#ernest haller
Explore tagged Tumblr posts
Text
What Ever Happened to Baby Jane? (Robert Aldrich, 1962).
23 notes
·
View notes
Text
Director Robert Z. Leonard, actor Luise Rainer, and cinematographer Ernest Haller eating apple pies on set of ESCAPADE (1935).
15 notes
·
View notes
Photo
Mildred Pierce (1945) directed by Michael Curtiz featuring Joan Crawford and Ann Blyth
#cinema#mildred pierce#michael curtiz#Budapest#Austria-Hungary#Hungary#joan crawford#san antonio#Texas#ann blyth#mount kisco#new york#cinematography#ernest haller#los angeles#california#james m cain#annapolis#maryland#USA
3 notes
·
View notes
Text
Confederate Propoganda Film
#i still love Vivien Leigh though#vivien leigh#racist movie#racist#gone with the wind#ernest haller#victor fleming#1930s#ray rennahan#lee garmes
0 notes
Text
Dread by the Decade: Murders in the Zoo
👻 You can support me on Ko-Fi! ❤️
★★½
Plot: An abusive husband uses the animals he donates to a zoo to commit murder.
Review: While its fun premise is squandered, its realistic portrayal of domestic abuse and Atwill's ominous performance save it from total irrelevance.
Year: 1933 Genre: Psychological Horror Country: United States Language: English Runtime: 1 hour 2 minutes
Director: A. Edward Sutherland Writers: Philip Wylie, Seton I. Miller Cinematographer: Ernest Haller Cast: Lionel Atwill, Gail Patrick, Randolph Scott, Kathleen Burke, Charlie Ruggles
-----
Story: 3/5 - A bizarre amount of time is dedicated to Ruggles' inessential comedic relief character instead of mystery and kills. Its strongest plot point is the relationship between Eric and Evelyn.
Performances: 3/5 - Atwill is great as the cruel Eric, but Ruggles is often grating and Burke is sometimes stiff.
Cinematography: 3/5 - Serviceable.
Editing: 2.5/5 - Scenes sometimes end too abruptly.
Effects: 4/5
Sets: 3/5 - Realistic and well constructed but, like everything else, there is a distinct absence of creativity.
Costumes, Hair, & Make-Up: 4.5/5 - The prosthetics for the sewn mouth are quite shocking for the time.
youtube
Trigger Warnings:
Real animal abuse (elephant hooks, improper habitats, animal fighting, etc.)
Very brief, moderate violence
Animal death (fake)
Domestic abuse
Brief marital assault
Brief racist discussion of Asia
Brief discussion of alcoholism
#Murders in the Zoo (1933)#Murders in the Zoo#A. Edward Sutherland#American#psychological horror#Dread by the Decade#review#1930s#gore#★★½
8 notes
·
View notes
Photo
Natalie Wood and James Dean in Rebel Without a Cause (Nicholas Ray, 1955)
Cast: James Dean, Natalie Wood, Sal Mineo, James Backus, Ann Doran, Corey Allen, William Hopper, Rochelle Hudson, Dennis Hopper. Screenplay: Stewart Stern, Irving Shulman, Nicholas Ray. Cinematography: Ernest Haller. Art direction: Malcolm C. Bert. Film editing: William H. Ziegler. Music: Leonard Rosenbaum.
