#elongated mustard

[tyrantitar]

I'll take it over Musk Mars anyday.

[whats-in-a-sentence]

Phytochrome responses of the third type are termed high-irradiance responses (HIRs), several of which are listed in Table 16.2.

"Plant Physiology and Development" int'l 6e - Taiz, L., Zeiger, E., Møller, I.M., Murphy, A.

[theink-stainedfolk]

Silent Strokes

---

Today’s outfit

Wystan thought to himself as he adjusted the collar of his oversized navy sweater. The soft wool was comforting against his skin, and the cardigan he’d layered on top was a deep shade of burgundy, with large, vintage-looking buttons that always drew attention. His trousers were a soft grey, slightly too long for his frame, pooling at the ankles just the way he liked it. To top it all off, he had chosen a pair of slightly mismatched socks—one with tiny purple ghosts, the other with golden crescent moons. He adjusted his scarf, the mustard yellow bringing a burst of warmth to his otherwise muted look.

Satisfied, he grabbed his leather bag, filled with more notebooks than was strictly necessary, and made his way to The Eosium Museum of Art aand Antiquities. He was excited, as always, to spend the afternoon wandering the galleries. There was something about being in the space surrounded by art that grounded him, gave him a sense of peace he couldn't quite find elsewhere.

Arriving at the museum, Wystan smiled to himself, taking in the familiar sight of the towering marble columns and the polished wood floors. As he approached the entrance, he noticed Sylvan standing by the reception desk, scribbling something in his notebook. His black coat was perfectly tailored, and his usual calm demeanor was present, but there was a certain restlessness in his posture today—something Wystan couldn’t place.

He walked up quietly, unsure if Sylvan had noticed his arrival, and tapped his fingers lightly on the desk to get his attention.

Sylvan looked up, and a soft smile crept onto his lips. "Ah, there you are. I was wondering if you were going to make it today." He signed something quickly, his hands fluid, but Wystan’s eyes darted down to his own hands, unsure for a moment how to respond.

Are you ready to explore again?

Wystan beamed, his heart skipping a beat at Sylvan’s graceful sign. His hands, as always, seemed to have a language all their own. Wystan had grown so used to it by now, but there was still a certain awe in how effortlessly Sylvan communicated with his hands, even when words weren’t involved.

He grabbed his own notebook, quickly writing:

Let’s start with the new exhibit. The one with the mythical creatures. I can’t wait to see it.

Sylvan read the note and raised an eyebrow and wrote. I thought you might be interested in that one. He paused for a moment, before adding, Have you considered the legend of the harbinger in that exhibit? It's not just mythological... There's a theory about it. Something rather old.

Wystan blinked, his curiosity piqued. He didn’t often hear Sylvan talk about legends or theories—he was usually so reserved. But something in Sylvan now was different, like he was holding back a secret he wasn’t sure if he wanted to share.

Wait, what do you mean by 'not just mythological'? Wystan asked, his fingers brushing against the edge of his notebook, wondering if it was okay to prod further.

Sylvan’s gaze shifted slightly, his fingers still for a brief moment. Maybe... it’s better to experience it in person. He glanced at Wystan, his smile enigmatic. Come on, let’s see if the exhibit is still open. I have a feeling you’ll find it more intriguing than you expect.

---

They walked through the grand gallery halls, the light streaming through the tall windows casting long shadows on the floor. Wystan noticed how Sylvan’s presence was always so calm, like a quiet storm. He was still thinking about what Sylvan had said—the "harbinger" and how he seemed to know more than he was letting on.

When they finally reached the exhibit, Wystan's eyes immediately zeroed in on a large painting at the center of the room. The harbinger, with its elongated, almost ethereal form, stood before an ancient ruin, its eyes glowing with a faint golden hue. Wystan felt an odd chill crawl down his spine as he studied the figure, a strange sense of familiarity tugging at the edges of his mind.

He jotted a quick note in his book:

This feels... different. Do you feel it too?

Sylvan’s eyes flickered briefly to the painting before he wrote slowly, as though contemplating his words. It’s an old story, Wystan. One that I’ve come across before. Some say the harbinger is not just a creature, but a messenger of sorts. There are whispers about its true nature, but… those stories are hard to track down.

The cryptic answer only deepened the mystery for Wystan, and his heart thudded in his chest. His curiosity was bubbling over, his thoughts racing faster than he could write them down. What’s the connection?

Sylvan studied him for a moment, his eyes softening, but there was still that lingering edge of secrecy. Some things are best left unknown, don’t you think?

Wystan felt a shiver run down his spine. The way Sylvan said it—it was as if he knew something about the harbinger, or worse, had experienced something related to it. But before he could question him further, Sylvan stepped closer to him, his voice quieter now, and signed gently, I’ll tell you when you’re ready to hear it.

Wystan nodded, though a part of him felt that “when you’re ready” was a phrase laden with meaning. As they continued to wander the exhibit, the unease Wystan felt never fully faded, but the way Sylvan stayed close to him—almost protectively—offered a strange comfort.

His heart was still racing, but this time, it wasn’t just from the mystery. It was from the way Sylvan’s presence felt like it was pulling him deeper into something he wasn’t sure he could escape from.

They continued their walk in silence, the quiet only broken by the sound of their footsteps and the occasional scribbled note. But as they approached the next painting, Wystan couldn’t shake the feeling that the harbinger wasn’t the only thing in the museum that held secrets. And Sylvan, with all his careful mystery, seemed to be a part of them.

---

So...is anyone wanting more than this? Like more than fluff? More sensual? No? Just me? Okay..

My ♡s: @paeliae-occasionally @willtheweaver @drchenquill @wyked-ao3 @the-inkwell-variable @corinneglass @seastarblue

[riverdale-retread]

Riverdale S7 E2 Skip, Hop and Thump!

Mind-wiped 1950s Jughead Jones who doesn’t remember the true universe reads things like Pit of Tyranny and Things of Darkness while in bed with a very happy looking Hotdog (he’s so shaggy!) wearing long johns with gray socks.

“Superheroes were out! Horror and crime comics were in!” Jughead says. This I guess is Riverdale’s parting statement about the State of The Culture as of the airtime of this episode (April 5, 2023 in the US). We are not with the MCU! We’re doing something else!

Jughead is still wearing the felt crown on his head, in bed, in his long johns. Does he never take it off? Is it on his head in the shower too? Does it function like glasses? As in sometimes when I change clothes I have to take the whole thing off but other times I don’t. How does it stay on his head? He’s either been reading all night, or he reaches for one among a pile of comic books as soon as he wakes up every morning the way I reach for my smartphone (a tech he completely failed to explain properly last episode) to see what’s happened on tumblr? Many thoughts about the first 25 seconds of Ep 2.

Jughead says he and his friends are obsessed, before he sees something he doesn’t like. Jughead marches into school with a crown pinned to his head (it has to be pinned), a side slung book-bag and Charlie Brown’s mustard yellow sweater with the black stripe across the chest. They are not fooling around in the costume department at Riverdale the Show.

Mind-wiped Jughead speaks with the same weird cadence now as 50s Archie who may or may not be aware that he is in an Alternate Universe: much more singsong, elongated vowels, generally slower speech. He tells his group of comic book loving friends - Ethel (Hi Ethel!), Ben Button, and the AU Dilton Doiley. (Why couldn’t they get the OG Dilton back? Did he refuse to cute his beautiful long hair for this time skip switcheroo?)

Jughead is in a high dudgeon. He says the comic publisher “stole his story!” and that he should “sue ‘em!” One of Jughead’s minor themes is that of plagiarism and accusations thereof. He was first accused of plagiarism (wrongly) while at Stonewall Prep which then led to his being, in essence if not in the legality, expelled from that school for the said charge. As an adult he then had an entire novel stolen out from under him by Jess, an ex, with one ex, Betty, and one future girlfriend, Tabitha, helping Jess steal it, after which he tried to steal the novel handed to him by the one night stand that blackmailed him into reading it. He fessed up to that one at the last minute, but it cost him his writing contract and his relationship with his editor, a gruff-but-loving father figure in a life woefully deprived of a reliable fatherly presence. And now, in this timewarp 1950s, he is certain that a publisher stole from him.

Can I just say - I love maniacal Jughead. Whenever he gets like this, his eyes get really weird and bright. He just loves to be vibrating in outrage, with or without his core memories. Dilton thinks he’s being illogical, Ben is too sick of these forays into mania to even continue to look at Jughead, but Ethel is fully turned on. Ethel has a really really beautiful pair of eyes on her, and she’s getting very bedroomy at Jughead about his insane sounding plan to go “pay a visit” to the publisher. Nobody agrees to go with him though.

Toni, followed by Fangs, followed by some white kid who is NOT SWEET PEA swagger into the class room just as Cheryl is making her candied-sweetness announcement about the upcoming Annual Sock Hop. I have heard of a “sock hop” but being a not terribly curious person it did not occur to me to look up what the heck that was. I knew they wore white ankle socks and had like ‘bobby soxers” and stuff so I assumed it was about wearing those socks. But no. You’re supposed to dance in your socks (no shoes).

An aside: I am furious not just at the loss of Sweet Pea (Yes, I know he left in S5 but I am not over it and you can’t make me) but the fact that they gave Fangs Sweet Pea’s middle of forehead curl hairdo. That does not work for me!

Cheryl in this universe is a specific kind of naggy person that I feel very called out by. She doesn’t just invite people to the Sock Hop. She reminds them (well, tells me, so I’m thankful for this but I think everyone in the universe knows that you don’t wear shoes to dance at the Sock Hop) that Sock Hop = shoeless dancing but then has to go on to tell boys to make sure their socks match AND that they have no holes. The reason you do this kind of nagging is because you assume whoever you’re nagging is dumber than a pile of rocks. Notice that Cheryl, whose lesbianism often comes with a side of straight on hatred of men (her Jason-love being the only exception), only lectures the BOYS about this.

She looks extremely adorable with her red headband that perfectly matches her bright lipstick.

We get a cute montage of sorts of everyone looking at their heart’s desire.

Fangs is making eyes at Midge, who pretends she wasn’t the one that turned around in her seat wholesale stare at him for no reason when he just was walking to his assigned seat. She is shooketh. Archie turns around in his seat to stare longingly at Veronica, who has eyes only for herself - she is fixing her make up in a little handheld mirror. (Foreshadowing??) Aha but it turns out Veronica knew that she was going to be looked at by someone, and has put up the mirror as a ploy to hide her sightline. We are treated to her point of view- It turns out Julian is also looking directly at Veronica. As Cheryl keeps talking, Veronica’s view goes from Julian all the way to Archie, who is fully staring bug eyed and open mouthed at her pulchritude. I have to say once more I love 1950s Archie. He is so guileless. In this age of being stuck being penpals of people on what’s supposed to be dating/ hookup apps, this level of direct physical statements of intent, of clearly twisting your spine to give someone A LOOK feels very refreshing. And (More Foreshadowing??) Veronica’s gaze does not stop at the agog-Archie. It continues on to Betty, who looks very annoyed at the way Archie is gawking at Veronica. She gives Veronica a disapproving look before turning her sights on to Kevin. Or rather, the back of Kevin’s head, because once more, Kevin is not looking at Betty Cooper.

