#electronic terror

[kply-industries]

[javiar]

Matemáticas del Demonio Testículo

[kaltsektion]

Moonbeam Terror by Nikki Sneakers

[theinconvenientlifestyle]

[postpunkindustrial]

Echo Beauty Terror

[haveyouheardthisband]

[possible-streetwear]

[rebel-girl-queen-of-my-world]

Hey, here’s a thought!

“Sample script to contact companies about your electronic devices:

“In light of the recent terrors attacks on civilians using remotely triggered booby-trapped electronic devices, for the safety of myself and my family and my loved ones, I would like confirmation that Israel is not involved in the manufacture or supply chain of your products in any way. Please confirm this, otherwise I will need to request a full refund and return for any electronic devices purchased from you and take my business elsewhere. Thank you.”

[fanemag]

The inaugural volume of Queer Noise Terror is finally here. Featured are 30 underground LGBTQIA+ artists showcasing the more abrasive and subversive sides of queer music and culture. Circuit party anthems have been traded in for circuit bending experimentation here (we kept all the filth and sleaze, though!). We’ve got lots of noise, power electronics, metal, industrial, ebm, dark ambient… almost 3 hours of audio warfare!

Featuring: STRAIGHT PANIC, Mictain & Mørk Verden, SUGARPIE, False Maria, Burial Woods, No Tuesdays, Hydra, THRESHOLD, HYPERECLUSE, Garden Angel, WELTSCHMERZ, Farrah Faucet, VÆPORS, Chv.Volk, Bratislavská Krutosť, Gyna Bootleg, Destitute Mirror Children, The Cost ov Living, MITH-XX, Quivering / Nausia, Mono Theory, Morerose, Salò Mentale, Tiefling, Walter Campbell, A.S. Valentino, Density Creep, Sk​ú​š​ka Sir​é​n, Robert Ferent, and V.I.L.E. (Desdemona Ill, Richard Ramirez, Sean Ramirez).

A warning for the uninitiated: Noise, as the name suggests, can at times be incredibly distorted, intensely bass heavy, and can genuinely wreck your speakers (and your ears) if not treated with respect. Proceed with caution, for you are now “at your own risk”.

You may freely share this digital compilation with others via the internet so long as the compilation remains whole and unedited. Any commercial use of any part of this compilation is strictly prohibited. Please contact the artists directly with any licensing requests or questions. Now, go get your face melted off!

Download/Stream on Bandcamp

[bending-sickle]

okay i caved and made miniature representations of some ebooks i have to stop my brain from screaming.

[cantsayidont]

The TL;DR of this story (18 September 2024) is that the Taiwanese company says the booby-trapped pagers used in the 17 September attack in Lebanon were made under license by a mysterious Hungarian company called BAC Consulting.

Three years ago, Hsu [Ching-kuang] says he was approached by a Taiwanese woman Hsu says he only knew as “Teresa” who claimed to be a local representative for a Hungarian company named BAC Consulting. After more than two months of negotiation with Teresa, Hsu agreed to sign a contract to sell Gold Apollo’s pagers to BAC and additionally, to let BAC use Gold Apollo’s trademark on his [sic] own products. “She had already flown several times to Europe to contact [her colleagues],” says Hsu. He says he was also told BAC also had interests in East Africa: “From beginning to end, they never mentioned Lebanon.”

And:

About a year after BAC signed a contract with Gold Apollo, Hsu says they came back to him with an unusual request: they wanted to design their own products but put his company’s trademark on them. “They said they wanted to cultivate a cohort of engineers,” Hsu says he remembers BAC telling him. “I told them, the stuff you make is neither easy to use nor is it aesthetically-pleasing. Why not just use my products?” Hsu also noticed their payment transfers were “strange.” While BAC is located in the capital of Hungary, Hsu said the company paid Gold Apollo from a Middle Eastern bank account that was blocked at least once by their bank in Taiwan.

This sounds to me like a front for an intelligence agency, probably either Mossad or some Mossad contractor.

[retrocgads]

UK 1987

[th3-0bjectivist]

Dear listener, if you offer me ordinary pop music, I will reflexively kick you in the gonads and book it in the opposite direction. However, if you offer me pop music interlaced with elements of metal, punk, and hip-hop… I’m going to do a double take, carefully examine the melodious product in question, and reassess my conclusions on what the tentative limits are in modern music. As long as you don’t have any issues with strobe lights, smash play on the above track, Demons from the 2012 album Reign of Terror. The featured band this week is Sleigh Bells, who, for over a decade-and-a-half have practiced an overdriven, experimental version of pop which regularly incorporates the fundamentals of digital hardcore, industrial rock, and electro.

After years of personal listenership, I am confident that SB can give you everything you want, and more, from modern pop music. Like most pop tunes, the sound is structured around hooks (the peak-altitude of a song, whether it be the melody, the lyrics, or the repetitive composition of instrumentals) crafted to a sharp, absolute, and prominent apex. I LOVE exploring the catalogs of experimental bands… particularly when you catch me by surprise and show me a pop music product that I can actually immerse myself in. Over the last decade or so, Sleigh Bells has provided me with utter bliss, utter joy, utter pain, and a rough ride filled with ups-and-downs, but most importantly… an overall experience that I want to be a part of! It’s pop music that has the capacity to appeal to everyone, not just teenage girls, because the music manages to have a semblance of * universal meaning*. Their tunes are the very definition of sweet-and-sour chicken, only delivered entirely in an audio format, and dammit all, it tastes mostly sweet! A noise pop duo, based out of Brooklyn, NY, has managed to accomplish within a decade and a half what the rest of you limp-dicked, corporately funded pop music jabronis can’t seem to do; immerse the listener in pop music that *actually innovates* for a change. All over their discography, you can find personally resonant tunes that manage to successfully communicate complex ideas and emotions. If you want pop music with an unapologetic nonconformist twist, immerse yourself in something that sounds different for a change. If you like what you heard above, click below for some work by SB that is laced with slightly more traditional pop elements, Rosary from their 2021 album Texis.

Ten years ago, I thought I liked one song by SB. A year later, I liked two songs by them. The next year, I liked four. The next year, eight. You starting to see a pattern? A decade on, I am flabbergasted at their sniper-rifle range in musical versatility and commitment to providing their audience with an endearing and truly meaningful experience that I would recommend to anyone looking for a potent alternative to mainstream pop. Image source: https://www.gq.com/story/sleigh-bells-derek-e-miller-alexis-krauss-interview-reign-of-terror-treats

[theinconvenientlifestyle]

Christian Henderson @CjvHenderson

So I assume the airline industry will ban electronic devices until a full audit of supply chains or is everyone going to be cool with this because it's Israel?

...

[toriglam]

Mereana Mordegard Glesgorv Official Video IS OUT NOW!, Watch on YOUTUBE!

[colorsoundoblivion]

I posted this on Instagram, but wanted to share here as well.

Get involved!