#elizabeth dehn

[wordsofwisdomandsoul]

[roses-of-the-romanovs]

Alice and Alix

Alice on her daughter:

“She is a sweet, merry little person, always laughing, with a deep dimple in one cheek just like Ernie.”

“She is quite the personification of her nickname “Sunny”—much like Ella, but a smaller head, and livelier, with Ernie’s dimple and expression.”

“‘Sunny’ in pink, was immensely admired. She is still improving in looks since you saw her.”

“Aliky is very handsome and dear.”

Alexandra Feodorovna on her mother:

“I cried when I thought of my mother; this [the wedding of her brother Ernst] was the first festival since her death. I seemed to see her everywhere.”

“Darmstadt is only a little spot in the garden of my memories, but my mother died there, so I can’t really be blamed for liking Darmstadt.”

And one final tribute:

“The Empress’s boudoir, known as ‘Le Cabinet Mauve de l’Imperatrice,’ was a lovely room … Lovely pictures adorned the walls—and one of the Annunciation, and another of St. Cecilia, faced a portrait of the Empress’s mother, the late Princess Alice of England, Grand Duchess of Hesse-Darmstadt.”

“The mauve boudoir was flooded with moonlight, which fell directly on the portrait of the Empress’s mother, and on the picture of the Annunciation. Both seemed alive.... The sad eyes of the dead woman watched the gradually unfolding tragedy of her daughter’s life, whilst the radiant Virgin, overcome with divine condescension, welcomed the angel who hailed her as blessed among women.”

[loiladadiani]

Grand Duke Sergei Mikhailovich (1869 - 1918)

Sergei Mikhailovich was the 5th son and 6th child of Grand Duke Mikhail Nikolaievich.

Sergei grew up to be an artillery man like his father and at one point would occupy the same position as his father in the Imperial Military hierarchy. He was intellectually bright but seems to have had a “variable” disposition which did not endear him to many. In his youth he had been in love with Grand Duchess Xenia Alexandrovna, who preferred to marry his brother Sandro instead.

When the future Tsar Nicholas II left his ballerina mistress to marry Alexandra, he charged Sergei with taking care of her and he did…as a matter of fact, he never stopped taking care of Mathilde, even assuming paternity for a son who was most likely fathered by Grand Duke Andrei Vladimirovich, the man Mathilde eventually married.

Sergei was dismissed from his powerful position in the military amidst scandalous rumors involving Mathilde and the illegal sale of weapons, etc. In the Spring of 1918 he was brutally murdered by the Bolsheviks, along Grand Duchess Elizabeth Feodorovna.

You may not know some things about him: 1. Enjoyed choral music and sang in a choir that he supported and rehearsed at the New Mikhailosky Palace, where Sergei lived with his brother Nikolai.

2. Towards the end of his life he suffered greatly from bone pain probably related to rheumatoid arthritis

3. Most likely than not he had an illegitimate son by Countess Barbara Vorontzova-Daskova, née Orlova, the widow of Count Ivan Illarionovitch Vorontzov-Daskov (1866–1897). The child was adopted by a friend of his mother, Sophia Vladimirovna Dehn. There was never a relationship between father and son

4. He would probably have been able to leave Saint Petersburg in time to avoid being murdered but he stayed behind when Mathilde left to take care of her financial affairs

5. Among the objects on his body after his murder, there was a gold pendant in the shape of a potato on a gold chain, the emblem of the "Potato club “ which Tsarevich Nicholas, Sergei, some of his brothers and friends had formed in the days of their youth. There was also a small gold medallion with an emerald in the middle, which had been a present to Sergei from Mathilde many years earlier. It contained her portrait

6. Of all the children of Grand Duke Mikhail Nikolaevich, Serge was the only one who had blue eyes, inherited all the way back from his great-grandfather Tsar Pavel.

[theoscarsproject]

The Taming of the Shrew (1967). Brutish, fortune-hunting scoundrel Petruchio tames his wealthy, shrewish wife, Katharina.

The Taming of the Shrew is far from my favourite Shakespeare play - I tend to fight it pretty misogynistic, which is a shame, especially when it has so many interesting adaptations (particularly 10 Things I Hate About You!) That aside, this is a solid adaptation, and a serviceable film. The costumes are great, and Elizabeth Taylor and Richard Burton have a fiery chemistry that so underlines their performances (and romance) together. 6.5/10.

[elcinelateleymickyandonie]

María Schell.

Filmografía

- Steibruch (1942) como Meiti / Gretl

- El ángel de la trompeta (1948) como Selma Rosner

- Maresi (1948) como Blanka von Steinville - Tochter

- Después de la tormenta (1948) como Gretel Aichinger

- La última noche (1949)

- El ángel de la trompeta (1950) como Anna Linden

- Llegará un día (1950) como Madeleine

- Dr. Holl (1951) como Angelika Alberti

- La caja mágica (1951) como Helena Friese-Greene

- Tan poco tiempo (1952) como Nicole de Malvines

- Hasta que nos volvamos a encontrar (1952) como Pamela

- Labios soñadores (1953) como Elisabeth

- Mientras estés cerca de mí (1953) como Eva Berger

- Diario de una mujer casada (1953) como Barbara Holzmann

- El corazón de la materia (1953) como Helen Rolt

- El último puente (1954) como Dr. Helga Reinbeck

- Herr über Leben und Tod [ de ] (1955) como Barbara Bertram, geb. Hansen

- Napoleón (1955) de Sacha Guitry (como Marie-Louise, la esposa austríaca de Napoleón) como L'archiduchesse Marie-Louise d'Autriche

- Die Ratten (1955) como Pauline Karka

Gervaise (1956, de Rene Clement, de L'Assommoir de Émile Zola) como Gervaise Macquart Coupeau, une blanchisseuse douce et coraje

- Amor (1956) como Anna Ballard

- Rose Bernd (1957) como Rose Bernd

- Le Notti Bianche (1957) como Natalia

- Los hermanos Karamazov (1958) como Grushenka

- One Life de Alexandre Astruc (1958, de una novela epónima de Guy de -Maupassant ) como Jeanne Dandieu épouse de Lamare

- Der Schinderhannes (1958) como Julchen

- El árbol colgante (1959) como Elizabeth Mahler

- As the Sea Rages (1959) como Mana

- Cimarron (1960) como Sabra Cravat

- La marca (1961) como Ruth Leighton

- Das Riesenrad (1961) como Elisabeth von Hill

- Sólo una mujer (1962) como Lilli König

Whisky Zwei und ein Sofa [ de ] (1963) como Beate Dehn

- L'assassin connaît la musique ... [ de ] (1963) como Agnès Duvillard

- El diablo por la cola (1969) como La comtesse Diane

- 99 mujeres (1969) como Leonie Caroll

- El juez sangriento (1970) como Madre Rosa

- La provocación (1970) como Jeanne

Dans la poussière du soleil (1972) como Gertie Bradford

- Chamsin (1972) como Miriam

- Die Pfarrhauskomödie (1972) como Irma

- El archivo de Odessa (1974) como Frau Miller

- Change (1975).