Which basically tells you everything you need to know about Kevin, because HAVE YOU SEEN 1950S BETTY COOPER?? Why would you look at anyone else ever? But of course, Kevin is looking at the new student who I have assumed is Chuck Clayton but absolutely isn’t, because even in an alternate universe Chuck Clayton would not be not straight. (Lucky me, I guess? Ugh.)

Cheryl, who has been going on and on this whole time about how the Sock Hop is going to be “Both the Bee’s Knees and the Cat’s Pajamas” (very interesting that so far, 1950s Cheryl doesn’t use 19th Century syntax) positively squeaks as she announces that Kevin and the Crooners will be performing at the dance! Betty, who is very good at certain kinds of support, reaches over to squeeze Kevin’s arm at the mention of his name, which finally gets him to take his eyes off the boy of his dreams.

The bell rings, and Archie chases her down. Veronica’s headband matches her dress and I have bangs and shoulder length hair and am seized with an irrational desire to wear a headband. Archie wants to know if Veronica wants to go to the Sock Hop with him. Veronica is pleased, but she doesn’t say yes. Instead she asks Archie if he knows how to cut a rug.

Archie looks down, then away, making an uncomfortable face. Veronica assumes that Archie doesn’t know what Cut a Rug means. She thinks Archie is really, very, extremely dumb. Interesting. She asks “Are you a good dancer?” by way of explanation. Archie’s response is still delayed. He dredges up a “Oh! Yeah. Of course I am!” and - the performance is really hilarious to me because I’ve watched it three times in a row, just this exchange and honestly I CAN’T DECIDE if Veronica is right that Archie does not know this extremely commonly used idiom in his one and only language OR if it’s because Archie does have fluency in his mother tongue but is simply bad at lying to the girl he likes a whole lot (He can’t dance, it’s later revealed). Veronica says that she believes him yet will “still need a demonstration.” Then she calls him “Daddy O” which turns him all so hard that all the blood from his brain goes somewhere else in a hurry and he just is mutely nodding. Oh Archie.

Toni Topaz, looking excellent in her ponytail-with-bangs, oozes up to Cheryl who eagerly asks if she’s going to buy tickets to the Sock Hop. “Are you asking me out?” is what she says, which then rings about the cutest meltdown. Cheryl entirely fails at sounding outraged because she’s elated, but is aware that Midge is there, so she stutters (to Midge, by turning her head away from Toni) that she OF COURSE ISN’T asking Toni out because - because she’s the *host!* And and and (Cheryl never stutters, but here she is, stuttering) also she’s a … [unspeakable word: GIRL] and Toni is also [unspeakable word: Girl]!! And girls don’t!!

Toni makes fun of Cheryl - smirkily asking what she means to say: “Girls don’t what? Dance with other girls?” and then says “Calm down, Peggy Sue.” To add insult to injury she then talks about how Fangs is a singer who deserves to be in the lineup for the music for the dance. The dirty look that Cheryl gives Fangs is a balm to my heart. I stan Cheryl Blossom for many reasons, but her persistent hatred of Fangs makes her my avatar. Cheryl suddenly remembers that she does not like anything associated with the Southside, and so is rude about the Serpents. She doesn’t want them at her Sock Hop because they will “Start a Rumble.” Toni tells her nobody will buy tickets to this thing with Kevin’s “B-grade barbershop quartet.” BURN. Fangs follows Toni around like he always used to in the proper universe, but this time he says bye to only Midge, who pretends rather incompetently that she is not all about that attention. Cheryl smacks her.

At PEP comics, which is in the building that used to house the Charles Smith FBI Field Office in the future, Jughead Jones is waiting impatiently for his turn to speak to the editor in chief. There’s a secretary lady and a young male assistant to the EIC. Jughead is determined to have his say, and his trying to stay true to that purpose while being obviously a bit intimidated by Al Fieldstone is very cute. He can’t even face him head on, instead angling his body towards the door in case he needs to skedaddle for his life in a hurry.

Mind-Wiped 50s Jughead speaks in the same OG Disney Channel (like, when Walt was on shows on it) Ozzy-and-Harriet, the OG Mickey Mouse Club candances as Archie. It’s very funny when placed against the more natural delivery of Al Fieldstone. Jughead is very scared but he says what he came to say. “I submitted a story that you - rejected it. And then- surprise surprise! - you ran a story that was exactly like it! Now, you might call that a coincidence, but I call it theft!” Even the way he puts his little hands on his little hips has no conviction, because Jughead is so intimidated by Mr. Fieldstone. He looks a little astonished at his own moxie at having said all this to this man.

Fieldstone growls that there are “no original ideas” and that he has hundreds of submissions every week which are all “slop” - and Jughead stutteringly insisting that the “timing” and “details” are too much to be a coincidence? Fieldstone rolls right over him. Filing cabinets, he says, are filled with every germ of a story idea he’s ever had. Fieldstone boasts about a backlog he’s “waiting to farm out” to potential writers. Jughead is very gifted at making the most of opportunities, I guess, because he immediately volunteers his own services as a writer.

“You’re looking for writers??”

“Always!”

“Well I’m! A - WRITER.”

Again, Jug looks so amazed at himself, for calling himself a writer in front of an actual publisher His eyes hold more than a small amount of fear that he won’t be believed, and won’t be allowed to claim this title. But he doesn’t blow it! Jughead wants to know how he can be ‘considered’ for a writing job, to which the editor in chief hands him a slip of paper with the aforementioned story kernel on it, and tells him to come up with “seven pages” that won’t “make him want to puke.”

Jughead leaves elated, entirely having forgotten about why he came to begin with. Obviously, Fieldstone has been through this spiel thousands of times before. What writers want, according to Riverdale, is not actually justice in the event of a plagiarism event. What they want is a paying writing gig, and the offer of one will make them forget everything else.

Meanwhile, in Betty’s bedroom, Archie confirms that he indeed knows the phrase “cut a rug” but he has a panic response to the word “dance” because he once broke Midge’s toe attempting to dance once. Betty is going to teach him the twist. She tells him to move his hips from side to side. Archie’s hips stay stock still but he moves his shoulders in rhythm which is a start. Betty tells him less shoulders, more hips, but then he just has a body disregulation event. It makes Betty give up right then and there, switching them over to slow dancing. The song says “Be miiiiine/ For the Rest of my Life” while Betty and Archie in a peachy glow look lovingly at each other. Oh they are so cute.

Of course, this is when Alice Cooper has to come barging in. She is scandalized. While she shuts off the music, Betty and Archie try to explain that they weren’t doing anything bad, that Archie was gearing up to ask out “The new girl” (according to Betty) who is “a celebrity from Hollywood!” (according to Archie). She summarily kicks Archie out. I LOVE Alice’s outfit - the floral print, the wide skirt, the green cardigan, the skinny pink belt, the super high heels. This looks like the more uncomfortable thing you could choose to wear at home, but it look undeniably excellent.

Meanwhile, in the extremely big traincar in which Jughead lives, we have AN ETHELEHEAD MOMENT. Jughead has shown his draft to Ethel, who says she is so jealous of the opportunity he has to submit something to Pep Comics. Jughead says she’s as good as anybody, then goes on to offer that if his story passes muster, he will recommend her as an artist to the publisher. This is so cute. I love this. I also like it in general when Jughead Jones has a nice looking place to live.

Cheryl is obsessed with selling tickets to this Sock Hop thing! She drives solo to a lakefront piece of land where clearly people go to fuck in their cars, then does an INSANE thing. She knocks on windows to ask if they’ve bought a ticket. Of course, the first car she picks is the one Fangs is in. He rolls down the window for some reason to reveal Midge who looks scared and is in a pose that looks like she either just got done or was about to give head.

WHY DOES FANGS LOWER THE WINDOW???

Cheryl has a very Penelope Blossom freakout. “One of my precious Vixens with a common greaser! SACRILEGE! GET OUT OF THE CAR RIGHT THIS MINUTE!” Ah there is the Victorian syntax, back in full force! Further, the sheer power that Cheryl has is amazing. Midge, whinging, does exactly as she’s told. Cheryl’s coitus-interruptor outfit is excellent - red skirt with white polka dots, a white coat, red barrel handbag.

In one of the cars is Kevin and Betty. I hate Kevin. To quote Nathan Lane talking to the gays of Brokeback Mountain - “Leave those poor women alone!” He looks unhappy while he is in the car with the beautiful Betty Cooper, who wants to know why she and her so called boyfriend are sitting in a car at the make out spot not touching. He can’t even come up with some sort of answer for why he’s being such a withholding jackass. She points out that he hasn’t even asked her to the Sock Hop, to be his date. The way Kevin’s closeted self hatred manifests apparently is to be a misogynist. He doesn’t apologize for not asking Betty to the dance. He says he’d assumed she’d be there, while he performs, as his fan.

Betty can’t take it anymore and plants a passionate kiss on him. The revulsion he exhibits with his hands before he pushes her off! Kevin! Then he has the GALL to call her a sex maniac because she wants to be ‘pinned.’ (Just like I didn’t really know what at Sock Hop was, I am not sure anymore that I know what the whole ‘pinning’ business is actually, even though it’s mentioned a lot in things set in the 50s and in pulp novels.) I think it’s related to ‘going steady’ and I suppose promising to dry-hump only each other (because sex wasn’t allowed at this time officially between teens, right?). Betty rightfully leaves the car so she can walk home.

“Pretentious, clunky, too much dialogue, but it’ll do” is the assessment that Jughead’s writing gets. His hands are in an anxious prayer position, his foot is tapping from terrified nervous energy, and the hideous squares of his vest do not go with the hideous squares of his red checked shirt, but Jughead gets a job! Sort of! He gets paid for his writing, in any case.

Aside: In the same way that perhaps Archie was never very talented at music (the only person who thought he had a gift was his groomer - the university professor rejected him outright, for one) are we supposed to think Jughead is a hack? He got into a prestigious writing program for college, sure, but he didn’t place at the writing competition he submitted things to that got him Chippings’ attention, his classmates at Stonewall rated Donna’s fic to be the best, Betty as an adult called his writing cringe and now this.

