#elisa becker

[lgbtqreads]

Most Anticipated LGBTQ+ Middle Grade Fiction: July-December 2024

Benji Zeb is a Ravenous Werewolf by Deke Moulton (July 2nd) Benji Zeb has a lot going on. He has a lot of studying to do, not only for school but also for his upcoming bar mitzvah. He’s nervous about Mr. Rutherford, the aggressive local rancher who hates Benji’s family’s kibbutz and wolf sanctuary. And he hasn’t figured out what to do about Caleb, Mr. Rutherford’s stepson, who has been bullying…

[floofballsammy]

Oh yes, while i'm at it, more stick oc drawings. Currently just paper doodles. Text under drawings.

Razz, Bubblegum and Elisa belong to me. Featuring my sticksona.

(Razz: Give me patience

BG: It's "Give me strenght"

Razz: I already have strenght, but clearly that didnt work)

(Elisa: Surprisingly that Idiot hasn't hurt themself.

Razz: who?

BG: You think I can do a backflip?

Razz: SHIT THAT'S MY IDIOT.)

(Sticksona: TAKE. THEM. OFF.

BG: I. WOULD. RATHER. DIE.

Sticksona: THEN YOU WILL DIE!

BG: NOOOOOOO

BG: I look bland af now!)

[dixxieskywalker]

Vanessa Paradis in "Elisa", dir. Jean Becker, 1995.

[buxberg]

Vanessa Paradis

Elle est née le 22 décembre 1972 dans la banlieue parisienne de Saint-Maur-de-Fossés (département du Val-de-Marne).

Elle aimait chanter et danser depuis l'enfance. Sa famille était impliquée dans le show business et à l'âge de sept ans, la jeune fille est apparue à la télévision française au télé concours L'école des fans avec la chanson Emilie Jolie. En 1986, à l'âge de 14 ans, Vanessa gagne en popularité en Europe avec la chanson "Taxi Driver Joe" (Joe le taxi). L'année suivante, son premier album tout aussi réussi M & J est sorti, qui est devenu platine.

En 1989, elle fait ses débuts au cinéma dans le rôle féminin principal du film "Noces Blanches" de Jean-Claude Brisson. On dit que ce travail a valu à l'actrice la haine de toute la population féminine de France pour les scènes érotiques franches. Après cela, Vanessa n'a pas joué dans des films pendant cinq ans. A cette époque, ses albums Variation Sur Le Même T'aime (1990), Vanessa Paradis (1992), Vanessa Paradis Live (1994) sortent. Parallèlement, Vanessa signe un contrat avec la société Chanel et entame une carrière de mannequin photo, publicitaire du parfum Coco.

En 1995, elle apparaît à nouveau sur les écrans dans le film "Elisa" de Jacques Becker avec Gérard Depardieu. Dans ce projet, Vanessa contrôlait beaucoup plus étroitement son image, bien qu'elle ne se soit pas gênée pour ses scènes érotiques.

[azzurriandspanishcalciofamilies]

ENGAGEDS FOR 2025

AARÓN ESCANDELL & LARA ALBELDA - Real Oviedo

ADRIÁN DE LA FUENTE & ALE BECKER - UD Levante

ALAN GODOY & ANA MARÍA - CD Eldense

ALEIX GARCIA & DENISA BUDAN - Bayer Leverkusen

ANDREA PETAGNA & CAROLINA MONTEFUSCO - AC Monza

ANDRÉS MARTÍN & NIRA ARTILES - Racing Santander

BORJA MAYORAL & FLAVIA NATALINI - Getafe CF

CARLO PINSOGLIO & HINDA EL MAHI - Juventus FC

DAVID RAYA & TATIANA TROUBOUL - Arsenal FC

EDU EXPÓSITO & INMACULADA E. - RCD Espanyol

FABIÁN RUIZ & ROSA PEREIRA - Paris Saint Germain

FERNANDO PACHECO & ÁNGELA GUERRERO - RCD Espanyol

FRAN NAVARRO & NATALIE RAMÍREZ - FC Porto

FRANCESCO ACERBI & CLAUDIA SCARPARI - Inter Milan

GIACOMO RICCI & MARTINA PARDINI - Cosenza Calcio

GIANLUCA SCAMACCA & FLAMINIA APOLLONI - Atalanta BC

GIANLUIGI DONNARUMMA & ALESSIA ELEFANTE - Paris Saint Germain

GIUSEPPE PRESTIA & DESIRÉE IMPICCINI - Cesena FC

GIUSEPPE SIBILLI & NOEMI URBANI - SSC Bari

ISI PALAZÓN & MARTA SORIANO - Rayo Vallecano

KIKE PÉREZ & IRENE RUIZ - Real Valladolid

LEONARDO CANDELLONE & ELISA FAINA - SS Juve Stabia

LUCA VIGNALI & CATERINA SCAMPELLI - Spezia Calcio

MATTEO GABBIA & FEDERICA RUGGERI - AC Milan

NICOLA DALMONTE & GAYA MURCIANO - US Salernitana

ORIOL BUSQUETS & MILI LAJE - FC Arouca

ÓSCAR PLANO & CRISTINA NOVELLA - Elche CF

ROLANDO MANDRAGORA & LUCIA PERSICO - ACF Fiorentina

SALVA FERRER & NEREA TOMÀS - Spezia Calcio

SERGIO BUSQUETS & ELENA GALERA - Inter Miami

UNAI NÚÑEZ & CYNTIA ROLDÁN - Athletic Club

[the-eddysworld-crew]

Hello Everyone!

This is a fanmade blog inspired by Eddsworld!! This is an Eddsworld AU blog run by both me (Co-Owner) and my friend Eddy (Owner of AU)! It also includes both our other friends, Error and Issac/Isa! This blog is mainly just to have fun and be silly and whatnot. It's a blog that has our 4 OC's as the main crew of Eddsworld, hence why it is called Eddysworld. This is purely just an AU, so please do not mistake us for the real Eddsworld (go follow them instead)!!

You can ask us any questions or dares for us to do! As long as they are not:

NSFW, Pedophilia, Racist, homophobic/transphobic, S/A, Necrophilia, etc!! You can ask however:

Questions about our AU, the creators, sily dares, questions for any/all of our characters, any ļ̷͈̹̋̀̍o̴̠͎̜͖̠̍r̷̘̈́̅͠ë̸͓́͐͝/̶̣̩̮̜̍̇͌ḇ̸̨̦̑ḁ̶̢̤̈́̋̕c̶̟̖͖͈̀̑k̸̳͐͂̋̐͝s̶̨͍͔̮̀́̿͋t̷̢̛̓̑ỏ̴̢͕̪̅̄͑͛r̵̤̲̀̉̀̎͒ý̴͈̄̇̐̀ ̶̜̩̈́͜f̶̟͚̤͐ȍ̷̧̪̗͛r̷͔͍̔́̀͂͠ ̶̢̭̞̺̑̓t̷̡͉̲͋͌̊͊͛h̶̛̟̭̞̔̈́͜e̶̼͌͝m̴̨̪̦͉͇͘, and anything that is SFW!! Our main cast for now includes:

Eddward: Edd Elisa: Tord Error: Tom Issac: Matt Our owner, Eddy, now has a message for everyone! "Uh uh Hihi Im eddward The owner of eddysworld Me and suly thought about making this small au Im a minor (drake drake go away) And im a dude and i use he/they and uh yeag Watch more alan becker Makes u a greater person for me" The reference pages for our characters will go out soon, and we will update our blog so it looks better! Until then, this is co-owner Looney, signing off!

