#emil engel

[yoramkelmer]

Danish poster for “Der blaue Engel” (1930) by Josef bon Sternberg, starring Marlene Dietrich and Emil Jannings

[ulrichgebert]

Wir konnten dann sogar einen Geburtstagsfilm für Marlene anbringen, diesmal sogar endlich wieder den unter Bildungbsürgern als bedeutsam geltenden (der Bruder des Autors der Romanvorlage erhielt den Literaturnobelpreis!) und besonders wirkungsmächtigen, der aber wenn man ehrlich ist, so weit von The Devil Is A Woman auch nicht weg ist. Für das Männermordende-Vamp-Fach ist Marlenes hier letzmals verwendete Piepsestimme recht ungewöhnlich.

[lodzianix]

sigh. why is the nazi actor good

[lorenzlund]

Hollywood wird sich wieder mehr anstrengen müssen bessere Filme herauszubringen! (Es  hat jetzt wieder mehr Konkurrenz!!)

Schriftsteller und Regisseur Anton Raiter vor wenigen Tagen erst traf er erstmals sogar in Babelsberg bei Berlin ein per Zug, das ist so etwas wie das deutsche Hollywood!

Mit ihm stieg eine junge berühmte Autorin aus!

“Wir suchen nach einem Haus mit Garten für den Herrn hier!” (besagte Autorin)

“Selber wollen sie nicht mit im Haus wohnen??”

“Es handelt sich bei uns um kein Ehepaar! Ich werde deswegen separat eine Wohnung beziehen!”

“Erstaunlich, aber dieses Buch es kam mir im Garten abhanden, obwohl du beides doch, Haus wie Garten, nur erfandest, liebe Freundin, in einem deiner Gedichte!”

“Wir könnes es vielleicht in ihm wiederfinden, wohnst du erst in der Villa als ihr neuer Mieter, bist du dort also erstmal eingezogen!”

“Ich schätze dass ich neue Freunde wie dich fand, mit jeder Menge an auch eigener Fantasie!”

“Wann erhalte ich also das allererste Drehbuch von dir??”

“Ich habe ja selber noch nie eines geschrieben!”

“Na, dann ist es jetzt spätestens Zeit dafür! Schau dich um, wir sind in Babelsberg!”

“Wer hier erfolgreich war, landet später in Hollywood!”

“Auch brauche ich dann keinen amerikanischen Autoren damit erst vielleicht beauftragen!”

“Zudem hat dich dein bereits schon auch erstes Buch so extrem bekannt gemacht, verarmen würden wir dabei beide gewiss nicht, zumindest das erscheint als gesichert! Eher das genaue Gegenteil davon dürfte zutreffen: 

Schnell könnten wir uns dann eine auch noch zweite sehr geräumige Villa vor Ort genauso hinzupachten, ähnlich wie diese es auch ist oder zu sein scheint! 

Die lediglich nur angemietete Wohnung aber bisherige von dir, liebe Freundin, du könntest sie danach auch wieder aufgeben!”

“Und um was für ein Drehbuch sollte es sich dann dabei handeln!”

“Wichtig ist nur, es wäre eines von dir!! Alle würden sie mit zusehen wollen!”

“Entscheide du über den Inhalt der Story!! Ich wäre immer begeistert davon! Und es kann dann sogar ein humoristischer Stoff sein, statt dem vielleicht durchgängig nur ernsten! 

Solche Stoffe fallen mir oft sogar leichter zu verfilmen als die Dramen!!”

“Es würde keine berühmtere Autorin geben als dich auf der Welt!!”

[canmom]

NieR Automata anime episode 7-8

Continuing commentary from [part 1], [part 2-3], [part 4-5] and [part 6].

So much to catch up on so I'll keep commentary pretty sparse this time!

Episode 7: [Q]uestionable Actions

Episode 7 serves to introduce A2 in the present...

It does this by using the premise of one of the more memorable sidequests in the game, where one of the Machine Lifeforms in Pascal's village asks you to save her little sister. In the game, this is an escort quest in the desert area, in which there is an extended conversation with the little sister android. Here, it's sending us to the Forest Kingdom early - no meeting with Emil, Engels attacking the city, or encounter with the alien ship just yet.

In the Forest Kingdom, we get a very compressed version of the kingdom's backstory and founding by Ernst, and the creation of the little robot baby Immanuel who's supposed to inherit it (these names aren't given in the anime, and only barely mentioned in the game)...

...but most of the forest machines have been massacred by A2. The machine interactions are played mostly for humour here, with the Little Sister declaring that she wants to start a family with one of the forest guards, and Pascal jumping on the concept enthusiastically.

We also have 9S finally warm to Pascal a bit through the old narrative expedient of 'sudden accident that lets the character save your life'...

A shot that raises all kinds of architectural questions we probably shouldn't get into. It's kinda clumsy but there's a lot of game to compress into a short time, so it makes sense to cut 9S gradually warming to Pascal.

