#especially if you learn them out of context
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yknow, for all those people who use “3x wdc winner vs 3x race winner” as an insult, i don’t think you realise that that’s not exactly an insult.
yes, it’s true that max is a 3x wdc winner, that’s why he’s one of the best. that’s why he’s one of the most respected drivers. he’s got the talent, and he’s got the fast car.
and yes, it’s also true that lando is a 3x race winner, that’s because he just got a fast car. he’s learning. he’s adapting. he’s made mistakes, on and off track, but he’s learning. and the fact that in his first year of getting a fast car, he’s p2 in a wdc is amazing.
max has had a fast car for a long time. he has adapted to that as well. he knows his weaknesses and strengths, and he learns from it and uses it to his advantage. he’s had that time to learn to be in a fast car and win races. i’m not discrediting him. i’m saying that, as every other human on earth, he learned from his mistakes and he’s doing extremely well.
lando got a fast car this year. not even the whole season, in fact. he hasn’t had time to adapt to having a fast car after driving a mid field car for five and a half years. he’s still in that process of adapting. he’s making mistakes, but he will learn from them. he said he needed to work on his qualifying last year, and this year, he’s got 7 poles in total. he’s amongst the few mclaren drivers who have gotten more than 5 poles in one season. that’s an achievement of its own. he knows that he needs to work on his starts. you best believe that next year, he’ll be so much better at it.
he knows that this season he made some mistakes off track as well. but, as compared to the start of the season and now, he’s gotten much more mature, and much better at using his words correctly. the current situation about him saying it was luck was taken completely out of context. but, haters have a small brain, and a low attention span, so they won’t watch the entire interview.
max has had way more experience than lando has. to use that “3x wdc winner vs 3x race winner” for a duo where one has significantly more experience than other, not just in a fast car, but also in f1 overall, seems stupid to me.
max won his first race in 2016. and then, he won his first wdc in 2021. sure, lando has a fast car now, but to put an unrealistic expectation on him to be on par with the greatest f1 drivers almost immediately after he wins his first race is a little too much.
this constant need of people to belittle these drivers, whether its lando or max or literally any other driver, is so surprising to me, because none of yall would even be able to drive an f1 car in clean air for one lap, let alone a full race. especially, not at a speed that they do.
these are my opinions. if you don’t agree, please fuck right off. if you send me hate, i will block you. i don’t give a fuck. if you have something to add or have a counter argument, you’re free to do so respectfully.
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911, a confession
Let me start by saying that I don't really know what I'm doing here, so bear with me. If I actually go through with posting this, and you find yourself tagged and wondering who I am and why, or even if you happen upon it in the tags, I hope you take a minute to read this.
You don't know me, but you've been my community for a while now. I've checked your blogs daily for years, I've read your posts and loved your art and sent you countless anonymous asks to pick your brains- never hate though, because I'm not a Freak.
What I am, however, is a lonely lesbian with depression and (newly diagnosed) OCD, who has always needed some hyperfixation media/fandom to find life bearable. For some ~fun context, I was Raised by the glee fandom, I will die on the hill that watching queer as folk when I was 14 and discovering its fans 10+ years after airing made me who I am, I've got the most bizarrely timed stint in the 1D fandom under my belt, and I find nothing in the world more interesting and also affirming than Queer Reading (verb) media- to the extent that I earned an English degree and wrote a thesis specifically about it.
I haven't posted on here in 1.5 years, since I fell out of my previous fandom (apologies to anyone from said fandom who still happens to follow me and is seeing this, feel free to move along.) But I've been on this app every day since, because of 911.
(starting the read more here to spare you- again especially if you are tagged, I know you're probably feeling miserable rn but I do hope the entirety of this love letter reaches you)
I started "watching" mid season 5- by which I mean I was in a deep depressive state after disconnecting with previous media hyperfixation and, when I happened upon 911 trending while in need of distraction, I quickly fell down a rabbit hole. Tale as old as time, tumblr dot com convinces you that you need to tune into *insert media here* bc its fun and there are gay people! I caught myself up through all the big blogs and by the time May Day was airing I felt like I had a decent grasp on all the lore, all the fandom drama, all the places the writers were "definitely, so brilliantly" going to be taking the show that we had to look forward to, all without ever having actually seen an episode of the show (before you boo me, yes I've watched it by now, even season 1)
But I think it is important, and also a little messed up, that I fell in love with 911 through YOU, through the fans. Obviously watching the show initially through the lens of fan reactions first and not whats actually happening on screen can have some... interesting results. We've heard it all before, with the people who started watching specifically for Buddie around season 4/5 because they saw The Will and by the time they caught themselves up and watched the end of season 6 they wanted their refunds.
Here is where I want to make a clarification- the reason I got so interested, why I started coming back every day to check in on tags and certain favorite blogs I didn't even follow bc I was denying the want to become fully Involved, was because I fell in love with Evan Buckley. I won't lie, it was Buddie that caught my attention first- of course, thats what everyone here was talking about- and as much as I quickly started discover the value of the show outside of them (Henren my absolute Beloveds!!!!! Captain Dad Bobby Nash you are so special to ME. Chimney man of all time i can keep going) none of it was enough initially to bite the bullet and catch up on 5 seasons worth of a show I also knew would have elements I WASNT interested in (Copaganda and Taylor Kelly I am looking at you.)
But then I started really getting into fan's readings of Buck *insert footage of me learning the Buck Begins of it all for the first time* as a character separate from Eddie (as much as people were capable of anyway, and I will say some of yall continue to be absolutely atrocious at it) and I knew I was done for. Buck, this character so full of goodness, and his need to be Found but to also Find his own family and purpose and sense of self, for whom the show's thesis statement concerns the act of working to Make the kind of Love you want to have in this world, even if you were raised without a blueprint for it- I'm sorry but what else were me and my gay ass queer reading inclined hyperfixated brain to do other than take Evan Buckley into the folds and never let him go?
I love Buck. I was convinced by the time the s5 finale was airing before I had actually watched the show that Buck had to be bi. Even if they never did a thing with it you couldn't convince me otherwise and I was also confident that Oliver was portraying him with a similar mindset. I never wavered in that interpretation, even when the utter disappointment of the s6 finale and the failure to do anything truly meaningful character development wise through the lightning strike-Natalia speed run hit, and certainly not as I got fully caught up actually watching the show outside of tumblr live reactions during episode airings. I'll admit I was pretty ready to Check Out after the end of season 6, to the point where I hardly checked in on fandom at all going into 7 until the rumblings of possible canon Bi Buck reached me and I doubled back like "hold on, for real this time?" But when I say Check Out, I mean I was ready to walk away from the hyperfixation with a joint lack of satisfaction with canon & firm conviction that Buck was queer.