[capitalflutuante]

No próximo domingo (5), os estudantes que participarão do Exame Nacional do Ensino Médio (Enem) de 2023 têm um encontro marcado logo após as provas. O Canal Educação transmite, nos dias 5 e 12 de novembro, o especial Caiu no Enem. Com a participação ao vivo de professores no estúdio, o programa vai analisar as principais questões que caíram na prova, a partir das 20h. Com duas horas de duração, o programa recebe professores de diferentes áreas do conhecimento para comentar e esclarecer os principais temas abordados, além de detalhar algumas questões da avaliação. O Caiu no Enem será apresentado pelas jornalistas Ana Elisa Santana e Carol Becker. Esta será a décima edição do programa produzido pela Empresa Brasil de Comunicação (EBC). Além da transmissão pelo Canal Educação, das 20h às 22h, a primeira hora do programa também será exibida pela TV Brasil e emissoras da Rede Nacional de Comunicação Pública (RNCP), das 20h às 21h. A Rádio Nacional também retransmitirá a íntegra do programa para os ouvintes, a partir das 20h. O público pode participar enviando dúvidas e comentários para os perfis do Canal Educação nas redes sociais @canaleducacaobr e usando a hashtag #CaiuNoEnem. Dinâmica No Caiu no Enem, os convidados comentam as principais questões do exame, debatem sobre os temas cobrados e a estrutura da prova. A partir da participação dos estudantes via redes sociais, os professores podem comentar também os itens mais pedidos pelo público. O programa traz ainda a opinião dos candidatos direto dos locais de prova e informações do Instituto Nacional de Estudos e Pesquisas Educacionais Anísio Teixeira (Inep) sobre a aplicação do exame. Neste domingo, os participantes respondem às questões das áreas de linguagens, ciências humanas e fazem a redação, que serão o foco do comentário dos professores. No próximo domingo (12), as provas serão de matemática e ciências da natureza, que serão analisadas pelo time do programa. O gabarito oficial das provas será divulgado pelo Inep apenas no dia 24 de novembro. Além dos comentários dos professores, a atração também explica como é feito o cálculo da nota do Enem e de que forma os candidatos podem utilizar o resultado para buscar oportunidades no ensino superior. Sobre o Enem As provas do Enem serão aplicadas nos dias 5 e 12 de novembro a quase 4 milhões de inscritos. O exame, que avalia o desempenho dos estudantes ao término da educação básica, também se tornou a principal porta de entrada para a educação superior no Brasil. A partir do resultado obtido no Enem, o candidato pode concorrer a vagas em universidades públicas por meio do Sistema de Seleção Unificada (Sisu) ou a bolsas de estudo por meio do Programa Universidade para Todos (Prouni). Sobre o Canal Educação A emissora do Ministério da Educação, em parceria com a EBC, está no ar por meio da multiprogramação da TV Brasil. O canal propõe uma jornada na educação para a vida, inspirada na multiplicação do conhecimento e na formação da cidadania. Tem como missão abordar relevantes temas educacionais, principalmente por meio do acesso a políticas públicas. Também ocupa espaço de prestação de serviço à sociedade, alcançando a população por meio da TV aberta e dentro da Rede Nacional de Comunicação Pública. Com informações da Agência Brasil

[nursingscience]

LIST OF DIAGNOSTIC TESTS IN DIFFERENT MEDICAL CONDITIONS

▪️Adom Test- Scoliosis

▪️Aldehyde test- Leprosy

▪️Allen test- ABG Analysis

▪️Arthrocentesis: Joint inflammation and infection

▪️Auspitz’s sign: Psoriasis

▪️Bangle Test- Protein-Energy Malnutrition

▪️Becker’s sign: Thyrotoxicosis

▪️Benedict Test- Glucose in urine

▪️Binet Test- intelligence quotient

▪️Blumberg’s sign: Peritonitis

▪️Bonny Test / Marshall Test- Stress Incontinence

▪️Braden scale: to measure the integrity of bedsore

▪️Burrow ink test: Scabies / The itch

▪️Confrontation Test- Central and Peripheral Vision

▪️Creatinine clearance test – Estimation of GFR

▪️D-Dimer Test – measuring Clot formation(DVT, PE, DIC)

▪️Dexa scan – Bone metabolic disease Eg. Osteoporosis

▪️Dexamethasone suppression test: ACTH or Pituitary / adrenal gland tumor

▪️Dick Test- Scarlet Fever

▪️Direct Coomb test- Haemolytic Anaemia

▪️Fern Test or Nitrazine Test- leakage of Amniotic fluid

▪️Frei Test- Lymphogranuloma inguinale

▪️Glucose tolerance test – Diabetes Mellitus

▪️Glycosylated Haemoglobin/Hb1AC Test- Diabetes Mellitus

▪️Gold QuntiFeron Test- Tuberculosis

▪️Guthrie Test – Phenylketonuria

▪️Hanging Drop Test – Cholera

▪️Heel to shin test – CSF leakage

▪️Hey Test- Bile Salt in Urine

▪️Histamine Test- Leprosy

▪️Holter Monitoring – 24 hour ECG monitoring in Dysrhythmia

▪️Ishihara Test- Color Vision test

▪️Jegar’s type Card test- Near Vision

▪️Knee Kiss Test- Meningitis in Children

▪️KveimTest- Sarcoidosis

▪️Ortho-Toluidine Test- Check Chlorine in Water.

▪️Pap smear: Cancer of the cervix

▪️Patch Test- Allergic Reaction

▪️Paul Bunnell Test- Epstein Barr Virus

▪️Phalen’s / Tinel’s Test- Carpal Tunnel Syndrome

▪️Phosphate test- Pasteurization

▪️Rinne and Weber test – Hearing

▪️Roller Over Test- Pre-Eclampsia

▪️Romberg Test- Neurological Function/balance or gait

▪️Rothera test- Acetone in Urine

▪️Rubin test- Patency of fallopian tube

▪️Schick test- Diphtheria

▪️Schilling Test – Vitamin B12 Absorption

▪️Shake Test / Bubble Test- Surfactant and fetal Lungs maturity

▪️Smith test- Bile Pigment in Urine

▪️Snellen Chart Test- Distance Vision

▪️Sweat chloride test- Cystic fibrosis

▪️Tape Test- Pin Worm

▪️Tensilon Test- Myasthenia Gravis

▪️Tourniquet Test- Dengue

▪️Treadmill/Stress Test-heart function

▪️Trendelenburg test- varicose vein

▪️Triple Test- Down Syndrome

▪️Tzank Test- Herpes Genital or Varicella

▪️Urea breath test- H. Pylori

▪️VDRL test- Syphilis

▪️VMA (Vanillylmandelic acid test) – Pheochromocytoma

▪️water deprivation Test- Diabetes Insipidus

▪️Weil Felix test- Rickettsial infections

▪️Widal test-Typhoid (on 2nd week)

▪️Wood’s Light examination: Superficial infection of the skin

🔹CANCER DIAGNOSTIC TESTS:

▪️CA 15-3: breast cancer

▪️CA 19-9: GIT (Pancreatic, liver cancer)

▪️CA 125: Ovarian cancer

🔹AIDS DIAGNOSTIC TESTS:

▪️ELISA Test – Screening for HIV

▪️Western Blot test – Confirmation Test for HIV

▪️CD4 count – Predictor of HIV (< 200) P24

▪️Antigen Assay test: Indicates Active HIV ▪️Replication or seen in pregnancy

[inochi-wa-utau]

Elisa (1995) dir. Jean Becker

[edsonjnovaes]

Plantas Alimentícias Não Convencionais, alternativaS?!?

Plantas Alimentícias Não Convencionais, alternativaS?!?

No Brasil, o trabalho pioneiro sobre as PANC e o registro das espécies é do professor e pesquisador Valdely Kinupp, que cunhou o termo Plantas Alimentícias Não Convencionais e catalogou mais de 300 espécies em sua tese de doutorado, que deu origem ao livro Plantas Alimentícias Não Convencionais (PANC) no Brasil. Você pode acessar a tese aqui.

“Muitas plantas não são consumidas, pois as pessoas…

[leonardoantiqueira]

histórias afro-atlânticas [afroatlantic histories]

29/06/2018 - 21/10/2018 masp

eleita pelo new york times a melhor exposição do ano de 2018 eleita pela artnews a terceira melhor exposição da década catálogo da exposição indicado ao prêmio jabuti

curadoria [curatorial project]

adriano pedrosa, artur santoro, ayrson heráclito, hélio menezes, leonardo antiqueira, lilia moritz schwarcz, matheus araújo e tomás toledo.

histórias afro-atlânticas apresenta uma seleção de 450 trabalhos de 214 artistas, do século 16 ao 21, em torno dos “fluxos e refluxos” entre a áfrica, as américas, o caribe, e também a europa. a exposição parte do desejo e da necessidade de traçar paralelos, fricções e diálogos entre as culturas visuais dos territórios afro-atlânticos—suas vivências, criações, cultos e filosofias. é importante levar em conta a noção plural e polifônica de “histórias”; esse termo que em português (diferentemente do inglês) abrange tanto a ficção como a não ficção, as narrativas pessoais, políticas, econômicas, culturais e mitológicas. essas histórias possuem uma qualidade processual, aberta e especulativa, em oposição ao caráter mais monolítico e definitivo das narrativas tradicionais. nesse sentido, a exposição não se propõe a esgotar um assunto tão extenso e complexo, mas antes a incitar novos debates e questionamentos, para que as histórias afro-atlânticas sejam reconsideradas, revistas e reescritas.