Anyway, the star of the show is of course A2, who enters in her inimitable baby-stabbing way:

After an all-too-brief fight with 2B, A2 jumps out the window - something maybe a little more motivated because her Type-4O Sword breaks so she can't really stay and fight. This mostly serves to introduce the conflict with command to 2B and 9S, and motivate 9S to start digging around for dirty secrets.

One thing that isn't really addressed in either the game or this anime is that, according to the concert audio dramas, the androids sent after A2 previously were... 2B and 9S, and A2 got pretty damn good at beating them. Perhaps this explains why she doesn't bother to say many words to them here.

Other than that, we also get Adam and Eve discussing Sartre:

Much as in the game, Eve doesn't have much interest in Adam's books and philosophy, and Adam treats him condescendingly like a child. I mention this shot mostly because I think it's the first time the "existence precedes essence" quote actually appears in the story, for all its engagement with existentialist philosophy.

The final post-credits bit sees puppet A2 killing puppet Pascal...

...just before he can tell us about the dragons in the Kingdom of Night! Grah! They'll keep teasing us with this forever it seems like...

Episode 8: aji wo [K]utta?

If episode 7 took us to the Forest Kingdom zone, this one is focused on the Flooded City area. They clearly referenced the game pretty closely for the backgrounds - I could recognise specific locations, such as the ramp with a bus leading in to the zone.

Picking up pretty directly where episode 7 ended, 2B and 9S are sent on the trail of A2. 9S is getting pretty suspicious of Command already, and when 2B chides him to stay on mission, he goes behind her back. But not before they can hang out a bit at the seaside!

If there's one thing I can respect this adaptation for, it's that it understands the importance of quiet character moments. Fully half this episode is spent just on 2B getting persuaded to stand in water and this is entirely a correct adaptational decision.

Also a 6O lesbian moment:

The pair are looking for Jackass for a lead on A2, after Lily refuses to tell them anything. 9S gets them to split up so he can do some snooping. So 2B is the one to find Jackass, who gets to have the kind of moment that would have been hard to do in the game...

...hanging out in a swimsuit with scarf and combat boots, fishing with grenades, and offering 2B the deadly, delicious mackerel.

All these cute moments lead into a gradual turn towards horror as 9S is cut off from 2B. In the game, I recall this happens after the fight with Grün, which is almost entirely cut in this adaptation - the most we see is a silhouette that looks kind of like the defeated Grün on the skyline early on:

A reasonable thing to cut; Grün in the game is a cool boss fight but not very important to the story (a bit of a jarring nonsequitur really).

Anyway, after taking advantage of 21O to spy on command, 9S gets to hear the Commander talking to the Council of Humanity. They mention, rather cryptically, something called 'Contact Plan B' - which I don't remember being an element in the game and could be the first seeds of a story divergence.

Someone - it's Adam of course - sets up a comms jammer and 9S finds his way into a room full of fanart of him and 2B. I wonder if they put out a call for fanart, or even just scraped it from the internet, because the styles and skill levels are pretty damn varied:

Would definitely be curious if anyone has tracked down sources of any of these pictures.

9S gradually transfers into hacking space, indicated in this anime by black letterboxing bars, as the environment gets more surreal. Whoops! He's been nabbed by Adam. In the game, he pretty much just wakes up in hacking space after the battle with Grün so this is a cool variation.

Thanks to the final arc of NieR Reincarnation, we now know that all the variations of NieR are 'explained', in a sense, by an obscenely complicated time loop premise involving the records of humanity and the AIs assigned to look after them. So, is the game canon or this anime? Yes. The real question is whether the variation from the game is going to be limited to this kind of minor story reshuffling, or if they'll make bigger divergences in season 2. I wouldn't put anything past Yoko Taro, but I've got a lot of catching up to do before I find out...

The ending skit for episode 8 is just a letter from (game producer) Yosuke Saito followed by the mackerel bit, thus explaining the episode title: アジを食った aji o kutta, which can be translated as 'I ate a mackerel' but is also a pun on 'I experienced a flavour'. (It's mostly known in English as the name of the ending of NieR Automata where you eat a mackerel and immediately die).

Feels good to be back on this anime! More to come soon hopefully!

[opera-ghosts]

"Stark ruft das Lied; kräftig reizt der Zauber." SIEGFRIED - R. WAGNER Here some Siegfrieds, Mimes, Wanderers and Brünnhildes.

Henny Borchers as Brünnhilde; Breslau, ca. 1900

Francisque Delmas as Wanderer; Paris, 1902

Louise Grandjean as Brünnhilde; Paris, 1902

Pierre-Emil Engel as Mime; Brussels, 1902

Fritz Remond as Siegfried; Karlsruhe, 1904

Fritz Feinhals as Wanderer; Munich, 1906

Zdenka Fassbender as Brünnhilde; Munich, 1906(?)

Marianna Tcherkasskaya as Brünnhilde; Milan, 1909

Paul Kuhn as Mime; Munich, 1912

Julius Lieban as Mime; Berlin, 1912

Hans Breuer as Mime; Bayreuth, 1914

Eduard Habich as Alberich; Bayreuth, 1914

Albert Reiss as Mime; New York, 1916

Karl Koss as Mime; Graz, 1919

Rudolf Bockelmann as Wanderer; Hamburg, 30s

Erich Zimmermann as Mime; Bayreuth, 1930

August Seydel as Mime; Munich, 30s(?)

