#eva fischer

[evita-shelby]

Love's a State of Mind

Chapter 7

Taglist:@thegreatdragonfruta

There is a strange sense of eternity with him. As if time itself stops for them and the world waits on them instead of spinning as it always does.

Eva would be lying if she said she didn’t miss it.

“Go on, tell me, did any of the women after me ever come close to making you take a day off work?” she asks, perched on the kitchen island watching Robert make himself breakfast. Eva was the one who did all the cooking, but after their breakup he decided to teach himself to cook.

And while she couldn’t eat with him, she settled for watching Rob make himself an omelet.

“No, unless you count getting a stomach bug from a temp in Sydney.” Robert shook his head with a grimace.

It wasn’t the reminder of the illness that had him reacting like that, no it was something else. Something she also felt when trying to bury the past by seeking out someone one.

The feel of betrayal.

“Did you ever feel like you were cheating on me when you tried to be with someone else?” he asks knowing she will answer honestly.

It was a new and yet familiar thing to them; her initial lies had ruined their earlier relationship and now they start this new one by being completely honest with each other.

So far so good.

“Yeah, hadn’t felt ready to truly move on. Didn’t help that no one could measure up to you either.” Eva admits freely trying to gauge his reaction to her words as he finished cooking silently. But it’s a comfortable silence, which is a good thing.

“You’re only saying that to make me feel better.” His self-confidence was never good no matter what front he out on and yet this time it was worse. Robert could put on a show in self-defense but being eternally at odds with his father and learning she’d been after him for his money and influence, had wrecked it completely.

“I’m saying it because it’s true, Bobby.” She assures him. “Not a single person on this world could even begin to compare to you…at least to me.”

He leaves his task unfinished and turns his full attention towards her as he leans against the opposite counter.

“The last person who called me Bobby before you was my mom.” The first time he’d said that he was intrigued, bewitched by her empty promises, now he said it softly as if there was no one else in the world who understood the feeling behind those words.

“I know. I’ll stop if you want me to.” Eva suggests thinking it would be a fair trade as they turn over this new leaf.

“I don’t want you to, I missed hearing it from you.” Robert admits and it hits Eva that there won’t ever be a life where they aren’t together.

“Then I’ll call you Bobby until I die.”

Eva’s still dazed from the anesthesia when she hears him say the last thing she expected.

“I going to marry you.” Robert repeats his words, and she laughs thinking it’s the drugs.

“Ask me when I’m better, Bobby.” Her recovery wouldn’t be long, he’ll stay with her come hell or high water, but the idea of getting engaged seemed unreal to her. After all that’s gone between them, somehow the idea that he wanted to do this for the rest of their life had never occurred to her.

And he does, the day she’s finally cleared by her doctor, Robert takes her out to dinner. Not to their favorite place in LA, but the hotel they first met.

Right on the same bar she picked him up at, he convinces her to pretend their strangers and when she orders her own drink, she finds the ring inside the glass. It was the same one he was going to propose to her months ago.

“You said to ask you when you were better.” Rob surprises her with a different ring, a new one with a completely distinctive design. One that is more to her tastes and not what society would accept. The last one had been a solitaire diamond that was all the rage, this one was every goth’s dream.

“Your dad won’t like it.” Eva’s always been difficult to surprise and yet Robert had managed to do it. She is truly at a loss for words. Well, the right ones anyways.

“Fuck him, then. We’ll elope and make it his nightmare.” He is so sure of her saying yes that he refuses to let his father ruin his happiness this way.

Not that she planned to say no. Eva loves him too much to ruin the best thing in her life.

“Can’t say yes if you don’t ask me, Bobby.”

They elope that same night and leave the hotel as Mr. and Mrs. Fischer with absolutely no shame or care of what anyone thinks.

Several months later

Eva’s nervous, not just because his dad died and she caused their relationship to go from bad to worse, and may have been what did her darling father-in-law in.