Rebel Without a Cause seems to me a better movie than either of the other two James Dean made: East of Eden (Elia Kazan, 1955) and Giant (George Stevens, 1956). It's less pretentious than the adaptation of John Steinbeck's attempt to retell the story of Cain and Abel in the Salinas Valley, and less bloated than the blockbuster version of Edna Ferber's novel about Texas. And Ray, a director with many personal hangups of his own, was far more in tune with Dean than either Kazan or Stevens, who were shocked by their star's eccentricities. Granted, Rebel is full of hack psychology and sociology, attributing the problems of Jim Stark (Dean), Judy (Natalie Wood), and John "Plato" Crawford (Sal Mineo) to parental inadequacy: Jim's weak father (Jim Backus) and domineering mother (Ann Doran) and paternal grandmother (Virginia Brissac), Judy's distant father (William Hopper) and mother (Rochelle Hudson), and Plato's absentee parents who have left him in care of the maid (Marietta Canty). In fact, Jim and his friends really are rebels without a cause, there being neither an efficient cause -- one that makes them do stupidly self-destructive things -- nor a final cause -- a clear purpose behind their madness. Fortunately, Ray is not as interested in explaining his characters as he is in bringing them to life. Unlike Kazan or Stevens, Ray gives his actors ample room to explore the parts they're playing. There's a loose, improvisatory quality to the scenes Dean, Wood, and Mineo play together, more suggestive of the French New Wave filmmakers than of Hollywood's tightly controlled directors. It's no surprise that both Jean-Luc Godard and François Truffaut were admirers of Ray's work. At the same time, though, Rebel is very much a Hollywood product, with vivid color cinematography by Ernest Haller, who had won an Oscar for his work on Gone With the Wind (Victor Fleming, 1939), and a fine score by Leonard Rosenman. Most of all, though, it has Dean, Wood, and Mineo, performers with an obvious rapport. At one point, for example, Dean puts a cigarette in his mouth backward -- filter on the outside -- and Wood reaches out and turns it around, a bit establishing their intimacy that feels so real that you wonder if it was improvised or developed in performance. (In fact, I noticed the gesture because I had just seen Billy Wilder's The Lost Weekend, made ten years earlier, in which Jane Wyman performs the same turning-the-cigarette-around action for Ray Milland several times. Cigarettes are nasty things but they make wonderful props.)
9 notes
·
View notes
Text
Cast: James Dean, Natalie Wood, Sal Mineo, James Backus, Ann Doran, Corey Allen, William Hopper, Rochelle Hudson, Dennis Hopper. Screenplay: Stewart Stern, Irving Shulman, Nicholas Ray. Cinematography: Ernest Haller. Art direction: Malcolm C. Bert. Film editing: William H. Ziegler. Music: Leonard Rosenbaum.
Rebel Without a Cause seems to me a better movie than either of the other two James Dean made: East of Eden (Elia Kazan, 1955) and Giant (George Stevens, 1956). It’s less pretentious than the adaptation of John Steinbeck’s attempt to retell the story of Cain and Abel in the Salinas Valley, and less bloated than the blockbuster version of Edna Ferber’s novel about Texas. And Ray, a director with many personal hangups of his own, was far more in tune with Dean than either Kazan or Stevens, who were shocked by their star’s eccentricities. Granted, Rebel is full of hack psychology and sociology, attributing the problems of Jim Stark (Dean), Judy (Natalie Wood), and John “Plato” Crawford (Sal Mineo) to parental inadequacy: Jim’s weak father (Jim Backus) and domineering mother (Ann Doran) and paternal grandmother (Virginia Brissac), Judy’s distant father (William Hopper) and mother (Rochelle Hudson), and Plato’s absentee parents who have left him in care of the maid (Marietta Canty). In fact, Jim and his friends really are rebels without a cause, there being neither an efficient cause – one that makes them do stupidly self-destructive things – nor a final cause – a clear purpose behind their madness. Fortunately, Ray is not as interested in explaining his characters as he is in bringing them to life. Unlike Kazan or Stevens, Ray gives his actors ample room to explore the parts they’re playing. There’s a loose, improvisatory quality to the scenes Dean, Wood, and Mineo play together, more suggestive of the French New Wave filmmakers than of Hollywood’s tightly controlled directors. It’s no surprise that both Jean-Luc Godard and François Truffaut were admirers of Ray’s work. At the same time, though, Rebel is very much a Hollywood product, with vivid color cinematography by Ernest Haller, who had won an Oscar for his work on Gone With the Wind (Victor Fleming, 1939), and a fine score by Leonard Rosenman. Most of all, though, it has Dean, Wood, and Mineo, performers with an obvious rapport. At one point, for example, Dean puts a cigarette in his mouth backward – filter on the outside – and Wood reaches out and turns it around, a bit establishing their intimacy that feels so real that you wonder if it was improvised or developed in performance. (In fact, I noticed the gesture because I had just seen Billy Wilder’s The Lost Weekend, made ten years earlier, in which Jane Wyman performs the same turning-the-cigarette-around action for Ray Milland several times. Cigarettes are nasty things but they make wonderful props.)