-The Twist (1976) como Gretel

- Viaje de los condenados (1976) como Mrs.Hauser

- Kojak - Temporada 4, Episodio 11: "El orgullo y la princesa" (1976) como la hermana Lepar Angelica / Princesa Viva Dushan

- Derrick (1977-1978) como Luisa van Doom / Erika Rabes

- Superman (1978) como Vond-Ah

Lirios navideños del campo (1979) como Valeska Piontek

- Miniserie The Martian Chronicles - Temporada 1 (1980) como Anna Lustig

- Dentro del Tercer Reich (1983) como Mrs. Speer

- Král Drozdia Brada (1984) como královna, Michalova matka

- 1919 (1985) como Sophie Rubin

- Die glückliche Familie (1987-1991, Serie de TV) como Maria Behringer.

Decoraciones y premios

- 1951-1957, 1987, 2002: premio Bambi

- 1954: Mención de Honor en el Festival Internacional de Cine de Cannes por El último puente

- 1956: Copa Volpi en el Festival Internacional de Cine de Venecia para Gervaise

- 1957 y 1958: Bravo Otto de oro y plata

- 1974: Cruz al Mérito de la República Federal de Alemania

- 1977: Premios del Cine Alemán , Premio de Oro por muchos años de excelente trabajo en la industria cinematográfica alemana

- 1980: Gran Cruz al Mérito de la República Federal de Alemania

- 1983: cámara dorada

- 2002: Cruz austriaca de honor para la ciencia y el arte, primera clase [6]

- 2008: Calle Maria Schell nombrada en Landstrasse (3er distrito de Viena, área Aspanggründe / Euro-gate).

Créditos: Tomado de Wikipedia

https://en.wikipedia.org/wiki/Maria_Schell

#HONDURASQUEDATEENCASA

#ELCINELATELEYMICKYANDONIE

[mashkaromanova]

Anastasia, Maria and Tatiana Nikolaevna Romanova, April 1917

“Christ has risen! My Golden priceless Papa. May the Lord let You peacefully and happily greet this holy day. I send you an enormously affectionate kiss, my very own dear Papa. Your loyal Plastun.”

- Olga Nikolaevna Romanova to Nicholas Romanov, 2nd April 1917

“Maria Nikolaevna was very ill; she was thinner, very prettier, her expression sad and meek; she apparently suffered a lot, and the experience left a deep impression on her.”

- Elizabeth Naryshkina (’Madame Zizi’), 3rd/16th April

“Indeed He Has Risen! Thank you so much my dear sweet Lili for both of your cards. I was so happy to finally get some news from you. How are you? By now I am completely well and take walks with Papa every day, and now we are breaking the ice with him. Alexei also goes outside with us. If you write to us, address the letters to the nurses at the Infirmary #3 on the Sadovaya Street, as the letters will get there fast and [it is] more certain. Did you get the nurses’ letters through Rita? Is G.[illeg] spending the holidays in Moscow at the sister’s. [illeg]. Have you seen Evgeni Alexandrovich, N.N. and Khv.? Heartfelt greetings to all of them. Does your husband write to you? How is he doing? It is almost autumn here already [illeg]. A lot of mud and water. Mama was lying down on the balcony a few times and writing to you. [Her] heart still hurts and is tired.

Well, all the best to you, my darling. Where is Alexander Nikolaevich? May the Lord keep you. I kiss you affectionately, as always. - And the others kiss you too. Yours Tatiana.”

- Tatiana to Lili Dehn, 5th April

“Olga is still very weak, - the heart was weakened by continuous illnesses, lasting for two months. She is very sweet, and Maria is charming, in bed with the remnants of pleurisy.”

- Madame Zizi, 9th/22nd April

“Thank you so much for the postcard, dear Tili. Maria is also very grateful. Now I take walks when it is warm out, with Papa, Tatiana and Aleksei. And how are you? I send you good wishes. I kiss you and the little one affectionately. Your loving Anastasia”

- Anastasia to Lili, 10th April

“Indeed He Has Risen! Darling Tili, I thank you immensely for your [holiday] greetings, and also send you [good] wishes. I am still in bed as [I have] inflammation in [my] left lung, [it] still has not gone away. Every day they put a compress on my side, and spread iodine so my skin is peeling. [I] tried to walk but [my] legs are like rags and I am swaying awfully, looking so foolish. At one point I had an ear ache but [it was] not too bad, now we all talk loudly. I kiss you affectionately three times.”

- Maria to Lili, Easter

[themandalalady]

22-081 Turn it Over

22-081 Turn it Over

Today’s MandalaTurn it Over “The only mistake you can makeis not asking for help.”— Sandeep Jauhar “Asking for helpis never a sign of weakness.It’s one of the bravest things you can do.And it can save your life.”— Lily Collins “You don’t have to do it all by yourself.”— Elizabeth Dehn Today’s MotD reminds us that help from a Divine Source is always available to us and it encourages us to turn…

[vondehnvisuals]

Hello every One, and welcome to the Thoroughly Thrilling Thursday Thing King Edition, wonderful to have You here with Me.  I Promise I Will be tall King about the plant featured in the photo today and how I Will use it to grow My collection on a limited budget (I’ve featured it twice without tall King about it).  I Will also be tall King about that famous expression, ‘The House always wins in the end’.  There are so many things on My Mind these days, I am really looking forward to Free Lance Friday so I can just ramble about everything!

As far as today’s title and expression go, ‘the House always wins in the end’, the Significance for Me today is that I know this is True and I know all of these little expressions are programmed specifically for that day when We real eyes Our True House.  I sincerely believe the timing of the hit mini series Game of Thrones was specifically Intended to put the Idea of Our Father’s ‘House’ in One’s Mind.  ‘House of Lanister’, ‘House Stark’, House of von Dehn.

The ‘Natural’ Order of things in the Universe is that the Son represents the continous Ideas of the Father.  It is not just an ancient custom, it is the only Way Man evolves.  I do not say that to negate the Value of the Divine Feminine, either, as the combined Energy of Mother and Father are necessary for the continuation.  The most successful traits of each as determined by God are the product of the off spring (making its Way to Sale the Sea of commercial admiralty waters on the citizen Ship).  I’ll have more on the Idea of Ships, soon, too for those who may think the association is ‘coincidence’ and not at all related to commercial admiralty (which is a claim some ‘fact check’ sites Will make).

The reason the first Son is the Heir to the Father’s Kingdom is specifically because the male gender of Man represents the Idea for the child – that is all the male gender contributes.  The ‘land’ of the body is entirely created by mother, which is why it is the Promised Mother Land Given by God, as every One Will have One.  So the child’s individual ‘country’, the land of the body Given by God is the first name, the Father’s name represents the House the children are Living in.

Sure, We Live in much more modern times now and a Lady could absolutely Keep the name of her Father if she Wishes.  This would also happen if the status of the Lady was higher than the status of the Man, which is precisely the case with Queen Elizabeth II and Prince Phillip.  But the Common family tradition would automatically leave the estate to the eldest son unless there were unusual circumstances where the son is genuinely incapable to do the job.  The family has the right to determine how the estate should be divided and the eldest son Honours his Father by Honouring the Father’s Wishes (whether he actually does or not, it is presumed the eldest would be the most responsible and capable to administrate the estate in a Way that Honours the House).  Did My sister mention One Word about any Duty of Honour to her father’s House?