artistas

aaron douglas / abdias nascimento / ad junior, edu carvalho e spartakus santiago / adenor gondim / agnaldo manoel dos santos / agostinho batista de freitas / agostino brunias / albert eckhout / albert huie / alberto henschel / alexander "skunder" boghossian / alfred weidinger / alfredo volpi / aline motta / alma thomas / alphonse garreau / andré cypriano / andy warhol / anita malfatti / antonio bandeira / antonio gomide / antônio obá / antônio parreiras / antônio rafael pinto bandeira / archibald j. motley / arthur bispo do rosário / arthur timótheo da costa / augustus earle / babalu / barbara jones‑hogu / barrington watson / bauer sá / beauford delaney / belmiro de almeida / ben enwonwu / benny andrews / blair stapp / bruno baptistelli / cameron rowland / candido portinari / canute caliste / captain stedman / carlos moraes / carlos vergara / carybé / castagnez pierre / castera bazile / celina / charles landseer / chico tabibuia / cícero dias / coletivo de artistas de cachoeira / cristofano dell’altissimo / cyprien tokoudagba / dalton paula / david driskell / david miller senior / dicinho / dimitri ismailovitch / dirk valkenburg / disbrow & few photographers / djanira da motta e silva / dumile feni / edinízio ribeiro primo / edna manley / edouard antoine renard / edsoleda santos / elisa larkin nascimento / ellen gallagher / ellis wilson / emanoel araujo / emiliano di cavalcanti / emma amos / emory douglas / enrique grau araújo / ernest crichlow / ernest mancoba / eustáquio neves / faith ringgold / felix beltran / félix émile taunay / félix farfan / flávio cerqueira / flávio gomes / françois auguste biard / françois désiré roulin / françois froger / frans post / frederico guilherme briggs / frente 3 de fevereiro / gary simmons / gaspar gasparian / george valris / gerard sekoto / gilberto de la nuez / gilberto hernández ortega / glauber rocha / glenn ligon / hank willis thomas / heitor dos prazeres / henry chamberlain / howardena pindell / hyacinthe rigaud / ibrahim el‑salahi / ibrahim mahama / iracy hirsch / isaac mendes belisario / ismael nery / j. cunha / jacob lawrence / jacques arago / jaime colson / jaime lauriano / james phillips / janaina barros / jaime fygura / jean chauffrey  / jean‑baptiste debret / joão cândido da silva / joaquim lopes de barros / johann moritz rugendas / john biggers / john wood / jorge henrique papf / josé alves de olinda / josé correia de lima / josé gil de castro / josé segura ezquerro / joshua reynolds / juan roberto “diago” durruthy / juana borrero / juarez paraíso / julien vallou de villeneuve / kara walker / lasar segall / loïs mailou jones / luiz braga / lula cardoso ayres / lynette yiadom‑boakye / mallica “kapo” reynolds / manuel mendive / manufatura de gobelins / marc ferrez / marcus rainsford / marepe / maria auxiliadora / mariano de zuñiga y ontiveros / mário cravo júnior / marius‑pierre / le masurier / martinho patrício / maurício simonetti / maxwell alexandre / mcpherson & oliver / mestre didi / mídia ninja / militão augusto de azevedo / moisés patrício / nadia taquary / nina chanel abney / no martins / noemia mourão / nona faustine / norman lewis / octávio araújo / osmond watson / pascale marthine tayou / paul cézanne / paul harro‑harring / paulo nazareth / pedro américo / pedro figari / philip thomas coke tilyard / pierre verger / radcliffe bailey / rafael borjes de oliveira / rafael rg / ram geet / ramiro bernabó / rené portocarrero / revert henry klumb / richard bridgens / rigaud benoit / roberto burle marx / rodolpho lindemann / rogério reis / romare bearden / rosana paulino / rosina becker do valle / rubem valentim / samuel raven / sénèque obin / seydou keïta / sheila pree bright / sidney amaral / solomon nunes carvalho / sonia gomes / tatewaki nio / theaster gates / theodor kaufmann / theodore géricault / thomas jones barker / tiago sant’ana / titus kaphar / toyin ojih odutola / uche okeke / uzo egonu / vicentina julião / victor meirelles / victor patricio landaluze / victoria santa cruz / vincent rosenblatt / walter firmo / wifredo lam / william henry johnson

[cuthian]

Dancing in the Rain Chapter Three

Next Chapter, darlings. 

Things are going to happen and happen faster from hereon out.  Please keep checking the tags, and if you have any concerns, please shoot me a message! 

Eternal thanks to @juuls for putting up with me. 

Love, Annaelle 

Chapter Three

PROJECT PHOENIX PHASE 1 PROGRESS REPORT

REPORT OF MEDICAL EXAMINATION OF TEST SUBJECT

NAME BARNES, REBECCA AGE 23            RACE CAUCASIAN                  SEX FEMALE

DATE OF FIRST INJECTION APRIL 20, 2008

DATE OF EXAMINATION MAY 26, 2008                       EXAMINED BY ELISA SINCLAIR

CONDITION OF THE SUBJECT BEFORE FIRST INJECTION (DAY 0) EYES BLUE      HAIR BROWN WEIGHT 67 KG            LENGTH 173 CM

CONDITION OF THE SUBJECT AFTER FIRST INJECTION (DAY 38)

EYES BLUE      HAIR BROWN WEIGHT 70 KG            LENGTH 176 CM

MARKS AND WOUNDS (HEALING FACTOR)

—LAST INFLICTED INJURIES 48 HOURS AGO—

THREE BROKEN RIBS IN REMODELING STAGE OF HEALING (HEALING STAGE WEEK 6) – INDICATION OF ACCELERATED HEALING IN MINOR FORM

CLEAN BREAK IN FEMUR OF LEFT LEG (HEALING STAGE WEEK 3) – INDICATION OF ACCELERATED HEALING IN MINOR FORM

ONE DEEP PENETRATIVE WOUND ON UPPER ARM IN PROLIFERATIVE STAGE OF HEALING – FURTHER INDICATOR OF ACCELERATED HEALING IN MINOR FORM

SEVERAL MINOR PENETRATIVE WOUNDS ACROSS UPPER TORSO AND LEGS IN PROLIFERATIVE STAGE OF HEALING – FURTHER INDICATOR OF ACCELERATED HEALING IN MINOR FORM

CHAFE WOUNDS ON ANKLES AND WRISTS IN VARIOUS STAGES OF HEALING – FURTHER INDICATOR OF ACCELERATED HEALING IN MINOR FORM

RECOMMENDATIONS FOR FURTHER EXPERIMENTATION

SUBJECT IS SUITABLE TO PROCEED TO PHASE TWO OF PROJECT PHOENIX

MOVE SUBJECT TO SECONDARY BASE FOR INTERACTION WITH THE WINTER SOLDIER AND FURTHER CONDITIONING

DATE MAY 26, 2008                 SIGNATURE    ELISA SINCLAIR

----------------

Tony Stark’s Personal Lab, Avengers Tower, Manhattan, New York, United States of America

30 April 2016Steve

Steve sat on a chair in the far corner of Tony’s lab, arms wrapped around his torso as he watched the others file into the lab. They’d spent most of the night combing through the data J.A.R.V.I.S. had collected and had, together, decided that it was in everyone’s best interest to call in the rest of the team to share what they’d found.

What they’d possibly found.

Steve understood why Tony… why Wanda thought that the terrorist group they’d been chasing might be Hydra. He saw the same patterns they did, he saw the kind of brutal effectiveness and zealotry that he’d only seen during the war in Hydra, and he saw.

He saw what Wanda meant when she had described her and Pietro’s experience with them, when she had talked about how they’d been meant to become tools to shape the coming century, to sow chaos so humanity would see they needed a strong hand to guide them. It sounded like things Schmidt would have said, like justifications Zola would have spouted for his sick human experiments—

He understood.

That didn’t mean he agreed.

There was nearly no direct evidence, nothing that pointed towards Hydra directly—no double salutes, no glowing blue weapons or secret bases with scarily advanced technology—nothing but rumors of misconduct, suspicious disappearances and something that, he had to admit, didn’t really add up with anything else.

Still, it was hard to believe that Hydra could’ve survived all this time—

That all he’d done would’ve been in vain.

“Why’re we here, Tony?” Becca asked when she walked in, rubbing her hand lightly over her belly. Thor followed her closely, waiting until she had taken a seat to press in behind her, letting her lean back against him. Natasha and Wanda were still sitting on one of the lab tables, leaning against each other tiredly, and Pietro was bouncing on his toes beside them.

Bruce and Tony were both wandering around the lab, tinkering and chatting distractedly.

“We should wait for Sharon, shouldn’t we?” said Tony questioningly, dropping the wrench he had been waving around for the last thirty minutes. “I mean, we’ve agreed to start trusting her, right? She’s gonna be our Becca for at least six months, she should be brought into the loop, shouldn’t she?”