Things with Eddie are a lil different- and I want to try and keep this bit brief bc this is ultimately a post about Buck and Bucktommy and I have no interest in unsettling those of you who may have a queer reading connection to Eddie as real as the one I feel for Buck, but unfortunately this conversation cannot exist separately from the Eddie/Buddie of it all- I personally don't think Eddie is queer. I don't really think I ever did, even when I was in the thick of it with falling for Buddie. I know me saying this would cause certain audience to pelt me with accusations of fetishizing Buck or treating Eddie as nothing more than a vehicle for Queer Buck via Buddie- false! I actually think Eddie is an incredibly fascinating character, a deeply compelling representation of grief and fatherhood and masculinity, and also a hilariously weird lil bitch guy. I just don't feel like- especially having removed fanon glasses while actually starting to watch the show, and taking the time to acknowledge that the things about Buddie that appealed to me on a romantic level (this is NOT about their friendship which i stand by being beautiful and important) all boiled down elements I was reading within and onto BUCK specifically, not Eddie. Perhaps an impossible concept for some, the idea that Bi Buck could feel so real and apparent to me primarily divorced from the idea that Eddie had to be queer as well, but I won't bore you with my explanations for it, though I suspect the people tagged and still reading by this point know exactly what I am talking about.
All of this potentially obnoxious prologue to say, I've spent the last however many months falling in love with canon Bi Buck *insert footage of me speed running back into my daily fandom involvement/blog check ins the moment I knew Buck kissed a man*, with Bucktommy, and with Bucktommy fans.
For a long while there I had resigned myself to an odd, though perhaps not as unique as I thought, reality of loving and fully believing in Queer Buck, not necessarily feeling the same about Eddie or Buddie, but also in full agreement with many that already 6 seasons in with literally nothing else having remotely worked, Buddie would be the only satisfying conclusion for Buck's love story. This is again not exactly how I felt about Eddie- but a big part of that for me is that I don't think Eddie's primarily story in 911 is a love story. He's the vessel for telling other important, beautiful stories about fatherhood and forgiveness and that is OKAY bc not every characters story is a love story!!! Evan Buckley's is though (Despite some very weird and confusing things mr stark has just said about his character that actively contradict what hes previously said and what audiences have been looking at and for this entire time, but I digress)
But then! By whatever happy accident we want to call it 911 had Tommy Kinard fall back into its lap as the solution to what felt like the impossible: They found the ONE way they could introduce a non Eddie Diaz love interest for Buck that COULD be satisfying for Bucks story. Someone with connections to the 118 and the shows history and potential for further development within main storylines as his job directly pertains to their plots. Someone with such compelling connections for interweaving these two characters that it got us- including the showrunner- talking about the Red String of Fate. That it got some of the beloved tumblr pals I had been watching for years, who NEVER would have believed they'd ever root for a Buck endgame that wasnt Buddie doing exactly that, and with joy, love, and conviction. Again I'll ask, what else were me and my Buck loving brain to do but take Bucktommy into the folds and never let go? (apparently I hadn't considered that there was apparently horrifying alternative- more on that next!)
As you all damn well know, falling in love with Bucktommy has not come without its trails. I have never seen things in fandom as vile as the things I've seen go down here. And as I mentioned before, I've been IN IT with yall for a while, even if you didnt know it. I was here, lurking, and I know this fandom has had its highlight reels of racism and misogyny and harassment (despite certain factions current batshit consensus that things were "never bad" before *gasp* a couple of people, some over the ancient age *double gasp* of 30 heard about bucktommy through tumblr the same damn way the 90% of you who havent been watching since season 1 heard about buddie and decided to invest)
What happened tonight made me cry, for about 40 minutes straight. And yeah, its been a devastating week for us all for a lot of reasons. On top of the ~national dread (I'm a lesbian in the US btw) today was my 7th out of 9 straight days of open to close shifts in a demanding retail/management position, and I have a head cold so maybe this was just a Breaking Point after a whole lotta shit.
But also, maybe, it was really fucking shitty to watch this play out. I've already seen countless people say it better than I could. Yeah, its a tv show. It's a fictional ship. But its also escapism, a spot of joy many of us were extra dependent on this week. It was something GOOD, queer representation and a love story on national tv days after a horrifying reality set in for queer people, and we are allowed to acknowledge how much losing that sucks just on a general level for a second...
Second over, now lets talk not on the general level. Lets talk about how I've watched real human beings get harassed, sent death threats, be told they are faking cancer and failing to properly grieve dead loved ones, I've watched deeply homphobic language be adopted and incorporated into everyday use despite constant correction and pleas from queer men to knock it the hell off, I've watched homophia as a whole run rampant and unchecked by big blogs, with some biphobia to boot, I've seen some images of horrific anti gay violence and historical trauma invoked as a way to make fun of others, I've seen lesbianism slandered and proffered as an excuse for such vile behavior in a disgusting erasure of the beautiful solidarity that has historically existed between gay men and lesbians in the face of homophobia, and yes, I've seen graphic descriptions of child rape via targeted fanfiction attacks.
Again, others have already said it better than I can: This isn't about Bucktommy. It's about the way that everyone who was Pulling for them as a couple, who DARED to *checks scribble on hand* enjoy a canon queer mlm couple featuring a character (or two) they've grown to care deeply for, has been subjected to all the above mentioned and more, and for...what. For. What.
In the name of a fanon couple that has not been legitimized by the writers in 7 years? of a fanon character interpretation of a canonically straight man (not just assumed straight, verbally assigned straight now on multiple occasions) that people cannot fathom perceiving this show, let alone liking these characters, without? For the version of this story that, if the writers REALLY wanted to happen could have happened so many fucking times by now- especially when the show was coming to what might have been its end in s6- and still hasn't? A version that has been dismissed multiple times by the writers cast crew and every other unfortunate individual who has been harassed repeatedly about it?