Anny Konetzni as Brünnhilde and Josef Kalenberg as Siegfried; Vienna, 1934

Karl Kamann as Wanderer; Vienna, 1938

Jaro Prohaska as Wanderer; Bayreuth, 1941

[gatutor]

Emil Jannings-Marlene Dietrich "El ángel azul" (Der blaue engel) 1930, de Josef von Sternberg.

[louielle]

𝑷𝒓𝒊𝒔𝒐𝒏𝒆𝒓 𝒐𝒇 𝑨𝒛𝒌𝒂𝒃𝒂𝒏 𝒑𝒍𝒂𝒚𝒍𝒊𝒔𝒕

1980s Horror Film - Wallows

Alone in the Woods - Michal Novinski

Always Forever - Cults

Apocalypse - Cigarettes After Sex

Apparition on the Train - John Williams

As The World Falls Down - David Bowie

Aunt Marge's Waltz - John Williams

Autumn Town Leaves - Iron & Wine

Aventine - Agnes Obel

Ballad Of Mr Jones - Jake Bugg

Big Black Car - Gregory Alan Isakov

Black Dog - Led Zeppelin

The Boat of the Fragile Mind - Belle Mare

A Brief History of Time - Jóhann Jóhannsson

Buckbeak's Flight - John Williams

Captain Goddamn - Michal Novinski

Captain Goddamn's Story - Michal Novinski

Cemetry Gates - The Smiths

The Chain - Fleetwood Mac

Chord Left - Agnes Obel

The Curse - Agnes Obel

Cursed - Lord Huron

Damn Right - Mickey Driskill

Dance With The Fish - Bruni Coulais

Dandelion Wine - Gregory Alan Isakov

Dead Man's Hand - Lord Huron

Dirty Paws - Of Monsters and Men

Eleanor Rigby - Cody Fry

Endless Story About Sun and Moon - Kai Engel

Entering - Michal Novinski

Fallingforyou - The 1975

Fellowship - Thomas Newman

Finale - John Williams

Flaws - Bastille

Flood - Michal Novinski

Fortune Teller - Mickey Driskill

Forward to Time Past - John Williams

The French Library - Franz Gordon

Full Moon - The Kinks

Gold Dust Woman - Fleetwood Mac

Good Looking - Suki Waterhouse

Goo Goo Muck - The Cramps

Hagrid the Professor - John Williams

Harvest Moon - Lord Huron

Head Credits - Bruno Coulais

Holocene - Bon Iver

Home - Dotan

Hot Liquorice - Dick Walter

I'm a WolfWalker - Bruno Coulais

Infinite Love - Emile Mosseri

In The Woods Somewhere - Hozier

It Will Come Back - Hozier

I Wanna Be Yours - Arctic Monkeys

journey in the rain to cry in peace - joiboi

K. - Cigarettes After Sex

The Key In The Sea - Bruno Coulais

Kids - OneRepublic

Kuky Phones Home - Michael Novinski

Kuky's Adventures - Michael Novinski

Landscape With a Fairy - aspidistrafly

Lanterns Lit - Son Lux

Le temps de l’amour - Françoise Hardy

Lily Of The Valley - Queen

Little Lion Man - Mumford & Sons

Living Room - Grouper

Lonesome Hunter - Timber Timbre

Love Like Ghosts - Lord Huron

Love Waltz - Marcuzio Pianist

Lumos! (Hedwig's Theme) - John Williams

Me And The Devil - Soap&Skin

The Meetings of the Waters - Fionn Regan

Meet Me In The City - Lord Huron

Meet Me in the Morning - Bob Dylan

Meet Me in the Woods - Lord Huron

Mélancolie - Patric Watson, Safia Nolin

Melody Noir - Patric Watson

Mischief Managaged! - John Williams

Moment's Silence - Hozier

Monster Books and Boggarts - John Williams

My Tunnels Are Long And Dark These Days - Asaf Avidan

Nevermore - Queen

Not Dead Yet - Lord Huron

Nothing's Here - Michael Novinski

Once Upon a Dream - Lana Del Rey

The Patronus Light - John Wiliams

Phantoms and Friends - Old Man Canyon

The Pink Room - Timber Timbre

Please, Please, Please Let Me Get What I Want - The Dream Academy

Please, Please, Please Let Me Get What I Want - The Smiths

Poison Tree - Grouper

Poppy Field - Michael Novinski

The Portrait Gallery - John Williams

Possibility - Lykke Li

Proof - Michael Novinski

Punisher - Phoebe Bridgers

Renegades - X Ambassadors

Rhiannon - Fleetwood Mac

Ribs - Lorde

Riding Into Town - Gun Thunder

rises the moon - Liana Flores

Rosyln - Bon Iver, St. Vincent

Run - Bruno Coulais

Run - Hozier

Run Cried the Crawling - Agnes Obel

Sadness - Bruno Coulais

Saving Buckbeak - John Williams

The Seals - Bruno Coulais

Secrets of the Castle - John Williams

Sedated - Hozier

September Song - Agnes Obel

Setting Sun - Lord Huron

Shortline - RY X

The Silence of the Moon - Frankie Lou

Sit Down Beside Me - Patric Watson

Something French - Devendra Banhart

Something Is Wrong - Bruno Coulais

Some Things Cosmic - Angel Olsen

Somewhere Tonight - Beach House

Squirrel Rescue - Mike Higham

