#eleanor bailey

[f1r3f0rf1r3]

Does anyone else religiously watch HannahTheHorrible, Nexpo, Eleanor Neale, Bailey Sarian, Wendigoon, etc? I’m mildly addicted to them

[island-in-the-shadows]

I always find it so wonderfully interesting when people prefer IWTV S1 to S2 but, tbh, they're both great seasons of television.

When I saw S1 as it premiered, I consistently struggled with it. There were (and to this day are) parts of it that severely pissed me off. "A Vile Hunger..." (1x5) is still the episode I like to rewatch the least, for example. It took me watching S1 twice to totally love the show. And it's because, when I saw S1, I was holding onto the source material while I watched.

This was fucking stupid on my part, especially given I took a class on adaptation while at Uni and got the academic tools to discern what makes for a good adaptation in film terms (I've talked about other adaptations with people who are book readers first and they tend to view it way differently). Hell, I wrote a thesis on why Clueless is a great adaptation of Jane Austen's Emma regardless of the change of setting in both time and place.

But IWTV was way too personal to me, it went back to my childhood, so it was hard to let go. I did instantly love a lot of the changes. I love the time change and the change to Louis' race and background. I love that we saw more of Louis pre-vampirism and that show Louis has more complex reasons for his long term struggles whereas book Louis just seemed so whiny to me for no reason. On the other hand, I struggled with: why is it a second interview, why was Claudia SA-ed, why the DV, why is fucking Antoinette a canker sore that never leaves, why the fuck is Armand in Dubai, what the fuck is happening with this timeline? I couldn't let go and my viewing experience suffered for it.

When I sat down to watch a second time, I said, "Ok, do what you were taught and let the source go. Adaptations cannot be 1:1 due to the change in medium". And that's when things started clicking. I stopped viewing S1, and the show as a whole, as needing to use the books as a plot bible and viewed it as using them as a guidebook to function on TV terms and tell its own version of the story. It allowed me to appreciate the things I loved much more and to understand the ones I hadn't been so sure about and, even, love some of those things.

For S2, I went into it with that mentality already so I solely judged it on film/TV terms even though, having read books 1-4 and 6 and reading about the rest, I saw subtle things people with no knowledge of the source canon did not. Like when YT reactors consistently worried about Daniel being killed and I'm just filing my nails because, to those in the know, Daniel has massive plot armour. Or people being confused about Raglan James and I'm sat there like wtf does this trifling ass want? Nevertheless, I enjoyed the tale as it was told and what it was on solely TV terms.

Both season are great television but, to me, S2 just took it up a notch. Daniel Hart popped off extra hard. Carol Cutshall popped off extra hard in costuming (stg she played faves because why did Armand get more fashion slays than anyone else? ^_^). The sets went extra hard. The acting, which was already superb in S1 because this is a fucking excellent cast (Jacob, Sam, Eric, Bailey, and Delainey 👏🏼👏🏼👏🏼), went harder as well because we have more players such as Ben Daniels doing the absolute MOST with Santiago, Roxane Duran being absolutely OUTSTANDING as the formidable Madeleine, and Assad Zaman stepping out from the background and giving a STUNNING performance as, to me, what's clearly the definitive Armand. To my taste, S2 is a lot less slow and I felt the pot boiling tension to the explosive ending build more keenly than in S1. And, again to my taste, the ending of S2 felt more satisfying because we have a sense of completion in Louis' journey rather than a, admittedly dope, cliffhanger. S2 has, arguably, the 3 best episodes of the show so far in "Don't Be Afraid..." (2x5) "I Could Not Prevent It" (2x7), and "And That's The End of It..." (2x8). For me, there's just no contest.

And yeah S2 isn't perfect either. The abrupt episode endings, for example, are a bit annoying---especially the end of 2x4. Yes, there's bits I would've changed a bit. (Though I will say, some book readers apparently wanted the show to include book Armand's Franken-experiments and I could very much do without it ever being included because it serves no narrative purpose other than to prolong Claudia's suffering. The show already goes hard to show Armand is a fucking asshole in other ways and it's gonna add to that in S3. We don't need that detail.) But, as a season of television, it just went the extra mile.

Still, I love that some people prefer S1. I love that they prefer S1 because it's more intimate or because it's more of a family season or because of the good Louis and Lestat moments or the good vampire family moments. Or maybe they love it for other reasons, it's all very personal.

I still think "In Throes of Increasing Wonder" is an outstanding pilot and it's one of my favourite episodes. Louis' confessional scene/the church scene is definitely one of the top moments of the show. Claudia's monologue at the end of "The Ruthless Pursuit of Blood..." still gives me goosebumps. Claudia stomping on Antoinette's fucking face and Daniel reading Louis to absolute FILTH at the end of "The Thing Lay Still" both make me clap and stomp like I'm at a concert or a sporting event.