I genuinely believe I do have the superior claim of right upon My father’s estate, even to that of the government of Canada.  I don’t see the government of Canada listed anywhere in the Estates Act as a beneficiary to My father’s estate or successor of his House…

If what I say is True and a Man does have the right of self determination as it is suggested We do according to the covenants the Canadian government has agreed to Keep internationally, what kind of trouble might a justice, lawyer or other representative of the Crown face for trespassing upon My Sovereign right to administrate My father’s estate in a Way that Honours his (and now My) House?  I am as King of the justice to allow Me to Honour My dead father’s Life in the wake of his death, and I have the right to accept for Honour all outstanding debt owed to My father’s creditors.  What kind of penalties might there be for a justice that fails to let Me Honour My Father and the tradition of My family’s House in Order to Keep God’s Commandments of Me?  Will a justice be able to claim ignorance of the Common Law and the right of the Sovereign to privately administrate his family’s estate?

How long Will the list of charges against Canada’s elected officials Trusted to protect the Sovereign rights of Canada’s People become before it can no longer be ignored?

My brother and sister don’t even know that neither one of them can technically own property because everything they own is under their franchised corporate name, that’s why People pay property taxes on land they ‘own’.  Nobody owns anything, it is all rented, and there is outstanding debt on everything.  Did You know it’s unlawful to pay a debt with debt?  More on the Idea soon, too – maybe tomorrow.

For now, the House always Wins because no One has authority over My House.  I could vacate the justice’s Order and suspend the justice from further decisions regarding this Matter.  Now, would they be heeded?..  I really don’t know because I haven’t pushed that hard yet – but I Will.

Now for the plant.  This little gem was My name day Gift to Me.

I picked this one because there are lots of branches and it was completely root-bound (meaning there was absolutely no more room for root growth in the plant pot it was in).  Now, if You are squeamish, please be advised the following images contain graphic material not intended for sensitive viewers (including but not limited to freshly cut limbs).

So, the bottom most plant is the ‘mother’ who has just Gifted Me with six new plants.

There is another one inside on My window sill.  The largest ceramic pot is the transplanted mother plant and the plastic black pot is the one she was transplanted from.  I didn’t even know it was only one plant because the stems were so dense, I thought I’d tip it out and find two or three main stems.  New growth on the mother plant was visible for the first time today.

I know, it looks a little sad right now – that’s why I’m sharing.  I can already tell this is going to be a gorgeous plant because of how fast the new growth appeared.  This is often typical for plants that are pot bound and require immediate transplant.  It has been dying to grow and now its ‘feet’ can provide a stronger foundation.  This is just one reason I Love jade plants because they actually grow fairly fast when they are in a growth stage if One Keeps an eye on water.  They can easily survive days, perhaps weeks if one forgets to water, which is why I think some People think they grow slow.  If they don’t get enough water when they can grow, they Will shut down plant growth and conserve the moisture in those fat leaves.  They are almost impossible to kill unless You have poor drainage or really over water.  I give just enough water to get the roots wet enough to be dried out again by the next morning on a hot day.

The other reason I think this Will be a spectacular plant is because (theoretically) it Will produce two new shoots wherever one was cut, so it Will make an excellent mother plant for more cuttings while leaving enough to shape like a bonsai.

Those are My plant tips for the day, happy gardening.

Love and Blessings,

Volume CXVI: The Thursday Thing King Edition; The House Always Wins in the End Hello every One, and welcome to the Thoroughly Thrilling Thursday Thing King Edition, wonderful to have You here with Me. 

[the-funtime-autocrat]

As pre-production continued, news about the proposed James Bond film began appearing in the showbiz and gossip pages of the tabloid press. At society functions, McClory rarely let an opportunity pass by without mentioning it to reporters, happily acting upon Fleming's written advice to him that "I would much prefer for you to be the sole mouthpiece on the project." Thanks to such publicity, for the first time speculation amongst the general public began about who should play the famous spy. People wrote to newspapers with their own candidates such as Stanley Baker, Patrick McGoohan, Michael Craig, Richard Todd, Peter O'Toole and George Baker, plus Hollywood idols William Holden, James Garner and Montgomery Clift. Bizarrely even Donald Sinden and Peter Cushing were mentioned as possible 007s. Earlier, during Fleming's meetings with Paul Dehn, the subject of who to cast as Bond had arisen. In his letter of 11 August to Bryce, Fleming announced, "Both Dehn and I think that Richard Burton would be by far the best James Bond!" It's a fascinating suggestion, and possibly the first recorded statement by Fleming about who should play his hero. Year's later Fleming would champion David Niven as Bond, a very traditional English actor and a million miles away from the wild Celtic image and brooding manner of Burton. But what a Bond a pre-Cleopatra/pre-Elizabeth Taylor Burton would have been!

Robert Sellers, “The Battle For Bond” (2007).

[artwalktv]

Family Written & Directed by Duncan Winecoff Starring Paul Hamy Music by Tomas Barfod featuring Jonas Smith for “Family” Choreographed by Holly Blakey Photographed by Stuart Winecoff Production Design by Merlin Ortner Edited by Ben Suenaga Cast (in order of appearance): Mila Hannemann (Dora's double), Marko Braic, Benjamin Werth, Franka Marlene Foth, Malik Adnan, Crisjan Zollner, Kelle Huntscha, Hasso Beckersjürgen, Sascha Tschorn, Lena Reinhold & Dora Zygouri. Production Company: CZAR Co-Produced by Anomalie Films In association with Epoch Films & All:Expanded Executive Producers: Thorne Mutert, Jan Finke Leeor Brown, Megan Winecoff Jean Ozannat, Mindy Goldberg, Keenan Flynn Emi Stewart & Duncan Winecoff Produced by Michael Gugger Junior Producer: Anna Deckers Production Assistant: Selena Hamilton Presented by Apple Music First Assistant Director: Alex Schimpke Production Manager: Frank Pirsich Production Supervisor: Paul Dehn Driver / Set Medic: Gregor Nehring First Camera Assistant / Focus Puller: Nelson Smith Second Camera Assistant / Film Loader: Florian Bellack Steadicam Operator: Nestor Salazar Camera PA: Haroun Al-Shaater
 Video Assist Operator: Stefan Rücker
 Gaffer: Björn Susen Electrician: Axel Renner Electrician: Andre Schmidt Lighting Equipment Generously Provided by Electric Sun
 Sound Recordist: Christian Bornkessel
 Wardrobe Stylists: Laura Büchel & Katharina Heim
 Production Designer Assistant: Franziska Hoffmann Set Dresser: Mark Romaine 
Set Dresser: Jonathan Mármol Casting Associate: Stephanie Manrique
 Film Services: Cinelab London Head of Production: Aarti Mahtani Film Processing: Andy Hudson, Tony Puzas, John Gurney, Luke Slatter Film Scanning: Rob Wickings Special Thanks: Adrian Bull & John Mahtani 
 Post-Production Company: Friendshop Post-Producer: Adam Roe
 Colorist: Sophie Borup Color Producer: Alexandra Lubrano & Tom Gerhing Company 3
 Sound Designer & Mixer: Jeremy Siegel Sound Producer: Sasha Awn Heard City
 Location Scout: Tatijana Liebenow & Location Networx Catering: Gerwin Catering A very special thank you to Sheila Marquez, Lucius Winecoff, June Winecoff, Elizabeth Heffelfinger, Anthony Winecoff, Nina Toumanoff, Megan Winecoff, Michael Tyson , Stuart Winecoff, Leeor Brown, Aarti Mahtani at CineLab, Jakob Preischl & Philip Ramhofer, Anna Bauer, Franka Marlene Foth, Esteban, Lisa Densem & Wassili Zygouris, Jenny Krug, Ben Totty of Box Artist Management, Oriane David of Time Art, Theaterhaus Berlin, Kodak, Friendshop, Company 3, Heard City, Vantage, Electric Sun & All:Expanded.

