang ups about his parents the problems of every woman around him, except Maegor is out here blood sacrificing and torturing and starting wars and forcing babies on wives he discards quickly and brutally. Then here comes Jaehaerys on a white horse green dragon to save her from the horror her life has become, and he loves her so much he runs away with her even though Alyssa says they shouldn’t marry because people won’t like it. And they have beautiful children, and a beautiful marriage, and build a beautiful kingdom.

Then her pregnancies start getting dangerous. Gaemon, then Valerion, die. Alysanne thinks of the shriveled up mutants she called brothers, if Maegor’s taint has passed to her. Her perfect husband ignores her no, and forces Gael on her. Alysanne remembers that he said nothing to Rogar when Alyssa died, merely wept. Then her daughters start to die. Daella, Alyssa, Viserra, all within a few years. Then Jaehaerys makes Saera watch as he murders her boyfriend, calls her a whore, and says Alysanne cannot follow Saera to Lys. Alysanne thinks of Maegor torturing the Harroways over Alys’ presumed infidelity. Jaehaerys says he’s sorry, and her daughter badgers her into forgiving him, and she remembers how she helped Jaehaerys badger Alyssa into forgiving Rogar. Not two years later, Jaehaerys passes over Rhaenys. Alysanne thinks of how she was never enough for her father, how she felt so superior to Rhaena banished to Dragonstone and resented by Aerea, yet there she is dragging Gael away from court because she can’t stand to be with Jaehaerys. How her father was surrounded by dead women and dead babies and how Jaehaerys is surrounded by his own dead daughters, but surely she did the right thing, surely Maegor was worse, surely the realm is better off? Is he right to pass over Rhaenys? Is she enabling a man just as monstrous as her father? She will never decide, because Maegelle will guilt her about keeping Gael isolated at Dragonstone, and Alysanne will do as she’s told, just like Rhaena, and Alyssa, and Jeyne, Elinor, Ceryse, Alys, and Tyanna, just like every one of her daughters.

I do get why Alysanne is Alyssa & Aenys’ and not Maegor’s. The weird Targ babies, the line not descending from Visenya, Jaehaerys and Alysanne being held up as the perfect Targaryen couple specifically because they are brother and sister and dragon riders. I do even think canon Alysanne is likely traumatized by her time as a hostage on Dragonstone, and the ensuing war, and the trauma bond that caused with Jaehaerys, and it makes her idolize Jaehaerys, and then he isolates her at Dragonstone so he can swiftly and safely marry, groom, and knock her up. It’s not like,,,, a fun time, and it’s enough to make anyone crazy and weird about their daughters, but I think having her father be Maegor makes Alysanne herself much deeper because it gives her, as the most beloved Targaryen queen, a blood tie to the most hated Targaryen king, and a marriage to the most beloved Targaryen king. It fits better with a lot of the themes of the main series (again, imo) - forcing the spotlight on the outsiders to see how the affect the story from behind the scenes. The fall of Aegon’s sons, and The Long Reign, not told from the PoV or to serve the PoV of any of the kings or princes, but of the queen that tied them all together.

[shortnotsweet]

In a Week by Hozier ft. Karen Cowley

“The raven is death, obviously. When I die, I want a good tombstone—something right spooky. LT’s got something against the underground, though you’d think that would be just his kind of place. That’s alright. He needs to, he can cremate me. It’s not exactly Catholic, and Mam would turn in her grave, but God is a unicorn and no one is pure anymore, so. What’s all that got to do with me?”

Johnny “Soap” McTavish has a journal. Had. It is his no longer.

Simon “Ghost” Riley had dreams—awful ones, the kind that sank claws into his lungs, dragged him into sleep, and then sent him careening out of it. He still has dreams, but they’re different, now. Better. Johnny’s pages have folded themselves under his eyes and gotten into his head, brighter and more infectious than anything else has ever been. It’s more than the past, that rotting carcass behind him, and more than now. Now is nothing. Now is ash. It’s like, it’s like—blinding, is what it is. He’s a blind man.

