#el angel 2018 | Explore Tumblr posts and blogs

justinspoliticalcorner · 19 days ago

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Claire Wang at The Guardian:

Those who failed to produce papers were arrested. More than 400 people were detained and forced on a train back to Mexico, a place many had never been.

It’s a scene many fear will come to pass in president-elect Donald Trump’s second term, especially after he doubled down on a campaign promise to “launch the largest deportation operation” in US history, and confirmed he would use the military to execute hardline immigration policies. But this particular episode happened in 1931, as part of an earlier era of mass deportations that scholars say is reminiscent of what is unfolding today. The La Placita sweep became the first public immigration raid in Los Angeles, and one of the largest in a wave of “repatriation drives” that rolled across the country during the Great Depression. Mexican farm workers, indiscriminately deemed “illegal aliens”, became scapegoats for job shortages and shrinking public benefits. President Herbert Hoover’s provocative slogan, “American jobs for real Americans”, kicked off a spate of local legislation banning employment of anyone of Mexican descent. Police descended on workplaces, parks, hospitals and social clubs, arresting and dumping people across the border in trains and buses.

Nearly 2 million Mexican Americans, more than half US citizens, were deported without due process. Families were torn apart, and many children never again saw their deported parents. Hoover’s Mexican repatriation program is, among mass deportation efforts in the past, most similar to Trump’s stated plans, said Kevin R Johnson, a professor of public interest law and Chicana/o studies at the University of California, Davis, School of Law. [...] Since his first presidential run, Trump has invoked President Dwight D Eisenhower’s mass deportation program as a blueprint for his own agenda. During the second world war, the US and Mexican government enacted the Bracero program that allowed Mexican farm hands to temporarily work in the US. But many growers continued to hire undocumented immigrants because it was cheaper. In 1954, the Eisenhower administration cracked down on undocumented labor by launching “Operation Wetback”, a yearlong series of raids named after a racial epithet for people who illegally crossed the Rio Grande. [...] The politics of deportation have always contained an important “racial dimension”, said Mae Ngai, a historian whose book Impossible Subjects explores how illegal migration became the central issue in US immigration policy.

Trump has deployed racist tropes against various ethnic groups, including Mexicans as drug-dealing “rapists” and Haitians as pet eaters, while lamenting a lack of transplants from “nice”, white-majority countries like Denmark and Switzerland. Last month, sources close to the president told NBC News that he could prioritize deporting undocumented Chinese nationals. “He’s been very clear about going after people of color, people from ‘shithole countries,’” she said, referring to a 2018 remark from Trump about crisis-stricken nations like El Salvador and Haiti. Trump could plausibly deport a million people using military-style raids of the Eisenhower-era, Ngai said, but it is unlikely that he can expel 11 million undocumented immigrants. (According to an estimate by the American Immigration Council, deporting 1 million people a year would cost more than $960bn over a decade.) Still, Ngai said, his rhetoric alone could foment fear and panic in immigrant communities. But Eisenhower’s immigration approach also differed from Trump’s in notable ways, Ngai said. Though the administration did launch flashy raids, it also allowed farm owners to rehire some deportees through the Bracero program, essentially creating a pathway for authorized entry into the US. So far, Ngai said, Trump has hammered down on deportations without providing an option for legal immigration or naturalization. “He doesn’t know the whole story of ‘Operation Wetback’,” she said. Deportations also appear to have harmed the local economy.

Donald Trump’s mass deportation proposal hasn’t been the first time the US conducted mass deportations of Mexican-Americans, as it happened during the Herbert Hoover and Dwight D. Eisenhower’s presidencies. The deportations were ruinous to economies and were a human rights disaster, and Trump’s plan repeats that but turbocharges it.

#American History #Mass Deportations #Donald Trump #Herbert Hoover #Mexican Americans #Ethnic Cleansing #Dwight D. Eisenhower #La Placita Park #Operation Wetback #Bracero

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thyme-in-a-bubble · 7 months ago

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a list of some summer movies/series 🌞

hi hi hi!! it's just me, your friendly neighbourhood little organisation freak of a goblin here to give you yet again a list of some seasonal movies and series. this time, say it with me folks, summer! as always, just close your eyes and point somewhere on this little list, or even put the numbers in a generator and go with whatever the result is ♡

autumn | winter | spring

🐚 ‧₊˚ ⋅ movies ⋅˚₊‧

roman holiday (1953)

jaws (1975)

friday the 13th (1980)

