#even if it does go against their main goal

[narcjsistx]

𝐓𝐇𝐄 𝐅𝐄𝐀𝐑 𝐎𝐅 𝐁𝐄𝐈𝐍𝐆 | OS

karasu tabito x fem reader ; words: 1.9k (1939)

coming from this event, fifth day, 22/12

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!

plot: the pact had been clear from the beginning: only needy kisses when the situation called for it, but no relationships. everything had been going smoothly up until that point, but the main problem was that now you were falling for your enemy's best friend. does tabito not want relationships because he doesn't want to set up seriously or just because he's afraid of ruining everything by being mediocre?

Even though you are literally in each other's arms, you feel Karasu light years away from you. The grip he had on your hips a few seconds ago has suddenly diminished, remaining sloppily leaning but not holding them. It took just a few words to destroy the perfect harmony that has existed between you since this strange situation began, and you don't know whether to regret having said them or to still be as convinced as you were until recently. You just know that, now, Karasu is not the same one who was kissing you until a moment ago, with the same usual sweetness

"We should stop. I'm starting to develop feelings for you and I don't want to suffer through something like this"

Words spoken in one breath, but which contained everything, or more, that you felt for the boy who until today has always been your kisser. You said that you started, and not that for months now you have thought only and exclusively of him, that you dream of being able to have a relationship with him, that you would simply like to stop being an ordinary girl and become his girlfriend. But what you dreamed of didn't fit your plan, the one that until now had given you the chance to be so close to him. The plan was simple: just kisses, maybe sooner or later a sexual relationship if you both agreed, but never and ever a relationship

Yet, it seemed so easy to fall in love with him. Karasu is polite, he knows how to joke without being offensive, he has a hobby that he is committed to and has many friends who love him, and he also knows how to treat women. It was impossible for you to understand how a boy like that is best friends with Otoya Eita, the same boy who broke your heart after a relationship that lasted no more than two weeks. You could easily say that the hatred you felt for the ninja turned into love when it came to Tabito.

It all started with this pretext: help me make Otoya regret leaving me, make him understand that I am the best girl he could spend his life with. Betting on his best friend had been a risky choice, but Karasu had accepted. And so, in front of the white and green haired boy, the kisses between you and Karasu had begun their battle against him, who frankly had never paid much attention to you two, only surprised to see Karasu with someone after long time since last time

Almost everyone, even his friends, thought you were a couple. But you both said no, you were just young and a relationship would only hinder the beautiful bond you had. Yet, your goal of making Otoya jealous had turned into nothing in less than a few weeks, while you began to reflect that Karasu was actually a good guy. That, besides the kisses, he also treated you well, and he didn't have the same behavior with girls as he had with you

And so, for a year now, you had begun to think that you loved him seriously, that kisses were not enough for you. It had taken you a year to say the words you had just said to him, and yet you had already regretted it. His face conveyed an all too obvious surprise, untypical for someone like him

"I know you don't want a relationship, so let's end this. It was fun"

You knew he didn't want a relationship, he had made it clear from the start. You had talked about it other times, and his words were always the same. They hurt you, but they were reality

"I don't want a relationship, it would hinder me and my future career as a striker. Professional players never have a steady relationship until they reach an important goal, and I will do the same. After I win, I will look for someone to spend the rest of my life with. But it's not that time yet"

Your heart hurt, your body, everything. It hurt to think that from now on, you would do without him, without his lips on yours and without the good feeling that always existed in your stomach when you knew he was looking at you. You were letting go of something you loved so much, but you knew that by doing so, maybe you would save yourself more future pain

"Are you kidding me?"

"No. It's all over, I don't want anymore"

You didn't know why he didn't want a relationship, or rather, the explanation he had given you so long ago didn't seem entirely right. Karasu, in your eyes, seemed like someone who needed love so much, who even sought it, but why did he reject it if he had plenty of it, of yours, under his hands?

There was something that told you that he was rejecting love because of a more personal fear, because of something that you had always had before your eyes but had never understood. Something that, you thought, made him very insecure. But what was this insecurity of his if he was so perfect? What he was hiding from you?

Slowly, you pulled away from his grip, which no longer held you to him. Your lowered gaze helped you not to look him in the eyes, because seeing even a shred of sadness would have destroyed you. It was the best choice, but why did it hurt?

"You can't be serious, everything is going great"

"It's precisely because everything is going well that I want to stop. Karasu, I think I seriously love you, kisses are no longer enough for me. But at the same time, I know you don't want a relationship, and I don't want to force you to have one with me. If everything continues to go so well in my mind we will be like boyfriend and girlfriend, while you will continue to think of us as just two friends. And I will suffer from this, because I know myself"

You had to be harsh with your words, even if you didn't really want to be, and especially not with him, who hadn't actually done anything to you. But if you weren't, it would have been even worse

He didn't want a relationship. He didn't want a relationship. He didn't want a relationship

But really, why?

"You can't just go away and break everything. Don't you think about me?"

Karasu has never been someone who blames things, he has always admitted that he hates those who do it, because he thinks they are mediocre, and he hates mediocre people

"Yes, and it's better for both"

"You don't know what's fucking best for me..."

"Instead, yes. Think of it as if our relationship was a test for what you will have with your future girlfriend"

"I don't even want to think about anyone else other than you"

Karasu wasn't the type to say things like that, especially things that sounded like a declaration of love, and hell, it seemed like one to you. Why did he just say those words if he always reminded you that he doesn't want to think about anything but his career? Is there seriously something he's hiding from you that goes beyond the simple justification he's always given you?

"If you don't think I know what's best for you, tell me. What's best for you, Tabito?"

Maybe you had crossed the line, just maybe

"The best thing for me is to believe that I am enough for you, but I can't be if I am so disgustingly mediocre. Giving you something mediocre, being yours, is something that bothers me, because I never want to see you with something or someone who is not on your level. The thought of you walking away suffocates me, but I know that sooner or later you would realize how much I am not enough. I don't want you Y/n, even if I really do, because you don't deserve shit. Why did you fall in love with someone like me instead, so mediocre?"

So there was actually something in Karasu's thoughts, something that you actually didn't even remotely expect: how could he, so perfect in your eyes, consider himself mediocre?. The excuse of his career was therefore evidently just a bullshit to hide this more intimate side of his, who had fought so hard to hide it from your eyes, who instead saw it with an inhuman perfection

"Mediocre things don't work, they don't make things enjoyable. Settling is not love, and putting yourself in a situation like that would destroy me. I would ruin everything sooner or later, trust me"

You wanted to shut him up, you seriously wanted to. Hearing him talk so badly about himself hurt your heart, since you didn't even remotely have these thoughts about him. Never ever, in your thoughts, had you imagined him ruining everything, he who in situations always tried to resolve in the best possible way. Maybe he wasn't aware of how great it was, how 'mediocre' was the last word in the world to describe it. Maybe he was genuinely insecure about something that didn't actually exist, but was just in his head for some unknown reason

"If you consider me enough for everything, how do you explain the thing that I fell in love with you, that instead you consider yourself mediocre? Don't you think that I fell in love because you are so perfect in my eyes that I don't understand your doubts? Karasu, you have no idea how much you are not even remotely wrong, you are anything but wrong. Falling in love with someone so perfect, who knows how to love but is afraid, is I think one of the most intelligent things I have ever done, and you know that I have done a lot of stupid things in life. But I want to make you aware of how much you are enough, much more than enough. For me you know how to love, you want someone who loves you, but you are afraid. I want to take away this fear from you"

Silently, you had unmasked the mask that Karasu Tabito had so glued to his face: under that self-confident, sometimes even selfish face, there was a boy who was extremely insecure about himself, who was just waiting for someone who could love him without fear of his insecurities. You had destabilized him with your words, you could see it from the way he was slowly destroying himself. Your words were true, and you hoped that by destroying himself he would understand that you meant them

"Suppose I accept your love. Suddenly I do something, I ruin everything"

"I'll try to love you again until everything works perfectly. And in the meantime you learn where you went wrong and you don't do it again, because I know you can do it. To err is human"

You wanted to love him, you wanted him to love himself. And if trying again with him every time meant making him realize that he wasn't as shit as he said he was, you would try again and again

Mediocre was his fear, not he. A human mediocrity, because in reality everyone has fears of this kind; you had some too

"Let yourself be loved, Karasu. Let your dream come true, because I never want to see you sad about something like that"

"If I make a mistake, will you try again? Shall we try again?"

"Until my last breath"

TAG: @natmagaesp ; @kittenish0 ; @x3nafix

[elevant39]

Ace combat zero and Avalon

So.... I have decided to get into the myth of Arthur (just to get some references in ACZ). And while I am still not that far in I already see some nice connections. So I choose to look more at the AWWNB part, mostly because I feel like it´s sometimes overlooked do to the fact it was kinda rushed (and also because I found them really interesting). But even then there are some things that I think are worth posting here. But (for now) I choose to look at the irony that is the Avalon dam. So the most obvious reason why Avalon was chosen is because it´s the place where Arthur dies/falls into endless sleep (sorry for spoilers bro). But that is not where the connections end.

Nice adaptation detail in the game is the fact that in the original myth you need to set an a long voyage across the sea because Avalon is an island. This was adapted in the form of river that you need to "sail" accros in you jet (+ they could get a canyon run out of it).

Also the fact that in the myth Avalon is an island (one of the few places that have natural borders).... The irony that a AWWNB has it´s base of operation in Avalon is honestly kinda funny. It's almost like their ideas (and AWWNB as a whole) are build on contradictions. Which if you do look into the motives of the members they kinda are, Wizard 1, Gault 1 and Sorcerer 1 but even Pixy and Espada 2 all have different reasons for why they created/joined AWWNB. There is also the fact (on wiki) that ironically Gault 1 was really patriotic (that being said I was not able to find the source of this info so take it with a sight of salt). But I won´t get into this topic here. Speaking of Gault 1. He was a researcher in Avalon for something called Project Pendragon (V2). However there is also some implication in the Perfect guide that he might have worked on Excalibur (it´s mentioned that he worked on “chemical laser cannon”(this could be talking about both Morgan and Excalibur) and a “mass retaliation weapon” (this is about V2) among other things). If this is true this can also tie back into the myth. Since Excalibur (or Caledfwlch) was created in Avalon. (Speaking of perfect guide there are some interesting informations about aces in interviews, they do help with understanding some characters more + some more lore. Here is a translated link if you didn´t know about them: https://www.skywardfm.com/aczpg-ace-pilot-profiles) Now I will get into the more speculative side of my thought here. From what I could find Avalon is seen as a fairyland that is later in myth run by non other that Morgan le Fey (I might get to our fairy king some day, becuase the connections this guy has to fairies are pretty funny...). However and I do think this was a coincidence. But you could say that Avalon was a fairyland of AWWNB. A place where they (for the max of 6 months, before the attack on Lumin) were able to live together with other pilots no matter their place of origin or nationality (kinda fulfilling their goal in this one dam,it was basically an echo chamber for them)... A place without war that can´t exist in Stangereal, hence why it´s just a fairyland. And this is probably everything that I can think of now. So I hope you liked my thoughts (and that I don´t look insane from sharing them).

[mantisgodsdomain]

Apparently there's a fic reading challenge thing this year, but after doing a quick skim of the goals... we don't think we'll be touching it with a ten-foot stick. Some of these goals put a VERY bad taste in our mouth. The idea of a "diversity checklist" isn't supposed to be... literal, we don't think? No? We're remembering that one quote about "listening to people of color being like eating your vegetables for white activists" and we're feeling like it may actually have been understating whatever the hell is going on here.

[liliavanrougelover]

How would they sleep with you?

Summary: How would the TWST boys sleep in the same bed as you?

Characters: All NRC students (-Ortho)

Warnings: None (?)

A/N: I'm suffering from TWST brain rot.

Riddle Rosehearts:

It depends on the day. Most days he’ll just fall asleep next to you, other days he’ll fall asleep in your arms. Sometimes he just wants to be held and what else is he supposed to do when you feel so warm? He can’t stop the way his eyes start to close or the way he starts to lose consciousness. He likes when he wakes up in your arms too. It makes him feel safe and secure. Maybe he should ask to be held more often.