Either way, S1 or S2, it's great TV and it deserves more love and recognition. I hope it gets it because it's truly deserving. Maybe we just need to hear our Brat Prince have his say for the uninitiated to awaken to it. S3 I have been seated since they made the call to release that teaser.

[stargazingsims]

There's so many papers to sign before they let you have the baby! Plus all kinds of checks to make sure you'll be good parents. I mean, I guess they can't just hand them out to whoever, like, gets a whim.

We adopted a little girl named Amanda. She's tiny - I couldn't believe how little she was when I first held her. How is something that little even alive?! She's, like, smaller than Angel. Poor thing, she probably came from hard circumstances or whatever - she's going to be so happy now, with us!

Ugh, I'm so nauseous lately. What the frick.

[papermint-airplane]

Eleanor: Oh for fuck's sake. Ladies, side bar!

Eleanor: Are we seriously not going to address the elephant in the room?! And by elephant, I mean the obvious wig and clown makeup.

Mysterious Mime: Not a clown, dear, a mime. Zey are completely different!

Eleanor: You stay out of this!

Angela: What are you saying?

Eleanor: Really?! If your eyes somehow aren't telling you something is seriously off here, then use your head. A mysterious sixth contestant just happens to show up right after Rose reappears? Come on, I can't be the only one who sees right through that stupid disguise.

Mysterious Mime: You wound me, mademoiselle! Zis is no disguise! Zis is how I always look! Eet ees called 'fashion'. Look eet up!

Eleanor: I am not talking to you!

Angela: Hmm, she does sound a lot like Rose, now that you mention it. And her accent is rather...transient.

Eleanor: We're not really going to go through with this challenge like everything is normal, right?

Viridia: ACTUALLY, I THINK THAT'S EXACTLY WHAT WE SHOULD DO.

Eleanor: What?!

Viridia: SHE'S CLEARLY UP TO SOMETHING. WHAT BETTER WAY TO FIND OUT WHAT THAT IS BY GOING ALONG WITH IT?

Eleanor: I mean, sure, but...

Viridia: AND DON'T YOU THINK IT'S STRANGE THE WATCHER DIDN'T IMMEDIATELY KICK HER OUT?

Eleanor: Yeah, I do think that's strange. The Watcher has to know who's under that paper-thin disguise, so I don't think it's an accident that she's here.

Viridia: SO...?

Eleanor: *sigh* Fine. For the sake of morbid curiosity, let's do it.

[Beginning] [Previous] [Next]

[lunetaj]

El, Bella, Khloe and Gia

They decided to have a small celebration of Eleanor and Isabella's new album.

The small celebration turned into a party and there was definitely no shortage of alcohol.

(2018)

[mariocki]

Man on the Run (1949)

"Don't touch it! Leave that for the police. Ain't you ever heard of such things as fingerprints?"

"Hark at him! Who's been filling you up with that stuff?"

"A gentleman by the name of Dick Barton."

[emilysoutcasts]

(obligatory pinned)

hi i'm ruby/nina/a few other names i won't share. this is the blog reserved to talk about my ocs so i don't clog my main.

i'm not an artist. at all. so this blog isn't going to be for that (unfortunately).

i'll just post thoughts and shit here. questions welcome.

for navigation:

main tag is #emily honningbrew's outcasts

'spinoff' tag is #the elliott cleaver chronicles

character names tagged too. blame a friend of mine (@egret-orchids) for a lot of the names. i'm attached to them now so they aren't changing.

(he gave me the name honningbrew and forgot to mention it was the name of a place in skyrim. i didn't know that for a long time fight me /lh)

[trendsinsightmore]

As a mysterious artist, Eleanor Talitha Bailey creates narratives that cut across time and location by incorporating the spirit of reflection into her works. Her works frequently inspire awe in spectators and entice them to explore the depths of their own minds.

[venussaidso]

𝗧𝗵𝗲 𝗦𝗽𝗼𝗶𝗹𝗲𝗱 𝗕𝗿𝗮𝘁 𝗔𝗿𝗰𝗵𝗲𝘁𝘆𝗽𝗲

Revati being the nepo baby, expanding on the foundational wealth that was initially built from nothing from Uttarabhadrapada, to Ashwini coming from old money; it makes sense that Ketu nakshatras' roots come directly from Mercury nakshatras. No wonder I'm specifically seeing the spoiled rich brat from generational wealth theme coming up in Ketu nakshatras. And then Mercury nakshatras, as I explored in my Mercury Dominant Themes, having a responsibility of carrying and expanding the wealth and power that is passed onto them, or they have to rebuild it or prove their worth for this.

In Jyestha, being a very dry nakshatra, they usually start from nothing. And when they rise up, the accumulation tends to be too extreme and significant.

And we know that Jyestha is the billionaire nakshatra.

After Jyestha, comes Mula. And Ketu, naturally being draining of resources, can be the greedy spoiled brat. In the media, I see Ketuvians being children of billionaires or coming from old money. But the spoiled brat trope doesn't even have to come from generational wealth either. They'll be spoiled regardless.

