#even if he's doomed to always destroy them

[linkspooky]

YUTA WAS ALWAYS SELFISH

I was originally going to make this post the week the big twist with Yuta in Gojo's body happened, because of the massive subversion that it was. It was the kind of twist that made you question if everything you ever knew about the character was wrong. Namely, Yuta one of the most empathic sorcerers we see in the series - the character who seems to lack the selfishness of the other sorcerers that make up jujutsu society. The kid who fights with the literal power of love.

Was Yuta a monster to begin with and we just didn't see?

So ignore the clickbaity tagline, Yuta is one of my favorite characters I'm not going to start calling him a terrible person. Rather that Yuta is dismissed as a soft kid or a wifeguy, when he's actually more cunning and cutthroat than anyone gives him credit for.

If a sorcerer is nothing more than a con-artist, then if the talent for trickery he displayed in the Sukuna fight is anything to go by Yuta is a true sorcerer down to his bones. Yuta turning Gojo's body into a puppet seems like a massive twist, and almost out of character for Yuta who was so devoted to Gojo.

His earlier fight in the culling game even seemed to hint that Yuta was too soft and he didn't truly have the attitude to fight someone like Ryomen Sukuna who was the embodiment of a calamity.

These panels seemed like a prophecy that Yuta was doomed to fall short against Sukuna. That he could never live up to his title as the next Satoru Gojo, because unlike Gojo and Sukuna who can stand on the top alone Yuta clings to his loved ones.

Sukuna got to where he is by rejecting love. Sukuna is Sukuna because he's never needed anyone to satisfy him. So how can Yuta who needs to be surrounded by his loved ones at all time to validate him and tell him it's okay for him to be alive even compete?

However, even in JJK zero Yuta's love is questioned on whether or not it's as selfless and "pure" as it seems. To begin with, Maki calls him out early on for attracting bullies by playing the victim a lot. He pretends to be a good and innocent person put upon by his circumstances and bullies when really he doesn't want to help himself. Instead of standing up to the bullies he's always let Rika protect him and then condemned her for being a monster. He's let Rika take the blame for all the destruction, even though Rika is HIS cursed technique, created by HIS emotions, and is protecting him.

Yuta doesn't make any attempt to try to learn to control Rika, or even work with her, he just shrivels away in fear.

"You act like a good person, but it feels fake..." Yuta has always adopted the facade of a good person. He seems soft, socially anxious and withdrawn, even after he gains confidence as a sorcerer those traits don't go away because they're a part of his outward persona. Jung divides the psyche into two parts, the persona a mask that faces the world the parts of yourself that come out in your social interaction with people and then there's the shadow your repressed personality.

Yuta's shadow is a literal monster that declares her love for him and then expresses that love by violently destroying everything around him.

Yes, Rika initially contained the soul of someone else but Rika the curse was created by his technique, her power corresponds to his emotions, she comes from his shadow, and even after the real Rika passes on the Shikigami RIKA still remains completely under Yuta's control. Rika is Yuta, the embodiment of his twisted definition of love that would curse his loved ones to keep them by his side forever because he can't live without them. All of Rika's insane possessiveness? That's Yuta's too. Rika's violent overprotectiveness? That's Yuta.

How poetic is it really that Yuta and Rika are so codependent that Yuta's shadow, the other half of his personality is literally RIKA. Yuta cannot exist without love, and without someone too love, he's so terrified of being alone that he cursed Rika and then turned her corpse into a puppet after death. He uses his loved one as a weapon to fight his enemies.

If you think about it for more than five minutes Yuta's cursed technique and Rika has some seriously messed up implications, but it's hard too because as messed up as Yuta's love is it's still genuine.

Love is a curse, but in 236 Nanami speculates that sometimes curses can save people too, just like how Jujutsu Sorcerers use curses to fight and protect others.

So Yuta's love is a screaming, raging, overprotective monster, but it's also what give shim the motivation to fight ofr others. Yuta's love is a curse, but curses can save people too.

Yuta on the other hand isn't aware of his own darker nature most of the time.

The big twist in Jujutsu kaisen Zero is that just as Maki accused him of from the beginning, Yuta was playing the victim all along. He acted like Rika cursed him with her dying breath, but Yuta was the one who cursed her because he couldn't bear to live without her.

However, even this apology is a bit telling of Yuta's self-centered nature. He immediately turns everything into his fault and starts beating himself up over it. He doesn't look at anyone else's perspectives or that other people had a role to play. He deliberately ignores Rika's feelings on the past few years, which Rika is quick to point out for him.

This scene has a parallel later where Yuta ultimately, only thinks about himself first and foremost. In spite of wanting so badly to be surrounded by his loved ones, it's more about him loving them, and less about their feelings for him.

After all he's completely willing to commit a double suicide with Rika to protect his friends, ignoring the fact Rika doesn't want him to pass on just yet, and Maki, Inumaki and Panda wouldn't want him to disappear either. This scene has a direct parallel a year later in the fight against Sukuna when Yuta gives up his body.

Maki almost breaks character from her usual culling game arcs stoicity to fight and argue with Yuta to stop him form doing this, and Rika who one year earlier told Yuta to live a long life so she wouldn't have to see him on the other side so soon is reduced to screaming and sobbing while holding his dead body.

Yuta loves people, or at least he feels an intense amount of love for people, but he can be as self-centered as the other sorcerers we see in the story. Geto even points this out right away, that Yuta is selfish, that he's seeking self-affirmation first and foremost. He needs other people's approval, their love, to feel like he deserves to exist. He'll do anything to earn that love, and once he has it he'll do anything to protect it but it's ultimately for himself.

It manifests in Yuta's technique itself copy, which first and foremost requires Yuta to consume parts of his loved ones that can never be healed if he wants to keep their copied technique. Yuta gets stronger by literally eating his loved ones. We have canon confirmation that Yuta fed part of Inumaki's severed arm to Rika.

Yuta's cursed technique is to emulate the strengths of all of his loved ones copying them and making them a part of his oqn technique, because Yuta will take any shape and form in order to be loved. It's also the perfect technique for fighting as a part of a group, because someone like Sukuna will naturally assume that Yuta's technique STEALS instead of COPYING so he'll forget that the original still retains their technique.

Yuta's not only selfish and has a very selfish, overprotective love for others, but it's those exact qualities that make him an effective sorcerer strong in the area that Gojo is the weakest. Group coordination.

Gojo is in his element when he's alone, but Yuta is so codependent that he literally cannot exist unless other people are looking at him. His strength comes from the things he copies and takes from his friend, and he turned his loved one into a puppet to fight others. Is it really that surprising that this kid would willingly use Gojo's body as a weapon after death when that's literally what he did to Rika.

How telling is it that like Yuta learned that Rika was cursed by him, went so far to exorcise her spirit, and then after finally letting go after her spirit passed on he made a second Shikigami named Rika a few months later made out of the small remnants of cursed energy that Rika left behind as a gift after passing on. The dude is not over Rika, he's like, Geto and Gojo levels of not over Rika.

Yuta's cursed technique being the literal weaponization of his love and his loved ones makes him the best character for group coordination in the entire series. Yuta even adopts apsects of hakari's persona when making his plans against Sukuna since he decides to gamble at several key points in the plan.

Several of the key moments in the fight are all Yuta's plans, with some collaboration from Angel. He makes several bets too like Hakari would. The first being going to finish Kenjaku by himself and using both Todo and Takaba in conjunction to trick him. The second is the bet that he'd be able to make it back in time to rejoin the fight in case Higuruma's plan fail.

It was Yuta who let his own domain barrier down on purpose to let Sukuna think he had the victory so he would let his guard down and make it easy for Maki to ambush him. Something that also required perfect coordination between Yuta and Maki working in tandem with one another.

Yuta set up Hana to do one large jacob's ladder when Sukuna least expected it because he knew Sukuna would forget that his technique is COPY and not steal. He also made the biggest bluff which was leading Sukuna to believe that he fed Rika his last finger.

These aren't just good bluffs, they require near perfect coordination with your allies and taking several chances on them. Nobara might not have even woken up so the last finger / resonance Gambit was perhaps the biggest gamble. Maki and Yuta had to coordinate with each other well so Maki would be there when Yuta dropped the barrier. Yuta needed Takaba a relatively new and inexperienced sorcerer to survive against the threat that was Kenjaku, and he needed all of his allies to stay alive while he was prioritizing Kenjaku.

These are all plans Satoru Gojo would never have been able to pull off, because Gojo only ever relies on himself. If Yuta and Hakari had intervened in the Gojo and Sukuna fight then he would not have been able to go all out, whereas Yuta REQUIRES people collaborating with him in order TO GO ALL OUT.

This is Yuta. This is his strength. Yuta is nothing without love, so he takes on the forms of the people he loves and takes things from the people he loves in order to gain the power to protect him. Yuta copies everything from the people he loves, so is it really that much of a surprise that he'd become a monster just like Gojo.

In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. ’…that in a world like this, I couldn’t be truly happy from the bottom of my heart.’ To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality.

Love is a weapon for Yuta. Just like his curse technique can take any form, so does Yuta's love, and so does Yuta himself. Love always wins, and in order to do so Yuta will take any shape necessary, no matter how twisted.

Love is the worst curse of them all, and Yuta will become the worst monster of them all if it means protecting his love ones.

[llondonfog]

half the time i'm torn between this is my blog!! i write what i want!! and rocking in a corner wondering if the concept is too dark and out there to be well-received by the three dears who read them :'))

[triglycercule]

What do you think the types of drunk would the murder trio be? Im pretty sure ask dusttale already answered this question about dust but i have to ask the mtt expert

see now askdusttale DID answer the question. but they didn't ANSWER the question when asked what dust is like drunk. they just said that dust is the type to drink himself blackout drunk. so that mean i have total freedom on deciding what the mtt are like drunk hehehe (rubs hands together in a villanous way that you would imagine nightmare doing or something idk)

i already have an absolutely hilarious idea for horror and it might just because i'm on the guilt section of his character analysis but i could TOTALLY imagine him being an emotional drunk. like he CRIES. horror sans man known for being incredibly guarded and private with what he feels bawling his eye out. he gets mad he gets sad he does not get happy because horror doesn't have the right to be happy. he is too upset over the fact that he fucking DOOMED all of horrortale because of his selfishness and nothing can stop him from being incredibly vocal about that fact so much so that killer had to tape his mouth shut because he wouldn't stop crying so loud. and then he just silently cries until he passes out from exhaustion. the alcohol has an incredibly strong effect on him because i dont think he would drink regularly plus he definitely hasnt drinken anything in those 7 years of starvation. it hits like a fucking plane crashing into him. or like getting his eye taken out again. either one!

another funny idea i had for killer would be like the alcohol affecting him but he SWEARS that he's still sober. he is very confused when he starts stumbling because wtf he doesnt FEEL drunk??? why is he bumping into walls and tables HELP WHY DOES HE SOUND FUCKING STUPID???? the alcohol is definitely effecting him but he swears he swears he doesn't feel drunk. hes not drunk its just the damn body doing this stupid bullshit!!!! he's still very aware of what's going on and is basically the same as sober but just like. he's wiggly he's wobbly and oh shit he just fell head face first into a tv whoops. he'd also have a high tolerance because just because. he can drink without feeling like shit until he just blacks out mid conversation with someone because his body couldn't take the toll of all the beer or whatever. hilarious idea triglycercule thank you triglycercule i know

dust in the context that we already know that he drinks AND he can fight against the human while like partially drunk.... i feel it would be kinda like a giggly drunk situation. except dust doesn't laugh at anything that's funny he only laughs when someone gets hurt or something. SADISTIC giggly drunk. because i can already imagine a half drunk dust laughing his ass off after killing the human and its a beautiful sight to me.

anyways imagine how it goes when you pair this sadistic giggly drunk with another that wont stop going through the 5 stages of grief and another that keeps on fucking falling over for no reason in his eyes. dream blunt rotation but the blunt is a bottle of vodka. i can already imagine it in my head and its fucking HILARIOUS. horror going on about how he caused the deaths of others and manipulated and tricked papyrus while killer is just trying his best to keep his eyes open because for some reason they won't stop trying to close. he is surprisingly getting frustated. dust has long since lost his voice laughing at this and he's just silent wheezing at everything. also phantom papyrus is only making the laughter worse because he keeps on making rude comments towards horror and killer and only he can hear him and its guffaw inducing. mtt amazing friend group you dont get shit like this anywhere else

[dekariosclan]

Imagine Gale as a talented and impressive young man, able to compose the Weave at will, skilled in a way that few can match, and favored by the Goddess of Magic herself. Imagine that because of these accomplishments, he’s caught the eye of a few up-and-coming magic adepts, and he falls in love with one of them—his first real love. Gale isn’t one to toss the ‘L’ word around lightly, so when he tells them he loves them, he means it; he gives himself over to them completely.

And in return, they love him for his potential. For his status. For the magic he can command. They love the wizard they see on the surface, but not the man underneath. They are attracted to his power, but not to him.

So of course the relationship fails, after the thrill of his magic wears off. But because Gale is a resilient young man and he’s caught the eye of so many, he soon falls in love with another.

And then it happens again. And again.

And each time Gale’s heart is ravaged, his ambition to become a better wizard grows, because he’s being shown time and time again that his magic ability is all that matters.

So much so that, by the time Mystra decides to elevate him from Favored to Chosen to Lover, he welcomes her with eager, desperate arms. Because if all his worth is in his magic, and that’s all he has to offer, and that’s all anyone wants from him, who better to love him than the Goddess of Magic herself?

Except…there’s a nagging voice in the back of his head that whispers she doesn’t really love him. There’s anxiety in his heart as time passes, and he reaches both the limit of what his talents can do and what Mystra will allow him to do. And most troubling of all: a growing panic that, just like his other lovers, she will soon grow tired of him and discard him if he can’t improve his magic any further.

He tries pouting, and pleading, and begging her to let him take more power, to let him be more for her, but she refuses. Smiles patronizingly. Tells him to be patient. But Gale can’t be patient when his power is tied so closely to his self-worth; he can’t be patient when doing so in the past has only ever lead to heartache.

So he does what he believes will be a Grand Romantic Gesture, one that will finally put him on equal footing with the woman he loves. Instead, it turns out to be a folly that dooms him and destroys his talents. And just as he’d always feared, Mystra tosses him aside the moment his magical gifts are gone—because what’s left of him holds no value for her.

————

Imagine Gale in his tower, alone, afraid, the ever-hungry orb in his chest, with only his tressym there to help him. No other friends to speak of. His colleagues forced to keep away for their own safety. His magical talents utterly stripped down, so that even when he does try and distract himself with illusions, he’s bitterly reminded of what he used to be capable of. Waking every morning wondering if it will be his last, ending every day full of loneliness and disappointment.

…and then he meets Tav.

At the lowest point in his life, at his most vulnerable, when he knows he’s going to be considered a burden, he meets this stranger and their group. So he does what he can to be useful—assigning himself to be camp cook, offering up his (now meager) magic skills, turning the charm up to 11—as he desperately hopes this will somehow work out. He’s pleasantly surprised when, after providing only minor details of his condition, Tav agrees to help him. He’s even more surprised when they actually follow through.

Imagine how Gale feels as Tav treats him kindly. As he grows to trust Tav, and then grows to like them. Imagine his surprise as he opens up and shows them more and more of himself, and they don’t turn him away.

But then his condition worsens. And he has to reveal everything: the foolish mistakes he’s made, and how dangerous he is as a result. He clings to Tav’s hand as he shows them his folly. He’s at their mercy now, and he knows this might be the last time he’ll ever feel the touch of another being, if they decide—and Gods, why wouldn’t they decide?—to cast him out.

…but they don’t. They don’t. Instead, they tell him to stay.

Imagine the relief Gale feels. The gratitude. And perhaps…just a hint of something more. Something that he dare not name, but that flares to life every time he thinks of how warm their hand was in his. Something that feels dangerously close to jealousy, when he’s had too much to drink and sees Tav smiling at another…

But he knows these are all foolish thoughts, because he has nothing to offer Tav. They are wonderful just as they are, but he…he is an empty shell of a man, a discarded husk of a wizard, and while they might tolerate him, he could never believe they might actually want him.

