#especially if you learn them out of context

[narusasuart]

I wanted a side by side comparison. Not to be that person but I really love how these turned out. It's rare that I do a series and am as happy with the second part as I am with the first, so let me post it twice and yap about it OK? 😁

You can find them separately here: SNS & STSG

Also, I figured out some art stuff lately that I will talk about under the cut if you're interested.

Coloring used to be my nemesis. I often think my works look flat, so I dial up the saturation to make up for it but while I do like very saturated works that is ultimately not what I want to achieve. So lately I've figured out two things (which are closely related actually, if not the same thing on different levels).

1. Color variation. Our eyes may perceive an object and our brains translate it to being one color but it's not. Every color only works in the context of its surroundings, light bounces back and forth and there is always some slight color variation that our brain just chooses not to perceive. (You can train it to perceive it though.) So that is something that works for me when it comes to making images look less flat. I use one color for a plane but then I take a few completely different colors to paint over the boring flat plane in a really low opacity. It doesn't even have to be very visible, but it does wonders.

2. Bounce lights bounce lights bounce lights. This is closely related to the first point. Light, especially strong light bounces back and forth. So if two planes with different colors are next to each other they will reflect onto each other if there's enough light. In the left image, the orange of Naruto's jacket reflects onto Sasuke's shirt (it's barely there, just a slight difference in hue) while the gray of Sasuke's shirt also reflects back on Naruto's jacket.

I am always learning something while I draw and I love that. This is probably nothing new to the more experienced artists out there but maybe someone at the beginning of their art journey will profit from it.

[gothamite-rambler]

Damian meets Swamp Thing

Context: This is based on one of the canon's but I do like this one the most. Absorbing the memories of the dead person you think you are has always been a fascinating trope. Plus Damian wanting to help out villains he finds interesting is just heroic and sweet thing for him to do.

Alec (Swamp Thing): Hey, little dude. Awesome to meet a new Robin! I really love the representation. We need more diversity in the Bat League.

Batman: I have heroes of other races—wait, I’m going to stop there before I say something inappropriate.

Damian, dressed in his Robin suit, chuckled at his father's embarrassment.

Alec: It’s cool, Batman. I get you. You’re a cool hero, and you seem to take care of these kids. Ivy really likes one of them a lot.

Batman: I’m painfully aware of that.

Alec: I was thrown off by it too. Back to the little dude—Robin, I love this suit. Rock on, little dude!

Damian smiled, his head down. Batman cleared his throat to remind the young Robin to focus on why they were there. Robin nodded, preparing to speak.

Damian: Mr. Swamp Thing—

Alec (in a chill tone): You can call me Alec. Swamp Thing is what my enemies call me.

Damian (slightly surprised): Oh, so we're not enemies?

Alec: Nah, you’re friends with Ivy's girlfriend, and she’s pretty chill. Ivy seriously needed that kind of positive vibe.

Damian nodded with a prideful smile, then glanced at his father, subtly rubbing in that another villain liked him. Batman rolled his eyes and waved a hand for his son to hurry up.

Damian (to Alec): I agree, sir. This conversation is going well, and I hope not to offend you, but I was curious about one thing: Are you a former human turned into a swamp creature, or a sentient plant that has absorbed all of Alec's memories?

Damian placed his hands behind his back, waiting for an answer, while Batman heaved a heavy sigh, too embarrassed to speak.

Batman (to himself): I would've gotten to the point already.

Alec (surprised): Oh… wow. I haven’t been asked that in a long, long time.

Damian: Is it okay if I ask? Batman said it was wildly inappropriate and you'd "go berserk" if I asked that, and then I wouldn’t be able to ask any further questions. Right, Batman?!

Damian looked up at his father, who remained silent, covering his eyes in frustration and holding his head down.

Damian: I think that means yes. My apologies, Alec, I’m a curious child. I love to learn about criminals or former criminals such as yourself. I'm not going to judge you or anything.

Alec: You're okay, little Robin. I accepted what I am a long time ago. I couldn’t deal with humans, though; that’s why I live here, surrounded by the swampy foliage—meditating and stuff like that. My 'birth' is odd, to say the least. I’m a hundred percent plant, but I absorbed most of the original Alec's memories. The poor guy died in the explosion that created me, and his body sank deep into a swampy marsh. After going through an existential crisis, I searched for him and buried his body in a better spot.

Damian: Oh... that's quite the bittersweet origin story. It’s reassuring to see you’ve had good personal growth since then.

Batman (chiming in, exasperated tone): Robin, he killed so many people and almost created plant zombies.

Damian: And you invite Red Hood over for Thanksgiving; you have no room to talk.

Alec laughed, then sighed with a smile.

Alec: Yeah, don’t worry; I’m not doing anything evil anymore. I did some goon work for a few years and worked with Ivy, but I’m retired now. I enjoy spending my days chillaxing here, keeping my zen in check. Gotta make sure to avoid toxic outlets, you know?