James Dean as Jim Stark REBEL WITHOUT A CAUSE (1955) dir. Nicholas Ray
1K notes
·
View notes
Text
Gone with the Wind | Victor Fleming | Ernest Haller
0 notes
Text
Daftar Top Skor Piala Dunia Sejak Tahun 1930-2018
1. Top Skor Piala Dunia 1930
8 gol - Guillermo Stabile (Argentina)
5 gol - Pedro Cea (Uruguay)
4 gol - Bert Patenaude (Amerika Serikat)
2. Top Skor Piala Dunia 1934
5 gol - Oldrich Nejedly (Cekoslovakia)
4 gol - Angelo Schiavio (Italia) dan Edmund Conen (Jerman)
3 gol - Raimundo Orsi (Italia) dan Leopold Kielholz (Swiss)
3. Top Skor Piala Dunia 1938
7 gol - Leonidas (Brasil)
5 gol - Silvio Piola (Italia), Gyula Zsengeller (Hungaria), dan Gyorgy Sarosi (Hungaria)
4 gol - Gino Colaussi (Italia) dan Ernest Wilimowski (Polandia)
4. Top Skor Piala Dunia 1950 REMIPOKERGG
8 gol - Ademir de Menez (Brasil)
5 gol - Oscar Miguez (Uruguay)
4 gol - Telmo Zarra (Spanyol), Estanislau Basora (Spanyol), Chico (Brasil), dan Alcides Ghiggia (Uruguay)
5. Top Skor Piala Dunia 1954
11 gol - Sandor Kocsis (Hungaria)
6 gol - Josef Hugi (Swiss), Max Morlock (Jerman Barat), dan Erich Probst (Austria)
4 gol - Ferenc Puskas (Hungaria), Nandor Hidegkuti (Hungaria), Helmut Rahn (Jerman Barat), Hans Schafer (Jerman Barat), Robert Ballaman (Swiss), Carlos Borges (Uruguay), dan Ottmar Walter (Jerman Barat)
6. Top Skor Piala Dunia 1958
13 gol - Just Fontaine (Prancis)
6 gol - Pele (Brasil) dan Helmut Rahn (Jerman Barat)
5 gol - Vava (Brasil) dan Peter McParland (Irlandia Utara)
7. Top Skor Piala Dunia 1962
4 gol - Garrincha (Brasil), Vava (Brasil), Valentin Ivanov (Uni Soviet), Florian Albert (Hungaria), Drazan Jerkovic (Yugoslavia), dan Leonel Sanchez (Chile)
3 gol - Amarildo (Brasil), Adolf Scherer (Cekoslovakia), Lajos Tichy (Hungaria), dan Milan Galic (Yugoslavia)
8. Top Skor Piala Dunia 1966
9 gol - Eusébio (Portugal)
6 gol - Helmut Haller (Jerman Barat)
4 gol - Geoff Hurst (Inggris), Franz Beckenbauer (Jerman Barat), Ferenc Bene (Hungaria), dan Valeriy Porkujan (Uni Soviet)
9. Top Skor Piala Dunia 1970
10 gol - Gerd Muller (Jerman Barat)
7 gol - Jairzinho (Brasil)
5 gol - Teofilo Cubillas (Peru)
4 gol - Pele (Brasil) dan Anatoliy Byshovets (Uni Soviet)
10. Top Skor Piala Dunia 1974
7 gol - Grzegorz Lato (Polandia)
5 gol - Johan Neeskens (Belanda) dan Andrzej Szarmach (Polandia)
4 gol - Johnny Rep (Belanda), Gerd Muller (Jerman Barat), dan Ralf Edstrom (Swedia)
LANJUTKAN MEMBACA ARTIKEL DI BAWAH
Editor’s Picks
4 Grup Neraka Piala Dunia 2022, Siap Tebar Ancaman
Jadwal 4 Wakil Garuda Di Perempat Final Australia Open 2022
Pembalap MotoGP Yang Paling Banyak Terjatuh Pada 2022, Siapa?