Maurice fucking hated her, couldn’t stand the sight of her so much she was banned from his funeral. Not that she’d been in a state to go, pregnancy didn’t agree with her, and flights this long were one of the things her doctor had outright banned.

Two months and some weeks, just like last time. Rob had been there with her when she got her results and then left for Sydney where he related his great news to his father in hopes he would finally accept her into the family. Did not work unfortunately, even worse he died a few days after being told he was going to be a grandfather.

Their elopement got Maurice out of the office for good, hadn’t been long after that he was bedridden and forced to hand Robert most of the company, now they had effectively killed him.

And now they’ll have to handle all of Fischer Morrow because Maurice left the whole beast to his son. Same son he spent his life pushing him away, but apparently loved him enough to make him the most powerful man in the business world and included her in it.

He called Eva Robert’s first wife to let her know how little he cared for her, but at least he was dead, and their marriage acknowledged by him in a way that makes dissolving the company impossible without her permission. She supposed his dad and Browning knew Eva was good at her job.

Something also told her they knew some shitshow would go down the moment Maurice shuffled off his mortal coil.

“I missed you.” Rob is still drowsy from his flight as he hugs her tightly. “Had the worst dream ever, you weren’t even there to keep me company. Fucking nightmare wouldn’t end.”

“Oh? I suppose Saito’s presence was enough to fuck up your beauty sleep. So, what’s the news you said you just need to share with me?” She herself was unsettled by the Japanese man’s presence and his name on the airline’s papers recently. This gave her a bad feeling.

“I’m going to dissolve the company; I want to be my own man and stop trying to be my father.” He says so full of passion for this new idea that she almost doesn’t see Eames over his shoulder.

The con artist and the businesswoman he could never scam meet eyes, and both know she’d kill them on the spot if whatever the fuck they did to her husband hadn’t fixed some of the damage his shit father had done.

That explains why the will was worded like that, the old fucker knew this was going to happen. Eva’s going to make Saito’s life hell though, no one’s gonna stop her from getting revenge on him and Cobol.

Fin.

[abwwia]

Eva Fischer (Daruvar, 19 Nov 1920 – Rome, 7 July 2015) was a Croatia-born Italian artist who worked in oils, watercolours, engraving and lithography. via Wikipedia

ETCHING BY EVA FISCHER

[gt-icons]

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[evita-shelby]

Lol yeah pretty much 😅

“The fruit was never an apple”

Max Svabinsky, (1873-1962)

“In Paradise” circa 1918

[rwpohl]

tatort 99: ende der vorstellung, georg marischka 1979

[hoerbahnblog]

"Marie Haushofer" - Ingvild Richardsen spricht mit Uwe Kullnick über ein Jahrhunderttalent – Frauenpower 1900

“Marie Haushofer” – Ingvild Richardsen spricht mit Uwe Kullnick über ein Jahrhunderttalent – Frauenpower 1900 https://literaturradiohoerbahn.com/wp-content/uploads/2024/08/Powerfrauen-Marie-Haushofer-I-Richardsen-upload.mp3 Hördauer 31 Minuten Geboren wird Marie Haushofer am 14. Mai 1871 in München als zweites Kind des Professors Max Haushofer. Ihre Mutter Adele Fraas ist die Tochter des…

[bspoquemagazine]

Diese woche im Hau: Love is a Verb.

Liebes Publikum, was wäre, wenn das Lieben ein allgemeines Wohlwollen gegenüber anderen Menschen, Lebewesen, dem Planeten und sich selbst beschreiben würde, sowie die Bereitschaft, gemeinsam mit ihnen zu wachsen? Mit dem Festival “Love is a Verb”, das noch bis Sonntag läuft, denken wir das Lieben durchlässig und in der Dynamik des Tuns. Denn dem Lieben als Handlung wohnt politische Kraft…

[nicoooooooon]

In the mist (1953) directed by Lars-Eric Kjellgren featuring Eva Henning

[supercalifragipopculturevomit]

Pick Your Favorite Sad Boi, Daniel Brühl Edition:

Nikolas Koll, Der Pakt - Wenn Kinder Töten (1996)

Checo, Paradise Mall / Schlaraffenland (1999)

Markus Baasweiler, Schule (2000)

Marek, Honolulu (2001)

Daniel, No Regrets / Nichts Bereuen (2001)

Marko Stemper, Elephant Heart / Elefantenherz (2002)

Arbo, Vaya Con Dios (2002)

Alexander Kerner, Good Bye, Lenin! (2003)

Paul Krantz, Love in Thoughts / Was nützt die Liebe in Gedanken (2004)

Jan, The Edukators / Die fetten Jahre sind vorbei (2004)

Andrea Marowski, Ladies in Lavender (2004)

Karl, A Friend of Mine (2006)

Tonda, Krabat (2008)

Dirk, All Together (2011)

Dr. Georg Rosen, John Rabe (2009)

Hans Krämer, The Coming Days / Die kommenden Tage (2010)

Álex Garel, Eva (2011)

Niki Lauda, Rush (2013)

Daniel Domscheit-Berg, The Fifth Estate (2013)

Thomas Lang, The Face of an Angel (2014)

Daniel, Colonia (2015)

Sebastian Zöllner, Me and Kaminski (2015)

Tony Balerdi, Burnt (2015)

Escherich, Alone in Berlin (2016)

Helmut Zemo, Captain America: Civil War (2016)

Dr. Laszlo Kreizler, The Alienist (2018 - 2020)

Ernst Schmidt, The Cloverfield Paradox (2018)

Thomas Fischer, My Zoe (2019)

Daniel Weltz, Next Door / Nebenan (2021)

[princesssarisa]

Opera on YouTube, Part 2

Le Nozze di Figaro (The Marriage of Figaro)

Glyndebourne Festival Opera, 1973 (Knut Skram, Ileana Cotrubas, Kiri Te Kanawa, Benjamin Luxon; conducted by John Pritchard; English subtitles)

Jean-Pierre Ponnelle studio film, 1976 (Hermann Prey, Mirella Freni, Kiri Te Kanawa, Dietrich Fischer-Dieskau; conducted by Karl Böhm; English subtitles) – Acts I and II, Acts III and IV

Tokyo National Theatre, 1980 (Hermann Prey, Lucia Popp, Gundula Janowitz, Bernd Weikl; conducted by Karl Böhm; Japanese subtitles)

Théâtre du Châtelet, 1993 (Bryn Terfel, Alison Hagley, Hillevi Martinpelto, Rodney Gilfry; conducted by John Eliot Gardiner; Italian subtitles)

Glyndebourne Festival Opera, 1994 (Gerald Finley, Alison Hagley, Renée Fleming, Andreas Schmidt; conducted by Bernard Haitink; English subtitles)

Zürich Opera House, 1996 (Carlos Chaussón, Isabel Rey, Eva Mei, Rodney Gilfry; conducted by Nikolaus Harnoncourt; English subtitles)

Berlin State Opera, 2005 (Lauri Vasar, Anna Prohaska, Dorothea Röschmann, Ildebrando d'Arcangelo; conducted by Gustavo Dudamel; French subtitles)

Salzburg Festival, 2006 (Ildebrando d'Arcangelo, Anna Netrebko, Dorothea Röschmann, Bo Skovhus; conducted by Nikolas Harnoncourt; English subtitles) – Acts I and II, Acts III and IV

Teatro all Scala, 2006 (Ildebrando d'Arcangelo, Diana Damrau, Marcella Orasatti Talamanca, Pietro Spagnoli; conducted by Gérard Korsten; English and Italian subtitles)

Salzburg Festival, 2015 (Adam Plachetka, Martina Janková, Anett Fritsch, Luca Pisaroni; conducted by Dan Ettinger; no subtitles)

Tosca

Carmine Gallone studio film, 1956 (Franca Duval dubbed by Maria Caniglia, Franco Corelli, Afro Poli dubbed by Giangiacomo Guelfi; conducted by Oliviero de Fabritiis; no subtitles)