Damian: I do. I'm not giving up my iPhone, but I get it. I'm glad you've reached that level of enlightenment; you can reject my offer. Thing is, I helped out Mr. Freeze and was wondering if you needed any assistance?

Alec smiled and shook his head.

Alec: While I appreciate you wanting to help, I'm good.

Damian: Hm, are you sure? I can do a lot, especially with my dad's money. Batman knows my dad; he can help, right, Batman?!

Batman (deadpan): Trust me, when I talk to your father, you’re going to be so grounded.

Damian (chuckling): Worth it.

Alec (crossing his arms): How about this? If I do need something from you guys, you'll be the first I contact.

Damian: That works. Here’s a phone to make it easier to reach me. It’s solar-powered, so there’s no need to charge it like a regular cell phone. It’s waterproof and gets reception in this bayou. My number is on there, along with Ivy's, Harley's, and Batman's.

Batman (angry): I told you not to involve me in this!

Damian (gritting his teeth): You know my rich father, so you're helping!

Batman: Okay, fine. I’m going to the car, and we’re having a talk when we drive home.

Batman walked off as Damian handed the phone to Alec. Alec took it with a genuine smile, surprised.

Alec: I have to say, I’m not too into these cell phones. They’re bad for the environment and the mind. But this seems like a pretty simple touchscreen. Thanks, kid.

Damian gave a thumbs up.

Damian: It’s what heroes do. All right, Batman is ready to go. See you around, Alec.

Damian put up the hood on his suit and walked off as Alec opened a music app on the phone.

Alec (smiling): Huh, the kid's not that bad.

[polyglot-sock]

👏you👏won't👏remember👏shit👏if👏you👏try👏to👏learn👏100👏words👏in👏one👏go

[aranyaani]

if you haven't lived in India and have been updated on our current affairs for the last 20-30 years and understand our history and our relation with the west you're never gonna understand why we're wary of western leftists, especially the powerful ones. even if I tell you that the west has done every damn thing in its power to thwart our progress in every way possible ever since we got our independence 75 years ago you're not gonna believe it. it doesn't make sense to make point by point rebuttal after ignoring all the issues that surround it. so I'm gonna get to the bottom of this once and for all so you'll get off of my post.

someone who is not Indian will not ever understand the problems that are being discussed between Indians and the incidents mentioned by Indians in a dossier that is submitted to the Indian judiciary which will view it while taking all the current events that are happening in India into account. the dossier makes more sense to us because we know wtf is going on here. it all seems silly to you because you have no idea wtf is going on here. it appears to be incomplete to you because you don't have the context.

and of course it will be only 'accused' and not 'proven'. to prove Soros's involvement we'll have to go against the entire western machinery. so the least we can do to protect ourselves from those who want to bring us down is be alert and learn to put two and two together and figure out who our enemy is and protect ourselves from them. in this era most wars are fought indirectly, behind the curtains. if we sit around waiting to make our move only after something is proven we'll be crushed in no time. This is how india has survived multiple hitjobs from the west to bring us down. from CIA killing our presidents and our scientists, to USA trying to reduce our population, to smear campaigns against our medicines and national policies, the west has done everything. if we don't even put the bare minimum effort to understand who is funding who, india will cease to be a country in no time. we have the right to be hyper vigilant because in the past, every single time we got complacent someone was successfully able to destroy our progress.

so I hope you understand and leave us the fuck alone

oh this is surprising

[smile-files]

this might be a hot take... but if you care about disavowing media made by bad people out of fear of looking like a bad person yourself more than you care about actually doing good things... you might have your priorities (and your morals) screwed up a bit :/

(see my tags for more of my thoughts on this topic! please try to avoid making make bad-faith assumptions about what i mean!)

[tariah23]

They’re still on Twitter calling Naruto the worst mc out of the big three simply because he was having panic attacks over Sasuke and gazing up at the stars thinking about him I see.

[ialpiriel]

laying on my back on the floor and thinking about Where The Gladiator Came From

[hyperfixationcritter]

#YES I love these thoughts thank you#I fully believe that if the scope had stayed contained there would have been plenty of time to tie Ekko into the parent themes too#we could've learned what happened to ekko's parents and learned more about the legacy ekko is carrying on with the firelights#at least he could've been drawn into the warwick plot if the warwick plot still has to be there#the extra kicker to tesla's mom's death is that she died uneducated and tesla spoke of how she would've changed the world#had she had the opportunity to do so. but living in a village in 1800s croatia she didn't have that opportunity#reflecting that in viktor's story would've doubled the gutpunches to his character in realizing that he has been ineffective in piltover#his mother gave him the opportunity that she never had and then he was too late to bring the benefits he wanted for the undercity to her#there is so much potential with jayce's character and ximena especially with how jayce's character has so much to do with image and ideals#and with how jayce never really grapples with where he came from compared to where people from the undercity come from idk#we really just needed a different vision for season 2 because if all the writers had was 2 seasons then a different game plan was needed#i always love seeing your thoughts on the show

AAAHHHH thankyousomuch 💖 I like seeing your thoughts on the show too!