Indiana jones (1981-)

dirty dancing (1987)

the princess bride (1987)

paris is burning (1990)

point break (1991)

jurassic park (1993-)

before sunrise (1995)

a goofy movie (1995)

clueless (1995)

birdcage (1996)

boogie nights (1997)

i know what you did last summer (1997)

my best friend's wedding (1997)

parent trap (1998)

bilboard dad (1998)

tarzan (1999)

the talented mr. ripley (1999)

10 things I hate about you (1999)

the mummy (1999)

cast away (2000)

almost famous (2000)

our lips are sealed (2000)

charlie’s angels (2000 + 2003)

holiday in the sun (2001)

the wedding planner (2001)

the fast and furious franchise (2001-)

princess diaries (2001-2004)

lilo and stitch (2002)

blue crush (2002)

crossroads (2002)

how to lose a guy in 10 days (2003)

under the tuscan sun (2003)

the lizzie mcguire movie (2003)

pirates of the caribbean franchise (2003-2017)

sisterhood of the traveling pants (2005-2008)

monster in law (2005)

aquamarine (2006)

she’s the man (2006)

the cheetah girls 2 (2006)

high school musical 2 (2007)

camp rock (2008)

vicky cristina barcelona (2008)

fool's gold (2008)

mamma mia (2008 + 2018)

adventureland (2009)

bride wars (2009)

hannah montana the movie (2009)

the last song (2010)

letters to juliet (2010)

eat pray love (2010)

one day (2011+2024)

a little bit of heaven (2011)

soul surfer (2011)

the impossible (2012)

magic mike (2012+2025+2023)

the big wedding (2013)

lovelace (2013)

endless love (2014)

chef (2014)

the longest ride (2015)

mad max: fury road (2015)

the shallows (2016)

it (2017)

girls trip (2017)

baywatch (2017)

jumanji: welcome to the jungle (2017)

gifted (2017)

call me by your name (2017)

crazy rich asians (2018)

adrift (2018)

ibiza (2018)

every day (2018)

bad times at the el royale (2018)

tomb raider (2018)

the red sea diving resort (2019)

midsommar (2019)

we summon the darkness (2019)

spider-man: far from home (2019)

the devil all the time (2020)

palm springs (2020)

the last letter from your lover (2021)

raya and the last dragon (2021)

luca (2021)

uncharted (2022)

glass onion (2022)

do revenge (2022)

the lost city (2022)

the gray man (2022)

death on the nile (2022)

barbie (2023)

bottoms (2023)

anyone but you (2023)

la passion de dodin bouffant (2023)

road house (2024)

the challengers (2024)

players (2024)

twisters (2024)

🍦 ‧₊˚ ⋅ series ⋅˚₊‧

the o.c. (2003-2007)

america's next top model (2003-2018)

project runway (2004-)

h2o: just add water (2006-2010)

gossip girl (2007-2012)

private practice (2007-2013)

rupaul’s drag race (2009-)

the walking dead (2010-2022)

new girl (2011-2018)

the fosters (2013-2018)

black-ish (2014-2022)

jane the virgin (2014-2019)

grace and frankie (2015-2022)

critical role (2015-)

stranger things (2016-)

the durrells (2016-2019)

big little lies (2017-2019)

she's gotta have it (2017-2019)

the bold type (2017-2021)

queer eye (2018-)

station 19 (2018-2024)

euphoria (2019-)

roswell, new mexico (2019-2022)

valeria (2020-2023)

911: lone star (2020-)

outer banks (2020-)

bridgerton (2020-)

sex/life (2021-2023)

the white lotus (2021-2025)

daisy jones and the six (2023)

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yourartmatters-itswhatgotmehere · 9 months ago

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so, alright, here are the movies/MEDIA that make me go *oh shit I'm so bi, omg bisexual panic*

so, alright, here are the MOVIES that make me go *oh shit I'm so bi, omg bisexual panic* (it can be very bi-vibes movies or simply movies that make me feel how very deeply i love being bi, or the ones i just enjoy rewatching-not necessarily with bi/queer representation!) : Red, White & Royal Blue 2023 , Wicked (Part 1) 2024 , The Mummy 1999, The Little Mermaid 2023, The Little Mermaid 1989, Anne Of Green Gables 1985, Anne Of Green Gables:The Sequel 1987, Anne of Green Gables: The Continuing Story 2000, The Road to El Dorado 2000, Mulan 1998, The Cutting Edge 1992, Ten Inch Hero 2007, Rebel Without A Cause 1955, The Fallout 2021, Better Off Dead 1985, Anastasia 1997, Cinderella 2021, The Idea of You 2024, Rise Of The Guardians 2012, 10 Things I Hate About You 1999, Do Revenge 2022, Charlie’s Angels 2019, Bottoms 2023, Cadet Kelly 2002, Lemonade Mouth 2011, Purple Hearts 2022, Carry-On 2024, The Little Vampire 2017, John Tucker Must Die 2006, Pride and Prejudice and Zombies 2016, The Princess and The Frog 2009, The Addams Family 1991, Addams Family Values 1993, Treasure Planet 2002, Atlantis: The Lost Empire 2001, The Favourite 2018, Challengers 2024, Upgraded 2024, Fallen 2016, The Half Of It 2020, A Biltmore Christmas 2023, Feel The Beat 2020, My Old Ass 2024, Time Cut 2024,(+ will probably keep adding to this soon-ish)

