#eu ainda estou aqui

[beforethepoison]

" I want to dedicate it to my mother. She was here 25 years ago. And this is like a proof that art can endure through life"

Fernanda Torres dedicating her Golden Globes Best Actress win to her mother Fernanda Montenegro

[millsluthor]

I'm so proud to be Brazilian and to be able to see Brazilian actors winning. This award is ours. Viva o Brasil, viva ao cinema brasileiro. Viva Fernanda Torres, viva! 🥳🇧🇷❤️

[rm-dedeca]

🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷

[qu4kerider]

FERNANDA TORRES and SELTON MELLO for Variety

[tha-star]

It's kind of insane, isn't it? On the one hand, you have a film dealing with a dictatorial period in Brazil, caused by US involvement, which is what the US did throughout Latin America, by brazilians, director, producer, actors, all Brazilian, in Brazilian Portuguese. Authentically latino.

And on the other hand we have French and American citizens delivering the Mexican stereotype once again.

A colonizer still a colonizer, I guess...

[crizztelcb]

Profile pic for the main time because that was my reaction when we won an oscar

[lovelyteuvo]

I saw "I'm still here" and wow, it's one of the best movies I have ever seen!! And I need to talk about it, so please be prepared and stay with me

I already knew it would an amazing work not only because of the critics, but also because of all the team involved (all my favorite actors together was like a dream!!). But absolutely nothing prepared me to see the true love the production have put into the tiny details, them team and actors exemplified what respect is in it's purest form, they believe in their message and know how sacred it is

The silence throughout the two hours was inexplainable, every single person could see themselves on the screen. We didn't need multiple scenes about the couple falling for each other, or hundreds of descriptions about the kids personalities, only them together show us the love, showed us a reflection of our own families and culture, we connected to the characters with the first smile

It's a movie about Brazil, made by Brazilians, to Brazilians

As much as I love seeing this work having the deserved recognition, I don't care if we are not winning statues, "I'm still here" is a urgent wake up call and it must be listened no matter in which place of this globe

I have so much more to talk about this amazing film, but I think this post it's already a little too long lol I just want to say, go watch and I promise you will never regret it!! <3

[epf-headcanons]

WE WON AN OSCAR YASSSSSSSSSSSSS IM SO FUCKING HAPPY YOU HAVE NO IDEA MY DIVA FERNANDA TORRES I LOVE YOU MY DIVO WALTER SALLES I LOVE YOU TOO

I'M STILL HERE NATION LESSSS GOOOOOOOO

[overdoso]

A comemoração do primeiro Oscar do Brasil em Copacabana.

[ladylactea]

VIVA Fernanda Torres, Eunice Paiva, Rubens Paiva, o cinema nacional e todos os mortos, presos, perseguidos e torturados pela ditadura empresarial militar.

Para que não se esqueça, para que nunca mais aconteça.

Prisão para os generais fascistas e demais golpistas.

SEM ANISTIA!

[alien-with-headphones]

to all my mutuals who are not brazilian having to deal w my fernanda torres bs right now: deal with it /j

[ann7av]

Fernanda: Guys, no World Cup behavior!!

The FEDERAL GOVERNMENT: Someone asked for World Cup behavior??

Jokes aside, the government openly supporting a movie about the dictatorship a part of Brazil believe was “not all that bad” is something so relevant...

[ywri]

BRASIL GANHOU OSCAR DE MELHOR FILME INTERNACIONAL

VAI BRASIL PORRAAAAAAA

[skellybonesandtrees]

Hoje ou o Brasil brilha ou cortamos relações diplomáticas com Hollywood.

[whileiamdying]

How a Family’s Life Is Upended in ‘I’m Still Here’ | Anatomy of a Scene

The New York Times

Feb 7, 2025 — A relaxing time at home turns menacing in this scene from the Brazilian drama “I’m Still Here.”

The sequence begins with Rubens Paiva (Selton Mello), a former congressman, playing a game with his wife, Eunice (Fernanda Torres). But they are interrupted by the military police, who have arrived to take Rubens in for what they say is a deposition, one from which Rubens won’t return.

What was lighthearted becomes dark, both emotionally and visually, as the police begin closing curtains in the house. The joy is drained from the room, and uncertainty and fear permeate the moment, all while the adults try to make it appear, for the couple’s children, that everything is normal.

The film, primarily set in Rio de Janeiro in the 1970s, is based on a 2015 memoir by Marcelo Rubens Paiva, the son of Rubens. Narrating this sequence, the director Walter Salles discussed switching the camera from a static position to hand-held at the moment the officers enter the scene. He said, “the camera relays the instability of the situation, pulsing with the characters.”

During the tense sequence, one of the couple’s daughters, Nalu (Barbara Luz), enters the house and goes upstairs to talk to her father as he is getting dressed to leave the home for what Nalu doesn’t know will be the last time. Salles called it “a vital scene,” and said that it was “staged as the real Nalu told me it happened.”

Toward the end of the sequence, we see Eunice in close-up as she stands in the doorway to see Rubens off. Salles said that it is “the first of the only two close-ups in the entire film. We saved it for the last glance between Rubens and Eunice.”

Read the New York Times review: bit.ly/3WS4Ti5 Subscribe: http://bit.ly/U8Ys7n More from The New York Times Video: http://nytimes.com/video

Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.

[harrypuf]

EU TENHO ORGULHO DE SER DO BRASILLLLLLL 🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