#esmeralda/blu
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jitteryjive · 6 months ago
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finally lived up to my word and drew emmy & blu together
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enalfersa · 2 years ago
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Tadeo Jones 3: La Tabla esmeralda (Blu-ray)
Tadeo Jones 3: La Tabla esmeralda (Blu-ray)
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fashionetsottises · 1 month ago
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Quel est ton coloris préféré ? Rose bonbon, bleu électrique ou vert émeraude ? Notre nouveau blouson en fausse fourrure est disponible dans une multitude de couleurs. Découvrez la collection, et tombez à la renverse.
faussefourrure #couleur #mode #questiondujour #fausse #fourrure, #hiver, #mode, #tendance, #style, #femme, #vetements, #couleur, #confort, #nouveaute.
Qual è il tuo colore preferito? Rosa confetto, blu elettrico o verde smeraldo? La nostra nuova giacca in pelliccia sintetica è disponibile in una moltitudine di colori. Scopri la collezione e lasciati stupire.
pellicciasintetica #colore #moda #domandadelgiorno #pellicciasintetica, #inverno, #moda, #tendenza, #stile, #donna, #abbigliamento, #colore, #comfort, #nuovo.
What is your favorite color? Candy pink, electric blue or emerald green? Our new faux fur jacket is available in a multitude of colors. Discover the collection, and fall in love.
fauxfur #color #fashion #questionoftheday #faux #fur, #winter, #fashion, #trend, #style, #woman, #clothing, #color, #comfort, #new.
https://charline-christophe-boutique.fr/en/coat-jacket-etc/856-ultra-trendy-jacket.htmlhttps://charline-christophe-boutique.fr/gb/coat-jacket-etc/856-ultra-trendy-jacket.html
¿Cuál es tu color favorito? ¿Rosa caramelo, azul eléctrico o verde esmeralda? Nuestra nueva chaqueta de pelo sintético está disponible en multitud de colores. Descubre la colección y sorpréndete.
pielsintética #color #moda #preguntadeldía #piel #imitación, #invierno, #moda, #tendencia, #estilo, #mujer, #ropa, #color, #comodidad, #nueva.
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popolodipekino · 4 months ago
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le stelle nel pozzo
XXXIV - EL POZO El pozo! Platero, ¡qué palabra tan honda, tan verdinegra, tan fresca, tan sonora! Parece que es la palabra la que taladra, girando, la tierra obscura, hasta llegar al agua. Mira; la higuera adorna y desbarata el brocal. Dentro, al alcance de la mano, ha abierto, entre los ladrillos con verdín, una flor azul de olor penetrante. Una golondrina tiene, más abajo, el nido. Luego, trás un pórtico de sombra fría, hay un palacio de esmeralda, y un lago, que, al arrojarle una piedra á su quietud, se enfada y gruñe. Y el cielo, al fin. (La noche entra, y la luna se enflama allá en el fondo, adornada de volubles estrellas. ¡Silencio! Por los caminos se ha ido la vida á lo lejos. Por el pozo se escapa el alma á lo hondo. Se ve por él como el otro lado del crepúsculo. Y parece que va a salir de su boca un gigante, dueño de todos los segretos. ¡Oh laberinto quieto y mágico, parque umbrío y fragrante, magnético salón encantado!) - Oye, Platero, si algun día me echo á este pozo, no será por matarme, créelo, sino por coger más pronto las estrellas. Platero rebuzna, sediento y anhelante. Del pozo sale, asustada, revuelta y silenciosa, una golondrina. da J. R. Jiménez, Platero y yo
Il pozzo! Platero, che parola profonda, così profonda, così verde-nera, così fresca, così sonora! Sembra che sia la parola che perfora, girando, la terra scura, fino a raggiungere l'acqua. Guarda; il fico ne adorna e smonta la bocca. All'interno, a portata di mano, si è aperto, tra i mattoni con il verderame, un fiore blu dall'odore pungente. Una rondine ha il suo nido, più sotto. Poi, dietro un portico di ombra fredda, c'è un palazzo di smeraldo e un lago che, quando si lancia un sasso contro la sua immobilità, si arrabbia e ringhia. E il cielo, finalmente. (Arriva la notte e la luna fiammeggia sullo sfondo, ornata di stelle capricciose. Silenzio! Per le strade la vita si è allontanata. Attraverso il pozzo l'anima fugge verso il profondo. Si guarda attraverso di esso come l'altra faccia del crepuscolo. E sembra che un gigante, padrone di tutti i segreti, stia per uscire dalla sua bocca. O labirinto immobile e magico, parco ombroso e profumato, sala magnetica e incantata!) - Ascolta, Platero, se un giorno mi getterò in questo pozzo, non sarà per uccidermi, credimi, ma per cogliere più in fretta le stelle. Platero raglia, assetato e desideroso. Dal pozzo esce una rondine, spaventata, inquieta e silenziosa.