And besides, he still thinks of Mystra. He still longs for Mystra. She who cast him out, but to whom he still feels tethered. Sometimes he needs to cocoon himself in the weave, just to try and calm his fears and bring some joy back to his life, because magic is his life. And sometimes he just needs to see her face, even though that hurts as much as it heals.

One night he’s lost in thought, having conjured Mysta’s image after settling down at camp. Thinking that even if she hadn’t ‘loved’ him—certainly not in the way he’d loved her—she’d given him enough otherwise, hadn’t she? She’d amused him and been amused by him, they’d shared countless pleasures, why hadn’t he been satisfied with that?

Gale is so lost in thought he doesn’t realize Tav has come up behind him. Until they ask a question, startling him out of his trance. He’s a bit shaken, so he tries to turn the conversation from Mystra to the weave itself. And then a wonderful idea occurs to him, something that he’d been toying with already: what if they were to conjure the weave together?

He can show Tav how important magic is to him, let them experience what he does, perhaps even impress them a bit. But most importantly, share a moment with them. As friends would do…

He’s elated when Tav agrees. He leads them through the steps effortlessly, and they’re a surprisingly good student, following his instructions correctly (if a bit clumsily). He’s as excited as they are—perhaps even more so!—when they succeed in channeling the weave.

It’s such a pleasant, familiar feeling for him, like coming home to his tower in Waterdeep. Even as the weave connects him with Tav and makes them one, he’s easily able to hide his innermost thoughts, because he’s done it so many times before.

…but he’s forgotten that Tav has not.

————

Imagine Gale knowing every romantic partner he ever had only wanted him because of how he could raise their status, or how he could amuse them, or how he could command magic for them. And, each time, he was happy to oblige them, even desperate to oblige them, because if that was the price of their love, then he was sure it would be worth it.

But it still all came to nothing.

Now imagine Gale connected in an intimate way with someone he likes very, very much—while being what he considers his lowest, most worthless, and most humbled self. As far from the powerful, impressive wizard he once was as he could ever be. And suddenly a vision enters his mind from the lovely creature standing next to him. Only, to his complete and utter shock, it isn’t one where he is providing them with a service, or wowing them with his magical ability, or granting them some kind of power from one of the spells he commands.

Instead, when he sees their desire laid bare before him, it’s a vision of kissing him. Of holding his hand. The two most basic forms of affection and physical connection. The two things that he would still be able to offer them even if every last ounce of his remaining magical abilities were stripped from him. The two things he could share with them even if he was no longer Gale of Waterdeep, and just plain old Gale Dekarios instead.

Imagine the embarrassment and trepidation he feels at first, because surely he is mistaken?…and then the elation when he realizes that he is not. So much elation that his concentration is broken, the weave dissipating as he forgets about channeling it, as he forgets about Mystra. Because all that matters to him now is the image before him—the most pleasant and welcome image he’s seen in a very, very long time.

Imagine how that would feel…and how besotted, enamored and completely devoted he’d be to Tav afterwards. To know that someone finally—finally—just wants him.

Just imagine.

[jonathanrogersartist]

How 'The Acolyte' Disappointed Me, and Why the Themes of 'Star Wars' Matter

Someone recently commented on my 'On the Dark Side, the Jedi and the Moral Decay of Star Wars' essay with these words: 

"A lot of words for saying 'I don't like the newer media, but I won't get into specifics as to why.'"

Okay! I shall then finally clarify those specifics....

That first essay has, so far, been my biggest success on this blog, and it's attracted a number of interesting responses. Full disclosure: I wrote that fresh off the heels of feeling depressed over how the Acolyte ended, and after reading/listening to several of Leslye Headland's interviews, where she went into great detail about her ideas behind the show's choices, the themes she's trying to get across, and what personal baggage she brings to Star Wars. 

Why was I depressed?

Because the show's finale ended with the deeply problematic implication that Osha, by killing Sol and joining Qimir, has achieved true self-actualization. As Leslye herself put it, it's a 'positive corruption arc.' Interesting way to phrase it. 

Furthermore, Vernestra's actions that frame Sol for several murders, all to protect her own reputation, and to avoid oversight by the Senate, confirmed one of the things that I was really worried this show would do as soon as we began learning plot details, which is that it's leaning into this very persistent edgelord take that the Jedi are actually big ol' bastards not worth seeing as heroes. 

It's the Dave Filoni gospel of the Jedi Order as a morally broken and fundamentally hypocritical institution, a decaying monument to religious hubris, who brought about their own destruction with their arrogance and so-called rejection of emotion making them lack empathy. 

This is, as many of my followers know already, a giant misreading of George's storyline in the prequels, and what he was actually telling us about the Jedi's philosophy and code. And in my experience, it gets us some vicious pushback when we try to inform fans of it, even if we back it up with proof of George's words. 

George really did intend the Jedi to be the ultimate example of what a brave, wise, and all-loving hero should be, and are very specifically inspired by Buddhist monks. They do not 'repress emotions': they learn to regulate their emotions, so as to not let the negative ones feed the Dark Side, and they have the moral fortitude to focus on their spiritual duty. They're professionals that have dedicated themselves to a higher calling, and who still feel and display the same emotions we all feel, unless I watched very different movies from everyone else. We see that Jedi characters can still crack jokes, cry when they are sad, become scared or anxious, feel strong love and loyalty to their peers, and can even be righteously angry in some situations BUT always knowing when to pull back.

The Jedi of the prequels were victims of manipulation by Palpatine, and were caught in between a rock-and-a-hard-place with the Clone War, and they were ultimately destroyed not by their own actions, but by the treachery of Anakin Skywalker, who failed to overcome his own flaws because he refused to really follow the Jedi teachings, and was gaslit by Palpatine for decades on top of that. 

Leslye's take on Star Wars, based on how she wrote the story of the Acolyte, is that "yup, the Jedi were doomed to destroy themselves by being hypocritical and tone-deaf space cops," and she also outright compared them to the Catholic Church (this reeks of Western bias and misunderstanding of Eastern religions). The one that really stunned me, was when she said she designed Qimir to be her own mouthpiece for the experience of being queer and suppressed, who isn't allowed to just be her authentic self in a restrictive world. Which, to me, implies that Leslye wanted to depict the Dark Side as actually a misunderstood path to self-actualization that the Jedi, in keeping with their dogma of repressing emotions, only smear as 'evil.' 

Let me remind you all: Qimir is officially referred to as a Sith Lord, by Manny Jacinto, by Leslye, etc. And what are the Sith, exactly? 

Space fascists. Intergalactic superpowered terrorists. Dark wizard Nazi-coded wannabe dictators, whose ideology is of might-makes-right, survival of the fittest, and the pursuit of power for power's sake. To depict followers of this creed as an analogy for marginalized people who have literally been targeted and murdered throughout history BY the real-life inspirations for the Sith.... I find revolting and tone-deaf by Leslye. 

SO.... seeing how that show ended, and reading up on how Leslye intended it to be interpreted (Osha's 'triumph' over the 'toxic paternalism' of Sol/the Jedi in general), really put me in a funk, because deep down, I could just sense that this was not at all compatible with the ethos of Star Wars. It made me go on a deep-dive into the BTS of the writing of the prequels and George's ideas about the Jedi, and it's how I discovered the truth that Dave Filoni has been pretty egregiously misrepresenting George's themes for several years now, usurping George's words with his own personal fanfic about the motivations of characters like Anakin, or Qui-Gon, or the Jedi Council, etc. 

His influence on the franchise has caused this completely baseless take on the Jedi to become so widespread as to rewrite history for modern fans. Who are utterly convinced now that this anti-Jedi messaging WAS George's vision all along, and they get real mad at you if you show them actual proof of that being a lie. 

And the Acolyte is perpetuating this twisting of the very core of Star Wars. This is what I meant by the 'moral decay of Star Wars.' 

The Star Wars saga was made by George Lucas in 1977 to accomplish these specific tasks: 

To remind people of what it really means to be good.

What evil actually looks like, and how it comes from our fears and greed.

To teach kids how to grow up and choose the right path that will make them loving, brave, honest people that stand up to tyrants.

To give the world a story that returns to classic mythological motifs and is fundamentally idealistic, to defy the uptick in cynical and nihilistic storytelling after the scandals of Vietnam and Watergate broke Americans' belief in there being such a thing as actual heroes anymore. 

THAT is the soul of Star Wars. That is what George meant for this remarkably creative universe to say with its storytelling. But I sincerely think that what the Acolyte told, was that morality is relative, the heroes of this saga are actually bastards, the fascist death-cult is misunderstood, and a young woman being gaslit into joining said death-cult is a triumphant girlboss moment. When it actually comes across as the tragedy of a broken person choosing the wrong path that will only make her miserable, full of hatred and powerlust, and hurt innocent people along the way. 

The Acolyte betrayed one of George's most critical lessons: that the Dark Side ruins people, and if you want to truly become your best self, you must choose the path of Light, and the Jedi are the ones who have best mastered that path. So if the future of Star Wars is to continue framing the Jedi and their teachings as some corrupt and immoral system that is making the galaxy worse, then I would rather stick to rewatching the classic scripture of Episode 1-6. George wrote a complete and satisfying story, that is thematically consistent, and in my opinion should have been allowed to rest. 

I will not hate on new fans that love the new material, but I will pity them if they really think any of this is actually faithful to George's vision (they may very well simply not care, either, which troubles me too), and I am afraid of a show like Acolyte teaching young people to see the Jedi's philosophy as wrong, and the Sith as having a point. 

(P.S. I have a moral duty to clarify this, given the discourse around the show: No, this is not a problem with 'wokeness,' or diversity, or representation; that side of the fandom is very sick in the head and not to be taken seriously. 

It's a problem with Leslye's themes and tastes as a storyteller, being fundamentally against the ethos of Star Wars and how it soured the entire show in hindsight for me... a show that I was actually really liking, before the finale dropped its thematic nuke.)

[baldursgate3tempobsessed]

Astarion teaching Tav embroidery/sewing. Preferably with him dragging them onto his lap for a close-up demonstration.

Why do I make everything so long? Do I have a problem? There is always so much introspective nonsense idk man. Anyway adorable idea actualized below!

Also mentions of sex but this is totally sfw. I went with the timeline of when your sleeping together but he hasn't quite admitted his feelings to himself, as a side!

~

Astarion had no idea how he became your camp's designated seamstress. How was it possible that a team of eight adults were all incapable of knowing the basics of such a fundamental skill?

Then again, Karlach seemed to be perfectly fine with wearing her clothes to tatters. Wyll was born with a silver spoon in his mouth. Lae'zel, for some gods forsaken reason, was only capable of fixing up heavy armor. Gale seemed to prefer eating magical clothing items versus being able to salvage them and the rest were mediocre at best.

The look of confusion on Shadowheart's, who was the second most skilled by far, face when Astarion tried to explain a ladder stitch was enough for him to give up entirely. It was quicker to fix the tears then to explain simple concepts to simpletons.

Brats. All of you. With one who was significantly more brazen than the rest when it came to using Astarion as their personal tailor.

Tav, the lovely thorn in his side. Who could handle wielding a glaive with startingly accuracy, but somehow managed to consistently stab themselves every time they picked up a sewing needle. It was impressive, how useless someone who was otherwise extremely competent could be.

Impressive as it was frustrating. Because somehow you managed to destroy your clothes more often than anyone else. Always bashfully handing him over torn trousers and ripped shirts every other night. Anyone else he would have told to fuck off by now. Even the rest of the camp knew better than to test their luck with anything more than once a fortnight. But you lacked the very basic level of self-control.

It was his own fault for giving you special treatment in the first place. But sleeping together did warrant a few extra benefits. He got your protection and you got to experience the pleasure of being with him. Simple. Or it would have been if you didn't insist on making things complicated.

Because Astarion was starting to feel things. Things that he hadn't anticipated. Because your company was... oddly pleasant. You were an interesting little thing, he had to give you that. Well-read and talkative, but not boringly so. No, Astarion sometimes found himself losing track of time when he was with you. A simple question could easily turn into a two-hour conversation about the silliest things. It was... nice. New. And oh so different from what he was used to.

Cazador didn't even allow him or his brethren to speak in his home, let alone speak to each other unless it was strictly necessary. But here he was free to do whatever he pleased. And he was finding that included being near you, despite how differently you both saw the world.

He couldn't quite blame you for your delusional optimistic views. As a Tymora worshipper you were basically doomed from the start to believe inane concepts like good fortune, luck, and gods, the good that could be found in "anyone".

You were as sweet as you were aggravating and Astarion truly, honestly, had no idea how your insane trusting nature hadn't managed to get you killed yet. But then again he... kind of liked that about you. He liked that you trusted him. It made his life more convienet and... it was nice to be seen as a person worth confiding in. Instead of the blood-sucking monster he really was.

He... liked that. He liked you. A fact that he didn't enjoy thinking about. He didn't really know what to do with it, and the implications of where his feelings could lead were starting to become unsettling. So he pushed it out of his mind. It was an easy thing to do when doom was always looming in the background. He had plenty of things to think about that didn't include his fondness for you.

Like the inner-rage you caused when you managed to somehow rip the same shirt twice in one day.

"That's it," Astarion announced when you bashfully asked for his help yet again, "Come here. I'm teaching you how to sew."

"But you always get mad when you try," You whined. But despite the hesitancy you still obediently sat next to him as he got out the sewing kit, "Do you promise not to snap this time?"

"That depends," Astarion said with a roll of the eyes, "Do you intend on not maiming yourself with a sewing needle?"

Astarion smirked at the way that made a blush crawl up your neck, "That was one time!"

"Actually darling it was closer to seven," Astarion corrected as he snatched the shirt from your hands, "Now pay attention. Look at where the tear starts. Notice how it's on the seam?"

You nodded along as Astarion explained the basics to you. He could tell that you were trying your damndest to pay attention, but when it was your turn to hold the needle your hands couldn't stop shaking. Astarion frowned as he tried to watch you work, his view obfuscated by the angle and the flow of your hair.

Well that wouldn't do.

Before he could think better of it he was hauling you into his lap, ignoring your surprised squeak as he situated you just right.

That was better. At least now he could see what you were doing. It was a sloppy stich, sloppy enough for him to undo it before putting the needle back in your hand.

"Now do it again," Astarion ordered, "Let me see what your doing wrong."

Astarion watched as you tried again, frowning when he realized your shaking was even worse than before. In fact, you seemed more nervous than ever, your face red as you kept your eyes down.

It made Astarion torn between watching your hands and looking at your face. You really were adorable, getting all worked up from simply being in his lap, all while trying to stay dutifully undistracted. He could almost hear your heart racing, obvious through the tension coursing through you.

Silly little thing, acting all shy like he hadn't already literally been inside of you. But at least you were doing better, your stitching straighter than Astarion had ever seen it. Maybe he'd have to make the lap-sitting mandatory from now on, for the good of your learning.

"See," Astarion said softly, his breath tickling your ear as he leaned in closer, "You're perfectly capable of learning this."

"So it looks good?" You asked, taking a chance to glance at him. Astarion hadn't realized just how close the two of you really were. He had never... seen you like this before. So closely. Even when you slept together, he had been a bit distracted by other parts of your body. He never noticed just how many light freckles were hiding across the bridge of your nose, how your eyes looked almost golden in candlelight. You smelled nice too, sweet. Like you had been rolling around in a field of lilies. Considering your personality, Astarion had to wonder if that's exactly what you did.

It would take almost nothing to press your lips together. Barely a turn on the head.

"Astarion, are you listening?"

The sound of his voice snapped him out of his revelry. He straightened, clearing his throat as he looked over your work again, embarrassed in a way that he couldn't quite describe.

Maybe you weren't the only one being affected after all.

"It looks better," Astarion said honestly, "But still needs work. You'll almost certainly be needing more lessons."

Preferably like this. Astarion wasn't quite ready to let you go yet, not when you felt so pleasantly warm in his lap. But luckily enough for him, you didn't seem quite so keen to leave.