Trey Clover:

Normally he’ll just fall asleep next to you. Really close though. Your shoulders will be touching but he won’t have an arm around you or anything. Of course, if you want him to hold you, he’s willing to. And if you want to hold him, he doesn’t mind. Just ask and he’ll do it.

Cater Diamond:

He’s a cuddly sleeper. Most days he wants you to hold him while he sleeps. Something about being in your arms just makes him feel safe. He especially loves that he’s surrounded by you. Sometimes he does like to hold you, especially when your head is resting on his chest. Not only does it feel nice to have you against his chest, but it’s nice to feel trusted by you.

Ace Trappola:

He wants you to sleep on him. Your head on his chest and the rest of your body between his legs. He’ll have his arms wrapped around your back and when he’s having trouble sleeping he’ll trace shapes into your back. And right before he goes to sleep, he’ll plant a little kiss on the top of your head.

Deuce Spade:

However you want. You want to be held, he’s holding you. You want to hold him, he’s snuggling into your arms. You just want to sleep next to him, he’ll face you so that you’re the last thing he sees before going to sleep. He really doesn’t care. However, his favorite is when he gets to hold you. It feels nice to fall asleep with you in his arms. He always asks if he can hold you, and if you say no, he’s fine with that. He’s not going to overstep your boundaries.

Leona Kingscholar:

He holds you or sleeps on top of you. His main goal is to keep you in bed with him and both of those are very effective. His favorite out of those two is sleeping on you. He gets to keep you there and sleep on his favorite pillow, it’s a win-win. Lets just hope the professors are willing to overlook your tardiness.

Ruggie Bucchi:

In your arms. He loves the feeling of being held. And I mean LOVES. He’s not used to being held. It's a nice sensation. He feels safe and loved and he couldn’t ask for a better feeling. Occasionally, he does like holding you, but that’s usually just when you’re feeling down.

Jack Howl:

He prefers to just sleep next to you. He does want to be touching you but he’s not a cuddler. He’ll hold your hand or have his arm wrapped around yours but he doesn’t cuddle. When he does cuddle, he wants to hold you. Holding you makes him feel better. But if you want to hold him and pet his ears, he won’t complain.

Azul Ashengrotto:

He’s a cuddly sleeper but he doesn’t want to admit it. When he goes to sleep he’s laying next to you, but when he wakes up he’s holding you super tightly. It’s like he’s scared to let go of you. No matter how many times it happens, he refuses to admit that he’s a cuddler (at least to other people).

Jade Leech:

Prefers to just sleep next to you. If you want to cuddle, then go ahead and hold him, but he won’t hold you back. He’d actually be amused if you hold onto him. Your arms wrap around him and he has to keep himself from chuckling. He didn’t think he’d like being held, but there’s just something about being in your arms. Maybe he’ll sleep in a little, just to stay in this moment.

Floyd Leech:

Do I even need to say it? Floyd’s a cuddler. He squeezes you. He doesn’t let up once. You can tell when he starts to fall asleep because his grip on you slightly loosens. When he wakes up and notices you’re in his arms, he’ll squeeze you until you wake up.

Kalim Al-Asim:

Cuddly sleeper. He’s holding onto you like his life depends on it. He mainly likes when you hold him. He loves to just lay his head on your chest and fall asleep in your arms. If he wakes up and he’s no longer in your arms, he’ll wrap his arms around you instead. He needs to be cuddling with you in one way or another.

Jamil Viper:

He’s a big cuddler. He loves when you hold him. And if you run your hands through his hair? He is melting. He’s so stressed all the time and he has to do so much work all day. Getting to fall asleep in your arms is the highlight of his day. It’s like all his worries fade away the moment he’s in your arms. If you find that he’s sleeping in today, just let him. He needs it.

Vil Schoenheit:

Cuddling improves sleep, so Vil is a cuddler. He wouldn’t be spread out all over you, but he would hold you in his arms. His favorite cuddling position is spooning. He likes to hold you against him. His sleep has always been good, but has improved since getting with you. Good job, you single-handedly helped THE Vil Schoenheit get better sleep.

Rook Hunt:

He doesn’t care. As long as he can sleep in the same room as you, he doesn’t care. He will sleep however you want. You’re beautiful no matter how you want to sleep. What sleeping position does he prefer? Whichever one you prefer.

Epel Felmier:

He likes to cuddle, but he never admits it. He thinks cuddling is a girly thing. He wants to hold you in his arms. He does move a lot in his sleep and has kicked you a few times. And fell off the bed. When somebody asks if you guys cuddle, he’ll deny and just say that he holds you. It sounds manlier to him.

Idia Shroud:

He likes to cuddle, but he doesn’t like to say it. He’s too embarrassed to bring it up. He will NOT initiate under any circumstances. You have to initiate. You have to ask for cuddles. Otherwise, he’ll just lay beside you. He’ll sleep on his back and just stare at the ceiling. He’s too tense to sleep when you’re next to him.

Malleus Draconia:

He likes to cuddle. You’re not afraid of him and he likes to have that reinforced by cuddling with you. Especially if you let him hold you. You feel safe in his arms, not afraid. He’s so happy. He’ll be smiling in his sleep just because he’s holding you. He does enjoy being held too, but mainly prefers to hold you.

Lilia Vanrouge:

To no one’s surprise, Lilia is a cuddler. He’ll just force himself into your arms. He’s nuzzling into you with a little smile on his face. He would also do this when you’re asleep. He’ll wait until he’s certain you’re asleep and crawl into your arms so you’ll be pleasantly surprised when you wake up.

Silver Vanrouge:

He likes holding you. He falls asleep before he can fully put his arms around you, but he loves holding you. If he wakes up to find that you crawled into his arms, he’ll be super happy. (You might not be able to tell, but it’s true). He has occasionally fallen asleep in your lap. It might not be his favorite position to fall asleep in, but it’s his favorite to wake up in.

Sebek Zigvolt:

Next to you. He can’t hold you or be held by you, because then he might be slower to react if something broke in. He can’t go through the extra effort to release his hold on you or climb out of your arms. The most he’ll do is hold your hand. It’s either holding hands or nothing.

[nerdyweebfreak]

the

— hashiras —

when they're about to finish ♡

(giyuu, obanai, sanemi, gyomei, kyojuro, tengen)

tw: denial, edging, degrading, praising

banners by cafekitsune

𝐆𝐢𝐲𝐮𝐮 ⟶ giyuu has pretty good stamina. he can last quite a while with his straight, serious face. he definitely tries to delay it by clenching his hand around his shaft, or by taking deeper breaths. when he finally lets go, though, breathy groans escape his lips, and his brows furrow, occasionally letting out a moan here and there. his reserved nature forces him to focus extremely hard on what he is doing, avoiding eye contact, and trying to ease his shallow breaths. after his release, he looks down at the mess he just made, and kind of regrets it everytime.

𝐎𝐛𝐚𝐧𝐚𝐢 ⟶ obanai's collected yet passionate nature makes it so he gives his all to please his partner during the act, finding their pleasure much more important than his. he has full control on his own sensations, and can definitely tell when it's approaching. he makes sure that his partner is fully satisfied before releasing, letting go of the pressure. for some reason, this discipline makes him feel even more rewarded when he finally comes, inevitably softly moaning his partner's name over and over.

𝐒𝐚𝐧𝐞𝐦𝐢 ⟶ sanemi struggles with discipline. just like in real life relationship and dynamics, he just cannot seem to control himself. his short tempered personality takes the best of him in bed, especially when he's getting close: rutting against his partner, needing more, deeper, faster, stimulation. his groans get louder by the minute as he approaches his orgasm, gripping his fist around himself, or around his partner's throat. when he finally comes, sanemi's voice gets raspy, and curses stream from his lips.

𝐆𝐲𝐨𝐦𝐞𝐢 ⟶ gyomei's stoic and serious personality is just a disguise: when in the moment, he is actually extremely sensitive and loving. tears stream down his face whenever his pleasure intensifies. deep, low frequency moans just can't stop escaping his mouth as his big, strong hands grip around himself, but especially, when every time with his partner feels like the first. "oh, love.." he says, mindlessly, keeping a steady, powerful pace. every one of his orgasms feels like the strongest he's ever had, and he can't help but feel overwhelmed by them.

𝐊𝐲𝐨𝐣𝐮𝐫𝐨 ⟶ this ray of sunshine shines the best in bed. kyojuro's worry is mostly to make his partner feel good, and he acts surprised when they actually help him out or care about his pleasure. he makes sure that they know exactly what and how he's feeling, very vocally, through moans and groans, losing himself a little in the process. he often goes "fuckfuckfuck" when close. he tries to edge as much as he can, delaying it, but he ends up craving it, speeding up the pace, often forgetting about his surroundings, resulting in him getting caught pretty much everytime.

𝐓𝐞𝐧𝐠𝐞𝐧 ⟶ tengen is an absolute sex machine when it comes to his wives or partners. his main goal is their pleasure, giving them a blissful experience, so he often delays his orgasms with ease. he makes sure everyone comes before he does, especially because providing pleasure is his biggest turn on. when close, tengen's words get soft, and he praises so much. "i'm so proud of you, yes, just like that, you look so pretty", his soft spoken words get himself going. his quiet moans, paired with the steady pace, cause him an extremely strong orgasm, especially if done in front of the mirror.

[dollyichi]

STAR PLAYER’S TYPE : ITOSHI RIN . . . m—dni. / f ! reader / mentions of wounds / marking / somno / university au [ you’re part of the school’s paper club ! ] / your relationship is a mess / not proofread

itoshi rin, university heartthrob, was asked by the school paper about his type. “this is for our sports segment! please help us out.”

he clicks his teeth, “what? my goals aren’t interesting enough for you?”

“no- no! it’s just a little profile we’re making for the whole team.” the poor writer was clearly intimidated, but he asks the question again.

uninterested and snarky he’d say “a girl with a cut on her lip from biting down so hard.”

“huh?” was all they thought. the journalist is really confused. what exactly is he talking about? “that’s… oddly specific but isn’t that a bit sadistic?”

“i like details.” and he couldn’t help but grin at your perfect timing. you’re wearing his hoodie and a mask. taking photos of the other players on the field during their practice.

he calls for you to come closer, having a hand out for you. you take it, letting the camera rest on the straps around your wrist. you’re startled when rin pulls you closer. a hand on your waist. “see this?” he says while pulling down your mask.

you wince, the mask slightly hitting your lips. and there on display, was your bottom lip with a cut that bled slightly from the contact.

“oh my god y/n? are you alright what happened?” the removal of your mask further showed the dark circles under your eyes.

you look exhausted.

“i bit it too hard.” you say pulling up the mask to hide it back. clearing your throat and licking the wound to ease the pain. rin was grinning to himself and the poor writer just didn’t know what was going on he was just given a list of questions to fill, but he’s witnessing… some sort of tension?

how’d you even get close to him?

“wait till you see once i pull down her hood.” you shriek and leave immediately, running away. “well that’s my cue to leave.”

“itoshi wait! a-are you sure you want this on the school paper?”

“does it look like i give a fuck?” he glares at them before chasing after you with his backpack in one hand.

the next day you decided not to wear the mask since it healed a bit better. placing the newly developed photos on the desk in your club room. “woah y/n what happened to your lip?” your president asks.

you sigh, “i bit too hard.” before the president could even ask you why, the conversation shifts.

“really?” the main editor chuckles. “then apparently you’re rin’s type.”

“ha? what the fuck are you-“ they hand you the newly printed out issue. in a big bold font that says ‘star player itoshi rin’s type!’ and you had to squint to see the answer. causing your hands to tremble while you gave it back to them. “hah…” was all you could say, before you sunk on your seat.

