#ernest blyth

[badmovieihave]

Bad movie I have The Mummy 1959

[mariocki]

New Scotland Yard: Hard Contract (1.5, LWT, 1972)

"I was just wondering what it was like to kill somebody."

"Well, that's a nice thought to start the day, innit?"

"In all my stint in the army, I never did. Not like -"

"Not like me."

"Yeah, well, you bagged a few terrorists in your time, didn't you? I was just wondering..."

"What it was like?"

"Yeah."

"Well, it... it was like... like nothing. You just sit on a roof and wait. For movement. The sun on a rifle. Just a flash, a glint. The first bullet gets you - or gets them, it's as simple as that."

"No involvement?"

"None."

[darlingdressed]

bought this from my local secondhand bookstore today!! I’ve read it as an ebook but I’m happy to have a physical copy. can’t wait to see Tom bring this book to life (if they ever start production lol)

[pureblyth]

tom blyth in uniform in tbosas. now he's gonna be a lead in a WWI movie...

[raviollies]

did theta turn/got turned into a fey like blythe or was she like already born as a cool ass skull nature green hag already?

In true tragic fashion...she was turned just like her a long time ago. The nature of abuse is often cyclical, and I am drawing from experience of the older generation inflicting the same abuse they suffered onto the young generation due to the belief that it's the "right way."

At one point Theta also was a High Elf, who became a hexblood and later a green hag. It was many centuries ago, and she most likely does not even recall what her elven life was like. Perhaps it's the curse of her being a fae for so long, perhaps it's just how her mind learned to cope with it--- but she is of the opinion that the hag that turned her was correct. That she turned out to be an incredibly powerful witch, and now it's her turn to guide another woman, just like she was guided long ago. And in time, Blythe will understand it too. And when the time comes, she will guide someone else.

[francixoxoxo]

I took a nap earlier and I truly think that reseted my brain bc why am I a scholar all of a sudden

[nicoooooooon]

Mildred Pierce (1945) directed by Michael Curtiz featuring Joan Crawford and Ann Blyth

[berzahoes]

actors on actors | tom blyth

summary: tom and reader are paired for variety’s actors on actors.

an: full credit goes @prettylittlels for the idea!! thank you!!🫶🏼 you can choose what film you’re in and your character for this fic :)

“were you a hunger games fan growing up?” you asked tom. you and tom were paired together to be in a new edition of actors on actors for variety. you were seated across tom.

“i did read the books, watched the movies, but they were unavoidable. i remember going to midnight screenings of the movies with my mum.” tom nodded.

“i loved going to midnight screenings! we need to bring those back,” you replied. midnight screenings were your favorite when you were a teenager. you loved going with your best friends and sometimes your parents, but they always ended up sleeping halfway through the movie.

tom then asked about your character. “i definitely made multiple playlist for them. i just love making playlists. they for sure listen to some sad stuff like mitski. but i enjoyed everything about them.”

“i think snow would listen to money, power, glory by lana del rey. it’s going on his playlist while he’s getting his hair ready.” he laughed.

“oh my god, snow is a lana stan.”

after a while, you talked about your upcoming projects. tom’s new project was an adaptation of ernest hemminway’s novel alongside olivia cooke while you were finishing up filming the remake of nosferatu as ellen hutter.

“then i might take a break. i’ve been working nonstop for about three years and i’m forever grateful for all the opportunities. i just want to lay down for a bit.” you admitted with a laugh.

“i’ll join you.”

TWITTER

@/blythupdates “I’LL JOIN YOU” IM SCREAMINGGG

@/ynsocar pls they’re so cute together 😭

@/onedirectioncomeback no you don’t understand i need them in a movie together NOWWW

[detournementsmineurs]

“Rings" by Ernest Blyth in gold and diamonds (1972) presented in “A History of Jewellery: Bedazzled (part 8: Jewellery from 1950s, 60s and 70s)” by Beatriz Chadour-Sampson - International Jewellery Historian and Author - for the V&A Academy online, april 2024.

[byronlc]

multi-muse indie rp blog with canon muses. medium to low activity. 21+. penned by am. millennial. CET. likes rare fandoms. very slow writer.

rules memes open starters muse list under the cut

mains and affiliates: neverfittedin / dcyswclking, entangledmuses / ofthexnight, sarcaasmic

graphics by the amazing @neverfittedin

muse list

all canon muses can be treated as OCs and are adaptable to (almost) any fandom/setting

🚩 marks villainous/dangerous muse

Primary Muses

🚩 Trevor Anderson, 21-27, bi, Hellraiser (2022), fc Drew Starkey

your casual criminal crush

(🚩) Peter Rumancek, pan, 19-22; or 27-31, Hemlock Grove, fc Aaron Taylor-Johnson (post-series, headcanon-based portrayal)

your sexy man-beast who tore his own heart out

🚩Barry, 24-28, Outer Banks, fc Nick Cirillo moved to @klldare

your local drug dealer with a good heart and a gold tooth

Zach MacLaren, 20-24, The Other Zoey, fc Drew Starkey (intro)

your typical jock that is literally a puppy dog (aka the other Zach)