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dear-indies · 6 months ago
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hiii! can you pls help me with alt fcs for tarayummy? i want to use someone with acting resources instead of her. but i want her overall vibe, you know? f or nb pls!
Coty Camacho (1995) Mixtec and Zapotec.
Sasha Calle (1995) Colombian.
Adeline Rudolph (1995) Korean / German.
Geraldine Viswanathan (1995) Tamil Indian / White.
Natacha Karam (1995) Lebanese / White.
Blu del Barrio (1997) Argentinian - is non-binary (they/them) - has spoken up for Palestine!
Juliette Motamed (1997) Iranian - has spoken up for Palestine!
Blair Lamora (1997) Ojibwe and Argentinian - in Shoresy.
Ayesha Madon (1998) Indian.
Esmeralda Soto (1998) Mexican - has spoken up for Palestine!
Sherry-Lee Watson (1999) Arrernte - has spoken up for Palestine!
Devyn Nekoda (2000) Japanese / White - in Scream.
Josie Totah (2001) Palestinian / Lebanese and White - is trans.
Rachel Zegler (2001) Colombian / White - has spoken up for Palestine!
Ian Alexander (2001) Vietnamese / White - is non-binary (they/he).
Rachel Zegler (2001) Colombian / White - has spoken up for Palestine!
Jenna Ortega (2002) Mexican and Puerto Rican - has spoken up for Palestine!
Hope these help, anon!
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docrotten · 9 months ago
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THE HUNCHBACK OF NOTRE DAME (1923) – Episode 172 – Decades Of Horror: The Classic Era
“Why was I not made of stone, like thee?” Existentially or metaphysically speaking? Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, and Jeff Mohr along with guest host Michael Zatz – as they visit Cathédrale Notre-Dame de Paris via Universal’s stunning, purpose-built, 19-acre set to discuss The Hunchback of Notre Dame (1923) and Lon Chaney’s star-making role as Quasimodo.
Decades of Horror: The Classic Era Episode 172 – The Hunchback of Notre Dame (1923)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/
In 15th-century Paris, the brother of the archdeacon plots with the gypsy king to foment a peasant revolt. Meanwhile, a freakish hunchback falls in love with a gypsy dancer.
  Directed by: Wallace Worsley
Writing Credits: Victor Hugo (1831 novel); Perley Poore Sheehan (adaptation) (as Perley Poor Sheehan); Edward T. Lowe Jr. (scenario); Chester L. Roberts (uncredited)
Produced by: Carl Laemmle (uncredited); Irving Thalberg (uncredited)
Editing by: Edward Curtiss (as Edward Curtis); Maurice Pivar; Sydney Singerman
Art Direction by: Elmer Sheeley (as E.E. Sheeley); Sidney Ullman (as Sydney Ullman)
Set Decoration by: Hans Dreier (uncredited)
Costume and Wardrobe Department: Gordon Magee (costume supervisor) (uncredited)
Selected Cast:
Lon Chaney as Quasimodo
Patsy Ruth Miller as Esmeralda
Norman Kerry as Phoebus de Chateaupers
Kate Lester as Madame de Condelaurier
Winifred Bryson as Fleur de Lys
Nigel De Brulier as Don Claudio (as Nigel de Brulier)
Brandon Hurst as Jehan
Ernest Torrence as Clopin (as Ernest Torrance)
Tully Marshall as El Rey Luis XI
Harry von Meter as Mons. Neufchatel (as Harry Van Meter)
Raymond Hatton as Gringoire
Nick De Ruiz as Mons. Le Torteru (as Nick de Ruiz)
Eulalie Jensen as Marie
Roy Laidlaw as Charmolu
Ray Myers as Charmolu’s Assistant (as W. Ray Meyers)
William Parke as Josephus (as William Parke Sr.)