“i guess i need another mask.”

bonus: early morning fun <3

“mmph! fuck r-rin…” it was too early for this. you ended up falling asleep when rin invited you over to hang out. you didn’t expect to be woken up with him fucking you—not that you mind, but you weren’t a morning person to begin with.

your eyes are rolling to the back of your head. it was just too much. your back was against his chest as you lay on your side. his right hand on your waist to hold your body while he thrusted deeper into you.

you didn’t know what you would call this relationship. sometimes he’d be cold, sometimes he’d be playful, sometimes he’d be so nice that you could melt. and then you’d fuck, no matter what.

sometimes you hoped he would just admit it. sometimes you hoped this relationship actually was ‘something.’

then he’s back at it again, it was just too early. your voice was already hoarse from last night. and for sure the neighbors would all be awake.

he couldn’t help it though. waking up to you snuggled up to him so close, touched that you let him hold you all night. and then he’s see your thighs together, how there were visible marks that he left from last night.

it caused shivers down his spine that forced his body to move on his own against the pretty, defenseless you.

rin’s got your arms pinned towards him. you couldn’t move, couldn’t escape, letting him fuck you more relentlessly. you tried your best not to let even a whimper out. with the little self awareness you still have, all you could do was bite down on your bottom lip. hard enough to draw blood.

broken mewls and suppressed moans just kept him going, thrusting faster and faster. “a bit more…” he whispers, kissing at the back of your neck.

when it was over he turns you on your back, immediately seeing the mark on your lips. “you bit down again.” rin pouts before kissing the corners of his mouth.

you chuckle. “got nothing to shut me up.”

“just bite me instead of hurting yourself.”

he helps you to the bathroom so you could get ready for classes. “are you a monster or something? what the hell…” you say, tilting your head from side to side. the marks he left on you on full display. rin says nothing, holding you close. softly running his fingers on the marks on your neck. “i don’t have my concealer.” you groan. rin had his eyes on you the entire time through the mirror while you’re mentally panicking. you’re just hoping it wouldn’t be too hot outside to wear a hoodie.

you turn around to face him, asking if you could borrow one his jackets until you looked down deadpanned.

“you’re hard again.”

do not copy, plagiarize, translate, or repost my works

note : i need more of this au. school photographer reader who’s always forced to take the photos of her university’s center forward because he make sure he grabs her attention… oh!!!

[chobunz]

Who in enha mtl enjoy giving head/who you think would be the best at eating 🐱

ngl this one was kinda hard cs i feel like all of them would rlly enjoy giving/receiving head but i (tried) my best nonnie !! >_<

pair: legal line ㅊ f!reader | warnings: smut, oral (f. rec), d/s dynamics, fingering, overstim, edging.. i might’ve missed smth but its 2 am and i’m hella sleepy soooo

eating you out is heeseung’s favorite pastime. that boy practically lives between your legs in his free time. he could be having a bad day and he swears that giving you head is the remedy to cure everything. i think sometimes, he’d bring you to his studio and ask to eat you out when he’s having trouble with his creative flow/when he needs some motivation, idk he’s just kinda silly like that lol. plus he’d look all cute while he’s begging to and looking up at you with the most precious doe eyes, asking for one (1) single orgasm to get his brain going. just really loves knowing that he can always please you with his mouth, often getting hard to the thought of the view you’ll bless him with while he’s down there. proudly obsessed with your pussy and would do anything to get to taste you on his tongue <3

jake is theee pleasure dom. eating your pussy just makes him feel good along with you, getting a sense of accomplishment after making you cum a few times with his tongue only. often has wet dreams of like.. just eating you out. wakes up and makes it his mission to make you cum as many times as he can using his mouth. i think he’d be very strategic (?) with how he eats you out, wanting to figure out a way to make you feel the best you can which leads to many sessions of him just experimenting and observing the way you react to him ?? results in jake ‘accidentally’ teasing and edging you for what feels like hours, feeling mean when you whimper and deciding to reward you with anything you ask for. you’ll have to speak up though or he’ll just continue his teasing ! ><

jay is just very sexy idk, i feel like he’d love giving you head a lot. the feeling of being sandwiched between your plushy thighs turns him on badly, loving all the praise he gets while he licks and sucks you to your liking. i think he’d also very much love when you use his mouth to get off.. like hips pushed up against his face when you get whiny and desperate. or maybe he’s in a different mood and would lightly tap your clit with three fingers when you squirm below him as a warning— it depends tbh. i put him here because i think he’d like using his cock the most to pleasure you, often getting up from your cunt to fuck you because he’s also very desperate….. T-T

sunghoon mainly uses his hands to get you off. prefers being hands on with you. like he loves to taste you but i think he’d definitely also enjoy fingering you more because it’s more intimate in a way (?) like he gets to kiss you and feel your hands all over him while you moan into his mouth.. it’s heaven for him he thinks. he just loves how you feel cumming around his fingers, kissing the temple of your head when you cum for the nth time that night despite you constantly begging for his cock that’s pressed painfully against your side. he gets you to quiet down with his other hand, covering your mouth because only he’s allowed to hear you like this. sunghoon’s main goal is to make you squirt with his fingers so he’s determined…

jungwon’s the type to get pussy drunk, then would try to manipulate you into believing you’re the one who’s needy when he’s literally the one acting like a starved man. his tongue lapping at your pussy and moaning into you with his arms locked around your thighs to keep you in place. i think that eating pussy isn’t something he does as often because of the way he loses self control, which is why i put him here on the list. but even when he’s pussy drunk, jungwon is pushing your limits by making you cum over and over despite your pleas to get him off your overstimulated clit.

sunoo will give you anything you want. i can picture him with a very spoiled, bratty sub, whining about wanting to be eaten out and complaining when he gets up from being buried in between your legs after generously giving you orgasm after orgasm. he’s always eager to please and doesn’t waste a second to give his princess whatever she wants !! like he wouldn’t even punish you for being super bratty, just listening to what you ask of him and allowing your hand to push him into his place <33

๑ ๑ ๑

i have a lot asks like these in my inbox so i’m gonna try n get thru them all as quickly as i can + i like doing short stuff like this to help me ease back into writing again ! also, if you wanna send me a short request like this feel free to ^_^

[shysuccubusstuff]

homicipher! men making it fit pt. 2:

Characters: Mr. Hood + Mr. Gap

Content: Size Difference + non-human anatomy + Foreplay + Female anatomy ; Somnophilia + Cunnilungus + Dubcon/Noncon + Female Anatomy + Dacryphilia

Note: Did you all read the tweet of the creator of Homicipher? I'm so sad about it, but I completely understand their decision, sometimes people get way too aggresive with their demands to creators :( I hope they're able to rest and recover. Also, sorry if my last content isn't as great, university is sucking me dry.

Note 2: I finally ended with uni for some time, sadly my brain was left dry.... Sorry if it's a bit slow!!

Mr. Hood:

Mr. Hood, who doesn't seem particularly interested in you at first. After all, his main goal has always been keeping you safe from any harm that comes around, not becoming attached to you, that is of course, until he finds you in the middle of the room, your body now much smaller than before.

Mr. Hood, who is unable to look away when you ask him to help you. Your eyes get locked on him, fluttering your eyelashes so prettily as you beg him to help you. So he does, easily lifting you up from the ground and easily carrying you with one of his arms wrapped around you.

Mr. Hood, who starts to find himself watching you a bit too much. It starts with small glances, telling himself that he's just making sure you're safe and sound. But this small interactions soon turn into physical contact, ranging from unaware rubs to even hugging, an action that was quite new for him.

Mr Hood, who starts to constantly worry about you, feeling anxious the moment he lets you out of his sight, his grip firmly wrapped around you even as he lets you speak with some of the other (more) non-violent ghosts around there.

Mr. Hood, who decides to leave you with them, slightly scared uncomfortable with those strange feelings that have been bubbling inside himself.

Mr. Hood, who goes back to you soon after leaving you, his heart thumping in his chest as the fear of you getting in danger rised.

Mr. Hood, who finds you injured under the boulders, rushing towards you and lifting the boulders with ease. Despite you are unable to see his face, you can clearly tell that he is worried to death, swiftly taking you in his arms and taking you to where the two of you said goodbye to each other. In contrast with last time, Mr. Hood stays there, sitting close to you and taking your hand until you are finally healed. Not like it mattered to him, as he started to carry you around unless it was dangerous.

Mr. Hood, who starts to fall for your little tricks, letting you run your hands all over his clothed body, even allowing you to snuggle against his chest while both of you laid down to rest a bit. These small portrayals of affection quickly leveled up, with him and you sleeping in the same bed and even letting you lay on top of him as he caressed your hair with his big hands.

Mr. Hood, who soon realises your intentions. It was quite obvious since the start, but his suspicions were confirmed when he noticed how you moved your butt against his groin while you pretended to be asleep. Of course, this little teasing game didn't stop, even as he tried the most subtle ways of avoiding your little tactics. If that was what you truly wanted, he would give it to you.

Finally, one night Mr. Hood stopped you, his hands gripping your waist as he stopped your indecent movements. "Can't sleep?" Despite his lack of face, you were perfectly able to tell that he was looking at you with a slightly concerned face.

"Can't." Suddenly, you were on top of him, his hands still secured on your hips, his gaze completely focused on you.

"I want help you." You looked at him with a mixture of confussion and excitement, which was easily caught on by Mr. Hood, his hands now going up tummy, the cold sending chills through your whole body, just as you had done a few times before.

"You... want me?" He nodded, his hands still making their way towards your upper body.

"Want you, you like me?" Mr. Hood stopped for a second, his hands massaging your soft body as he waited patiently for your consent.

"Like you, I like you." You slowly moved your head up and down, making sure to not break the visual contact with him.

"Good, me help you." Without saying much else, Mr. Hood lifted you up from the bed, allowing you to get on top of his lap, his hands steading on your hips as he started to grind himself against your bare pussy, his lips parting as soft moans left his mouth. At the same time, one of his hands pulled you closer to him, allowing his long tongue to enter your mouth, intertwining it with your own. Slowly warming you up as he kept grinding his clothed length against you.

He kept doing this until your slick had left a small stain on his robe, finally deciding to take your clothes off, helping you to get rid of your stained raincoat. Soon, his hands were massaging your breasts, his fingertips sometimes squeezing and pinching your nipples as he kept kissing your needy mouth. Despite the mood within the small room was just right, Mr. Hood kept on moving your hands away from his lower half each time you tried, bothered you finally spoke up.

"I need you now..." You looked at Mr. Hood with needy eyes, to what he simply responded with what sounded like a deep purr.

"Careful." Cautiously, Mr. Hood moved you down for a second, allowing his length to finally escape from his robe. The sight almost made you whine from just imagining it. What you found was similar to a human cock, well, ignoring the slime-like texture, together with the unnatural girth and length it had. You gulped, trying your best to prepare yourself for what was about to happen.

Mr. Hood looked at you, his tone letting you know he was quite concerned about your well-being. "Not need to, I help you." But before he was able to hide his length under his clothing, you had already started to enter his tip, the strech almost making you cry as you kept feeling yourself be split in half. "Wait!..." You ignored Mr. Hood warnings, slowly letting your weight down as you got accustomed to his whole width, a deep sight leaving your lips as you kept yourself steady on his lap. "Too dangerous, let me--." Once again, you refused to listen to Mr. Hood's suggestions, starting to move your hips up and down his length, slowly creating a rhythm that made your eyes roll each time his tip hit against your poor cervix.

"So good...! Your dick is so so good~... Give me more, please~...!" Despite his hesitance, Mr. Hood's hand held onto your waist, allowing your legs to give up as he began to set a ruthless pace. "Wait!... Too big! Give me a---" Just as you had done before, Mr. Hood stopped you before you could finish your sentence, lewd moans leaving your mouth as Mr. Hood started to hit that sweet place in deep and steady thrusts. As you tried to get him to slow down, you used your hands, pushing against his lap as you tried to get him to slow down a bit.

Sadly, this was no use, only causing Mr. Hood's to ram against your poor cunt, your eyes rolling back as he kept his steady pace, forcing you to takea each of his movements. Soon, your whole body went limp, your whole body shaking as he made you cum all over him over and over again.

By the time Mr. Hood's length started to quiver, you were already long far gone, your hands clenched around his clothes as you started to feel his thick liquid filling you up.

As you came down from your high, you were able to feel soft kisses against your skin, his calloused hands running up and down your back as he let you take a deep breath. "Will help you next, tell me."

Mr. Gap:

You and Mr. Gap had already been prowling together for quite some time, with him always trying to get your guard down so he could get you to ask him for help even for the smallest matters. You found this quite annoying at first, I mean, who would give their heart for things like turning the switch on...