[hartsfabric]

#sewnwithhart Day 22: Let It Go! Elizabeth Dehn from @beautybets stopped by our blog to give some tips on the art of letting go! The article is wonderful and filled with fantastic advice, thank you so much Elizabeth! Check it out: blog.hartsfabric.com ☺️💕✨ #selfcare #selfcaresewing #selfcaretips #sewing #sewingblog #hartsfabric #sewyourhartout (at Harts Fabric)

[vm4vm0]

Tomas Barford - "Family" from Stuart Winecoff on Vimeo.

Family

Written & Directed by Duncan Winecoff

Starring Paul Hamy

Music by Tomas Barfod featuring Jonas Smith for “Family”

Choreographed by Holly Blakey Photographed by Stuart Winecoff Production Design by Merlin Ortner Edited by Ben Suenaga

Cast (in order of appearance): Mila Hannemann (Dora's double), Marko Braic, Benjamin Werth, Franka Marlene Foth, Malik Adnan, Crisjan Zollner, Kelle Huntscha, Hasso Beckersjürgen, Sascha Tschorn, Lena Reinhold & Dora Zygouri.

Production Company: CZAR Co-Produced by Anomalie Films In association with Epoch Films & All:Expanded

Executive Producers: Thorne Mutert, Jan Finke Leeor Brown, Megan Winecoff Jean Ozannat, Mindy Goldberg, Keenan Flynn Emi Stewart & Duncan Winecoff

Produced by Michael Gugger Junior Producer: Anna Deckers Production Assistant: Selena Hamilton

Presented by Apple Music

First Assistant Director: Alex Schimpke Production Manager: Frank Pirsich Production Supervisor: Paul Dehn Driver / Set Medic: Gregor Nehring First Camera Assistant / Focus Puller: Nelson Smith Second Camera Assistant / Film Loader: Florian Bellack Steadicam Operator: Nestor Salazar Camera PA: Haroun Al-Shaater
 Video Assist Operator: Stefan Rücker


Gaffer: Björn Susen Electrician: Axel Renner Electrician: Andre Schmidt Lighting Equipment Generously Provided by Electric Sun


Sound Recordist: Christian Bornkessel


Wardrobe Stylists: Laura Büchel & Katharina Heim


Production Designer Assistant: Franziska Hoffmann Set Dresser: Mark Romaine 
Set Dresser: Jonathan Mármol

Casting Associate: Stephanie Manrique


Film Services: Cinelab London Head of Production: Aarti Mahtani Film Processing: Andy Hudson, Tony Puzas, John Gurney, Luke Slatter Film Scanning: Rob Wickings Special Thanks: Adrian Bull & John Mahtani 
 Post-Production Company: Friendshop Post-Producer: Adam Roe


Colorist: Sophie Borup Color Producer: Alexandra Lubrano & Tom Gerhing Company 3


Sound Designer & Mixer: Jeremy Siegel Sound Producer: Sasha Awn Heard City


Location Scout: Tatijana Liebenow & Location Networx

Catering: Gerwin Catering

A very special thank you to Sheila Marquez, Lucius Winecoff, June Winecoff, Elizabeth Heffelfinger, Anthony Winecoff, Nina Toumanoff, Megan Winecoff, Michael Tyson , Stuart Winecoff, Leeor Brown, Aarti Mahtani at CineLab, Jakob Preischl & Philip Ramhofer, Anna Bauer, Franka Marlene Foth, Esteban, Lisa Densem & Wassili Zygouris, Jenny Krug, Ben Totty of Box Artist Management, Oriane David of Time Art, Theaterhaus Berlin, Kodak, Friendshop, Company 3, Heard City, Vantage, Electric Sun & All:Expanded.

[roses-of-the-romanovs]

Hello! I'm creating a Romanov roleplay so could you give me a list of members and friends of the Romanov family, and others (Standart officers, Bolsheviks, etc.) for people to roleplay? That would be very helpful since I know I'm going to accidentally miss some characters (^^”).

Hi! These are some people who were involved with the Romanovs:

Friends:

Anna Vyrubova—quite possibly Alexandra's dearest friend. Typically viewed as a bit of a simpleton or a cunning spy--the reality is probably that she was neither. Also very attached to Rasputin.

Lili Dehn—another of Alexandra's friends, a lady-in-waiting. Also close with Nicholas and the children; was with Alexandra when Nicholas abdicated.

Elizabeth Naryshkina—the elderly mistress of the robes.

Sophie Buxhoevedon—lady-in-waiting, affectionately known as "Isa" (also spelled "Iza").

Catherine "Trina" Schneider—also attempted (unsuccessfully) to teach the Romanov sisters German. Taught Russian to Alexandra. Lutheran.

Grigori Rasputin—infamous. Especially intimate with Alexandra, also a sort of mentor for the daughters. Killed in 1916.

Kolya Demenkov—Alexei’s friend.

Gleb Botkin & Tatiana Botkina—the children of Evgeny Botkin.

Sofia Orbeliani—Alexandra’s friend and an invalid. Died in 1915.

Countess Anastasia “Nastenka” Hendrikova—family friend.

Family:

Dowager Empress Maria Feodorovna—OTMA's grandmother. But a bit frosty in her relations with Alexandra.

Grand Duchess Olga Alexandrovna—Nicholas II's sister. Often the grand duchesses spent Saturdays with her.

Grand Duchess Xenia Alexandrovna—Nicholas’s sister. Her family was known as the Ai Todories due to their estate. Her daughter Irina especially was close to the daughters. (Irina’s husband, Felix Yussupov, was one of Rasputin’s assassins.)

Grand Duke Dmitri Pavlovich—one of Nicholas’s favorite cousins, and once considered a possible groom for Olga. Under the care of Elizabeth Feodorovna. One of Rasputin’s assassins.

Grand Duchess Elizabeth Feodorovna—Alexandra’s sister. Became a nun after her husband Sergei’s assassination in 1905; sent coffee and chocolate to the family during imprisonment. Murdered by the Bolsheviks.

Grand Duke Mikhail Alexandrovich—Nicholas’s brother. Married morganatically and exiled. Saw Nicholas before Nicholas’s departure to Tobolsk. Also murdered by the Bolsheviks.

Grand Duke Nicholas Nikolaevich—commander in chief of the Russian army during WWI until Nicholas II took over. Not liked by Alexandra due to his dislike of Rasputin.

Tutors/Staff:

Pyotr Vasilievich Pyotrov—the Russian tutor, known as "PVP."