Gianfranco de Bosio film, 1976 (Raina Kabaivanska, Plácido Domingo, Sherrill Milnes; conducted by Bruno Bartoletti; English subtitles)

Metropolitan Opera, 1978 (Shirley Verrett, Luciano Pavarotti, Cornell MacNeil; conducted by James Conlon; no subtitles)

Arena di Verona, 1984 (Eva Marton, Jaume Aragall, Ingvar Wixell; conducted by Daniel Oren; no subtitles)

Teatro Real de Madrid, 2004 (Daniela Dessí, Fabio Armiliato, Ruggero Raimondi; conducted by Maurizio Benini; English subtitles)

Royal Opera House, Covent Garden, 2011 (Angela Gheorghiu, Jonas Kaufmann, Bryn Terfel; conducted by Antonio Pappano; English subtitles)

Finnish National Opera, 2018 (Ausrinė Stundytė, Andrea Carè, Tuomas Pursio; conducted by Patrick Fournillier; English subtitles)

Teatro alla Scala 2019 (Anna Netrebko, Francesco Meli, Luca Salsi; conducted by Riccardo Chailly; Hungarian subtitles)

Vienna State Opera, 2019 (Sondra Radvanovsky, Piotr Beczala, Thomas Hampson; conducted by Marco Armiliato; English subtitles)

Ópera de las Palmas, 2024 (Erika Grimaldi, Piotr Beczala, George Gagnidze; conducted by Ramón Tebar; no subtitles)

Don Giovanni

Salzburg Festival, 1954 (Cesare Siepi, Otto Edelmann, Elisabeth Grümmer, Lisa della Casa; conducted by Wilhelm Furtwängler; English subtitles)

Giacomo Vaccari studio film, 1960 (Mario Petri, Sesto Bruscantini, Teresa Stich-Randall, Leyla Gencer; conducted by Francesco Molinari-Pradelli; no subtitles)

Salzburg Festival, 1987 (Samuel Ramey, Ferruccio Furlanetto, Anna Tomowa-Sintow, Julia Varady; conducted by Herbert von Karajan; no subtitles)

Teatro alla Scala, 1987 (Thomas Allen, Claudio Desderi, Edita Gruberova, Ann Murray; conducted by Riccardo Muti; English subtitles)

Peter Sellars studio film, 1990 (Eugene Perry, Herbert Perry, Dominique Labelle, Lorraine Hunt Lieberson; conducted by Craig Smith; English subtitles)

Teatro Comunale di Ferrara, 1997 (Simon Keenlyside, Bryn Terfel, Carmela Remigio, Anna Caterina Antonacci; conducted by Claudio Abbado; no subtitles) – Act I, Act II

Zürich Opera, 2000 (Rodney Gilfry, László Polgár, Isabel Rey, Cecilia Bartoli; conducted by Nikolaus Harnoncourt; English subtitles)

Festival Aix-en-Provence, 2002 (Peter Mattei, Gilles Cachemaille, Alexandra Deshorties, Mirielle Delunsch; conducted by Daniel Harding; no subtitles)

Teatro Real de Madrid, 2006 (Carlos Álvarez, Lorenzo Regazzo, Maria Bayo, Sonia Ganassi; conducted by Victor Pablo Pérez; English subtitles)

Festival Aix-en-Provence, 2017 (Philippe Sly, Nahuel de Pierro, Eleonora Burratto, Isabel Leonard; conducted by Jérémie Rohrer; English subtitles)

Madama Butterfly

Mario Lanfranchi studio film, 1956 (Anna Moffo, Renato Cioni; conducted by Oliviero de Fabritiis; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Mirella Freni, Plácido Domingo; conducted by Herbert von Karajan; English subtitles)

New York City Opera, 1982 (Judith Haddon, Jerry Hadley; conducted by Christopher Keene; English subtitles)

Frédéric Mitterand film, 1995 (Ying Huang, Richard Troxell; conducted by James Conlon; English subtitles)