The Storm - Bruno Coulais

Swinging Party - The Replacements

Tea for Two - Art Tatum

Team - Lorde

Thief - Imagine Dragons

Time Passing II - Mark Isham

Time's Blur - Lord Huron

To Be Alone - Hozier

Trees and Flowers - Strawberry Switchblade

The Trial - Michael Novinski

Under Giant Trees - Agnes Obel

Vois sur ton chemin - Bruno Coulais, Les Choristes

Wait - M83

Way Down We Go - KALEO

We Don't Talk About It - Michael Novinski

The Werewolf Scene - John Williams

West Coast - Imagine Dragons

When the Night is Over - Lord Huron

Whisper of a Thrill - The City of Prague Philharmonic Orchestra

White Teeth Teens - Lorde

Who Are You - Bruno Coulais

The Whomping Willow - John Williams

Who We Are - Imagine Dragons

Wicked Game - Chris Isaak

A Window to the Past - John Williams

Wiser - Old Man Canyon

Words Are Dead - Agnes Obel

A World Alone - Lorde

The World Ender - Lord Huron

The Yawning Grave - Lord Huron

you are welcome to let go - joiboi

[joostjongepier]

Wat?   Ambroise Vollard (1899) door Paul Cézanne, Hommage to Cézanne (1900) door Maurice Denis, Landscape with Ploughman (1889) door Vincent van Gogh, Vision of the Sermon (Jacob Wrestling with the Angel) (1888) door Paul Gauguin, The Pardon, Breton Women in a Meadow (1888) door Emile Bernard, Gustave Coquiot (19010 door Pablo Picasso, Interior with a Young Gill (Girl Reading) (1905-06) door Henri Matisse en Wilhelm Uhde (1910) door Pablo Picasso

Waar?   Tentoonstelling After Impressionism: Inventing Modern Art in National Gallery, Londen

Wanneer?    9 augustus 2023

De tentoonstelling After Impressionism heeft een brede doelstelling. Het wil laten zien hoe, na het impressionisme, kunstenaars braken met alle vaste tradities en de basis legden voor de kunst van de 20e en 21e eeuw. Het toont hoe in verschillende steden (Parijs, Barcelona, Wenen, Berlijn, Brussel) nieuwe wegen werden ingeslagen. En het toont de geboorte van nieuwe bewegingen als fauvisme, kubisme, Nabis, expressionisme en abstractie.

Parijs was bij uitstek de stad waar het gebeurde. Een sleutelspeler in het netwerk van kunstenaars was Abroise Vollard. Deze kunsthandelaar was er voor verantwoordelijk dat het werk van Cézanne, Van Gogh, Gauguin en Picasso onder de aandacht werden gebracht van een internationaal publiek. Paul Cézanne schilderde een portret van deze spin in het culturele web. Zelf had Cézanne ook een belangrijke positie, als beïnvloeder van een nieuwe generatie kunstenaars. Zijn pogingen om een realistische weergave van voorwerpen te geven en tegelijkertijd naturalisme los te laten, had grote invloed op veel schilders na hem. Maurice Denis schilderde een groep kunstenaars, de Nabis (de Profeten), staand om een stilleven van hun inspirator. De bijeenkomst vindt plaats in de Parijse studio van Vollard. Aan de wand hangen schilderijen van Paul Gauguin (die eigenaar was van het stilleven van Cézanne) en van Auguste Renoir. Vollard staat rechts naast het schilderij. Grappig is de kat van Vollard die ons van onder de ezel met een achterdochtige blik aankijkt.

Vincent van Gogh ontwikkelde een heel eigen visuele taal. Hij schilderde Landscape with Ploughman vanuit het raam van de inrichting in St. Rémy. De scène is gebaseerd op directe observatie, maar was tevens geladen met persoonlijke betekenis. Het schilderij heeft een uitdrukkingskracht die onafhankelijk is van de afgebeelde objecten.

Van Paul Gauguin hangt hier een werk dat ik al lang bewonder, maar nog nooit in het echt had gezien: Vision of the Sermon. De achtergrond van het schilderij is effen rood. Een boomstam deelt het werk diagonaal in tweeën. De onderste helft toont een groep Bretonse vrouwen in traditionele kostuums die hun hoofd buigen in gebed. Rechts zien we het hoofd van de priester die zojuist een preek heeft gehouden over Jacob worstelend met de engel. En in het deel rechts boven zien we hoe Jacob in gevecht is met de engel. Het werk is allesbehalve naturalistisch. We zien een visioen, een droom. Gauguin geloofde dat kunstenaars, net als priesters, in staat waren om grote ideeën fysiek vorm te geven.