Astarion tightened his hold on you laughing at the way it made you gasp, "But that's enough for today. I think you've earned a reward. Don't you?"

"I-yes?" You said back, your eyes flitting from Astarion's mouth and back, "Please?"

You really were too precious. How could he possibly say no to that?

Astarion grinned as he tilted your chin up, finally pressing your lips together. It was an odd feeling, kissing someone when he couldn't stop smiling, but he supposed you just had that effect on him.

Maybe being the camp seamstress wasn't so bad after all.

[phantaloon]

the thing that makes the pjo books so good, and superior in my humble opinion, is how hard it is to stay on the "hero's" side by the end of book 5

and im not saying I would have followed luke and both intentionally and unintentionally kill my fellow halfbloods, im not saying what luke did is right, because it's not, and because in the end it was always kronos manipulating him since the start

but the thing is, luke is so right to be bitter and furious at the gods, he of all people knows what it's like to suffer bc a god simply wanted something, and they wouldn't stop until they did

losing his mom, psychologically speaking, bc it was a god's curse that made it impossible for the oracle to work right, and drove may insane

praying for years for hermes to help with his mom, for anything, and receiving silence in return

losing thalia, the first person he had been able to connect with, because of a hades's need for vengeance (bc zeus killed his lover in the first place)

going on a quest, failing and ending up with a scar and having nothing but pity simply bc hermes, his dad, asked him to go

being left behind by the gods, seeing his cabin fill out by unclaimed kids the gods are leaving behind, kids the gods for one reason or another don't want to claim

seeing how hey, there's kids here whose parents don't have cabins here, and yet the gods want there to be cabins for the twelve olympians only

and just the countless injustices he saw happen along the years, all bc of the gods will

and like i said before, kronos's manipulation didn't help, but it was luke being beyond bitter that made that manipulation work

and yeah, maybe i personally wouldn't have started a civil war between the literal strongest gods that would have ended up destroying the world, and I wouldn't have sent an innocent twelve year old to his doom to tartarus, and i wouldn't have done like a single thing luke did throughout the books, bc he ended up hurting his kind, more than he did the gods themselves

but it's so easy to see where luke is coming from, it's so easy to understand his anger, his desire to see the gods pay in some way, because they don't care about mortals and how the consequences of their actions affect them greatly

it's also easy to see that luke was, after all, simply too angry, too bitter, and that made him vulnerable to the power of those who wanted to overthrow the gods

and it's what makes even percy question everything he thinks he knows about the gods, it's what makes percy take smth from all of luke's ways of thinking, and ask for the gods to be better by the end of the last olympian

and it's what makes percy, even in hoo, think back to luke's motivations and think, huh he wasn't entirely wrong was he?

and god i just fucking love these books thanks for coming to my ted talk

[lunartuness]

Spoilers for Book of Bill

Thoughts on Bill talking about Ford

I was not prepared for canon Billford in the year 2024 and yet here we are.

But seriously, I'm kinda surprised how much Bill actually liked and valued Ford? Obviously it's in a horrible, toxic, never come within the same continent as them kind of way but it's just, I always kind of figured their relationship (while obviously adoring from Ford's end due to Journal 3) was mainly just Bill humoring Ford long enough until he no longer needs him. Like, 'yeah, sure, of course you're special, I definitely believe in you' sort of nonsense.

But in Bill's book it's implied multiple times he had as close to a crush on Ford as he's probably capable of. I mean, the whole 'love cage' section is literally verbatim what he did to Ford (and just wait until they're mentally broken enough to confess their true feelings! Fear and love are basically the same thing!) And in the valentine's section he talks about leaving mice, which again, he did for Ford's birthday, and then when he wasn't happy about that, got him drunk enough to have a good time (implied kinda forcibly? since Ford declined beforehand). Then there's the fact he literally calls Fiddleford a third wheel (also coincidentally after we just learn Fiddleford spent hours on handmade gifts for Ford and forgot to get his wife anything).

And when Ford finally does catch on and things go bad? Bill tries first to talk with Ford through the zombies (to manipulate him, of course, but also Admit it, you'd miss me. I have missed you, and Bill actually smiles.) And then leaves little sticky notes asking nicely to talk. When he finally gets mad enough to escalate, he still does so in a very not-violent-for-Bill-way. Sure, killing Ford wouldn't help him but we know how messed up Bill can get. And yet what does he do? He leaves Ford's body to almost freeze, only to have a warm fire and a love song playing when he wakes up. He causes mild public disturbances and gives him an obnoxious tattoo. When he finally, finally snaps is when we start to see more of the Bill we got in the show when he tortures Ford a bit. But even that is mild?

Like, Bill rearranged a man's face for fun and takes joy in destroying the Nightmare Realm. But after threating Ford he leaves him unharmed. Very mentally scarred, yes, but safe and intact. He even gives him three days to get his life together. And then treats it like a messy breakup when Ford finally breaks free. Hell, it seems like he was more upset about losing Ford than losing the portal.

All this is to say that I think from Bill's point of view he was being genuinely kind to Ford. He gave him gifts, complimented him, and tried to work things out peacefully when Ford started pulling away (again, his very messed up version of peaceful, but the point still stands).

So when they do finally meet again? Bill still offers Ford a spot next to him. Again, I originally thought this was more playing into Ford's ego while taking a cheap shot at him (i.e. you'll fit in great with the freaks!), but by now it's obvious he wants Ford. He's petty and cruel and horribly abusive about it, but in his own twisted way he likes Ford. A lot. Enough to show mercy (or at least not be as violent as he could be) and to try and give him multiple chances to come back, no apology needed!

And the worst part is Bill knows this. Bill's trying to make this relationship work. He feels connected to Ford in a way he quite possibly hasn't felt with anyone else. And he knows its doomed to fail. In his mind he has to destroy everything he touches and everything he cares about. Any other connections he has are either superficial or dead to him (usually literally). This relationship will end the same way, it's just in Bill's nature. To him, that's all his relationships are capable of being.

All this just makes me sad and adds so much depth and I'm obsessed. There's just something about self-destructive and truly cruel characters having moments where they wish they weren't that way. Where they'll come the closest they ever can to apologizing for how they are.

(Also Bill literally wanted Ford to get a tattoo saying 'If lost return to Bill' like we cannot just ignore that oh my god)

[kentopedia]

when nanami dies, there's a box of letters waiting for you.

months pass before you find it. it's not until you're cleaning out his things, wondering if you can stand to get rid of them, that the letters are there waiting for you.

its no bigger than a shoebox, dark wood engraved with an intricate design, one that you're certain kento picked out specifically for you. you've never seen it before, and you open it with shaky hands, tears already pooling in your eyes at all the memories your lover left behind.

inside, there's a stack of letters, each one dated at the top with kento's name intricately signed at the end. some are in sealed envelopes with beautiful stamps. some multiple pages long and include some little haikus that are far too lovely to be about someone like you. and some are just quick little notes scribbled on napkins.

your spread them across the floor, staring down at each of the tiny little hearts he'd drawn next to your name on each note. even though you'd been together for years, you had no idea that he'd been writing all of them—hours of his life dedicated to this little pastime, and you'd been clueless.

they're like journal entires. insights into kento's life and your relationship, both the good moments and the tough ones. he leaves behind everything to you, entrusting you to keep his entire existence safe in your hands.

you read the letters with tears streaming down your face, and you choke on your sobs, trying so hard not to smear the ink from the wetness on your cheeks.

when you pull one out with shaky hands, you realize it's a decade old. the writing has faded a bit, and the paper is yellowing, but it's kento's handwriting, nonetheless.

it makes you near sick to read it. for a minute, you have to set it aside, cry into your knees as you curl into a ball, wondering when you'll ever stop feeling this empty.

this letter is from a sixteen year old kento; a quiet boy who had a silly little crush on girl in his year that was much too pretty for him. and in the letter, he says he knows you're too good for him, but he can't help but love you. he can't help but hope that one day, in a few years, you'll want to marry him as much as he wants to marry you.

it hurts, burns in your chest because even back then, kento had known you were the one. he'd known and he wrote you these letters because he'd felt that his life would be cut short. he'd felt like that since haibara died, and geto left, and it started to seem like the life of a sorcerer was always doomed to be an unhappy one.

kento had been so afraid that his friend died without knowing how much he meant to him, and he refused to make the same mistake with you.

there are letters from even when you weren't together. from the years that you were eighteen, nineteen, twenty, and kento had been so desperate to leave jujutsu behind that it meant he had to leave you too. even then, even when you were nothing more than a shadow from his past, he adored you.

you feel so outside of yourself, nauseous and filled with so much grief that you're not sure where to put it.

sometimes, you’d doubted if kento felt as loved by you as you did by him. but there's pages and pages of him speaking of how special you make him feel, even when you were separated, and he missed you so much that the thoughts of you consumed him.

you spend hours going through the letters, and then, you see one dated halloween, 2018. even breathing feels hard, but you can't stop yourself from reading it, even though you know it will destroy you, know that you won't be able to leave the house for days after reading it.

in the letter, kento says he loves you. he talks about the day before, when you'd convinced him to watch some halloween movies, and though most of them were silly, he didn't care how he spent his time with you as long as it made you smile.

he says that he feels bad for cancelling your dinner plans, and he's going to be thinking of you when he's in shibuya. that it's such a shame that being a sorcerer is so much more fulfilling than a salaryman, because it cuts into your time together, and you’re the most important part of his life.

he says he loves you again. that he really hopes he makes it back from shibuya because even though he's never told you, he wants a family with you.

he says he’s decided he'll bring it up when he gets home safe and sound. he’s not sure how you’ll feel about it, but you better know that he’ll always love you no matter what you decide, even if what he really wants is a little girl that looks just like you. and lastly, he hopes that you don't stay up too late waiting up for him—you’ve been so tired lately, and it’s making him feel bad.

his name is at the bottom with another little heart.

you let the letter fall from your hands.

[rainybubbles]

141 coming back to you after a eight months mission

Plus size reader :) !

(Sorry in advance for my mistakes, English is not my mother tongue. So sorry if it's badly written or if they're OOC)

G H O S T

-Eight long months, every fiber of his being yearned for a hot shower, his eyes struggled to stay open.

- Yet, it wasn't his shabby apartment that the taxi drove to.

-Simon, buried beneath the Ghost's mask, still held a glimmer of humanity within him, a breath hidden beneath Ghost's blood, death, and violence.

-But on that evening, what he ardently desired was them: their gentleness, their scent, their warmth.

-Like a wild animal slowly tamed by food, he returned to them whenever possible.

-Under the pouring rain, he advanced, hastily thanking the driver, the heavy bags weighing on his shoulders.

-He stepped into the still slumbering pastry shop, and the bell rang.

-And there they appeared.

- Covered in flour, with a pastry cap and apron, they were surprised to find someone there at five in the morning.

-"Simon," they murmured.

-The sound of his name was so sweet, so soothing.

- But he wanted more.

-He wanted them to whisper his name over and over again, filled with desire, until they could only utter it, clouded with pleasure.

-His bags fell to the ground, and his arms enveloped them in an instinctive movement.

- Their hair smelled of sugar and butter, the flour staining their black sweater. Simon wanted more.

-"Y/n"

-" I missed you," they whispered.

-He couldn't bring himself to respond, to admit this longing, but they could sense it.

-His arms didn't let them go.

-"Scone?" they asked.

-"No. "

-"Muffin?"

- "No."

-" Croissant?"

- "You," he finally said.

A silence stretched between them.

-"I have to finish my batch, I open in an hour. Do you think you can wait?"

-No, he couldn't. But reason prevailed, and he nodded.

-"I'll help you," he murmured.

-"You barely know how to fold a dough."

-"I can follow orders."

-"Sorry, soldier."

-Their laughter echoed, and a sense of relief washed over him.

- He wanted to hear that sound again and again.

- In silence, they worked. Simon followed every move, ignoring the pain, stretching each muscle. He was ready for anything.

-When the last batch was ready and the saleswoman arrived, Simon breathed a sigh of relief.

-Y/n gave their final instructions and left.

-Alone on the street, they walked together.

-Like a starving beast, Simon jumped at every crumb of affection, grabbing their hand, his fingers brushing theirs through gloves.

-"We need to talk, don't we?" they finally admitted.

-"Yes," he replied.

- "About what happened before your deployment…"

-The kiss. A hurried kiss, without thought.

- Lips so soft, erasing the bad news of his deployment and eight long months of silence.

-"I… "

-'Don't say you regret it," he finally said.

-"No, I don't. I mean it. But I don't want it to destroy us."

-"It won't."

-"I know you avoid people, Simon. Attachment."

-"Yes."

-But not them, he thought

- Since the moment his feet led him to that pastry shop. Simon knew he was doomed.

- A stupid cake for Soap's nephew, and he found himself charmed by a baker making incredible scones.

-Simon had become a regular there, a man of habit enjoying the good things, he told himself.

- It was close, he said.

-Close to his shabby apartment, to his gym.

-Just a daily stop for coffee and scones, he reasoned.

- But every morning, his eager eyes searched for their silhouette.

-Their rolls, their belly, their thighs, that smile.

- Every crumb he could get, he took.

-They eventually noticed him.

-A mountain of muscles, hidden by a mask, softened by scones, it wasn't the most discreet.

-They greeted him.

-Always the first customer at dawn.

-In reality, Simon came so early out of military habit but also to avoid the saleswoman.

-Simon desired the baker, not the small, slim saleswoman.

-Slowly, they spoke to him, and everything fell into place.

- They had become his anchor, an anchor in reality.

- A tough mission, and he came to them silently, without needing to place an order, without having to face the crowd, slipping to the back and watching them work.

-No questions, just comfort.

-The smell of sugar, flour, and eggs permeated his clothes in the most exquisite way.

-And now he dreamed of a life where this scent would be constant.

-"I don't want us to drift apart," they said.

-"We won't," he assured them.

-"So, what do we do, Simon?"

-"Kiss me."

-It was a prayer, a barely audible order, a cry for help.

-Slowly his mask fell.

- Their eyes met, hesitant but filled with desire.

-And they kissed him.

- In that dark street, under the pouring rain.

-"Again," he murmured.

-"We have to go back," they said.

- "I don't care about going back," he replied.

- "Simon, you don't want to spend your leave sick."

-"If I stay with you, I do."

-"Idiot."

- "For you."

-Their laughter burst out, and Simon kissed them again to capture it.

-Slowly, they finally arrived at their place.

-Their dog welcomed them, barking happily at Simon. And after eight long months, Simon could finally breathe.

-"I'm home," he murmured.

- "We were waiting for you," they replied.

-Nothing surpassed this feeling, he thought as he kissed them again.

-Simon was a man, and like any man, he had finally found his long-desired home in their arms.

__________

P R I C E

-In an emotionally charged atmosphere, Price let the water flow slowly, carrying away the remnants of blood under his nails.

-After eight long months, he felt like a ship drifting without a course, without a real destination.

-At least that's what he claimed to anyone who would listen, but the ring hanging under his uniform whispered different truths to him.

-Staring at his own reflection, Price read the inscription inside the ring, a name he hadn't uttered in years.

- Like enchanted by a spell whose charm he feared, he hesitated to whisper it again.

-Yet, his heart demanded it.

-He knew it was the longing that drove him.

-Without those eight months, he wouldn't be here, longing desperately to have them back in his arms.

-(It was false; since the divorce was signed, he dreamt of them.)

-Since the day their marriage ended, he had wanted to throw himself at their feet and beg them to come back.

- He desired their warmth, their ridiculous work stories, their cooking, their scent, their fingers, their kisses.

-They were the oasis in the desert of his life, and through negligence, he had let them evaporate.

- It all dated back to before his promotion to captain.

- Back then, he was just a young lieutenant full of ambition, willing to sacrifice anything to obtain that coveted title.

-But the long hours at the office had gradually poisoned his time with them, an absence they had signaled to him, one he had ignored, one he had maintained until everything exploded like a grenade.

-Now, he stood there, on the minefield of his emotional life with a ring they had probably forgotten, longing to hear them say yes once again.

-As he dried himself off, Price settled into his office.