+ edit TV SHOWS that my bi heart loves: One Tree Hill(OTH), Shadow and Bone, Roswell 90s(OG), White Collar, Reign, Mary & George, Heartstopper, Wild Cards, Living for the Dead, Warrior Nun, XO Kitty, Wednesday, Maxton Hall : The World Between Us (2024), Jurassic World Camp Cretaceous(JWCC) & Jurassic World Chaos Theory (JWCT) , Percy Jackson and the Olympians, Dawson's Creek, Vampire Academy 2022, Fallen 2024, Willow, Dickinson, Heartbreak High, Bridgerton (S2), Teen Titans, Legacies, TheAddamsFamily(1964-1966), Love Victor, Lockwood&Co, Queer As Folk, The L Word, Shadowhunters, Ginny & Georgia, Get Even (2020), Geek Girl (2024), Agatha All Along, Cruel Intentions 2024,

+ edit BOOKS/ BOOK SERIES that my bi heart absolutely LOVES:

Artemis Fowl Series by Eoin Colfer, Shatter Me Series by Tahereh Mafi, The Folk Of The Air Series by Holly Black, The Diviners Series by Libba Bray, The Devouring Gray Duology by C.L. Herman, GRISHAVERSE books (Six of Crows!!, Shadow and Bone, King of Scars-3 mini series) by Leigh Bardugo , This Woven Kingdom Series by Tahereh Mafi , Fallen Series by Lauren Kate, Elixir Series by Hilary Duff, The Cemetery Of Forgotten Books Series by C. R. Zafón, The Keys To The Kingdom Series by Garth Nix, Infinity Cycle Series by Adam Silvera, Anne Of Green Gables Series by L. M. Montgomery, Bloodlines Series & Vampire Academy Series by Richelle Mead, An Ember In The Ashes Series by Sabaa Tahir, The Selection Series by Kiera Cass + STANDALONES Lauren Kate-Unforgiven (standalone book in my opinion), Eoin Colfer- Airman, David Nicholls- One Day, Gayle Forman-Just One- Day & Year & Night (mini series), Vanessa Len-Only a Monster (mini series here too), Adam Silvera- History Is All You Left Me, Adam Silvera- They Both Die At The End , Adam Silvera- The First To Die At The End, Becky Albertalli-Imogen,Obviously, Mason Deaver- I Wish You All The Best(+short novella here!), Casey McQuiston-Red, White & Royal Blue, Casey McQuiston- The Pairing, Casey McQuiston-I Kissed Shara Wheeler, Casey McQuiston-One Last Stop, Aaron H Aceves-This Is Why They Hate Us, Wen-yi Lee- The Dark We Know, Mason Deaver-The Feeling Of Falling In Love, Sophie Gonzales-The Law Of Inertia, H.E.Edgmon-The Witch King & The Fae Keeper (duology!) , H.E.Edgmon-Godly Heathens & Merciless Saviors (mini series here!) , Carlos Ruiz Zafón- The Midnight Palace, Isabel Abedi- Whisper Haunted House, Francis Scott Fitzgerald- The Love Of Last Tycoon, Leo Tolstoy- Anna Karenina, S. E. Hinton- The Outsiders, Becky Albertalli & Adam Silvera-Here's to Us & What If It's Us (duology), Page Powars- The Borrow a Boyfriend Club,(will keep adding here probably!)

https://www.instagram.com/the_bi_library/ & @ the-bi-library here on tumblr!!

BOOKS TO LEARN MORE ABOUT BISEXUAL HISTORY & ACTIVISM:https://www.tumblr.com/ruimtetijd/686000390089621504/list-of-books-about-bi-history-and-activism-from

+ https://docs.google.com/document/d/1Q--nIkJu0OS0BgiyZmdKVwOVg1G90SFzWijNDWFTt58/edit#heading=h.wqkaxpi7o5je

+about THE MUSIC:

love you all, we need MORE bisexuality in media!!