Is a dollar a page a lot in 1950? It sounds dirt cheap pay, to me. Oh and see - the care with which Riverdale is made! The publisher is totally gypping Jughead, who is too naive to know it, and he doesn’t give a shit who the artist is that Jughead claims to know until he says that magic word - CHEAP- in which case the publisher wants the illustrations for the 7 page zombie story TOMORROW. The way Jughead frantically throw out the word “cheap” because the editor isn’t interested at “incredible artist, young, hungry” and the way the editor immediately wants to know about the CHEAP part!

Jughead’s wholesome offer of a handshake thanking a man who (a) definitely DID steal his story after rejecting it and (b) is going to pay him slave wages for a story he churned out based on a kernel probably stolen from yet another writer and (c) is now going to exploit Ethel’s work being met with suspicion was a great touch.

The next day at school, Kevin is drawn to the music room by the siren song of melodious piano playing. It turns out to be the black student who isn’t Chuck. We finally get told what his name is - it’s Clay Walker. He says he was “horsing around” even though he sounded extremely accomplished on the piano. Clay Walker gives Betty Cooper her dues - Kevin is ‘dating the prettiest girl at Riverdale High.” Once more, Kevin, STOP TORTURING HER. Clay says he has transferred in from ‘all over’ though that’s an evasion, not an answer. His father was military and he may now be dead (or perhaps somehow dishonorably discharged?) - Clay says his father WAS in the army. When Clay asks Kevin to recommend someone he should take to the dance because he doesn’t have a date yet, Kevin says the most damning thing. That “lots of people go stag.” Which means that his level of failing at comp het is not actually necessary at Riverdale. He’s ruining Betty’s teen years and subjecting her to constant sexual rejection on purpose when it isn’t necessary for his survival. I hate Kevin.

Aside: And actually, Kevin has a lot of weird toxicity doesn’t he? I’m not just talking about the strange way he yanked Fangs around, ultimately yeeting out on the relationship that he insisted they have with Toni and so on. That and his using white privilege to steal Toni’s baby away from her. And the fact that in his soul-selling to get Broadway success, Fangs is his servant and his sexual servicer, not an equal partner. When Jughead-Narrator of RIvervale sold his soul for comic book success, he just had the comic book success and a permanent resident booth inside Pop’s. He didn’t sexually or emotionally dominate a significant other.

Archie tries officially asking out Veronica again. She still doesn’t say yes. While reading Peyton Place, Veronica invites Archie to her place later that day, with the express purpose of auditioning to be her beau for the evening. Even though this proposition is actually quite insulting, the way Veronica looks - so alluring and perfect and knowing - is inducement enough. And really, Veronica does know how to lure them in. She tells Archie as he cutely skips out, “I’m rooting for you, Stud,” in the most sultry voice. He can’t control his happiness at being singled out (when he’s by himself, no less).

Once more, I adore 50s Archie. He’s so bouncy and cute and sweet and wholesome. This is how I think Jughead thinks Archie is, even though he isn’t, and I wonder also if that’s why this is why he’s like this in the universe that is Tabitha’s creation. (Even though she didn’t take the narrating duties away from Jughead, this is, in essence, a universe fueled by Tabitha’s power, so this is in some way her version of these people, right? In which case, Betty being insanely horny as fuck all the time is actually very funny to me.)

Speaking of which, Betty wants to know how Veronica makes this happen - how she gets boys to just do whatever she wants. “So they just do whatever you say!” she remarks. Can we just take a moment to discuss how absolutely spectacular Betty looks in this green sweater and cinched-waist skirt combo? Just SO sensual and sexy. Veronica totally finds her hot. I mean, generally, my central thesis about Veronica is that she’s gay. This is why her relationships with men never quite work out. She may be bisexual sexually but she is homosexual emotionally. She loves beautiful women, and wants to love on them and dance with them and boost their confidence. So Veronica does what she does with pretty ladies to Betty here, telling her she’s “a total Marilyn” and tells her how to break up with her boyfriend - ask some other boy out and make Kevin “all hot and bothered.”

Cheryl is still shilling tickets to her sock hop dance thing, but not very successfully. She accosts Dilton Doiley.

I am sad about what they’ve done with Dilton Doiley for this scene. He’s such a stereotypical Asian nerd, of the type that Riverdale has hitherto successfully avoided. OG Dilton was a feral little weirdo, who did things like encourage Archie to get a gun. Rivervale Dilton had long excellent hair and was a different kind of feral weirdo. Reggie 1.0 and 2.0 were also not the note-for-note rote racist Asian boy nerd stereotype that 50s Dilton is. He’s bespectacled, stuttering, scared of Toni Topaz (Minnie Mouse Serpent, be gone!) and bullied by Cheryl who seems literally half his size. A gormless Asian nerd afraid of women - feeds right into the Is he gay or is he Asian hatefulness which manages to be homophobic and racist at the same time. Great.

Back at the Andrews residence, Archie has tried on Fred’s jacket so he can have something to wear to Veronica’s shindig in the evening. The jacket does not fit at all whatsoever, so he presents himself awkwardly like a pretty scarecrow to ask for assistance for his mother. Mary Andrews giggles like a Flintstones wife which she’s never ever done before. She fixes the jacket. I wish I knew how to do things like ‘let out a hem a little bit. One more normal life skill I have neglected to acquire all this time. The faces that Archie makes in the mirror are, just to keep going on about it, SO VERY CUTE. He looks so handsome, so fresh faced, so excited, so sweet spirited.

He’s so in love with Veronica’s ‘celebrity’ or maybe ‘celebrity adjacent’ status. He keeps saying that about her to the mothers, even though Veronica actually shared how miserable her present existence is. She’s abandoned by her parents, has been always neglected by them, and lied about it all only to have it humiliatingly thrown in her face. And yet, Archie is just so taken with her Los Angeles, Big City, Glamorous It-Girl persona. Poor Veronica.

Mary cries about seeing Archie in Fred’s suit because she and Fred went to their Sock Hop together. Fred apparently wrote Mary love poetry in this universe. Archie has very cute pale blue wall paper with different sports implements. Archie seems very charmed by his parents’ high school courtship.

Inspired by this story, Archie writes Veronica a poem, then gets Betty to take a read through in case in sucks.

Okay so.

So.

I object to this sort of ‘friendship’ between boys and girls. I just feel like they aren’t really friendships but some sort of (at best) unconscious emotional cruelty by one party to the more sexually interested party or (at worst) taking advantage of someone who you know is into you and you’re not sure or you think you can do better so you’re backburnering them. And having them ‘coach’ you on how best to date someone else is a pretty shitty backburner-stoking method. So in principle I dislike this, but the fact that Archie is doing it to THE PRETTIEST GIRL IN RIVERDALE (that both gay boys agree on - that is Clay and Kevin) is a bit too much.

In any case, Betty likes the poem. I was supremely relieved that they didn’t make me listen to the poem, ngl. Because I really didn’t like any of Archie’s songs either (Sorry, Arch).

Cheryl has some courage. She goes to the site of the Speak-Easy that existed in the infinite space underneath Pop’s which looks like a trailer but somehow isn’t, which then hosted the second Whyte Wyrm, and in this era is a “coffee house” which actually looks like an amazing place I’d like to go to. Toni must have incredible vision because that space does not look like it has anywhere near enough light but yet she is reading. It’s literally called THE DARK ROOM. Bikers, beatniks and badasses are who Toni thinks she’s a part of but I ask you this - why would such cool people give a shit about playing music at the goddamn Riverdale Sock Hop?? Why is Toni so goddamn invested in Fangs taking the stage at what sounds like THE preppiest event of all time??

I do very much enjoy all the weird 50s hipster lingo that Toni uses. “Take a load off” etc.

Archie has brought wholesome flowers Veronica’s thing. She is wearing the most RIDICULOUS dress. An absolutely enormous flat black bow topping cancerous looking black buttons on a painted-on purple tightness. I both love it and hate it. She is holding an alcoholic drink when she enters, telling Archie that they were all discussing Eisenhower and presidential politics. Archie and I are both alarmed that there are “others.” There are no fewer than THREE others - one of which is the cursed Julian.

Meanwhile, the Cooper ladies are doing dishes together wearing really, really high heels at night. Do - did? - white people actually live like this in the 1950s? Like, outdoor shoes in the house is gross enough to me, but to wear 5 inch heeled shoes while doing the dishes at night? That is some extreme kink dominatrix shit to me. I’m very square and preppy, it’s true, but come on! Anyway, Betty tells her mom in the most winsomely adorable way that she is having ‘fluttering’ feelings about Archie. Alice, because she’s a piece of shit in any universe, tries to kibosh that by asking if the attraction is purely because Kevin makes Betty feel ‘underappreciated.’ This bitchy comment kills Betty’s glow immediately.

We skip to Jughead looking through Ethel’s illustration work. “Holy Hell, Ethel!” he exclaims. He thinks she’s produced something great. Ethel looks so happy. I know from previews something terrible is going to happen to her, but why can’t Ethel just have some nice things! Why?? And because Jughead doesn’t seem to think her being a girl is going to be an obstacle to getting paid for her art, Ethel takes courage and asked Jughead to be her date at the Sock Hop.

Except 1) Jughead was not at all keeping track of the date of the Sock Hop and 2) when he asks “For Kicks?” as a response she caves and agrees, even though she clearly meant it to be a date invitation.

I hate this. I hate this so much. They always do this in so much media, that a girl asking a guy to go to a thing like this can never lead anywhere good and often starts out with her being rejected outright in an offhand manner. Riverdale! I was rooting for you! We were all rooting for you!!

Anyways, as though this wasn’t bad enough, Ethel’s very terrifying mother opens the door without knocking, bringing scary music in with her, and gives Jughead such an evil look of hateful silence that he goes from wanting to politely greet the woman (and possibly tell her how talented he thinks Ethel is) to being confused and a bit offended. Mrs. Muggs implicitly threatens her daughter and her guest with Mr. Mugg’s violence like this is a normal thing to do, which Jughead takes as his cue to leave.

At the Pembroke, which omg has a baby grand in the living room - I am so jealous when anyone has a huge musical instrument just in their living room - Archie cannot keep up with the competition. Veronica is telling an anecdote about Frank Sinatra. This might be a lie, right? Veronica is established as a liar. But in any case, I miscounted. There are FOUR, not three, other suitors in the room. The most annoying one is of course Julian Blossom, who insults Archie gratuitously.

Veronica has a fricking actual Monet in her living room. Julian recognizes it, preening that the Blossoms go art buying every summer. Bored perhaps, or maybe egotistically annoyed that instead of just being impressed Julian keeps trying to compete with her stories, Veronica solicits Archie’s opinion. The thing is, Veronica knows Archie is a know nothing. She even thinks he doesn’t know what Cut A Rug means. So she has to know she’s setting him up for humiliation, asking him for an opinion on Monet.