-He told himself it was just simple nostalgia, but the bitter taste of tobacco wasn't enough to distract him, remembering how much they hated that smell. He extinguished his cigar.

-To take his mind off things, he decided to go to the nearest bookstore. A good book would be welcome, he thought.

-"John?"

-That voice, which had haunted him for three years and eight long months of divorce.

-"Y/N."

-It had been so long.

-Too long, he thought, seeing them so different.

- He admired their new haircut, their new clothes. What a lucky man he had been.

-"Yes. Still teaching?"

-"Yes. And you, did you manage to become a captain?"

-"Yes."

-The silence stretched, their eyes avoiding his.

-"But it wasn't worth it," he admitted.

-"Too much work?"

-"Not enough of you"

-"John," they interrupted.

-"I'm not trying to get us back together, far from it. I know it won't happen, but I wanted to be honest with you. I think this divorce has been the biggest failure of my life, and you deserved better than me."

-Hesitantly, they opened their mouth, a mouth he had kissed so many times, one that had shared all their troubles, all their doubts.

-"Thank you, John. But I'm also to blame. I should have told you everything that was going on in my head, everything that wasn't right."

-"You couldn't, when all I listened to were orders."

-"Maybe…"

-"Good person, wrong time, it seems."

-"Nothing prevents us from correcting the timing, right?"

-John raised an eyebrow.

-"It doesn't mean we have to start all over, but… you've been a pillar in my life, John. I missed you. Whether as friends or more, it doesn't matter."

-"Thank you, love," John murmured.

-They approached him, and during this long absence, John could finally feel human warmth again.

-To just be John again, not Captain Price.

-Their hands wrapped around each other.

-They both knew it wouldn't be purely platonic, but like a suspended promise, for now, they would stick to it, hoping that one day the rings would find their respective places again.

-Theirs from their drawer to their finger, and his from his neck to his hand.

-"I missed you."

-"You too. Tell me what I've missed."

-And John could only smile.

-If these eight months of hell, these three years of desert led him back to them, then it was worth it, he decided.

- So when he packed for his next return, the soldiers watched him curiously because for once the captain had a home where he really wanted to be.

_________

S O A P

-Immersed in an ocean of turmoil, Soap returned after eight months of absence, longing to celebrate his return with his family.

-His thoughts, drowned in alcohol and his mother's reprimands, were rocked by the cheery laughter of his nephews and nieces.

-Between the urge to scream and the desire to simply savor their presence, he oscillated.

-When the festivities finally came to an end, he could finally breathe.

-Eight months.

- Alone in his flat, memories flooded in, evoking strategies, bombs, deafening tumult, and lingering smells.

-Everything was an attempt at distraction; the television, the rain, a run, a cup of tea, messages on his mobile.

-He longed for something, even if he didn't know exactly what.

-But it was missing, creeping under his skin little by little, scratching at the door of his mind.

-"Again, really?'

-His eyes fell on his neighbour.

-The same one who had endured his screams at three in the morning, his hurried departures on missions, his heavy suitcases dragged at seven in the morning.

- And now, at four o'clock, they stood before him, a mischievous gleam in their eyes, the result of an incident involving dumbbells in his hands.

-"Sorry.", he apologized.

-"I'm starting to think you're doing it on purpose."

-"On purpose…? "He raised an eyebrow.

-"So that we see each other. You know, like in those cliché romances where the noisy neighbour ends up seducin' the complainin' neighbour."

-Incredulous, he couldn't help but laugh.

-"Ye wouldn't need that."

-A teasing smile stretched across his neighbour's lips.

-"I know. But you seem to need it. Not an adventure, but a distraction."

-They referred to the dumbbells.

-"Aye."

-"I make cookies." they said.

-"At 4 a.m.?"

-"I know how to keep myself busy in silence."

-"…"

-"Interested?" they asked.

-The latent feeling under Soap's skin resurfaced.

-He nodded and followed them. And then he realized.

-The warm atmosphere, the decor, the unstacked dishes, the soft carpets.

-That's what he had missed, a heaven of peace.

-"They won't be the best cookies in the world, but they'll do."

-"Ah'm good at it." he said.

-"Pastry chef?"

-"Military."

-"Hm, that explains a lot. "They gave him a complicit look.

-"Like what?" Soap asked.

-"This horrible haircut."

Laughter erupted in the kitchen.

-"Ma haircut is incredible."

-"For a 6-year-old."

-"Ah look handsome with it."

-"Even without it."they said.

-"Good at flirtin'?"he asked.

-"With the right person, yes."

-Soap smiled.

-"Ye would be bonnie with a mohawk."

-"No thanks. But, well, I understand the muscles and the irregular movements now."

-"Aye, Ah don't choose my hours."

-Too bad, you'd think criminals can't be punctual, huh? "they joked.

-He smiled.

-"Exactly."

-Hands in the dough, Soap couldn't help but let his gaze drift over his neighbour's curves.

-He admitted that sometimes his door slammed a little louder in the hope of catching a glimpse of them, like a good luck charm before a mission.

-Curves he longed to explore, letting the eight long months fade from his memory to be replaced by love for them.

-"Ah should hae made more noise if it means havin' cookies."

-His neighbour smiled.

-"Maybe. I was worried about this silence, you know."

Soap felt touched by their concern.

-"Ah'm sorry."

-"Don't apologize, you didn't decide on that. It's just… maybe I could give you my number? If you ever have plants or stuff like that, I'll take care of them."

-"Okay." he acquiesced.

-He took the paper feverishly, keeping it as a precious treasure, and continued cooking.

-At the end of that day, returning home, Soap could finally close his eyes.

-The creeping feeling had come to an end.

-That longing, that emptiness, it was them, the sound of a life together.

-He brushed the paper, a smile on his lips.

-Getting up, he decided to drop a dumbbell loudly.

- A noise at his door rang out, and he smiled. Nothing was worth his neighbour.

-So slowly he opened the door, and dinner followed to apologize.

-Then another to repay.

-And slowly, they erased from his mind the eight long months that had haunted him.

G A Z

-After eight long months of absence, Gaz finally found a moment of respite in his humble accommodation on the base.

-The deafening noises of the base's incessant activity, the hurried faces, the soldiers' rushed departures, everything seemed to dissolve into a chaos filling his ears.

-Everything seemed to fade away as soon as he could cross the threshold of his room.

-Here, in this haven of tranquility, he could finally silence the external turmoil.

-His pulse slightly quickened as he reached for his phone, his fingers instinctively finding his favorite contact: them.

- He felt this visceral need to reassure them, to feel their presence through the voice that was so dear to him.

-In this suspended moment, he longed to hear nothing but their soothing breath, to lose himself in their tender words.

-His ears buzzed, every beep deafening his eardrums and…

-"Hello?"

-"Y/N," he murmured, relieved and tender.

-The echo of their voice provided him with a welcome comfort, a balm for his weary soul.

-"Kyle. Back among us?"

-"Yes, I'm sorry if I'm disturbing you."

-"No, I'm on break. I have a shift tonight."

-A silence stretched.

-"Is everything alright?"

-Kyle hesitated before speaking.

-Is everything alright? The blood, the bruises, the cries, the deaths… Everything seemed to still be on his skin, vivid in his mind.

-"I don't know," he admitted.

-"You didn't break an arm, did you?"

-Kyle smiled at the memory.

-After a rough mission he had rushed to his flat ignoring the pain in his arm and the medics.

-Yet he ended up to E.R days later with a blue arm and broken bone.

-Y/n was one of the nurse who was in charge of him and his cast, they kept contact.

-"No, I don't know how I managed to cope without hearing from you."

-"Charming," they laughed at his attempt at flirting.

-"Maybe."

-"More seriously?"

-"Tired," he admitted.

-"I would tell you to sleep, but I imagine you don't want to."

-"I can't."

-Not when he knew the nightmares awaiting him.

-"…I finish at 1am, if ever. I'm not implying anything, I know your base is super far, but I know that company can help."

-"Hmm, I don't know, will there be food?"

-"My company isn't enough for you, Kyle?" they joked.

-"I fear not."

-"Damn," they exclaimed, laughing.

-Ah, there it was.

-A tender smile stretched across Gaz's lips.

- In this exchange, he found comfort, a precious connection.

-His body relaxed slightly.

-"I missed you," they confessed.

-"You too."

-"You know, I bought those awful biscuits you talked about so much, hoping you'd come eat them at my place."

-"I'll take it as a declaration at this rate."

-"Shut up, I know you'd never buy them because 'no time'."

-"I like speed."

-"Even in bed?"

-A mischievous smile formed on his lips.

-"That's for you to find out."

-"You always say that."

-"I mean it."

-"About?"

-"Us."

-"Kyle…"

-"I know, after eight months of absence, it might just be the longing speaking, but… the only thing I wanted was you. Coming back to you, holding you in my arms, making you laugh one last time. And… staying friends… it's worse."

-"Worse than eight months without me?" -"Yes."

-"You're horrible for doing this."

-"I know."

-"At a distance, over the phone. I can't… I can't guess anything."

-"I guess I'm a coward."

-"Shut up, I… I swear I'm going to hit you and then kiss you."

-"Kiss me?"

-"Of course, do you really think I answer all your calls at any time out of friendship?"

-"Y/N…"

-"Last time there was an eight-hour time difference."

-"You told me…"

-"That there were only two, yes, because… I didn't want you to worry. You're a stubborn idiot always thinking of others, so I wanted to be selfish for once that you are."

-"I am. I want you, Y/n."

-"Then come get me."

-Kyle smiled and hung up.

- In his car, stress, fear, adrenaline surged. But for once, the enemy wasn't to be fought.

-Once in front of the hospital, hours of driving later, he stood at the entrance and saw them come out.

-Their name spoken from their lips, and he embraced them.

-"Never again," they whispered.

-"I can't promise anything, but I'll try."

-"I swear I'll kick Price's ass if he does that again."

-"I'll help you."

-"Promise?"

-"Promise."

-And he kissed them.

-Suddenly the eight long months evaporated on Y/n's couch, his fingers sliding through their hair, and his lips on theirs.

-The silence returned and Kyle could finally breathe.

If you want more : my masterlist

[im-totally-not-an-alien-2]

Rejected soulmate au but I made it worse instead of better

Danny, instead of just leaving, instead snaps and commits a series of murders as Phantom, rampaging across the city. His first victims were his parents who he mauled to death, then Vlad, then his so called "friends". Once he came out of the green rage induced fog he realized what he had done and sobbed somewhere in the woods around Amity.

He knew that the GIW would arrive soon, and well, he's already in this deep and he can't just let a government agency that hell bent on genocide and conquering/expirementing on the entities of an entire dimension do as they please so he takes his hanger out on them as he's always wanted.

Hes so glad Jazz is away for collage. She's safe from them. Safe from him.

Its a wonder Clockwork didn't try to talk to him. He probably knew it wouldn't do any good, and Danny is technically of the living and Clockwork isn't allowed to harm the living or control them, only influence them into taking different paths. Hence why he did the time freeze/rewind fiasco when Danny attacked him at the clock tower when he was 14. He wasn't allowed to actually fight him and honestly at that point Clockwork didn't need to. But now Danny had that time medallion in his chest courtesy of his alternate evil future self and Clockwork couldn't do anything.

Danny was 16 and far too powerful for the master of time to take on.

Danny demolishes the GIW like he was playing Doomed on the easiest setting. It was laughable how quickly they went down and Danny found himself enjoying it.

He always had to tamp down that feeling. That vicious glee he got whenever he took vengeance on someone who wronged him. It had always been a thought in the back of his mind that he may have been inherently evil at heart and that he would turn to the dark side eventually.

He wouldn't be like the fusion of himself and Vlad though. That was just a mildless monster destroying everything in its path. What was even the point of that? For all the darkness in his heart, he couldn't see that as anything other that sheer stupidity. He assumed it was Vlads half. The only thing the creep was ever good at was dragging everyone around him down.

Danny packs up and activates the Fenton houses Baba Yaga Protocal, causing his childhood home to grow legs and literally walk away. He eventually managed to find all of Vlads secret labs and treasure stashes, raiding all of them and stripping them of everything they had to offer.

Then he went to find his soulmates dimension in the comfort and convenience of a newer and crazier version of howls moving castle. He had no plans on harming them per say, but he wanted to know why. Why reject a soulmate you hadn't even met before? A person who either platonically or romantically is your perfect match and can understand you better than anyone.

Danny himself suffered immensely throughout his childhood. His parents mental and emotion manipulation and neglect had left Danny longing for thier praise and attention but also left him feeling hollow and confused. Being the children of Evil mad scientists made it difficult to be friends with anyone. Even if the kids weren't weirded out by them, the parents of those kids would tell them that they weren't allowed to play with him or Jazz in fear for thier safety.

Rumors about the Fenton parents experimenting on thier children eventually reached thier ears. That was when he realized that other parents didn't give them twice daily injections of ectoplasm into thier bloodstream.

Im lazy but heres more:

1. Danny as a kid 9-12 realized that Sam and Tucker were crappy friends. Sam often tried to chase away any other girls that tried to talk to Danny for any reason (she was getting better) and often was controlling or patronizing to him while using her parents wealth to get what she wanted. Whether she realized it or not, she was actually a lot like them.

Tucker, Danny decided, secretly hated him and had straight up admitted before that he only became friends with Danny to steal the cool tech from his parents lab, which Danny had allowed and risked getting hurt by his parents to make his friend happy. Tucker was always jealous of Danny, stating that Tuckers own life was plain and boring while Dannys was like the protagonist of an anime. Tucker was quiet about it, but Danny saw how much the other boy enjoyed seeing him fail.

He tried to hang out with his big sister more, cause she could understand and she loved him, right? He was standing outside her door again with his favorite ball (it had the constellation Pegasus on it!) and raised his hand to knock on her door when he heard her groan loudly.

He knew he wasn't supposed to eavesdrop but he put his ear to the door anyway. Curiosity had always been his greatest weakness. On the other side she was talking on the phone. To who he had no idea cause Jazz didn't have friends, but she was complaining about mom and dad and...him. she told her phone friend that she loved him, but only out of obligation. She was his sister and she had to care about him, even if she didn't want to.

Danny didn't understand. She had just said she loved him so why did his heart hurt so much?

He went back to playing with Sam and Tucker. They were what he had, even if he didn't like them, he could lie to himself and tell himself that he did. Just like with mommy and daddy.

If he keeps telling himself that he loves them than he will. If he keeps telling himself that they love him then they will.

Dannys always been good at lying to himself.

Still, the soulmark on his arm remained. It was a vague promise of a light at the end of the tunnel. A dream that someone would show him what real love was like and they would sweep him off his feet and take him far far away from this place.

So why...

2. Phantom doesn't make a name for himself in this new dimension right away. Yeah he had all this treasure he stole from Vlad but treasure isn't money and he had no idea if money from his dimension would even be valid what with all the protections the us had on thier bills to make it difficult for people to make fakes.

Selling gold bars and the like was easier said than done, especially if you actually wanted a fair price for it, and he'd rather have a hoard stashed away for his later plans to more easily take shape.

3. Phantom was an excellent thief, even without his powers, but hes in too early to be arrogant and this world was filled with super-powered villians and heros alike, all trying to make a name for themselves.

He refused to be anyones stepping stool to something greater. Not anymore.

Danny was as cunning as he was skilled. He disguised himself in seedy bars, talking up whatever heist he had made recently, saying whatever thief had pulled that off must have been the greatest, sometimes he ever went dressed as a swooning girl for the extra oomph.

It usually worked and some meat head would take credit for his crimes. Word would sometimes conveniently make its way to the cops and if Danny was really lucky the poor sucker would actually go down for his crimes.

All to muddy the waters. Its harder to connect all these crimes to him when half of them have convictions and the other half have nothing linking them together <3

4. Danny needed minions but he didn't want to tell them anything. He wasn't in the position to start recruiting younger supervillians into his army yet. That was much later in the plan.

No, he needed a mercenary. One who didn't ask questions.

Mr. Deathstroke came with great recommendations and had a great track record for getting whatever contract he had completed and he had a vendetta of some sort against the Teen Titans and Young Justice.