Pierre Gilliard—the French tutor, especially close to Alexei. Often called "Zhilik" or "Monsieur."

Sydney Gibbes—the English tutor, often known as "Sig."

Sofia Tyutcheva—Known as "Savanna," OTMA's unofficial governess when they were young. Outspokenly against Rasputin, and not popular with the Romanovs' other friends.

Margaretta Eagar—OTMA's Irish governess, dismissed in 1904.

Anna Demidova—lady-in-waiting who accompanied the family and was eventually killed with them. Known as “Nyuta.”

Aloise (Alexei) Trupp—footman who was killed with the family; unique in that he was Latvian, and Catholic.

Ivan Kharitonov—cook killed with the family.

Leonid Sednev—companion of Alexei during captivity, eventually sent away by Yakov Yurovsky.

Eugene Botkin—doctor (primarily Alexandra’s). Killed with family.

Nagorny and Demenkov—Alexei’s “sailor nannies.” Only Nagorny continued on with the family to Tobolsk.

Standart Officers of Note:

Pavel Voronov—Olga's love interest in 1913. She wrote of him as "S." in her diaries.

Alexander Konstantinovich Shvedov—Also Olga's love interest in 1913, took place before Voronov. Referred to as "AKSH" in diaries.

Viktor Zborovsky—Anastasia's crush. She also exchanged letters with his sister Ekaterina "Katya" in captivity. Nicholas's favorite tennis partner.

Patients during WWI/Nurses, Doctors:

Dmitri Shakh-Bagov—Olga's love interest. Known as "Mitya."

Dmitri Malama—Tatiana's love interest. Gave her a dog known as Ortipo, named after his cavalry horse.

Valentina Cheborateva—OT’s friend and fellow nurse.

Margarita Khitrovo—fellow nurse and friend. Known as “Ritka” or “Rita.”

Dr. Vera Gedroits—female doctor. Known as “Princess Gedroits.” After the tsar’s abdication, her behavior turned increasingly unconventional.

Vladimir Kiknadze—Tatiana’s love interest after Malama. Considered a dangerous flirt by the other nurses and doctors.

Politicians:

Sergei Witte—Served as prime minister 1905-1906.

Pyotr Stolypin—Served as prime minister 1906-1911. Sofia Tyutcheva, Nicholas II, and OT were there at his assassination.

Mikhail Rodzianko—state chairman of the Duma, 1911-1917.

Bolsheviks/Captors, etc.:

Alexander Kerensky—member of the Provisional Government. Oversaw the Romanovs’ house arrest.

Eugene Kobylinsky—commandant during house arrest; nevertheless on good terms with the family.

Vasily Yakovlev—commissar, searched the house at Tobolsk; helped transfer the family to the Ipatiev House at Ekaterinberg.

Alexander Avdeev—commandant at the Ipatiev House.

Yakov Yurovsky—commandant at the Ipatiev House after Avdeev. Orchestrated the murders.

Pyotr Ermakov—one of the executioners, his accounts of the Romanovs and their murder are highly exaggerated and untruthful. Was drunk on the night of the murders.

Ivan Skorokhodov–despite the rumors there is no reliable evidence to support the idea of a liaison with Maria. However, he was really a guard at the Ipatiev House.

[jamesbeachum-blog-blog]

Best of 2014! | Favorite Skincare, Beauty, Wellness + More!

Here are my favorite products from 2014!! I hope you enjoy 🙂 let me know what products you think I should try this year! Previous Video: December Favorites: PRODUCTS MENTIONED: Dr. Sponge Konjac Sponge “Lavender” – One Love Organics Easy Does It Foaming Cleanser – Elizabeth Dehn for One Love Organics Vitamin D Moisture Mist …

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from International Public Health https://ift.tt/2Ml5ByY

[websynradio]

RENDEZ VOUS : 2009 à 2018

Tous les podcasts websynradio

2009

du 15 au 22 octobre : Valéry GRANCHER, De l'espace sonore au littéral, du littéral au littéraire...

du 22 au 29 octobre : Caterina DAVINIO , Pre-texts.

du 29 oct au 5 novembre : Matthieu LAURETTE, Playliste.

du 5 au 12 novembre : Jean-Pierre BALPE, La poésie n'est plus ce qu'elle était.

du 12 au 19 novembre : Salvatore PUGLIA , Demetrio's tongue (+ entretien).

du 19 au 26 novembre : Laurent CHAMBERT, Playliste ou ne pas être (+ entretien).

du 26 au 3 décembre : David CHRISTOFFEL , Blablarecordings (+ entretien).

du 3 au 10 décembre : Seb JARNOT , Playlist (#1).

du 10 au 17 décembre : Ignacio URIARTE, Bic audio 2005.

du 17 au 24 décembre : Philippe RAHMY, Mouvements sans corps.

du 24 au 31 décembre : Noël AKCHOTE , Puissance de la musique / des pratiques, un quotidien, Entretien inédit # 1/3.

2010

du 1er au 8 janvier : Charles PENNEQUIN, Compil 2010.

du 8 au 15 janvier : Ana IGLUKA , Wonderland ? (#1/3)

du 15 au 22 janvier : Bérangère MAXIMIN, Individu-elles.

du 22 au 29 janvier : Philippe BECK, Lyre dure (Prologue, VII).

du 29 janvier au 4 février : Franck SCURTI, Playlist.

du 4 au 11 février : Amandine CASADAMONT, Conducteur 1.0.

du 11 au 18 février : Terri WEIFENBACH, Playlist.

du 18 au 25 février : Jean Michel ESPITALLIER, Pour webSYNradio.

du 25 février au 4 mars : Noël AKCHOTE, Puissance de la musique / des pratiques, un quotidien, Entretien inédit # 2/3.

du 4 au 11 mars : Luca FRANCESCONI, La rumba, le fleuve et un monstre dans la gorge.

du 11 au 18 mars : Guillaume LOIZILLON , Playlist + Entretien.

du 18 au 25 mars : Carl STONE, websynradio – programmed by Carl Stone.

du 25 mars au 1er avril : Rodolphe BURGER , Est ce dans l'esprit ? (inédits, pièces rares).

du 1 avril au 8 avril : Pierre MENARD, Poésie sur écoute et lecture versatile.

du 8 au 15 avril : Annie ABRAHAMS, Playlist.

du 15 au 22 avril : AnnaO et Alain DESCARMES , Duo.

du 15 au 22 avril : Seb JARNOT , Playlist (#2).

du 22 au 29 avril : Frédéric SANCHEZ , Cartographie sonore (+entretien).

du 29 avril au 6 mai : Isabelle LARTAULT, Tours de piste.

du 6 au 13 mai : Sandra MOUSSEMPES , Playliste + textes.

du 13 au 20 mai : Marcelline DELBECQ , A contre-courant (+entretien).

du 20 au 27 mai : ZIMOUN & LEERAUM [ ], Playlist websynradio.

du 27 mai au 3 juin : Noël AKCHOTE, Puissance de la musique / des pratiques, un quotidien, Entretien inédit #3/3

3 au 10 juin : Julien BLAINE , La performance (+ quelques posts scriptum inédits).