For example, Mula Sun Cheryl Chase voices Angelica Pickles who is a spoiled brat and the cousin of Tommy Pickles and Dil Pickles who she bullies and manipulates for her own gain.

Ashwini Sun Selah Victor voices Chloé Bourgeois who is the spoiled rich daughter of Paris' former mayor, André Bourgeois.

Ashwini Moon Ashley Peldon was the speaking voice of Darla Dimple. Darla is just like Chloé Bourgeois and Angelica Pickles, in fact. She is a spoiled little demon who is extremely privileged.

And then Magha Moon Lindsay Ridgeway was the singing voice for Darla Dimple.

Mula Moon Emma Roberts plays Poppy Moore who is a spoiled American girl who comes from a very wealthy family.

Being Ketuvian, she lacks boundaries and her father basically enabled her into being a chaotic materialistic 'monster', so he sends her to boarding school in England where she finds the meaning of life.

The character Azula is voiced by Magha Sun Grey DeLisle. Azula is a very wealthy and spoiled princess. She comes from a powerful bloodline.

Magha Moon Helena Bonham Carter plays the Queen of Hearts who is a very spoiled and obstreperous character. Much like Azula, she is royalty, and if you cross her, you're good as dead. She must get things her way... or else ☠️.

Ashwini Moon Leighton Meester plays Blair Waldorf who literally comes from old money, and she is considered to be very spoiled. And power driven.

Magha Sun Blake Lively plays Serena van der Woodsen who also comes from old money. She is also considered to be spoiled.

Mula Moon Victoria Pedretti plays the character Love Quinn who comes from a very wealthy and powerful family.

Mula Moon Eleanor Tomlinson plays Sylvie in the series One Day. Her character literally comes from old money.

In Through My Window, the Hidalgo brothers are played by Mula Moon Julio Peña, Mula Sun Hugo Arbues, and Mula Moon Eric Masip. All three of them are heirs to an empire.

In the film Meet Joe Black, double Mula native Claire Forlani plays the daughter of a multimillionaire (who's interestingly played by Mula Moon Anthony Hopkins) who could come from old money.

The film Soft Top Hard Shoulder is written by, and stars Ashwini Sun Peter Capaldi. His character is a struggling artist in London who comes from a very wealthy family.

Ashwini Moon Sarah Snook and Mula Sun Jeremy Armstrong both play one of the Roy siblings. Their father is a billionaire.

Ashwini Sun Phoebe Dynevor, Mula Moon Hannah Dodd and Ashwini Sun Jonathan Bailey play one of the main Bridgerton siblings who literally come from old money.

In the film Awake, Ashwini Sun Hayden Christensen plays a scion of a wealthy banking family.

The character Patrick Bateman is played by Ashwini Moon Christian Bale. Patrick comes from extreme wealth. All he's ever known was being wealthy. Yet this life he lives suffocates him even more and he turns to sociopathic tendencies.

The character Lily Reynolds is played by Ashwini Sun Anya Taylor Joy. She literally comes from old money, and much like Patrick Bateman, she does show dissatisfaction with her life (and that's due to her step-father who she plots to murder).

The character Rory Gilmore is also said to be spoiled as she gets everything handed to her by her wealthy grandparents. She is played by Ashwini Moon Alexis Bledel.

Mula Sun, Mula Moon Jodi Eichelberger voiced the character Stingy who is a possessive collector and the son of the wealthiest person in LazyTown.

Mula Moon Jaclyn Linetsky voiced the iconic spoiled brat, Caillou.

Caillou is not taught boundaries, much like the other Ketu nakshatra examples. Others are more extreme, such as Azula, Darla Dimple or even Angelica Pickles. Actually, it's very interesting that a lot of their parents end up fearing them. Or the Ketu native control them (like Chloé Bourgeois overtly controlling her father).

This also just explained why Ketu exalts in Jyestha. Jyestha puts out a lot of heat and energy, while Ketu sucks in energy. Here, Ketu is at its powerful level. This is why this placement is also seen in billionaires and indicates extreme fame.

Although, this trope can be a lot more nuanced than that, as seen in the Ashwini characters such as Lily Reynolds and Patrick Bateman. Ketu can also involve overcoming generational trauma as well, being that Ketu nakshatras deal with getting to the roots. The old money simply signifies the theme of "roots" (in Mula coming from Jyestha).

In Azula's case, she comes from a very powerful, domineering family lineage. Her ancestral roots are very sacred and symbolic to her, being Magha nakshatra. For all her life, all she's known was power (and being spoiled).

Ketu constantly pulling in energy (even to the point of destruction as it's a shadow planet), we see just how power hungry and domineering of a force she is.