Yeah, he was a bit fruitloopy but he seemed perfect for the job he had in mind.

Danny would keep Deathstroke at a distance of course. He was a mercenary, a hired gun, not his friend. Some one else could easily hire him to get information about Phantom or worse, hire him to attack or capture Phantom.

No the only thing tall, dark and scary was getting from him was the money owed to him in the contract. Money he now had plenty of.

5. Danny never really considered that he would have to compete with other thieves.

He had made sure to steer clear of places like Gotham and Metropolis because of the heros there who always stopped thieves and revealed their identities. Danny didn't need that, no thank you.

But as he was doing one of his heists, the third one this month and the one he planned on sticking the blame onto another poor sap-freaking Catwoman ran into the room with a sphinx carved of some precious stone and Batman not far behind.

Batman locked eyes with him for only a moment, cowl meeting domino for a split second, and Phantom knew he had been found out. This wasn't Gotham. He had no idea how they had gotten here or when but Danny wasn't naive enough to think the worlds greatest detective wouldn't be on his tail after he saw Phantoms arms drapped in the "priceless artifacts" from the India section.

They very much had a price. His buyer had paid a hefty chunk in advance.

Catwoman, who Danny had silently sworn vengeance against, kicked Batman away from her mid brawl and launching him in the direction Phanton was escaping.

Crud. It was time to fight and he was so not happy about it. Danny did manage to get away with the use of his electric powers. Turns out leaving the lower half of your face exposed is a bad idea, especially if your opponent knows Thunder Punch.

He used an EMP pulse as he ran to fry any cameras and Batmans equipment before heading down the hallway and through a few walls. He turned invisible once he was far enough away and flew off into the night with his prize.

This buyer better not backstabbing him. He's in no mood to play nice tonight.

[skzdarlings]

bodyguard: the first guard | part five | chan/reader

masterlist.

(part one of the previous story.)

part one | part two | part three | part four | part five | tba

( read on AO3 )

A sequel to the Bodyguard. Miroh’s daughter is assigned a bodyguard of her own. The past is confronted when old friendships and new enemies are pushed to the brink.

pairing: bang chan/reader content info: sequel to the bodyguard (felix/reader). this is a new reader perspective. this chapter contains explicit sexual content. this chapter also has a content warning for descriptions of torture and dehumanization, plus the aftermath of trauma, themes of identity loss and healing. the previously established story dynamics are prevalent. chapter word count: 10,200 words.

enjoy <3

-

B E FO R E

Felix returns to the base and he is scrutinized, as expected.  They all want to know why he was taken, what the enemy wanted, how he escaped.   Felix has never played so many sides all while obfuscating his real objective.  Alone, he guides himself through the venomous viper’s pit that is this war: Miroh and his enemy, Miroh and the world. 

Where it concerns the enemy, Miroh will always intervene.  He sees the enemy as the antithesis to the house of Miroh.   A rich, spoiled fool, holed up in his golden cave, oblivious to what he has and the work it takes to acquire it.  Miroh is jealous. Miroh is hateful. 

Those are emotions that Felix can manipulate.  He learned it from the best. 

“It was an ambush,” Felix tells him.  “They knew I was going to be there.  They were waiting for me.”  He uses his reputation, formed by Miroh, against Miroh.   

Felix would never lose a fight.  Felix would never fail a mission.  Felix would never surrender.    Felix is a reflection of Miroh so he presents the most flattering image. 

“What information did they want?”  Miroh asks. 

Felix can see the gears spinning in his head.  What could the enemy be seeking so determinedly to lay a trap for Miroh’s asset?  Oh, Miroh has a suspicion.  Felix can see it, because he knows exactly what it is.   

“They asked about Project Twenty-Three,” Felix says.  “I told them I had never heard of it.  Even if I had, I wouldn’t tell them anything.” 

Project Twenty-Three.  Chris has vented about it to Felix.  It is a cyber mission, striking against the enemy’s tightly guarded servers.  It intends to blackout the grid and lay virtual traps while they re-calibrate, compromising not only the enemy but everyone else on that grid: civilians, their homes, their hospitals, their shelters. 

It is a significant job for its scope and because it is the first time a mission will be helmed by Miroh’s daughter. 

Miroh’s daughter, Chris says, intends to sabotage the operation. 

It is Felix’s worst fears coming true.  Miroh’s daughter rebelling against Miroh is doomed to be a catastrophe.  She will inevitably go down and when that blaze tears through the sky, Chris will crash and burn in a similar inferno.  He is too blinded by proximity, too idealistic to see how it is impossible to truly destroy a man like Miroh. 

No one but classified personnel are supposed to know about Project Twenty-Three.  Miroh’s daughter let it slip to Chan, who let it slip to Felix.   As far as Miroh is concerned, Felix should not know about it.  As far as Miroh is concerned, Felix is telling the truth. 

As far as Miroh is concerned, someone is leaking highly sensitive data to the enemy. 

“I’m smarter than that, though,” Felix says.  He appeals to all that haughty vanity and says, “I was trained by the best.  Of course I got away.”

“Of course,” Miroh says.  Where before, he was wary, his guard comes down. 

Felix can sneak in.  Felix can lay his attack. 

“What else did they say?” Miroh asks. 

“I overheard them,” Felix says.  “They’re going to try and kill you.  And it’s going to happen inside your house.” 

The trap is laid.

-

P R E S E N T   D A Y

Miroh only put one soldier through a reconfiguration program.  And it wasn’t me.  It was you.   

Chan looks at you as if you shot him even though he was the one who fired at you.  

The words land with more violence than a bullet. 

It can’t be true.  That is your first reaction: denial. He is lying or he is confused or something, something, something. Anything but whatever he just said. 

He tries to step towards you.  You look at him and think of the First Guard: him in that corridor, a hand around your neck.  He fought just enough to make it real, the way you and Changbin sometimes fight, but it never went too far, did it?  You think back to that first fight in the ring.  You commended yourself for lasting so long, but that should have been a hint.  You would not have lasted a round with the First Guard on a good day, never mind after fighting several others.   He never came at you with the full brunt of his fatal capacity like you would expect, like you should have considered at the time. 

His eyes in the van, the tilt of his head.  

Trusting as your car stopped an inch from his body. 

His hands out like you were a wild, unpredictable animal, a weapon, something lethal he had to contain.   It’s me, he said.  It’s just me.  As if you knew who that was.

He does the same thing now.  You wrench away from him.   

“No,” you say.

He says your name but it doesn’t sound like a name; it sounds like begging, it sounds like please, it sounds like desperation, painfully barbed on his tongue.  You half expect him to start bleeding from the mouth. 

“No,” you say again.  You jerk away even though he has stopped reaching for you.  You feel a phantom hand on your chest and on your head, a cold fire in your veins. 

You slam shoulders as you dart past.  He says your name again, this time like an alarm, only barely short of a scream as he chases after you.  You get as far as the door before he catches you, his hand wrapped around your bicep and your name a weapon on his lips.

“Stop it,” you say.  It isn’t loud but it is brutal all the same. 

He lets go as if you electrocuted him. 

You look at him.  He stares back, all that begging in his dark eyes. 

“You can’t – you can’t leave,” he says.  His panic bubbles into frustration and he says, “You just told me off for doing that, didn’t you?”

You think of him on that rooftop, not even blinking at Miroh’s dead body, like he couldn’t care less, his eyes rivetted to you alone.   

“Do you trust me?” you ask. 

You think he would rather get hit.  A moment of pain, a scar to join the others. Instead, he has to endure the intensity of your eyes, suffer whatever fucked up expression is haunting your body, and then he has to let you go. 

You do not look at his face when leaving.  You don’t want to see this side of him.  There are already too many versions of him in your head, just as there are too many versions of yourself. 

The denial does not last long.  You walk through the brisk night, destination nowhere.  The sky feels too big.

It’s preposterous, isn’t it?  You are in your body right this moment, looking at the world with your own eyes.  How can anything be wrong inside?   But even while attempting to convince yourself otherwise, you know the truth.  It has been long unfurling in the back of your mind.   You have not felt like yourself for days, maybe weeks, maybe the entire three months since this downfall began. 

You don’t even remember what it means to feel like yourself. 

All the nightmares, the visions, the flashes of dreams that feel more like memories – maybe memories is exactly what they are.  So suppressed it feels like watching a movie rather than your own life, but your story regardless.   Sifting through those fragments feels like searching through rubble in a collapse. How are you ever expected to find a person under that much annihilation? 

When it happens, Changbin said, what feels like a lifetime ago.  When it’s just you and you’re trying to decide who you want to be, not who your father wants you to be…  When you’re trying to remember everything and you can’t decide what was real and what was just training and what was Miroh…”

A sob rips out of you.  You have cried more in days than you have in years.  You cover your face and fall into the dark of your closed eyes.  You see your friend, not a fragment or broken memory, but a whole person.  The scar on your palm twinges, reminding you that you are real and here. 

Remember me, he said. 

That was the very first thing you did.   You saw him on that rooftop and you remembered something.  Him, younger, bleeding, emerging from a fog of smoke.  He lifted a weight off your chest.  He made you a promise. 

You try to chase the memory of that dream, try to hold the image of him in your mind, but it moves like water through a sieve.  It’s like he’s standing right there, just in the corner of your eye if you could only turn your head to look.  But you are trapped in place.  Pinned down, a weight on your chest. 

You lose track of time under the stars.  You are too numb to feel the cold.  Only when the sky purples with the very earliest streak of dawn do you move.  You look at your feet as you walk and it feels like someone else is moving you.  You know it’s just exhaustion, a trick of the weary eye, but a shudder moves through you.   

You don’t want to think about it.  Whenever your mind starts to go there – to that room, to that hole, to the cell – it backs away screaming.  It is probably why you can’t hold any picture for longer than a second. 

A small part of you still rebels, insisting it isn’t true because it’s can’t be true, but you know intrinsically that it is. 

This confirmation solidifies when you get back to the room and find Chan still awake, sitting in a chair with his head in his hands. 

He lifts his head.   You can’t hold his gaze for long, swallowed up by the dark depth that sees something in you, far beyond the surface, buried so deep you can’t find it. 

You turn away.   You climb into bed. 

It isn’t an escape.  You know that, even as you close your eyes and shut out the world.   It’s all waiting for you there, your subconscious caught in a perpetually crashing tidal wave.  

You fall asleep, ready to face the nightmares. 

-

It feels like swimming against an acidic current.  You push through but it bears down; you struggle but it burns your skin, sloughs down to the clean marrow.  Pieces of you are lost to the tide.  You try to catch each flaking sliver of personhood but then your arms are full and you can no longer swim.

You are going to drown. 

“Let go,” says a voice, colder than the water.  “This will all stop.  Just let go.” 

Just let go.  Just let your skin unravel.  Just let the tide take it away.  You will never get it back.  You will be a living corpse, a half-consciousness puppeting your bones. 

You decide to drown.  You slip further and further into the blackness behind your lids.

“Hey, it’s me!  I’m coming!” 

Changbin.

You can hear his footsteps as he thunders towards you, but you can’t see him.  Your eyelids are so heavy, as if being held shut by a hand in the water.

Another hand reaches straight through the corrosive cold and seizes your face in a desperate grip. 

“Wake up,” Changbin says.  He taps your cheek repeatedly, a little harder each time, a little more frantic.  “Hey, wake up.  Please.  Please wake up.”

It feels like he is prying your eyes open.  One moment there is nothing but darkness, then Changbin is there.  He looks like he did when you last saw him, grown, fight-ready, a little scar on his face.  It bleeds more than such a tiny mark should.  A droplet hits your cheek, burning hot compared to the water. 

“It’s me,” he says. “Hold on.  Keep your eyes open.  Don’t go.  I promise I’ll get you out.” 

Don’t go.  Don’t go.  An echoing reverberation that circles the wooden beams high above your head.  You look there, staring at the ceiling as your lungs slowly fill with oxygen. 

The ceiling shatters in a spray of splinters, the world vanishing in a cloud of grey smoke.  Changbin is gone and your father stands over you, keeping that weight on your chest with a press of his fist. 

“You’ll thank me one day,” he says, and plunges you back under water.  Ice cold currents and electric hot fire twine in and around you in an unfathomable vice.  Your vision flickers as you twitch and flail, avoiding one sensation to succumb to the other. 

“Don’t go,” Changbin says.  “I promise I’ll get you out.” 

Another bolt of lightning slices through you. 

“Just let go.”  A cold and clinical voice.

There is a war between those voices.  Time passes slowly as you volley in the current, slamming into one or the other. 

In the bubbling frenzy, you hear a whisper.  

“Let her go.”  That is not Changbin.  That is not your father.  It’s too soft – soft, until it’s not, until it sounds like speaking through an open chest cavity, heaving up its heart with every cry.  “Please,” the voice begs.  “Let her go.” 

“Thank me,” your father says.  He stands with his back to you, angled just enough you can see the gun in his hands.   You can’t see the person on the receiving end.  You just know it’s a soldier.  You just know it’s a boy. 

You have to stop it.  The thought overwhelms you and you reach for the gun, but your hand never makes contact, splashing through cold water. 

“Subject recognizes control,” says that clinical voice.

There is a hand on your chest.  It pushes you back under water. 

You are alone in the current and the corrosion and the cold.  The hand pushes you deeper and deeper into the endless darkness under you.  

You are going to drown.  You are going to let yourself drown. 

“You don’t want to do that,” you say. 

Your father still has a gun in his hand.  It is pointed at that boy. 

“Subject— Control—”

You need to get that gun.  You need to swim.  You need to see him.  You need to save him. 

You finally let go. 

-

You open your eyes. 

Unlike in your dreams, it’s fast.  You jolt awake in a cold sweat.  The ceiling is unmoving, the air cool and dry from the motel’s cheap, noisy air conditioner.  The blinds are closed but the neon light outside the window creates a fuzzy square halo.  It brightens the room just enough to see  the outline of everything clearly.  

That includes Chan.

He is still awake.  If this was just one night ago, you would tell him to get into bed and sleep because you can’t have him tired for the mission.  But now, you find yourself staring back at him, at his bare and open face, his tired eyes and the uncomfortable tension in his shoulders.   

When you went to sleep, he was sitting on that same chair in the corner, and it looks like he hasn’t moved once.  He’s been waiting for you. 

He’s been waiting a lot longer than one night.   If she ever came back to me, he said, revealing years of hope, of watching, waiting for you to break through your conditioning and show him a sign.  He was never brainwashed, just trapped in a precarious situation, bound to a bargain with no way out that didn’t compromise you.  He could have saved himself at any time but it wouldn’t have mattered.   

“You were never reconfigured,” you say. 

“No.” 

The question and answer breaks a dam.  A flood of questions pour to the front of your mind, overwhelming you, taking you back to your dreams where you almost drown – again and again.  You remember the report, stating too much recollection could trigger some kind of breakdown.  Yes, you could ask Chan to tell you everything, to string together all those gaps in your nightmares, but you already know that would not help.  It would either feel like a story about a girl you do not know, or it would just throw you deeper into the whirlpool.

You let those questions turn over themselves like a crashing wave.  When it settles, you ask the one question that remains.

“Were we friends?” 

He doesn’t answer right away.   He leans forward, puts his elbows on his knees and clasps his hands under his chin.  He is impossibly strong but right now he looks too weak to support himself.

“No,” he finally says.  His eyes dart to the floor.  “No, we weren’t friends.” 

He looks at you and you fall into the unspoken story within his eyes.  You have been conversing without words since you met.  He has been looking at you with that wanting tilt and desperate stare since he stepped into the ring. 

You remember a fragment from a dream.   Him, younger, his face ravaged with tears and his mouth open on a muted shout.   It would be easy to mistake that as him being tortured, his pain that palpable.  But your memory is not of his suffering, just his watching, just his waiting.   

All this time, he has been waiting.  

“Did you love me?” you ask. 

This answer comes faster, but rougher as if guarding against vulnerability.  His voice is low.

“Yes.”

A phantom spark fires up your arm, straight into your heart. 

“Did I love you?” you ask.