Becca shook her head. “Sharon’s pretty sick, she’s not gonna be in today. Sore throat, ugly coughing, stuff like that. Brock called this morning, said he’s gonna take her to a doctor and let us know.” She leaned back into Thor again and winced a little, rubbing her hand over the side of her stomach where, Steve assumed, the baby had delivered a particularly hard kick.

“Okay,” Tony said. Then, “I have doctors on retainer for my staff. She could come here.”

“I’ll be sure to pass it along,” Becca said dryly. “Now why are we here?”

Tony heaved a sigh and spun on his heel, gesturing wildly at Steve, and Steve couldn’t help but smile, despite the grave subject. He pushed up, off his chair, and leaned against the table Nat and Wanda were sitting on. “We found something,” he said. “Well… Wanda and Nat found something.”

“Full disclosure,” Natasha said slowly, “We’re not a hundred percent sure, but…”

“We think Hydra might not be as dead and gone as we thought after all,” Tony blurted—again, Christ, Tony—before wincing and clapping his hand over his mouth again, like he had the previous night when he’d told Steve.

He crossed his arms over his chest and looked away as a deafening silence rang in the lab.

“I—what?!” Becca sputtered, eyes wide.

Thor leaned forward. “This is a very serious claim,” he said calmly, although his forehead was creased with concern. “Steven has told me much about these foes. If they are truly undefeated…” He did not finish, but he didn’t need to—the implication of Hydra’s return hung heavy in the air.

“We never knew what they were called,” Pietro said, and Wanda shook her head. “All we knew was that they lied to us,” she said, rubbing her fingers over the scars Steve knew lay hidden beneath her long sleeves. “They took many like us; willing, young… foolish. Others…” She bit her lip and chanced a glance at Steve. “Perhaps not so willing.”

“Regardless,” Steve said, and he hated that his voice was hoarse and unsteady. “We’re not sure that it’s Hydra, but we’re sure it’s something. And it goes up high. What we’ve found indirectly implicates senators, actors, ambassadors… even the World Security Council. We already knew this was bigger than them trying to frame Sharon, but…”

He sighed.

“This is much bigger than we anticipated.”

J.A.R.V.I.S. helpfully projected digital copies of the files they’d managed to collect in front of the others, and Steve watched as everyone began to sift through the collected documents and articles in there, every single one of them paling significantly as they did.

Steve knew the feeling.

Bruce looked faintly green around the edges, and Steve would be more concerned about him potentially hulking out if he didn’t have more faith in Bruce’s self-control. “What are we going to do?” Bruce choked. “What can we do?”

“Steve,” Becca said slowly, trembling fingers hovering over the digital file, “Why is my—the—why am I in here?”

“There seems to have been more to the attack that took out your squad than we thought,” Tony answered for him, voice gentle as he approached his godsister. His voice and expression were haunted. “There’s been a lot of suspicious activity around there since then too, and it just keeps happening. And…” He hesitated, looking to Steve helplessly.

Steve sighed and moved towards Becca, settling on the seat beside her and taking one of her hands in his. “We found files, detailing… detailing torture and experimentation that sounds a lot like what was done to you while Al ’Qaeda had you.”

Becca looked downright nauseated. “So you think it was Hydra?” she choked. “That they experimented on me?”

“No,” Steve said, shaking his head. “No. I mean, I don’t know. I just know that there might’ve been more to it than we originally thought. Than you might’ve thought.”

Becca swallowed thickly.

Thor rested a hand on her shoulder, rubbing a thumb over the tense line of her shoulder soothingly. Becca didn’t relax, per se, but she did exhale roughly. “Okay,” she said quietly. “So what else do we have? What are we doing? What’s our next step?”

“We need more intel,” Natasha said simply. “Steve got an invitation to a gala in a few days where a lot of the potentially incriminated ambassadors will be. We’re especially looking to talk to Julien Beckers,” she pulled up a picture of a sandy-haired man in a suit and a tie and continued, “the Belgian Minister of Foreign Affairs. He’s implicated in a lot of shady stuff, and apparently loose-lipped when plied with enough alcohol.”

Bruce frowned. “That seems like a pretty poor quality for someone involved with shady stuff.”

Tony nodded vigorously and pointed at Bruce. “And that’s why he doesn’t drink at public functions. The trick will be to get him drunk without him knowing, without arousing his suspicions.”

Bruce nodded. “That’s easy enough to arrange. All we need to do is sneak someone into the serving staff and make sure there’s some kind of undetectable drugging agent in his drink.” He frowned. “It’d probably help if someone was distracting him too.”

Natasha nodded. “Which is where Steve comes in,” she said. “And…” she looked towards Becca. “You, if you and Thor feel comfortable with it.”

Becca blinked. “Me?” she said, pointing at herself quizzically. “But I’m pregnant.”

“Yes,” Natasha nodded. “Which is why no one would suspect us of actually running an op if you’re there. No self-respecting first world country would put their visibly, famously pregnant agent on an active op in the field.”

“With good reason,” Thor said, frowning severely.

“She wouldn’t be in danger,” Steve put in immediately. “I’d be with her the entire time, and we’re just going to a party to talk to someone.” He looked at Thor seriously, imploringly. “I’d never put her in danger, Thor. Either of them.”

“She is right here,” Becca said impatiently. “And I can speak for myself.”

Steve abruptly looked at his best friend and winced. He had been out of sorts since Tony had told him about… about all of this, and so busy trying to figure this out that he’d just… forgotten Becca was sitting right in front of him and wasn’t going to let anyone—even Thor—tell her what to do.

“Sorry,” he said shortly. “I’m sorry. If you think you’re up for it, I could use your help.”

Becca looked at him intently, and he just barely managed not to squirm beneath her gaze before she asked, quietly, “And… you’re sure it’s safe? That nothing will happen?”

“As sure as we can be,” he nodded. “And Clint will be right with us, he can get to us faster than anyone should something go wrong.”

Natasha nodded intently, and Becca looked a little more reassured by that.

She looked up at Thor, questioning, and Steve looked away abruptly.

He’d… he’d been able to communicate with Bucky by just looking at him too, and he… while he was doing good, he still wasn’t great at watching someone else have what he’d lost.

“I’ll do it,” Becca said.

Steve swallowed thickly and nodded. “Okay.” He looked up at Tony. “Well. What’s next?”

Tony clapped his hands gleefully. “Shopping!”

------------

INTERNAL MEMO “The Thule Society Future Debates: Results and Actions”

SESSION NOVEMBER 1991                                                                                         VOLUME 1

COUNCIL OF REPRESENTATIVES OF CONTINENTAL FACTIONS

Monday, November 30, 1991

ASIA

The dissolution of the U.S.S.R. seems imminent. Local chapters of the Society have prepared for all eventualities and are imprinting new codes and failsafes into each of the Widows to ensure the continued longevity of the program.

EUROPE

The Society has gained foothold in Belgium after the general elections – traditional Christian parties and Socialist parties have lost significant amounts of seats in the House of Representatives to Society sponsored party Vlaams Blok.

Society partners are now hopeful to continue to gain access to several international agencies through their now established foothold in Belgian parliament.

AFRICA

Society groups have successfully destabilised government in Somalia and are currently feeding into the established chaos to continue spreading civil war into the surrounding nations.

NORTH AMERICA

The North American Society has learned of a potential opportunity to obtain the serum needed to proceed with Project Phoenix, provided a suitable genetic match for the Soldier can be obtained.

Recalibration and conditioning of the Soldier has been successful thus far – the Soldier will be sent to eliminate all targets and retrieve the serum. The Soldier’s new handler has assured the North American Society the incident from ’79 will not be repeated.

If proved successful, further responsibilities will be assigned.

Common Floor of the Avengers Tower, Manhattan, New York City, U.S.A.

3 p.m., 2

April 2016Steve

“I hate this,” Steve said glumly, staring down at himself with all the air of a defeated man.

Becca snorted a laugh from her seat at the vanity, where Natasha was doing something complicated to her hair. She was already fully dressed, the one-shoulder dark blue gown she’d picked achieving the exact effect they were hoping for—she looked soft and unthreatening, but had a gun strapped to her thigh and a knife to her ankle, and Steve was pretty sure he’d heard Natasha mention something about narcotics hidden in the pearls in her necklace. “Don’t be dramatic,” she said, rolling her eyes at him in the mirror. “I’ve seen you wear much worse than a bespoke suit, Rogers.”

Steve pouted. “It’s just so…” He ran his hands down the soft fabric of the waistcoat. “Fancy. Expensive. I think this suit cost enough to have fed Bucky’s entire family for a month when we were kids.”

Becca shook her head at him and Tony, who had just entered the room, barked a laugh. “Far be it for me to break your socialist little heart, Cap,” he joked, “but you’ll stand out more if you’re less fancy.”