And I'm not here to say Buddie is inherently bad!!!! It brought me into this same as the rest of you. I don't even believe it would necessarily be a bad or wrong conclusion for either character or the show were it to eventually, finally happen!! But for the love of god, hear me when i say from the outsider pov of someone who has experience the show in the way I did first through fandom then stepping back to watch for real and now watching it with my mother who is a near Exact representation of the general audience of this show (experienced Procedural watcher, no idea about Buddie or fandom interpretation, had no sense of gay eddie to speak of, and is not shocked but pleasantly surprised by and endeared by Bi Buck) you are SEVERELY deluded if you think what happened tonight by breaking up Bucktommy "makes sense" to any audience outside of buddies who've been writing manifestos for years about how every single thing in this show is "carefully, intentionally, clearly" leading to Buddie canon. I swear to you the people at home do not fucking see it. The people at home saw Buck in a nice, developing relationship that finally seemed to be going somewhere real for him after discovering an important part of his identity late in life, and then they saw that relationship abruptly ended and Buck heartbroken, going to sit with his best, still straight, bud Eddie Diaz. The ONLY people this makes sense for are the people who I am afraid it seems may have legimately bullied this into happening.
And if that is the case? We are sooo far fucking past the point of no return here. There is no true satisfaction in a Buddie canon endgame here for anyone who's lived through the past half a year in this fandom unless you were a perpetrator of any of the horrific shit mentioned above. I mean that with my whole fucking chest. If, and i do think it is a Big Fucking Fat if, Buddie does happen, and you find yourself no qualms happy and satisfied with it as your well earned endgame, I hope you know how rotted you are. And while I'm at it, I hope some way some how you come to see that this was not the carefully crafted beautifully developed loved story of all time you were gods bravest soldier in waiting for. Its just what left after years of meandering storytelling and cyclical character "development" with a bow slapped on top at the last moment because the gift giver was afraid you might kill them if they presented less.
Anyway. I said a million words ago that this was a love letter, and I do mean that. As much as its also been an mental health exercise for me to write this all out. So,
@kinardbuckleys @bucksboobs @kirkaut @tevankinkley @userautumn @sunglassesmish @tommyscurls @ohithankyou @buckxtommy @princessfbi @bigfootsmom @firewasabeast
(And so many other people I'm surely forgetting, and the few artists and writters on other platforms I dared to venture to- maybe never opening twitter again after this xoxo)
Thank you. You don't know me, I never quite got over the anxiety of trying to re-enter a fandom space after a time away, or maybe some of the imposter syndrome or embarrassment I felt accidentally falling in love with this show and Buck by just watching you all talk about him before anything else. But for the last few months, some of you years, you've been my community, my escape. I've loved watching your brains and your hearts work to discuss and create, even amidst the absolute shittiest fandom behavior Ive ever seen. And I am as grateful for getting to experience it from a far as I am devastated at the thought of losing it, of not individually typing in all your blog names (I was too anxious to even FOLLOW you guys truly rip) to see what new content or spec or art or love you had to share about Buck / Bucktommy every day.
In another life- one where idk perhaps people were kinder or showrunners weren't bullied and actors weren't dropped last minute after months of torment and a satisfying canon queer love story for a character who genuinely needs it could just Be in peace- I would have loved to one day put on my big girl pants (aka saved Buck url) joined the fandom for real. To have directly talked to any of you in a way that wasnt... this.
I would have loved to love Bucktommy with you.
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hi-i-am-a-sock · 8 days ago
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👏you👏won't👏remember👏shit👏if👏you👏try👏to👏learn👏100👏words👏in👏one👏go
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smile-files · 8 days ago
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this might be a hot take... but if you care about disavowing media made by bad people out of fear of looking like a bad person yourself more than you care about actually doing good things... you might have your priorities (and your morals) screwed up a bit :/
(see my tags for more of my thoughts on this topic! please try to avoid making make bad-faith assumptions about what i mean!)
#melonposting#there is a good case for not wanting to associate with something on account of the creator being harmful. sure whatever#but people have talked at length about the sort of moral ocd that it promotes when that idea is fervently preached and enforced#i don't know about you but i think there's a big difference between#a) not wanting people to associate with something because the media itself spouts harmful rhetoric#and because its bigoted creator both benefits from people engaging with the books and is idolized by many of the books' fans#and b) not wanting people to vocally enjoy ANYTHING made by ANYONE who's held any harmful ideology at any point#because doing so 'inherently' supports and spreads those harmful ideologies#it's true that you cannot separate the art from the artist#but good people can make bad art and bad people can make good art. artistic talent is not inherently correlated with the artist's morals#the goodness/badness of a person CAN seep into the art they make. and it often does. and that can affect one's enjoyment of it#but even then there's nuance to be had on how to deal with it#like my hero academia for example. when i started watching it in middle school i didn't know how misogynistic it would be#of course i ended up seeing it in the show (and god it's so misogynistic)#and i ended up learning that the 'joke' sexual-harasser character is a self-insert for the creator#which of course i could never get behind. the creator is undeniably a horrible guy#at the same time though the show means a lot to me and i've gained a lot from watching it#i won't elaborate here on how but believe me it isn't superficial. if you want to ask me about it i'd be happy to share#i can hold both in my mind. the disgust and the enjoyment. i don't think those have to be mutually exclusive#of course not everyone is like that; you could immediately stop liking the show on discovering the gross stuff. and that's your prerogative#i don't know... i agree with the values behind avoiding media made by people known to have moral failings#and in some cases (like harry potter and jkr) i fully endorse the values and the practice. but such cases are very specific#but in most cases i fear the practice is misguided and unnuanced and ultimately unhelpful in fulfilling one's values#it is largely a philosophical matter: about how an individual regards their moral standing in the context of themselves and other people#which is important to discuss - especially in our globalized internet age! speaking of which feel free to disagree with me#if you want to have a civil discussion i'm more than open to it#but no matter how important this matter... there are way more important ones in the world. especially right now#calling out people who watch a youtuber who said something bigoted 5 years ago does little to stop that bigotry overall#just have good morals and practice them! support oppressed people! be thoughtful and understanding and compassionate!#callouts and dni lists rarely make for impactful advocacy!!!
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tariah23 · 6 months ago
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They’re still on Twitter calling Naruto the worst mc out of the big three simply because he was having panic attacks over Sasuke and gazing up at the stars thinking about him I see.
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ialpiriel · 1 year ago
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laying on my back on the floor and thinking about Where The Gladiator Came From
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vio1315 · 2 years ago
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Things that will never stop amazing me:
With friends/fam, we can be talking about things that I Clearly know a lot less than them about, but when we disagree about it, they never bring up that I have less basis for that knowledge, but engage with me as an equal
Take me seriously and explain their points with extra patience so that I can follow
In matters that I am less skilled than them with, they never hold it against me or ask me not to participate
Where a lot of people would consider me a failure, they look at the same underperformance and don’t even consider the possibility, rather valuing the areas I am capable with, and just me
Absolutely phenomenal
What good people, cherish them 
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shidoukanae · 4 months ago
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*rereads Paris and Helene's second meeting for the nth time*
me every goddamn time: THEY HAVE SO MUCH CHEMISTRY HOW THE FUCK DO THEY HAVE THIS MUCH CHEMISTRY
It's so so so SO fun watching this entire meeting and how they both seem to constantly be in a little dance of sorts wherein Paris openly declares his interest in her and Helene keeps shutting him down ("You should come to Kylon. We won't overwork you the way your family does" -> "I don't have time to indulge in a life with people who don't think" -> "well that's good because i think about you so much i can't sleep"-> "and? get to the point already". like jfc he's not fucking vague about this At All).