He holds your gaze, though it feels like he is looking just a little past you, seeing something you can’t see.  Then again, maybe he doesn’t see it, maybe he is just searching, and maybe he comes up empty.  Because when he answers, his voice is airy, and the word is like a hiss of pain, like getting hit in the chest and all the air leaving the body at once.

“Yes,” he says.

You feel the weight of that hit too.  Wavering under the force of it, you blurt, “I don’t remember.” 

“I know,” he says.  He drops his head into his hands and rubs his palms over his face, scrunches his eyes shut tight and shakes his head.  “I know.”    

You want to go to him.  You are not sure where the urge comes from because, despite what he said, you have never loved like that.  Is it something buried inside you, something that remembers?  Maybe it’s just you, who you are now, the person who has spent the last few days with this man at her side.  His proximity has been a confusing comfort from the start.  Maybe it’s a memory or maybe it’s just him. 

You stand before thinking it through.  He doesn’t even notice, a sign this competent soldier is very far gone, his face still buried in his hands.  When you touch his shoulder, it catches him off guard, both arms jolting as if stung. 

He looks up at you, his hand instinctively flying to the one you rest on his shoulder.  He clasps it, holds it there, presses it down like he needs convincing it is real. 

He meets your eyes.   You do not know what you look like; you just know it hurts him, that it makes everything so much worse. 

A child-like sob punches out of him.  His eyes close tight, his face going red as he fights to hold it in.   He cried earlier and it looked like the typical outpouring of stress and hurt, but it did not look like this. 

After that first sob, reminiscent of the little boy he never really was, years of torment come tearing violently out of his chest.  Flashes of memories melt with the sight, his young face twisted as he wails, that muted shout filled in with his voice now. 

He holds his forehead, doubles over.  When you see the top of his head, those other images fade away.  It is just him, here, now.  Whoever he is, he has been good to you.  Your hand is still on his shoulder and he is still clinging to it. 

“Chan,” you whisper.  You’re not sure if he hears it, but his breath catches when you nudge him upright.  You are certain he can’t see very well through his tears, but he looks up anyway. 

When you climb into his lap, wrapping your arms around his neck, he does not hesitate to throw his arms around you.  His hands find your back and he presses you so close, it feels like he is trying to push you right into his heart.  He puts his face in your neck where he fights to steady his breathing. 

You touch the nape of his neck.  You shiver at his long exhale. 

You feel miserable and choked for a myriad of reasons.  For him, everything he as endured and lost.  For you, who doesn’t even know what she lost at all. 

“I’m sorry,” he says.  His breathing is less laboured, though his voice sounds sore.  He exhales again, some tension leaving his shoulders where you rest your hands. 

You squeeze those shoulders and lean back to look at him.  His expression is more than a little abashed, gaze uncertain.  You are not good at smiling but you try, even though you think your brows are furrowed and his sorrow is reflecting back through your eyes. 

“Thought we agreed to stop apologizing,” you say. 

His laugh is as weak as your smile, but certainly there.   You touch his face with your scarred palm, feel the curve of his jaw where that wound runs sharpest.    You think you can only touch him because of that scar.  You used to balk at the sight of someone else’s tears, even deride them.  You don’t remember being a lover.  You didn’t even realize you had a friend until it was too late.

You might not know who you are, and you might not know how to describe how you feel, but you certainly understand it feels different, and you certainly know what kind of person you do not want to be anymore. 

So you do not rip your hand away.  You curl a tuft of hair behind his ear. 

“I just—”  You trip over your own words, wishing you were a better speaker, more personable and warm than your stiff recitation.  “I can’t be that person,” you say.  “I don’t know what person I will be, but I’m not – I can’t—”

“I know,” he says, sincere.  He is holding your waist and he gives it a small squeeze, a reassuring touch that moves through you with a burst of warmth.  It simmers in your bloodstream when he smiles – his eyes still sorrowful despite the dimple in his cheek.   “I don’t wish you were someone else,” he says.  With a wince, he says, “I wish I was.” 

Your stomach twists in an awful knot.  You think of all that blood on his hands.  Despite his efforts to keep it away from you, you feel it on yourself.  You have to close your eyes to push away the flood of images, unsure which are imaginative fabrications and which are potential memories.  You just know he looks too young to have that kind of red on him. 

You open your eyes and look at him.  His eyes are open but his gaze is faraway, lost in thought.  You touch a tendril of curly hair, feel it under your fingers like you have the past couple nights.  He looks at you with eyes that have already shared multiple conversations. 

“I wish you hadn’t suffered,” you say.  “I don’t think anyone should suffer that way.  I don’t think the ends justify the means anymore.  But also I—” 

Even while your heart is changing inside, getting those words outside is a different struggle entirely. 

Chan looks at you with that tilt to his head, that questioning brow, his eyes a lot softer with his curiosity.  Your breath is jagged, a messy gasp as you gather yourself.  You look away, wholly incapable of maintaining eye contact.

“I got in the car with the First Guard,” you say.   “Not with some other version of you.  This soldier.  This Chan.”   You look down at your hands, absent-minded in the way you move them, from his shoulders down to his chest.  “This is the man I trusted,” you say.  “The one I still do.”

Your eyes lift.  They meet his.  His expression is a mix of confusion and amazement. 

His lips part with a question, but it gets caught.  He stares a little longer, then he asks, “Why?”

An unexpected laugh bubbles and bursts right out of you. 

“I have no idea,” you say, giving in to that bubbly feeling, letting it fill your chest and lift you up like a safety raft.  “I don’t know anything at all.” 

You realize there is something freeing in that thought.  No, you don’t know who you are.  No, you don’t know what is going to happen past right now.  You have to save your friend.  You have to end your father’s business.  Everything else, the becoming of you and the world and your place in it, is unanswerable.  You can’t find blueprints or scour maps or form battle strategies.  You don’t know where the water leads.  You just have to swim. 

“Maybe it doesn’t even matter,” you say with a shrug.  “I don’t know.  Nothing about yesterday, nothing tomorrow—”

“Just right now,” he says.

His voice is a little lower.  Just right now.  That was the pact you made the other night. 

Your whole body comes alight, waking from the ice cold state it has been frozen in.  It warms under his palms on your hips and where his dark eyes roam. 

“Just right now,” you repeat as softly.  You look at your hands again, realize more consciously how intimately they rest on his chest.  Rather than retract, you swipe your thumb across the exposed strip of skin where his flannel is buttoned askew.   “Maybe that’s all I need to know.” 

This right now feels different than before.  You don’t blame his emotional reaction to your earlier intimacy if it was an affect of all his memories, all he had lost, and all he was.  You think your straightforward trust in him – not in spite of his identity, but because of it – has shifted things again.  Your hands on his chest and your words in the open seem to have changed the shape of this whole room. 

“I’m the First Guard,” he says.  His eyes drop to your mouth then back up.  “You’re Miroh’s daughter.” 

“Yes, you are,” you say.  “And no, I’m not.”  You see the shiver that moves through him when you run your hands up his chest and curl your hand around the back of his neck.   You feel his thighs get tense under yours, his whole body reacting.  “Say my name,” you say.

When he does, it is not like a weapon or alarm, but spoken in a way that makes you feel like you have never heard your name spoken properly before that moment. 

You kiss him first and this time it lands deliberately, catching him mid-breath and stealing the rest of it.  When you start to lean away, to see if it’s all right, he puts his hand on the back of your head, curls his fingers in your hair, and draws you right into him, stealing back that breath with a desperate kiss. 

In a way, this is familiar to you.  You always liked and used sex as a grounding exercise.  You feel present in your body, regardless of how floaty and detached you felt before.  From the tingling top of your head to the curling of your toes, you feel every inch of yourself, alive and hot. 

But it feels different too.  You were always eager to chase the high, to reach the final destination with little care for the journey.  You realize, maybe, it is about the becoming, itself.

“Chan,” you say, squeezing his hips between your legs when he runs his hands under your shirt.  You climbed into bed still wearing your pants and shirt, wishing differently now as you rock your body against his. 

You buck a little eagerly, sensations going to your head quicker than intoxication.  Chan brings you back down, shushing you gently, guiding your open mouth back to his.  He kisses you slowly, touches you like he is memorizing every contour.   You make a sweet sound into his mouth, cupping his face as you kiss him back. 

“Can we—” you start.

“Yes,” he says.  “Yes, yes.” 

You stand on shaky legs and strip your bottom layers away.  The few seconds apart are dizzying, the whole world around him fuzzy as that neon yellow light leaking into the room.   Because he is staring at you, looking dazed and dishevelled, it takes him longer to unbutton his jeans than it did for you to remove your pants altogether.  You climb back onto his lap and do not help at all, distracting him with another kiss. 

A kiss always felt like a waste of time, but you think you could content yourself with just kissing him forever.   Slow or fast, gentle or needy.  

You are kissing when he gets inside you, gripping your bare thighs with a possessive hold that will feel tender tomorrow.   You luxuriate in the pleasure and the pain, your body yours, shared with him, reciprocated in turn.  

Whatever else existed – or could exist – ceases to matter for a time.  You come together and come apart in each other’s arms, chests pressed together, hearts racing against each other.  You tug his hair and pull his face into your neck, moaning under the press of his teeth and the heat of his lips. 

“Mm, fuck,” he groans into your skin, clutching your hips even tighter, rocking up into you while you roll down against him.  His gentle curse has you whimpering, his mouth on your throat making you shake.  “Mm, get all tight when I bite you, you know,” he murmurs, and leaves no time for argument or embarrassment because he nips at your neck again.  You do exactly what he said, clenching around him with an involuntary shudder. 

“Fuck,” is all you say.  He breathes a laugh against your skin. 

You clutch his shoulders when he gathers you and stands, moving the couple small steps towards the bed where he lays you out.  You are apart for only seconds, but you feel so cold and empty that it is almost terrifying.  When he shucks his jeans and gets back on top of you, you unbutton his shirt with shaking fingers, body in convulsions from the angle he is fucking you.   

You have never been fully alive in your body until right now. 

You come while he fucks you and you come again, when he puts his hands on you, like he really does need to feel every inch of you with his searching fingers.  When he keeps touching you, you are so stimulated you slap his chest, making him smile at your loss of words. 

 You lay in a tangled heap, your legs twined together.  Your shirt is gone and his is unbuttoned, your cheek on his chest as he lays on his back.  You let yourself be a little lulled by the cadence of his breathing.

Your eyes eventually wander.  You realize the sun has joined that neon light, the fuzzy halo around the window now a clearer glow.  The day is beckoning.  It brings you back to reality, to the world outside this re-shaped room. 

“I know I need to face it eventually,” you say.  “I don’t know what will happen. But right now – I can’t be distracted from the mission.  I need to rescue Changbin.  I need to stop my father.”

Miroh is dead but everything he did haunts you, like a ghost around every corner.  You can’t afford to confront the other ghosts, including your own. 

“Whatever happens after right now,” you say.  “I guess I’ll see.” 

“I understand,” Chan says.  He is caressing your spine, fingertips stroking up and down the slope of your back.   He scratches a little at the nape of your neck, making you hum in contentment.  “Really,” he says.  “I know things got crazy earlier but… I think right now… I can do right now.”

You look up at him.  He smiles down at you, dimples digging into his cheeks.  You have to look away, because you just promised yourself no distractions, but that smile causes a flush of warmth that goes beyond the physical. 

“Well,” you say with a sigh, patting his chest.  “Maybe by then you and me will be friends for real.” 

You feel his body stiffen, shoulders dropping, the hand on your nape freezing.   You look up to see his face, a questioning brow quirked.  He is returning the expression, though his countenance is a little more drole. 

“What?” you say. 

He answers with a firmer grip on the back of your neck.  He rolls you over, onto your back, keeping your head lifted in his hand.  The length of his open flannel drapes over your warm skin, a soft tickle as he leans down and kisses you.  It starts gentle but doesn’t last, his tongue parting your lips and the hot, needy press of his mouth pinning you to the bed and his arms.   You kiss back but hardly keep up, dizzy with breathlessness as he licks into your mouth, as he chases down the breath of you, as he keeps your lips on his for as long as he possibly can. 

Then he leans to one side.  His breath tickles your neck before he kisses just below your ear.  He whispers, “I don’t want to be friends.” 

He looks at you with a far too innocent dimpled smile.  You think Chan might be a bigger threat to your well-being than the First Guard. 

“Okay,” you say, breathless.  “Noted.” 

-

You open the blinds.  Once the room is full of sunlight, you revert to soldiership and work on your next strategy. 

There is no doubt the Miroh corporation is floundering in a state of panic.   They are not only dealing with the loss of its boss and heir, but also destabilizing insider attacks on various sectors while vulnerable.  On top of everything else, stocks have plummeted and investors are running for their lives and their wallets. 

You and Chan have watched the company as well as the social reaction.  With different leaks and financial fallouts, especially given Miroh’s connections to governmental and military divisions, it is no surprise that different stories have been cycling through the news.  You have kept an ear on the radio and an eye on tv stations. 

As you scour blueprints and map your next manoeuvre, you have the news playing at a low volume in the background.  They are currently reporting the combustion of a Miroh facility.  Their research and sources have led them to deduce it is an inside job.  

That much is fairly obvious as no one else could do what you and Chan are doing, though you are not suspects.  The media believes you are dead, that both you and your father were assassinated at the same time.  You are not sure if the company honestly believes you died, that the First Guard killed you then disappeared without Miroh to corral him, or if they reported that so they could kill you without a fuss in the future. 

There are no reports on Chan, of course.  No one outside of Miroh’s world even knows he exists. 

The major suspects are disgruntled investors and former employers, so far mostly scientists and research assistants given the targeted facilities.  With some of the government leaks, there are also theories that some deals with legislators went sour and resulted in a target being painted over the name Miroh. 

This seems to the angle the current report is taking.  At first, you are only half-listening, as the news reporter does not mention anything you have not heard before. 

Then you catch the latter half of a sentence you are not expecting.

“—of greater potential concern as this latest attack was on a military base.”

Both you and Chan whip your heads up at the same time. 

You have not attacked any military bases. 

“Turn that up,” you say.

Chan is already on his feet and moving towards the bed where the remote was discarded.  He turns up the volume on the television and you both watch the report. 

It is not impossible that a domino effect could ripple from one facility to the next.  The more attacks you make – targeting all the little chinks in Miroh’s armour – the more likely it is that certain institutions will collapse entirely on their own.  Either people will chase the money, like a lot of former investors, or they will abandon course altogether.  Eventually, Miroh’s world will eat itself alive, with or without your help. 

But you have so far only targeted a couple smaller research facilities.  Yes, there have already been consequences, but not enough that a totally unrelated military base on the other side of the country would spontaneously combust. 

You stare at the screen.  That base is big.  It isn’t going down without a fight.  No one outside of the house of Miroh would have dared target it.  No one else would have known how. 

“Changbin,” you say. 

Chan puts a hand on your shoulder, squeezing reassuringly.  You look at him then at the television, at the story unfolding rapidly in front of you. 

“It’s him, isn’t it?” you ask.  “It has to be.”

There might be just enough chaos in the ranks that if a solder of Changbin’s calibre was being held, something might fall wayside and he would have an opportunity to escape.  

You are just not sure he would try.   Changbin has obviously undergone changes of his own, all seeming to stem from that final confrontation with Lee Felix before the enemy went down and took his world with him.   Changbin clearly decided once and for all what was really important to him.  Changbin has always played the game carefully, but in the last few months he repeatedly put himself between you and your father.   He intercepted multiple interactions with Miroh’s men, altercations you dismissed as nuisances at the time but shudder to realize the weight now. 

Changbin threw himself in the middle, again and again, painting a bigger and bigger target on his back.  He seemed resigned to his demise.  For that reason, you are not sure how much he would fight even if given the opportunity.  He seemed whole-heartedly certain he would be left behind, no matter what happened. 

You curl your hand into a fist, digging your nails into your scar.  There was so much you should have told him.  If he knew that you were willing to fight this hard.  If he knew you would find out the truth.  If, if, if—

“Don’t hurt yourself,” Chan says. 

You look at him just as he kneels down beside your chair.  He takes your hand, the one with the scar, and unfolds it carefully. 