10 au 17 juin : Philippe RAHM, La dissociation du réel (+ texte inédit).

17 au 24 juin : MACROSILLONS, # 28.04.2010.

24 au 1er juillet : Pia DEHNE, Playlist.

1 au 8 juillet : Samuel ZARKA , Les gardiens + texte "Réalisme".

8 au 15 juillet : Marie DUCATE, Les voix (+ texte)

15 au 22 juillet : Elena ANDREYEV / Antonin-TRI HOANG, Ping-pong du service des oreilles.

22 au 29 juillet : BIANCO-VALENTE, A playlist from Napoli.

29 juillet au 5 août : Anne-James CHATON , Matériaux ( + textes inédits).

12 au 19 août : Anton FIER, A playlist beetwwen the ages of 11 and 20.

19 au 26 août : Boris ACHOUR, Choix unique.

26 août au 2 septembre : Angelo VERMEULEN, Uranium, Mutation, and the post apocalyptic state.

2 au 9 septembre : Bonnie COLLURA, Spillover.

9 au 16 septembre : Angelo PLESSAS, Sound scupltures.

16 au 23 septembre : Fred GRIOT , Tarkos & cie (1/2).

23 au 30 septembre : Zoulikha BOUABDELLAH, l'autre n'est pas toujours invisible...trouvez le...trouvez moi.

30 septembre au 7 octobre : Joseph NECHVATAL, Viral Symphony.

7 au 14 octobre : David GOLDENBERG (1/3), Interview with Michael Lingner.

14 au 21 octobre : Guy BENNETT, La radio est un poéte – Spice Jacker.

21 au 28 octobre : Michel TITIN-SCHNAIDER, Quelques aventures electro acoustiques.

à partir du 21 oct : Philippe PANNETIER & MACROSILLONS (en podcast)

28 octobre au 4 novembre : Jérôme GAME Comment j'apprends à la comment la radio m'apprend à écrire.

4 au 11 novembre : Dominique BLAIS, Playlist.

11 au 18 novembre : Andrea PARKINS, Andrea's playlist for websynradio.

18 au 25 novembre : David GOLDENBERG, The dialectics of Post Autonomy (Entretien II avec Michael Lingner).

25 novembre au 2 décembre : Caroline BERGVALL, Voices with texts. Voix à textes (Morceaux et textes par des poètes et musiciens, solo ou en collaboration).

2 au 9 décembre : Tania MOURAUD, Listen to my playlist.

9 au 16 décembre : William WINANT, Historique.

16 au 23 décembre : Fred GRIOT , Vox (inédit, 2/2).

23 au 30 décembre : David GOLDENBERG , Quelle est la relation entre la politique et les entités culturelles en Europe aujourd’hui ? (3/3)

2011

30 décembre au 6 janvier 2011 : Christian ZANESI, Blues with Beer, Table and Chair.

6 au 13 janvier : Benjamin SABATIER, Laughing with.

13 au 20 janvier : Joe FRAWLEY, The hypnotist.

à partir du 17 janvier : Pierre GRANOUX et MACROSILLONS Art's Birthday (en podcast).

20 au 27 janvier : Carl Michael von HAUSSWOLFF, Playlist.

27 janvier au 3 février : Richard PINHAS, J'y étais.

3 au 10 février : Jacques-Marie BERNARD, Mix-à-boire-et-à-manger (Histoires de rencontres imaginaires ou bien réelles).

10 au 17 février : Erik TRUFFAZ, Playlist webSYNradio.

17 au 24 février : Jean-Philippe RENOULT, Going with the slow (le slow de l'été).

3 au 10 mars : Olga KISSELEVA, A l’heure de Moscou.

10 au 17 mars : Jean-Yves LELOUP, Playlist (figures du rêve et de l’hypnose).

17 au 24 mars : Knut AUFERMANN , This is not radio (pièce sonore inédite + entretien).

24 au 31 mars : Brandon LABELLE , Lecture on Nothing (pièce sonore inédite).

31 au 7 avril : Bruno LETORT, Un voyage immobile sur les rives de l’Hudson.

7 avril au 14 avril : Jerome JOY , Musiques populaires re-composées (re-composed folk music) inédit, 2011.

14 au 21 avril : John ZORN, Essential UBU.

21 au 28 avril : Stephen VITIELLO, MIX.

28 avril au 5 mai : Andreas ANGELIDAKIS, Playlist for websynradio.

5 au 12 mai : Robin Rimbaud - SCANNER, Past Present Imperfect.

12 au 19 mai : Joachim MONTESSUIS, Pneumatology.

19 au 26 mai : Franck VIGROUX, Archipel électronique.

26 mai au 2 juin : Rudy RICCIOTTI , Sur le son (+ texte inédit).

2 au 9/6 : Franck LAROZE , Playlist WebSynradio (en collaboration avec cepSound) + texte inédit

9 au 16/6 : Philippe POIRIER, Un certain sentiment de la voix.

16 au 23/6 : Carl STONE, Program special Japan.

23 au 30/6 : Bryan LEWIS SAUNDERS, Destructive Magic and Decay.

30 au 7/7 : Pierre BASTIEN, Holy Thursday.

7 au 14/7 : Christophe MANON, Jours redoutables.

14 au 21/7 : Paul SCHÜTZE, SUMMER.

1 au 8/9 : Joseph GHOSN, Un spectre d’émotions vertigineuses.

8 au 15/9 : : Dinah BIRD, Island Radio Magic, Playlist websynradio.

15 au 22/9 : : Marc HURTADO, Playlist websynradio.

17/9 : Amandine CASADAMONT, Chantal Champagne part en campagne.

22 au 29/9 : : Philippe PETIT, Guitar Heroic.

29/9 au 6/10 : C Spencer YEH, UbuWeb Organized Sound 9-13-11.

6 au 13/10 : Gael SEGALEN, Original Voices in Rhythms.

13 au 20/10 : Israël MARTINEZ, (ready) Media, a research of art and new media in Mexico.

20 au 27/10: Franck ANCEL, 64.

27/10 au 3/11: Markus SCHWILL , from DIENSTbar, Berlin.

3 au 10/11 : David FENECH, Monks to Monk.

10 au 17/11 : Nicolas MOULIN, Sourakdim-kim mind of waisted remains.

17 au 24/11 : Aki ONDA, For webSYNradio, Aki Onda plays his friend, collaborator and guitar hero Loren Connors music.

24/11 au 1/12 : Martha ROSLER, Thanksgiving (!) 2011.

1/12 au 8/12 : Chuck BETTIS, Electronics + throat.

15 au 22/12 : Shayna DUNKELMAN, For WebSYNradio, November 2011 in Brooklyn, NY.

22 au 30/12 : Adam NANKERVIS, Another vacant space.

2012

5-12 jan : Elizabeth CRESEVEUR, Silence.

12-17 jan : Amandine CASADAMONT, Essential Chantal Champagne.

19- 2 fev : Ana IGLUKA, WONDERLAND ? (part 2/3)

2 - 16 fev : Kaffe MATTHEWS , Playlist from the stars 2012 (+ inédits).

16 fev - 1er mars : Alan DUNN, Artists’ uses of the word revolution.