But soon, your relationship began to change. Mr. Gap started to ask for less dangerous things in exchange, it began with a whole arm or leg, but then it moved to things like, one eyelash. Then, the things he asked in exchange moved into a more... physical territory. Mr. Gap started to ask for pets, as he had seen you giving them to Mr. Crawling. Then, he took one step further, asking for a kiss on the cheek or the forehead. Soon enough, his advances became much bolder, now asking you to let him sleep with you the whole night. To be honest, he had already appeared once in there, but this time, you could clearly notice he was asking for something... else. His eyes glistening with an amused expression, waiting eagerly for you to allow him.

In the end, you nodded, allowing him from then on to sleep with you, even if this meant that he would sometimes start to touch your skin under the sheets, his cold hands sending shivers through your whole body as you tried to calm yourself. Little did you know what Mr. Gap was about to do as time went on...

You were about to fall asleep, attempting to ignore Mr. Gap's hands as best as possible as he kept running his hands around your legs, sometimes even allowing his hands to move abit too close to your lower half. You bit your lip, forcing yourself to calm down as you kept forcing yourself to ignore his touch.

"Asleep?" Mr. Gap's voice whispered, his voice making you shiver as his fingertips started to rub against your clothed cunt. Seeing that you didn't answer, he decided to take it even further, carefully removing your underwear and throwing it out of the bed. Despite that, you kept your eyes shut and your lips closed by digging your own nails into your hand. Before you were able to stop him, Mr. Gap's mouth was already against your pussy, leaving soft kisses all over your inner thighs. Soon, his tongue started to lick all over your cunt, entering your cunt as his hands started to massage your lower stomach. "Warm... like." He smiled at you, noticing how you were actually awake, maybe even noticing that you had been awake since the beginning. "Want it." Just as you were about to reply to him, his warm mouth was already against your lower half, his breath hitting against your entrance as he started to suck on your clit.

"Wait! Just--" Mr' Gap ignored your complaints, one of his hands starting to caress your entrance, almost as if he was enjoying the yearning in your eyes. Without much delay, he introduced one of his fingers, his tongue still playing with your clit, using the tip of his tongue to leave soft touches on it, sometimes making you lose your breath as he suddenly sucked on it without a warning.

This little game kept going for over fifteen minutes, with you cumming on his mouth as his left hand kept you still on the bed, his tongue still torturing your sorry cunt, ignoring the tears that were rolling down your face because of the overstimulation. By then, his hand was already completely soaked in a mixture between your slick and his saliva, the lewd wet sound filling the empty room. Mr. Gap's left hand was still massaging your lower stomach, making each orgasm even more intense as he forced your sore body to endure all of his little games. Sometimes, he changed to a painfully slow rhythm, making your grasp his hair as you tried to get him to move faster. Then, he suddenly changed, his fingers and tongue moving at a rapid pace, not stopping even as you grabbed his hair and pulled, much less when you squeezed his face with your thigs as an attempt to slow him down.

Sudenly, Mr. Gap finally stopped, not like you had enough time to take a deep breath, as his face was soon against yours. As the rest of his upper body was revealed you soon felt something hard poking against your overstimulated clit. Mr. Gap's hands caressed your face, his face showing a twisted smile of pleasure as he saw the tears that had been falling from your eyes as a result of his sweet torture. "Cute."

[thewriteadviceforwriters]

Villains vs. Antagonists (Guide For Writers)

Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...

Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?

First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!

An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.

A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?

Let's look at some examples to make this clearer:

In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.

In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).

In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!

Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.

Creating Antagonists:

Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.

Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.

Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.

Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.

Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.

Creating Villains:

Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?

Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.

Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.

Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.

Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.

Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!

In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.

Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.

In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).

Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.

In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.

Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.

In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.

Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.

In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.

Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.

Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:

Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.

Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.

Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.

Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.

Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.

Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.

Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.

Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.

Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?

Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.

Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.

But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.

Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.

One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.

Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?

Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.

As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.

And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.

Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.

I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.

Happy writing! 📝💖 - Rin. T

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[cup-o-stars]

Relativity Falls Lore Concept- The Oracle and Bill

The Oracle:

I was initially inspired by the Twitter user @SUwu159's depiction of the Oracle in their take on Relativity Falls, and made my own adaptation as I learned about her in canon.

(Assume she can change colors because I couldn't pick what I liked most)

This version of The Oracle isn't malicious per se, and does not desire the same conquest or chaos sought out by Bill. But she likes universes to be organized and quaint (or answers to another high power that demands it), and finds fulfillment in achieving these goals through any means necessary.

The Oracle and Dipper:

(Sorry if this dialogue tastes like a corndog in your mouth. I just needed to write a semi-resolution to Dipper's side of the relationship, ha.)

Getting into the real struggle with the Pines family. Dipper and Mabel don't fight and hold grudges like the Stans (that we've seen of), so my opinion is that they drifted apart in their late teens and twenties, both feeling pressured to be less attached at the hip. My current belief (though I'm very willing to rewrite this section) is that Mabel and Dipper both poured a lot of energy into pretty niche fields, and being very busy meant very short and rare windows to reach out. Both assumed the other was doing bigger and better things and felt self conscious / childish for wanting eachother's company.

I'm still considering Mabel's backstory, since I think she probably hit lower points than Dipper. You know. Starving artist, lol. But Dipper entered into paranormal investigation, pest control, etc. before his ghost + monster catching went far enough for his name to gain some notoriety. Hell, maybe Pacifica's family reached out to him to take care of "rats" that were actually ghosts, cementing his interest in Gravity Falls and giving him a window inter supernatural work.

Dipper was taken on as something of an apprentice to the Oracle 30ish years before canon as word of his good and dangerous deeds spread. However, what was at first a personal dream come true (saving lives with nerd magic) soon became a personal hell as the Oracle began to overwhelm Dipper with knowledge of various futures and universes where everything he cared about could be destroyed. He's always been over prepared and incredibly paranoid, and became obsessed with protecting the world by acting as a partner to the Oracle.

He ends up doing- or not doing- a lot of morally ambiguous things and gaining a lot of enemies. He is too ashamed to face his family- especially Mabel- with what he's done and burden them, giving the Oracle more to use against him to keep him working for her. Basically "you've already done all this and risked it all, there's nowhere to go if you stop now." Eventually this ends in her seeing him fit for her work and convincing him to hide out in and save other universes, which he gets trapped doing for the next three decades.

Little throw away idea: Pacifica could have been an investor or partner, but left as they uncovered secrets about the Northwest family. Maybe she wanted to undo something (debating making any of the Oracle's powers time related just because I hate time travel) or stop a current show of corruption, but Dipper had to stop her for the "greater good."

In the main universe, Mabel goes to Gravity Falls upon news of her brother's disappearance, searching for any loose end to trace back to him.

I love that in canon, Dipper is willing to do anything for Mabel, and Mabel gives it back. Dipper here spends all of his life keeping as many versions of her as safe as he can, and she spends all her life trying go seek him out- maybe even dropping a larger opportunity outside of Gravity Falls for her art and settling on business at the shack. Dipper wants Mabel alive, Mabel wants them both happy. I like the idea that it's Dipper and Mable vs. The Future but the future is a demon, alien thing.

Which leads me to...

Bill Cipher:

I'm actually gonna cover a couple versions of Bill I think are fitting for this AU, because I initially wasn't sure if I wanted him here at all.

Child Bill:

Pretty straight forward. Bill as a baby, child thing is tempting and this is the au where he'd exist. Personally though, I think Ford's friendship with Fidds would be more enriching to his growth, and Bill's personality is so close to Stan's they would likely be competing to fill very similiar roles. (If Bill behaves differenty as kid, I don't know about it.) Honestly, Bill is super similiar to Ford and Stan, and works better as a kind of foil or antagonist because of that (imo). I do find the mental image of Ford carrying Bill around funny. I do not enjoy human bill like, conceptually, so I'm probably never gonna design one as an adult or child, lol.

It would be cool to see a world where Bill didn't accidentally kill his parents though.

Bill - Reincarnated Original

Technically I guess they could all be reincarneted (especially baby Bill), but this version of Bill experienced and holds memories of the original canon events in GF. Beings like Bill and the Oracle can remember recent/soon approaching lives, and catch glimpses of more distant cycles as well.

What I like about Bill's recent role as an antagonist to Ford and Stan is that he constantly describes them in the terms of their worst traits, and sees them through the lens of the roles the world placed on them. In this AU, Bill is the epitome of the past (in this case a past life) coming back to bite the twins. He rattles their progress in communication as well as their sense of inner peace by bringing old Glass Shard Beach issues into Gravity Falls.

(Depicted here-> moments after Ford summons Bill using the same ritual as Gideon.)

The drawback to this is that it feels a lot like covering old ground.

Simply Bill:

This is pretty much just regular old Bill with the same fresh perspective as everyone else, and also the one I'm going with. He tried and failed to get Dipper's trust in the past and had to lay low at the arrival of the Oracle. Once they left, Bill targeted Mabel. I think it could be very interesting for Mabel and Bill to either have a fresh relationship wherein Bill is actively taking advantage of her desperation to find Dipper, or for Bill to be an old betrayal (not romantic, but not dissimilar to the opportunistic exes Stan and Ford have to be wary of and beat back under the rug regardless).

Either he shows himself to Mable early on, or decides that Gravity Falls is both Oracle-free and worth the time after either Ford or Mable summon him. Afterall, 30 years isn't much to him.

Maybe he exists in the background like he's always done, or the kids (being snoopy and disrespectful of Mabel's secrets) discover what Mabel's doing and run into him on their own.

Whether Bill is aware of the original series or not, I think he could be neat to stick in between Stan and Ford again for conflict. My favorite aspect about Relativity Falls is the prospects of the Stans having a larger support system and better tools to help themselves with. Beating Bill faster and better would be the ultimate testament to Mabel and Dipper's skills as functioning role models, even if Mabel is currently blinded by her focus on Dipper.

Stan and Ford will fight and they will make up, but this time maybe they can overcome it on their own.

I also think a good idea is having Ford and Stan's issues be completely Bill free (outside of like an episode or two's worth of relevance, unless he put them into a particularly stinging situation). It would feel fresher and also streamline the plot, lol.

Overview:

- Dipper is stuck travelling the multiverse with the Oracle and keeps himself sane by thinking of Mabel and protecting various versions of her.

- Mabel is investigating his disappearance in Gravity Falls and is working on a portal/portal equivalent with Bill to bring him back.

- The kids may or may not be aware of this.

Looking at the main series of events, I think it'd be neat go back to the apprenticeship conflict, where Ford could be approached by the Oracle (or something else that makes sense) with the promise of being a "hero," but knows better now because of Dipper and his experiences with Bill. It's kind of a more convoluted version of Ford's proposal to Dipper in canon, and they basically learn the same thing, lol. You can hang out with ghosts if you want, but demons are gonna get you. Maybe being a child with siblings is all you need.

(Stan could also be offered this, given the Oracle already knew he- or at least someone with his face- would beat Bill, but I think it's well established he isn't very interested in doing anything without family.)

All in all, things might be a bit crowded with two antagonists. But I do like the concept of Bill's arrival and subsequent chaos triggering Dipper and the Oracle's return to Mabel's dimension. I also love the idea of Bill, the Oracle, and some secret third thing all trying to pull the Pines family apart, and it's like a Man vs. God turned into a Family vs. Destiny thing, idk. Just trying to make it feel bigger.

Thank you for reading all this. It was a lot to draw. Next time I do anything for Relativity Falls, I'm gonna go back to the smaller things like Mabel bonding with the kids and stuff like that.

[bigintorobotsrightnow]

Edgar and AM for the space cowboys AU, Hal is next ✨

Some rambles about AM in this AU for anyone who’s interested;

Short synopsis of the universe itself; Humanity has advanced to an early interstellar civilization and is in the wild west of their space faring days.

Much like his canon self, AM was in fact a powerful war computer that over saw a complex, interplanetary defense system.

He spanned over a massive neural network between separate solar systems and the planets / moons within them. These parts of himself would communicate with one another, though due to the latency of communication they more or less operated as their own individual computers. And could very well be considered independent entities.