If Ekko was trying to carry on an ideological legacy of his own, it would be a cool comparison to him, Jinx and Vi and bring him back into their shared story instead of sidelining him.

Also, I really how you worded Viktor being "given an opportunity his mother never had and being too late to bring the benefits he wanted for the undercity to her." Like, just reading that breaks my heart but if that actually played out in the show I'd be screaming, crying and falling over lol XD

Edit: Viktor's mom being a character could also add some interesting context/flavor to the song "The Line" now that I'm thinking about it.

And YES, Jayce doesn't really grapple with where he came from. I feel like I've seen different takes as to whether or not he was originally from Piltover and his near-death experience in the mountains was from a trip him and Ximena were on or if they came from somewhere else and ended up settling in there. I'd like to see that clarified on screen because either version would do interesting things for the two of them.

If it was the latter though, it could make for an interesting parallel between him and Mel as immigrants compared to Viktor who's a local and would further feed into the themes of image and ideals with Jayce. I personally would've liked to see more of Jayce grappling with how easily he was let go by people he thought supported him, namely house Kirraman, after being put on trial and how that affects his trust in others/people pleasing tendencies. If he was an immigrant too, that would add onto how he feels about his place in Piltover.

In a different world, with Arcane season 1 having such a focus on fathers, Arcane season 2 has a focus on mothers. The highest stakes remain the Piltover/Zaun conflict.

Mel and Ambessa, Caitlyn and Cassandra, Vi and Jinx and Felicia, Jayce and Ximena, Ekko could have someone too, and you know what? We meet Viktor's mom too. Here's why.

Viktor is inspired by the real historical inventor Nikola Tesla. Today, Tesla's family is usually considered Serbian and they lived in what is now Croatia. His father was an Eastern Orthodox priest and his mother, Đuka Mandić, ran the household, a genius in her own right in several ways, including being a clever seamstress, having an incredible memory, and being an inventor herself because she made tools and appliances to help with household tasks. Letters and pieces of interviews show that Tesla spoke fondly of her and that he felt that his talents came from her.

Tesla lived in Prague, Paris, New York, all over, throughout his career. When he was in his 30's, he was giving lectures in Paris when he got word that his mother was dying of illness. He rushed back to Croatia to see her and was there when she died, devastating him.

Listen, arguments can be made about respectfully reflecting real historical figures' lives in fictional characters - but the good, bad, and ugly parts of Tesla's life have already been ground up and used for parts of Viktor's story and in many other pieces of fantasy media. Just imagine a Viktor who leaves home (this wasn't in the show, but according to the writers, they believe Viktor's mom helped him sneak into the Academy, which makes me think they knew about Đuka and if they had included Viktor's mom, she would have been like her) to attend the Academy, intending to help the undercity someday. Arcane plays out in its usual tragic way. Imagine a plotline where Viktor hears that his mother is dying. He goes to see her, help her, something. She dies in his arms.

Just think about Viktor's mom being the specific example of someone he couldn't save, this moment being the one where he realizes his time in Piltover was spent in vain. Imagine she dies because of the problems Piltover and the Hexgates are causing Zaun, be it the Zaun Gray or the tainted water or what have you. It would tie Viktor's story so much more strongly to the plight of Zaun itself, it would be thematically consistent with the other Arcane characters who lose parents, it could be just one of several concrete examples of Viktor trying to help someone with his own hands, and it would show that he had connections besides Jayce that were tethering him and that Singed's "loneliness is often the byproduct of a gifted mind" really was bullshit (whether Viktor realizes it or not).

[vio1315]

Things that will never stop amazing me:

With friends/fam, we can be talking about things that I Clearly know a lot less than them about, but when we disagree about it, they never bring up that I have less basis for that knowledge, but engage with me as an equal

Take me seriously and explain their points with extra patience so that I can follow

In matters that I am less skilled than them with, they never hold it against me or ask me not to participate

Where a lot of people would consider me a failure, they look at the same underperformance and don’t even consider the possibility, rather valuing the areas I am capable with, and just me

Absolutely phenomenal

What good people, cherish them 

[shidoukanae]

*rereads Paris and Helene's second meeting for the nth time*

me every goddamn time: THEY HAVE SO MUCH CHEMISTRY HOW THE FUCK DO THEY HAVE THIS MUCH CHEMISTRY

It's so so so SO fun watching this entire meeting and how they both seem to constantly be in a little dance of sorts wherein Paris openly declares his interest in her and Helene keeps shutting him down ("You should come to Kylon. We won't overwork you the way your family does" -> "I don't have time to indulge in a life with people who don't think" -> "well that's good because i think about you so much i can't sleep"-> "and? get to the point already". like jfc he's not fucking vague about this At All).

But the best part is, for offstandish and disinterested as Helene is towards Paris (with her words cold and blunt towards him), it's really hard to deny that there isn't some interest on her part without there really being interest on her part (which is. confusing i know but. in context. oh. my god. she's a queerplatonic icon around Paris and i adore her for it)

My favorite thing to see in this scene is the way Paris reaches for Helene's face, casually brushing the back of his fingers against her cheek and through her hair (while commenting on how being this close to her makes his instincts spike with unease), and the moment Helene downs him she does the same exact gesture to him, lifting up his chin and brushing the back of her fingers against his face similarly. Which. Wow. I need more female antagonists to do this shit it is literally so cool to see.