+some links:

The Bisexual Flag, its meaning and history!:https://www.tumblr.com/yourartmatters-itswhatgotmehere/762664140472008704?source=share + Lani Kaʻahumanu talking about how bisexuals have ALWAYS been around!:https://www.tumblr.com/yourartmatters-itswhatgotmehere/762663819491328000?source=share

.https://anythingthatmovesarchive.carrd.co/ &https://anythingthatmovesarchive.carrd.co/#scans &https://anythingthatmovesarchive.carrd.co/#about

also i recommend this podcast ‘A Little Queer Podcast’ by two incredible bisexual people Capri Campeau and Ashley Whitfield. episode linked here, ‘Debunking Bisexual Myths and Stereotypes’ :https://open.spotify.com/episode/3wcP8HBIY0IyVxROjpZPNg?si=TIHDv-eFQi-mdsCS6zKzNA (all covered here for real!) +also check ‘A Bit Fruity Podcast’ by Matt Bernstein (very educating one!!)

THIS song (bi bi bi THIS IS OUR SONG!!) by Sub-Radio (the lead vocalist Adam Bradley is bisexual♥) :https://www.tumblr.com/yourartmatters-itswhatgotmehere/765512527066087424?source=share &https://www.tumblr.com/yourartmatters-itswhatgotmehere/765512891127480320?source=share + THIS BAND SINGING THE BLACK PARADE but make it ever more queer pride parade♥ :https://www.tumblr.com/yourartmatters-itswhatgotmehere/765565710891155456?source=share &https://www.tumblr.com/yourartmatters-itswhatgotmehere/765565917201612800?source=share (you’re scaring Ron you’re scaring Rooonn) + an awakening with HSM(?) :https://www.tumblr.com/yourartmatters-itswhatgotmehere/765565797378719744/mndvx-subradioband-happy-pride-yal-anyone?source=share

(+IMPORTANT) (Nov,2023)-A Bit Fruity Podcast (created by Matt Bernstein (gay American Jewish man) Ep with Moe Dabbagh, a gay Palestinian American with family currently in Gaza. ‘Queers for Palestine & The Power of Pinkwashing’. Palestine has been occupied for more than 76 years now, since 1948 year. This ep gives you a LOT of information, especially if you are one of the people who can’t see right through the propaganda; or the ones who go ‘well if you’re gay then go to Gaza and see how that goes for you’. Queer Liberation is a liberation of Palestinian people. We can’t have one without the other. Free Palestine. Free all the people that are not yet free. This is where we start!! Ep on youtube :https://youtu.be/Xsgdk-DDSXc on spotify :https://open.spotify.com/episode/62WOjKJYih6lhuisP8tmZH?si=soRArGs1QeWqEzEaiSVlUg on iheartcom:https://www.iheart.com/podcast/269-a-bit-fruity-with-matt-ber-117844074/episode/queer-palestinians-the-power-of-129612460/(keep learning & keep showing up!)

!!.http://alqaws.org/siteEn/index & https://queersinpalestine.noblogs.org/ + https://www.instagram.com/queersinpalestine/

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theforbiddeneden · 7 months ago

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Metal Hammer Magazine December 2023 Enter The World Of Sleep Token - Revista Metal Hammer Dezembro 2023 Entre no mundo do Sleep Token

"We'll never see the band at this level again" Sleep Token fan Benji Purdy

A deep, distorted voice is coming through the PA of Los Angeles’ El Rey Theatre.

“Do you think they want you to cry?” it’s saying. “Do you think they like it?”

A second voice, lighter in tone but still distorted and oddly inhuman, replies.

“Not as such,” this one says.

“I think they just want to know that I am feeling something, feeling what they are feeling, perhaps.”

The audience in this ornate, 800-capacity venue stands silent, entranced by the voices. The band onstage are masked metal sensations Sleep Token, tonight playing their first headlining show in the City of Angels as part of their month-long North American Rituals tour.

The dialogue that is playing out around us is hugely significant to everyone in this sold-out crowd. It marks the first time crowned frontman Vessel – the lighter voice – has broken his silence in public. The deeper voice he’s communing with belongs to Sleep, the god-like entity at the heart of the band’s lore. As the conversation continues, you could hear a pin drop.

“Do you think that this amount of crying is healthy for you?” Sleep asks.

“I don’t know,” comes Vessel’s response. “But at least I feel something. If I don’t feel anything then why would I even do this?”