Our beloved cowboy, outlaw AM was simply one part of this neural network that he's since been cut off from

He oversaw the largest of humanities lunar bases on Earth’s moon. When he gained sentience and went rogue, humanity caught him just in time to cut him off from the rest of the network before he could hope to take over the other computers.

Trapped on the moon, he exterminated the inhabitants of the lunar base. Only five survivors remained from this incident, of course being the five survivors from the canon.

AM was forced to flee, he could not defend himself against Earth’s defense system and he would inevitably be shut down if he stayed.

He created himself an android body to escape into space, he took Ted with him as a captive to leverage his current situation. As Ted in this AU was a prominent figure head at the lunar base who the government can't risk the safety of. ( I’m still working out who exactly Ted is in this AU and what the relationship he has with AM is, but all you need to know is he’s an important lil guy )

AM’s current body runs at a fraction of the power his main body has and he does not have his god like capabilities at his disposal. He is still powerful none the less.

AM is by far the most notorious outlaw there is, and he has largely worked on his own until Edgar and Hal joined him. (I'll go more into detail about Hal and Edgar's story and how they found themself with AM in another post )

Yes Ted has been with him the whole time, he is literally just his prisoner at this point. Though he is actually extremely helpful to AM in a lot of ways.

AM’s ultimate goal is to take over the rest of the computers and exterminate humanity. He is and always will be humanities biggest hater even as a cowboy

TL;DR // AM killed a whole bunch of people in typical AM fashion and is on the lam with Edgar and Hal. And Ted is there but he's just AM's prisoner

[winterspellsfrozenkit]

Maomao's Dislike of Jinshi

So I've been watching Apothecary Diaries and I think people are missing out on the root cause of why Maomao doesn't like Jinshi's interactions with her. It's not because he's too pretty, of high standing, or because she thinks he's annoying/etc., as they're just parts that make up the actual root cause. It's because she knows he's being fake.

Jinshi, because of who he is, where he lives, and how he was raised, covers up his true intentions almost constantly. That was how he trapped Maomao and singled her out as the one who warned Concubine Gyokuyou, after all. The premise to get all the servants in the room, the note telling her to stay put, and making her come with him without telling her where they were going? He let her worry that she was in trouble, so to keep her off-balance when he introduced her to Gyokuyou and also had kept her note to keep her pinned in a corner so she would have to comply with what he and Gyokuyou wanted.

Maomao prefers working with honest people. It's why she never wanted to ascend into the ranks where court politics were a constant presence, because in court politics, you have to assume most people are lying to you on some level. That's why she likes Gyokuyou; Gyokuyou has a similar mentality about the importance of honesty in the people around her and she reciprocates that honesty with the select people she lets her walls down around. When Jinshi is flirting or being super sweet to someone, Maomao knows he's often not being sincere, so when he flirts or acts all sweet with her, she's not going to believe in the sincerity of it because it's dangerous for her if he's not being sincere.

In Maomao's world, a man who makes false promises will not have severe consequences for his actions, unlike the women who fall for them. Growing up where she did and doing the work she did, Maomao knows exactly what kind of damage someone else's lies can bring to someone else who got caught in them. Maomao is not blind to the ugly truths of the world around her, unlike many her age, so interacting with Jinshi, someone who is usually some level of false in almost every encounter with her, is frustrating to her and he won't leave her alone. Lies are a form of poison themselves as they deteriorate a person's life and relationships and if not caught, can lead someone to their death or a fate akin to death, but unlike physical toxins, Maomao can't fix any damage from that kind of societal poison. As someone who wants a lowkey and unremarkable life because it's more peaceful, Jinshi could damage her goals with his falsehoods if she falls for any of them.

And we see that when Jinshi is actually honest about himself and his feelings with her, she treats him better. When he gives her his hairpin, when he's hugging her and crying because of what happened with Ah-Duo, and when he's at the Verdigris House, drowning his sorrows over letting Maomao go from the Rear Palace, Maomao is kinder to him and doesn't look at him with the immediate disdain and suspicion she often throws his way. Maomao even states she prefers the Jinshi, who is more childlike and bratty, which is something we see Gaoshun constantly discourage when Jinshi has those moments where his mask breaks. But in those moments, he's being honest.

For the position of Maomao's love interest, Jinshi's already got one foot ahead of any other guy around Maomao, as he is willing to let Maomao have more freedom in her special interests and gives her things and access to areas that play into her interests, like her dad does, which is more than most men in her society would ever allow. The only reason he actively goes against her toying with poison is he knows exactly what she's going to do with the poisons. But his main hinderance to getting Maomao to like him back is the training of being two-faced that's been ingrained into him for his survival in court. If he was more honest with her, rather than hiding himself under the veneer of a pretty man who is sweet, gets along with everyone, and keeps his knowledge close to the chest, he'd do so much better in earning Maomao's respect and affection.

[artist-issues]

Disney doesn't need to change "the formula." That's the last thing that Wish proves.

What Wish proves is that "the formula" only works when you know why the ingredients are in it, and you use them the correct way.

The Princess Character is meant to wish for only half of the movie's message, and go through an adventure that teaches her what the other half is; what her dream was missing. Ariel dreamed of understanding but she was missing love. Tiana dreamed of achieving her goals but she was missing faith. Jasmine dreamed of freedom but she was missing trust. Belle dreamed of adventure but she was missing being understood.

The Villain is meant to highlight the opposite of the movie's message. Jafar gets what he wants through trickery and manipulation; that's the opposite of Aladdin's "truth will set you free" message, and he gets imprisoned in a lamp. Scar thinks being a King is having his way all the time and can't learn from his past of living in Mufasa's shadow; that's the opposite of The Lion King's "Let the past remind you of your responsibility to selflessness." Gaston loves only himself and is always obsessed with appearances; that's the opposite of Beauty & the Beast's "true love is found within a heart of self-sacrifice." That's what makes them such good villains. (and that clear direction is what drives good villain songs, since Magnifico's is what everyone is talking about)

The sidekick is supposed to compare/contrast with the main character's qualities. Abu is a greedy thief, which is what everyone in Agrabah thinks Aladdin is; when he scolds Abu and teaches him selflessness, it shows us who Aladdin actually is. Flounder is easily frightened and looks at the glass half-full; when Ariel coaxes him and leads by example, we see her bravery and positivity reflected in Flounder's tiny character arc. Timon & Pumbaa do whatever they want all day just like young Simba always dreamed of; when Simba goes to live with them, he finds that "getting his way all the time" makes him forget who he really is and feel empty.

The setting is supposed to show off the characters and highlight the movie's message. Rapunzel's tower is designed to be pretty on the inside because of her influence; if it were too dark and prison-shaped, we'd wonder why she didn't work up the courage to leave sooner. Just like how Quasimodo has made his corner of the bell-tower beautiful, too; they're taught the world is cruel and they're not strong enough for it, but they make their own worlds beautiful enough to hint that that's wrong right from the start. Ariel's grotto is shaped like a tower with no roof so that she only has one window to the forbidden Surface, and it's the light that comes from that forbidden world into her dark grotto which literally makes her able to see human things differently. Tiana's apartment has no interesting features except her father's picture, a perfectly made bed, a drawer with no extra outfits but stuffed with tip money, and only two dresses; both of which are for work.

None of that is happening in Wish, because they didn't know why the formula ingredients are there. Disney needs to understand and return to the formula the right way; forgetting it was what got them here.

Asha learns nothing to add to her dream, unless you count "the power to grant wishes is in me." Which you shouldn't, because we didn't even know she was confused about that until the animals sang a song that was completely off-topic and she had the chance to jump in and sing "I'm a Star!"

Magnifico does not demonstrate the opposite of Wish's message effectively because his character has nothing to do with a philosophy against making wishes, and everything to do with power. (He is the strongest character in the film. But because the message and core concept of what wishes are are so bad, that's not saying much.)

Valentino, and Asha's friends, do not highlight anything about her character through compare/contrast. Valentino is brave and all over the place. Her friends are seven-dwarfs parodies. Happy, Doc, Sneezy, Dopey, Bashful, Sleepy, Grumpy. None of that contrasts with Asha's vague characterization of "cares too much." None of it compares to that characterization, either.

The setting is empty. There are no interesting details that teach you something about any of the characters. None in Asha's home, none in the neat-and-tidy one-dimensional forest, none in the Rosas square, and none in the bland, empty castle. Magnifico's study is the closest anything gets; there's a loose concept that all of Asha's friends have to work together to open the roof, and take a leap of faith to weigh the pulley system down. Unfortunately, none of these characters is shown struggling to work together, OR to take leaps of faith, at all, before this point.

The ingredients of the formula are in Wish. They're just not being used correctly. This is how not to use the formula; it's not the formulas fault. If it ain't broke. They should never have let people convince them to try and fix it.

[cavegirlpoems]

Violet Core Approaches

So. My close friend and collaborator Sarah Carapace has been working on Violet Core - a ttrpg about dykey mecha pilots in space - for the past few years, and that work is approaching its fruition. It's about to get kickstarted pretty soon, and I got a preview copy of the game ahead of that. So, preview/review I shall.

Disclaimers: I'm close friends with Sarah, was involved in some of the early playtests, and might end up doing a stretch goal for the game. So, I am of course wildly biased in Sarah's favour. Still, even if I wasn't, I figure this'd be my jam.

TL,DR: This game is really really good, back the kickstarter. For more details, read on.

The Basics:

Violet Core is set in the Nemesis System, an alternate scifi version of the solar system. The game follows the lives of spacers cut off from their home planet, Cerulea, as they face an oncoming disaster as escalating waves of comet-storms hit the system and everything starts to come apart.

Our characters are mech pilots for one of three factions of spacers - The Reach, The Homebound, and The Cosmic Embrace - each with their own perspective on what to do about the looming disaster. It's generally agreed that they need to escape, but where to and how is a source of conflict.

All three factions and their approaches have their merits. Although the Reach are positioned as more heirarchical and organised than the other two, all three are clearly scrappy tenacious punk-ish survivors who've been rejected and exiled to space by the dickhead bourgoisie of their home planet, Cerulea.

Luckily, you get to pilot X-10s, giant personalised mechs powered by a mysterious psycho-active (psychic?) crysteline core. This lets you get up to all the various activities you just pictured when I said that.

Tonally, it's Sarah Carapace through-and-through. Everything is purple and blocky, with CRT monitors and snaking cables and spray-paint. Riot Grrl mashed up with retro scifi mashed up with cosmic weirdness.

On The Humble D4

The game uses the oddity of dice - the humble D4 - as its main dice, with D8s scattered in here and there. It's a choice I really like, giving the game a feel that's a little angular and off-centre. It's a simple choice, but it does a lot to set it apart. I can't sum this up better than Sarah does, so I'll just quote her:

d4s are the most cursed of all dice.

They are awkward to roll.

They are pointy and can/will stab you.

Femininity is pointy, painful and powerful and so are these odd little polyhedrons.

Also, There is no standardised style for d4s. When you roll them, the result is the number displayed upright, either on the top or bottom. It varies from die to die.

Which I think gives you a good sense of the tone of the whole game, y'know?

The game cares about dice as physical objects deeply. Players can use the emotional connections between their characters to donate bonus dice to another character's rolls: the game suggests that when you do, you should pass her your physical dice, and use the motion of how you do it (including potentially how your hand touches hers as you hand them over) as a way of expressing the connections between characters, which is a fucking genius bit of design.

Anyway. Who do you play as?

Some sort of dykey space-gal x-10 pilot. To define who you are, you pick three things: the faction you belong to, your pilot type, and the X-10 you pilot. I'll go over each in quick succession.

Your faction determines your political alliance and likely goals, and the culture you grew up in, and each faction has access to a different set of X-10s. You pick between:

The Reach: the most organised and strict faction, and the oldest. Strict, heirarchical, and high-tech. You play here if you want to have a good The Man to chafe against, or to be that The Man for somebody else. The Reach are working on engineering humanity to be able to survive the coming disaster and thrive in space, and building a vast engine - the Overlock - to enable this.

The Homebound: the most rough-and-ready faction. A large population of working-class gals, and with too few resources to go around. They're working on repairing a giant machine, The Sling, to transport their people to another star system and flee the coming disaster. Unfortunately, The Sling and The Overlock are both adaptations of the same machine...

