#elliot sheppard

[yetanothersaint]

A Room of One's Own: tulip specialist Polly Nicholson shares the beauty and industry of her glasshouse, photographs by Elliot Sheppard, words by Nell Card

The west-facing glasshouse runs along a warm edge of the walled garden and was designed 12 years ago by Foster and Pearson who manufacture glasshouses to original Victorian designs and specifications. (They built the glasshouses at both the Chelsea Physic Garden and West Dean College in Chichester.) “It looks like it has been here forever,” Polly notes.

[m1b1rd]

[crumb]

Elliot Sheppard? Yes, that’s right You used to teach third grade at Central Elementary Yes, Yes I did. That’s been—quite a while ago… I’m sorry, do I— No. No, no, no, no… No, I just knew somebody who… who used to go there

THE PASSENGER 2023 | dir. Carter Smith

[anmehe]

Elliot Sheppard

[visceravalentines]

cold blue summer

a slasher movie AU for The Passenger (2023)

Elliot Sheppard, a third-grade teacher at Central Elementary, abused children for many years before being exposed and taking his own life. Now, twenty years later, the school is being demolished, and something has awakened.... Strap in for the cruelest summer on record.

An homage to classic slasher movies with a summer romance flair.

Read the intro below and read the first chapter (and the rest as it updates this summer) on ao3! Mind the tags--suicide, implied/referenced child abuse, graphic depictions of violence.

School lets out early that year.  

The kids don’t question it, no matter how many times they catch the adults cutting conversations short when they walk in the room.  You don’t look too hard at a gift like that, four extra days of blue sky and no schedule.  

The school makes a statement that says everything and nothing, tries to keep the details vague, but word spreads anyway like kudzu.  The parents sit and fret, cancel camps, extend family vacations.  Stand in the hallways late at night and peer through cracked bedroom doors and swallow their dread down whole and kicking.  Read statistics.  Count their blessings.  

It’s a weird summer, gets off on a weird foot, like trying to hopscotch wrong-foot-forward.  

It’s early Monday morning, too early for teachers to arrive yet.  The schedule change allows extra time to tear down posters, enter the final few grades.  Nobody’s in a rush, though, to sit alone in the empty classrooms.  To sit in the silence of that building and let imagination run wild.  To be there, in the place where it happened.  In proximity to the unthinkable, guilty by association.  By ignorance.  By inaction.  

Elliot Sheppard has been missing for three days.  

The playground for the younger grades sits on the east side of the school at the base of the hill.  The kids call it the Little Toy, relative to the Big Toy, which is on the other side of the building and reserved for the older grades.  Weeds have already started their seasonal conquest, bursting up at the edge of the wood chips and in the shade of the slide.  The foursquare courts need repainting.  A kickball sits half-deflated in the grass at the bottom of the hill.  

The lonesome call of a mourning dove trembles over the dew.  The sun stretches its arms over the lowlands, rosy and resplendent.  In the pale dawn light, blood drips black onto the wood chips.  The gun sits mere inches from the thick-fingered hand that dropped it.  Very little of the man remains above the bridge of his nose, mouth rent asunder, a tooth fairy’s bounty.  Flies already swarm around the pale blue sinkholes of his eyes.  

He will be found in less than an hour by the secretary who bid him good morning every day since she started at Central.  The police will identify him immediately and do their damnedest to keep these details out of the media too, in the name of protecting privacy, protecting dignity.  In an effort to shelter the soft and innocent from the uglier parts of life.  

This time, at least, they might succeed.  

-

Three miles away and twenty years later, Benson Rousseau jolts awake with a scream in his throat.  

[sylveriasarcana]

The Passenger Scene Analysis: "Everything's cool, right Randy?"

Today I'm so tired I can't move from my comfy chair so naturally it's time to once again talk about my favourite hostage situation romcom The Passenger!

I wanna talk about the power shift that happens between Benson and Randy later in the movie after Benson encounters Sheppard again, specifically the scene in the car after the parking lot beating. I recommend reading the post I made about The Passenger as an allegory for OCD recovery first because this post is gonna abide by that reading. You can check that out here, and my other silly little analysis posts can be found under the #scene analysis tag on my blog if you are so inclined!

As always, please mind the tag warnings, some heavy topics are in this one.