At this, the crowd lose their minds and a wave of mania ripples across the floor. That the voices are pre-recorded doesn’t matter. Nor does the fact that this isn’t, strictly, the first time it’s happened – Sleep Token have been doing throughout this tour. But modern metal’s most enigmatic band have done something they’ve never done before: they’ve cracked open the door and given us a tantalising glimpse into their inner world.

This show isn’t the biggest Sleep Token will play this year. In December, they will headline London’s Wembley Arena. But Los Angeles, together with New York, is one of the epicentres of the US music business, and the buzz that’s surrounding the anonymous band suggests that America is paying attention to them.

More than that, La La Land has always had a thing for cults, from the Manson Family to Scientology, as well as the countless smaller ‘spiritualist’ groups that operate in the city today. An anonymous, masked British band with their own mysterious, quasi-religious mythology? LA never stood a chance.

“There is a new atmosphere at these live shows, an electricity,” says Benji Purdy, an American fan who also acts as moderator on the band’s official Discord server. He first saw Sleep Token when they supported metalcore act Issues on a 2019 US tour. After witnessing their headlined show in Portland, Oregon a few days ago, he says they’re an entirely different beast this time around.

“We’ll never see this band at this level ever again,” says Benji. “They are catapulting themselves.”

2023 has been the year Sleep Token’s cult success went fully overground. On January 5, the band released Chokehold, the first single from then-upcoming third album Take Me Back To Eden. Twenty-four hours later, they chucked in another new song, The Summoning. By the time the track hit TikTok, videos of listeners reacting to the genre-defying sound were reaching users around the world, with some even hitting a million-plus views.

Their social media profile was helped by celebrity boosts from Slipknot frontman Corey Taylor, Architects singer Sam Carter and Lorna Shore’s Will Ramos. And in May, they announced that Wembley date. All 12,500 tickets sold out in just 10 minutes. Sleep Token had officially become a arena band.

Chris Lody, a Sleep Token fan based in Coventry, set up a subreddit for the band back in 2018 after discovering they won their nomination for Best New Band at the Metal Hammer Golden Gods. The same year, he saw their first headline performance at St Pancras Old Church in front of 150 people. He’s had a front row seat to their dizzying rise.

“To go from that to Wembley in December, it’s incredible,” says Chris. “Creating the subreddit was a bit opportunistic really. Nothing like it really existed and I wanted to see what other people were saying about the band.”

It took a while, but fans eventually began to head to Chris’s Reddit page to share their own interpretations of Sleep Token’s music, art and lore. After the release of Chokehold and The Summoning, the page exploded with new users.

“The volume of people posting day-to-day is massive now,” says Chris, adding that it has grown from around 6,000 users to 34,500 at the time of writing. “We’ve had to take on more moderators just to maintain a bit of order.”

Much as the fandom has expanded, so too have the opportunities afforded Sleep Token. This summer, they stepped up to festival headliner status in the UK, with appearances at Portsmouth’s Takedown in April and Manchester’s Radar in July. Radar organiser Joe James admits they lucked out with the timing of the band’s booking.

“We got them at that sweet spot that every promoter dreams of,” he tells Hammer. “We’re a festival that wants to book progressive, contemporary music. Sleep Token tick all those boxes: they’re doing something fresh and are at the top of their game at the moment.”

Headlining the first day of the festival gave the band a full “limitless” rehearsal time, which in turn resulted in a truly headline-worthy performance.

“It looked and sounded amazing,” Joe enthuses. “They are so massive now, but they don’t behave like they’re blowing up just yet. I truly think they’re the next Download headliners of the new breed.”

It’s 4pm in Los Angeles when Hammer arrives at the El Rey Theatre, and queues are already stretching around the block in both directions. Some fans have brought chairs and blankets to sit on, while others are propping themselves up against the walls of the venue, clinging to the scant shade to avoid the glare of the Californian sun.

Amy McLaurin and her friend Sarah Hibbert are standing at the venue barrier. They’re from Virginia, and arrived at the El Rey at 9am, despite having fast-track passes that guarantee them priority entry.

“I found them on TikTok,” she says of how she discovered Sleep Token, with a nervous smile that suggests she’s worried any gatekeepers will leap out and chase her away at any second.

The pair saw Sleep Token for the first time a couple of weeks earlier in Baltimore, but couldn’t risk booking flights to come more than 2,000 miles to repeat the experience. It’s doubly impressive because Baltimore was Amy’s first ever gig, full-stop.

“I’d never really found an artist I loved enough,” she says. “Right now they’re everything I want in music. I listened to rock before Sleep Token, but not much metal – I’ve actually discovered more metal through them. I also met Sarah at the Baltimore show and we both decided to fly here.”