I do like Archie’s forthrightness. He says he prefers Norman Rockwell. Not letting it go, Julian attacks him about his clothing, which then touches the sore point that sets Archie off in every iteration - besmirching the honor of the sainted Fred Andrews. Veronica, recognizing a strategic blunder, tries to redirect everyone to a game of charades.

The Archie I know and kind of loathe finally emerges in this alternate timeline. Stiff with rage, he threatens violence on Julian before excusing himself to go. The concerned disappointment on Veronica’s face, as well as Julian being a jackass right behind her got to me.

Julian is what Bret Weston Wallis would be if Bret had been straight. But Bret wanted to bottom for Jughead Jones, so he came off somehow less repellent even though a lot of the things he did and said were just as terrible. Julian is Riverdale’s anti-heterosexual statement, I guess?

Archie tosses his poem for Veronica in the trash as he leaves.

The next morning, Veronica pays the Andrews home a visit, trying to put on her best nice girl front to Mary Andrews, who isn’t having it at all, whatsoever. Mary Andrews says about her son that he is “simple, so simple” which - OK so everyone including his mom thinks 50s Archie is as dumb as a sack of rocks. So Mary rightly tells Veronica off - “What kind of person auditions boys to go to a Sock Hop?!” and calls her “Little Miss Femme Fatale” before slamming the door in her face.

This is the most I’ve ever liked Mary Andrews in seven years.

That same morning, Alice Cooper has summoned Kevin to talk about Betty. Kevin basically tells Alice that he’s gay. “Betty wants THESE THINGS from me, but I’m not sure I can give them to her.” Like really. Any straight boy saying this to his girlfriend’s mom is almost as clear a statement of his homosexuality as saying “Mrs Cooper I want to suck cock.” But because Alice is a POS she thinks that this is normal. Or at least, she says so. I’m inclined to think she’s cockblocking Betty. If Alice in the 50s has the same sorts of things happen to her as the main universe - teen pregnancy from FP or Hal or whatever throwing her entire life off course - then she has an understandable motivation to make sure her totally gorgeous, sensual daughter is dating a gay boy who can’t stand to touch her even to keep up a straight front. Out of her bra, Alice produces a pin, and tells Kevin that what girls really want is a “fella who carries her books home for her from school or takes her to the movies or call them on the telephone.” She says the pin (which Hal gave her) will solve all sexual tension and make things be ‘pure.’

Whatever Alice and Hal have going on in this universe is just as sick as the thing they had together in the real universe.

Kevin looks like he wants to throw up, but takes Alice’s explanation that pinning Betty with her mom’s pin is going to take care of everything with a smile.

Suddenly, Toni is all about selling tickets to the Sock Hop because Fangs will be performing. Oh. Is this supposed to be an echo of like, their eventual marriage with baby stupidity in the main universe? And to top it off, Toni bullies the new Dilton Doiley into buying 5 tickets to the Sock Hop because this is supposed to be funny. It’s not and I hate it. Toni asks Cheryl if she’s told Kevin that he’s been replaced by Fangs, to which Cheryl says she hasn’t but also takes the chance to use a new hipster phrase she’s learned: “Can you dig it?”

Poor Ethel. Two hideous old white men are bearing down on her in the Principal’s office. She was doodling in Mr Doiley’s class (so Dilton is the science teacher’s kid - I feel too tired to point out this is a stereotype). It’s the illustration suitable for that comics magazine she wants to work for. Ethel’s work has a really cool R. Crumb kind of energy. So she tells the truth - she says she’s trying to meet a deadline for the Pep Comics project. The world is against Ethel, so she now has detention.

Archie approaches Veronica. He says he’s sorry he left in a huff but then scarily says, “I sincerely was going to rip Julian’s head off.” When Veronica responds with a suitably chastened apology, which she tops off with a sweet affirmation that she really liked getting to know him, Archie asks her out yet another time. Very interestingly, Veronica seems pleased that he’s still interested in her like that but rejects him for what looks like might be once too many times. She won’t be going with anyone. Archie gets rightly very annoyed, asking why she’d made him jump through hoops and participate in a dog and pony show. Veronica says it was a game, because to her way of thinking the queen bee is supposed to rile up the worker bees then fly off. Archie has finally had enough to stalk off.

Right before gym class (? I guess? I don’t understand the yellow button downs + belted blue shorts outfit they’re all changing into) Betty wants to know if Veronica has made her choice. Veronica says she’s going stag. I wish the gay girls flirting storyline was given to Veronica and not Toni or Cheryl. Anyway when Betty asks why, Veronica says without saying so that she is going alone as a form of penance for having been so thoughtless and careless with Archie’s feelings, making him do her bidding to compete for her against other boys. Betty asks if she didn’t like his poem, which Veronica doesn’t know anything about. Veronica tells Betty she doesn’t know who if anyone Archie is going with, but whoever she is “She is one lucky girl.” Betty looks at her beautiful self for reassurance, happy to hear her flutterings about Archie can maybe be explored, before skipping off adorably behind Veronica.

Immediately after, looking like 50s barbie in one of her sexy sweater-and-cinched-waist outfits of this season, Betty walks in slowmo to the beat of 80s synth music to ask Archie to the dance. I was so excited for her, but then Kevin FUCKING KELLER makes the record scratch happen by demanding that he must talk to Betty right this particular minute.

He takes her to the music room where all the sexual things happen at Riverdale High. He says he’s very sorry, mentions that he was cut from the program at the Sock Hop, and then tells Betty that she’s the “most wonderful, the ginchiest girl” which apparently means - sexy and cool and excellent - after which he asks Betty to go steady with him. Betty has doubts but the motherfucker (I hate Kevin so much right now) bulldozes over her very justified objections by promising that “things will be really different this time.” He says what I think is a true thing - “I love you” - followed by a lie - “You make my heart feel full.” Dude. He’s pulling out all the stops, manipulating the fuck out of this girl who he knows is so horny which horniness he hates because Kevin Keller in this timeline isn’t just gay because he likes men- he’s gay because he hates women. He can’t even bring himself to touch a piece of clothing over a tit. Betty has to put the pin on herself.

Ethel didn’t show up to detention because she was selling her artwork to the publisher. Mr Fieldstone turns out to not hate women like Kevin Keller. He finds it difficult to believe that Ethel, whose skin looks so clear and milky, whose collar is so lacey and sweet, could draw art to his liking, but once assured that it’s real, gives her the standing-greeting and handshake respect gestures that he did not give Jughead Jones. He nicknames her Freckles, saying, “You have some real talent” and calling her work “putrid (admiring).” And Jughead Jones, bless him, seems surprised but not at all jealous. He’s just beaming at her.

The publisher, all smiles, calls Jughead Boy Wonder, to go with her Freckles nickname, and wants to know if they’re boyfriend and girlfriend. Jug says they are “creative partners” to which she adds, “We are going to the Sock Hop together.”

Smithers has found Archie’s poem in the trash bin he was emptying and duly brought it up to her. Uhhh. So Smithers is going through Veronica’s trash every day!?! And I guess reporting on the contents to her parents?? Like, why is he examining the contents of the trashcans instead of just throwing them away?? In any case, I am unhappy because I think they’re going to read me Archie’s poem at some point.

Ethel is excited as she comes home to her terrifying parents. Her dad calls her a delinquent and they’re both immediately screaming at her. Ethel calls her mom a drunk and her dad ‘miserable all the time.’ She says she’s going to the Sock Hop, to which her mother hollers, OVER MY DEAD BODY. Oh, I’m so sorry for Ethel. Why can’t she have nice things? (I mean, because the actress is gifted and can shoulder big heavy burdens in the story, but still, it’s hell for the character.)

At the Sock Hop, which looks even weirder as a cultural activity now because it’s canon that the Cooper women wear super high heeled out door shoes to wash dishes, Clay approaches Kevin. He tells a terrified Kevin that he thinks Fangs is handsome, then adds that he thinks Kevin is handsome too. You know what Clay - Run! Run away! Kevin is a piece of shit! He asks for a private concert, and Kevin just looks like a deer in headlights.

Fangs, whom I hate since he undeservedly became Serpent King in S6, sings Tutti Fruitti. Everyone likes this song, because it’s a good song, but I genuinely hate this performance. I’m usually forgiving about the singing performances on Riverdale but this is unbearable. Toni asks Cheryl for a dance (Cheryl is absolutely correct that Fangs is most definitely not the next Chuck Berry. Midge is an utter airhead, given that she swoons at Fang’s horrible singing. Anyway, Toni takes to the dance-floor with Cheryl which for some reason their principal who is clearly fucking Dupont, I mean, Werther, is mad about.

They overburden the very limited vocal range of the Fangs actor by giving him Only You to sing. Overlaid over this horrendous singing is Archie’s poem which Veronica has memorized. She does a Sylvia Plath meets Ted Hughes thing of reciting a poem back at its poet. Except Archie (and uh, the Riverdale writers) are no Ted Hughes. The only thing that is getting me through it is the extremely wonderful pearls-of-many-sizes headband Veronica has on. It sets off her black hair perfectly. She asks him for a dance, but Archie after looking so thrilled, says no. And that’s because Veronica has been cockblocked by Archie’s mom.

When Archie leaves her behind, Veronica is rendered vulnerable to Julian Blossom oozing up to her. But she’s not the one with the shittiest end of the stick, actually because that honor goes to Betty, who looks so adoringly up at Kevin, who can’t bear to look at her, and seeks reassuring eye contact from Alice Cooper of all people. The evil principal - who has to be another woman hating gay man in this universe - comes to remind Cheryl that they live in a comp-het world. This breaks Cheryl’s heart, and I’m sure the sting is made even worse because Fangs is tunelessly crooning the beautiful song, Only You, in his horrendous butchered version.

In comes Ethel, blood smeared over her pretty pink outfit, blood competing with her sweet pale blue eyeshadow on her terrified face. Jughead runs to her as she collapses, and she tells him that something terrible has happened. I mean, Fangs is butchering a ballad, but yes, something even worse has apparently happened to my poor girl Ethel. Uh, also I didn’t know Jughead was packing that much cake behind so that’s another thing that’s been denied her. Ethel better not have the worst plot line after Betty this season! I swear to GOD.

[chocolatedetectivehottub]

Plus Size Tops for Women,

Plus Size Tops for Women,

When it comes to fashion, feeling comfortable and stylish is something every woman deserves, no matter her body size. For women who wear plus sizes, finding the right tops that offer both flattering cuts and versatile options can make a world of difference. Plus size tops are not just about size – they are about embracing fashion that speaks to personality, comfort, and the confidence to express oneself.