Also the way Helene and Paris constantly are gauging each other is so neat. The way Helene tells Paris to "not long for what he can't have" (i.e. herself) is so neat. The way Paris is clear about his interest in Helene and she in turn matches that interest by toying with him in a way she's done with no one else in the cast is just. there is sooooo much there between them and i greatly enjoy whatever the fuck kind of chemistry it is they share because it is literally the epitome of what i crave in ships

[tossawary]

One piece of acting advice that has stayed with me for years in regards to both writing and drawing as well is: "Don't use the body to act what the character is saying. Act what the character is THINKING."

Like, as a very, very basic example: a character is apologizing by saying, "I'm sorry." But that line is going to look and sound different depending on what the character is thinking. Crossed arms and a sullen tone can mean that a character is actually thinking: "I don't mean it and also I hate you." A pleading tone and reaching out to take the other character's arm can mean: "Please don't leave me." A tired voice and slumped shoulders within context could mean: "I did what I had to do."

This is one way to begin to do "Show, Don't Tell" in storytelling. It is trusting your audience to see the depth and to catch on to the things you leave unsaid. It's fun to let the audience be observant and clever. It is also reflective of real life, where people are often scared of being vulnerable, or don't necessarily even understand their own emotions, or can't articulate their own thoughts, or have difficulty identifying the true feelings of the people around them, and so don't say very much.

There are exceptions to this advice, of course. In writing especially, rather than in a visual medium, some POV characters are very good at reading emotions from body language and others are not, and their observations in the narration may reflect this skill. Some characters will assume everyone around them is always angry with them or simply not pay attention to other people's moods at all, personalities which can also be subtly communicated to the audience and later used in the story in some interesting way.

Some characters have excellent control over their body language and tone of voice, because they are on-guard, highly trained in some fashion, or a very good liar. They will not easily communicate their true thoughts through their body language or their actions. Their lie can be so good that it can be slipped past the audience as nothing important to the plot until it comes back to bite. Their oddly perfect control over their body in a tense situation can instead maybe be used to indicate to the POV character and/or the audience: "Oh, there's something up with this person."

Body language will also change by culture and class and disability and so on. This clash can cause communication problems between characters, as a character's affectionate pat on the shoulder of another might be intended as casual comfort, but be received as overly intimate condescension. Different cultures / people can even have very different opinions on what level of eye contact and overlapping speech is rude.

This advice was originally given to me in the context of illustration and animation, in which it is very common for inexperienced artists to act out the words that the character is saying in mime-like gesture. In media for young children, we might choose to keep things very simple, as toddlers struggle to learn what it looks like and feels like to be angry or happy. But past that? People don't really behave this way. What we say and what we really mean are not always synchronized, and we can use the body to communicate this.

[celtrist]

Next thing you'll say is he doesn't have a tail

ref to this pic

EDIT: Just to keep things clear I didn't really think about bringing it up but not everyone's gonna click to see the first picture and might be confused. Alastor was stated to know only a little bit of broken French, the reasoning due to being from New Orleans. Speaking standard French is very much not a thing in New Orleans, so he would logically only know French-Creole. This is very different from the standard French language and a large misconception that people from New Orleans speak regular French. So yes, he does speak some French, just not as well as people make him nor would it, in theory, be the regular French that everyone makes him speak [but I wouldn't put it past the writers to not do that research but maybe I have too little faith in them]. I'm not from New Orleans, I visited it once so it's not like I'm an expert. But I HAVE looked into it and just bothering with one Google search will tell you it's not common and you'll even have a special term called "Louisiana French" pop up. With that all said, these were statements made on years past streams and could've been changed in the official series. However, as of right now, the official statement is that he speaks only a little broken French that should technically be French-Creole if they're going by and that he's from New Orleans to know that language. And again, I don't have a lot of faith in writers to do the research into it being Louisiana French rather than regular French, but now I'm rambling lol This is just a bit of context for this comic so people who were curious can understand it a bit more. And it's totally possible I got something wrong, so feel free to point it out when I do. I just like to dig into the nooks and crannies of information for things :3 2nd EDIT: Just for any future reblogs, I did get somethings incorrect in the above (not surprising), so here's some of the corrections I got:

@mangotangerine: "A tiny nitpick - it would likely be Louisiana Creole, which is one of the French-based Creole languages (Haitian Creole is prob the most well known as it has about 10-12 million speakers vs Louisiana Creole which has around 10,000 due to multiple factors but especially legislation in early 1920s outlawing it). Louisiana French is an umbrella term for the various French dialects/etc in the region (e.g., the dialect Cajun French)." (We actually had a whole conversation in the comments of this post and highly suggest looking down there in case you're interested in learning more!)