Gladys Brockwell as Sister Gudule
John Cossar as Judge of the Court
Edwin Wallock as King’s Chamberlain
Marion Gray as Woman at Ball (uncredited)
Gilbert Roland as Extra (uncredited)
Lon Chaney Sr. is a legend of classic horror movies. His make-up and monsters are iconic, from Phantom of the Opera (1925) to London After Midnight (1927). Another mind-blowing Chaney character is Quasimodo from The Hunchback of Notre Dame (1923). Join the Grue-Crew and special guest host, Grue-Believer and GM Fan Mikey Z, for their look back at this influential, silent masterpiece.
You might also want to check out these other Classic Era episodes focused on silent screams:
THE CABINET OF DR. CALIGARI (1920) – Episode 13
NOSFERATU (1922) – Episode 21
THE PHANTOM OF THE OPERA (1925) – Episode 42
THE CAT AND THE CANARY (1927) – Episode 60
HÄXAN (1922) – Episode 79
THE PHANTOM CARRIAGE (1921) – Episode 85
THE GOLEM (1920) – Episode 99
FAUST (1926) – Episode 145
DR. JEKYLL AND MR. HYDE (1920) – Episode 160
At the time of this writing, The Hunchback of Notre Dame is available for streaming from Amazon Prime, MGM+, Kanopy, Tubi, Crackle, and PlutoTV. The film is available on physical media as a Blu-ray from Kino Lorber.
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by guest host “Jose,” is The H-Man (1958), another Toho classic directed by Ishirô Honda. Beware the liquidman!
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at [email protected]
To each of you from each of them, “Thank you so much for watching and listening!”
Check out this episode!
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vbonomonte · 2 years ago
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CV
Valentina Bonomonte Via Tiziano Vecellio 18 – 10126 Torino +39 393 4317956  [email protected] 23 maggio 1979, nazionalità italiana
Esperienze lavorative
giugno 2019 – in corso A PICK GALLERY Direttore, Contemporary Art Gallery www.apickgallery.com
novembre 2012 – in corso OPERE SCELTE Direttore, Contemporary Art Gallery www.operescelte.com febbraio 2006 – in corso PAV Parco Arte Vivente                       Event & Communications Manager Organizzazione di eventi e gestione di progetti; gestione e sviluppo delle attività del Museo; coordinamento delle attività di BTL e ATL e dei flussi di comunicazione, mailing, responsabile del sito web ufficiale. Altre attività: progettazione grafica, web publishing/editing, redazione grafica e fotografica. www.parcoartevivente.it
giuno 2012 Microplus Informatica S.r.l. Sport Data Processing Management Supporto alla gestione delle gare del 18° Campionato africano senior di atletica leggera, Benin, Africa
novembre 2007 – marzo 2008 Threesixty – Press Agency Junior Account, Press Office
febbraio 2005 – gennaio 2006 Città di Torino Servizio Disabili – Direzione Centrale Politiche Sociali e Rapporti con le Aziende Sanitarie Servizio Civile Volontario. Segreteria e supervisione del progetto "Motore di Ricerca"; addetto all'allestimento e fotografo presso "InGenio - Bottega d'Arti e Antichi Mestieri", negozio comunale; web editing sul sito ufficiale.