But the best part is, for offstandish and disinterested as Helene is towards Paris (with her words cold and blunt towards him), it's really hard to deny that there isn't some interest on her part without there really being interest on her part (which is. confusing i know but. in context. oh. my god. she's a queerplatonic icon around Paris and i adore her for it)
My favorite thing to see in this scene is the way Paris reaches for Helene's face, casually brushing the back of his fingers against her cheek and through her hair (while commenting on how being this close to her makes his instincts spike with unease), and the moment Helene downs him she does the same exact gesture to him, lifting up his chin and brushing the back of her fingers against his face similarly. Which. Wow. I need more female antagonists to do this shit it is literally so cool to see.
Also the way Helene and Paris constantly are gauging each other is so neat. The way Helene tells Paris to "not long for what he can't have" (i.e. herself) is so neat. The way Paris is clear about his interest in Helene and she in turn matches that interest by toying with him in a way she's done with no one else in the cast is just. there is sooooo much there between them and i greatly enjoy whatever the fuck kind of chemistry it is they share because it is literally the epitome of what i crave in ships
#the mighty extra#Helene not batting an eye at Paris's advances yet doing shit like letting him touch her face and then lifting up his chin is just#ugh#how can you not ship them when there are just subtle cues like THAT that make the vibes between them so queerplatonic#i also love how Paris reaching for Helene's face reveals the fact he's very fucking uneasy around her despite his interest in her#that is a delicious contradiction for him to have and i really wonder what causes him to tremble when he tries to touch her#is it a strength thing a la he's aware she's more powerful than him and his dragon instincts quail at that?#which doesn't quite explain why Fian wouldn't react the same to Lyla?#or is this foreshadowing that Paris is aware on an instinctual level that she's an “enemy” and he can't override that instinct?#hence why he seems maddened by his own interest in her because it contradicts the very nature dragons have?#Helene also saying to him that his instincts are telling him “he shouldn't long for what he cannot have” is really sus tho#because i thiiiiink the basis for her saying that is she's warning Paris she's stronger than him therefore she can overpower him#but that's only based on current context i can scrap together and not like#potential context we've yet to get considering this manhwa has a fun habit of answering questions 20+ chapters later#and often in indirect reference to what the question was in the first place#which makes this manga suuuuuuuuuper fun to reread because you always end up learning something new#aka my favorite writing technique in existence lmao#i also wonder why Helene tells him specifically “dont long for what you can't have”#because the way she says that implies there's something deeper behind her words and i can't puzzle it out#especially because Phillip calling Helene “kindly despite her cold mask” when he saw her dancing with Paris alludes soooo many things#and that she may indeed hold interest towards him to some degree but her warning him off states she has a reason for doing so#and waaaaaaaah i think it's obvious there's something there on Helene's end#bc she seems to be true to her self only around him and she doesn't seem to care if he touches her (which is. Very Interesting)#but unless Phillip is mistaken it sounds like Helene does hold some interest in Paris but also she's uninterested in reciprocating#i think????#i think at this point their interest in eachother is both superficial is how i read it but god does that not stop them from having chemistr#and i literally cannot wait to see what it takes to get Paris and Helene from a place of hostile interest in each other to actual lovers#(im so excited for their next scene together can u tell)#(especially since Paris is finally taking Helene up on her offer of getting her help any time he wants)#(and he hasn't seen her since he made the comments that he did in chp 65)
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tossawary · 5 months ago
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One piece of acting advice that has stayed with me for years in regards to both writing and drawing as well is: "Don't use the body to act what the character is saying. Act what the character is THINKING."
Like, as a very, very basic example: a character is apologizing by saying, "I'm sorry." But that line is going to look and sound different depending on what the character is thinking. Crossed arms and a sullen tone can mean that a character is actually thinking: "I don't mean it and also I hate you." A pleading tone and reaching out to take the other character's arm can mean: "Please don't leave me." A tired voice and slumped shoulders within context could mean: "I did what I had to do."
This is one way to begin to do "Show, Don't Tell" in storytelling. It is trusting your audience to see the depth and to catch on to the things you leave unsaid. It's fun to let the audience be observant and clever. It is also reflective of real life, where people are often scared of being vulnerable, or don't necessarily even understand their own emotions, or can't articulate their own thoughts, or have difficulty identifying the true feelings of the people around them, and so don't say very much.
There are exceptions to this advice, of course. In writing especially, rather than in a visual medium, some POV characters are very good at reading emotions from body language and others are not, and their observations in the narration may reflect this skill. Some characters will assume everyone around them is always angry with them or simply not pay attention to other people's moods at all, personalities which can also be subtly communicated to the audience and later used in the story in some interesting way.
Some characters have excellent control over their body language and tone of voice, because they are on-guard, highly trained in some fashion, or a very good liar. They will not easily communicate their true thoughts through their body language or their actions. Their lie can be so good that it can be slipped past the audience as nothing important to the plot until it comes back to bite. Their oddly perfect control over their body in a tense situation can instead maybe be used to indicate to the POV character and/or the audience: "Oh, there's something up with this person."
Body language will also change by culture and class and disability and so on. This clash can cause communication problems between characters, as a character's affectionate pat on the shoulder of another might be intended as casual comfort, but be received as overly intimate condescension. Different cultures / people can even have very different opinions on what level of eye contact and overlapping speech is rude.
This advice was originally given to me in the context of illustration and animation, in which it is very common for inexperienced artists to act out the words that the character is saying in mime-like gesture. In media for young children, we might choose to keep things very simple, as toddlers struggle to learn what it looks like and feels like to be angry or happy. But past that? People don't really behave this way. What we say and what we really mean are not always synchronized, and we can use the body to communicate this.