@alyssumflowers: "I am from New Orleans and a little bit of a language nerd. You're confusing some things here. Cajun French is a dialect of French. My great grandmother spoke it fluently, my grandfather in pieces.

Louisiana Creole is another language entirely. The word "creole" means mixed and a creole language is basically a mixture of two or more languages. Sort of, it's a linguistics thing. Anyways. Louisiana Creole has next to no speakers left and I've had a hard time trying to find somewhere or someone to learn it from because I really want to." (Always great to hear from someone who has more insider knowledge on the subject! So I wanted to give this it's share due as well, hope you can fine somewhere to learn it! /ᐠ > ˕ <マ ₊˚⊹♡ )

Thank you for the comments! My previous statement still stands about Al probably not speaking normal French, but I wanted these corrections still known and pointed out :3

[purple-plum-petals]

Homicipher request for the Homicipher starved fans pls? 🥺 Is it okay to ask for the reactions of Mr. Silvair, Mr. Chopped(as he gets wheeled past us on a cart after being kidnapped, again), Mr. Gap, Mr. Machete, and Mr. Scarletella with a reader who winks and blows a kiss as they pass by them? Like for some reason reader seems to be in a really good mood and they're skipping around with their trusty crowbar in hand then they see one of the boys then mwa~💋. I can imagine that they'd be confused at the unfamiliar gesture but I'd like to get your thoughts on it. 😂

⊱ Homicipher Characters’ Reactions to MC Winking at Them and Blowing Them a Kiss ⊰ || Multiple Character Headcanons

╭─━━━━━━━━━━━━─╮

Character(s): Mr. Silvair, Mr. Chopped, Mr. Gap, Mr. Machete, and Mr. Scarletella (Homicipher/文字化化) Reader Type: Human (Gender-Neutral Pronouns) Warning(s): Spoilers for Homicipher (MC’s Lore), Brief Canon-typical Mentions of Violence (Mr. Machete’s Part), Canon-typical Horror Elements (Mr. Gap and Mr. Scarletella's Parts), Cultural Barriers (None of Them Understand the Gesture). Genre: Headcanons, Fluff, Platonic or Romantic Relationship Word Count: ~1,880 Request: “Homicipher request for the Homicipher starved fans pls? 🥺 Is it okay to ask for the reactions of Mr. Silvair, Mr. Chopped(as he gets wheeled past us on a cart after being kidnapped, again), Mr. Gap, Mr. Machete, and Mr. Scarletella with a reader who winks and blows a kiss as they pass by them? Like for some reason reader seems to be in a really good mood and they're skipping around with their trusty crowbar in hand then they see one of the boys then mwa~💋. I can imagine that they'd be confused at the unfamiliar gesture but I'd like to get your thoughts on it. 😂” Author’s Note: They all would definitely be confused by the unfamiliar gesture, so I kind of did headcanons about how each of them would react to you blowing them a kiss/how they would go about trying to understand what the gesture meant by using context clues (or just straight-up asking you about it haha). Sorry if they’re not great! I’m still trying to figure out how I want to balance the characters’ personalities as they are in canon while adding some more fun/whimsical aspects of your ask.

→ If you enjoyed my work, please reblog it if you can! Exposure on Tumblr is based on reblogging content rather than liking it, so your support would be much appreciated!  ♡

╰─━━━━━━━━━━━━─╯

💉: He smiles softly at your cheerful demeanor, yet it falters slightly when you press the tips of your fingers to your lips and squeeze one of your eyes shut in response to him looking in your direction. You remove your fingers from your pursed lips and blow out a puff of air before continuing in the direction you had been walking towards. While he could infer you were in a good mood by your body language, he was curious to know what exactly the gesture meant. 

💉: Instead of lightly treading the question or observing you for any longer to see if he could figure out what the gesture meant by using context clues, Mr. Silvair instead just asks you directly to get an answer as soon as possible the next time he sees you. He deeply enjoyed research and observation, yes, but there was no need to wait to gather information when you were a perfect source of it. 

💉: Of course, it wasn’t easy to explain what “blowing a kiss” was, especially since they didn’t even have equivalent words in their language for “blow” or “kiss,” but you tried your best with what you had to work with. It’s almost funny how earnestly Mr. Silvair is hanging onto every word you speak. He chuckles after you finish explaining, amused by the gesture and its meaning – how quaint, he thinks to himself. 

💉: He found humans to be fascinating and their diverse cultures even more so, so he was of course interested in learning whatever you were able to recall from your previous life in your old realm before you ended up in this one. He treats everything you tell him with an air of respect, and he even documents what you share with him so he (and you) never forget that part of yourself. 

💉: Mr. Silvair finds the gesture to be an entertaining one, but deducts that it’s not usually one humans do with strangers or those they are not comfortable with from your explanation. Does that mean you are comfortable enough around him to express yourself in that manner? How fascinating... Do you care to tell him why you feel the way you do toward him? He’s very much interested in learning the reasoning behind your thought processes. 