Growing out of the spoiled rich brat archetype, Ketuvians also embody the golddigging archetype as well. Any archetype that has to do with draining resources. Example of this is the character Daniel Plainview from There Will Be Blood, who is an expert at extracting oil (and stealing lands), being a former silver miner and oilman.

Throughout the film, we watch as he crawls under the weight of all the wealth and resources he's accumulated and drained from others. Essentially living a life of emptiness and dissatisfaction. He's played by Ashwini Moon Daniel Day Lewis.

[artystyczny-nieporzadek]

Art Details Series: Women & Books  | Jean-Honoré Fragonard, Eleanor Fortescue Brickdale, Victor Gabriel Gilbert, Lilla Cabot Perry, Louis Emile Adan, Thomas Benjamin Kennington, Seymour Joseph Guy, Delphin Enjolras, Ethel Porter Bailey |

[yourstrulylightstar283]

I finally got to see Sarah character art, Sarah is cool! 😀 Poor Sarah though, hope she would be alright.

Poorly Wired Circuit

Coming this July

Sarah Eleanor Bailey

Art by @mjpens

A California native floating aimlessly for the past 10 years, Sarah has been jumping from IT job to IT job since the minute she graduated from UCLA. She has been loving every second of it, but she can’t shake the feeling that something is missing. Everyone around her is content to put down roots and make connections while she clings hopelessly to her computers and her coding, but very much alone.

When a flyer catches her eye in the middle of a D.C. coffee shop, she sees an opportunity for more: a job doing tech support for the widely-known Heroes Organization. But what has really gotten herself into?

Pre-Order your ebook here!

Paperback coming soon!

[breelandwalker]

JSTOR Articles on the History of Witchcraft, Witch Trials, and Folk Magic Beliefs

This is a partial of of articles on these subjects that can be found in the JSTOR archives. This is not exhaustive - this is just the portion I've saved for my own studies (I've read and referenced about a third of them so far) and I encourage readers and researchers to do their own digging. I recommend the articles by Ronald Hutton, Owen Davies, Mary Beth Norton, Malcolm Gaskill, Michael D. Bailey, and Willem de Blecourt as a place to start.

If you don't have personal access to JSTOR, you may be able to access the archive through your local library, university, museum, or historical society.

Full text list of titles below the cut:

'Hatcht up in Villanie and Witchcraft': Historical, Fiction, and Fantastical Recuperations of the Witch Child, by Chloe Buckley

'I Would Have Eaten You Too': Werewolf Legends in the Flemish, Dutch and German Area, by Willem de Blecourt

'The Divels Special Instruments': Women and Witchcraft before the Great Witch-hunt, by Karen Jones and Michael Zell

'The Root is Hidden and the Material Uncertain': The Challenges of Prosecuting Witchcraft in Early Modern Venice, by Jonathan Seitz

'Your Wife Will Be Your Biggest Accuser': Reinforcing Codes of Manhood at New England Witch Trials, by Richard Godbeer

A Family Matter: The CAse of a Witch Family in an 18th-Century Volhynian Town, by Kateryna Dysa

A Note on the Survival of Popular Christian Magic, by Peter Rushton

A Note on the Witch-Familiar in Seventeenth Century England, by F.H. Amphlett Micklewright

African Ideas of Witchcraft, by E.G. Parrinder

Aprodisiacs, Charms, and Philtres, by Eleanor Long

Charmers and Charming in England and Wales from the Eighteenth to the Twentieth Century, by Owen Davies

Charming Witches: The 'Old Religion' and the Pendle Trial, by Diane Purkiss

Demonology and Medicine in the Sixteenth and Seventeenth Centuries, by Sona Rosa Burstein

Denver Tries A Witch, by Margaret M. Oyler

Devil's Stones and Midnight Rites: Megaliths, Folklore, and Contemporary Pagan Witchcraft, by Ethan Doyle White

Edmund Jones and the Pwcca'r Trwyn, by Adam N. Coward

Essex County Witchcraft, by Mary Beth Norton

From Sorcery to Witchcraft: Clerical Conceptions of Magic in the Later Middle Ages, by Michael D. Bailey

German Witchcraft, by C. Grant Loomis

Getting of Elves: Healing, Witchcraft and Fairies in the Scottish Witchcraft Trials, by Alaric Hall

Ghost and Witch in the Sixteenth and Seventeenth Centuries, by Gillian Bennett

Ghosts in Mirrors: Reflections of the Self, by Elizabeth Tucker

Healing Charms in Use in England and Wales 1700-1950, by Owen Davies

How Pagan Were Medieval English Peasants?, by Ronald Hutton

Invisible Men: The Historian and the Male Witch, by Lara Apps and Andrew Gow

Johannes Junius: Bamberg's Famous Male Witch, by Lara Apps and Andrew Gow

Knots and Knot Lore, by Cyrus L. Day

Learned Credulity in Gianfrancesco Pico's Strix, by Walter Stephens

Literally Unthinkable: Demonological Descriptions of Male Witches, by Lara Apps and Andrew Gow