1-15 mars : Liliane GIRAUDON, Postcards pour Antonio Gramsci.

15-29 mars : Julien OTTAVI , Des avancées de la radio depuis les 60 dernières années… (Part I)

29 mars 12 avril : Valerie VIVANCOS, Being there.

12-26 avril : Miltos MANETAS, Cliques and clusters …

26 avril- 10 mai : Julie ROUSSE, Playlist Of Women, Dreams and Poetry.

10 – 24 mai : David WATSON, A Theory of Relativity.

24 mai- 7 juin : Jean DAVIOT, les mots son.

7 - 21 juin : Sally Ann McINTYRE, websynradio show.

21 juin – 5 juillet : Fred FOREST, Les digressions d'Ego Cyberstar sur une plage de Second Life (inédit).

5 – 19 juillet : Marie MÖÖR, Hommage à Allan Turing.

19 juillet – 30 aout : Valérie BARKOWSKI, Twist the world.

30 août – 13 septembre : Maïa BAROUH, Kusamakura.

13 - 27 septembre : Projet GUNKANJIMA, Une action musicale.

27 sept - 11 octobre : Frédéric MATHEVET, Kitsch edit.

11 - 25 oct : Laurent GEORJIN, OMBILIC, un film sonore.

25 oct - 8 novembre : Sylvia MONNIER, Mix for webSYNradio.

8 - 22 nov : Philippe PANNETIER, L Médée.

22 nov - 6 dec : Artemiy ARTEMIEV, Electroshock.

6 - 20 dec : Guillaume & Cédrik EYMENIER - CATS HAS GOWNS, Yellow Snowdrops & Time Stops.

2013

20 dec - 3 jan : Sylvain DUIGOU & friends.

24 jan – 7 fev : Christophe CHARLES, Sculptures musicales.

7 fev – 21 fev : Julia DROUHIN, (((Magnetic playlist)))

21 fev – 7 mars : Rodolphe ALEXIS, Concentric Playlist.

7 mars – 21 mars : Heike FIEDLER, Sons, mots, engagement.

4 avril - 18 avril : Laurent CHOQUEL, Le sonore comme voie et chemin.

18 avril - 2 mai : Brunhild FERRARI, Presque Rien.

2-16 mai : Frank SMITH, Rendre la parole.

16 -30 mai : Aymeric de TAPOL, Butterfly wing theory.

30 mai - 13 juin : José IGES, Ars sonora.

13 - 27 juin : Lionel MARCHETTI, Haut-parleur, voix et miroir…

27 juin - 10 juillet : Elfuego Fatuo / Clara de ASIS & Laura VAZQUEZ, Les autres jours.

10 - 25 juillet : Yoko HIGASHI, Tryptique de l'oeil.

3 octobre- 17 octobre : Chloe PIENE, Metal Belly/Interrogation (pièces préparatoires/inédites)

17 - 31 octobre: Hong-Kai WANG, a composer is that without which something would not have happened.

31 octobre - 14 novembre: 0 (Joël MERAH, Stéphane GARIN, Sylvain CHAUVEAU), Démocratie Directe

14 - 28 novembre: Tomonori HIGAKI, Pélerinage du son.

28 - 12 décembre: Cal LYALL, Playlist spéciale Japon.

du 12 - 26 décembre: Julien OTTAVI #2, Le Futur de la radio : Ecoradio (recyclage audio-numérique et minimalisme machinique)

2014

du 26 décembre - 9 janvier 2014: Vincent EPPLAY, Chutes de chantier & autres inédits.

du 9 - 23 janvier : http://synradio.fr/richard-garet-dermis-project-sur-websynradio-9-23-jan-2014/, Dermis project (inédit)

du 23 janvier - 6 février : Thomas BJELKEBORN, A tribute to the Swedish text-sound tradition

du 6 - 20 février : Haroon Mirza, o-o-o-o.co.uk

du 20 fev - 6 mars : Stéphan BARRON, Le son ouvre les portes vastes de l'esprit

du 6 - 20 mars : David SHEA, Rituals (en exclusivité)

du 20 mars - 3 avril : Donald RUBINSTEIN, Radio show

du 3 - 17 avril : Dimitri DANILOFF, « Pas que l’image », un voyage sonore, de Soweto à Los Angeles (inédit)

du 17 avril - 1er mai : Emmanuel MIEVILLE & Laurent JEANNEAU, Asian Mix

du 1er - 15 mai : Laura VAZQUEZ, La maison dans la terre

du 15 - 29 mai : Emmanuelle GIBELLO, La période 3 implique le chaos

du 29 mai - 12 juin : Christine Sun KIM & Thomas Benno MADER, Busy Day (inédit)

du 12 - 26 juin : Stéphane GINSBURGH, One player

du 2 - 16 octobre : Elisabeth VALLETTI, Pour Alice.

du 16 - 30 oct : Rainier LERICOLAIS, Density

du 30 oct - 13 nov : Sébastien ROUX, Etude n°3

du 13 - 27 nov : Pascal DELEUZE, Les soufflants

du 27 nov - 11 dec : Kenan GÖRGÜN, A personal journey

du 11 au 25 dec : Rubén Marino Tolosa, lux resonare

2015

du 25 dec au 8 janv : Seth CLUETT , Tracing moving circles (inédits)

du 8 au 22 janv : Juan Antonio NIETO, Broken images (inédits)

du 22 janv au 5 fev : incite/ Kera NAGEL & André ASPELMEIER, incite/ and beyond

du 5 fev au 19 fev : Pali MEURSAULT, Universinternational on Websynradio

du 19 fev au 5 mars : Anton MOBIN, What remains on the tape ? (inédits)

du 5 mars au 19 mars : Geoffroy MONTEL & Franck MARGUIN, Brocoli 10 ans

du 19 mars au 2 avril : Yannick DAUBY, Kalerne

du 2 au 16 avril : Aurélie LIERMAN, Politics of the voice (inédit)

du 16 au 30 avril : Michel TITIN-SCHNAIDER, Constructions sonores (10 ans de création)

30 avril au 14 mai : SECRET PORT ≠ DEATH METAL, phono photographie

du 14 mai au 28 mai : Clara de Asís, Eyes closed (a playlist)

du 28 mai au 11 juin : Léa le BRICOMTE & Joel HUBAUT, Stone et Charnel

du 11 juin au 25 juin : Anne KAWALA, ¶aulina 1880(2015, partie 1 : de la chambre bleue à torano

du 25 juin au 9 juillet : Anna RAIMONDO, we are all radio creatures!

du 10 sept - 24 sept : Vincent DIEUTRE, Sakis: un tombeau

du 24 sept - 8 oct : Tomonari HIGAKI, HIBIKI-NO-NORITO, les sons disparus de notre monde

du 8 oct - 22 oct : Jean Jacques PALIX, Aventures et dérives musicales

du 22 oct - 5 nov : Chantal DUMAS, amour, injustice, histoire

du 5 nov - 19 nov : Felix BLUME, Allées et venues sonores

du 19 nov - 3 dec : Benjamin AIT-ALI, TOULOUSE <> NYC

du 3 dec - 17 dec : Matali CRASSET, Le jardin extraordinaire – studio sound still

du 17 dec - 31 dec : Dimitri COPPE, Et tout se tut - Und alles schwieg ... (version WebSYNradio)