Arena di Verona, 2004 (Fiorenza Cedolins, Marcello Giordani; conducted by Daniel Oren; Spanish subtitles)

Sferisterio Opera Festival, 2009 (Raffaela Angeletti, Massimiliano Pisapia; conducted by Daniele Callegari; no subtitles)

Vienna State Opera, 2017 (Maria José Siri, Murat Karahan; conducted by Jonathan Darlington; no subtitles)

Wichita Grand Opera, 2017 (Yunnie Park, Kirk Dougherty; conducted by Martin Mazik; English subtitles)

Teatro San Carlo, 2019 (Evgenia Muraveva, Saimir Pirgu; conducted by Gabriele Ferro; no subtitles)

Rennes Opera House, 2022 (Karah Son, Angelo Villari; conducted by Rudolf Piehlmayer; French subtitles)

[evita-shelby]

The Fischer Affair

If there hadn’t been a royal wedding the following years, it would have been the wedding of the decade.

[aro-absol]

My Aro playlist (the perfect soundtrack for ASAW!)

A while ago I made an aro playlist that I keep adding songs on. It's on an account that I don't feel comfortable sharing but I thought I could tell y'all what songs are on it because aro songs are not easy to find. So here you go.

Note: this playlist is tailored to my personal music taste. It's mostly pop. I know there are more out there (Cavetown) but these are the songs I like to listen to. Besides, you might interpret these songs differently. They were clearly not written to be aromantic songs but they sound pretty aro to me ( but obviously you don't have to agree).

I tried to sort them into categories (at least roughly) so can find songs you relate to better.

I used an alien emoji to mark the songs containing internalized arophobia (in my opinion) if you want to avoid those.

Enjoy!

Being happy about being aro/not feeling romantic attraction:

Never been in love - Will Jay

Curse - Emily Burns

Zero feelings - Zoe Clark

Being somebody's crush but you can't reciprocate:

Sorry - Halsey

I wanna love you but I don't - Ben Platt

I won't - H.E.R.

Crush - Glades

FRIENDS - Marshmello, Anne-Marie

I don't know - Gabe Bondoc

Idle Worship - Paramore

I help you hate me - Sunrise Avenue

Dating someone but turns out dating isn't for you:

Bad liar - Imagine Dragons

Liked you better - Good problem, Boy in space

Turning out pt. ii - AJR

Psychofreak - Camila Cabello, Willow 👽

Someone else - ClockClock

I wasn't made to fall in love - Miko 👽

For when the Romance Repulsion hits:

Crush Culture - Conan Gray

I'm so tired... - Lauv, Troye Sivan

Never Fall in love - Jack Antonoff, MØ

Romance is boring - Los Campesinos!

Love is for losers - The Longshot

Don't fall in love - Danko Jones

This fall - The Duhks

Romantic - Hooverphonic

Being happily single:

Good thing - Zedd, Khelani

Soulmate - Lizzo

No - Meghan Trainor

It's not you it's me - Bea Miller

I don't wanna be in love (dance floor anthem) - Good Charlotte

I just wanna be single - Brika

Me, Myself and I - Blonde, Bryn Christopher

Dating myself - sad alex

Aroallo anthems (sex mentions):

Not a love song - bülow

Leave before you love me - Marshmello, Jonas Brothers

What's love gotta do with that - Tina Turner

Extra Agenda - Claudia Valentina

Thief - Ansel Elgort 👽

Girlfriend - Bea Miller

Animal - Sir Chloe

Best Friend - The Weeknd

Yuck - Charli XCX

Cupioromantic anthems:

Hopeless Romantic - Sam Fischer 👽

People watching - Conan Gray

Love like that - Lauv

Love love love - Of Monsters and men 👽

High Definition - Waterparks

"No it's not romantic":

Despair - Leo.