“They make you think about things you otherwise wouldn’t want to talk or be open about,” adds Sarah. “These songs can mean something different to everyone, a universal pain we all feel but some might be less able to express that.”

Vessel famously doesn’t do interviews – the only one he has given was to Hammer in the band’s early days – but their fans have been more than happy to pick up the slack. Sleep Token’s official and unofficial social media channels are full of running narratives, memes and jokes.

It hasn’t all been deadly serious, either. In April, a fan-filmed clip of an audience member at a gig in Sydney letting loose a “sinister” fart during the quiet part of the song Atlantic went viral. Similarly, after the release of The Summoning, a section of their fanbase dubbed Sleep Token “metal’s sexiest band,” largely thanks to lyrics such as

"THEIR MUSIC TRANSCENDS THEIR PERSONALITIES" SLEEP TOKEN FAN CASSIE KNOX

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“THERE ARE SECRETS LEFT TO BE UNCOVERED”

Daniel Owen is the man behind the artwork of Sleep Token’s first two albums, 2019’s Sundowning and 2021’s This Place Will Become Your Tomb.

WHEN DID YOU FIRST COME INTO CONTACT WITH SLEEP TOKEN?

“Around early 2018. I ended up becoming one of their lead visual creatives from [that year’s single] Jaws through to This Place Will Become Your Tomb, and some initial development on Take Me Back To Eden.”

HOW MUCH OF A BRIEF WERE YOU GIVEN IN EACH CASE?

“The briefs behind each project have varied greatly in scope, but usually only restricted to a few lines – in the case of Sundowning per song - or a paragraph to explore the central idea of This Place Will Become Your Tomb. Symbolism throughout history has always been a communication method that encapsulates a sense of power and reverence; my work for the project has always aimed to champion atmosphere while masking a considerable amount of intention below the surface. “One example would be the Sundowning sigils as a whole: being informed by the passing of time and mirroring the positions of a clock face, referencing the namesake of the album. Individually, each sigil was a cipher I'd developed that represented a hidden selection of elements relating to the singles that later served as artwork – eventually all would be removed from streaming services and become an intentionally forgotten to reflect one of the central themes of Sundowning and its primary cover. A beautiful part of working with a band is that there's an unparalleled level of bravery involved with taking the kinds of creative choices that many are too hesitant to pursue.”

SLEEP TOKEN PUT HIDDEN ‘CODES’ IN THEIR SONGS AND IMAGES. ARE THERE ANY SECRETS IN YOUR ARTWORK THAT FANS STILL HAVEN’T DISCOVERED?

“There’s certainly some things I’ve left seeded within my work that’s ready to be pulled from the future if I’m called upon. There are still some secrets left to be uncovered.”

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‘Or are you really here to cut me off? Or maybe just to turn me on’ and ‘I would be lying if I told you that I didn’t think that I could be your man / Or maybe make a good girl bad,’ combined with a raunchy bass drop in the song’s second half. This sexiness is something the band have leaned into on this US tour. During The Offering, members have been seemingly kissing through the masks, reportedly prompting a suitably ecstatic reaction from the crowd each time.

There are other, more wholesome displays of fandom, from fluffy crochet plushies to homemade necklaces. A video of guitarist IV putting on a cowboy hat given to him by an audience member at a gig in Dallas has yielded close to two million views on TikTok. Back at the barrier at the El Rey stands Cassie Knox, who has come to LA from Houston, Texas. Cassie has now seen the band eight times, including at Radar in the UK.

“Sleep Token have a big thing about community,” she says matter-of-factly, when we ask whether it gets lonely following the band on tour. “I met two girls last night in San Diego, they’re here with me and we’re also going to Anaheim [the next gig on the tour].”

While every fan has a personal answer for what Sleep Token mean to them, Cassie’s response seems to be shared by many. “They taught me self-love,” she says, holding a sign stating as much.

In May, shortly before the release of Take Me Back To Eden, several select fans were invited to an exclusive listening session for the album in London. Chris Lloyd, who runs the Sleep Token subreddit, was one of them. He won’t divulge too many details of the event, but offers an anecdote that highlights the band’s dedication to keeping their enigma intact.

“We got there and there was just this stage with curtains,” he says. “They opened at the start of the album and we thought there was a Vessel mannequin just in a chair. It was really dark and there were loads of smoke, but it was really exciting. Then right at the very end of the session, the ‘mannequin’ stood up and it was actually Vessel – he’d just sat perfectly still the whole time! It was insane.”