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the-case-book-of-fanfiction · 10 months ago
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astarion ancunin hcs {pt. 1}
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once he's comfortable with you, he adores non-sexual physical intimacy
playing with his hair will calm him down almost instantly
he's protective and possessive, so he'll keep a hand on you at all times, usually on your back
loves when you initiate any kind of physical contact
always asks to do something before he does, in either a sexual or nonsexual context
he's easily jealous and can sometimes get very possessive; for the first time in 200 years, he has someone who genuinely loves him and he hates the possibility that he might lose you
that possessiveness is obvious when he marks up your neck with bites and hickeys
if he feels like his place in your relationship is threatened in public, he will not hesitate to touch, hold, or kiss you in front of whomever is making a move on you; after some bearing of fangs, whoever it is usually scuttles off very quickly
he definitely feels very undeserving of you and your love and has his days when he's convinced you're going to leave him for someone better when you get the chance, or that he's keeping you from; that insecurity lasts for a very long time
constantly buries his own feelings, so you have to coax them out of him and teach him how to set boundaries and stand up for himself
astarion absolutely LOVES bathing together; he can be very vulnerable with you without sex being expected when you bathe together and it absolutely helps him regain some control and bodily autonomy
he loves gifting you things: jewelry, clothes, weapons, little knickknacks he sees that remind him of you
his elven ears are so sensitive and he absolutely will whine involuntarily when you brush your fingers over them (either on accident while you're touching his curls or on purpose)
speaking of which, astarion loves having his hair played with, it's a huge comfort to him (and another form of physical touch that isn't inherently sexual, so it's one of the ways to ease him back into being intimate and physical)
sexually, he's very switchy; some days he wants to be in control and giving you all the pleasure you deserve, but other days he's more than happy to let you take the lead and love on him
he loves staying up late to have deep talks and watch the sky (sun or moon and stars, it doesn't matter which to him)
cuddle this man. all the time. he's absolutely a cuddle bug. if you don't cuddle him while you go to sleep, he'll be very huffy, and you'll wake up to him curled up around you anyway
he also likes to be the little spoon sometimes, once he's comfortable with you seeing and being wrapped around his back
he will sew everything for you instead of teaching you to do it; he likes being useful in some little way for you (inspired by @aethes-bookshelf's post here because I saw it and went "you are absolutely right")
he commonly speaks to you in Elvish whether you understand it or not; it's absolutely a comfort to him, especially when you start picking up words and understanding some of what he says
contrary to the performances he puts on, astarion is a very gentle lover when he can finally be comfortable and genuine with you. he's quieter, softer, he takes the time to learn you and himself, he lets himself enjoy it; he learns to become a taker, not just a giver
he likes to hold you, however he can, and at the very least always be touching you. an arm around your waist or shoulders, a hand on the small of your back, holding your hand or twining your pinkies together. he can't be touching you, he's standing so close to you that he could be touching you if he moved a centimeter more
he likes to hug you randomly; one of his favorite ways to do it is to come up behind you while you're cooking or talking to someone or looking at yourself in the mirror to get ready so he can surprise you by putting his arms around your waist and resting his head on your shoulder
astarion has a habit of kissing your neck whenever he can, sometimes it's a way to let you know he's hungry, other times when he wants to be intimate, other times just to remind you he loves you
on the same hand, he doesn't always say 'i love you' but instead makes it known through his behavior around you (and the fact that he's constantly looking at you like you are his whole world, because you are)
on the nights when you can't sleep, he reads to you until you drift off because he knows you find his voice soothing
he likes tucking his head into your neck and shoulder when the two of you sleep (which he finds out he actually likes doing every now and then)
the first thing astarion does when he wakes up is pepper you with little kisses on your shoulders, collarbones, cheeks, and forehead
when he's nervous and with people he's okay with knowing that, he'll reach for your hand and touch your fingers to calm down and ground himself. if you wear a ring or multiple rings, he'll play with those
astarion loves it when you call him by a nickname, either a shortened version of his name or a pet name. if he's fed recently and had enough blood, his cheeks will turn this adorable shade of pink when you call him "Star" or "my love" or something similar
how he wakes up from a nightmare changes constantly. the worse the nightmare, the worse his reaction when he wakes up. sometimes it's just a little gasp and his eyes flying open, sometimes it's a yelp and tears, sometimes he's crying before he even wakes up; but every time, his biggest comfort is to cling to you until the panic fades and then curl up in your lap (you've learned to light a candle or summon lights with magic when he wakes up from a nightmare; the shadows make him feel worse)
when you fall asleep outside of bed, he picks you up and carries you to bed and tucks you in—all without waking you
if you are injured at any point and there is no certainty that you'll pull through, he panics. he stays at your side the entire time, even if the smell of your blood is driving him mad, and holds your hand and talks to you, often begging you to wake up, to come back to him, to stay with him; more than once, you've woken up to find him with tears streaked down his face
every time you wake up from an injury and he realizes it, either because he's watching you or because you say hi to get his attention, he smothers you in kisses
once he's no longer starving, he likes to feed from you very slowly, to take his time and enjoy your taste; now that he's promised food, he doesn't feel the need to rush. feeding becomes very sensual, intimate, and personal for the two of you after that
he also loves leaving bites and drinking from you in places the others won't see; it makes him incredibly giddy to know that you let him bite you in places only he will ever see
if he's taller than you, he loves to kiss the crown of your head whenever he can
he will sew up your injuries whenever you need his help with it, even if the sight and smell of your blood makes him salivate
he loves touching your body to see how you react and lets you do the same to learn his own likes and dislikes
matching. outfits. he loves it, loves seeing people realize that you wear the same material and colors and realize what it means. he's very smug when people come to the realization that you're together
he frequently gives you his shirts to sleep in
if you are apart from him for any amount of time, expect to be tackled with a hug the minute you are reunited again
when you have the time, he likes to just lay in bed with you and relax together, half-asleep and cuddling and sometimes mumbling to each other pt. 2 coming soon
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colorisbyshe · 9 months ago
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I just came across a tweet saying that Aaron Bushnell--the man who burned himself to death while yelling Free Palestine until he couldn't anymore--will be "in the history books" and that phrase has been coming up a lot. And it chafes me every time I read it, every time I hear it.
Cause, a. no, a lot of this won't be in the American history books. American atrocities, especially those overseas but even those against American people (especially American people of color), don't go in the literal history books. Or the figurative ones. Most American atrocities are wiped from the collective memory... sometimes as soon as they happen. They go unreported (like the first person to self immolate to protest this genocide), they go erased, they go whitewashed, they go falsely recontextualized, and they get twisted into pro-America sentiment--we were right for those atrocities, we were wrong for them but we learned, we didn't learn from it but we felt bad about it and should be comforted for that soreness.