11. Top Skor Piala Dunia 1978 303LAPAK PUSAT
6 gol - Mario Kempes (Argentina)
5 gol - Teofilo Cubillas (Peru) dan Rob Rensenbrink (Belanda)
4 gol - Leopoldo Luque (Argentina) dan Hans Krankl (Austria)
3 gol - Paolo Rossi (Italia), Johnny Rep (Belanda), Dirceu (Brasil), Roberto Dinamite (Brasil) dan Karl-Heinz Rummenigge (Jerman Barat)
12. Top Skor Piala Dunia 1982
6 gol - Paolo Rossi (Italia)
5 gol - Karl-Heinz Rummenigge (Jerman Barat)
4 gol - Zico (Brasil) dan Zbigniew Boniek (Polandia)
3 gol - Alain Giresse (Prancis), Falcao (Brasil), Laszlo Kiss (Hungaria), dan Gary Armstrong (Irlandia Utara)
13. Top Skor Piala Dunia 1986
6 gol - Gary Lineker (Inggris)
5 gol - Diego Maradona (Argentina), Emilio Butragueno (Spanyol), dan Careca (Brasil)
4 gol - Alessandro Altobelli (Italia), Preben Elkjaer (Denmark), Igor Belanov (Uni Soviet), dan Jorge Valdano (Argentina)
14. Top Skor Piala Dunia 1990
6 gol - Salvatore Schillaci (Italia)
5 gol - Thomas Skuhravy (Cekoslovakia)
4 gol - Roger Milla (Kamerun)
15. Top Skor Piala Dunia 1994
6 gol - Hristo Stoichkov (Bulgaria) dan Oleg Salenko (Rusia)
5 gol - Romario (Brasil), Kennet Andersson (Swedia), Roberto Baggio (Italia), dan Jurgen Klinsmann (Jerman)
4 gol - Gabriel Batistuta (Argentina), Martin Dahlin (Swedia), dan Florin Răducioiu (Rumania)
16. Top Skor Piala Dunia 1998
6 gol - Davor Suker (Kroasia)
5 gol - Gabriel Batistuta (Argentina) dan Christian Vieri (Italia)
4 gol - Ronaldo (Brasil), Marcelo Salas (Chile), dan Luis Hernandez (Meksiko)
17. Top Skor Piala Dunia 2002
8 gol - Ronaldo Nazario (Brasil)
5 gol - Miroslav Klose (Jerman) dan Rivaldo (Brasil)
4 gol - Christian Vieri (Italia) dan Jon Dahl Tomasson (Denmark)
18. Top Skor Piala Dunia 2006
5 gol - Miroslav Klose (Jerman)
3 gol - Hernan Crespo (Argentina), Ronaldo Nazario (Brasil), Thierry Henry (Prancis), Zinedine Zidane (Prancis), Fernando Torres (Spanyol), David Villa (Spanyol), Maxi Rodriguez (Argentina), dan Lukas Podolski (Jerman)
19. Top Skor Piala Dunia 2010
5 gol - Thomas Muller (Jerman), David Villa (Spanyol), Wesley Sneijder (Belanda), dan Diego Forlan (Uruguay)
4 gol - Gonzalo Higuain (Argentina), Miroslav Klose (Jerman), dan Robert Vittek (Slovakia)
3 gol - Luis Fabiano (Brasil), Asamoah Gyan (Ghana), Landon Donovan (Amerika Serikat), dan Luis Suárez (Uruguay)
20. Top Skor Piala Dunia 2014
6 gol - James Rodriguez (Kolombia)
5 gol - Thomas Muller (Jerman)
4 gol - Neymar (Brasil), Lionel Messi (Argentina), dan Robin van Persie (Belanda)
3 gol - Arjen Robben (Belanda), Karim Benzema (Prancis), Enner Valencia (Ekuador), Andre Schurrle (Jerman), dan Xherdan Shaqiri (Swiss)
21. Top Skor Piala Dunia 2018