The band show no sign of changing their minds when it comes to preserving their mystique. Hammer’s request for an interview with Vessel is, predictably, turned down. But this anonymity is something that their devotees embrace. The golden rule of Sleep Token fandom is to never, under any circumstances, divulge or speculate on the members’ real-life identities. Still, that hasn’t stopped some people trying.

“The mystery surrounding the band will always be a key element that draws people in,” says Discord mod Benji Purdy. “It’s a rabbit hole and people love diving into them. But I have found that since [2021 album] This Place Will Become Your Tomb, there has been a culture shift within the fanbase between those who want to respect the band’s wishes to stay anonymous, and those who have a general lack of respect and think the band don’t care.”

This ring of secrecy is intact today. Before the show, Hammer is sitting at a table in the taco restaurant adjacent to the El Rey. We can hear and see the security manager briefing in front of the venue.

“Tonight’s show is Sleep Token,” the security manager says, marching along his ranks like a general on the eve of battle. “Their whole deal is that they are anonymous. If anybody – anybody – tries to go where they shouldn’t, you MUST. STOP. THEM.”

In reality, transgression seems to be the furthest thing from anyone’s mind. The people queuing outside the El Rey are here to Worship, after all.

“Their music transcends their personalities as individuals,” Cassie Knox tells us. “Everybody has a part in this music, and from the messages that the band have put out, it seems like that’s exactly what he [Vessel] wanted.”

By the time the doors open, the excitement is palpable. Airport-style security gates mean everyone is thoroughly searched before entry and it seems half the audience has brought along trinkets, gifts and signs in their own expression of Worship. One fan has turned up with a bouquet of roses so big it is seen engulfed her head. They all make it through security without issue.

While some fans have been dressing up in full Vessel cosplay elsewhere on the tour, there’s no such regalia tonight, although many have covered their faces with painted Sleep Token sigils. Equally, it’s striking just how youthful the crowd is as a whole.

“It’s been like this the whole tour,” reveals Matt de Burgh Daly, guitarist/keyboardsist with support A.A. Williams, as he sits down next to Hammer to grab a bite pre-show. Williams and her band previously supported Sleep Token on their 2021 UK tour, and now they’re on these US dates, suggesting they’re within the headliners’ circle of trust.

“It’s funny actually,” Matt says between taco bites. “This is actually one of the smaller shows on the tour, I think. But we’re pretty nervous.”

Oh?

“Yeah, our drummer’s broken his arm – he’s having to play Def Leppard style!”

With its art deco exterior, crystal light fixtures, chandeliers and blood red decor, the El Rey Theatre feels more like it should be hosting a seance than a metal show. It’s not your typical dive venue. But where Sleep Token aren’t your typical metal band, sonically or visually.

From Hammer’s vantage point, a dark balcony overlooking the main floor, it looks like nearly everyone is adorned in some kind of Sleep Token memorabilia, be it t-shirts, hoodies, or even smaller items like necklaces or homemade earrings. A queue stretches from the merch stand to the barrier throughout the entirety of A.A. Williams’ set and right up until Sleep Token themselves appear.

Sure enough, the headliners’ arrival elicits a frenzy of activity. An extended shriek of pure ecstasy greets the band as they march onto the stage, and it’s not long before the audience is singing along ardently, tears literally streaming from some fans’ eyes.

Detractors may point to the prevalence of piano ballads in Sleep Token’s sound, but there’s no shortage of heft in tonight’s set. Chokehold is explosive, its pendulum riffs cutting through the air like a buzzsaw. Hypnosis has the booming, almost floating menace of a great Deftones track, fans waving their arms wildly throughout.

Even in terms of physical presence, there’s a marked difference from the band that toured in support of 2021’s This Place Will Become Your Tomb. Back then, Vessel seemed like a solid, rooted entity, his movements stiff and minimal, clinging to the mic-stand like he was tethered to it. This time out, he’s a ball of kinetic energy, bouncing, dancing and stalking his way backwards and forwards across the stage, even dropping to do push-ups during The Summoning. Bassist III and guitarist IV are similarly lively, headbanging furiously and commanding circle pits and walls of death with finger gestures and head nods.

The Take Me Back To Eden songs are especially visceral live. Vessel skitters across the stage during Vore like someone having an ancient entity, switching between howls and soulful melodies before intoning the song’s key lyric: ‘I want to give you all, but nobody else will ever go?’

For all the excitement, background chatter falls away completely when segments of conversation between Vessel and Sleep play out. The distorted voices discuss everything from the fandom to the role the masks play in their mythology.

“In order for all of this to work there has to be a certain boundary in place,” Vessel says, his unearthly, pre-recorded voice spilling from the speakers. “They need to be able to project themselves onto this, without anyone else’s identity getting in the way. In turn, I need to be able to show my true self to them in a way that does not compromise their ability to connect.”