Secondary Muses

🚩James “Junior” Rennie, straight, 21-28, Under The Dome, fc Alexander Koch (intro)

your sociopathic obsessive boy next door

Dale “Barbie” Barbara, straight, 30-36, Under The Dome, fc Mike Vogel

your brooding anti-hero

(🚩) Liam/Angelus/Angel, 270 and forever 23 vampire; or 20-25 human, Buffy the Vampire Slayer, fc Jacob Elordi (headcanon-based portrayal; also modern non-vampire verse)

your ever-brooding, moody vampire cursed with a soul

Dylan Massett, straight, 21-27, Bates Motel, fc Max Thieriot

your white knight in a leather jacket

Selective/Exclusive Muses

James M. Beaufort, straight, 18-23, Maxton Hall, fc Damian Hardung (exclusive to @entangledmuses' Ruby Bell)

your way too attractive rich boy

🚩Rafe Cameron, 19-26, Outer Banks, fc Drew Starkey moved to @klldare

your @unhlnged rich boy

JJ Maybank, pan, 18-23, Outer Banks, fc Rudy Pankow moved to @klldare

your chaotic, quick-tempered @salt-lifer

Natalie Scatorccio, 18-23, Yellowjackets, fc Sophie Thatcher (very selective)

your i-don't-give-a-shit-but-also-care-too-much queen of misfits

New Muses (pending)

Troy Otto, Fear the Walking Dead, fc Daniel Sharman

your severly broken psycho boy

Fox Mulder, The X-Files, fc tbd

your tbd

Coriolanus Snow, The Hunger Games: The Ballad of Songbirds and Snakes, fc Tom Blyth

your tbd

Louisa "Wheezie" Cameron, 18-23, Outer Banks, fc Victoria Justice (aged-up headcanon-based portrayal) moved to @klldare

your little miss always overlooked

Nadia Godfrey, 18-23, Hemlock Grove, fc Elle Fanning (aged-up headcanon-based portrayal)

tbd

Muses on Hiatus

Grayson Ernest Theodor Spencer, ace, 24-28, Silber Trilogy, fc Josh Hutcherson (heavily headcanon-based portrayal)

your permanently tired loser boy, who will do anything for a cup of coffee

🚩Carlisle Cullen, 400 and forever 35, Twilight, fc Alexander Skarsgård (headcanon-based portrayal) (intro)

not your teen romance novel's friendly vampire daddy

🚩Chase Collins, 30-36, bi, The Covenant, fc Sebastian Stan (also younger version and non-magical version)

your power-hungry warlock with a wicked sense of humor

Luke Riordan, 21-26, Gen V, fc Patrick Schwarzenegger

your golden boy with a dark future

Zachary "Zach" Shan-Yung Dempsey, demi, 21-28, 13 Reasons Why, fc Ross Butler

your former jock turned musician that will literally come pick you up

[byneddiedingo]

Joan Crawford and Eve Arden in Mildred Pierce (Michael Curtiz, 1945)

Cast: Joan Crawford, Jack Carson, Ann Blyth, Zachary Scott, Eve Arden, Bruce Bennett, Butterfly McQueen, Lee Patrick, Moroni Olsen, Jo Ann Olsen. Screenplay: Ranald McDougal, based on a novel by James M. Cain. Cinematography: Ernest Haller. Art direction: Anton Grot. Film editing: David Weisbart. Music: Max Steiner.

Mildred Pierce provided Joan Crawford with her shining Oscar moment, even if she had to accept her statuette from her sickbed -- surrounded, to be sure, by press photographers. But I don't think it's her best performance. I prefer her as Crystal Allen in The Women (George Cukor, 1939), who although she loses her sugar daddy still manages to kiss off the "respectable" women with a splendid curtain line. Or as Helen Wright, the consummate rich and predatory patroness in Humoresque (Jean Negulesco, 1946), treating the Fannie Hurst melodrama as if it were Ibsen, inhabiting every absurd moment with full conviction. Or even as Millicent Weatherby in Autumn Leaves (Robert Aldrich, 1956), in which she fights against the hardness into which her face was beginning to settle as she turned 50 by crafting an image of a younger, more vulnerable woman. There are things about Mildred Pierce that don't quite work,  particularly the shifts from film noir, shot with expressionist flair by Ernest Haller, to "woman's picture" opulence of setting. But it is still an indispensable film, as essential to defining Crawford's career -- and hence to an understanding of how Hollywood viewed women in the 1940s -- as Now, Voyager (Irving Rapper, 1942) was to Bette Davis's.