The Pardon van Emile Bernard toont Bretonse vrouwen die een ‘Pardon’, een soort religieuze bedevaart, bijwonen. De achtergrond van het werk is effen groen. Het werk roept een sterk déjà vú-gevoel op. De overeenkomsten met Gauguins Vision of the Sermon zijn groot. Stijl en idee komen dermate overeen dat het geen toeval kan zijn. Dat is het dan ook niet. Gauguin en Bernard schilderden beide werken tijdens een gezamenlijke trip naar Pont-Aven. Later ruzieden de twee erover wie als eerste deze radicale niet-naturalistische manier van schilderen had bedacht.

Pablo Picasso schilderde schrijver en criticus Gustave Coquiot in avondkleding en met een maskerachtig gezicht voor zijn eerste Parijse tentoonstelling, georganiseerd door Vollard. Coquiot stond als kunstcriticus welwillend tegenover avant-garde-kunstenaars. Hij schreef het voorwoord voor die eerste Parijse expositie van Picasso.

Matisse schilderde zijn dochter Marguerite in een interieur met tal van decoratieve objecten. Het geheel is een en al kleur. Het werk vormt een overgang naar het fauvistische werk waar hij bekend mee zou worden. Kunstdealer, verzamelaar en kunstcriticus Wilhelm Uhde werd door Picasso in kubistische stijl weergegeven. Gezicht en achtergrond worden opgebroken in een grote hoeveelheid monochrome facetten.

Zo staan twee belangrijke kunststromingen die de twintigste-eeuwse kunst zouden gaan bepalen, tegenover elkaar: het fauvisme, waarin kleur centraal staat en het kubisme waarin de lijn de overhand heeft.

[germanpostwarmodern]

For a long time the work of architect, designer and artist Lucien Engels (*1928) very much unknown outside of Belgium. A student of Louis-Herman de Koninck and Victor Bourgeois at La Cambre in Brussels Engels developed a comprehensive vision of a contemporary lifestyle that integrated architecture, furniture and art. With great sensitivity Engels designed modernist yet sensual houses, apartment buildings and furniture. His magnum opus nonetheless is the „Home Emile Vandervelde II“ in Oostduinkerke, a holiday resort completed in 1957 and a total work of art for which Engels also designed furniture and murals and also involved other artists. e.g. Jan Cox who realized a 35 meter long mural.

A comprehensive overview of Lucien Engels’ rich oeuvre provides the present catalogue, written by Geert Bekaert and Mil De Kooning and published by Urban Gent in 2010: it contains a thorough biographical essay on the architect by Bekaert, followed by four case studies of his most important projects: the aforementioned „Home Emile Vandervelde II“, the Lambiotte and Lauwers houses, the Emile Vandervelde II house and his stunning own house. Extensively illustrated with plans, drawings and photographs and competently explained by Mil De Kooning the reader easily understands the irresistible appeal of Lucien Engels’ architecture and details. In the following chapters the authors shed light on his furniture designs, his collaboration with other artists as well as his own artistic output that amalgamates influences of Paul Klee, Primitivism and traditional Asian art.

Being a bilingual (NL/EN) edition the present catalogue provides a richly illustrated and very insightful overview of the work of an important Belgian architect also to an international audience. Very worth exploring!

[korayaker]

SİYASET Lenin Sol komünizm Lenin Nisan tezleri Lenin Proleter devrim dönek kuattscki Lenin devlet ve devrim Lenin Emperyalizm Lenin Burjuva demokrasisi ve proleterya diktatörlüğü Lenin Ne yapmalı Lenin Materyalizm ve Ampiryokritisizm Lenin Bir Adim Ileri Iki Adim Geri Lenin Din Üzerine Lenin Ssosyalizm ve Savaş Marx Engels Komünist manifesto Yahudi Sorunu Alman İdeolojisi Ekonomi Politiğin Eleştirisine Katkı Ücretli Emek ve Sermaye Ailenin ve özel mülkiyetin kökeni Konut Sorunu Mao Zedong Çelişki Üzerine Uzatmalı Savaş Üzerine Seçme Eserler -ı-ıı-ııı Kızıl Kitap Josef Stalin Diyalektik Materyalizm ve Tarihsel Materyalizm Marksizm, Ulusal Sorun Leninizmin İlkeleri Anarşizmi mi Sosyalizm mi Bolşevik parti Tarihi Muhalefet Üzerine Georgi Dimitrov Faşizme Karşı Birleşik Cephe Leo huberman Sosyalizmin alfabesi Politzer Felsefenin başlangıç ilkeleri Politzer Felsefenin Temel İlkeleri Nikitin Ekonomi politik Maksim Gorki Küçük burjuva ideolojisinin eleştirisi Kalinin Devrimci Eğitim Devrimci Ahlak Che Guevara Ekonomi ce sosyalist ahlak Paul lafargue Tembellik hakkı A.Şnurov Türkiye proleteryası John Reed Dünyayı Sarsan On Gün Ellen Meiksins Wood Sınıftan Kaçış İbrahim kaypakkaya Seçme eserler Mahir çayan Bütün Yazıları Hikmet kıvılcımlı Türkiyede kapitalizmin gelişimi Emrah cilasun - Mustafa suphi ve yoldaşlarını kim öldürdü Kapitalizm, Arzu ve Kölelik, Frederic Lordon Yeryüzünün Lanetlileri - Frantz Fanon Terry Eagleton Marx Neden Haklıydı Jhon Zerzan Gelecekteki ilkel Paulo Freire Ezilenlerin Pedagojisi Kropotkin- Ekmeğin Fethi Ivan Illich'in Okulsuz Toplum Hüseyin Can Sosvyetler ve Kürtler A.Kollontai Komünizm ve Aile N. kruspkaya Halk eğitimi Platon Socratesin Savunması Arthur Schopenhauer- Eristik Diyalektik