*sigh* Let's talk about fucking Sheppard.

If you're wondering why it took me so long to talk about Sheppard in these posts despite his importance to the story, it's because I don't fucking like him. But he is an important part of this analysis, so now we're gonna talk about him!

Meeting Sheppard is the moment where everything begins to change in The Passenger. The movie begins following Randy, and then less than 20 minutes later, it's become clear that Randy may be the main character, but he's not the one in charge: Benson is. The cinematography in the shooting scene does a great job of setting this up, by the way. Self plug.

In the next hour, we get very used to the situation we've been presented with following the inciting incident with the shooting. Benson is in charge, Randy isn't. Nowhere is this more apparent in the scene at the gas station: Benson leaves Randy alone, and Randy visibly thinks "this is my chance to escape". Then the camera pans around him, and there's nowhere to go. Nowhere to hide. Just endless empty flat land. Even in a situation where he's been given the power to run away, he can't use it. Where's he gonna go?

Chilling stuff, but what really cements this situation are the moments of normalcy its given. You get the big scary scenes where Benson points a gun at a store clerk while staring Randy down like "run and he dies", but you also get tiny moments of these characters just being very used to the situation they're in, almost comfortable with it. One of my favourite examples of this is right before the audience meets Sheppard; Benson mimics an exploding eyeball to describe Randy's elementary school days to the receptionist and Randy's eyes roll to the back of his head.

Blink and you'll miss it, but it's a great little moment. Not only is it great material for me as a Bitchy Randy truther (bitchy Randy is real and I love him, ok), but it's a moment of... twisted normalcy? Randy has just become so used to this situation he can roll his eyes and accept it for what it is. "Yes, that's my kidnapper, doing a silly little re-enactment of my worst trauma. He's probably gonna drive me around at gunpoint some more after this. This is my life now, I guess."

By this point, Randy, Benson and the audience are all baked into this dynamic of Benson having all the power and Randy having none. It's so commonplace that Randy can both be terrified and just plain exasperated by it. Like he's watching a play that's gone on for a bit too long.

And then, minutes later: Sheppard.

I cannot stress enough how much everything changes when this guy walks down the corridor. Benson immediately tightens and stands up straight, like prey that just heard a twig snapping nearby. That is weird for us. Whoever this guy is, he can't be good news. Who could possibly scare Benson, the scariest person in this movie?

"Mr Sheppard? Elliot Sheppard?"

Benson de-ages about twenty years in this scene, and Randy's noticed it. Something has shaken Benson to his core, and this guy had something to do with it. It's never explicitly stated what happened between Benson and Sheppard, but this exchange makes some things clear: Sheppard was Benson's teacher, he occupies a large enough space in Benson's brain for his full name to haunt him, whatever happened between them happened when Benson was in 3rd grade, and Sheppard doesn't remember him. Sheppard doesn't remember the kid he traumatised. Shit.

And we can definitely assume that whatever Sheppard did to him was fucking awful, because right after this scene Benson beats Sheppard to death in a parking lot.

This is the hardest scene for me to watch in the whole movie. Not because Sheppard doesn't deserve it, but because Jesus Christ, the sounds coming out of Benson are horrifying.

I wouldn't say Benson has been mentally stable up until now, per se, but he's definitely had an illusion of control. He's someone who is very good at pretending they have everything figured out. He spends the movie happily recounting his half-baked socio-political opinions to Randy, confidently deciding where they're going next, telling Randy how important it is to face your past and figure out your shit, and it's... so disturbing seeing all that bravado evaporate so quickly. Benson walks around frantically, shrieking like a wounded animal, and it's the scariest thing in the movie so far. He might be holding Randy hostage but he was the guy that was meant to know what's going on and what happens next. If Benson's lost it, what the hell happens now?

I talked a bit in my first post about how this scene also reveals how far Randy's come over the course of the movie; he is now brave enough to approach Benson while he's waving a gun around and stop him from shooting Sheppard, but interestingly only does it on the grounds that the gun will make noise and attract attention. He never says "Benson, you shouldn't murder a guy in the parking lot". Randy, like us, has picked up on the fact that Sheppard probably did something awful enough to provoke this reaction.