6 gol - Harry Kane (Inggris)
4 gol - Antoine Griezmann (Prancis), Romelu Lukaku (Belgia), Denis Cherysev (Rusia), Kylian Mbappe (Prancis), dan Cristiano Ronaldo (Portugal)
3 gol - Mario Mandzukic (Kroasia), Eden Hazard (Belgia), Edinson Cavani (Uruguay), Artem Dzyuba (Rusia), Ivan Perisic (Kroasia), Diego Costa (Spanyol), dan Yerry Mina (Kolombia)
22. Top Skor Piala Dunia 2022 MAX WIN GACOR
5 gol - Lionel Messi (Argentina) dan Kylian Mbappe (Prancis)
4 gol - Julian Alvarez (Argentina) dan Olivier Giroud (Prancis)
3 gol - Cody Gakpo (Belanda), Richarlison(Brasil), Enner Valencia (Ekuador), Marcus Rashford (Inggris), Bukayo Saka (Inggris), Goncalo Ramos (Portugal) dan Alvaro Morata (Spanyol).
Itulah daftar lengkap top skor Piala Dunia dari masa ke masa sejak edisi tahun 1930 hingga 2022.
0 notes
Video
tumblr
Gone with the Wind (1939)
“No, I don't think I will kiss you, although you need kissing, badly. That's what's wrong with you. You should be kissed and often, and by someone who knows how.”
Directors: Victor Fleming, George Cukor, Sam Wood
Cinematographer: Ernest Haller, Lee Garmes
3 notes
·
View notes
Text
What Ever Happened to Baby Jane? (Robert Aldrich, 1962).
15 notes
·
View notes
Text
I thought it was pizza but it’s an apple pie director Robert Z. Leonard, Luise Rainer, and cinematographer Ernest Haller are eating in this publicity photo for ESCAPADE (1935).
8 notes
·
View notes
Photo
Films watched in 2021.
89: Dead Ringer (Paul Henreid, 1964)
★★★★★☆☆☆☆☆
#Dead Ringer#films watched in 2021#cinco#Paul Henreid#bette davis#1964#facepalm#guns#black and white#fashion#hands#Karl Malden#Ernest Haller#Peter Lawford#drama#crime#remake#family#Phil Carey#Jean Hagen#jealousy#animals#dogs#mirror#mirrors#faceless#smoke
161 notes
·
View notes
Text
Fuck the Confederacy
#vivien leigh#clark gable#racist movie#confederate propoganda#1930s#ernest haller#ray rennahan#victor fleming#gone with the wind#lee garmes
0 notes
Photo
the verdict (us, siegel 46)
8 notes
·
View notes
Audio
She's baaaaaack -- from the dead! This 1957 b-movie BACK FROM THE DEAD is directed by Charles Warren and stars Peggie Castle, Marsha Hunt, Arthur Franz and Don Haggerty.
What will your hosts think of this female-led horror? Does it deserve to remain in obscurity?
Context setting 00:00; Synopsis 19:45; Discussion 43:24; Ranking 57:38
#podcast#back from the dead#robert stabler#charles marquis warren#regal films#peggie castle#arthur franz#marsha hunt#don haggerty#catherine turney#the other one#possessed#ernest haller#leslie vidor#raoul kraushaar#20th century fox#cinemascope#female-led horror#horror#classic horror
9 notes
·
View notes