And b. is harder to verbalize but I'm gonna try. It feels... performative in the literal sense. Like we only value what is happening today out of deference for how people in the future will perceive it. We aren't doing anything to change anything NOW, to care about other people NOW, but so that one day... we'll be remembered a caring. Like this man killed himself as gesture, as a move for his legacy.
And I see this phrase--"this will be remembered in the history books"--whipped out in extremely horrific contexts. A child's dead body hanging off a wall, "oh, this will be in the history books." What does that even mean? Was her death worth the historical context? Was it necessary to embellish the horror of it all?
Would the people reading these hypothetical history books not get the wrongness of the genocide without the death of a little girl that you're using as... window dressing?
It just seems so weirdly self satisfied. Like you're eager to note you just witnessed a real moment that people will remember decades from now. When... a lot of people won't which is what is so tragic. A lot of people don't even know it's happening right now.
Because, again, it's not being reported. And when it is being reported it's not being reported honestly.
I'm not saying this well but it just feels like such a gross reaction to things we're seeing in real time.
Why does it have to matter later to matter now? Why is the hypothetical reaction of a history book reader the thing you think about?
A lot of people won't live to read those "history books" because people, right now, aren't doing anything to help them.
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mostlysignssomeportents · 10 months ago
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How lock-in hurts design
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Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!
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If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.
Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.
This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.
Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:
https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/
But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.
Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.
Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:
https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/
This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!
But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.
That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:
https://pluralistic.net/2023/02/19/twiddler/
When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":
https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah
More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:
https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/
But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:
https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones
Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":
https://locusmag.com/2020/09/cory-doctorow-ip/
This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.
An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.
Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.
Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":
https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html
Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance �� 96% of users choice no spying:
https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/
But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:
https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar
Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.
The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):
https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/
Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:
https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model
Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:
https://www.wired.com/2010/06/iphone-4-holding-it-wrong/
Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."
Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.
Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.
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I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited
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Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en
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microclown · 10 months ago
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I was rewatching s1e3 and something finally clicked for me..
Please forgive me if this seems obvious to you. It helps me to type out my thoughts, but I'm sure I'm just an idiot and no one else needs this explained to them, lol. That said - I was always slightly confused by the emotional weight of the holy water arc during the flashback sequence. Particularly I was confused by how angry Crowley got when Aziraphale referred to their relationship as fraternizing in the 1862 fight. I mean, "to associate or form a friendship with someone, especially when one is not supposed to" is exactly what they are doing, right? So why the 80 year breakup?
Crowley says he wants the holy water for if "it" all goes pear shaped. The phrasing is necessarily vague, and could mean lots of things. Since I know what he eventually uses it for, I was thinking about it in the context of Armageddon, or maybe more generally and vaguely about Crowley not always choosing to go along with Hell, and associating with Aziraphale. But there was not much reason for Crowley to already be thinking about Armageddon back then.
As we know from the full diary entry Neil posted, the timeline of the Edinburgh entry, and the cut bookshop opening scene, it seems like Crowley and Aziraphale were spending A LOT of time together by the 1800's. When Crowley is pulled back down to Hell in 1827, he learns that Hell is paying more attention to him than he'd previously thought. Crowley realizes at this point that spending so much time with Aziraphale is actively putting him in real danger. He recognizes that, and instead of breaking things off, or seeing Aziraphale less, he doubles down. If this relationship is dangerous, then he wants the tools to fight for it.
That's what I think I didn't get about the holy water request. It's not just general insurance, it's specifically insurance for if Hell finds out about him and Aziraphale. It's also a super vulnerable request because in making it, Crowley is openly acknowledging how important their relationship is to him. Aziraphale casually brings up the arrangement at the beginning of the conversation, and that's part of it, right? Because the whole basis of their relationship is the arrangement. It continues to be the pretense under which they meet, despite the relationship clearly having developed beyond that. And the arrangement, as Crowley proposed it in 537, is born out of convenience, and the assumption that Heaven and Hell would never notice anyway.
Crowley's request for insurance breaks that facade. He's acknowledging that it's not convenient, or safe, but he wants to do it anyway, despite the risk.
Aziraphale, on the other hand, is not ready for the screen to be taken away so abruptly. To make it worse, he assumes Crowley wants the holy water as an escape, rather than a weapon. Suddenly he is confronted with both the danger their association poses, and the idea that Crowley might choose to take his own life. He can't imagine the guilt of being directly responsible for the latter.
I also think the strength of his own emotional response to the thought of losing Crowley catches Aziraphale off guard. He hasn't admitted to himself how much he actually cares, and it scares him. Worrying about Heaven is more comfortable and familiar, so he falls back on that and switches to "If they knew I'd been... fraternizing!"
But bringing up the threat of Heaven reads to Crowley as Aziraphale saying "You may be willing to put yourself at risk for the sake of our relationship, but I am not." The word choice of "fraternizing" comes off as a dismissive and demeaning way to describe a relationship that Crowley just admitted he would risk his life for.
It's an unintentionally deep cut when Crowley is already at his most vulnerable, and so he lashes out. As far as we've seen, this is possibly the first time Crowley has truly lashed out at Aziraphale. So yeah, 80 year breakup makes sense!
And what makes this so much worse is what happens next. Crowley reaches out again in 1941 with a dramatic gesture (rescuing Aziraphale from the Nazis, saving his books). It's clear they've missed each other. They don't discuss the fight, but it's there subtextually. Aziraphale, tentatively and thrillingly, refers to them as friends, for the first time ever. He tells Crowley that he trusts him.
And then, that very same night their worst fears are confirmed. Just when they've finally reconciled a fight over the dangers of their relationship, and just when Aziraphale has finally admitted that it is not a relationship of convenience, but genuine friendship, they are exposed. Crowley is going to face punishment from Hell, explicitly for being Aziraphale's "trusted confident", and he doesn't have insurance. If Aziraphale's trick hadn't succeeded, Crowley would have had no way to protect himself.
idk it just makes me feel things ok
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femmefatalevibe · 1 year ago
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25 Life Lessons I've Learned In 25 Years
In honor of turning 25 this month, here are some lessons I wish someone could've baked into my brain by 18. Hope this helps xx
Putting yourself first is not selfish, it is an act of self-care. Actively discounting others is not the same as protecting your peace.
Pay attention to who gossips and keeps to themselves amidst an interpersonal conflict. Insecure people or those in the wrong will speak the loudest and go on the longest in a fight to prove their innocence. Individuals who are self-assured and comfortable with the truth know it's better to communicate their feelings appropriately and then move past it. Confidence is assertive, tactful, and relatively silent.
If you want to know who to believe in an argument, pay attention to how both sides speak about the conflict. The perpetrator will often speak about the individuals' character/morality while the victim will explain their personal experience in the context of the relevant situation.