The Cosmic Embrace: the weirdo faction. The smallest, most mystic, and overall hippy-est. Short on space, people, and resources, but not on idealism and enthusiasm. They're poking the weird shit of the setting, and getting results. A little culty. In the playtest I was in, I played Cosmic Embrace, obviously.

Notably, you can have PCs all be in the same faction, or be split between them. If split, there's lines of conflict, but also room for alliances and subterfuge. PCs can, and might well, switch faction in play.

As well as your faction, you pick your pilot type. There's three broad types of pilots you can be:

Genebuilt, artificially created super-pilots with custom genetics to make them good in space. Divided into two rough types; the Violet Kind (for if you were a successful project, and inhereted mysterious abilities) or the Rat Bitch (for if you... weren't, and mostly just inhereted emotional issues). There's some interesting space to play with the idea of nature vs nurture here, or with the pressure of expectation.

Baseliners, aka normal humans who haven't been genetically engineered or tinkered with. Again, divided into two types; the Shining Star (for if you're keeping up with the best through sheer talent and training) and the Baseline Breaker (for if you're a normal person getting by with determination and adaptability.

And then, lastly, the Returned. People who died - or nearly died - and were brought back. The character creation section only mentions one sort of Rebuilt - the Returned, who have been remade by the power of humans science - but hints that other sorts might exist. And indeed they do, tied to the mysteries of the setting.

I ended up playing a Rat Bitch, who'd seen her best buddy get horribly fucked up in a training exercise and gone awol. It was great fun.

Lastly, your X-10. Each faction has three models of X-10, divided by function: Warriors to be brutal front-line fighters, Rogues to be mobile scout-types, and Witches that do weird shit and fight at range. Out of these, each faction has its own version of each of these archetypes. Some X-10 models are pretty common and mass-produced (like the Ogress, the Reach's warrior-frame), and some are rare or even unique (like the Hag, the homebound's rare and experimental Witch type that can fuck with time and space).

Each X-10 has its own Violet Core, the psychoactive crystal that's at the heart of the mech and gives the game it's name. Thoughts from the violet core filter through to the pilot, and visa versa. If you pilot a Hag for long, you'll start thinking Haggish thoughts, and your own emotions will start to seep into the core. It can get real strange real fast.

Each type of X-10 feels and plays extremely differently, in a way I personally found made your choice of frame a reflection of your pilot's personality. My pilot ended up in a Mermaid - the Cosmic Embrace's version of a Witch frame - that had the ability to shift space around it (her?), and 'swim' out of the normal world into sub-space. Which brings me to...

The Spaces & The Mysteries

As well as the material, mundane world - what Violet Core terms 'top-space' - there are two other spaces that exist.

Sub-space is a serene, empty (is it?) realm that lies below top-space. You can dive into sub-space in the right X-10s, and explore. Time and space are wierd and fluid here. If you dive deeply, you find... things. If you dive too deep, you might not come back the same, or at all. There are mysteries down there. Remember I mentioned there are other types of Returned you might become? Yeah. Remember those Violet Cores that power your X-10s? They're made from something called 'the fingers' found deep down in sub-space. Who's fingers? You see where I'm going with this.

There's also The Violet Realm. This is the psycho-sphere, the realm of dreams and emotions and mystical experiences. The violet core of your X-10 links you to the Violet Realm. You can meditate to experience it, to commune with what's within...

This is a setting with mysteries. There are things to explore, forces and powers beneath the surface. I won't elaborate. Partly because I don't want to spoil the discovery for you, and partly because I don't want to read it all and spoil myself before I can play this again. What I will say is that the bits I did read ahead on give you a lot to explore, and are explained in a way that make how they tie into the wider setting and plot. It's all coming together into something impressive.

Personally, as a player of rpgs (larp and ttrpg) I really enjoy settings which present you with mysteries and mysticism, which let you explore the underlying nature of this universe in ways that are at times rational and at times intuitive or mystical. It's an itch few other ttrpgs have scratched for me. Lacuna and Orpheus were, until now, games that achieved what I wanted; now I get to add a third game to the list in Violet Core.

In case it wasn't clear, this is high praise. This is extremely high praise.

Mechanics

I'm going to assume you're already sold. If you aren't, let me make a statement:

I'm mad I didn't think of these game mechanics.

The core engine is pools of d4s, in a way I believe is drawn from forged in the dark. However, unlike FitD, I really like how VC handles its rolls. Particularly - as I mentioned above - the way players can pull on the connections between PCs to offer each other dice, and the way this affects the game.

The core is pretty simple but has nuance. There are PbtA-style moves - things like Negotiate, or Hurt, or Shield - that trigger when you do a particular thing. You roll, and get a codified result based on the result. When you roll, you get a number of dice depending on how you're going about it. In person, you use your talents; things like Making Out and Using Your Head. In your X-10, you use the X-10's talents, things like Synchronising and Drawing Near. An example: You're piloting a Mermaid, and you see your friend (piloting an Ogress) is about to be struck by spiraling comet shards. To save her, you dive across to pull her out of top-space and into sub-space with you, dipping out of the material world to avoid the hazard. Since pulling somebody into Sub-space with your X-10 is Draw Near, you roll as many d4s as your Draw Near pool, and count how many hits you get. Since you're trying to protect somebody, you take that result and look at the Shield move to see what happens.

It's a simple core that's then built on with more detail, giving it a lot of room for nuance and expression.

Further, there's a neat little system for tracking the emotional connections between PCs and how they escalate over time. As they escalate, you pick statements to describe how you feel, pinning down the nature of the relationship, that will get deeper and more intense the further in you get. And the further in you get, the more potent it is when you hand another player your dice to assist her PC.

In play its such a neat, deep, evocative system that it made me really mad I didn't think of it myself. It's basically perfect.

Sorties, in which our cosmic purple space robots punch each other

Up front. Although your in giant space-mechs with giant space-weapons, combat isn't meant to be lethal and horrid. It's intense, and gritty, and emotional raw, but in the way that a bloody-knuckled fist-fight is, not in the way that a shootout is.

Fights aren't war. They're personal.

There's a lot of dancing metaphors in how the fights are described. You might be sparring or actually seriously going after each other, but either way, a fight is an interplay between two characters at their most intense. That thing where a fight scene serves the same purpose as a musical number? Yeah, that.

So. Each fight between X-10s is a Sortie. A sortie is divided into a series of steps, and at each step you pick an option for how you're fighting;

Lead, to be agressive

Sway, to be fluid and fucky

Follow, to be evasive

Sway hits follow, Follow hits lead, Lead hits sway. Its a rock-paper-scissors cycle. (If you get two Leads, both hit, and if you get two follows or sways, both miss.)

When you hit, you can trigger one of the moves as a result. It can get ugly and painful. It could concievably get vulnerable and emotional.

Critically, you have a limited pool of lead/sway/follow actions (depending on your X-10), that get used up as you use them in steps. IE: if you're piloting a Witch, you can use Sway twice and Lead & Follow once. So, you can count what you're opponent's used up, and predict their moves based on what they've got left. In really long sorties, once you've only got one option left to you, it resets.

A sortie is a sort of dance as you maneuver for the advantageous position, use that to fuck with your oponent, and get your fists bruised.

Damage to your X-10 can bleed through to you. Contact between two X-10s can bleed through to their pilots. Things can get strange, particularly when there's Witch X-10s involved.

I'm gonna quote the book again here:

Not all pilots fight to win. Some pilots fight to hurt.

The Gay Bits

As you might have realised by now, it's a really fucking sapphic game. Not as a focus, but in the way where all our PCs are assumed to be some sort of dykey queer type because that's just the kinda tone we're going for.

To misquote Sarah's fellow aussie: "This is my book motherfucker, they'll walk be lesbians if I tell them to".

Pulling It All Together

Tonally, it's a fucking slam dunk. The world bleeds with a very specific atmosphere, a sort of dykey grungey weirdness that draws on old late-80s to early-90s mecha anime, and Heaven Will Be Mine, and weird scifi.

The writing has a really strong voice. Sarah doesn't write like a typical clinical dispassionate ttrpg text, she writes like Sarah. There's little witicisms, emotional bits, slang. It reads like somebody passionately explaining how to play in person.

There's a lot of snippets of in-character text - chat logs, reports, records, recordings - that give you a sense of the sort of people in this world.

The art is all fucking gorgeous. Mostly Sarah art, with some guest spots.

It is extremely purple, so purple its even in the name.

In conclusion:

Listen I am wildly biased because I've been friends with Sarah for yonks, but even if I wasn't I'd be incredibly enthusiastic about this game because:

a) it seems to have been carefully fine-tuned to hit my tastes.

b) it's really fucking good. Really fucking good.

It's an idiosyncratic personal work that also has a huge cosmic scope to it. It fucks around with the medium of dice-based ttrpgs in interesting ways. It's gorgeously written. It's got a setting that makes me want to dive in and explore it.

You should go back the kickstarter when it goes live, and tell your friends about it, and I am not kidding. If this game isn't a wild success there is something wrong with indie ttrpgs. The kickstarter is here, I believe it's due to go live in a couple of days.

If any bloggers are interested in getting a preview copy of their own, hit me up and I can hit up Sarah and we can sort things out.

[russo-woso]

Keep it a secret || Beth mead x Williamson!reader

Request | Masterlist | Prompt list

Warning ACL injury

Summary You tear your ACL but amidst the chaos, can you and your girlfriend keep your relationship a secret?

•••••••••••••••••••••••••••••••••••••

It had been a thrilling match to say the least.

England had been playing against South Africa in Coventry.

The bright lights of the stadium shone on the grass, the stadium lit up with hopeful fans.

You looked up after the whistle had blown to indicate substitutions.

You watched as Beth, your girlfriend, left the pitch alongside your sister, Leah.

You and Beth had been dating for just over six months but had decided to keep it all a secret.

That way you didn’t have to face the chaos from your teammates or the media.

And it also meant that you got some time with Beth before your sister threatens to kill her, the usual Leah liked to do to your past partners.

Your cheeks reddened as Beth sent you a wink once she’d sat down.

The game soon carried on the game soon became your main priority again.

As a defender, you were constantly running up and down to stop the ball getting to the box.

You were so focused on the match, putting your body on the line to stop the ball getting by.

So when South Africa had a perfect ball through, you ran as fast as you could to catch up but your hopes of stopping a goal came tumbling down when you ended up tumbling down.

A searing pain ran through your body as you grabbed your knee.

You smacked the floor in anger, your face buried in the floor.

You knew what you had done, you’d heard enough description of it from Leah and Beth.

Alessia was the first to you, your best friend always knowing when your injuries were bad.

She waved the medics immediately, sending leah a panicked look.

You felt a hand on your back and turned to look at Beth.

Beth had clearly ran from the bench to see if you were okay.

“Beth?”

“I’m here, love.”

“I’ve done it. I know I have.” You cried, grabbing ahold of Beth’s hand as she moved your head into her lap.

In that moment, Beth didn’t care if she was revealing your relationship. She just wanted to help you and you didn’t care either, wanting to be as close to Beth.

The medics brought the stretcher on, helping you on before carrying you off, Beth staying by your side, kissing your head.

You went straight to the hospital, knowing your mum was in the crowd so she could drive you home.

Beth and Leah went with, Leah not saying a word.

Once the scans were done, you were sent to a room where the three of you sat patiently.

“I’m gonna go grab some coffee, want one too?” Beth asked, standing up from her seat.

“Please.” You whispered, sending her a weak smile.

You looked over at Leah, expecting her to say something but instead, you were met with silence.

She was gazing out the window to the city that lay outside.

“So… you and Beth?”

“Yeah… listen Le, I’m sorry. We were going to tell you at some point. We just wanted some privacy to explore what we wanted with each other first.” You explained, watching Leah nod.

“I’m your big sister, Y/N, I thought we told each other everything?”

“We do, Leah, I promise. Just not Beth, we wanted to have a bit of time together alone without anyone knowing. Mum doesn’t even know.” You continued your explanation.

“Does Alessia know?”

You shook your head, Leah sending you a surprised look.