1. The Versatility of Plus Size Tops

One of the most exciting aspects of plus-size fashion is the sheer variety of styles available. Whether you're looking for something casual, professional, or dressy, there are plenty of options that complement various body types and tastes. From oversized blouses to fitted tunics, plus-size tops come in a range of fabrics, cuts, and designs that can flatter different shapes and provide ultimate comfort.

2. Flattering Cuts for Every Body Type

A key factor in choosing the perfect plus-size top is finding the right cut. Different body types can benefit from specific cuts that highlight the best features while creating balance. Here are a few popular styles:

Peplum Tops: These tops gather at the waist and flare out, creating an hourglass figure. They are perfect for adding structure and femininity.

V-Necklines: A v-neck is universally flattering, elongating the neck and creating a slimming effect. It's an easy way to add elegance to any outfit.

Flowy Tunics: Loose and flowing tunics are great for women who prefer a more relaxed fit. These tops are comfortable and breathable, offering a chic look that can be paired with leggings or skinny jeans.

Button-Down Shirts: Classic and timeless, button-down shirts provide a polished, sophisticated appearance. Look for styles with a slightly curved hem or a tapered waist for extra shape.

Boxy Tops: If you love comfort, boxy tops offer a relaxed silhouette. Pair them with high-waisted jeans or skirts to balance out the volume.

3. Fabrics and Materials

The fabric you choose for your plus-size tops can have a significant impact on how it feels and fits. Here are some fabric options to consider:

Cotton: Soft, breathable, and lightweight, cotton is perfect for everyday wear. It can be dressed up or down, making it a versatile choice.

Jersey Knit: Known for its stretchiness and comfort, jersey knit is a great option for casual wear. It contours to your body and moves with you.

Chiffon: For a more elegant look, chiffon tops are light and airy, ideal for evenings out or professional settings. They're often layered for added volume and texture.

Linen: Linen tops are perfect for hot weather, offering breathability and a laid-back feel. They're great for beach outings or relaxed weekend activities.

Silk: For a luxe feel, silk tops add a sophisticated touch. They are soft and flowy, making them ideal for both casual and formal occasions.

4. Stylish Patterns and Colors

Plus-size tops are available in a wide range of colors and patterns that can suit every personality. Bold prints like florals, stripes, polka dots, and animal prints add an element of fun and flair to any wardrobe.

If you prefer solid colors, neutrals like black, navy, and gray are always classic, while brighter hues like red, teal, and mustard bring vibrancy. Color blocking is also a great technique for creating visual interest and adding shape.

For those looking to enhance their waist or elongate their figure, vertical stripes or asymmetrical designs are great options. Pairing a colorful or patterned top with neutral bottoms helps to balance out the look.

5. Where to Shop for Plus-Size Tops

Finding the right plus-size tops can be challenging, but there are several brands and stores that specialize in plus-size fashion. Some popular retailers that offer trendy and flattering plus-size tops include:

Torrid: Known for offering fashionable, size-inclusive options, Torrid has a wide selection of tops in various styles, from casual to formal.

ASOS Curve: ASOS Curve offers an extensive collection of trendy and affordable plus-size tops, catering to all occasions.

Lane Bryant: A pioneer in plus-size fashion, Lane Bryant offers a mix of workwear and casual styles, including beautifully tailored tops.

ModCloth: If you're into vintage-inspired styles, ModCloth has a great selection of plus-size tops with a retro flair.

Old Navy: Offering both casual and workwear options, Old Navy is a budget-friendly option for stylish plus-size clothing.

6. Styling Tips for Plus-Size Tops

When it comes to styling plus-size tops, there are a few tricks to ensure you look and feel your best:

Balance Your Outfit: If you're wearing a loose, flowy top, balance the silhouette with fitted bottoms, such as skinny jeans or tailored pants.

Accessorize: Use accessories to add flair to your outfit. A statement necklace or colorful scarf can draw attention to your face and complement the top.

Tuck or Knot: Tucking in or knotting the front of a blouse can create a more defined waistline and add a bit of flair to an otherwise simple top.

Layering: Layer a light cardigan or blazer over your top for a chic, polished look. This is especially great for office or evening wear.

7. Confidence is Key

Above all, the most important aspect of wearing any plus-size top is confidence. Fashion is about self-expression, and embracing your body is part of that journey. Choose styles, colors, and cuts that make you feel empowered and happy in your own skin.

Conclusion

Plus-size tops for women are not just about covering up; they are about celebrating body diversity and giving women the option to express their personal style. Whether you prefer casual, professional, or dressy styles, there is a world of choices that cater to different tastes, sizes, and preferences. By selecting the right fit, fabric, and style for your body, you can create countless outfits that reflect your personality and make you feel amazing every day.

4o mini

[megamobilestylesposts]

Fall Dresses with Boots: Perfect Autumn Outfit Ideas

Autumn is the season where fashion truly comes alive.

With the cooler temperatures, it’s the perfect time to pair your favorite fall dress with boots. This combination not only keeps you warm but also offers endless style possibilities. Let's dive into some fabulous ways to rock this trend.

How to Style Fall Dresses with Boots

Transitioning your summer dresses into fall can be a breeze with the right pair of boots. Here’s how to make the most out of your fall wardrobe:

Add a Third Piece

Adding a third piece to your outfit can elevate your look instantly. A leather or denim jacket, a utility jacket, or a long knit cardigan can add that extra oomph to your fall dress and boots ensemble.

Leather Jacket: Perfect for an edgy look.

Denim Jacket: Ideal for a casual vibe.

Knit Cardigan: Great for a cozy, warm feel.

These pieces not only keep you warm but also add a stylish layer to your outfit.

Choose the Right Fall Shoes

The shoes can make or break the outfit. Fall dresses should always be paired with, you guessed it, fall shoes. From ankle booties to knee-high boots, the choices are endless.

Ankle Booties: Perfect for a chic, casual look.

Knee-High Boots: Great for elongating your silhouette.

Chunky Loafers: Ideal for a preppy, polished vibe.

Pairing these shoes with your favorite fall dress will ensure you step out in style.

Create Long Lines and Shapes

Creating long lines with trenches, long cardigans, and blazers can help you achieve a sleek and stylish look. These pieces not only add a layer of warmth but also help in defining your silhouette.

Cinch Your Waist

Adding a belt to your dress can instantly create an hourglass figure. Whether it’s a mini dress or a maxi dress, a belt will add shape and interest to your outfit.

Belted Mini Dress: Perfect for a fun, flirty look.

Belted Maxi Dress: Great for a sophisticated, elegant vibe.

Belted Sweater Dress: Ideal for a cozy, chic style.

Cinch your waist to add that extra flair to your fall dress with boots combo.

Choosing Fall Fabrics and Colors

Fall is all about earthy tones and rich fabrics. Think knits, suede, and leather. Choose dresses in deep, warm colors like burgundy, mustard, and forest green.

Mini Dresses with Knee-High Boots

Mini dresses paired with knee-high boots create a stylish and sexy look. This combination is fashion-forward and perfect for a night out or a casual day out.

Heeled Knee-High Boots: Adds height and sophistication.

Flat Knee-High Boots: Ideal for a comfortable, casual look.

Over-the-Knee Boots: Perfect for a dramatic, stylish statement.

This combination will ensure you turn heads wherever you go.

Long Lines Done Right

Adding long lines to your outfit can create a sleek and polished look. Think oversized blazers, long cardigans, and trenches. These pieces not only add style but also keep you warm during the cooler months.

Wear with Ankle Boots

Ankle boots are a fall staple. They are versatile and can be paired with almost any dress. From Chelsea boots to combat boots, the options are endless.

Chelsea Boots: Perfect for a classic, timeless look.

Combat Boots: Great for an edgy, street-style vibe.

Pointy-Toed Booties: Ideal for a polished, sophisticated style.

Adding ankle boots to your fall dress is the easiest way to step into the season in style.

Leather and Suede Jackets with Fall Dresses

Leather and suede jackets are a must-have for fall. They add an edgy and stylish element to any dress. Whether you choose classic black leather or a fun color, these jackets will transform your look.

Conclusion

Fall is the perfect time to experiment with your wardrobe. Pairing a fall dress with boots is not only practical but also incredibly stylish. Whether you’re adding a leather jacket, cinching your waist with a belt, or choosing the right pair of boots, there are endless ways to make this combination work for you.

For the ultimate beauty experience, remember to check out MOBILESTYLES. Our on-demand beauty experts are here to help you look your best this fall season. Book an appointment today and let us bring the salon to you.

[bellanoirfrost-blog]

Check out this listing I just added to my Poshmark closet: SHEIN | Women’s Peplum Mustard Color Top Size Small.

[evelynjohn001]

What Color Socks With a Blue Suit And Brown Shoes

Choosing the right socks to wear with a blue suit and brown shoes can elevate your outfit from good to great. Here’s a guide to help you make the best choice

1. Classic and Safe: Navy Socks

Navy socks are a foolproof option that complements a blue suit perfectly. This monochromatic look elongates your legs and provides a seamless transition from your trousers to your shoes. It's a safe, professional, and polished choice.

2. Versatile and Stylish: Gray Socks

Gray socks offer a neutral option that pairs well with both blue suits and brown shoes. Light gray for a more casual look and charcoal gray for a more formal appearance are both excellent choices. Gray adds a touch of sophistication without drawing too much attention.

3. Subtle Contrast: Brown Socks

Brown socks can tie the entire outfit together by matching the shoes and creating a cohesive look. Opt for a shade of brown that closely matches your shoes for a balanced appearance. This choice is especially effective if you want to maintain a muted, professional look.

4. Playful and Bold: Patterned or Colored Socks

For those who want to inject some personality into their outfit, patterned or colored socks are the way to go. Stripes, dots, or argyle patterns in colors that complement your suit and shoes can add a fun and stylish twist. Just make sure the patterns are not too loud to keep the overall look sophisticated. Some popular color choices include:

Burgundy or Maroon: Adds a rich, elegant touch.

Mustard or Yellow: Provides a pop of color without being overwhelming.

Green: Particularly olive or forest green, which pairs well with brown.

5. Seasonal and Thematic Choices

Consider the season when selecting your socks. Lighter colors and pastel shades are great for spring and summer, while darker, richer tones are more suitable for fall and winter. Festive or thematic socks can also be a fun choice for special occasions or holidays.

Tips for Making the Right Choice:

Match the occasion: Keep it simple and classic for formal events and interviews. For casual or creative environments, feel free to experiment with colors and patterns.

Consider your personality: Your socks can be a subtle way to express your individuality. Choose something that makes you feel confident and comfortable.

Pay attention to quality: Invest in high-quality socks that are comfortable and durable. They’ll not only look better but will also last longer.