Display empathy and consideration, but don't live to satisfy others' emotional needs and expectations. Say farewell to anyone who dismisses or guilts you for your own needs, emotions, priorities/life goals & aspirations.
Your needs matter. No one needs to approve or validate your desires. If someone feels they have control over you or tries to persuade you to change your mind to ensure you put their emotions and needs first, cut them out of your life. They do not care about you.
Almost no one deserves insider access into your life and mind. Upholding your right to privacy – especially regarding your finances, dating life, health conditions/concerns, and long-term goals – is the simplest way to protect your peace.
A friend to all is a friend to none. Be wary of those who will not stand up for you behind closed doors. These people do not care about you, they care about what your place in their life does for them and their ego.
Be radically honest and accepting of who you are. Don't apologize for your preferences, aspirations, and values. You deserve to live in a way that makes you happy, not to appease others in hopes of their approval or future favors due to your karmic good deeds.
You deserve happiness, love, and nice things, life experiences, relationships, and opportunities in your life regardless of what others may or may not possess/ be able to experience. Dispel this scarcity mindset ASAP. Jealousy and internalized shame are destructive to your self-esteem and all your relationships.
You are worthy and offer many incredible, unique gifts to the world. Don't allow naysayers, critics, or bullies (of any age) to dim your light or sacrifice pursuing your dreams. Decide you're the leader of your own life. Then act accordingly.
Direct communication is always the way. Remain tactful, but at least when dealing with non-manipulative people, always say what you mean and mean what you say. It will save a lot of trouble and petty disagreements that could've been avoided with clearer communication.
You don't owe anyone an explanation for your feelings, emotions, and actions that don't have a direct, inescapable impact on someone else. "No" is a complete sentence.
Approach conversations as a meeting of the minds. Healthy debate or conflict is about seeking to understand the other person, not prove yourself right. Leaving your ego at the door will allow you to expand your mind and avoid many unnecessary conflicts or arguments.
If it's not a hell yes, it's a no. For a job, date, sex, attendance at a time-sucking social event, family gatherings, an informal meeting not essential for you to keep your job, a wedding, birthday party, holiday invitation, etc. Outside of your contracted hours and time necessary to keep yourself/your home clean & well-maintained, you should spend your time exactly as you please. Doing things you don't want to do will only breed resentment down the line toward yourself and others.
Detangle yourself from any who refuses to self-reflect and take accountability. This person is selfish and will never see you as fully human with emotions, needs, and a complete life/internal world of your own. Cut them out (or at least fully emotionally detach and limit contact with them) immediately.
Speak your truth, but always say a little less than you feel necessary. Overexplaning and oversharing do you no favors. At a minimum, this approach allows you to protect your peace. In the worst circumstances, this tactic can also save you from a lot of trouble in your personal or professional life.
Learn to ask for a little more than you're comfortable with, but do so with grace, tact, and confidence. Whether it's a salary/rate negotiation, flight/hotel/restaurant accommodations, get in the habit of making that slightly higher/up-leveled request like you're expecting a "yes." You can't get something you don't ask for, so speak up and show you know your worth. This habit can bring a lot of great opportunity into your life and builds up your confidence.
Everyone is on their own timeline and path. Don't compare yourself to others' credentials, job titles, relationship status, net worths, or jean sizes. Comparison is truly the thief of joy. Remaining envious of others only takes up the energy that could otherwise be used to elevate or enrich your life.
Become clear on your priorities, and remain diligent with your habits & routines. Set SMART goals. Implement healthy habits and rituals into your daily lifestyle. Be consistent with goal-supporting and wellness rituals (generous sleep schedule, healthful eating habits, daily movement/regular exercise, reading, task time-blocking, cleaning, and life/work admin schedule), so they become second nature. Help yourself by creating these default habits to ensure your brain is wired for success whether you're in an easygoing era or a stressful life season.
Stop seeing other people (especially other women) as your competition in your profession/dating life and within your platonic relationships. Use your immediate criticisms as a tool for self-reflection. Actively deconstruct the patriarchy in every aspect of your life. Other women coworkers, dating prospects, and friends are not your rivals nor individuals who should be evaluated based on their assertiveness, sexual history/appeal, relationship status, or desire to perform traditional maternal/domestic roles.
Understanding how to interact with others in a cordial, tactful manner is significantly more important than having everyone like you. Learn how to positively influence people without seeking approval. What other people think of us is none of our business. All we can do is show up as the best version of ourselves, and remain optimistic about a potential connection.
Acceptance, accountability, and consistent discipline are the holy trinity to creating a sustainable change that you can maintain for the long haul. There's no shame in starting from the bottom, but you need to be honest about where you're at, so you can create a realistic game plan/small behavior-changing habits that stack up over time to help you implement the radical change you're craving.
Let go of any internalized shame. Being the "good girl" does you no favors in life. Set a standard and expectation to be respected, not to be perceived as "innocent" or submissive – this is how you get taken advantage of in professional, platonic, and intimate relationships. Remain ravenous for respect. It's the only way to live life to the fullest.
24. Investing in your appearance is a form of self-respect. Wanting to look & feel your best and present yourself in the best light possible to others is not a superficial pursuit. Remain unwavering about your hygiene/beauty/grooming routines, deliberate styling choices, healthy eating & workout habits, and mindfulness of social graces. You're your #1 publicist, so act like it. Life is all about embracing satisfaction with a sprinkle of reputation management.
25. Be unapologetic about your financial ambitions, priorities, investments, savings goals, etc. Financial freedom IS freedom. The only way to change the system is to break it from the inside out. Leverage is everything. Allocate, and assert your (financial) power wisely.
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creature-wizard · 9 months ago
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Looks like it's time to talk about starseeds and the New Age movement again.
Since I'm seeing more starseed content being posted, I'm gonna make another post on why the whole starseed thing and the surrounding New Age belief system are... not good.
So for those who don't know, New Age mythology is essentially a hodgepodge of cherrypicked and distorted myths from various cultures, racist pseudohistory, and far right conspiracy theories. To put it very briefly, starseeds are supposedly here to help Earth resist the reptilians, a race of politics-manipulating, war-starting, media-controlling blood-drinking aliens. For those who don't recognize the tropes here, these are basically all antisemitic canards. The reptilian alien myth as most know it today comes from David Icke, who ultimately cribbed a bunch of his material from The Protocols of the Learned Elders of Zion, a Russian hoax created to justify violence against Jews. He was also influenced by the work of people like Fritz Springmeier, a hateful crank who based much of his work on other hateful cranks.