TOPLUMSAL CİNSİYET

Friedrich EngelsAilenin, Özel Mülkiyetin ve Devletin Kökeni Clara Zetkin Kadın Sorunun Üzerine – Clara Zetkin Lenin'in Bütün Dünya Kadınlarına Vasiyetleri Auguste Bebel Kadın ve Sosyalizm Alexandra Kollontai Marksizm ve Cinsel Devrim Alexandra Kollontai Komünizm ve Aile Alexandra Kollontai Bir çok hayat yaşadım Sibel Özbudun Marksizm ve Kadın Emek, Aşk, Aile Sibel Özbudun Küreselleşme , Kadın ve Yeni - Ataerki Ricardo Coler Kadın Krallığı Elisabeth Badinter Biri Ötekidir Shulamith Firestone Cinselliğin Diyalektiği Diana Gittins Aile Sorgulanıyor Simon de beauvoir ikinci cins Valeri solanes -Erkek doğrama cemiyeti Judith Butler- Cinsiyet Belası

PSİKOLOJİ

Sigmund Freud Totem ve tabu Sigmund Freud uygarlığın huzursuzluğu Sigmund Freud Düşlerin Yorumu Joel Kovel Tarih ve Tin Michel Foucault Deliliğin Tarihi Jean Twenge Ben nesli Rollo May Kendini Arayan İnsan Pascale Chapaux-Morelli İkili İlişkilerde Duygusal Manipülasyon Erich Fromm Sevme Sanatı Eric Fromm- Özgürlükten Kaçış Caren Horney Çağın Nevrotik kişiliği  POSTMODERN FELSEFE john zerzan- Gelecekteki ilkel Terry Eagleton Postmodernizmin Yanılsamaları Fredric Jameson, Postmodernizm ya da Geç Kapitalizmin Kültürel Mantığı Jean Baudrillard Simülakrlar ve Simülasyon Jean Baudrillard Tüketim Toplumu Jean Baudrillard Kötülüğün Şeffaflığı Jean Baudrillard baştan çıkarma üzerine Jean Baudrillard Neden herşey hala yok olup gitmedi Rainer Funk Ben ve Biz Postmodern İnsanın Psikanalizi - Zygmunt Bauman Akışkan Aşk / İnsan İlişkilerinin Kırılganlığına Dair Zygmunt Bauman  Akışkan Modernite Jean François Lyotard Postmodern Durum Michel Foucault Özne ve İktidar / Seçme Yazılar Michel Foucault Cinselliğin Tarihi Karakter Aşınması - Richard Sennett Kamusal insanın Çöküşü Richart Sennet Guy Debort- Gösteri toplumu

VAROLUŞÇU FELSEFE

Arthur Schopenhauer Cinsel Aşkın Metafiziği Arthur Schopenhauer ,Hayatın Anlamı Arthur Schopenhauer İsteme ve Tasarım Olarak Dünya Emil Michel Cioran Çürümenin Kitabı Terry Eagleton Hayatın anlamı Fernando Pessoa Huzursuzluğun Kitabı Ferdinand celine gecenin sonuna yolculuk Jean Paul Sartre Bunaltı Cesare Pavese Yaşama Uğraşı Franz Kafka Dönüşüm Samuel Beckett Godot'yu Beklerken Hermann Hesse Siddhartha Dostoyevski Yeraltından Notlar Dostoyevski Suç Ve ceza Nietzsche Böyle Buyurdu Zerdüşt Nietzsche Ecce homo Nietzsche Decal Candide - Voltaire Albert CamusYabancı Jhon fante toza zor Terry Eagleton Kötülük Üzerine Bir Deneme