Steve glowered at him but accepted his fate and sat on the large pouf to tie his ridiculously shiny, dark leather shoes. Thor, who had been mostly silent through the entire process, chuckled at Steve’s reticence and pronounced, “I think you look rather dashing, my friend. Shame you could not be adorned in the Aesir formal wear I had fashioned for you, but… This will do.” Steve wrinkled his nose and Thor laughed, clapping a hand on Steve’s shoulder companionably. “You cut an impressive figure, and you will do very well to escort my Rebecca to the gala tonight.”

Becca beamed at him from where she sat on her stool, Natasha’s hands still buried in her hair, twisting it onto the top of her head in a complicated mess of intricate braids and loose curls.

Steve grinned lightly and shook his head. He thought he may actually have felt more comfortable in the formal wear Thor had fashioned for each of the Avengers—he was far more used to standing out due to ostentatious and unconventional clothing than due to well-tailored and hideously expensive clothing—but he’d been outvoted.

“Plus, it’ll be a great opportunity to listen in on what Julien Beckers has to say,” Tony pointed out. “If he really is in with Hydra—or whatever it is,” he conceded when Steve made a protesting noise, “he might slip up if we get him drunk enough.”

“What if he switches to Dutch when he’s drunk though?” Steve pointed out reasonably. “I know a little, but mostly curse words and directions.”

Tony snorted derisively and waved his hand lightly. “J.A.R.V.I.S. is programmed into the comms units, so he’ll provide translations if you need any.” He frowned at Steve and added, “I can’t believe you thought I didn’t think of that. I’m hurt, Steven, hurt.”

“Yeah, yeah,” Steve waved his hand dismissively and slipped into his suit jacket. He moved to stand in front of the full-length mirror and looked at himself, rubbing his fingers over the light stubble that he’d uncertainly not shaved today. Natasha had insisted, said it made him look less threatening, less All-American goody-two-shoes, and Steve had long since learned not to question her.

He looked… polished. Older.

Not like himself at all.

Becca sidled up next to him, her dress falling over the swell of her belly in smooth, soft folds of dark blue fabric, hair piled on her head in a mess of braids and curls, and she leaned against him playfully, linking their arms together and grinning at him in the mirror.

“We look good, Rogers,” she grinned. “We’re gonna nail this bastard.”

Steve smiled tightly. “Absolutely,” he agreed.

She was right. All they had to do was get in, get some guy drunk, and get back out.

Easy peasy.

They had this.

------------

CBS News (@CBSNews) 2 min.

BREAKING: Fire Breaks Out at The Liberty Warehouse in Brooklyn, leaving dozens of guests of the Schliemann Fundraiser Gala outside in the cold! Follow developments here: cbsn.ws/5Ght67

------------

The Liberty Warehouse, Red Hook, Brooklyn, New York City, U.S.A.

9:47p.m., 2 April 2016Steve

The fire alarm was still blaring by the time first responders arrived and began ushering frightened, drenched guests dressed in expensive—and now ruined—silks and satins away from the terrace, out into the street and towards the awaiting ambulances. Most were clustered together in little groups, whispering frantically, pointing their phones at the broken glass on the sidewalk and the smoke billowing out from the windows nearest to the second-floor balcony.  

Steve stood amidst the chaos and blinked, confused—unsure about what had happened.

Everything—everything had gone so fast.  

One minute, he had been dancing with Beckers’ date, trying very hard not to tread on her toes, while Becca chatted happily with the man and plied him with specially developed alcohol provided by Clint, and the and the next, the fire alarm had been pulled, water was spritzing everywhere and he had lost Becca in the urgent throng of people.  

He couldn’t see Clint either, but he knew the archer could take care of himself, even though he was somewhat of a human dumpster fire most of the time.  

He frowned a little as he moved through the crowd of gossiping partygoers, glancing left and right to try to find Becca. His suit was uncomfortably wet, chafing against his skin as he walked—even his socks were wet—and he really just wanted to find Becca so he could call Happy to take them back to the Tower.

He wasn’t worried about her or about them getting separated—it made some sense.

When the alarm went off, he’d been on the dance floor and had gotten swept out the west fire exit with a group of others who’d been on the dance floor, while he presumed the people at the bar had been led out of the north exit.

He just needed to find someone who knew where the groups of evacuees that had been at the bar had been sent, so that he could find Becca.

The loud blaring of the fire alarm, coupled with the ringing sirens of emergency services, were loud enough to drown out anything Clint or Becca might’ve tried to say to him over the comms, and there’d been something about the building that interfered with their connection in the first place, so he couldn’t even call her, anyway.

A little annoyed, he pulled his phone from his pocket. He exhaled in relief when he noticed he had full bars, and he could text her despite whatever was blocking their comms; although he didn’t expect a response immediately—her phone was in her purse, and Steve wasn’t sure if she’d have thought to grab it off the bar when they were being ushered outside.

‘Nothing’s wrong,’ he told himself sternly as he walked around the building slowly, coming across several more groups of guests, none of which contained Becca. ‘She’ll be somewhere around the corner, chatting up Beckers like nothing’s wrong.’

Besides, he reasoned, it wasn’t like she’d activated any of the distress signals Tony had built into her bracelet, earrings, or shoes.

There was probably a really good reason he hadn’t found her yet.

Maybe she was running around the building trying to find him.

Maybe she’d been taken into an ambulance because she was pregnant, to be checked for smoke inhalation, to make sure everything was okay.

He’d find her.

He rounded another corner and breathed a sigh of relief when he spotted Beckers, facing Steve and talking to a woman with messy dark hair and a long, one-shoulder dress, who stood with her back to Steve.

Becca.

He exhaled sharply in relief and rushed forward, grasping at the woman’s shoulder and turning her around. “Becca,” he said in a rush, “I’ve been looking everywhere—”

He stopped short as the woman, who was taller than Becca, now that he looked closer, and very much not pregnant, blinked at him in surprise. “Sorry,” he said in an exhale, letting go of her immediately. “I thought you were…” He turned to Beckers, who was also regarding him with wide eyes, and demanded, “You were talking to my friend, earlier, before the alarm. Have you seen her? Did she come outside with you?”

“I can’t say that I have,” Beckers replied, looking convincingly puzzled. “She went to the bathroom shortly before the alarm went off, said something about the baby standing on her bladder. I didn’t see her again. Perhaps she is with another group?”

“Yeah,” Steve said, breathless, dread coiling in the pit of his stomach. “Yeah, probably.”

He turned away and looked around, feeling a little helpless when he still didn’t see her. His hands were trembling a little as he pulled out his phone again.

The message he’d sent to Becca was still unread.

“Fuck,” he said softly, before thumbing through his contacts until he found the one labelled ‘Sugar Daddy’—Tony thought he was funny—and pressed call.

“Spangles,” Tony crowed when he picked up. “What’s going on? Leave it up to you to ruin a perfectly good party by setting the building on fire, honestl—”

“Tony,” Steve interrupted impatiently. “Look, I’m—I’m probably overreacting. It’s pretty chaotic out here, but can you… Can you just have J.A.R.V.I.S. ping Becca’s tracker? I can’t find her, and… God, maybe we’re both trying to find each other and keep missing each other, but—for my peace of mind, can you just—”

“Yeah,” Tony said, and Steve could tell he was trying to sound calm. “Yeah, I got this.”

It only took a few seconds, but in those few seconds, the blaring fire alarm finally cut out, and Steve’s ears were ringing in the silence, his own breath absurdly loud in his ears, before Tony said, “Cap… Steve. Her trackers are all offline.”

The bottom of his stomach fell away.

There wasn’t a way to accidentally disable the subdermal trackers—they had to be cut out and smashed.

“Call in everyone,” he told Tony automatically, unthinkingly, swerving around to survey the crowd again, trying to see if Clint—probably still in disguise—was among them. “I’ll get Clint, we'll canvas the building and the streets, then get back to the Tower ASAP. Maybe she’s just… just around somewhere, or in the building still.”

“Steve,” Tony said, voice low and distressed, and Steve’s stomach twisted.

“I know,” he said shortly. “I know. Get the others.”

“Yeah,” Tony said shakily. “Yeah.”

He hung up and Steve looked around again. How the hell had this night gone so wrong so fast? And who the hell would want to kidnap Becca, of all people, at a gala with a guest list filled with foreign dignitaries and New York’s rich and famous?

And, Steve swallowed thickly, what would they do to her?