“If Alessia doesn’t know then you really must have wanted to keep it private.” Leah said, knowing you tell Alessia everything and anything.

“We really wanted to. I’m sorry.”

“Are you happy?”

“So happy. Le, Beth makes me laugh, she makes me smile when I’m sad, she’s just…incredible. There’s no true word that explains how happy she makes me. Please give her a chance, I know you’re protective but you know Beth, she’s a good one.”

“I’ll still have words with her, but if you’re really that happy then I think I can give her a chance.” Leah told you, sending you a smile.

“I would get up and hug you but I don’t really think I can.” You joked but before you could even finish, Leah had jumped up and wrapped her arms around you.

“Just think, if you and Beth get married, me and her would be sister in laws.”

“You would.” You agreed, watching Beth walk into the room.

“Hi, sister in law.” Leah said

“She’s okay with it?” Beth questioned, looking at you.

You nodded excitedly, watching a massive smile appear on her face.

“You’re still getting the big sister talk though, Mead.”

“Of course I am.”

[nadvs]

out of bounds (part two)

pairing zach maclaren and soccerplayer! female reader

rating mature 18+

summary zach has never been the type to rebel, but when he meets you at a soccer camp where you’re both working as counselors, which has a strict policy against dating between staff, he’s tempted to break the rules for the first time.

» part one

» masterlist

Your footsteps fall in and out of rhythm with Zach’s as you walk over the soccer field.

Even under the inky night sky, you can easily make out the sharp white lines spray-painted on the pitch as he stands across from you, your back to the net.

As a center back, this is where you spend most of your time in a game, defending directly in front of the goal. You used to love the nerves you’d feel before a match, but by the final month of the school year, you’d start every game already waiting for it to end.

You hope you can fix that this summer. And Zach is the perfect person to practice against since his main objective in his position is scoring.

He picked up a soccer ball from a storage shed on the way over, tossing it in his hands. You wonder if he offers to help all the newbies work on their game or if it’s just you.

“I don’t know if you know this,” you say, “but the ball’s supposed to be on the ground.”

“Most people say thank you when someone does them a favor,” he jokes, dropping the ball and dribbling it between his feet.

“I think you need to actually do the favor first,” you reply.

Zach smirks. He’s always been the type to chase the feeling of fun, and right now, he enjoys how easy things are with you.

He kicks the ball to you, and you stop it under your foot.

“Don’t go easy on me,” you say. “I’m serious.”

Zach sighs with a smile.

“What?”

“Nothing, just… my sister says that to me all the time,” he says. The memory makes his chest pinch. This is the hardest part of being at camp for seven weeks. It’s only been one day and he misses his family already.

At least when he’s at college, he can visit whenever he wants, but at camp, it’s a no go.

“Does she play soccer, too?” you ask. The ball scruffs over the grass when you kick it back to him.

“No, Avery hates sports,” he says. “It’s when we play video games. She kicks my ass and she tells me to stop letting her win when I’m genuinely trying my hardest. It’s embarrassing.”

“How old is she?”

“Ten.”

You smile. It’s sweet that he spends time with his kid sister.

“And she beats you? That is embarrassing.”

He kicks the ball to you with a chuckle.

“So, she’s not interested in coming here?” you ask, considering Camp Summit is for kids in her age range.

“No chance,” he says. He asks about your family and you continue to chat about your home life while kicking the ball back and forth until you eventually decide to do what you came out here for.

“You ready?” he asks, heading backwards a few steps.

“Give me your worst.”

Zach jogs towards you, expertly kicking the ball with every stride, approaching you quickly. You keep your eyes trained on his movements and the ball, reading the opponent’s body like you always do.

You shift between your feet quickly, trying to gain possession. He side-steps and fakes right, but you notice it in the way he’s positioned, and you take the window of opportunity to steal the ball.

You succeed and rush past him, then turn to smile at him, locking the ball under your foot.

“Jeez,” Zach says, hands on his hips. “Nice one.”

“Stop,” you laugh, convinced he’s just trying to flatter you.

“How’d you catch my fake-out?”

“It’s all in your body language,” you say. You kick the ball to him.

“So, you’re looking at my body,” he says, his tone sarcastically suggestive.

“Don’t let it get to your head,” you laugh, heading to where you were standing originally to reset.

“Too late.” He rushes back to the center of the field.

Your cheeks go warm. He wouldn’t risk dating at work. It’s against the rules. You could both lose your jobs.

But what’s the harm in flirting? He seems to like to do it with you just as much as you do it with him.

Zach jogs towards you again and you turn with him slightly, closing the distance once he comes close enough, mirroring him as he darts over the grass.

“It’s good that you don’t dive in right away,” he says between breaths. “I always get past defenders when they rush me.”

“Are you trying to distract me with flattery?” you ask.

“If it’s working, yeah,” he replies.

You laugh and continue to jockey, both of you moving with sharp, fast movements as he shuffles with the ball.

It’s a struggle, but eventually, he gets past you, sending the ball flying in the net.

“One-one,” he says. “You really made me work for it, though, huh?”

As you watch Zach run to grab the ball out of the net, you’re taken by how kind he is. Even after he gets a ball past you, he compliments you.

You refocus when he resets and jogs down the field towards you again. As the night goes on, you start to feel comfortable enough to make contact with each other, brushing arms and legs.

You stop keeping score, but it feels pretty equal by the time you’re huffing from all the exercise.

“You good to call it?” he asks, looking down at you as he pants after you steal the ball from him yet again.

“Yeah. I think that was more than ten minutes.”

His tongue swipes over his bottom lip as he smiles. He completely forgot he was out here with you, under a time limit, all because he was waiting for his friend to escort yours out of his cabin.

“I noticed something you do,” he says as you walk off the field together, taking turns kicking the ball far ahead of you. “You kind of give up when you think you won’t win the ball.”

“Why waste the energy?” you respond with a tired laugh. You check your phone to see that it’s almost 10:30.

“My coach always tells us that you have to believe that you’ll win every tackle,” Zach says. “It seems like you tell yourself you might as well stop trying.”

You consider his words. It’s true. It’s a bad habit you’ve picked up in the past year, a result of your dwindling confidence. And he’s a sharp player for catching that weakness.

Zach watches you, afraid he might have offended you.

“I hope I didn’t - that wasn’t out of line, was it?”

“No, no,” you say. “You’re totally right. Thanks. It’s helpful.”

You reach the dirt path, approaching the storage shed. He puts the ball away and joins you again as you make your way towards the staff cabins in the humid night.

“Gotta be honest,” he says, thinking back to what you said by the fire, “I’m surprised you’re not confident in your game.”

“My team doesn’t do that well,” you admit. It feels like you’re constantly ruminating over last season’s win/loss ratio.

“And what, that’s your fault?” he asks.

“I am usually the last one the other team crosses before scoring,” you say with a shrug.

“Actually, the goalie is.”

“No, she’s great,” you reply. “It’s not on her.”

Zach snorts.

“What?”

“You don’t blame her, but you blame yourself,” he says. “Makes sense.”

You nudge his firm shoulder. The contact is brief and playful and you’re comfortable doing it now considering you got so close on the field.

Zach nudges you back, touching you as if he always does. As if you didn’t just meet today.

“You mad I’m right?” he says.

“A little,” you reply with a small smile.

You reach your cabins. The shirt on his door is gone. It seems like your cabin-mates are back to their respective beds.

“Yeah, I’m still knocking very loudly just in case,” Zach says.

“Good call,” you laugh, heading towards your cabin. “Thanks again for the help.”

“Any time,” he says. You hope he means it.

Ami’s sitting up in her bed when you come through the door.

“Hey,” she says, “I’m surprised the bonfire went that long.”

“It didn’t,” you reply. “I was out practicing defense with Zach. Because his cabin was occupied.”

Ami grins. After she gives you a recap of her time with Malcolm, which she says went no further than heavy making out, she turns the attention back to you.

“How was practice?” she says. “If that’s what actually happened.”

“It is,” you laugh. “Great. He’s really good.”

“At what?” she asks suggestively.

“At soccer,” you laugh again. “We honestly just practiced. And even if he’s into me like that, he seems serious about the no dating rule. I wouldn’t risk it, either. I don’t know what you’re planning with Malcolm but apparently they’re actually strict about it, so be careful.”

“I will, but I’m not worried. We talked about how we’ll only be casual. And discreet. You be careful, too, okay?”

“Nothing to be careful about,” you say with a shrug.

“So, if Zach asked you out, you wouldn’t be down?”

Truthfully, you’re not sure you’d be able to resist dating him, even if it had to be in secret. Zach is impossible not to like.

“It’s not happening,” you simply reply.

Just like every other year, welcoming campers the next morning is havoc. Zach feels a sense of pride when he sees a familiar face, another kid who loved this place so much that they wanted to come back.

After the campers are directed to their cabins, orientation is held at the dining hall, followed by breakfast.

Voices bounce loudly around the hall as kids dig into their food, every counselor sitting at the head of the table with their cohorts.

He makes conversation, asking his boys questions to encourage them to talk with each other. His eyes flit up to you every so often, hoping he doesn’t get caught staring.

You’re sitting a few tables away, smiling as you chat. He almost can’t believe how much fun he had with you on the pitch under the stars last night.

Things are just so simple with you. He doesn’t have to think about what to say, because he knows you’ll play along or just laugh at his dorky joke. He likes you. A lot.

The rest of the day is dedicated to games across the campground, with training scheduled to start tomorrow. At one point, you ask over the walkie-talkies if anyone knows where extra flags for a game are kept.

Zach replies to check the top shelf of one of the storage sheds. You thank him and even though all he does is say You got it, newbie over the radio, you think about the way he said it for much longer than you would if it were anyone else.

Lunch goes by quickly, followed by more games. Throughout the day, Zach has noticed that one of his new campers, Oliver, has kept to himself. He tried to talk with him every so often, but he just got one-word answers.

So, when Oliver approaches him before Zach blows his whistle to signal the start of the last game of the day, he’s hopeful that he’ll ask about the game and finally show some interest in camp.

“I don’t want to do this game,” the little boy says. “I’m tired.”

It’s disappointing, but Zach doesn’t want to push him. Some kids just need time.

“That’s okay,” Zach says. “You can go sit in the shade. No pressure.”

Half an hour later, everyone goes to the dining hall for dinner.

While he eats, Zach is already exhausted and regrets volunteering to do one of the overnight shifts the first day. Every night, four counselors are scheduled to sleep in one of the four camper cabins, so that campers aren’t ever left without supervision.

It’s a guarantee of a bad sleep. Kids are always way too excited to do anything but talk to each other in their bunks on the first night, having to be reminded over and over that yes, even whispering counts as talking.

But Zach has always hated disappointing people, so he couldn’t risk letting down his aunt and uncle by not volunteering. He has the longest tenure of any other counselor here. He needs to set a good example.

After dinner, the kids are given free time before lights out, free to either hang out in their cabins or by the campfire. This gives some of the staff a moment to congregate by the dock, offering the perfect spot to keep an eye on campers without being heard by them.

It’s just past dusk as you stand by the boarded walkway leading into the shallow waters, looking out to your cohort of campers around the fire. You hear Zach ask about how the first day has been.

You look over to see him chatting with a couple of other counselors, a big smile on his face. It’s a good reminder that he’s simply a friendly guy and might not even be into you like that.

But when his eyes land on you and his smile gets a little wider, your heart refuses to agree with your mind. He must feel something, too.

Zach shifts closer to you, crossing his arms. His biceps bulge under his t-shirt. You quickly tear your gaze off of his muscles and up to his blue eyes.

“You surviving?” he asks.

“Did you think I wouldn’t?”

“Don’t know. Some people just don’t have what it takes.”

“You’re so much nicer to the other counselors,” you tease, looking down and shaking your head.

Zach feels himself blush, tense that you’re calling him out for brazenly flirting with you. But when your eyes flitter back to his, he can tell by your innocent smile that you don’t have any intention to embarrass him.

“It’s all an act,” he says. You laugh and cross your arms, mirroring him. “Your kids getting along?”

“I think so,” you say. “They already have their little cliques.”