Istruzione 1994 – 1999 Liceo Classico “Silvio Pellico”  Cuneo 1999 – 2002 Conservazione dei Beni Culturali, Università di Pisa 2002 – 2006 Scienze dei Beni Culturali, Università di Torino
Lingue Madrelingua > Italiano
Altre lingue: Inglese > comprensione C1, parlato C1, scritto B2 Francese > comprensione A2, parlato A1, scritto A1 Spagnolo > comprensione B1, parlato A2, scritto A1
Book Design Blu policromo. Narrazioni e interpretazioni a confronto, 2023, 144 pp., Sala Editore, ISBN – 978-88-32196-22-1 Attraversare l’orizzonte. Dialogo tra fotografia, disegno e pittura, Marco Tagliafico,2022, 78 pp., Prinp Editore – ISBN 978-88-31370-69-1 Calculating reality, Sven Druhl, 2022, 78 pp., Prinp Editore – ISBN 978-88-31370-68-4 De fuego y cosmos, Raquel Bistuer. Disegno e rappresentazione del tempo, 2022, 78 pp., Prinp Editore – ISBN 978-88-31370-64-6 Caressing Walls, Esmeralda Kosmatopoulos, 2021, 78 pp., Prinp Editore – ISBN 978-88-31370-42-4 Look at me, Fernanda Carrillo, 2021, 78 pp., Prinp Editore – ISBN 978-88-31370-43-1 La Luz y su ausencia, Julia Carrillo, 2021, 78 pp., Prinp Editore – ISBN 978-88-31370-40-0
Interazioni. Linee di Connessione tra luce e suono, Carlo Bernardini, Giulio De Mitri, Javier Martin, Paolo Scirpa, 2021, 78 pp., Prinp Editore – ISBN 978-88-31370-33-2
Overviewer, Jan Muche, 2020, 78 pp., Prinp Editore - ISBN 978-88-31370-24-0 Preview | Review, Michael Conrads, 2019, 70 pp., Prinp Editore - ISBN 978-88-31370-00-4 Sustaining Assembly. Pratiche artistiche per una transizione ecologica dal basso, 2021, 80 pp., Prinp Editore – ISBN 978-88-31370-44-8 Resistenza / Resilienza, 2019, 64 pp., Prinp Editore – ISBN 978-88-99743-93-2 Commons Art, 2014, 120 pp., Prinp Editore  –  ISBN 978-88-97677-54-3 Internaturalità / Internaturalism, 2013, 120 pp.,Prinp Editore  –  ISBN 978-88-97677-28-4 Internaturalità, Atti del Convegno internazionale di studi, 2013, 148 pp., Prinp Editore - ISBN 978-88-97677-33-8, versione e-book PIERO GILARDI, L’uomo e l’artista nel mondo, 2013,65 pp.,Prinp Editore - ISBN 978-88-97677-18-5
Paesaggi Del Corpo-Ambiente, 2011, 128 pp., Eventi e progetti Editore, Biella – ISBN 978-88-89280-95-6
Praeter Naturam. Brandon Ballengée, 2011, 64 pp., Eventi e progetti Editore, Biella – ISBN 978-88-89280-89-8
PARCO PARK PARC Arte e territori di resilienza urbana, 2010, 144 pp., Eventi e progetti Editore, Biella – ISBN 978-88-89280-86-7
G.O. GROWING OUT Evoluzione di un parco in movimento, 2009, 128 pp., Eventi e progetti Editore, Biella – ISBN 978-88-89280-76-8
ECOSOFT ART Un parco in movimento, 2006/2008, 96 pp., Eventi e progetti Editore, Biella – ISBN 978-88-89280-53-9
Computer e web skills
Adobe Suite (Photoshop, Indesign, Illustrator, Premiere, Flash, Dreamweaver, Adobe Acrobat Professional); app di videoediting InShot e Videoleap; Office Pack (Power Point, Excel, Word); conoscenza dei sistemi operativi IOS e Microsoft; Web designer: conoscenza CMS (Wordpress, Joomla and Drupal, piattaforme E-commerce); comprensione e utilizzo base di linguaggi e programmaizone HTML; comprensione e utilizzo base di SEM e SEO. Conoscenza di Google Analytics. Conoscenza delle piattaforme social per la gesitone di Instagram, TikTok, Twitter, Youtube, Linkedin, Facebook; conoscenza e uso di Mailchimp.