“Kicking yourself won’t save him, yeah?”  Chan says. 

“Yeah,” you say with a huff. 

The report continues.  It details this attack as being an inside job as well.  Supposedly, according to rumours breaching the walls, multiple people have gone missing, but their identities have not been given to the press.  Hearing that, you become marginally more hopeful that Changbin is among them.  The company would not report their supposed missing persons because they are most likely prisoners being held in less-than-legal circumstances.  Changbin would be that type of prisoner.  

The fight is ongoing.  He could still be there. 

“It’s a lead, at least,” Chan says, echoing your thoughts. 

“Maybe we’ve been looking in the wrong place this whole time,” you say.  You have been targeting the science sector when maybe your father kept it all in the military house after all.  Maybe after the initial pass through that research facility, he was moved onto a more secure base, given his background as a former child soldier of the special-ops program. 

Well, if that is the case, their extra security did not work.  Of course it didn’t work.  It’s Seo Changbin.   You could laugh at their idiocy. 

“We need to find out either way,” you say. 

You manage your expectations for now, but as you sit at the table and change course to plan an entirely new strategy, it is with a hope as clear and bright as the sunlight.

-

It is a lot of driving to the military base.  You will get there at nightfall the next day if you stop only sparsely. 

You and Chan are swift in packing and climbing back into that car.  You take turns sleeping and driving, though the last leg of the journey is spent on edge.  You are braced and ready for a fight, all that determination exacerbated by the very real possibility that you are about to see Changbin again. 

What will you say to him?  What will he say to you?  You wonder how much he knew about the reconfiguration.  Clearly, he knew something, if not the specifics, as he went to great lengths to keep you away from your father. 

You thought Changbin had saved you on an emotional level, but you realize now how it crossed into every sphere of life.    

You close your eyes while Chan drives.  You see Changbin on that rooftop, saying he will not leave you behind.  It was the first hit that shattered the glass around you.  Miroh had so carefully built that clear coffin around your consciousness, and Changbin smashed right through with the sheer brute force of his friendship. 

You glance at Chan.  Miroh did everything in his power to make sure you forgot about him.  Bang Christopher Chan, the First Guard.  Someone you loved and who loved you.  Your father would have focussed on that.  He would not have seen anything. 

Why would he care about a friendship?  What does that word even mean to a man like him?  He would have looked right past Changbin.  He spent all that time wiping Chan from your mind, that he never thought to look for anything else. 

Your body gets cold as you remember – something.  You close your eyes.  You are standing in front of Changbin.  He’s young, in his late teens, about the age you would have been when they reconfigured you.  He is looking at you with uncertainty.  You feel an uneasiness looking back at him. 

Don’t you know me? he asks.  He pulls a face, makes some dumb noises, waves his hands.  Then he frowns.  Changbin can be funny, but he turns it off in a second, as deadly as the rest of them.   So much anger floods his eyes, they look black with the focussed intensity of his fury.  You know me, he says.  Think.  Remember me. 

You see a slant of moonlight, a windowpane, a streak of blood.  Remember me. 

You feel a weight as it is lifted off your chest.  You hear him shouting your name.  You hear him running. 

You know me, he says. 

You flinch – in your memory? – right now? – and a piercing wail floods your mind.  You don’t want to go towards that scream.  You can’t go there. 

It’s me, he says.  Hold on.  Keep your eyes open.  Don’t go.  I promise I’ll get you out.

“Changbin,” you say. 

“Hey, hey, baby, hey—”  That is Chan.  He is shaking your arm.

Your eyes pop open. 

You have never had flashes of recollection while awake.  It feels like a bigger adrenaline rush than waking from a nightmare, very little to divide your mind from reality. 

You take a few steadying breaths while Chan rubs your shoulder.  He was driving but the car is now stopped on the side of the road.  You did not even feel him braking. 

“What happened?” he asks when you are settled enough to speak.

“I don’t know,” you say.  “I just—I was thinking.  Remembering.  Not like that.  It’s complicated.  I just—”

You close your eyes.  A teenage Changbin is still standing there, looking at you warily. 

You know me. 

I know you.

“Changbin,” you say, choked up.  You blink your eyes open and take another breath.  “I’ll be okay,” you say.  “We can’t stop for long.  Let’s get back on the road.”

Chan does not look convinced, frowning as he stares into your face.  You blink at him, then narrow your eyes into a squint.

“Did you call me baby?” you ask. 

He clears his throat and turns back to the steering wheel.  Looking out over the dashboard, definitely not at you, and with the tips of his ears more than a little red, he says, “You’re right.  Let’s get back on the road.”

In spite of everything, you find yourself smiling. 

-

It is only natural that you are waylaid at the very last minute, right on the cusp of sunset as you approach the vicinity of the military base.  Not only is your path to finally rescuing Changbin obstructed, but it is halted by the most asinine, mundane nonsense in the world. 

Soldiers, agents, entire convoluted military operations – those you can easily take.  Minimum wage workers, on the other hand, are impossible combatants.  More grizzled than the worst of ancient servicemen, they blink at your pleading with a harsher chill than a mob boss.   You are certain this gas station attendant has seen some shit because he is not remotely inclined to assuage anyone’s anxiety. 

“The till is down,” he says with an icy tone, face pinched unpleasantly.  “It’ll be back up in a minute.” 

He goes back to talking to his manager on the phone, smacking his computer till at random intervals.  It does not exactly inspire confidence. 

While you and Chan have been getting by with theft and subterfuge, you do everything in your power to not draw attention.  That means you pay for gas as many stations have security cameras that log and report drive-offs and defaults. 

That means you are stuck in this line with several other customers while the hapless cashier whacks his computer.

The little bell above the door rings as Chan steps inside the shop. 

“What’s taking so long?” he asks. 

“I want to hit him,” you say, pointing to the disinterested cashier.  “He’s never gonna get that thing fixed.  We have somewhere to be, we can’t just stand here all day—” 

“Ah, ah, ah, it’s okay, it’s okay,” Chan says soothingly.  He interrupts your rant as you were raising your voice.   Not that it matters because the incompetent cashier is not paying any attention. 

“I’ll take care of it,” Chan says.  “You just have to know how to talk to people, yeah?” 

The cashier paid you absolutely no mind when you tried to complain.  He gave you a nasty look and ordered you to get to the back of the line.  Chan, on the other, receives a quick onceover and a blink of seeming approval. 

Chan leans on the counter and smiles a devastatingly charming smile, those dimples blinding.  The cashier puts the phone on his shoulder and looks at him expectantly.    

“Hey there,” Chan says. 

“Hello,” the cashier replies, coolly but not as rudely.  “The till is broken, sir.  We’re going to have to wait for a repair.”

“You know, I’m pretty good with my hands,” Chan says.  “I bet if you let me under there, I could figure something out.” 

The cashier blinks at him.  One blink, two blinks, three.  Then he hangs up the phone and opens the gate to let Chan behind the counter. 

You cross your arms and roll your eyes. 

Chan, perhaps unsurprisingly given his necessary breadth of skills, helps the useless cashier get his dumb register running again.  You all but throw the money at his stupid pretty head before marching away. 

“Thanks, Wolfgang,” the cashier says, using the made-up name Chan gave him.

“No problem.”  Chan winks back at him.   “Have a good day, uh—”  He squints at the name tag, gives it only a sparing glance as he steps out the door.  “Hyunjin,” he says.

The door swings closed and you continue on your way. 

-

Fortunately, you have no more preposterous interludes.   You approach the base differently than the facilities, especially because you have not been able to do a proper sweep.  However, that should be fine given the entire operation here has already been massively destabilized.  All the main assets have moved along, either because of imminent danger or because the media now has its eyes on its actions. 

Either way, you get inside without much fuss.  You stick together for longer, not trusting the dark corridors and labyrinthine tunnels. 

It is a lot emptier than anticipated.  The fight seems to have ended some time in the last couple hours.  There is an eerie, unsettled feeling, like a house abandoned in the middle of a meal.  Unlike the dusty underground hovels at the research facility, this place is still breathing.   You are not sure what it will cough up. 

“Still think he’s here?”  Chan asks, likely coming to the same conclusion as you: that even if Changbin was here, he has probably moved on.  He has either escaped and gone of his own volition or he was caught and reprimanded and has been relocated. 

“Maybe,” you say with a sigh.  “Maybe not.  But it’s still a lead.  Treat it like one.” 

You finally split up to cover more ground, agreeing to reconvene at the central warehouse in half-an-hour. 

Maybe Changbin is no longer in these walls – maybe he was never here at all – but there might still be answers.  You suspect there are questions too, because you cannot imagine who outside of the special-ops program would have both the calibre of skill and necessary intel to pull of an operation like this.  Someone reached right into the heart of this base and yanked at its ventricles like it was nothing.  And if not to escape, then why?

It has to be Changbin, you tell yourself, even while a sense of wrongness creeps under your skin.  It is the same odd, unsettled feeling you get when you think about the night the enemy died – specifically when you think about that security system somehow being wiped after the house burned down with everyone inside it.  It is that strange discombobulation, where the answer is probably simple and right in front of your face, so blatant that its absence haunts and distracts you.

You are distracted with thought.  Maybe that is why you make your first mistake.

You turn a corner and crash right into someone.  You are shocked because you did not hear their approach.  Even distracted, you should have heard footsteps in an empty corridor, especially in heavy combat boots.  You are quiet but you have unique bodily control that even well-trained soldiers cannot replicate.  No one else can walk that quietly.

It is clear the same startled reaction ripples through their body. 

You draw guns at the same time, firing with equal speed and precision.  You also both duck at the same time.  Smooth as a dance, you whirl around each other, firing and re-loading until they do a spin-kick and knock the gun aside.  

As you fight with your hands, you only catch glimpses of your opponent.  They are dressed all in black but not in Miroh’s uniform, a balaclava pulled over their face and head.  They are very slender, but they land a hit like someone twice their size. 

Your second mistake is your own fault.  You underestimate them based on their build and it earns you a good right cross. In the ensuing dizziness, they make a break down the corridor at an alarming speed.  It leaves you reeling more than the hit. 

“What the fuck,” you say, staggering after them. 

This person does not work for Miroh, that much is obvious.  It also definitely isn’t Changbin.  This person has the completely wrong build, opposite of Changbin in almost every way.   No, it isn’t your friend, but it might very well be another prisoner.  They might have an idea of what happened.  They might know if Changbin was here and where he went. 

The thought propels you into a determined sprint.  You cannot follow sound as the person is good enough to keep their footsteps low, but you are just as skilled so they likewise do not see you coming. 

They coincidentally head straight for the central warehouse.   The warehouse previously functioned as a pseudo-armory, but it has already been completely cleared.  It is two levels, the top floor a balcony walkway overlooking the main warehouse floor. 

The warehouse is empty except for the intruder. The person seems to be deliberating.   They remove their head covering for a second, long enough to catch their breath.  You see a flash of black hair and a hint of a masculine profile before you are spotted.   The man tugs the fabric back over his head. 

He leaps right off the balcony. 

It is too high for a normal person to jump without breaking a leg.  Naturally, you run to the railing to look over.

Your adversary is a step ahead of you.   He is dangling there, waiting for you to approach so he can swing back over and knock you down.  You skid across the balcony level, the metal walkway rattling under your weight. 

You don’t stay down for long.  Another fight begins, a back and forth tussle that makes you think you need more training.  The past day has been more than a little hectic, but you should be able to take down even a well-trained soldier. 

He does another spin-kick, a solid roundhouse that knocks your mask right off.   You stumble sideways while the mask clatters across the balcony before spilling right over the ledge.  It is a long descent before it smacks the ground. 

You ground your footing, assuming a defensive stance with a swift upward swing.

“Who are you?” you ask.

At the exact same time, the man says, “You.” 

That prompts another question, a bigger question, why on earth this stranger would recognize you in this context.   You cannot even think about your question, however, because the man abruptly flies at you with twice the verve as before.  Caught off guard, at first you struggle to defend yourself.   When he finally swings too wide, giving you an opening, you do not waste the opportunity. 

You tackle him, fully and bodily, arms around him as you charge the balcony.   You shove him right over the railing.  It is not so high that he’ll die, but you don’t want to kill him anyway.  You need to ask him questions – like did he do all this and how and why?  Are there others?  Is Changbin among them? 

You grasp the railing.  You are prepared to swing and jump over but you stop short at what you find.  The man, who should be nursing a fractured leg right about now, is instead getting to his feet.  He looks a bit dizzy, shaking his head and rubbing his temple, but he is otherwise unscathed. 

You just stand there for a second, gawping at him like an animal. 

That shielded face finally lifts, eyes finding yours across the space.   His head cocks, seemingly a dry and irritated, Really?

You launch yourself off the balcony, landing heavily but safely.  You absorb the shock and straighten, not taking your eyes off this man for a second. 

“I’m not interested in hurting you,” you say. 

He scoffs, pointedly looking down at your uniform. 

“I don’t work for Miroh anymore,” you say.  “I’m just trying to blend in.” 

“You?” he says.  It is so far the only thing he is willing to say.  His voice has a darker, deeper tone, scratching at the back of your head, but his monosyllabic replies do nothing to help place him. 

You want to say more but he doesn’t let you, jumping back into action.  You huff in aggravation, wanting to shout, we’re on the same side!   But he is fast.  You expend your energy just keeping him at bay.

Your stamina is fairly well-matched, just like everything else.  You move around the warehouse, kicking and punching and flipping around each other, losing track of minutes. 

A sheen of sweat breaks under your uniform.  He is slowing down too.  There is just one difference: he still has his gun. 

He gets you behind the knee and puts you on your back.  Before you can retaliate, he draws his gun and points it at your face. 

You freeze, staring down the barrel.  You slowly lift your eyes to him, just in case any sudden movement convinces him to fire.  So far, he is holding, though you are not sure why.  If he truly wanted to avoid detection, it would have been in his best interest to kill you and move on. 

He hesitates.  His hand is steady but his eyes are darting around inside the masked fabric. 

Your eyes continue to wander up, up.  Your heart leaps when you see Chan approaching on the balcony, silent and serious, gun in hand.  He has a longer-range weapon, not a little pistol like you and the adversary.   He takes aim from his perch but you shake your head.

You know Chan can make the shot, that he could get the man through the head and not so much as graze you under him.  But if this man dies, his answers go with him. 

“No!” you shout at the same time the gun goes off. 

You wrap your legs around the man’s midsection and yank him to the side.  You roll, one over the other until you are pinned once more.  You are both unharmed.  With the head covering, it is hard to tell if he is frazzled.  He certainly whips his head around quickly, trying to see where he dropped his gun. 

You spot it at the same time.  You glance at each other then bolt, stumbling over one another as you charge the discarded pistol. 

Chan jumps down off the balcony.  He takes more of a running leap, jumping forward rather than just down.  It gives him far more momentum so he hits the ground and tucks into a roll, riding the wave of that momentum until he is in the middle of the room. 

Chan reaches the gun first.  He kicks it out of the way and comes at the adversary with his bare hands.  He may not understand why you wanted to save an enemy who had you pinned under a gun, but Chan must trust there is a reason because he fights to incapacitate rather than kill. 

It is a good fight, but the man is already tired from fighting you. 

And you are good, but Chan is better.  If he could not beat you, only tie, then he cannot beat Chan. 

Sure enough, it takes a few more moves before the man is on his back.  Chan, still wearing his half-mask, straddles the man’s chest, pinning his arms at his sides and his body to the floor.  He draws a knife out of a thigh holster for good measure.   

“Got him,” Chan says.  “Who is this guy?”

“I have no idea,” you say, jogging over to them.  “That’s what I want to find out.”

“Let me go,” the man says, wriggling uselessly under Chan’s weight.   “I have nothing to say to her.”

“I told you already, I’m on your side,” you say.  “Or at least I’m not on Miroh’s side.”

“Whose side are you on?”  Chan asks with a jerk of his head. 

“Mine,” the man answers.  “Now let me go.  I have a job.”

“We have a job,” you say.  “We’re the ones who have been taking out the facilities so far.”