🗣️: Mr. Chopped smiles so widely when he sees you in such a chipper mood, making your way down the hall with a noticeable spring in your step. He likes seeing you happy, so it makes him feel good, too, watching you skip by with such a bright expression on your face! Then, you press your hand to your lips and wink, blowing something he couldn’t see in his direction, and suddenly he’s confused. 

🗣️: Huh… well, that was strange. For some reason, though, the playful gesture seemed almost familiar, yet he couldn’t remember why. He can’t exactly chase after you and ask what that meant, so he’d have to wait until the next time he saw you (which he hoped wouldn't be a long wait – he liked spending time with you). 

🗣️: The next time he saw you, he asked if you could explain what the gesture meant. You did the best you could, but you’re pretty sure he comprehended what you were telling him if the giddy expression on his face was anything to go by. His excitement was quite adorable. However, his expression suddenly falls, and you watch him begin to sulk. How was he supposed to blow you a kiss in return? He didn’t have a body!! The poor man is so distraught. 

🗣️: He gets either Mr. Silvair to help him out or Mr. Hand to, well… give him a hand to enact his plan. The next time you see him, he calls out to you with such a delighted look on his face. So, you make your way over to him and kneel down to his level, watching as the sentient hand comes up to Mr. Chopped’s lips, making the same gesture you did, before he blows you a kiss and winks. He did it! He blew you a kiss!! 

🗣️: Mr. Chopped is very proud of himself and the pleased expression on his face is far too charming for you. He feels a warmth in his metaphorical chest knowing that you felt comfortable enough with him to blow him a kiss, especially since it seems like something humans do with those they are most comfortable with. 

🕳️: He’s honestly somewhat impressed you knew he was there, observing you through the small hole in the wall while you walk around like you’re on top of the world. He can’t help but wonder what happened that has you so chipper, but his thoughts are derailed a bit when you press your hand to your mouth and blow something at him, closing one of your eyes as you do so… What the hell was that?? 

🕳️: He feels somewhat offended, honestly, and gets that semi-disgusted look on his face before disappearing into the darkness. Mr. Gap understands it’s some kind of weird human gesture, but he can’t really put two-and-two together about what it means. Though, he finds himself continuing to watch you from any nook-and-cranny he could find, observing you to see if you would do the gesture again – you don’t.

🕳️: Mr. Gap ends up startling you while you’re walking down a long, grimy hallway, his hand darting out from a vent to grab your ankle. His grip isn’t tight, but it most certainly scares the life out of you and effectively catches your attention. He finds your scare amusing but ends up cutting straight to the point and asks you why you blew something at him. 

🕳️: Even after explaining what the gesture meant, Mr. Gap still doesn’t fully understand why you did it, so you just tell him it was supposed to be a nice gesture that showed you enjoyed him – playful. That is something he does understand, and it’s almost amusing how the smirk on his face grew. He must be special, he thinks, and his smugness is radiating from his face peeking out of the darkness. 

🕳️: Mr. Gap doesn’t do the gesture back, but he strangely enough finds himself hoping you don’t blow anyone else your kisses. He doesn’t know why the thought of you sharing the gesture with another annoys him a little bit – after all, it wouldn’t make it special anymore if you did it with everyone. He even begins bringing you things, like more crowbars or even pieces of candy he finds lying around. It’s almost like he’s trying to bribe you…

🔪: He sees you happily skipping around and finds himself having to do a double-take at the strange sight. It wasn’t a bad sight, not at all, it was just weird seeing you so bright and lively. However, his mind buffers a bit when you look at him, pursing your lips and giving him a wink before your fingertips press to your mouth and then flick towards him. 

🔪: Mr. Machete is immediately annoyed, not knowing what the gesture meant, and he assumes you were trying to pick a fight with him. So, he takes his large sword and reels it back, throwing it at you with a strength that still had your eyes boggling. You duck with a yelp as the sword implants itself into the wall behind you. 

🔪: He makes his way over to you with incredible speed, blocking your body between his and the wall as he looks down at you, his head tilted to the side as he asks you if you wanted to fight him. Mr. Machete finds your frustrated expression endearing as you tell him the gesture was meant to be playful and fun. He’s low-key kind of disappointed you didn’t want to fight, but he steps away from you after your explanation without another word. 

🔪: However, while looking down at your angry expression, Mr. Machete suddenly has the urge to squeeze you (I imagine he experiences cuteness aggression regarding you). So, he reaches down and squeezes your cheeks between his large and calloused hand, causing your lips to purse. Even though you hadn’t been in the mood to fight him, now you were. He smirks widely as you two begin to spar all because he misconstrued what your gesture meant. 

🔪: Mr. Machete doesn’t see the point of blowing kisses, and he doesn’t feel any particular way about the gesture. It’s kind of whatever for him, even though he does notice that you don’t seem to do it with anyone else. After the first time (that ended up leading to a spar), though, he notices you hadn’t blown him another kiss since… He ends up coming up to tell you in his gruff, almost rude way, that he wouldn’t mind if you did it again. 