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baileemitchell-oc · 3 years ago
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Sunday Updates
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Look at this belly! My god, I can't believe Noah is getting so big. Chan and I have so much done but still so much more left to do.
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Guess what I found today~ Any one up for some retro ass kicking?
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I hope everyone enjoyed their weekend. I've been on call all weekend and it has been so draining. Thanks to Blu, I got some hot liquid pick me up. You will only find me in bed after 7 o'clock Monday morning. Please do not disturb unless you're bringing food or want to cuddle.
@annalisenoel @esmeralda-oc @favegirls-ocbot @gashaponlixie-cb @kavengers-assemble @lyrablackoc @multiverse-cb @the-hellhounds @ur-oc @tan-jaeminoc @xoxoelaineee @bbc-minji-oc @girls-oc @ateez-bot @dark-dream-cb @emmylou-oc @fallenangel-oc @jinju-oc @kdol-foxes @kavengers-assemble @luvlyhours @nyxoc @prettyguardians-cb @richboyhyunggu @urbtsboys @adminmaddie @xdinaryheroesbot @dad-moonbin @goodagainstevilcb @uridealbf-cb @uridealgf-cb @ateezmystery
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Nel lontano 1988 uscivano il vinile, la cassetta e il CD in ristampa di CLAUDIO BAGLIONI, il primo disco di Baglioni eliminato dal commercio nel 1970.
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CLAUDIO BAGLIONI
Interprete: Claudio Baglioni
Etichetta: RCA Italiana
Catalogo: PSL 10465
Data di pubblicazione: Settembre 1970
Matrici: ZKAY 25370/ZKAY 25371
Supporto: vinile 33 giri
Tipo audio: Stereo
Dimensioni: 30 cm.
Facciate: 2
Note: Fotografie di Romolo Forlai / Registrato da Giulio Spelta negli Studi RCA di Roma / Distribuito da RCA Italiana - Roma.
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Lato A
NOTTE DI NATALE
Autori: Claudio Baglioni Musicisti: I Cantori Moderni di Alessandroni (cori)
QUANDO TU MI BACI
Autori: Claudio Baglioni
LACRIME DI MARZO
Autori: Claudio Baglioni, Antonio Coggio Musicisti: I Cantori Moderni di Alessandroni (cori)
ISOLINA
Autori: Claudio Baglioni, Antonio Coggio Musicisti: Tino Fornai (violino solista)
UNA FAVOLA BLU
Autori: Giulio D'Ercole, Pietro Melfa, Alberto Morina Orchestra: Maurizio De Angelis Edizioni: AdD
IL SOLE E LA LUNA
Autori: Claudio Baglioni
Lato B
I SILENZI DEL TUO AMORE
Autori: Claudio Baglioni, Antonio Coggio Musicisti: Edda Dell'Orso (voce solista)
MIA CARA ESMERALDA
Autori: Claudio Baglioni
INTERLUDIO
Autori: Claudio Baglioni Musicisti: I Cantori Moderni di Alessandroni (cori)
L'AFRICA TI CHIAMA
Autori: Claudio Baglioni, Antonio Coggio
'IZIA
Autori: Claudio Baglioni, Antonio Coggio
SIGNORA LIA
Autori: Claudio Baglioni
PRODUTTORE
Antonio Coggio
ORCHESTRA
Ruggero Cini
EDIZIONI MUSICALI
RCA Amici del Disco
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ezeblazeworld · 3 years ago
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Cual de tus hij@s ...lo quieres para tener sexo? Los hijos de Blu, dark o esmeralda ? .. también vas a tener más hij@s ?