2016

du 31 dec - 14 jan 2016 : Stéphane MARIN / Espaces Sonores, Cinematic Fields

14 jan - 28 jan : Renata ROMAN, FROM THIS SIDE: LATIN (avec inédits)

28 jan - 11 fev : Francois MARTIG, UN PAYSAGE EST

11 fev - 25 fev : Despina PANAGIOTOPOULOU & LABEROUK, ATHENS SPRING (inédit)

25 fevrier - 10 mars : Gilles MALATRAY, PONTS D’OUÏE

10 mars - 24 mars : VINCENT LAUBEUF, AUTOUR DE MOTUS ET FUTURA

24 mars - 7 avril : Olaf HUND, Sons perdus

7 avril - 21 avril : Philippe BOISNARD - Hortense GAUTHIER, hp_process (recent)

21 avril - 5 mai : Delphine KREUTER, Patchwork

5 mai - 19 mai : Gaëlle THEVAL & Anne-Christine ROYERE, « DES CHEMINS PARALLELES N’EXCLUENT PAS FLIRTS, TENDRESSES , VIOLENCES, PASSIONS » : Poésie sonore et musique electro acoustique

19 mai - 2 juin : Dean ROSENTHAL, Mathematical Music

2 juin - 16 juin : Victoria KEDDIE, A SIMPLE MODEL OF QUANTUM TRAJECTORIES

16 juin - 30 juin : Nichola SCRUTTON, GLASGOW SOUNDSCAPES : PLACE, SPACE and MEMORY

30 juin - 14 juillet : Lee FRASER, SUSPENDED MAGIC

15 sept - 29 sept : Jean-Jacques BIRGE, Changement de Programme

29 sept – 13 oct : Zahra MANI, Seminal Moments

13 oct – 27 oct : Pierre BELOUIN, As a warrior …

27 oct - 10 nov : Edward PERRAUD, Comme une offrande (+ inédit)

10 nov - 24 nov : Renata ROMAN, FROM THIS SIDE: LATIN #part 2 (avec inédits)

24 nov - 8 dec : Karen POWER, How Radio

8 dec - 22 dec : Lilian ZAREMBA, Expand Boundaries

2017

22 dec - 5 janvier : HANETRATION, The ultimate collection

5 jan - 18 janv : Radboud MENS , Selfmade instruments and sound-installations

19 janv - 1 fev: Robert CURGENVEN, Submerged Memories

2 fev - 15 fev : Rie NAKAJIMA, A sonic passage

16 fev - 1 mars : Graham DUNNING, a playlist, noise, dirt, dust or decay

2 mars - 15 mars: 2ème Balade de l'invisible

16 mars - 29 mars: Sarah PEEBLES, Music for Shô

30 mars - 12 avril: Jules WYSOCKI, Panorama de la scène expérimentale chinoise

13 av - 26 av : Amanda BELANTARA — kinokophone, Touchée par le son

27 av - 10 mai : Martyna POZNANSKA, From the inaudible to the audible sphere

11 - 24 mai : Signe LIDEN, Sounding Strata

25 mai - 7 juin : Gregory KRAMER, A Tour Through Atmospheres of Archaic Geometry

8 juin - 21 juin : Jez Riley FRENCH, through the more recent things

22 juin - 15 aout : Une fenêtre sur Fukushima, Diffusion radiophonique publique et simultanée France/Japon Nouvelle Laurentine (France) / Fukushima University (Japon)

12 octobre - 25 octobre : Denis DUFOUR, Les Cris de Tatibagan

26 octobre - 8 novembre : James O'CALLAGHAN, playliste de La Radio Parfaite

9 novembre - 22 novembre : Jörg PIRINGER, Mix

23 nov - 6 décembre : Kato HIDEKI, and friends

7 décembre - 20 décembre: Emmanuel LAUGIER, dialogue avec le cinéma d’Alain Cavalier

21 décembre - 3 janv 2018 : Marc NAMBLARD, Cévennes l'été des fares

2018

4 jan - 17 jan : Fabrizio BOZZI FENU, Peut-être n’aurai-je jamais de racines ni de branches

25 jan - 7 fev : Xabier ERKIZIA, egurra (bois, wood)

8 fev - 21 fev : Yasuhiro MORINAGA, Field Recordings – Interlocking Gong Music from Southeast Asia

22 fev - 7 mars : LA COSA PRECIOZA, Drift

8 mars - 21 mars : Fukushima +7

22 mars - 4 avril : Stefano GIANNOTTI, Enfance, adolescence, jeunesse.

5 avril - 18 avril : Alfredo COSTA MONTEIRO, Hylè

19 avril - 2 mai : Pierre PELISSIER, Encore raté ...

3 mai - 16 mai : Michaël GREBIL LIBERG (avec le Salon de Musique), Mînes de mai

17 mai - 30 mai: Philippe PETIT, SYNnérisme

31 mai - 13 juin : Despina PANAGIOTOPOULOU / Felix BLUME / LABEROUK (avec La Radio Parfaite du festival du Printemps des Arts de Monte Carlo), Jungle

14 juin - 27 juin : Falter BRAMNK, Pièces choisies et portraits sonores

28 juin - 11 juillet : Frédéric MATHEVET (avec La Radio Parfaite du festival du Printemps des Arts de Monte Carlo), Drifting

27 sept - 10 oct : Guillaume BOPPE, Le son d'Anvers (inédit)

11 oct - 24 oct : Douglas GORDON, Life in a Scotch Kitchen

25 oct - 7 nov : Marc SENS, 1 Décennie X2

22 nov - 5 décembre : Hervé ZENOUDA, Un aperçu de la musique contemporaine émergente / A survey of the emerging contempory music

6 decembre - 19 décembre : Stéphane NOWAK PAPANTONIOU

20 decembre - 2 janvier 2019 : KRISTOFF K.ROLL

[santiagorr]

A VIENNESE FAIRYTALE

The History of the K. u. K. Hofzuckerbäckerei Demel

It was in 1786 across the now former Royal & Imperial Hofburgtheatre that confectioner Ludwig Dehne opened his confiserie, which almost instantly flourished into a success story. By the time the confectionery became the Demel that we know and love today in 1856, it had already become a hotspot among aristocrats and Vienna’s bourgeoisie.

Whether it was young Emperor Franz Joseph I., who would write love-letters about the large variety of treats or his Elizabeth, who could not get enough of the famous violet-sorbet – Demel became a pilgrimage site for those with a sweet tooth and kept its status even after the fall of the monarchy. Anna Demel, the first woman to ever receive the title of ‚Councillor of Commerce‘ in 1957, strictly guarded and assured that the old standards and traditions were kept, and so Demel continues to be a portal to monarchic times until today.

After Anna’s death, it was her son-in-law Baron Federico of Berzevicsy-Pallavicini who, with his fascinating window displays and playful designs, shaped Demel’s visual appearance, which – along with numerous ‚Wiener Wekstätten‘-motives, are still preserved and visible on some of Demel's packagings.

As of 2002, the internationally renowned DO & CO group is proud owner of the historical establishment and continues its operations traditionally according to Anna Demel’s wishes.