🩸: He tilts his head to the side at the gesture, his shaggy red hair swaying with the movement. Well… that was new, he thinks. He liked you quite a bit (far more than just a bit, really… my man is kind of obsessed with you), and he had been following you throughout your entire journey in this realm, yet he had never once seen that expression or gesture from you before. Now, he was curious to know what it meant, and he was going to try and figure it out one way or another.  

🩸: He continues to keep his eye on you, following you as you go about your day. Mr. Scarletella likes seeing you so chipper and full of life, especially considering you were someone who tended to take life from others. The dichotomy between your behavior and actions had his heart racing. However, despite what he expected, you never did the gesture again. So, he couldn’t gather information by observing you – he would need to simply ask you directly, then. 

🩸: Mr. Scarletella effectively manages to corner you after some time, catching you completely off-guard. While you two had certainly started off on the wrong foot, you had gotten to the point where you were relatively calm and comfortable around the strange man who was so incredibly down bad for you. He gazes down at you with his lifeless eyes, inquiring about the gesture you made earlier. 

🩸: You explain to him what the gesture meant for you, that you were simply in a good mood and felt a little bit playful at the moment when you blew him a kiss. Mr. Scarletella smiles at your words, feeling very pleased with the information. So, it meant you liked him, correct? It meant you felt comfortable enough to express your happiness towards him in such a way, right?

🩸: Well, you inadvertently ended up making him even more obsessed with you, and now his feelings become even stronger every time you blow him a kiss. Mr. Scarletella finds the act an interesting way to express your interest and enjoyment of another being, so he begins to blow you his own kisses in return. He is one of the characters I feel would want to learn more about human customs to deepen his relationship with you even if he doesn’t fully grasp why some gestures mean certain things. 

[the-case-book-of-fanfiction]

astarion ancunin hcs {pt. 1}

once he's comfortable with you, he adores non-sexual physical intimacy

playing with his hair will calm him down almost instantly

he's protective and possessive, so he'll keep a hand on you at all times, usually on your back

loves when you initiate any kind of physical contact

always asks to do something before he does, in either a sexual or nonsexual context

he's easily jealous and can sometimes get very possessive; for the first time in 200 years, he has someone who genuinely loves him and he hates the possibility that he might lose you

that possessiveness is obvious when he marks up your neck with bites and hickeys

if he feels like his place in your relationship is threatened in public, he will not hesitate to touch, hold, or kiss you in front of whomever is making a move on you; after some bearing of fangs, whoever it is usually scuttles off very quickly

he definitely feels very undeserving of you and your love and has his days when he's convinced you're going to leave him for someone better when you get the chance, or that he's keeping you from; that insecurity lasts for a very long time

constantly buries his own feelings, so you have to coax them out of him and teach him how to set boundaries and stand up for himself

astarion absolutely LOVES bathing together; he can be very vulnerable with you without sex being expected when you bathe together and it absolutely helps him regain some control and bodily autonomy

he loves gifting you things: jewelry, clothes, weapons, little knickknacks he sees that remind him of you

his elven ears are so sensitive and he absolutely will whine involuntarily when you brush your fingers over them (either on accident while you're touching his curls or on purpose)

speaking of which, astarion loves having his hair played with, it's a huge comfort to him (and another form of physical touch that isn't inherently sexual, so it's one of the ways to ease him back into being intimate and physical)

sexually, he's very switchy; some days he wants to be in control and giving you all the pleasure you deserve, but other days he's more than happy to let you take the lead and love on him

he loves staying up late to have deep talks and watch the sky (sun or moon and stars, it doesn't matter which to him)

cuddle this man. all the time. he's absolutely a cuddle bug. if you don't cuddle him while you go to sleep, he'll be very huffy, and you'll wake up to him curled up around you anyway

he also likes to be the little spoon sometimes, once he's comfortable with you seeing and being wrapped around his back

he will sew everything for you instead of teaching you to do it; he likes being useful in some little way for you (inspired by @aethes-bookshelf's post here because I saw it and went "you are absolutely right")

he commonly speaks to you in Elvish whether you understand it or not; it's absolutely a comfort to him, especially when you start picking up words and understanding some of what he says

contrary to the performances he puts on, astarion is a very gentle lover when he can finally be comfortable and genuine with you. he's quieter, softer, he takes the time to learn you and himself, he lets himself enjoy it; he learns to become a taker, not just a giver

he likes to hold you, however he can, and at the very least always be touching you. an arm around your waist or shoulders, a hand on the small of your back, holding your hand or twining your pinkies together. he can't be touching you, he's standing so close to you that he could be touching you if he moved a centimeter more

he likes to hug you randomly; one of his favorite ways to do it is to come up behind you while you're cooking or talking to someone or looking at yourself in the mirror to get ready so he can surprise you by putting his arms around your waist and resting his head on your shoulder

astarion has a habit of kissing your neck whenever he can, sometimes it's a way to let you know he's hungry, other times when he wants to be intimate, other times just to remind you he loves you

on the same hand, he doesn't always say 'i love you' but instead makes it known through his behavior around you (and the fact that he's constantly looking at you like you are his whole world, because you are)