Conclusion

When wearing a blue suit and brown shoes, the color of your socks can significantly impact your overall look. Whether you opt for classic navy, versatile gray, cohesive brown, or playful patterns, the key is to choose socks that complement your outfit and reflect your personal style.

[kaianedesigns]

Evening Dress for Wedding: How to Choose the Right Color and Style

Choosing the perfect evening dress for wedding events can be a delightful yet challenging task. With countless styles and colors to choose from, finding the one that complements your figure, suits the occasion, and makes you feel confident is essential. Here’s a guide to help you select the right color and style for your evening dress for wedding, ensuring you look stunning on the special day.

Understanding the Wedding Theme and Dress Code

Before diving into the specifics of colors and styles, it's crucial to understand the wedding theme and dress code. Some weddings have specific themes or color palettes, and adhering to these guidelines is essential. For instance, a beach wedding might call for lighter, airy dresses, while a formal black-tie affair requires more elegant and sophisticated attire.

Color Considerations

Seasonal Colors: The season can significantly influence the color of your evening dress for wedding events. Spring and summer weddings are perfect for pastel shades, floral prints, and bright colors. Autumn weddings call for rich, warm tones like burgundy, emerald green, and mustard. Winter weddings are ideal for deep, dramatic colors like navy blue, dark purple, and classic black.

Skin Tone Matching: Selecting a color that complements your skin tone is crucial. For fair skin, soft shades like blush pink, light blue, and lavender work well. Olive skin tones shine in colors like coral, gold, and emerald. Darker skin tones can carry bold colors such as bright yellow, red, and royal blue beautifully.

Color of the Wedding Party: Consider the colors chosen by the bride and groom for their wedding party. You don't want to clash or blend in too much with the bridesmaids. Instead, opt for a color that harmonizes with the overall palette without overshadowing the bridal party.

Style Selections

Body Shape and Fit: Understanding your body shape can help you choose a style that flatters your figure. A-line dresses are universally flattering, while mermaid styles accentuate curves. Empire waist dresses elongate the body, making them perfect for petite figures. Always opt for a fit that makes you feel comfortable and confident.

Dress Length: The formality of the wedding will often dictate the appropriate dress length. For formal, evening weddings, long gowns are typically preferred. Semi-formal or casual weddings allow for shorter dresses, such as cocktail dresses or midi lengths.

Neckline and Sleeves: The neckline and sleeves of your evening dress for wedding occasions can also enhance your look. Off-shoulder and sweetheart necklines are romantic and feminine. High necklines or halter styles provide a chic and sophisticated appearance. Sleeve length can vary based on personal preference and weather, from sleeveless to long sleeves.

Fabrics and Embellishments

Fabric Choice: The fabric of your dress can influence both comfort and style. For summer weddings, lightweight fabrics like chiffon, silk, and organza are ideal. In colder months, heavier materials like velvet, satin, and brocade offer warmth and elegance.

Embellishments: Details such as beading, sequins, and lace can add a touch of glamour to your dress. However, it's essential to strike a balance; too many embellishments can overwhelm your look, while too few may appear too simple for a wedding.

Accessorizing Your Evening Dress for Wedding

Jewelry: Choose jewelry that complements your dress without overpowering it. Statement pieces can add flair, but they should not compete with the dress's details. For instance, if your dress has a lot of embellishments, opt for simpler jewelry.

Shoes and Handbags: Your shoes and handbag should match the formality of the event and the style of your dress. For long gowns, elegant heels are a must. For shorter dresses, you might consider stylish flats or sandals, depending on the venue.

Hair and Makeup: Your hair and makeup should enhance your overall look. Consider updos for formal weddings and looser styles for more casual settings. Makeup should complement your dress and highlight your best features.

Final Thoughts

Selecting the perfect evening dress for wedding occasions involves considering the theme, color palette, and your personal style. By focusing on colors that complement your skin tone and choosing a style that flatters your body shape, you can ensure you'll look and feel your best. Remember, confidence is the key to pulling off any look, so choose a dress that makes you feel beautiful and poised.

For more inspiration and to explore a variety of options, check out our designer dress evening collection. Whether you're looking for classic elegance or modern chic, you're sure to find the perfect dress for any wedding event.

Happy shopping, and may you shine at the next wedding you attend!

[whats-in-a-sentence]

The variety of different phytochrome responses in intact plants is extensive, in terms of both the kinds of responses (see Table 16.1) and the quantity of light needed to induce the responses. (...) These low-fluence responses (LFRs) include processes such as the promotion of lettuce seed germination, inhibition of hypocotyl elongation, and regulation of leaf movements (see Table 16.1). (...) Many of the LFRs listed in Table 16.1, particularly those involved in de-etiolation, also qualify as HIRs.

"Plant Physiology and Development" int'l 6e - Taiz, L., Zeiger, E., Møller, I.M., Murphy, A.

[omar252525]

The Power of Color: How to Use Color to Enhance Your Wardrobe

Color is one of the most powerful tools in fashion. It has the ability to influence your mood, reflect your personality, and transform your overall appearance. By understanding how to use color effectively, you can enhance your wardrobe and create outfits that not only look great but also make you feel confident and empowered. In this blog, we'll explore the power of color and provide tips on how to incorporate it into your wardrobe. Plus, we'll highlight some stunning pieces from Soul Verve's latest collection that are perfect for adding a splash of color to your style.

Understanding the Psychological Effects of Color

Colors can evoke various emotions and have different psychological effects. Here’s a brief overview of what some popular colors represent:

Red: Bold, passionate, and energetic. Red can make a strong statement and draw attention.

Blue: Calm, trustworthy, and serene. Blue is often associated with stability and reliability.

Yellow: Cheerful, warm, and optimistic. Yellow can brighten up any outfit and mood.

Green: Refreshing, balanced, and natural. Green is associated with growth and harmony.

Purple: Luxurious, creative, and mysterious. Purple adds a touch of elegance and sophistication.

Black: Powerful, sophisticated, and timeless. Black is versatile and can be both classic and edgy.

White: Pure, clean, and fresh. White exudes simplicity and elegance.

Pink: Romantic, gentle, and playful. Pink can add a feminine and soft touch to your look.

Choosing the Best Colors for Your Skin Tone

Selecting colors that complement your skin tone can enhance your natural beauty and make your outfits stand out. Here’s how to determine which colors work best for you:

Cool Undertones:

Best Colors: Blues, purples, pinks, and cool greens.

Soul Verve Pick: Our Sapphire Blue Wrap Dress is perfect for those with cool undertones, offering a vibrant yet elegant look.

Warm Undertones:

Best Colors: Yellows, oranges, reds, and warm greens.

Soul Verve Pick: The Coral Midi Dress from Soul Verve's collection is an ideal choice for warm undertones, adding warmth and brightness to your wardrobe.

Neutral Undertones:

Best Colors: Both warm and cool colors, including neutrals.

Soul Verve Pick: The Versatile Taupe Shift Dress suits neutral undertones and can be easily accessorized for different looks.

How to Incorporate Color into Your Wardrobe

1. Start with Neutrals and Add Pops of Color

If you're new to experimenting with color, start with a neutral base and add pops of color through accessories, shoes, or a single statement piece.

Soul Verve Pick: Pair our Classic White Blouse with vibrant accessories like a Bold Red Scarf or Electric Blue Earrings to add interest to your outfit.

2. Embrace Monochromatic Looks

Wearing different shades of the same color can create a sophisticated and cohesive look. Monochromatic outfits elongate your silhouette and make you appear taller and slimmer.

Soul Verve Pick: The Lavender Dream Maxi Dress offers a stunning monochromatic look that’s perfect for any occasion.

3. Mix and Match Complementary Colors

Complementary colors are opposite each other on the color wheel and create a striking contrast when paired together. Try combining colors like blue and orange, or purple and yellow for a bold look.

Soul Verve Pick: Combine our Mustard Yellow Skirt with a Deep Blue Top for a vibrant and eye-catching ensemble.

4. Use Color to Highlight Your Best Features

Strategically placing color can draw attention to your favorite features. Wear brighter colors on areas you want to highlight and darker colors on areas you want to downplay.

Soul Verve Pick: The Emerald Green Belted Dress highlights the waist and adds a pop of color to your look.

5. Incorporate Seasonal Colors

Seasonal colors can keep your wardrobe fresh and up-to-date. Light pastels are perfect for spring, vibrant hues for summer, earthy tones for fall, and deep, rich colors for winter.

Soul Verve Pick: Our Rust Orange Sweater Dress is perfect for fall, offering warmth and style in a seasonal hue.

Final Tips for Using Color in Fashion

Experiment: Don’t be afraid to try new colors and combinations. Fashion is all about expressing yourself.

Balance: If you’re wearing a bold color, balance it with neutral or softer shades to avoid overwhelming your look.

Confidence: The most important thing is to wear colors that make you feel confident and happy.

Conclusion

Understanding the power of color can transform your wardrobe and boost your confidence. By choosing colors that complement your skin tone and experimenting with different combinations, you can create stylish and impactful outfits. Explore Soul Verve's latest collection to find the perfect pieces that add vibrant, sophisticated, and versatile colors to your wardrobe. Embrace the power of color and elevate your style with Soul Verve.

[xprojectrpg]

Moment of Awesome - Clint Barton/Hawkeye:Over lunch with Gabriel Cohuelo, Clint tries to explain the wormhole in the basement.

"You lost me at physics," Gabriel half-joked. He'd somehow forgotten what a nerd Clint was. "Hold on, I don't want the rest of this conversation to be interrupted." He waved over the woman who co-owned the restaurant, who greeted him with a warm smile. He ordered a handful of dips, a mountain of pita, some falafel and a chicken kebab, knowing she'd likely provide something extra. The perks of being a regular.

"Sorry," he said after she'd left. "So, wormholes elongate you out of existence," he ventured, because that was his best of understanding. "This bridge thing, whatever the hell that is..." He picked at his cuticles as he considered. "No, sorry, I don't get any of that."

"No problem," Clint said, reaching for the napkin dispenser. He pulled all the condiments toward himself and then unfolded the napkin so it was as long and then as it could be. "Okay, so that's our wormhole in the wild. You go in one end and, theoretically, maybe your molecules come out on the other side." He slid the ketchup and the mustard bottles to either side of the wormhole. "There's no guarantee you'll make it from point A to point B. An Einstein-Rosen Bridge -- we can call it the rainbow bridge for now, cause that's what the Asgardians allegedly call it -- has a definitive beginning and end."