Magical Beliefs and Practices in Old Bulgaria, by Louis Petroff

Maleficent Witchcraft in Britian since 1900, by Thomas Waters

Masculinity and Male Witches in Old and New England, 1593-1680, by E.J. Kent

Methodism, the Clergy, and the Popular Belief in Witchcraft and Magic, by Owen Davies

Modern Pagan Festivals: A Study in the Nature of Tradition, by Ronald Hutton

Monstrous Theories: Werewolves and the Abuse of History, by Willem de Blecourt

Neapolitan Witchcraft, by J.B. Andrews and James G. Frazer

New England's Other Witch-Hunt: The Hartford Witch-Hunt of the 1660s and Changing Patterns in Witchcraft Prosecution, by Walter Woodward

Newspapers and the Popular Belief in Witchcraft and Magic in the Modern Period, by Owen Davies

Occult Influence, Free Will, and Medical Authority in the Old Bailey, circa 1860-1910, by Karl Bell

Paganism and Polemic: The Debate over the Origins of Modern Pagan Witchcraft, by Ronald Hutton

Plants, Livestock Losses and Witchcraft Accusations in Tudor and Stuart England, by Sally Hickey

Polychronican: Witchcraft History and Children, interpreting England's Biggest Witch Trial, 1612, by Robert Poole

Publishing for the Masses: Early Modern English Witchcraft Pamphlets, by Carla Suhr

Rethinking with Demons: The Campaign against Superstition in Late Medieval and Early Modern Europe from a Cognitive Perspective, by Andrew Keitt

Seasonal Festivity in Late Medieval England, Some Further Reflections, by Ronald Hutton

Secondary Targets: Male Witches on Trial, by Lara Apps and Andrew Gow

Some Notes on Modern Somerset Witch-Lore, by R.L. Tongue

Some Notes on the History and Practice of Witchcraft in the Eastern Counties, by L.F. Newman

Some Seventeenth-Century Books of Magic, by K.M. Briggs

Stones and Spirits, by Jane P. Davidson and Christopher John Duffin

Superstitions, Magic, and Witchcraft, by Jeffrey R. Watt

The 1850s Prosecution of Gerasim Fedotov for Witchcraft, by Christine D. Worobec

The Catholic Salem: How the Devil Destroyed a Saint's Parish (Mattaincourt, 1627-31), by William Monter

The Celtic Tarot and the Secret Tradition: A Study in Modern Legend Making, by Juliette Wood

The Cult of Seely Wights in Scotland, by Julian Goodare

The Decline of Magic: Challenge and Response in Early Enlightenment England, by Michael Hunter

The Devil-Worshippers at the Prom: Rumor-Panic as Therapeutic Magic, by Bill Ellis

The Devil's Pact: Diabolic Writing and Oral Tradition, by Kimberly Ball

The Discovery of Witches: Matthew Hopkins' Defense of his Witch-hunting Methods, by Sheilagh Ilona O'Brien

The Disenchantment of Magic: Spells, Charms, and Superstition in Early European Witchcraft Literature, by Michael D. Bailey

The Epistemology of Sexual Trauma in Witches' Sabbaths, Satanic Ritual Abuse, and Alien Abduction Narratives, by Joseph Laycock

The European Witchcraft Debate and the Dutch Variant, by Marijke Gijswijt-Hofstra

The Flying Phallus and the Laughing Inquisitor: Penis Theft in the Malleus Maleficarum, by Moira Smith

The Framework for Scottish Witch-Hunting for the 1590s, by Julian Goodare

The Imposture of Witchcraft, by Rossell Hope Robbins

The Last Witch of England, by J.B. Kingsbury

The Late Lancashire Witches: The Girls Next Door, by Meg Pearson

The Malefic Unconscious: Gender, Genre, and History in Early Antebellum Witchcraft Narratives, by Lisa M. Vetere

The Mingling of Fairy and Witch Beliefs in Sixteenth and Seventeenth Century Scotland, by J.A. MacCulloch

The Nightmare Experience, Sleep Paralysis, and Witchcraft Accusations, by Owen Davies

The Pursuit of Reality: Recent Research into the History of Witchcraft, by Malcolm Gaskill

The Reception of Reginald Scot's Discovery of Witchcraft: Witchcraft, Magic, and Radical Religions, by S.F. Davies

The Role of Gender in Accusations of Witchcraft: The Case of Eastern Slovenia, by Mirjam Mencej

The Scottish Witchcraft Act, by Julian Goodare

The Werewolves of Livonia: Lycanthropy and Shape-Changing in Scholarly Texts, 1550-1720, by Stefan Donecker

The Wild Hunter and the Witches' Sabbath, by Ronald Hutton

The Winter Goddess: Percht, Holda, and Related Figures, by Lotta Motz

The Witch's Familiar and the Fairy in Early Modern England and Scotland, by Emma Wilby