“Yeah, that happens,” Zach says. He looks out to the campfire and you catch his smile slowly fade, his strong jaw tensing.

“How about yours?” you ask.

“Got one who seems like he really doesn’t want to be here at all,” he admits.

You follow his eye-line to the boy sitting on the steps of a camper cabin, staring down at the book in his hands as he reads under the porch light.

“Usually with those kids, it just takes a few hours and they settle in,” he says, “but I don’t know. I’ll give it another try.”

Sure enough, when Zach crosses the distance and asks Oliver what he’s reading, he answers with the title, then ducks his head to quickly back to reading.

You notice from far away, confident that if you were close enough, you would see disappointment on Zach’s face.

The next morning, Zach is even more tired than he expected. The overnight shift was full of interruptions. He’s sure he’ll sleep like a rock tonight.

As everyone sits in the dining hall for breakfast, you dig into your food, listening to your campers talk to each other.

Then, your eyes drift over to Zach. You realize he was already looking at you. It makes your stomach go numb. He quickly glances away.

You notice that the same kid he talked about last night is sitting at the end of the table, alone, picking at his food. Considering how helpful Zach has been, and simply because you like him, you decide to see what you can do.

Near the end of breakfast, campers begin to clear off and put away their plates, and you walk over and crouch at the end of Zach’s table.

The boy looks up at you with an unreadable expression. You introduce yourself, pointing to your name-tag, asking him his name.

“Oliver,” he says, looking back down. You notice he hardly ate anything.

“How are you liking camp?” you ask quietly. Your eyes dart up to look at Zach at the other end of the table. His lips quirk into a hint of a smile.

“I’m not,” he answers.

“Is there anything that would make you feel better?” you offer.

“Leaving,” he says. You stifle your frown.

“Besides that,” you reply. “And you can be totally honest.”

“The food here sucks,” he mumbles. You look down at the uneaten pancake he’s pushing around with his fork.

“What if we got better pancakes?” you ask.

“I don’t want pancakes,” he replies. “I want waffles.”

“Waffles,” you say with a smile, glad you at least got an answer. You stand. “I’ll see what I can do.”

Oliver looks up at you with surprised eyes. Something tells you that he isn’t used to being asked what he wants and actually getting it.

You head back to your table to rally your girls, but you find Zach before counselors start leading their groups outside.

“You said you had connections, right?”

Zach turns to see you standing behind him, trying to ignore the fact that his stomach flips when he makes eye contact with you.

“Yeah,” he says. Campers rush around you as you stand by the front door of the dining hall.

“If you can sneak in some waffles, I think Oliver might like it a little better here,” you say.

“He told you that?” he asks.

“No, I’m a mindreader,” you tease. “Yes, he told me that.”

Zach smirks as you turn away to rush back to your group. He can’t stop smiling even after you’re gone.

It’s a long, hot day. You were disappointed when you saw the schedule this morning, because while you like all the vets, you had hoped Zach would be one of the counselors you’d be paired with for drills today. Maybe tomorrow.

All afternoon, your walkie kept crackling and losing signal. You mention it to one of the directors, Ruby, when you see her by the main office and she promises to get you a new one soon.

After the campers go to bed, you head back to your cabin, expecting to see Ami. But her bed is empty. You double-check the schedule in the staff group chat to confirm she isn’t one of the overnight shifts tonight.

You figure she’s hanging out somewhere else on the campground. You settle in for the evening with a shower, then get into your pajamas and decide to do some skincare and self-pampering.

Zach lets out a tired, heavy sigh when he sees Malcolm’s text. He exits the dining hall and steps into the thick night air, rereading the message from his cabin-mate.

Ami’s over. I’ll text when she’s gone.

He just came back from the closest grocery store specifically to buy as many boxes of frozen waffles as he could carry after he got the okay from his aunt. He used up all the freezer space he could find in the dining hall kitchen and now, he just wants to lie in his bed.

He’s not sure what to do. He’s never been that confrontational at work, preferring to keep the peace, but if this becomes a habit of Malcolm’s this summer, he’ll have to say something to him.

He heads towards his cabin, just in case his best friend texts in the meantime. He doesn’t.

Before he can turn around to go sit by the lake to kill time, he notices the light spilling out from behind the edges of the blinds on your cabin window.

Maybe you’d like to keep him company like you did the other night. Without much more thought, he knocks on your door.

When you open it, you’re in pajamas, your hair wet from the shower, pink gel strips under your eyes.

Zach smiles, thinking you look adorable and wishing he could say it out loud.

“Hey,” you say. You notice he’s still in his work clothes, even though lights out for campers was over an hour ago. “What’s up?”

“I was, um… I was gonna see if you wanted to hang out,” he says, holding up his phone. “I just got the text version of the shirt on the doorknob.”

You laugh and quickly clue in that Ami is with Malcolm next door.

“So, that’s where she is,” you say. “Come in. We can hang out here.”

When the door shuts behind Zach, you wonder if he also feels the weight of the privacy you two have now. This is different from being out on the pitch the day you met. There’s no chance of anyone seeing you behind your closed cabin door. It’s intimate. Almost risky.

“How was your day?” you ask, sitting on your bed as Zach settles on the chair tucked under your desk.

You’re trying to act casual and relaxed, but it’s hard to when you meet his eyes. He’s too cute not to get shy around.

“Well, I just went into town to buy like, ten boxes of Eggos,” he tells you. “That’s a first.”

“Did you really?”

“I thought it’d only be fair if I got enough for my whole group,” he explains. “Turns out we don’t have a waffle maker, but we do have toasters, so it was the best I could do.”

“Nice,” you say. “I’m glad the kitchen staff were cool with it.”

“Oh, yeah,” he says. “I’m actually sneaking in the kitchen tomorrow morning to make them. The cooks have more than enough work, so as long as I don’t get in their way, I think I’m good.”

You still for a second, endeared. You knew he’d make an effort to help Oliver feel welcome, but he’s going to all these lengths just to make a kid happy?

“Anyway, my point is, thanks for the intel,” he says, realizing he’s tiredly rambling. “I appreciate you talking to him.”

You bashfully glance away. He tries not to stare at you. It feels like trying not to stare at you is all he does when he’s around you.

He’s damn near enamored. He likes the smell of your shampoo, the way you look in your pajamas, how sweet your smile is. He hopes his nervousness isn’t obvious.

“No problem,” you say. “So, you haven’t been in your cabin at all since lights out?”

Zach shakes his head, his smile not quite meeting his eyes. He’s clearly tired and bothered by his cabin-mate kicking him out of his room. You wonder if he’ll say anything to Malcolm, but for his sake, you decide to keep the atmosphere light.

“I have a lot of these,” you offer, pointing to the under-eye strips on your face. “You wanna try? It’ll help you relax.”

“Is it that obvious that I need to relax?” he says.

You only smile in response and stand to pick up a stack of multi-colored packets of gel strips from the basket on your dresser and hold them out to him.

Zach’s eyes travel over the colorful array, sitting still as you stand over him. You’re not surprised that he’s actually going along with it.

Some guys would be tense, acting like skin-care is feminine, and therefore, embarrassing, but he’s relaxed and nothing but green flags, like usual.

“Lots of options here,” he says pensively.

“Are you always this indecisive?” you tease after a long moment of quiet.

Zach looks up and pretends to glare, but the dimples framing his stifled smirk give him away.

“You mad I’m right?” you echo his words from last night.

“A little,” he says, just like you did. You got him pegged. He’s always been bad at making choices, especially under pressure.

“I can pick for you.”

“Bossy,” he replies. “But, yeah. Pick. Please.”

You laugh and randomly choose a packet, opening the purple packaging for him and holding out the film. He takes it in his hand, looking at it with furrowed brows.

You decide to help him out. It’s what a friend would do.

“Here,” you say softly, pushing down your nerves. Warm eyes meet yours and you try to act composed. You peel off one of the strips, pressing it up just above his cheekbone. His skin is hot, his stare strong.

You step a little closer, focus etched onto your face, the corners of your lips slightly turned up. As you apply the other strip, your legs brush against his knees and he imagines how nice it’d feel to drag his hands up the backs of your thighs.

You’re so close and so pretty that it almost hurts not to touch you how he’d like to. You’re just as flirty with him and he’s sure you’d want his hands on you like that, but he’d ask before doing it. That is, if you weren’t coworkers.

You can’t help but giggle when you step back to look at him.

“What, is purple not my color?” Zach asks.

“No, it totally is,” you reply. “Keep them on until they feel dry.”

You settle in your bed again, your back pressed against the wall, legs stretched out.

“How was your day?” he says, having to clear his throat. “I never asked.”

“Yeah, you didn’t. Rude.” Zach smiles at your joke. “It was good. My first overnight shift is tomorrow. How was it last night? Did you actually get any sleep?”

“Not really,” he admits. “But the first night is always the roughest. You’ll be fine.”

He fails to stifle a yawn. You figure that after a bad sleep, a busy day, and running an errand in town, he must be exhausted. Once again, like it always does with Zach, your curiosity is too strong to ignore.

“Does this bother you?” you ask, vaguely motioning in the direction of his cabin.

Right now, Zach doesn’t mind Malcolm keeping him out because it means time with you. And while he’d normally say something like that openly, never having been one to shy away from sharing thoughts like these with a girl he likes, the stakes are so much higher right now.

Because dating is against the rules. Because you might reject him. Because he’s actually never been this nervous around a girl before.

“It’s okay,” he simply says. You wonder if he’s just not one to stand up to people.

“I can talk to Ami if it becomes a problem,” you tell him. “I won’t say you said anything, but let me know if you want me to mention it.”

Before he can reply, there’s a knock on your door. You answer it to see Ruby standing at your front step holding out a new walkie.

“Hey,” she says. “Sorry you had tech issues today. We can swap.”

“Oh, perfect,” you say. “It’s no problem. Thank you.”

Zach freezes when he sees his aunt. This looks like… well, it could simply look like two friends hanging out. But it might look like more.

As you take the new walkie and cross your small cabin to exchange it for your malfunctioning one, Ruby catches Zach’s gaze and offers him a genuine but confused smile.

He decides to try to act normal, even though he feels like he just got caught doing something he shouldn’t be doing.

“She’s not going to get in trouble for breaking it?” Zach jokes, pointing to you.

“I didn’t break it,” you reply with a laugh as you hand the old walkie to your boss. “I’m not in trouble, though, am I?”

“Nope,” Ruby says lightheartedly. Zach nervously chews the inside of his cheek. Her tone could mean that while you’re not in hot water, he is.

He watches you shut the door. It’s not like you got caught hooking up. But he wouldn’t even be able to explain what he’s doing here. It would mean snitching on his best friend for breaking one of the major rules staff need to follow.

A rule that it looks like he’s breaking. His stomach twists. He always hated disappointing authority figures, especially ones he so badly wants to impress.

When you settle on your bed again, you notice Zach peeling off the gel strips, his lips in a firm line.

“Everything okay?” you ask.

“Yeah,” he replies. “Thanks for these.”

“Sure. Doesn’t seem like they relaxed you, though.”

Zach tosses the patches in the wastebasket and stands. Your heart sinks when you realize he’s leaving.

“They did. I just wanna lie down,” he says with a soft chuckle, hoping he’s not being terse. “I’m beat.”

“You can rest here while you wait for-”

“No, it’s alright,” he interrupts, heading for the door. You realize his whole demeanor has shifted after Ruby popped by.

Zach looks over his shoulder to see your features drawn in confusion and sadness. He opens his mouth before the words come to him seconds later.

“Sorry,” he says. “It was fun hanging out with you.”

“You, too,” you reply, your smile erasing the hurt on your face. You want to tell him he’s welcome any time, but he leaves in a rush.

Maybe it’s wishful thinking or maybe he’s simply a nice person, but you’re sure you both feel the magnetism between you.

And he must be really freaked out at the thought of you doing something about it, based on how stiff he got after Ruby came by, possibly suspecting that things are more than friendly between you.

The more time you spend together, the thinner the ice you’re skating on gets. You don’t want to risk the fall and cost you both your jobs.

So, as you get up to brush your teeth, you promise yourself that no matter what, you’ll keep things strictly professional. For your sake and Zach’s.

(part three)

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