This bravery is going to come in handy in the next scene, because Benson is about to relinquish all control he's had throughout the entire movie.

I've talked before about how when Benson was introduced to the audience, he was facing away from the camera at an awkward angle. When it started becoming apparent that he was the one holding all the cards, he gradually began being shot facing the camera, in full view. Now, after meeting Sheppard, Benson is facing away from us again. Whenever we cut to Randy, we have a full view of his face. Something has changed. Benson's losing control.

This scene parallels an earlier scene where Benson basically gives Randy the abusive boyfriend speech and tells him "I can't have you getting in my way, understand?" and waits for Randy to agree. Here's an excellent gifset that gets that point across!

But something I find really interesting about this scene: Benson seeks reassurance. The way I read this movie, I'd usually expect Randy to do that.

This is where my "Randy has OCD" agenda comes back into play. Oh yeah! Bet you thought I'd forgotten about that! I will never forget, it haunts me, it fuels me, and now you all get to experience that with me-

In short, I think Randy has OCD, and a big thing with OCD is reassurance seeking; asking others if your OCD is right. It's very discouraged in OCD recovery, but a very quick indicator of potential OCD. For example, the diner scene: if you haven't read my other post on this, a quick summary! Randy's OCD theme is essentially "you can't make your own decisions or lives will get ruined". Prior to the diner scene, Randy made a decision: he asked Chris to stop making him uncomfortable. As an indirect result of this, at least in Randy's eyes, lives got ruined: it caused a chain reaction that led to the shooting. In this scene, Randy seeks reassurance: "what does this have to do with me?". Translation, "please tell me the shooting didn't happen because of me". As I've said before, Benson shuts the reassurance seeking down, and that's what makes him my favourite unethical but effective ERP therapist.

But this, right here: this is the moment I knew the power was shifting. Benson does a Randy; he seeks reassurance.

"Everything's cool, right Randy?"

This is the first time Benson has asked for Randy's opinion on any situation, because throughout the movie, Benson has been very clear about the fact that he's in charge and will be making all the decisions. He's just relinquished control here. He's asked Randy, his hostage who has held no power this entire time, to tell him that everything's going to be fine. He's not in charge anymore. He says later that he never was.

Even Randy's perturbed by this. His face says, "You're asking me?". I'm not clear on whether or not Randy knows this, but reassurance giving isn't ideal in most circumstances to do with OCD. He does it anyway, because Jesus Christ. We're not scared of Benson right now, and neither is Randy; we just feel fucking bad for him. Benson does not react well to receiving pity or even the slightest bit of soft spoken sympathy, as we see when he's reacting to Miss Beard later in the movie. But... fuck, he's getting it anyway.

Benson might have spent this whole movie being fucking scary, but seeing all that perceived power he had suddenly die with that one line is just... gut wrenching. It's like seeing your parents cry for the first time: what do you do when the person who's always been in control doesn't have it anymore?

There's suddenly this gaping hole where the power used to be, and later Randy's going to be the one to take it. And this is the scene where it starts; "everything's cool, right Randy?".

Sure, man.

[coiled-dragon]

What gets me is that Elliot doesnt remember Benson but the second Benson saw him his whole demeanour changes. Tells me Elliot had a long list of victims and they're all interchangeable in his memory. Breaks my heart how Benson in the 3rd act has lost all his swagger and machismo he had in the 1st and 2nd.

REAL REAL REAL!!!!! Its my favorite part of rewatching, because the physical acting in the movie is unreal. Seeing Benson's entire posture shift, how he speaks changes, for a moment he looks like a scared child, and then he tries to gather himself back up, keep the mask on... But after that he cant keep it on at all. He slips up over and over and over ;n;

Its an important shift tbh because we see that it *is* all an act, the swagger, the confidence, the control. He's been scared since he shot up the Burger joint, but he couldn't let himself face that. And it took seeing Sheppard to shatter every mask he tried to conceal himself under because it was a gut punch. In a day full of trying to adapt to the moment, he couldn't adapt to that. And who of us can?