ROMAN VE KLASİKLER

Maksim Gorki Ana Maksim Gorki Benim üniversitelerim Dimitır Dimov Tütün Kropotkin Ekmeğin Fethi Jack London’ Demir ökçe John Steinbeck Fareler ve İnsanlar Harper Lee Bülbülü Öldürmek Victor Hugo Sefiller Goethe Genç Werther'in Acıları Balzac vadideki zambak Dostoyevski Suç ve Ceza Dostoyevski Kumarbaz Dostoyevski Budala Dostoyevski Ev sahibem Dostoyevski Yeraltından notlar Stefan Zweig Satranç Stefan Zweig Bilinmeyen Bir Kadının Mektubu Irvin D. Yalom Nietzsche Ağladığında Lev Tolstoy Anna Karenina Vladimir Bartol Fedailerin Kalesi Alamut Amin Maalouf Doğunun Limanları Harper Lee Bülbülü Öldürmek George Orwel Hayvan Çiftliği Jhon Steinbeck Fareler ve İnsanlar

Türk Edebiyatı

Sabahattin Ali Kürk Mantolu Madonna Sabahattin Ali Kuyucaklı yusuf Sabahattin Ali İçimizdeki Şeytan Ahmet Hamdi Tanpınar Huzur Ahmet Hamdi Tanpınar Saatleri ayarlama enstitüsü Yaşar kemal İnce memed Recaizade Mahmut Ekrem Araba Sevdası Mehmet Rauf Eylül Peyami Safa Yanlızız Peyami Safa Fatih-Harbiye Peyami Safa Dokuzuncu Hariciye koğuşu Peyami Safa Bir teredüdün Romanı Namık Kemal İntibah Orhan Pamuk Orhan pamuk kırmızı saçlı kadın Yusuf atılgan Aylak adam Ahmet Ümit İstanbul Hatırası Yakup Kadri Karaosmanoğlu Kiralık Konak

Yakup Kadri Karaosmanoğlu Yaban

Distopya-Ütopya

Aldous Huxley Cesur Yeni Dünya 1984 - George Orwell Ursula K. Le Guin Mülksüzler Damızlık Kızın Öyküsü

Din Tarih ve Antropoloji

Tanrı'nın Tarihi - Karen Armstrong

Ludwig Feuerbach-Hristiyanlığın Özü Marx Engels- Ailenin ve özel mülkiyetin kökeni Lewis Henry Morgan-Eski toplum Wilhelm Reich- Cinsel ahlakın boy göstermesi Freud totem ve tabu Claude Levi – Strauss  Yapısal Antropoloji Samuel NoahbKramer Tarih Sümerlerle Başlar Samuel noah Kramer Sümer mitolojisi M. İlin-İnsan Nasıl İnsan Oldu Darwin Türlerin kökeni Turan Dursun Din bu Dine Karşı Din - Ali Şerati Ataların Hikayesi Richard Dawkins Sibel özbudun -Antropoloji: Kuramlar, Kuramcilar Lenin Din Üzerine Karl -Marx Yahudilik Üzerine Hayvanlardan Tanrılara - Sapiens , Yuval Noah Harari Deccal - Friedrich Nietzsche Ahlakın Soykütüğü- Friedrich Nietzsche Peter Hopkirk İstanbulun Doğusunda Bitmeyen oyun Hans Lukaks kieser- Iskalanmış Barış

Martin Van Bruinessen Kürtlük Türklük Alevilik

Nuri Dersimi Kürdistan Tarihinde Dersim

Erdoğan Çınar Kayıp Bir Alevi efsanesi

Erdoğan Çınar Aleviliğin Kayıp Bin yılı

Ahmet Taşağıgil Gök Tengrinin Çocukları

Jena Paul Roux. Türklerin Tarihi

Tori Bir Kürt Düşüncesi Yezidilik

İrene Melikoff Uyur idik uyardılar

Hamza Aksüt Aleviler

Jean Hamilton Aanadoluda Heretik Hareketler

Faik Bulut Dersim Raporları

Mehmet Bayrak Dersim Koçgiri

Mehmet Bayrak Alevilik Kürdoloji Türkoloji Belge.

Hakkı Naşit Uluğ Dersim Medeniyete Açılıyor

[wherethestuffgoes]

mjtj:

Emil Engel Andersson

[amateurbourguignon]

Caserne des gardes. 1905. Helsinski.

Architecte Carl Emil Engel.

[theseformerthings]

View this post on Instagram

A post shared by Schein Berlin (@scheinberlin)

Record label and cover for Emil Engels’ hit “Ein Tag wie Gold” in season 4 of Babylon Berlin.

Production Designer: Uli Hanisch Prop Master: Alexander Lambriev Property Assistants: Saskia Tegethoff & Tino Knoch Graphic Props: Schein Berlin (Daniel Porsdorf & Jan Hülpüsch, Lina Stindt, Lea Gabler)

[jotem]

1 – "Hiçbir şey zekayı seyahat etmek kadar geliştirmez."

Emile Zola

2 – "Seyahat için yaptığın yatırım kendin için yaptığın en iyi yatırımdır."

Matthew Karsten

3 – "Hayat ya cesur bir maceradır ya da hiçbir şey!"

Helen Keller

4 – "Uzaklara gittikten sonra tamamen değişmiş biri olarak dönmek gerçek bir mucize."

Kate Douglas Wiggin

5 – "Gezgin bir yere varmak için değil, keşfetmek için seyahat eder."