Dex: Si es sólo para divertirme, diría que las gemelas de Dark, tal vez los hijos de Blu y lo que sería interesante es Zuli, pero por el momento no estoy deseoso de ellos~ Y sobre más hijos, no es algo que yo decida a libertad, si la chica realmente está buena entonces puede pasar lo que sea~
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jitteryjive · 6 months ago
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i need to draw more blu n esmeralda… they are so cute together and i also love drawing blu looking stupid and moony because a dorky butch giggled at them trying to be serious
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ver-sonic-2-latino-hd · 3 years ago
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Disfruta de Sonic 2, la pelicula (2022) Gratis en Cuevana
Tenemos las mejores opciones para ver GRATIS Online Latino HD Sonic 2 la pelicula, disfruta en la mejor calidad DVD RIP y Blu Ray RIP para descargar Sonic 2 la pelicula Online Latino 4K. Fecha Oficial de Estreno: 1 de Abril de 2022.
Sonic 2, la pelicula (2022) UHD 4K Sonic 2, la pelicula (2022) 1080p
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littlemacbagel · 4 years ago
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SO here's my 10th class that I forgot to post lmao.
RED Normal Info
Name:Barbara Tray
Age:25
From: Ireland, Dublin Hair: Orange with a shade of dark red Eyes: ???
Height:5'9
Personality:a little crazy, caring, a bit challengy, forgetful
Others:
1. she never really takes off her goggles so nobody knows how her eyes look like.
2. will probably hug the one who gives her a really old radio cause she loves those.
3. She has a cockney accent
4. her time traveling gives her amnesia, she forgets some stuff(i'll talk about it later)
Relationships (Red) Ammo: BFFs others: unknown
BLU Normal Info
Name: Esmeralda Tray Age: 25
From: Ireland, Dublin
Hair: Orange with a shade of dark red
Eyes:???
Height: 5'9
Personnality: Serious, caring, forgetful
1. she never really takes off her goggles so nobody knows how her eyes look like.
2. She mostly cares about her sister the most, her being always with her when they are not fighting
3. like her sister, time traveling gives her amnesia and she forgets stuff
Class note.
Class Name: The Time Traveler(T,T,T)
Type: Offense
Health: 125/185
Speed: 125%
Weapons
Primary weapon: Laser Gun
Secondary weapon: Dual Laser Guns
Special: Traveler Botarm
Abilities
1. by using her traveler clock she can stop time but overall it just looks like she is teleporting somewhere.
2. by touching a teammate she can help him travel the battlefield like in number one
Other
The Time Traveler's name in their folder for recruitement got erased, no one actually know their real name, Admin is the only one who knows.
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adamwatchesmovies · 4 years ago
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The Hunchback of Notre Dame (1996)
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With a few tweaks, Disney’s The Hunchback of Notre Dame could be one of the studio's finest. As is, the movie is strong but suffers from out of place, awkward humor throughout. Let’s preface this review by adding that we’re evaluating the animated film and just the film. If you're looking for an accurate adaptation of the book, this isn't it. If that's what you want, you've got no business here.
In 1482 Paris, Judge Claude Frollo (voiced by Tony Jay) is a malicious, unjust, and xenophobic despot. High in the towers of Notre Dame lives his adopted “son”, a deformed hunchback cruelly named Quasimodo (voiced by Tom Hulce). Alone inside the stone walls of the cathedral, he dreams of belonging to the outside world. When a gypsy named Esmeralda (Demi Moore) captures Frollo's heart, the judge’s lust and rage threaten all of Paris.
This film sets itself apart from other Disney classics with its sinister and tragic tone. Quasimodo is deformed and grotesque. Even with a kind heart, he stands no chance with Esmeralda - particularly while she and the Captain of the Guard, Phoebus (Kevin Kline) make eyes at each other. Several tense sequences take dark turns as Frollo expresses his racism towards the Romani (Gypsy) and willingness to do anything in order to pass the blame he should bear onto others. Quasimodo is frequently subjected to cruelty. The downtrodden are frequently stomped on. There’s a tragic undertone as Quasimodo speaks to his only friends, stone statues he "brings to life" with his imagination. The majestic skyline of 15th century Paris, towering cathedral representing both a prison and hope to those seeking sanctuary, it’s powerful stuff.