The Witches of Canewdon, by Eric Maple

The Witches of Dengie, by Eric Maple

The Witches' Flying and the Spanish Inquisitors, or How to Explain Away the Impossible, by Gustav Henningsen

To Accommodate the Earthly Kingdom to Divine Will: Official and Nonconformist Definitions of Witchcraft in England, by Agustin Mendez

Unwitching: The Social and Magical Practice in Traditional European Communities, by Mirjam Mencej

Urbanization and the Decline of Witchcraft: An Examination of London, by Owen Davies

Weather, Prayer, and Magical Jugs, by Ralph Merrifield

Witchcraft and Evidence in Early Modern England, by Malcolm Gaskill

Witchcraft and Magic in the Elizabethan Drama by H.W. Herrington

Witchcraft and Magic in the Rochford Hundred, by Eric Maple

Witchcraft and Old Women in Early Modern Germany, by Alison Rowlands

Witchcraft and Sexual Knowledge in Early Modern England, by Julia M. Garrett

Witchcraft and Silence in Guillaume Cazaux's 'The Mass of Saint Secaire', by William G. Pooley

Witchcraft and the Early Modern Imagination, by Robin Briggs

Witchcraft and the Western Imagination by Lyndal Roper

Witchcraft Belief and Trals in Early Modern Ireland, by Andrew Sneddon

Witchcraft Deaths, by Mimi Clar

Witchcraft Fears and Psychosocial Factors in Disease, by Edward Bever

Witchcraft for Sale, by T.M. Pearce

Witchcraft in Denmark, by Gustav Henningsen

Witchcraft in Germany, by Taras Lukach

Witchcraft in Kilkenny, by T. Crofton Croker

Witchcraft in Anglo-American Colonies, by Mary Beth Norton

Witchcraft in the Central Balkans I: Characteristics of Witches, by T.P. Vukanovic

Witchcraft in the Central Balkans II: Protection Against Witches, by T.P. Vukanovic

Witchcraft Justice and Human Rights in Africa, Cases from Malawi, by Adam Ashforth

Witchcraft Magic and Spirits on the Border of Pennsylvania and West Virginia, by S.P. Bayard

Witchcraft Persecutions in the Post-Craze Era: The Case of Ann Izzard of Great Paxton, 1808, by Stephen A. Mitchell

Witchcraft Prosecutions and the Decline of Magic, by Edward Bever

Witchcraft, by Ray B. Browne

Witchcraft, Poison, Law, and Atlantic Slavery, by Diana Paton

Witchcraft, Politics, and Memory in Seventeeth-Century England, by Malcolm Gaskill

Witchcraft, Spirit Possession and Heresy, by Lucy Mair

Witchcraft, Women's Honour and Customary Law in Early Modern Wales, by Sally Parkin

Witches and Witchbusters, by Jacqueline Simpson

Witches, Cunning Folk, and Competition in Denmark, by Timothy R. Tangherlini

Witches' Herbs on Trial, by Michael Ostling

[noh07]

list of mixed name ideas (october 29, 2024)

i sorted them into three categories: androgynous, feminine and masculine.

in this list, there's any type of names (mostly for english-speaking people though): typical first names, noun names, mythology names, etc.

if you have more ideas of names for trans folks, writers, etc, just lemme know! (Can also be not-so-cool names for the writers, we need them for the asshole side characters :3)

i will update the list every time I have a lot of new name suggestions. this is not the newest version, but you can find it under the tag #updated name list on my profile.

(alphabetical list with 553 mixed names under the cut)