--------------------------------

Start from the beginning:

In Hell We Stand By You:

(1) (2) (3) (4) (5) (6) (7) (8)

Never Feel Alone:

(1) (2)

Decisions:  (1)

Dancing with a Limp:

(1) (2)

Chances:

(1)

Starting Over:

(1) (2) (3) (4) (5) (6) (7) (8)

Dancing in the Rain:

(1) (2)

Or read it HERE on AO3 :D Find the next chapter HERE on Tumblr :)

[stainedglassgardens]

Favourite films watched in 2019

I arranged them into broad categories – other than that they’re in no particular order. 

Indie

Skate Kitchen (Crystal Moselle, 2018) 6 Balloons (Marja-Lewis Ryan, 2018) The Party’s Just Beginning (Karen Gillan, 2018) Thirteen (Catherine Hardwicke, 2003) Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000) Vazante (Daniela Thomas, 2017) Erasing Eden (Beth Dewey, 2016) The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017) Knock Down Ginger (Cleo Samoles-Little, 2016) The Garden (Sommerhaüser, Sonja Maria Kröner, 2017) Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017) Fish Tank (Andrea Arnold, 2009) Soldiers. Story From Ferentari (Soldații. Poveste din Ferentari, Ivana Mladenović, 2017)

Comedy

Dick (Andrew Fleming, 1999) The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018) It Stains the Sands Red (Colin Minihan, 2016) Satanic Panic (Chelsea Stardust, 2019)

Classics

Wanda (Barbara Loden, 1970) House of Wax (Andre DeToth, 1953) Eve's Bayou (Kasi Lemmons, 1997) Germany Pale Mother (Deutschland bleiche Mutter, Helma Sanders-Brahms, 1980)

Horror

April and the Devil (Jake Hammond, 2018) Blackwood (Andrew Montague, 2019) The Crescent (Seth A Smith, 2017) Us (Jordan Peele, 2019) American Mary (Jen and Sylvia Soska, 2012) Midsommar (Ari Aster, 2019) Black Christmas (Bob Clark, 1974) The Devil's Passenger (Dave Bundtzen, 2018)

Science fiction

Born in Flames (Lizzie Borden, 1983) Evolution (Lucile Hadžihalilović, 2015) In Full Bloom (Maegan Houang, 2019)

Action

Destroyer (Karyn Kusama, 2018) Under the Silver Lake (David Robert Mitchell, 2018) Snatch (Guy Ritchie, 2000) Holiday (Isabella Eklöf, 2018)

Documentary

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005) Abducted in Plain Sight (Skye Borgman, 2017) Jane Fonda in Five Acts (Susan Lacy, 2018) Stories We Tell (Sarah Polley, 2012) The Decline of Western Civilization series (Penelope Spheeris, 1981, 1988 and 1998)

Full list of 273 films watched in 2018 under the cut!

January

Like Father  (Lauren Miller Rogen, 2018)

Upgrade  (Leigh Whannell, 2018)

Skate Kitchen (Crystal Moselle, 2018)

Never Been Kissed (Raja Gosnell, 1999)

Anomalisa (Charlie Kaufman and Duke Johnson, 2015)

Dick (Andrew Fleming, 1999)

The Black Balloon  (Elissa Down, 2008)

Under the Silver Lake (David Robert Mitchell, 2018)

6 Balloons (Marja-Lewis Ryan, 2018)

Rosy (Jess Bond, 2018)

The Party’s Just Beginning (Karen Gillan, 2018)

The Rider (Chloé Zhao, 2017)

Snowpiercer (Bong Joon-ho, 2013)

Touch of Evil (Orson Welles, 1958)

Thirteen (Catherine Hardwicke, 2003)

Sadie (Megan Griffiths, 2018)

The Miseducation of Cameron Post  (Desiree Akhavan, 2018)

Frida (Julie Taymor, 2002)

Fyre: The Greatest Pary That Never Happened (Chris Smith, 2019)

Time Share (Tiempo Compartido, Sebastián Hofmann, 2018)

The Stranger (Orson Welles, 1946)

Abducted in Plain Sight (Skye Borgman, 2017)

King of Thieves (James Marsh, 2018)

Malevolent (Olaf de Fleur, 2018)

Serena (Susanne Bier, 2014)

Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000)

And Breathe Normally (Andið Eðlilega, Ísold Uggadóttir, 2018)

Catwalk: Tales from the Cat Show Circuit  (Aaron Hancox and Michael McNamara, 2018)

Santoalla (Andrew Becker and Daniel Mehrer, 2016)

Jane Fonda in Five Acts (Susan Lacy, 2018)

Mademoiselle Paradis (Licht, Barbara Albert, 2017)

The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, 2016)

February

Matangi/Maya/M.I.A (Steve Loveridge, 2018)

Pride & Prejudice (Joe Wright, 2005)T

The Brain Hack (Joseph White, 2014)

Vazante (Daniela Thomas, 2017)

Tanglewood (Jordan Prosser, 2016)

Outfall (Suzi Ewing, 2018)

Pigskin (Jake Hammond, 2015)

The Funspot (Jake Hammond, 2015)

April and the Devil (Jake Hammond, 2018)

Smithereens (Susan Seidelman, 1982)

Can You Ever Forgive Me? (Marielle Heller, 2018)

Bus Stop (Joshua Logan, 1956)

Pink Plastic Flamingos (Colin West, 2017)

The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018)

Amanda Knox  (Rod Blackhurst and Brian McGinn, 2016)

Holy Hell (Will Allen, 2016)

Shoplifters (Manbiki Kazoku, Hirokazu Kore-eda, 2018)

Skin (Jordana Spiro, 2015)

A Night at the Garden (Marshall Curry, 2017)

Give Up the Ghost (Nathan Sam Long, 2018)

Last One Screaming (Matt Devino, 2017)

The Katy Universe (Patrick Muhlberger, 2018)

Roma (Alfonso Cuarón, 2018)

Did You Hear About the Morgans? (Marc Lawrence, 2009)

End Game (Rob Epstein and Jeffrey Friedman, 2018)

Behind the Curve  (Daniel J. Clark, 2018)

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005)

92MARS  (Ricardo Bernardini, 2018)

Construct (Kevin Margo, 2018)

Invaders (Daniel Prince, 2018)

March

Three Identical Strangers (Tim Wardle, 2018)

Dirty John: The Dirty Truth (Sara Mast, 2019)

Blackwood (Andrew Montague, 2019)

One (Luke Bradford, 2019)

God's Kingdom (Guy Soulsby, 2018)

Holiday (Isabella Eklöf, 2018)

Frigid (Joe Kicak, 2016)

Girl of the Sky (Ariel Martin, 2017)

Monitor (Matt Black and Ryan Polly, 2018)

Donoma (Evan Spencer Brace, 2018)

Perfect Blue (パーフェクトブル, Pāfekuto Burū, Satoshi Kon, 1997)

The Sermon (Dean Puckett, 2018)

Layer Cake (Matthew Vaughn, 2004)

Easy A (Will Gluck, 2010)

Generation Wealth (Lauren Greenfield, 2018)

The Rachel Divide (Laura Brownson, 2018)

The Place Beyond the Pines (Derek Cianfrance, 2012)

Burden (Timothy Marrinan and Richard Dewey, 2016)

What Will People Say (Hva vil folk si, Iram Haq, 2017)

Close Encounters of the Third Kind (Steven Spielberg, 1977)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Animal (Fabrice Le Nézet and Jules Janaud, 2017)

Capturing the Friedmans (Andrew Karecki, 2003)

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (Errol Morris, 2003)

April

Erasing Eden (Beth Dewey, 2016)

Destroyer (Karyn Kusama, 2018)

Unicorn Store (Brie Larson, 2019)

May the Devil Take You (Sebelum iblis menjemput, Timo Tjahjanto, 2018)

People in Cars (Daniel Lundh, 2017)

Presentation (Danielle Kampf, 2017)

Ink (Jamin Winans, 2009)

Hedgehog (Lindsey Copeland, 2016)

Koyaanisqatsi (Godfrey Reggio, 1982)

Wanda (Barbara Loden, 1970)

The Silence (John R. Leonetti, 2019)

24 Davids (Céline Baril, 2017)

The Frame (Jamin Winans, 2014)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Baraka (Ron Fricke, 1992)

Wayne’s World (Penelope Spheeris, 1992)

Stories We Tell (Sarah Polley, 2012)

Born in Flames (Lizzie Borden, 1983)

Jesse’s Girl (M. Keegan Uhl, 2018)

I Walked With a Zombie (Jacques Tourneur, 1943)

Mary Goes Round (Molly McGlynn, 2017)

The Green Fog (Guy Maddin, Evan Johnson, and Galen Johnson, 2017)

Psycho (Alfred Hitchcock, 1960)

Someone Great (Jennifer Kaytin Robinson, 2019)

May

Ekaj (Cati Gonzalez, 2015)

Capernaum (Nadine Labaki, 2018)