This film benefits from a truly great villain. You love to hate Frollo. Though he's been changed from archdeacon to a judge, he remains edgy. You might've seen other children's stories proclaiming the importance of not judging others on their appearance but this character makes The Hunchback of Notre Dame stands out and more suitable for older audiences than little kids. The Judge paints himself as a devout Christian but commits horrid crimes. While nothing is ever explicitly said, a vivid scene in which he imagines Esmeralda dancing shows his lust for her. He's irredeemably evil but human.
The city is wonderfully brought to life through Quasimodo's viewpoint. We've got memorable songs with tunes unique among Disney's roster. The voice actors are excellent, the message great, climax breathtaking. What's not to like? The gargoyles. This is not a comedy but it doesn't stop Charles Kimbrough, Jason Alexander, and Mary Wickes' stone buffoons from trying to make you laugh. Crotch shots, fart jokes, a gargoyle wanting to romance a goat, cross-dressing gags all bring the picture to a screeching halt. They give the crappy robot from Treasure Planet a run for its money as “worst and unnecessary comedic sidekick in an animated film”. I wish the film had predated home video so it could've been “lost” and then “found” again years later with some footage “unfortunately missing”.
The Hunchback of Notre Dame is not frequently mentioned among Walt Disney's essentials, which is a shame. It contains heart-wrenching drama, powerful imagery, a moving story, and unforgettable moments. Visually, it's a knockout from the backgrounds to the character designs and atmosphere. It’s a movie so good the one flaw it has becomes that much harder to ignore. Don't let that keep you away from viewing (or revisiting) The Hunchback of Notre Dame. You may cringe when it gets "funny" but the rest is worth it. (On Blu-ray, June 5, 2015)
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roboblues · 6 years ago
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plays tf2 all winter break, becomes tf2 blog-
wanted 2 redraw old tf2 ocs anyways so they’re getting put on here First.
my engie is the Worst Man and i apologize to society as a whole for it.
very obnoxious BLU spy Esmeralda and very apathetic BLU engineer Peyton 👌
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watchilove · 2 years ago
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Haute Horlogerie and artisanal work for a breath-tacking result The case of the Girard-Perregaux La Esmeralda Tourbillon “A Secret” Eternity Edition is just an introduction to the dial. Constructed with the principle of the three bridges, as a worthy successor of the original La Esmeralda pocket watch, the dial takes a step further and introduces an unusual take – the upper and lower bridge present horses as micro sculpt The upper bridge features a running horse on the right. The bridge received the Girard-Perregaux‘s distinctive ending with chamfered and polished edges. The mid-section was rounded and polished by hand. A chaton fixed with two screws (also finished by hand) holds the jewel for the main barrel. The rhodium-plated spring barrel was decorated with engravings and gilded details. The emotion of the active horse is well transmitted and I love the “frozen in time” silhouette. The lower bridge presents an even more dramatic action with the horse depicted in a high-speed run. With the tail flapping in the wind, the engraving overflow with emotions of “wild, young and free”. This bridge is keeping the tourbillon via a jewel fixed in the same manner: a chaton hold in place by two polished screws. The tourbillon is constructed in a very traditional way with a lira-shaped cage. A thermally blued “hand” is used for the running seconds’ indication. The steel lira was hand filed and polished. Blue screws hold the cage together. One can notice the acute angle present for the delight of the connoisseurs. The gold balance wheel is regulated with the help of gold timing screws – a lot of them. That means the chronometric precision is an important factor but also increase the time need to correct set every screw. The timming screws are crucial for the chronometric behaviour in various position. The time is indicated by two large faceted douphine hands held by the central, largest bridge. The time is hoovering over a guilloché pattern, performed using a traditional rose-engine lathe. This final touch is a trasnlucent Grand Feu enamel that reveals the guilloché. The central opening reveal the main barrel, the gear train and the tourbillon with engraved background. https://www.instagram.com/p/ClgCTgJL3sg/?igshid=NGJjMDIxMWI=
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