[shinyasahalo]

Top 100 AO3 TV/Streaming Ships (Sept. 11, 2024)

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[laf-outloud]

@karent1982 Nawwww hugs with Jared today 🥰 Thanks for coming to the UK

@Pob584

@HILLYWOODSQUAD

@soy_m67

@tommyp0123

@coby_joesearby

Ant Horton Jared Padalecki - Sam Winchester!!! Everyone knows who he is, amazing actor and amazing guy!!! Star of one of the greatest shows ever made, if you haven't seen Supernatural where have you been living!! Brilliant guy, I can't praise him enough.

Elliot Honey

@lindzdevine Wales Comic Con... absolutely chaotic, but it was worth meeting the man. I have to say Jared was amazing. The con completely overbooked him, and he was supposed to have left the building at 6:15pm, and yet he was still there signing prepaid autographs past 7pm (the only one still doing autos)... he thought I had bought the drawing and when I said I had drawn it, he was amazed, replied with "wow its fkin incredible" and then admired it holding it up joking "how he wished he looked like that now". For once, I was holding back the happy tears in front of him.

He is just beautiful. And smelt amazing, despite being so sweaty bless him. But I'm sure we fans don't mind a sweaty Jared, right?! 😍😉

Also met Mark Sheppard, and I even got to get a pay on the day auto with Gen whilst waiting for Jared's. She was beautiful and amazing. We had a good 10 minute chat and told her I was new to the fandom, where I was at, which was why she wrote what she did.

And saw Samantha and Mark in the panel. They had booked so much for Gen and especially Jared, they couldn't make it due to Jared's still stuck in photos. 

Maybe Jared just sweats cologne? LOL!

[batsyforyou]

Share ten different favorite characters from ten different pieces of media in no particular order, then send this to ten other people. (Anon or not, your choice.)

Lt. Colonel John Sheppard: Stargate Atlantis

Keith Kogane: Voltron

Elliot: Stardew Valley (Fanart I don't know the creators names all credit goes to them.)

Angus "Mac" MacGyver: MacGyver the original 1985 tv series starring Richard Dean Anderson

Adrian Fahrenheit Tepes or Alucard: Castlevania

Soval Star Trek: Enterprise

Miraak: Skyrim (The art used is a fan art Idk who did it but all credit for it goes to them.)

Glorfindel: Tolkien Lotr/silm

Link: All Legend of Zelda

Shaggy: Scooby-Doo

Thank you for the ask!

[yetanothersaint]

A Room of One's Own: Fee Greening's bewitching shepherd's hut in rural Dorset, photographs by Elliot Sheppard.

[lindaseccaspina]

75 Bell Street-- 75 Bell Street-- Sarah Beth Sheppard-Gagnon

Address: 75 Bell Street, Carleton Place, Ontario Elliot House, circa 1865 This brick house predates the church next door.The side entrance, bay window with elaborate cornice molding, projecting brick trim, simple verandah with bargeboard, steep roofline and gingerbread make this house a fine example of gothic revival architecture. Carleton Place and Beckwith Heritage Museum Hello! Canon…

[crumb]

reblogging to share this dumb thing i made last night. i've never even watched icarly but i assume dan schneider would be in the role of elliot sheppard.

Saw this comment on one of my rambling posts about The Passenger (2023) and couldn't stop myself

[anmehe]

Elliot Sheppard

[addictsitter]

i know it's letters but every prime number

ugh i hate you

B - A pairing–platonic, romantic or sexual–that you initially didn’t consider, but someone changed your mind.: you are not gonna believe me on this but zosan. i was a zolu shipper at the start. that didn't last that long, but it did happen.

C - A ship you have never liked and probably never will.: kid/law from one piece. comes with the fact that idgaf about kid. also any nami/dudes. nami onepiece is a lesbian.

E - Have you added anything cracky/hilarious to your fandom? If so, what? dadfoot.

G - Have you ever had an OTP? If so, do you remember your first one? Who was in it? a: more than i can count. b: the first one i really remember clearly was either kara thrace/lee adama from bsg or sheppard/teyla from stargate atlantis

K - What character has your favorite development arc/the best development arc? julie from jatp. i love her progression through the show in learning to deal with her grief and move on and playing music again and just. my GIRL.

M - Name a character that you’d like to have for a friend.: faraday. jensen. alex. hardison. all the people i'm not legally allowed to be alone with for fear of explosions.

Q - A fandom you’ve abandoned and why.: aside from watching it with you and maybe dean at some point, i washed my hands of the newsies fandom a long time ago and you know why.