--- androgynous ---

Addie/Eddie

Aki

Alex

Alexis

Alli/Allie/Ally

Ares

Ari

Artemis

Aster

Azure

Bennie/Benny

Beverly

Billie

Blair

Charlie

Chrissy

Crimson

Edie

Eli

Ellori/Ellory

Emerson

Emi/Emmie/Emmy

Evie

Finn

Forest/Forrest

Frances/Francis

Gray/Grey

Hayden

Hunter

Jackie/Jacky

Jamie

Jess

Jessie

Jupiter

Lark

Lenny

Lori/Lorie/Lory

Lou

Louie

Mag

Maggot

Mars

Max

Mercury

Mika

Miko

Mizu

Neptune

Noah

Paris

Ollie

Quinn

Rafa

Reg

Robin

Ronni/Ronnie/Ronny

Saturn

Shilo/Shiloh

Skye

Val

Venus

Vin

Vinny/Vinnie

Wilson

--- feminine ---

Abby

Abigail

Adelaide

Adeline

Aileen/Eileen

Aimee/Amy

Alana

Alena

Alessia

Alexa

Alexia

Alexandra

Alice

Alissa

Alli/Allie/Ally

Alura

Amalia

Amber

Amelia

Amelie

Amity

Angie

Anna

Ann/Anne

Annie

Anastasia

Andrea/Andreea

Antheia

Arabella

Astra

Atlanta

Audrey

Aurora

Azura

Bailey

Becky

Bella

Belle

Bettie/Betty

Beverly

Billie

Brenda

Brie

Candace/Candice

Carla/Karla

Carolina

Caroline

Catherine

Celina/Selena/Selina

Celine/Selene

Charlotte

Christina/Kristina

Christine/Kristine

Claire

Clara/Klara

Chloe/Cloe

Cora/Corah

Daniela/Daniella

Danielle

Dalia/Daliah

Debbie

Debora/Deborah

Delilah

Diana

Dianne

Dora/Dorah

Eburia

Eda

Elena

Eleanor/Elenor

Elisa/Eliza

Elizabeth

Ella

Ember

Emerson

Emery

Emi/Emmie/Emmy

Emilia

Emilie/Emily

Emma

Euphemia

Euphoria

Esme

Esmeralda

Eva

Evie

Evelyn

Felicia

Fenya

Finya

Fia

Fiona

Francisca/Franziska

Freya

Gaia

Georgia

Gina

Ginny/Jeanie

Hanna/Hannah

Harmony

Heather

Hecate

Hera

Hestia

Hope

Iana

Irena

Irene

Iris

Isa

Isabel/Isabelle

Isabela/Isabella

Ivonne/Yvonne

Ivory

Ivy

Izzy

Janice

Jasmin/Jasmine

Jenna

Jenny

Jolene

Julia

Julianne

Julie

Juliet/Juliette

Katarina/Katharina

Kathy/Katy

Lana

Lara/Larah

Laura

Lauren

Laurel

Lena

Leia/Leya

Levina

Levinia

Lia

Liara

Lili/Lilli/Lilly/Lily

Lilian/Lilien

Lilith

Lisa

Livia

Liz

Lizzie/Lizzy

Loanne

Lola

Lorelei

Lori/Lorie/Lory

Louisa/Luisa

Louise/Luise

Luce/Luz

Lucy

Luna

Maggie/Meggie

Meg

Madeline

Maira/Myra

Margaret

Marge

Marla

Marlene

Maria/Mariah

Marie/Mary

Melanie

Melissa

Mellie/Melly

Mia

Michelle

Milly

Mina

Minerva

Minnie

Miriam

Mona

Naira/Nyra

Natalia

Natalie

Natasha

Nellie/Nelly

Nessie

Nina

Nora/Norah

Nori

Oliv/Olive

Olivia

Ollie

Paris

Pascale

Patricia

Paula

Peggy

Penelope/Pinelopy

Penny

Petunia

Philippa

Pia

Polly

Poppy

Ramona

Rebecka

Regina

Robin

Rose

Roxanne

Sara/Sarah

Sofia/Sophia

Sofie/Sophie

Stella

Stephanie/Stephany

Tara/Tarah

Tatiana/Tatyana

Tess

Tessa

Tia

Tiana

Tina

Valerie/Valery

Vanessa

Venus

Veronica

Victoria

Vivian

Viviana

Willow

Yana

Yasmin/Yasmine

Zoe/Zoé/Zoey

--- masculine ---

Aion

Alex

Alexander

Amon

Anthony

Anton

Arcturus

Ares

Ben

Benjamin

Bennie/Benny

Benson

Bill

Billie/Billy

Bob

Bobby

Brendan/Brendon

Brian

Bruno

Calvin

Carl/Karl

Chad

Chase

Chris

Chrissy

Christopher

Conan

Damian

Dan

Daniel

Dave

David

Davon/Devon

Dionysos

Don

Donald

Dorian

Dylan

Elia/Elijah

Elio

Eliot/Elliot/Elliott

Emerson

Emilio

Erion

Evan

Felix

Fred

Freddie/Freddy

George

Gian/Jan

Hannibal

Harald/Harold/Herald/Herold

Ian

Icarus

Jack

Jackie/Jacky

James

Jamie

Jimmy

John

Johnny

Jona/Jonah

Jonas

Jones

Julian/Julien

Julius

Jupiter

Justin

Kevin

Larry

Laurence/Lawrence

Lenny

Leo

Linus

Lori/Lorie/Lory

Louis/Luis

Louie

Lucc/Luke

Lucas/Lukas

Luigi

Marc

Marco

Mario

Mars

Max

Mercury

Michael

Mickey

Mike

Milo

Nathan

Neptune

Nick

Nico/Niko/Nikko

Noah

Oliver

Ollie

Orion

Paris

Pascal

Patrick

Paul

Pete

Peter

Philip/Philipp/Phillip

Raymond

Reg

Reginald

Regulus

Remus

Rob

Robbie/Robby

Robin

Ron

Ronald

Ronni/Ronnie/Ronny

Saturn

Sean/Shawn/Shaun

Sebastian

Sirius

Steve

Steven

Theodore

Tim

Toby

Tom

Tommy

Tony

Valentine

Victor

Wilson

Yan

Zach/Zack

Zeus

If you want me to add meanings, origins, etc., just tell me! ^^

[papermint-airplane]

Eleanor: Whoa whoa whoa, what do you mean 'who is Aiden'?! He's the Bachelor! You know, the whole reason we're competing in the first place?!