(David Icke, by the way, also claims that transgender is an evil reptilian conspiracy. You'll never find just one form of bigotry with these people.)
There are supposedly numerous alien races out there, and one of the most prominent among them are the Pleiadians, AKA Nordics. While modern depictions of the Pleiadians give them more variety in skintone, there's no denying that older Pleiadian mythology basically pictured them as Aryans In Space, even associating them with the swastika.
You see what's going on here? "Good" swastika-loving Aryan aliens versus "evil" Jewish aliens? Sound familiar?
Racism isn't just a tangential part of the starseed myth, either. It lies at its very core. It's inextricably tied in with the ancient astronaut hypothesis, which has a history of racist motivation behind it. The TL;DR is that a bunch of white people couldn't believe that non-white people had built a bunch of things they couldn't figure out how to build themselves (EG, the Great Pyramids), so they proposed that the real builders were anyone from Atlanteans to aliens. (Atlantis, by the way, never existed; it was a literary device created by Plato.)
One supposed purpose of starseeds is to help the world "wake up to the truth," which basically just means "convert people to New Age spirituality." New Age believes that world peace is contingent on a majority of the world being converted to New Age belief, and that resistance against their belief system is ultimately the work of the aforementioned reptilian aliens.
To put it another way, New Agers think they understand other cultures' spiritual traditions better than the actual members of said cultures, and think that anyone who disagrees with them is being manipulated by the conspiracy, or is an agent of the conspiracy. This includes Indigenous cultures which are already endangered from white Christian colonialism.
Essentially, endangered cultures cannot speak up for themselves and resist New Agers' efforts at cultural assimilation without being labeled a problem and an enemy. It's basically white Christian colonialism repackaged as "spiritual, not religious."
Again - if you heard from these people that some ancient text or myth describes extraterrestrial beings visiting our planet for one reason or another, you heard misinformation. They twist and misrepresent literally every myth and text they get their hands on. For example, you may have heard that the vimanas from Hindu traditions were actually alien spacecraft. They were no such thing. Or maybe you heard that the Book of Enoch describes aliens performing genetic experimentation on humans. It literally does not. At best, all of the stories they cite just kind of sound like aliens if you ignore most of their content and pay no attention to their cultural contexts.
The starseed movement preys on alienated people, especially autistic people and people with ADHD. You can look up nearly any list of signs that you're supposedly a starseed, and many of them will align perfectly with characteristics associated with autism and/or ADHD, or that people with these conditions commonly report. Some people within the movement even go so far as to claim that ADHD and autism don't even exist, but were actually made up by the conspiracy as a cover to suppress and control starseeds, which is some yikes-as-hell ableism.
So basically, people are being told that if they have these certain characteristics or symptoms, that means it's their job to spread New Age spirituality to defeat the conspiracy and help others ascend to the fifth density.
And what's the fifth density, you might ask? It's supposedly humanity's next evolutionary level, because New Age is also based on biological misconceptions. Supposedly once everyone's DNA "upgrades," they'll essentially morph into an aetheric form. Supposedly, this is preceded by a number of "ascension symptoms," including depression, headache, gastrointestinal issues, and any number of other symptoms that could indicate almost anything, including stress.
What many of these people don't realize is, this prediction has already failed. Back in the 2000s and 2010s, experiencing "ascension symptoms" was supposed to precede ascension to 5D beginning December 21, 2012. One lady, Denise Le Fay, was convinced that the hair loss she was experiencing in 2008 was an ascension symptom. As we can see by looking her up, she's very much still with us on the 3D plane these days, repeating the same tired old scripts New Agers recycle endlessly.
By the way, everything you near New Agers saying today about old systems being dismantled, dark forces being arrested or kicked off the planet, and new economic systems on the horizon? They've been recycling these scripts for years now. Take a look at this page written back in 2012. You got stuff about the complete dismantling of an enormous network of sinister forces," "the arrest and removal of a world-wide cabal," and a "new economic system."
("Cabal," by the way, is a dogwhistle term for "Jews.")
Furthermore, people in this movement are often encouraged to try and access past life memories through dreams or hypnosis, which makes the whole thing feel even more real to them. But the thing is, you can have incredibly vivid experiences about literally anything you put your mind to - the people in the reality shifting having vivid experiences of living another life in the Harry Potter universe are a great example of this. Just because you have vivid experiences, doesn't mean they have any bearing on anything happening in this reality.
So yeah, the starseed movement and the larger New Age movement are both extremely harmful. They promote racist pseudohistory, medically-irresponsible pseudoscience, conspiracy theories that target numerous marginalized groups, and functionally target aliened people with ADHD and autism to convince them that spreading its beliefs is their job.
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ven0moir · 2 months ago
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... DID KAREN LISTEN IN ON BYLER'S CALLS? Okay so hear me out
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HER SIDE EYE HERE AT TED'S COMMENT ... like, she knows something. i doubt she knows about Byler per se but she knows something we don't know or at least suspects something. Like she did in S1 before the Wheelers learned about El.
WHAT THE HELL HAPPENED DURING THOSE PHONE CALLS? one thing Karen and i have in common is that we're both nosey af i need to know what the heck those two talked about. bc i understand this moment:
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was when they both had butterflies for the first time / established that 'mutual understanding' thing they got going on, but i've always felt that something meaningful may have happened during those phone calls to prompt Will to draw that painting. So i get the feeling those phone calls matter for further context.
circling back to Karen, Mike telling Karen "how many times?" literally makes it canon that this moment in S3 was NOT the first time Karen listens in on HIS phone calls specifically.
so i do think this either means Karen having listened in on their phone calls will be brought up in s5 for some reason involving exposition, or we will literally hear their phone calls .... through a recording.
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During a moment of action / when something else is going on. Just LOVE the theme of people listening in on private phone conversations, huh? And guess what scene comes RIGHT AFTER THIS ONE? Yup. MIKE ARRIVING AT CALIFORNIA.
We know phones / phone calls have been lightly associated to Byler especially in S4 but now let me introduce to you the idea of them being SPIED ON while having those phone calls, by Karen (intentionally) AND Hawkins Lab/military people (by chance/coincidence)
this is right now my favorite theory i have came up with, bc honestly it is SO much fun finding clues about it. And i feel like whatever conversation they had will be relevant somehow. and this all might be a reach but a part of me feels like i am onto something. perhaps we will have a karen/mike parallel to nancy's conversation with her in s3.
I'll keep updating this if I find more evidence of Karen spying on their phone calls but if anyone else has anything to add that I might've missed I'd greatly appreciate it!!
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