S - Show us an example of your personal headcanon (prompts optional but encouraged): sasha yazzie and elliot lefevre are adoptive twins and i take zero criticisms or comments

W - A trope which you are virtually certain to hate in any fandom.: that one goddamn trope where one half of a romantic ship gets turned into a kid and the other half of the ship takes care of them and somehow?? this leads to them being In Love??? i Hate it.

[revolutionarywarhistory]

Favoring the British Crown: enslaved Blacks, Annapolis, and the run to freedom [Part 2]

Continued from Part 1

Reprinted from my History Hermann WordPress blog.

© 2016-2023 Burkely Hermann. All rights reserved.

Notes

[1] Grumbelly was related to Capt. Keelings (of Princess Ann/Anne County, VA), with some of the people in bondage running away to join the British lines including Argyll, who joined Royal Artillery Department, and Robert. Grumbelly is also within this book. It would make sense it is Virginia's Eastern Shore rather than Maryland's, although this cannot be confirmed. William was undoubtedly one of many who was part of a small plantation within this area.

[2] Others would be evacuated on the La Aigle. His bio says that "William Keeling is assumed to be the husband of Pindar Keeling. They travel near to each other on board the Clinton and despite the presence of other Keelings, they are not listed in the Birchtown Muster." Perhaps they settled in a different area or died on the voyage North. Pindar was formerly bound to a Norfolk slaveowner named Willis Ball. One transcript of the manifest says  "William Keeling, 40, feeble fellow. Formerly the property of Grumbelly Keeling of the East Shore, Virginia; left him 6 years ago. GBC." This being the case, then it makes sense that he cannot be found in Maryland records. It also clarifies that on 31 July 1783 the Clinton was Clinton bound for Annapolis [Royal, Nova Scotia] & St. John's [Saint John, New Brunswick]. This means it was going to Nova Scotia ultimately. The GHOTES Genealogy and History of the Eastern Shore group on Facebook lists 38 enslaved blacks who had left New York, originally enslaved in the Eastern Shore (presumably Virginia's).

[3] The word "loyalist" is used in quotation marks as it is an inexact term, and like Patriot it was used positively by those supporting the British Crown. Instead, the term supporter of the British Crown or any of its derivatives is used instead.

[4] Alan Taylor, American Revolutions: A Continental History, 1750-1804 (New York: W.W. Norton & Company, 2016), 21-22; A. Leon Higginbotham, Jr., In the Matter of Color: Race & The American Legal Process: the Colonial Period (New York: Oxford University Press, 1980), 91-95, 98-99.

[5] Specifically referring to Abbaco (John Rootes, Benjamin Guy), and unknown location (Solomon Slaughter, William Causins, Francis Wright, John Morris, Thomas Fisher. Here the locations of those included in the above chart: Norfolk, Virginia (John Hirst, Matthew Godfrey, Robert Gilmore, Samuel Bush [Boush], John Willoughby, David McClaurin, William Mallery, William Egerson, James Hunter, Edward Hack Moseley [Mozely], Joseph Mitchell, Thomas Newton Snr, Robert Barns, Charles Connor, Samuel Elliot,  Simon Hogwood, William Hancock, Archibald Campbell or Arthur Campbell., Thomas Hoggart/Hogwood, Mr. Scarborough, Stephen Tankard, William Hogwood/Hopgood Sr.);  Nansemond, Virginia (Mills Wilkinson, Henry Burgess, Solomon Sheppard, Willis Wilkinson); Crane Island, Virginia (William Connor, George Robertson, Andrew Stewart [Stuart]); Portsmouth, Virginia (Willis Wilson, Andrew Sproule, Richard Brown); South Carolina (Captain Hullet, Bland Steward);  Princess Anne/Ann County, Virginia (Edward Moseley,  John Loveat); Pennsylvania (James Stewart); Mecklenburgh, Virginia (Richard Sweepston); Dismal Swamp (James Wright Moore); Petersburg, Virginia (John Holloway); Tanners Creek, Virginia (Anthony Walker [Walke]); Isle of Wight (Richard Jordan, Andrew Mckay); Suffolk, Virginia (Lambert Reddick); Greatbridge, Virginia (Alexander Foreman).