Goethe

6 – "Hayat bir kitaptır ve gezip görmeyenler hep aynı sayfayı okur."

St. Agustine

7 – "Gezgin önüne ne çıkarsa onu görür, ama turist neyi görmek istiyorsa onu."

G.K. Chesterton

8 – "Senede bir defa daha önce hiç görmediğin bir yere git."

Dalai Lama

9 – "Her şey kötüye gittiğinde kendine bir tatil ısmarla."

Betty Williams

10 – "Kıyıyı gözden kaybetmeye cesaret etmedikçe insan, yeni okyanuslar keşfedemez."

Andre Gide

11 – "Turistler nereye gittiklerini, gezginler nereye gideceklerini bilemezler."

Paul Theroux

12 – "Seyahatin önündeki tek engel kapının eşiğidir."

Bosna Atasözü

13 – "Para harcayarak sizi zengin yapacak tek şey seyahat etmektir."

Anonim

14 – "Mutluluk gidilen yolun üzerindedir, yolun sonunda değil."

Epiktetos

15 – "Ne kadar uzağa gidersem kendime o kadar çok yakınlaşıyorum."

Andrew McCarthy

16 – "Yaşa, seyahat et, maceraya atıl, şükret ve asla pişman olma."

Jack Kerouac

17 – "Mesele son durağının neresi olduğu değil, nasıl anıların ve yaşanmışlıkların olduğudur!"

Penelope Riley

18 – "Macera tehlikeli sanıyorsan, rutini dene; öldürücüdür."

Paulo Coelho

19 – "En uzun yolculuklar bile tek bir adımla başlar."

Laozi

20 – "Bilmediğin bir yola gitmek bilmediğin bir yönünü keşfetmektir."

Martin Buber

21- "Seyahat insanı alçak gönüllü yapar. Size dünyada ne kadar küçük bir yer işgal ettiğinizi görmenizi sağlar."

Gustave Flaubert

[cleoenfaserum]

REBLOG: from dailyworldcinema film THE BLUE ANGEL (1930) (1218)

Whatever can be said about this film, right off the bat, it is a CLASSIC FILM and a historical representation of the moment in film.

The Blue Angel (German: Der blaue Engel) is a 1930 German musical comedy-drama film directed by Josef von Sternberg, based on Heinrich Mann's 1905 novel Professor Unrat (Professor Filth) and set in an unspecified northern German port city.

dailyworldcinema Jun 30 Marlene Dietrich in The Blue Angel (1930) Dir. Josef von Sternberg

The Blue Angel presents the tragic transformation of a respectable professor into a cabaret clown and his descent into madness.

The Blue Angel - Wikipedia

The Blue Angel (1930) - IMDb 7'7

The English version which is a little hard on the ears and sometimes difficult to understand, however some allowances can be made for a the classic.

LINK https://ok.ru/video/1205418723842

The film was shot simultaneously in German- and English-language versions. Though the English version was once considered a lost film, a print was discovered in a German film archive, restored and screened at San Francisco's Berlin and Beyond film festival on January 19, 2009. The German version is considered to be "obviously superior"; it is longer and not marred by actors struggling with English pronunciation.

NOTES

The film was the first feature-length German sound film and brought Dietrich international fame. It also introduced her signature song, Friedrich Hollaender and Robert Liebmann's "Falling in Love Again (Can't Help It)". The film is considered a classic of German cinema.

I have to admit, I am fascinated by REMAKES.

Remakes, adaptations and parodies 1959 The Blue Angel, director Edward Dmytryk's remake with Curd Jürgens.

link https://ok.ru/video/1843272485445

1966 Pousse-Cafe, a 1966 Broadway musical version with music by Duke Ellington. It was unsuccessful and closed after three performances.

Pinjra (1972), director V. Shantaram's highly successful Marathi/Hindi adaptation with Sandhya and Shreeram Lagoo.

1988 Lola, director Rainer Werner Fassbinder's loose adaptation of the film and its source novel.

1991 The Royal Shakespeare Company produced a stage adaptation, written by Pam Gems and directed by Trevor Nunn, that toured the UK from 1991 to 1992.

1988 In 1998, the Gems adaptation was translated to Japanese. With added songs composed by accordionist Yasuhiro Kobayashi, the Japanese version was staged as a musical starring Kenji Sawada at the Bunkamura in Tokyo.

2001 A stage adaptation by Romanian playwright Răzvan Mazilu premiered in 2001 at the Odeon Theatre in Bucharest, starring Florin Zamfirescu as the professor and Maia Morgenstern as Lola Lola.

2010 In April 2010, Playbill announced that David Thompson was writing the book for a musical adaptation of The Blue Angel, with Stew and Heidi Rodewald providing the score and Scott Ellis directing.

VARIOS: Lola Lola's nightclub act has been parodied on film by Danny Kaye as Fraulein Lilli in On the Double (1961) and by Helmut Berger in Luchino Visconti's The Damned (1969).

REBLOG: from dailyworldcinema film THE BLUE ANGEL (1930)