Angela: Surely you can't be serious!

Rose: I am serious! 🤭 And don't call me--

Viridia: IF YOU FINISH THAT SENTENCE, I WILL END YOU MYSELF.

Eleanor: Gaaaaaaah, I hate you people.

Angela: Then I guess I need you to explain a lot more than the murder attempt because if you aren't competing for Aiden's heart -- the alleged premise of the show -- what are you competing for?

Rose: I. keep. TELLING YOU! I want to WIN! 😠

Angela: Yes, but win what?!

Rose: Uggggh, you're so dense, it physically hurts. 😩

Viridia: STOP TALKING IN CIRCLES AND JUST EXPLAIN SOMETHING FOR ONCE!

Rose: Haven't you ever heard the expression 'winning isn't everything, it's the only thing'? 🙄

Angela: Yeah, I've heard toxic Little League coaches say that to crying seven year olds. And?

Rose: Seriously?! It's the principle I've based my entire life on! It's my mantra! My raison d'être! 👿

Viridia: WATCH OUT, SHE'S GOING FRENCH AGAIN.

Angel: So the whole reason you snuck back into the house, disguised yourself as a mime, sloppily painted your blue stripes purple, tried to kill Angela, and potentially scarred Aiden for life was...because of an expression everyone uses ironically?

Rose: It's not ironic to me, dammit! It's my sole purpose in life! Everyone knows that, even the Watcher! And she...she used it against me. 😓 She promised me that if I made the competition interesting for her, she'd let me back into the house.

Eleanor: Wait. What?! Say that again.

Rose: When I broke into her control room, she made me an offer: I'd get to come back and compete again as long as I did something to shake up the status quo. She was getting bored of you idiots. 🥱

Angel: I-I can't believe this.

Bailey: I know what you mean...

Angel: One of us got to meet the Watcher in person and it wasn't me.

Rose: Look, Angel, if it makes you feel any better, she's not what you think. She's...crazy. 😦

Bailey: High praise coming from you.

Rose: And not only that, she seriously doesn't know how 'Earth reality shows' as she calls them work because holy shit, this whole thing has been one clusterfuck from the beginning. 🙄 She says it's a Bachelor-type dating show but she's run the whole thing like a survival show with the challenges and eliminations. I mean half of us haven't even met this Arwin-or-whatever, let alone been on a date with him. What sense does that make?! 😵

Aiden: It's Aiden. I'm Aiden!

Eleanor: You're right. I thought this whole thing was shoddily arranged but I've never seen any reality dating shows. For all I knew, this is how they're supposed to be.

Rose: Well I've seen hundreds of them, and believe me, this is not how they're supposed to be. Arlo is supposed to spend time with all of us one-on-one, not be shoved into a pod by himself ninety percent of the time. 😣 I don't know how they do shows like this back on her planet but it's not how we do it on Earth. 👽

Eleanor: On...her...planet? The Watcher is an alien?

Rose: Well duh. 😑 You couldn't tell? Why do you think she abducted us all at the casting call? She had to get us on more familiar turf.

Angel: That doesn't make any sense. The Watcher can't be an alien. She's an eternal extra-dimensional being of pure benevolence.

Viridia: WILL YOU SHUT UP ABOUT YOUR RELIGION, ALREADY?! CLEARLY SOMETHING ELSE IS GOING ON.

Eleanor: I knew it, we really are in the Lunar Lakes moon settlement. I could tell from the trees. But...why are we the only Sims here?

Rose: I don't know and I don't care. 🤨

Wow. You really exposed me to everyone, huh, Rose?

Rose: You exposed yourself! You should have just let me win from the jump and I wouldn't have had to tell everyone what I knew. 😖

I guess it really is a good thing I didn't tell you the whole plan, then, huh? Otherwise you'd have run your mouth to Aiden.

Rose: Yeah yeah, Argyle or whoever-the-fuck. Well, I held up my end of the bargain. You're going to call this whole thing off and just announce me the winner, riiiiight? 🤤

Why would I do that?

Rose: Because...I made things interesting for you, like we agreed on. 😕

Then why am I still bored?

Rose: I-- 😶

You haven't won anything, Rose. You're still the same loser you were when you walked into this place on the first day. And that's all you'll ever be.

Rose: ...

Nothing to say to that?

Rose: I am going to kick. your. ass. 😡

[Beginning] [Previous] [Next]

[lunetaj]

The Goths are throwing one of their famous parties that almost everyone wants to attend.

Every year there’s a dress code. This time it’s white clothes.

It looks like some of the guests were having a little more fun than others.

Mark's father also had more fun. The only slight difference is that Thorne is married…

(2017)