Porcupine Lake (Ingrid Veninger, 2017)

The Decline of Western Civilization (Penelope Spheeris, 1981)

The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988)

The Decline of Western Civilization III (Penelope Spheeris, 1998)

Revolver (Guy Ritchie, 2005)

Pokémon: Detective Pikachu (Rob Letterman, 2019)

RocknRolla (Guy Ritchie, 2008)

Snatch (Guy Ritchie, 2000)

Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998)

The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017)

Nkosi Coiffure (Frederike Migom, 2015)

Speak Your Truth (Kris Erickson, 2018)

Incendies (Denis Villeneuve, 2010)

A.I. Rising (Lazar Bodrosa, 2018)

The Crescent (Seth A Smith, 2017)

Ring (リング, Ringu, Hideo Nakata, 1998)

Absences (Carole Laganière, 2013)

The Uninvited (Lewis Allen, 1944)

In Color (José Andrés Cardona, 2019)

Winners (Dan Bulla, 2018)

Jess (Daniel Hurwitz, 2018)

My First Time (Asaf Livni, 2018)

Murmur (Aurora Fearnley, 2018)

Pulsar (Aurora Fearnley, 2017)

Struck (Aurora Fearnley, 2017)

Samira (Lainey Richardson, 2018)

Despite Everything (A pesar de todo, Gabriela Tagliavini, 2019)

It Stains the Sands Red (Colin Minihan, 2016)

Satain Said Dance (Szatan kazał tańczyć, Katarzyna Rosłaniec, 2016)

Knock Down Ginger (Cleo Samoles-Little, 2016)

Gold (Cleo Samoles-Little, 2015)

Jane's Life (Cleo Samoles-Little, 2012)

4/4 (Kyle Sawyer, 2016)

Sugar Land (Lorenzo Lanzillotti, 2018)

The Idea of North (Albert Choi, 2018)

A Quiet Place (John Krasinski, 2018)

Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara, Hideo Nakata, 2002)

Sound of My Voice (Zal Batmanglij, 2011)

Us (Jordan Peele, 2019)

The Perfection (Richard Shepard, 2018)

House of Wax (Andre DeToth, 1953)

June

We Have Always Lived in the Castle (Stacie Passon, 2018)

Always Be My Maybe (Nahnatchka Khan, 2019)

Gente que viene y bah (Patricia Font, 2019)

Period. End of Sentence. (Rayka Zehtabchi, 2018)

American Mary (Jen and Sylvia Soska, 2012)

The Boss (Ben Falcone, 2016)

Extremis (Dan Krauss, 2016)

E il cibo va (Food on the Go, Mercedes Cordova, 2017)

Last Night (Massy Tadjedin, 2010)

Murder Mystery (Kyle Newacheck, 2019)

Bead Game (Ishu Patel, 1977)

The Ceiling (Katto, Teppo Airaksinen, 2017)

Elisa & Marcela (Elisa y Marcela, Isabel Coixet, 2019)

Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017)

The Garden (Sommerhaüser, Sonja Maria Kröner, 2017)

Fast Color (Julia Hart, 2018)

The Tale of Iya (Iya Monogatari: Oku no Hito, Tetsuichiro Tsuta, 2013)

Chico and Rita (Chico y Rita, Tono Errando, Fernando Trueba and Javier

Mariscal, 2010)

Rafiki (Wanuri Kahiu, 2018)

Floating! (Das Floß!, Julia C. Kaiser, 2015)

The Quiet American (Phillip Noyce, 2002)

July

Keepers of the Magic (Vic Sarin, 2016)

Evolution (Lucile Hadžihalilović, 2015)

Mr. Holmes (Bill Condon, 2015)

The Long Dumb Road (Hannah Fidell, 2018)

Toni Erdmann (Maren Ade, 2016)

Life Overtakes Me (John Haptas and Kristine Samuelson, 2019)

The Milk System (Andreas Pilcher, 2017)

A Streetcar Named Desire (Elia Kazan, 1951)

The Texture of Falling (Maria Allred, 2019)

Family (Laura Steinel, 2018)

Sudden Fear (David Miller, 1952)

Identity Thief (Seth Gordon, 2013)

August

Point Break (Kathryn Bigelow, 1991)

In Full Bloom (Maegan Houang, 2019)

Blue Steel (Kathryn Bigelow, 1990)

The Eagles are a Country Music Band (Cody Wagner, 2018)

The Fifth Element (Luc Besson, 1997)

Hobbs & Shaw (David Leitch, 2019)

Coco (Lee Unkrich, 2017)

Bubba Ho-Tep (Don Coscarelli, 2002)

John Wick (Chad Stahelski, 2014)

Eve's Bayou (Kasi Lemmons, 1997)

I Don’t Protest, I Just Dance In My Shadow (Jessica Ashman, 2017)

My Cousin Rachel (Henry Koster, 1952)

Lifeline (Harry Jackson, 2018)

FOMI (Fear of Missing In) (Norbert Fodor, 2019)

Body at Brighton Rock (Roxanne Benjamin, 2019)

Koreatown (Grant Hyun, 2018)

A Report of Connected Events (Mischa Rozema, 2018)

Sundays (Mischa Rozema, 2015)

A King's Betrayal (David Bornstein, 2014)

Perception (Ilana Rein, 2018)

Germany Pale Mother (Deutschland bleiche Mutter, Helma Sanders-Brahms, 1980)

Men in Black International (F. Gary Gray, 2019)

Captive State (Rupert Wyatt, 2019)

Little Forest (리틀 포레스트, Liteul Poleseuteu, Yim Soon-rye, 2018)

September

What Keeps You Alive (Colin Minihan, 2018)

Grave Encounters (The Vicious Brothers, 2011)

Terrified (Aterrados, Demián Rugna, 2017)

Blade Runner (Ridley Scott, 1982)

Helen (Sandra Nettelbeck, 2009)

Colossal (Nacho Vigalondo, 2016)

Out of Blue (Carol Morley, 2018)

Taxi (تاکسی‎, Jafar Panahi, 2015)

Dear Ex (誰先愛���他的, Mag Hsu and Hsu Chih-yen, 2018)

Marguerite (Marianne Farley, 2019)

Birders (Otilia Portillo Padua, 2019)

Midsommar (Ari Aster, 2019)

Mansfield Park (Patricia Rozema, 1999)

Long Term Delivery (Jake Honig, 2018)

Game (Joy Webster, 2017)

Fish Tank (Andrea Arnold, 2009)

Foxfire (Annette Haywood-Carter, 1996)

October

Zombieland (Ruben Fleischer, 2009)

Under the Shadow ( زیر سایه, Babak Anvari, 2015)

Ghostbusters (Ivan Reitman, 1984)

Scream (Wes Craven, 1996)

Ghostbusters (Paul Feig, 2016)

Jaws (Steven Spielberg, 1975)

Rabid (David Cronenberg, 1977)

Rabid (The Soska Sisters, 2019)

In the Shadow of the Moon (Jim Mickle, 2019)

Benny Loves Killing (Ben Woodiwiss, 2018)

The Golem (Yoav & Doron Paz, 2018)

Eli (Ciarán Foy, 2019)

The Adversary (L’Adversaire, Nicole Garcia, 2002)

Satanic Panic (Chelsea Stardust, 2019)

The Devil and Father Amorth (William Friedkin, 2017)

Wounds (Babak Anvari, 2019)

Silent Hill (Christophe Gans, 2006)

Sleeping Beauty (Julia Leigh, 2011)

Black Christmas (Bob Clark, 1974)

The Shift (Francesco Calabrese, 2014)

The Baby (Kamran Chahkar, Lei Jim, 2012)

Intrusion (Jack Michel, 2013)

The Devil's Passenger (Dave Bundtzen, 2018)

Halloween (John Carpenter, 1978)

November

A Hijacking (Kapringen, Tobias Lindholm, 2012)

The Kitchen (Andrea Berloff, 2019)

The Hole in the Ground (Lee Cronin, 2019)

Assassination Nation (Sam Levinson, 2018)

Amy (Asif Kapadia, 2015)

Tell Me Who I Am (Ed Perkins, 2019)

Possessed (Curtis Bernhardt, 1947)

Terminally Happy (Adina Istrate, 2015)

The Glass Key (Stuart Heisler, 1942)

LuTo (Katina Medina Mora, 2015)

The Night of the Hunter (Charles Laughton, 1955)

Bikram: Yogi, Guru, Predator (Eva Orner, 2019)

December

Soldiers. Story From Ferentari (Soldații. Poveste din Ferentari, Ivana Mladenović, 2017)

John and Michael (John et Michael, Shira Avni, 2004)

High Tension (Haute Tension, Alexandre Aja, 2003)

Little Joe (Jessica Hausner, 2019)

The Matrix (The Wachowskis, 1999)

Finders Keepers (Bryan Carberry and Clay Tweel, 2015)

To Catch a Thief (Alfred Hitchcock, 1955)

My Buddha is Punk (Andreas Hartmann, 2016)

Little Miss Sumo (Matt Kay, 2018)

[else-self]

For anyone interested in reading some poetry or poetics. Duration press has their catalog available online and as downloadable PDFs. It's a great resource of diverse writers and writing styles and translations.