[elonomhstoryvillage]

aireverie, the pocket world story (fairytale)

moodboards:

ciara coulwood collection

sulphrin family collection

remburn family collection

characters, profiles:

ciara coulwood

julian coulwood

amelie sebree

wren sulphrin

everett remburn

ernest boyington

vivienne melgar

ledger edrene

oliver pittwin

violet sebree

wesley sulphrin

perry remburn

henry edrene

atticus pittwin

willem sulphrin

freya pittwin - //

olive sulphrin

marigold sulphrin

sullivan battensmith

genevieve battensmith

emery battensmith

fabian melgar

christopher sulphrin

blythe remburn

franklin sebree

robin pittwin

vella remburn

abigail sulphrin

carmen coulwood

rosalind pittwin - //

wiley coulwood

anthony pittwin

matilda gallogett

norman sulphrin - scientist

plot/synopsis:

'pocket worlds' have always been and will always surround us. they sit just on the outside of our world, simply existing on separate planes of the universe. these worlds are only accessible by incredibly hard-to-reach, specific keys. you're familiar with them, i assure you.

neverland? wonderland? narnia? andalasia? the other world? idris? the house? faerie? the underworld?

(peter pan, alice in wonderland, the lion the witch and the wardrobe, enchanted, coraline, shadowhunter chronicles, keys to the kingdom, various)

there is a scientist who exists on a nearby plane of the universe - in a magical kingdom named aireverie. norman sulphrin's research has lead to his ownership of 4 major keys. fairytale keys.

now, you didn't think that these tales were all fiction - did you? how do you suppose so many countries discovered near-exact stories ... sharing them down generations. there can only be one explanation: these fairytale worlds exist greatly close to ours.

[wahwealth]

Richard Chamberlain | F. Scott Fitzgerald and The Last of the Belles

F. Scott Fitzgerald and 'The Last of the Belles' is a 1974 American made-for-television biographical romance drama film directed by George Schaefer and starring Susan Sarandon, Blythe Danner and Richard Chamberlain. The film, which is known as The Last of the Belles in Australia, was written by James Costigan based on F. Scott Fitzgerald's 1935 short story "The Last of the Belles". Cast Richard Chamberlain as F. Scott Fitzgerald Blythe Danner as Zelda Fitzgerald Susan Sarandon as Ailie Calhoun David Huffman as Andy McKenna Ernest Thompson as Earl Shoen Richard Hatch as Bill Knowles James Naughton as Captain John Haines Albert Stratton as John Biggs Alex Sheafe as Philippe Sasha von Scherler as Jeanette Thomas A. Stewart as Horace Canby Norman Barrs as Waiter Earl Sydnor as Oliver Brooke Adams as Kitty Preston Cynthia Woll as Mary Bly Harwood Tom Fitzsimmons as Don Cameron Never miss a video. Join the channel so that Mr. P can notify you when new videos are uploaded: https://www.youtube.com/@nrpsmovieclassics

[angstics]

having finally listened to other noel coward plays, design for living is god damn INSANE. ive listened to hay fever and present laughter, and read the first act of blythe spirit. all these plays are comedically structured, hilarity building on the goofy relationships btwn the characters. there’s a “oh you!” sense to the humor. there’s also constant play w social conventions in these plays. the climax of present laughter is the successive moments ppl propose to join him at the end — one a girlfriend who SAYS she doesnt expect marriage and another a man who is obsessed with him (which is explicitly made a joke of when our main says something like “i suppose he doesnt want to get married either”). hay fever has both romantic unconventionalities (the mother and the guy she invites who is funnily pursued by the daughter to prevent an affair i think?) and social ones (the daughter pointing out how rude their family is). i mention all these examples by name because theyre easy enough to mention. theyre moments, not stories. and they contribute to the screwball hijinks of the play. a mess is funny.

SO alls to say that design for living isnt like this at all. to start off, it isnt very funny. definitely not zany like these. the situation isnt side-splitting, it’s sad! the love is well-established which makes the break ups depressing. coward couldve written this play to be like how love triangle comedies are often written. leo walks out and otto arrives and gilda treats him like she treated leo and she has to hide him a la present laughter and oh the hilarity! but that hilarity is never entertained. the audience doesnt know about leo in act one when ernest is there so there’s no comedic tension. and when we do find out, they tell otto as soon as he’s back. it isnt funny when ernst (and the audience) figures it out. it’s dramatic. and that tone continues the whole show. even the ending isnt one last laugh. it’s a gasp moment. “havent you figured it out? ive given in.” it’s a full-on romance. i get the sense coward wrote a dramatic play under the veneer of a comedy because the situation is better received in the ambiguity of comedy. the non conformity being the whole premise of the show rather than a one-off is another irregularity that furthers that

[detournementsmineurs]

“Brooches" by Ernest Blyth in gold, sapphire or emeralds, and diamonds (1971) presented in “A History of Jewellery: Bedazzled (part 8: Jewellery from 1950s, 60s and 70s)” by Beatriz Chadour-Sampson - International Jewellery Historian and Author - for the V&A Academy online, april 2024.