Reaching out, he put the ketchup and the mustard bottles atop either end of the napkin. "So the rainbow bridge is stabilized in space and time. You go in the ketchup side, you come out the mustard side and vice versa. Theoretically. The question we're trying to figure out is what would happen if, say, there was a catastrophe of some kind and the ketchup end stayed stable, but the mustard end didn't." Removing the mustard, he shoved all the other condiments in the general direction of the unanchored side of the napkin. "What's that unstable side doing now? Where's it gonna connect? Can it connect at all? Are we looking at a possible permanent connection to a completely different world? Or is it just gonna flap around in the space-breeze hitting other realities or universes all willy-nilly?"

Gabriel's head hurt. He wasn't sure if all of this was beyond his grasp, or if Clint just assumed he knew more than he did. "I don't understand," he said slowly, "what any of this has to do with the mansion?" He was missing something. "There's a wormhole... in the basement?"

After glancing around to gauge how close the nearest other patrons were, he lowered his voice a bit and said, "Yeah, in the Chapel's subbasement. The deal with it is that we used to have a pocket dimension entrance in the subbasement that led to what amounted to a really old, magical storage unit. That storage unit, we're pretty sure, was stable on either end and was somehow positioned directly in the middle of a rainbow bridge, since it had another side that opened onto Glastonbury Tor in England. There was that whole Halloween thing that happened, though, and the pocket dimension collapsed, Topaz got trapped inside -- all that.

"When Topaz came back, and we're still not entirely sure how that happened except for magic, we discovered that our entrance to the dimension was still stable. But the other end... really is just sort of flapping around. We kept it monitored for a while, but then Kitty, Kane, and Molly came up with not only a better modeling/mapping thing to help predict what we've started calling anomalies, but also with a safety mechanism so that, if we hop into the rainbow bridge, we have a way to get back.

"That sort of changed eXcalibur's entire purpose," Clint continued. "We shifted pretty much everything we had involving magical and/or weird stuff over to X-Force for Wanda and Amanda when Topaz transferred there, which left us with a good bit of time on our hands and the ability to figure out how to fix the anomalies. You with me?"

[chocolatedetectivehottub]

Plus Size Tops For Women,

Plus Size Tops For Women,

When it comes to fashion, every woman deserves to feel confident, comfortable, and stylish, regardless of her size. Plus size tops for women are an essential wardrobe staple, offering a wide range of styles, cuts, and colors to suit all tastes. From casual to chic, there's something for everyone, ensuring that no one has to compromise on fashion. Here’s a guide to help you navigate the best plus size tops for women that are both flattering and fashionable.

1. Understanding Fit and Fabric

The key to finding the perfect plus size top lies in the right fit and fabric. Tops that flatter your body shape are essential for enhancing your silhouette and boosting your confidence. Here are some considerations:

Fit: Whether you prefer loose or more fitted styles, it's important to select a top that fits comfortably in the shoulders and bust, with enough room to move. Tops with an empire waist, peplum, or A-line cuts are great for creating a flattering shape.

Fabric: Lightweight fabrics like cotton, rayon, and jersey are ideal for daily wear as they are breathable and comfortable. For formal occasions or cooler weather, opt for fabrics like chiffon, velvet, or knit blends.

2. Flattering Styles for Every Occasion

Plus size tops come in a variety of styles, each suited to different occasions and personal preferences. Here are some of the most popular:

Peplum Tops: These tops are known for their feminine flair, with a gathered fabric at the waist that creates an hourglass shape. They work wonderfully for evening outings or formal events.

V-Neck Tops: A deep V-neck creates the illusion of a longer neck and highlights your face, which can be very flattering. V-neck tops can be both casual and elegant, depending on the fabric and cut.

Button-Down Shirts: Classic and versatile, a well-fitted button-down shirt is a timeless choice. Opt for a slightly oversized button-down to create a relaxed but sophisticated look, or go for a more tailored fit for a polished appearance.

Tunics: Tunics offer an easy, flowy fit that pairs beautifully with leggings or skinny jeans. They offer coverage while still maintaining a stylish, effortless vibe.

Off-the-Shoulder Tops: Show off your shoulders and collarbones with these tops. Ideal for both casual and dressy looks, off-the-shoulder tops can add a playful yet sophisticated touch to your wardrobe.

3. Trendy Plus Size Tops for Women

Just because you wear plus sizes doesn't mean you have to miss out on trends. Here are some of the latest trends that work well for curvier body types:

Ruffles and Frills: Adding some drama to your top with ruffles or frill details can be a fun way to elevate a simple blouse. Ruffled sleeves or a tiered hem can balance proportions and create a stylish, flattering look.

Graphic Tees: A fun graphic tee can be a statement piece in your wardrobe. Whether it's a logo, slogan, or artistic print, graphic tees allow you to express your personality while staying comfortable.

Cropped Tops: Cropped tops are no longer just for petite frames. Paired with high-waisted jeans or skirts, cropped tops create a balanced look that’s both trendy and flattering.

Bardot Tops: These off-the-shoulder styles with short sleeves or long sleeves are a chic way to reveal some skin while maintaining elegance. Perfect for both casual and formal looks.

4. Choosing the Right Colors and Patterns

Colors and patterns play a major role in how a top can accentuate or transform your body. Here’s a breakdown of how to choose wisely:

Dark Colors: Dark shades like black, navy, and charcoal are slimming and can create a more streamlined silhouette. They are perfect for layering and versatile enough for any season.

Bright Colors: Don’t shy away from bright and bold colors! Vibrant hues like red, emerald, or mustard can brighten up your wardrobe and make you stand out in a crowd.

Patterns: Vertical stripes can create an elongated effect, while small prints and florals add femininity and style. Avoid overly busy patterns, as they can overwhelm your frame—opt for balance.

5. How to Style Plus Size Tops

Styling your plus size tops is all about balancing proportions and adding accessories that enhance your outfit. Here are some styling tips:

Pair with the Right Bottoms: Match loose or flowy tops with more fitted pants or skirts to create balance in your overall look. Skinny jeans, leggings, or pencil skirts can help provide structure when paired with a loose top.

Layer with Jackets or Cardigans: Adding a well-fitted jacket, blazer, or cardigan can elevate your top and provide additional coverage. Choose a jacket that cinches at the waist for a more defined silhouette.

Accessorize: Statement necklaces, scarves, and belts can all help draw attention to the right areas of your body. A belt, for example, can cinch a loose tunic or blouse to create curves, while a bold necklace can draw attention to your face.

6. Where to Shop for Plus Size Tops

There are plenty of brands and stores offering stylish plus size tops for women. Some notable options include:

ASOS Curve: Known for its trendy and affordable plus size clothing, ASOS Curve offers everything from casual wear to sophisticated evening tops.

Lane Bryant: A long-standing favorite, Lane Bryant specializes in plus size clothing, including a wide variety of tops that range from casual to formal.

Torrid: Torrid combines trendy styles with a great fit, offering plus size tops that are comfortable and flattering.

ModCloth: For vintage-inspired styles, ModCloth offers a selection of plus size tops that add a unique flair to any wardrobe.

Conclusion

Plus size tops for women are available in countless styles, fabrics, and colors to suit every occasion and personal preference. The key is to choose a fit that flatters your body and makes you feel confident. Whether you’re looking for a casual tee, a sophisticated blouse, or a trendy tunic, there’s no shortage of options to ensure you always look and feel your best. With the right tops, you'll be able to create stylish, comfortable outfits that reflect your personality and highlight your natural beauty.

4o mini

[dailyaudiobiblechronological]

10/28/2023 DAB Chronological Transcription

Luke 16-17:10

Welcome to Daily Audio Bible Chronological I'm Jill. Today is the 28th day of October. We are winding this month down and it's hard to believe. Maybe it's just me. I feel like we barely got out of September and here we are it's the end of October. It'll be Christmas before we know it. It'll be a brand new year before we know it. This is the time of year that it all just- the days get shorter with the daylight. But yeah, the days fly by. It's a juxtaposition of elongating and shortening at the same time, which is really bizarre. Nevertheless, we are here and present in this moment and this is what we have. So well done to you for being here and centering yourselves, taking that time, that deep breath, that long exhale and to just allow God to speak to you, wash over you in His word through his word. We can renew our minds through His word and can just take a pause in our day or pause before we begin our day. Pause at the end of our day and spend time. And so we're going to do that very thing right now. Today we're reading Luke, Chapter 16, reading through chapter 17, verse 10. This week we've been reading the New Living translation. So let's jump in, Luke chapter 16.

Commentary:

We keep learning from this teacher, this Rabbi, this man named Jesus, who is both fully man and fully God. And I I loved this today about faith. I think sometimes we can just be like the disciples asking show us how to increase our faith. We try to find the formulas of increasing our faith. We umm we have even have been conditioned from early on that we need to do more to believe more. We need to do more to be more. If we sing just a little bit louder, if we serve just a little bit more, if we pray a certain way, if we remove the , if we condition our behavior a certain way. And I'm not saying there's anything wrong with any of those things. If that's what you do, and that's your expression of worship and your expressions of faith. I think where we can go wrong is that we need faith the size of a mountain to move a mountain when Jesus made it so clear to the disciples if you had faith even as small as a mustard seed, you could say to the Mulberry tree, may you be uprooted and be planted in the sea, and it would obey you. Several years ago I developed a women's conference and the last day, the last session was all about dreaming with God and I have just been such a dreamer my entire life and I meet so many women that have never dared to even dream with God. They feel unworthy to even ask him for a dream. And I believe that when I started it out, I too thought that you needed crazy amounts of faith to one, ask God, and two, to believe that he would give you what you asked. I think faith of any kind can be crazy. I think believing in what you cannot see, what you cannot feel, what you cannot touch, which you cannot hold onto, is a little bit crazy. But it is just that. It is faith to believe in what you can't see, what you cannot prove, what you cannot hold to just believe, yes, everything in me believes that this is true and I will live my life as it is. I don't know if you've ever seen how small a mustard seed is. It's a tiny little ball on the end of your finger that just sits there. And I don't think we can measure faith in an increment, but I think the point Jesus was making is even if you have a little, you have faith. And I don't care who you are. I don't care what you believe. And there will always be doubts. We will always question what we can't see. That doesn't make you a bad Christian. That doesn't make you wrong. That makes you human. And let's be honest, no one doubted Jesus more than the 12 that he chose to follow him, that stayed with him, that dined with him, that slept with him, that watched him perform miracle after miracle. And what I know is that when other people will not be willing to handle the doubts that come with faith, the fear that comes with faith, because fear and faith, they can both coincide right next to each other. Jesus can handle. Jesus can handle questions, your doubts. He handled them with the disciples. He maybe got put out with them a time or two. But their safety and the presence of Jesus with our questions, with our insecurities, with our doubts, with our questions, even with the struggle of belief, there's a story of a man that encounters Jesus and said, Lord, I believe, help my unbelief. If that's not a human's admission then I don't, I don't know what is. So I hope that there's encouragement for you today. If you just feel like your faith is anemic, your faith is weak- I don't have that kind of faith. Be encouraged today because Jesus said all you need is faith the size of a mustard seed to uproot a tree that's planted in the sea.