Not a love song - Austin Moon

Not wanting to fall in love:

I don't wanna fall in love - Addison Grace

I don't need love - Niic

I don't want love - The Antlers

No lover - Jetty Bones

Your friend is dating someone that is bad for them and you're just *facepalms*

Devil doesn't Bargain - Alec Benjamin

Snap out of it - Arctic Monkeys

No Romeo - Dylan

Third Wheel - Zoe Wees

Aro songs I couldn't really sort in any of those categories but are still dope:

Mad at Disney - Salem Ilese

Turning out - AJR

Loveless girl - Pale Waves 👽

I've never written a song about a boy - Eva Westphal

[neverbesokind]

How was Hadestown Gilly?!

LITERALLY amazing.

I was so lucky to be in New York the same weekend Reeve Carney was doing his final shows as Orpheus, so the mood was so excited and loving and he is just such a wonderful and warm and lovely Orpheus.

The rest of the cast I was unfamiliar with, but all SO amazing. We actually had the understudy for Hermes, which at first I was sad about because Lillias White is so amazing and I would have loved to see her. However, her understudy, Malcolm Armwood, was SOOOO great. I don't even know why I worried.

Betty Who is the current Persephone and they really took me aback. I really feel like Persephone was the character I most felt the difference between cast recording and stage - she is in a ton of songs I didn't realize she was in, always emoting and showing her perspective on things. Betty also had such a humor and humbleness in the role - really loved them.

Huge highlight was Solea Pfeiffer as Eurydice - her voice is gorgeous gorgeous and she really shone. I do think she lacked the chemistry with Reeve that Eva had (for reasons that feel understandable for me, Eva and Reeve are literally dating irl), but she was so amazing and I look forward to seeing her flourish as Jordan Fischer takes over as Orpheus.

The stage was also sooooo cool. I know it so well and STILL I gasped at some of the reveals and stage effects.

Anyway, lifechanging experience. I feel SO lucky.

[hoerbahnblog]

"Emmi von Egidy" - Ingvild Richardsen spricht mit Uwe Kullnick über ein Jahrhunderttalent – Frauenpower 1900

“Emmi von Egidy” – Ingvild Richardsen spricht mit Uwe Kullnick über ein Jahrhunderttalent – Frauenpower 1900 Hördauer 44 Minuten https://literaturradiohoerbahn.com/wp-content/uploads/2024/06/Frauenpower-Emmy-von-Egedy-um-Jugendstil-reduziert-upload.mp3 Emmi von Egidy 1872 wird die spätere Künstlerin und Schriftstellerin in Pirna bei Dresden geboren. Emmy von Egidy ist das zweite Kind (von…

[kagekira101]

Sub Preview #124

DVa - Blueberry/Body Inflation

Pokimane and Valkyrae - Blueberry/Body Inflation

Karen Fukuhara - Blueberry

Eva Savagiou - Hourglass

Sabrina Carpenter - Blueberry

Isabella Roland - Blimp

Jenna Fischer/Pam Beesly -

Weight Gain AOC - Body Inflation

itskaslol - Ass Expansion

Link: https://www.patreon.com/Kagekira101874

[triada-literaria]

Wrap Up Mayo 2024

Soy consciente de que subo esta entrada muy tarde pero es que he tenido muy poco tiempo y no quería dejar de pasar la oportunidad de mostrar las lecturas del mes de mayo.

En mayo leí una antología como lectura conjunta, continué una trilogía y a la vez empecé otra, me puse al día con mi pila de pendientes y leí mucha ciencia ficción con motivo del MayoScifi (de estas últimas lecturas tenéis ya disponibles las reseñas)

En mayo he leído:

Everlost de Neal Shusterman.

Antología Katana (lectura conjunta)

La parca infinita de Adam Silvera.

Si un árbol cae en el bosque de Marina Tena Tena.

La luna del cazador de Costa Alcalá.

La última luz de Tralia de Isa J. González.

36 de Nieves Delgado.

Consecuencias naturales de Elia Barceló.

Nueva madre de Eugene Fischer.

Evangelio de carne y metal de Corral Carracedo.

Integria de Eva Duncan.