That gets the man to stop squirming.  He looks at you through the narrow eye slits in his balaclava, eyes darting to where you stand behind Chan. 

“You?” the man asks, seemingly his favourite word. 

“Yes, me,” you snap.  “And who are you exactly?” 

“One way to find out,” Chan says.  He does not wait for any further acknowledgement, ripping the man’s mask right off his head.  It is not a cruel or violent action, more a casual shrug of his arm than anything.  You are not expecting to find anything more than the scowling face of a stranger.   

You and Chan freeze.   

Staring back at you, with his hair returned to its natural pitch, his dark eyes narrowed in an intense glare, and a face full of unmistakable freckles, is a former agent of Miroh’s special-ops program.  One of the last and a traitor, not to mention supposedly dead. 

“You,” is what you say.

You do not know what else to say to Lee Felix. 

[utilitycaster]

I said this late last night but actually, I was serious: I really do feel like the stasis bubbles are ultimately at the core of Ludinus's attitude towards Aeor, and the fact that he doesn't seem to have focused on them at all is the key to understanding his agenda.

I don't believe the stasis bubbles are a lost cause. I think there's certainly failure points, ie, I think if one does not go about this with utmost care then yes, the people within will rapidly age or wither to dust and be lost. But I don't think a successful release of the Aeorians in these bubbles is impossible within the canon of Critical Role. I think it is very, very difficult, but I think it could be done.

Ludinus doesn't seem to have focused on this at all - not even a half-assed attempt. He's gone for a literal moonshot, connecting with something he didn't even know existed and destroying Molaesmyr in the process. To his limited credit I think it's entirely likely he didn't know about these stasis bubbles until Aeor excavations began about 60 years ago, but I don't think Aeor became his focus until he realized he could strip it for parts: both for its technology, and as part of his propaganda machine.

Ludinus's grudge against the gods began with the end of the Calamity, in his own youth, in those final battles, and we know that he was already studying mages like Laerryn and using the harness to extend his lifespan while he lived in Molaesmyr. He may very well have known about Aeor, but his goal was to kill the gods. He only just saw what was in the Occultus Thalamus now.

Aeor is a useful tool to him, and it's a better tool to him if he can act like it's lost forever and everyone is dead. Aeorians only help him if they're doomed corpses. If he cared about the deaths of the people of Aeor and the culture of the city, why let his general repeatedly target FCG, one of its only current survivors? Why shut down the researchers from Uthodurn and the Dynasty in the past 7 years? Why push towards this Thalamus even as his army falls to Dominox when the stasis bubbles are just outside? Are those collapses Essek noted just the ravages of time, or was he destroying the city even further?

He doesn't really care about Aeorians in the slightest. He wants to kill the gods, and treats this mass slaughter and cultural destruction of Aeor as a boon that fell into his lap so that he can say "look what they took from you" to the world that he's been ravaging and slaughtering his way through himself for the past few months (and, on a slower but no less violent scale, the last millennium). The second he lets one of the Aeormatons brought back by D speak? Or brings back one of the thousands of Aeorians who could, perhaps, survive and come back and even revive that lost knowledge? Well, then it's not lost forever at the hands of the gods now, is it, and that makes for bad press, and we can't have that now, can we, not when we're about to crack open the moon and eat the gods! Sorry that a phoenix killed your family and no one could resurrect them, but you know how it is. Let bygones be bygones, unless they're his trauma and his trauma alone.

Any claim that he cares about Aeor is a lie. He cares for himself and no one else. He loves that Aeor is gone because it's always been gone to him and, like any fossil, is only good as fuel for his own agenda. And we and Bells Hells are about to see a glimpse of life in the city that's more convenient to him when it's dead, and he thinks that's going to help his cause.

[420technoblazeit]

say what you will about the winchesters but i did kind of like that they explored john's military trauma and how that ended up affecting his choices later in life. i feel like the fandom has a tendency to see him as this horrible irredeemable monster but like. i'd argue that john's motivations for raising sam and dean in the way that he did are pretty clear cut actually. he was a traumatized war veteran who watched his wife get murdered by a demon i feel like that would completely destroy anyone's worldview and send them into a spiral

deciding that the best course of action is to then take your baby and five year old son and raise them as monster hunters and completely deprive them of a normal childhood is definitely a more questionable decision but i also do think that john thought that it was necessary to keep them safe. and that includes drilling into dean the idea that he was entirely responsible for sam's safety. john thought that he had to prepare them for when azazel came for them. and he knew that he couldn't always be there to protect sam so he made dean shoulder the responsibility too. which was fucked up but you can also see why he did what he did

i feel like the tragedy isnt just in the fact that sam and dean were robbed of their childhood but also in the idea that john thought he was doing what he did out of necessity. and in the end it didnt even change all that much because they were doomed from the beginning anyway

[la-pheacienne]

What is the "entire point of the dance", well let me tell you what it is. This is the story of a king that was so stupid and incompetent that he let the tradcaths take over his throne and eat his daughter alive. This is a story about a little girl whose only crime was that she dared to live like a man and she got punished for it and saw her children die one by one because of it and her legacy smeared ad infinitum because of it. This is a story about how even the "realm's delight" could not be considered worthy enough to live compared to her rapist scum of a brother, because even the "realm's delight" will always be just a woman so she will always be inherently inferior to any man however pathetic or incompetent he may be. This is a story of tragic irony because it is a woman, and Rhaenyra's descendant specifically, that is currently bearing the Targaryen name, it is a woman reconstructing the Targaryen legacy, it is a woman that brought back the music of dragons, almost two centuries after Westeros would rather have them perish and destroy everything in their passing than allow a woman on the throne, the very dragons that are now meant to save Westeros from its impending doom. And this feels like justice to me. I'm sorry that some people are so blind in their contrarianism that they prefer to make up a bazillion nonsensical headcanons than acknowledge that this is the actual theme of this story. It's not even that I hate the rest of the characters in the Dance, it's that they are irrelevant to me. I don't even calculate them.

[shadesoflsk]

      LULLABY FOR A BROKEN HEART

pairing: Leon Kennedy x Gn reader.

summary: After a mission, Leon musters up the courage to ask for one thing he's always wanted.

warnings: hurt/comfort, a bit of angst, fluff, Leon is touch starved, no consumption of alcohol but there are mentions of it, injuries, mentions of trauma.

word count: 2.1k

author's note: Hello! So... I had prepared some dad leon headcanons but after reading DI manga latest chapter... I knew I had to write something about it. I wrote this with a platonic relationship in mind but you can also see it as an established relationship! I just wanted an excuse to write about Leon because he is literally an angel ueueueue. He deserves the world.

      masterlist

With heavy and wobbly steps, Leon’s blurry vision—from the lack of sleep— could make out the frame of your door, your apartment’s door. A part of him knows that he may be a burden—or that’s what he believes. Fatality, sorrow, and overall bad outcomes are the only things his mind can register.

He doesn’t want to bother you. Hell, he doesn’t want to speak to anyone right now. The fact that he somehow made it safely to your front door was enough for him to know that you would be so angry at him. You shouldn’t drive after a mission. You shouldn’t—... let yourself die. He knows all those phrases by heart. 

He’s getting better. He’s a lot better, to be honest. He no longer drinks, but he may as well look drunk right now. His head was hurting like hell, but he blamed it on his mission. He’s getting too old for that shit. But, a healthy improvement doesn’t mean that he can’t fall. 

Recovery isn’t a straight line of betterment. There are nights when he can sleep like a baby. But then again, some days, he goes to sleep knowing that a nightmare may attack his dreams. 

His fist bangs against your door, at first trying to be quiet. But after a few seconds, some desperation came within his knocking, and a louder sound filled the already silent night. 

The melancholic feeling of being alone lasts a couple of seconds before he hears some steps inside your home, those get even closer until he sees the door opening. The sight he admires before him is far from comforting. The eyebags under your eyes, your disheveled hair, and the quiet yawn that escapes your lips say it all, you were sleeping. 

At first, you don’t say anything, letting the silence in the air fill the lack of response from both parts. Yours and Leon’s, two souls that are aching right now but for different reasons.

Leon, who is hurting because he doesn’t want you to see him like this. And yours because you’d give him the world just for him to stop blaming himself. Ironic, but in reality you’re two sides of the same coin.

Amidst the countless things you want to tell Leon, you step aside allowing him to enter your apartment. The one he knows as his cozy getaway. His second home. The first one is your mere existence. 

Physical things last no more than a few weeks, months, or years. Everything is doomed to cease existing. He has witnessed it through the years he has worked as an agent. Those gigantic and marvelous houses politicians love to brag about? A bomb would destroy them. That motorcycle he loves? Yeah, that one…. No more than a few pieces remained.

But the simple fact that you were alive and breathing meant so much. He wasn’t a stranger to death. He knows that he has become desensitized to those topics as much as he denies it. But even if someone were to die, their proof that they belonged to this world would live in those who loved them, those who were close to them. 

And that’s why you’re his home. The kind of home that served as a refuge when life got too much, when life stopped basking him with its sunlights but rather sent him a blizzard. Your presence was enough for him because you granted him the affection he has long forgotten he could have.

As he enters your apartment, the normalcy and everydayness of the living room embrace him like a thick and warm blanket. The usual smell of your scented candlelight also brings him back to the reality where he could feel safe.

He’s alone for a while, you let him sit on your couch even though he might stain it with the dirt on his pants and whole body. You don’t exactly care, you can clean it after. 

His eyes are unfocused as he waits for you to come back. At that moment, the memories of his last mission came to his mind. They don’t haunt him like they used to do in the past, where he decided to stop the voices from getting louder by drowning in alcohol.

Now, they replay in his mind like a Deja Vu, like a movie he was the main star in. However, it doesn’t mean they stop stabbing his heart knowing that he had taken lives. 

He used to be a religious person. Right now if someone asks him if he follows a certain God, he would respond with a simple no. But when he sees the bodies of those whom he had to kill, he would offer a silent prayer, asking whoever hears him that their souls could rest in peace.

Leon kills, but he’s also a lover of life. He loves the world and its people. He wants to believe that he'd be reminded as the one who fought for those who couldn’t, even if he didn’t want to be associated with that type of job.

In his mind, it may sound corny but he has started appreciating the simple things in life. The way someone would smile at him in the supermarket, the way a random stranger would greet him even though they don’t know him. It was a nice reminder that he was, in fact, alive.

Your steps break the silence—once again. In your hands, there’s a first aid kit. 

There’s a certain urgency in the way you sit next to him to treat his wounds. Your eyes never leave him as you try to make sure that nothing is hurting him. Even when he has awoken you from your sweet dreams, you’re the same caring and compassionate person as always.

An alcohol swab touches one cut he had on his temple, a bruise already forming on the skin. Proof that his head was literally slammed against a metal tube. Not his proudest moment, if he had to be honest.

“I’m not going to break, you know…” Leon finally speaks as your hand seems to slightly shake out of fear of bringing more pain to him.

You manage to let out a chuckle at his words. “I know. But I’m not taking risks.”

His eyes continue to remain fixated on your face, like a puppy who is looking at a treat. But rather, he’s like a homeless man admiring one of the prettiest houses he has ever seen.

There are no questions asked, nor complaints about anything related to his late-night visit. He appreciates the fact that he’s welcomed no matter what. Nonetheless, he can’t help but thank you for your hospitality.

“Thank you.” He murmurs as you clean another injury that was just above his eyebrow. “You’re too good for me.” Leon's words show a moment of raw sincerity.

Leon’s humanity is palpable, even when he doesn’t notice it. There’s a childlike glimmer in his eyes when he watches his favorite movies, a hint of regret when he talks about his missions, and a big sense of empathy when he speaks about the victims who died at his hands.

Leon’s kindness knows no limits. And you wish everyone could observe what an amazing human he is.

“Why is that?” You asked, scooting closer to hear him better. To pay full attention to what he’s about to say. There’s nothing Leon loves more than knowing he can really talk with someone about his feelings since he has mastered the art of closing off.

“For this…” He admits as his hands gesture your first aid kit, to your apartment as a whole. “I’m not used to being… pampered like this. I get hurt and I fix myself up.” His expression darkens slightly.

“Well… I’m here, aren’t I?” You give Leon a warm smile before pinching one of his cheeks making sure not to touch any of his cuts. “You don’t have to be alone all the time, Leon. You can rely on me.”

Leon’s lips turn into a shy smile as you pinch his cheek. “Yeah, I know.” He’s grateful for your hospitality and overall care. But it’s hard for someone who has always been in solitude to think that it’s okay to rely on someone, that it’s okay to need a person. 

He’s silent for a moment before asking a question that’s been nagging him for a while now. “But… Don’t you get tired of it? Of taking care of me?”

You instantly shake your head, responding with a blunt “Nope, never.” In fact, you would be awake all night long just to make sure he was alright. 

“You’re a God’s sent… I swear.” He chuckles as his gaze moves towards his own hands which are fidgeting. As if he was looking for something to grab, to hold onto. 

He hesitates for a few seconds, he doesn’t want to overstep boundaries but then again… He’s not used to being touched let alone hugged. But right now… he craves feeling the tender and intimate affection that a hug brings.

When was the last time he was touched? He doesn’t remember. The sole thought of admitting it’s been months if not years that he hasn’t been hugged brings embarrassment to his already troubled mind. 

You notice, you know Leon a little too well. You recognize every little quirk he has, from the way he sometimes sticks out his tongue when he’s focused on something to the way he looks at everyone before delivering a punchline.

But you wait for him, you want him to be comfortable. 

As a sigh leaves his lips, he finally speaks. “Can you hug me?” His words come out hushed, as if ashamed of himself for asking something so… banal, so simple. “I really need it.”

The way he speaks, the way his voice suddenly cracks and the way his fingers twitch even more tell you enough.

“Come here.” You encourage him, opening your arms. He wastes no time getting himself closer and wrapping his arms around you. The kindness that you’re showing him could bring him to tears, but he doesn’t let them fall. Right now, he just wants to be embraced.

He was bigger than you, being an agent built his body to be ready to fight, to kill. Of course his muscles would basically bury your frame as he curls himself into the hug. But funnily enough, he feels like a kitten that found solace on a rainy day. He feels getting even smaller and almost disappearing from the catastrophes of this world.

He could easily rest his head on your shoulder. But instead, he decides to bury his face in the crook of your neck, feeling even more at ease in this peaceful moment. Closing his eyes, he lets the warmth of your body soothe his aching soul.

He always takes care of everyone, his mind and soul are connected to people he may as well never see again. He feels too much, he feels everything. Nevertheless, there are times when he wants to be the one being doted on, to feel safe.

And right now… he is safe.

“You may think I’m stupid…” His words are muffled as his face is pressed into your neck, his stubble ever so slightly brushing against your skin.

“I sometimes think you’re stupid.” You tease him, trying to bring some humor to the situation as you sense that Leon is starting to doubt himself. Your arms hug him closer, tighter. Letting him know that you aren’t going anywhere. “But right now… I think you’re the most amazing person ever.”

Leon doesn’t say anything for the moment. His breathing is steady and calm, drowning in your so familiar scent. His fingers caress the back of your head, touching your hair reminding himself that you were there, as if the hug wasn’t enough.

“You’re the most selfless person I’ve ever known.” You murmur, pressing a kiss on the top of his head. “You fight so much, you’re so important to many people. You don’t even know how much I thank life for having a Leon Kennedy next to me.”

Your words break his heart a little. Not because you said something wrong, not at all. But rather… he can’t imagine how his existence could bring happiness to someone. Chris, Rebecca, hell everyone has helped him a lot. But you are like an anchor which he clings to.

“Don’t feed a stray dog…” He tries joking, but his voice is barely a whisper. You’re used to his jokes. Most of the time, they are harmless and light-hearted. However, sometimes they served to hide what he was truly feeling. “They’ll always come back.”

“I don’t want you to come back…”  You respond. letting your hand rub his back. “I want you to stay.”

And Leon is definitely going to stay, he’s going to stay with you and with everyone else. He will fight off every bioweapon, he will succeed in every mission. Just to come back to his home and to his life. A life he’s learning to love and enjoy.