It is biblical now. Ghost has read it backward and forward and sideways and inside out. When he runs out of things to read, he reads them again, and when that is not enough, he reads between the lines.

[leaflingsound]

they really did put izzy down like a three-legged elderly dog, huh. diagnosed him with narrative arthritis and then didn't even bother trying him on pain management before picking up the gun and walking him out back.

[caelanglang]

『 Is it bad if we’ve grown older, and decided that a world without the person I love is not worth the fuss? 』

In Loving Memory, by @blindblossom

made fanart for that one fanfic that shattered my heart :,)) Here ya go Ellie!

followed some of Yumingli's art tips for this one! here, here, and here.

[horrorlesbians]

i didnt know you liked those movies

not to be mean but you must be new

[poisonousquinzel]

thinking about just how likely it is that Batman was the only person Harley told about having suicidal thoughts whilst in Arkham in Detective Comics #831

"I was seriously considering hanging sheets from the light in my cell and doing the maximum checkout when I heard this voice..."

Detective Comics #831

and how he knew when she strapped that bomb to herself in Batman (2016) #100 that he had to go after her because she was going let herself die in an attempt to end Joker's rampage for good but that she refused to physically do it because he didn't want to her Kill him and he told her that so she's found a middle ground

"We don't need to end it this way. He needs to be locked back up."

that she'd rather die than keep living with his presence in the world haunting her, haunting Them.

That if he did choose Joker, she wasn't going to disarm the bomb herself.

"Honey. You're talking to the wrong girl if you think he's not dangerous locked up in Arkham. It's like I said. That's not good enough for me. Not anymore."

the way he yells for her as she leaves.

"You're only going to get to one of us in time, Bats. Who's it going to be?"

"Harley!"

the way the two men stare at each other in the way they have so many times before, in those moments when Joker stayed or prioritized their fight over her. the way he knew Joker loved the thrill of it all and thought it was funny, thought there was No way Batman would leave him and that this game had to end as according to the rules. And that Batman would do so, he would follow the rules and save him. The way he immediately assumed Batman would choose him, choose his life and choose to stay and disarm the bomb.

And how Batman didn't do that. How Batman walked away from him, leaving him to die or escape or whatever, because He was choosing Harley and her safety and prioritizing her life over him.

The way he stared him in the eyes before choosing the woman Joker had always left to die over him. The way that it was always Him, it was never a question if he would choose Batman over her, but when faced with that type of scenario, Joker is the one that gets left behind to die.

The way she literally woke up in the hospital instead of them having a scene just outside after he removed it. because she didn't intend to live in one of the two options. the way the bomb probably did go off to some capacity because you don't just end up in the hospital knocked out for a week.

Him saying that he's glad she's okay, after everything they've been through, this war and Everything else. and the way he didn't brush off her concern

"I'm glad you're okay."

"Are you?"

"I had to bury my father again today. I did it with my family."

i just, i can't,,,,, i cant

[tarczar]

objectum queen? taking this opportunity to tell you guys there's an audio drama story focused entirely on her and paracelsus ((slayer is also there <3)) also here's the english translation pdf

[nenoname]

the irony of stan being left with the journal that details the portal deactivation process.... being haunted for decades with the knowledge that the button that could've saved ford was technically only a few feet away from where stan had been standing the entire time...

[skunkes]

You’ll see some blood come out, but it’s okay - it’s your blood.

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[lilithofpenandbook]

Severus Snape is so me, I too would have written Property of the Half-Blood Prince on my schoolbooks unironically.

[glucosegaurdian]

Something something a smoothie God the newest chapter got me feeling the emotions

Luffy and Zoro’s interactions with everyone written so in character it made me want to bite someone it’s not even funny anymore I’m obsessed and it’s not going away help

Luffy saw a problem and decided to fix it without telling anyone how he planned to do it and Zoro just reassuring everyone that Luffy has it handled and has a plan gahhhhhhh I’m going to have a stroke

[mantisgodsdomain]

Red/green colorblind Hornet. Thinks she's blending in to Greenpath. She is not.