on the nights when you can't sleep, he reads to you until you drift off because he knows you find his voice soothing

he likes tucking his head into your neck and shoulder when the two of you sleep (which he finds out he actually likes doing every now and then)

the first thing astarion does when he wakes up is pepper you with little kisses on your shoulders, collarbones, cheeks, and forehead

when he's nervous and with people he's okay with knowing that, he'll reach for your hand and touch your fingers to calm down and ground himself. if you wear a ring or multiple rings, he'll play with those

astarion loves it when you call him by a nickname, either a shortened version of his name or a pet name. if he's fed recently and had enough blood, his cheeks will turn this adorable shade of pink when you call him "Star" or "my love" or something similar

how he wakes up from a nightmare changes constantly. the worse the nightmare, the worse his reaction when he wakes up. sometimes it's just a little gasp and his eyes flying open, sometimes it's a yelp and tears, sometimes he's crying before he even wakes up; but every time, his biggest comfort is to cling to you until the panic fades and then curl up in your lap (you've learned to light a candle or summon lights with magic when he wakes up from a nightmare; the shadows make him feel worse)

when you fall asleep outside of bed, he picks you up and carries you to bed and tucks you in—all without waking you

if you are injured at any point and there is no certainty that you'll pull through, he panics. he stays at your side the entire time, even if the smell of your blood is driving him mad, and holds your hand and talks to you, often begging you to wake up, to come back to him, to stay with him; more than once, you've woken up to find him with tears streaked down his face

every time you wake up from an injury and he realizes it, either because he's watching you or because you say hi to get his attention, he smothers you in kisses

once he's no longer starving, he likes to feed from you very slowly, to take his time and enjoy your taste; now that he's promised food, he doesn't feel the need to rush. feeding becomes very sensual, intimate, and personal for the two of you after that

he also loves leaving bites and drinking from you in places the others won't see; it makes him incredibly giddy to know that you let him bite you in places only he will ever see

if he's taller than you, he loves to kiss the crown of your head whenever he can

he will sew up your injuries whenever you need his help with it, even if the sight and smell of your blood makes him salivate

he loves touching your body to see how you react and lets you do the same to learn his own likes and dislikes

matching. outfits. he loves it, loves seeing people realize that you wear the same material and colors and realize what it means. he's very smug when people come to the realization that you're together

he frequently gives you his shirts to sleep in

if you are apart from him for any amount of time, expect to be tackled with a hug the minute you are reunited again

when you have the time, he likes to just lay in bed with you and relax together, half-asleep and cuddling and sometimes mumbling to each other pt. 2 coming soon

[colorisbyshe]

I just came across a tweet saying that Aaron Bushnell--the man who burned himself to death while yelling Free Palestine until he couldn't anymore--will be "in the history books" and that phrase has been coming up a lot. And it chafes me every time I read it, every time I hear it.

Cause, a. no, a lot of this won't be in the American history books. American atrocities, especially those overseas but even those against American people (especially American people of color), don't go in the literal history books. Or the figurative ones. Most American atrocities are wiped from the collective memory... sometimes as soon as they happen. They go unreported (like the first person to self immolate to protest this genocide), they go erased, they go whitewashed, they go falsely recontextualized, and they get twisted into pro-America sentiment--we were right for those atrocities, we were wrong for them but we learned, we didn't learn from it but we felt bad about it and should be comforted for that soreness.

And b. is harder to verbalize but I'm gonna try. It feels... performative in the literal sense. Like we only value what is happening today out of deference for how people in the future will perceive it. We aren't doing anything to change anything NOW, to care about other people NOW, but so that one day... we'll be remembered a caring. Like this man killed himself as gesture, as a move for his legacy.

And I see this phrase--"this will be remembered in the history books"--whipped out in extremely horrific contexts. A child's dead body hanging off a wall, "oh, this will be in the history books." What does that even mean? Was her death worth the historical context? Was it necessary to embellish the horror of it all?

Would the people reading these hypothetical history books not get the wrongness of the genocide without the death of a little girl that you're using as... window dressing?

It just seems so weirdly self satisfied. Like you're eager to note you just witnessed a real moment that people will remember decades from now. When... a lot of people won't which is what is so tragic. A lot of people don't even know it's happening right now.

Because, again, it's not being reported. And when it is being reported it's not being reported honestly.

I'm not saying this well but it just feels like such a gross reaction to things we're seeing in real time.

Why does it have to matter later to matter now? Why is the hypothetical reaction of a history book reader the thing you think about?

A lot of people won't live to read those "history books" because people, right now, aren't doing anything to help them.

[mostlysignssomeportents]

How lock-in hurts design

Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!

If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.

Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.

This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.

Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:

https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/

But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.

Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.

Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:

https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/

This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!

But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.

That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:

https://pluralistic.net/2023/02/19/twiddler/

When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":

https://locusmag.com/2020/09/cory-doctorow-ip/

This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.

An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.

Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.

Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":

https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html

Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:

https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/

But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.

The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):

https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/

Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."

Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.

Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited

Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en