Prayer:

Father, we thank you for your word. Once again, we thank you for how this speaks to us. It eases our questions. It eases our insecurities. It comforts us to know that we're going to get it wrong, but we can get it wrong in your presence. You are safe with our questions, with our admissions, there's there's no way for us to be honest unless we can honestly expose what we're thinking, what we're feeling and you are the best person to do that with. You have experienced every human emotion possible, and we so often forget that. So thank you for this reminder today. And I pray for every person that is struggling just in a safe place, with doubt, with questions, with their insecurities. I pray that we can be people that will stop the shame, stop shaming the questions, that we would listen to one another and be willing to sit with each other in the questions, in the doubts, in the struggle of faith and hold on to one another through when they're struggling and not shame them, but pray them through that you'll carry it for them until they can find their way through it. We thank you God that you are so loving, so kind, so gracious, so safe for us. And I pray that we in return can be that to somebody in need. We pray this now in the name of the Father, Son, Holy Spirit. Amen.

Announcements:

Daily Audio Bible. That's home base. Check it out. Take a look around, if you have not. Download the app, check out the store. The resources of plenty of things for you to do. Reach out on the prayer wall just if you need prayer any time of day in any situation. And there are people there willing and available to pray for you. And if you just need some connection and you need it fast, that is a great tool available to you there. If you would like to partner with the Daily Audio Bible, if you're giving by mail, DAB PO Box 1996, Spring Hill TN 37174 or hit the give icon up at the top right hand corner of your mobile device if you're using that. Or look for the Give icon on the website and we thank you immensely for your partnership, we truly couldn't do it without you, and I am so thankful that we do not have to. If you need prayer, if you would like to pray for someone that's previously called in several different ways for you to do so, 800-583-2164 or hit the red circle button up at the top right hand corner of your mobile device. You have two minutes on the prayer line. Hit submit. Turn the wheel over to Chronological and it will get to the right place. That's going to do it for me today. We wind our week down together tomorrow, but before that we will turn the page together tomorrow and meet here again as we allow God's Word to speak to us, to wash through us and to change us from the inside out. I'm Jill. Until tomorrow, love one another.

Community Prayer Line:

Hey, my dynamic DABC fam, this is Kingdom Seeker Daniel. Family, I want to pray and ask for prayer. So let's pray. Father, we lift up our beloved sister. Your daughter. Hey y'all, Simone from Texas. Oh God. Oh Jesus. You see. You see the burden. You see the weight. You see the pressure. You see the frustration. You see the heartache and the agony that our sister has undergone for some time, wanting to be out of this particular job and into a calling that she feels heavy about specifically with the podcasting Lord. We don't know exactly what your plan is, but will you perform your will for our dear sister Simone? And in the meantime, would you strengthen her from the inside out? Will you rebuild her faith and her trust, Her hope to know that you've done it for her in the past, you can do it again in the present. So until then, God keep her, guard and hold her close to your bosom. In Jesus name. Amen. Keep looking up sis we got you. Hey family. Real quick. So the Fresno Angel reached out to me several weeks back and informed me that she followed a gut feeling from the Lord and checked into the Fresno Count Jail and learned that D2 is back behind bars. Long story short, I'm scheduled to go out, fly out there on December 1st to be there for his next court date, and then to be with him in visiting hours the following day. Will you simply pray that God's hand will be in this visit? And that all will go according to his plan in Jesus name lovely family?

Hi DABC Family. This is Pamela resting in the Lord in Pennsylvania. Today is October 20th and over on the DAB. I am a triple DABer now so I am all over the place being blessed by Brian, Jill, China, Ezekiel and all that they have to offer. Um, Brian read, First Timothy 5. No, first Timothy. Yeah, 5, Chapter 5 about some instructions and encouragements for pastors and asked us to pray for spiritual leaders and pastors. So I'm coming over here on the DABC and praying for Brian and for our spiritual leaders, if you would join me in prayer. Brian asked us to pray and pray and pray and pray if you have time, please. Go over to the DAB and listen to October 20th reading and commentary. It explains all that a pastor does to lay down their lives for us and how hard that is.100 times harder than for us to just survive our daily lives. They have their daily life and then everything else on top of it to care for us. So join me in prayer. Lord DABC Family, Heavenly Father I lift up Brian to you as the head of our DAB and DABC and DAB Kids and all the other channels. This whole thing called the Daily Audio Bible. I ask that you watch over him, protect him, bless him, give him peace, give him anointment through the Holy Spirit. Give him encouragement and everything he needs. In Jesus name. Amen. 

Good morning. It's Tonya calling from Suffolk. Thank you so much, Daughter of the silversmith. When I heard you call up my name and pray for me, I just want to tell you I got such chills because often I always call in. I'm praying for others and I never asked for prayer for myself. So thank you so much because trust me, I do have a lot of things that's going on behind the scenes. But I'm too busy praying and just making sure God look out for others because I know he's going to look out for me as well. But once again, I really, really, really appreciate you.Taking the time to pray for me, that meant a lot. And I pray that God continue to bless you as well and all the things that you would encounter. Thank you again, love you all as always, continue to be encouraged and have a wonderful day.

[402luxe]

Check out this listing I just added to my Poshmark closet: Judy Blue Mustard Gold High Waist Tummy Control Flare Jeans.

[colorfulfishbreeds]

Introducing the Koi Betta: A Splash of Color and Elegance

 The Koi Betta, also known as the Siamese Fighting Fish or Betta splendens, is an enthralling aquatic creature that has won the hearts of fish enthusiasts all over the world. The Koi Betta is a captivating addition to any aquarium due to its vibrant colors, flowing fins, and intricate patterns. Their distinct appearance and endearing behavior make them a popular choice among fishkeepers. Let's delve into the world of Koi Bettas and discover what makes them so appealing.

They have a wide range of appearances and characteristics that distinguish them from other fish species. They exude grace and sophistication with their long, flowing fins that resemble the elegant kimono robes. Their vibrant colors are reminiscent of ornamental Koi fish, hence the name "Koi Betta." Their body colors and patterns can vary greatly, including shades of red, orange, yellow, white, and black, resulting in a kaleidoscope of hues. Each person has a unique combination of colors and patterns, making them look like living works of art.

Consider two examples to demonstrate the remarkable variety: the "Scarlet Sakura" and the "Golden Sunset." The Scarlet Sakura is a vibrant blend of red and white hues, with the red resembling cherry blossom petals against a snowy canvas. The Golden Sunset, on the other hand, has a stunning interplay of golden and orange tones that reflects the warm hues of a setting sun. These examples show the wide range of colors that can be displayed, making them a captivating sight to behold.

Origins to Characteristics: General Information

The Koi Betta is native to Southeast Asia, specifically Thailand and Cambodia, where they thrive in warm, shallow water.

Size: They grow to be about 2.5 to 3 inches (6.5 to 7.5 cm) long on average, including their gracefully flowing fins.

Lifespan: With proper care, can live for 2 to 4 years, though some people have been known to live longer.

Male Koi Bettas are known for their territorial and aggressive behavior, whereas females are less combative. Because of their aggressive nature, male Koi Bettas should be housed alone to avoid fighting.

They have an elongated body and their most distinguishing feature is their long, flowing fins. Their caudal (tail) fin is frequently the focal point, with intricate patterns and vibrant colors reminiscent of Koi fish fins.

Koi Bettas are available in a wide range of colors and patterns. The "Dragon Scale," with its iridescent scales resembling dragon armor; the "Mustard Gas," with a striking combination of blue and yellow hues; and the "Cellophane," with translucent fins that shimmer in the light, are all popular varieties.

Price: Koi Betta prices vary greatly depending on factors such as color, pattern, and lineage. Prices can range from $10 to $50 on average, with rare and highly sought-after specimens commanding higher prices.

Requirements for a Tranquil Haven's Habitat and Tank

Because they are native to warm, tropical regions, recreating their natural habitat is critical to their health. A single tank should be about 5 to 10 gallons (19 to 38 liters). It's critical to keep water parameters stable, such as a temperature range of 78 to 80°F (25.5 to 26.5°C) and a pH level between 6.5 and 7.5. A heater and thermometer are useful additions to keep the environment at its best.

There should be plenty of hiding places in the tank, such as caves, plants, and decorations. Live or silk plants not only add to the aesthetic appeal but also provide you with shelter. A gentle filter and regular water changes will aid in the preservation of water quality, which is essential for their health.

Feeding: A Vibrancy-Friendly Diet

They are carnivores, so their diet should consist primarily of high-quality betta pellets, frozen or live foods, and occasional treats such as bloodworms or brine shrimp. A varied diet ensures they get the nutrients they need for vibrant colors and overall well-being. Overfeeding can cause health problems, so feed them small portions once or twice a day.

Breeding: The Reproductive Dance

Breeding Koi Bettas necessitates meticulous planning and attention to detail. Males construct bubble nests at the water's surface, where females deposit their eggs. After the eggs hatch, the male guards the nest and cares for the developing fry. Breeding necessitates specific conditions, such as warm water and closely monitored parameters.

Health Concerns and Preventive Measures

They are prone to a variety of health problems, including fungal and bacterial infections, fin rot, and parasites. These problems can be avoided by maintaining clean water, providing a balanced diet, and avoiding overstocking. It's also a good idea to quarantine new fish before introducing them to your main tank to avoid disease spread.

Coexistence and Care are two special considerations.

Because of their territorial nature, they should be kept alone. They may be irritated by tankmates, particularly other Betta fish. However, with careful consideration, some peaceful community fish, such as small schooling species and bottom-dwellers, may be compatible.

Conclusion and Legal Restrictions

Before purchasing a Koi Betta, always check local regulations, as some areas have restrictions on the ownership of certain fish species.

Harmony Koi Betta Varieties

Peaceful community fish like neon tetras, corydoras catfish, and snails are good tankmates.

Gender Differences: Male vs. Female

Male and female Koi Bettas differ in terms of size, fin length, and color intensity. Males have longer fins and more vibrant colors than females.

A Comparison of Koi Betta and Standard Goldfish

While both are popular aquarium fish, they differ in size, behavior, and tank requirements. When compared to the larger and more hardy Standard Goldfish, Koi Bettas are smaller, more colorful, and better suited for smaller aquariums.

Finally, the is a captivating aquatic jewel that captivates the imagination with its stunning colors, graceful fins, and endearing behavior. Aquarists can create a vibrant and harmonious home for these remarkable fish by understanding their origins, characteristics, and care requirements.