The following is a complete list of publications released on durationpress.com since 1999. The first set is composed of titles released since 2015. The second set features titles released from 1999-2009.

2015-

Anne-Marie Albiach, A Discursive Space (interviews with Jean Daive) (tr. Norma Cole)

George Albon, Transit Rock

Will Alexander, Exobiology as Goddess

Will Alexander, Vertical Rainbow Climber

Richard Anders, The Footsteps of One Who Has Not Stepped Forth (tr. Andrew Joron)

ANGLE Magazine (edited by Brian Lucas)

Roman Antopolsky, Haunted House

Apex of the M (edited by Lew Daly, Alan Gilbert, Kristin Prevallet, Pam Rehm)

Gennady Aygi, An Anthology of Chuvash Poetry

Gennadi Aygi, Degree of Stability (tr. Peter France)

Rachel Tzvia Back, The Buffalo Poems

Josely Vianna Baptista, On the Shining Screen of the Eyelids (tr. Chris Daniels)

Melissa Benham, at sea

Coral Bracho, Of Their Ornate Eyes of Crystalline Sand (tr. Forrest Gander)

Michel Bulteau, Crystals to Aden (tr. Pierre Joris)

Mary Burger, Nature’s Maw Gives and Gives

Norma Cole, Coleman Hawkins Ornette Coleman

Norma Cole, Metamorphopsia

Norma Cole, My Bird Book

Pura López Colomé, Aurora (tr. Forrest Gander)

Stacy Doris, Paramour

Jean-Michel Espitallier, Butchers Fantasy (tr. Sherry Brennan & Jean-Michel Espitallier)

Factorial Magazine (edited by Sawako Nakayasu)

The Germ: A Journal of Poetic Research

John High, The Desire Notebooks

Emmanuel Hocquard, Late Additions (tr. Connell McGrath and Rosmarie Waldrop)

Emmanuel Hocquard and Ray DiPalma, Personæ and Thoughts on Personæ (tr. Ray DiPalma)

Pierre Joris, Permanent Diaspora

Rachel Levitsky, Dearly 3 4 6

Andrei Molotiu, The Kingdom

Pascalle Monnier, Bayart: Spring (tr. Cole Swensen)

Laura Moriarty, Nude Memoir

Gale Nelson, Spectral Angel

Aldon Lynn Nielsen, Black Chant

Mary Oppen, Poems & Transformations

Lauri Otonkoski, 20 Poems (tr. Anselm Hollo)

Roberto Piva, Manifestoes (tr. Chris Daniels)

Roberto Piva, open your eyes and say ah! (tr. Chris Daniels)

Roberto Piva, Paranoia (tr. Chris Daniels)

Pam Rehm, To Give it Up

Sebastian Reichmann, Sweeper at His Door (tr. James Brook)

Claude Royet-Journoud, The Right Wall of the Heart Effaced (tr. Keith Waldrop)

Lutz Seiler, Poems (tr. Andrew Duncan)

Ryoko Sekiguchi, Tracing (tr. Stacy Doris)

Aaron Shurin, Reverie: A Requiem

Gustaf Sobin, Telegrams

Juliana Spahr, LIVE

Brian Strang, Dark Adapt

Hiroya Takagai, Rush Mats (tr. Eric Selland)

Habib Tengour, Empedocles’s Sandal (tr. Pierre Joris)

Lourdes Vazquez, Park Slope

The Violence of the White Page: Contemporary French Poetry (edited by Stacy Doris, Charles Bernstein, and Phillip Foss)

Keith Waldrop, The Silhouette of the Bridge (Memory Stand-Ins)

Keith Waldrop, Spit-Curls

Peter Waterhouse, Where Are We Now? (tr. Rosmarie Waldrop)

Tyrone Williams, c.c.

Xue Di, Circumstances (tr. Keith Waldrop, with Hil Anderson and Xue Di)

Heriberto Yepez, Babellebab

1999-2009

Heather Akerberg, Dwelling

George Albon, Momentary Songs

Michael Basinski, Mooon Bok: petition, invocation & homage

Claire Becker, Get You

Guy Bennett, Retinal Echo

Taylor Brady, Production Notes for Occupation: Location Scouting

Brandon Brown, Kidnapped

Mary Burger, The Boy Who Could Fly

Norma Cole, Mace Hill Remap

Catherine Daly, The Last Canto

Rachel Blau DuPlessis, Wells

Marcella Durand, The Body, Light, and Solar Poems

Patrick Durgin, And so on

Patrick Durgin, Sorter

Peter Ganick, …As Convenience

Susan Gevirtz, Domino: point of entry

Jesse Glass, Man’s Wows

Noah Eli Gordon, notes toward the spectacle

E. Tracy Grinnell, Of the Frame

Pierre Joris, The Fifth Season

Amy King, The Citizen’s Dilemma

Rachel Levitsky, Realism (a work in progress)

Bill Marsh, A Tomb for Anatole

Pattie McCarthy, alibi (that is : elsewhere)

Mark McMorris, Figures for a Hypothesis

Jorge Melícias, Disruption (translated by Brian Strang & Elisa Brasil)

K. Silem Mohammad, Hanging Out with Pablo and Jennifer

Sawako Nakayasu, Balconic

kathryn l. pringle, The Stills

Francis Raven, Economic Belief Structure

Pam Rehm, Pollux

Elena Rivera, Wale; or The Corse

Cynthia Sailers, A New Season

John Sakkis, Rude Girl

Eleni Sikelianos, poetics of the exclamation point

Eleni Sikelianos, To Speak While Dreaming

Rick Snyder, Forecast Memorial

Juliana Spahr, Nuclear

Suzanne Stein, Untitled (Poetry Event: June 2, 2007, Pegasus Books Downtown, Berkeley)—Audio of event

Brian Strang, machinations

Cole Swensen, It’s Alive She Says

Elizabeth Treadwell, LILYFOIL (or Boy & Girl Tramps of America)

Kevin Varrone, g-point almanac (9.22-10.19)

Keith Waldrop, The Garden of Effort

Rosmarie Waldrop, Lawn of Exlcuded Middle

Dana Ward, The Imaginary Lives of My Neighbors

Alli Warren, No Can Do

Code of Signals

Alcheringa

Towards a Foreign Likeness Bent: translation

[ridethepunkhorse]

Elisa (Jean Becker, France, 1995)

[introvets]

S1E5

Super Unnecessary - 1st July 2020

(website // apple // google // spotify) : 1h13m

We’ve been presented with a very sick puppy and an unexpected test result. Lauren and JJ are on the case! The ladies review differentials for gastroenteritis in puppies and discuss the pathophysiology and treatment of canine parvo virus. Sources for this episode include:

Greene, C.E. and Decaro, N. “Canine Viral Enteritis.” Infectious Diseases of the Dog and Cat, 4th Edition. Elsevier 2012, pp. 67-75.

Goddard, A., Leisewitz, A. L., Christopher, M. M., Duncan, N. M., and Becker, P. J. “Prognostic usefulness of blood leukocyte changes in canine parvoviral enteritis.��� Journal of Veterinary Internal Medicine, Mar-Apr 2008. Volume 22, pp. 309-316.

Rothrock, K. and Shell, L.G. “Canine Parvovirus Infection.” Vincyclopedia of Diseases. Veterinary Information Network: www.vin.com.

Sullivan, L. A. “Canine Parvovirus.” 2016. Veterinary Emergency and Critical Care Spring Symposium Proceedings.

“Frequently asked questions about SNAP parvo text.” Idexx: https://www.idexx.com/files/snap-parvo-test-faqs.pdf

Schultz, R. D., Larson, L. J., and Lorentzen, L. P. “Effects of modified live canine parvovirus vaccine on the SNAP ELISA antigen assay.” 2008. International Veterinary Emergency Critical Symposium Proceedings.

Mohr, A. J., Leisewitz, A. L., Jacobson, L. S., Steiner, J. M., Ruaux, C. G., Williams, D. A. “Effect of early enteral nutrition on intestinal permeability, intestinal protein loss, and outcome in dogs with severe parvoviral enteritis. Journal of Veterinary Internal Medicine. 2003. Volume 17, pp. 791-798.