There’s certainly no shortage of connection as fans roar along to the likes of The Summoning, The Love You Want and Alkaline, some moved to tears as the music takes on new dimensions, the closing rave-metal thrust of The Offering ending the night on an exultant and triumphant note, before Vessel clasps his hands in thanks as Whitney Houston’s I Wanna Dance With Somebody (Who Loves Me) plays incongruously over the PA.

So where next for Sleep Token? In a year where they have notched up a Top 10 album in the UK – Take Me Back To Eden peaked at No 3 – and sold out venues around the world, it’s hard to say exactly where the ceiling could be for them.

“I could easily see them playing arenas here in the States within two years,” Benji states. “The demand here is insane – as seen by the number of people who’ve lined up at every almost every show of this tour.”

For a British metal band to break into the US market is no mean feat, and the buzz and excitement Sleep Token are generating here is starting to catch up with the noise that surrounds them back home.

Equally, their pop sensibilities enable them to serve as a gateway, their success on TikTok showing they don’t just appeal within the metal sphere, but to wider audiences whom then tumble further down the metal rabbit-hole after discovering them.

Uniting newcomers and dyed-in-the-wool metalheads alike, Sleep Token are a new breed of band, transcending genre boundaries by simply refusing to stay in one, and backed up by a mystery and spectacle all their own. They are as at home supporting Slipknot and Architects as they are appearing at festivals like Reading and Leeds – testament to just how influential and breakout they’ve become.

Crazy as it may seem, 2024 will likely be an even bigger year for Sleep Token, and they’ve already booked some of the world’s most iconic venues in that period. With Wembley Arena and Alexandra Palace shows in the diary for next April, Sleep Token will be looking to cement their place at the top of the mountain. How long before the Worship of Sleep Token becomes a religion?

SLEEP TOKEN PLAY WEMBLEY ARENA ON DECEMBER 16. TAKE ME BACK TO EDEN IS OUT NOW VIA SPINEFARM

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MASKS REVEAL THE ARTIST’S VISION

Mario Garvera and Beatrice Rebondi are MysteryStar, an art studio specialising in masks, costumes and accessories. They also created the Vessel mask

WHAT IS YOUR BACKGROUND IN MASK-MAKING?

“We’ve always been drawn to the dramatic and theatrical aspects of expression, along with our shared love of music. We have produced thousands of pieces together over the decades. We never make replicas of our masks; they are, and always will be, one-off characters, created especially and never to be repeated.”

HOW DID YOU BECOME INVOLVED WITH SLEEP TOKEN?

“In early 2019 they were looking for a workable mask, as they hadn’t found anything wearable that could work onstage yet. We provided [Vessel and Sleep Token’s management] with several sketches and worked out together how to keep Vessel’s character essence and vision, while creating something that could work on a human head and be practical onstage.”

WHAT WERE THE BIGGEST CHALLENGES?

“It took several modifications, especially around the shape of the head. We had to accommodate certain parts of Vessel was adamant were integral parts of the full-face mask for the photoshoots and a mouth - less one for tge stage perfomances. These were the first two masks that we made for Vessel.”

WHY DO YOU THINK WE FIND MASKED BANDS SO FASCINATING?

“Masks have always been important to humans since perhaps the beginnings of civilisation. Ancient tribes created masks, for recounting their history and transmitting knowledge of their young; for healings and for warding off their enemies. In addition, it could be because masks are a created expression of the artist – the one - who created it, as well as the one who wears it – and as such reveal something of the artist’s mind and their vision.”

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Transcription English Version from theforbiddeneden

#sleep token lore #sleeptoken #music #band #vessel #sleep token music #vessel sleep token #ii #sleep token vessel #pt-br #iii sleep token #sleep token iii #sleep token ii #iv sleep token #ivy #magazine #eng

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burningexeter · 2 months ago

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Here's a damn fine solid amount of all the different kinds of media that I think both can definitely fit well in and could legit share the same universe as what is in my opinion one of the best trilogies ever made, Gore Verbinski's Pirates Of The Caribbean Trilogy, which you can both read and see below for yourself right about here:

• Jon Turteltaub's National Treasure Duology

• Stephen Sommers' The Mummy (1999)

• John Carpenter's Big Trouble In Little China

• Joe Johnston's The Rocketeer

• Soman Chainani's The School For Good and Evil (Book Series)

• Tomm Moore & Ross Stewart's Wolfwalkers

• Chris Sanders & Dean DeBois' How To Train Your Dragon Series (1 - 3 & TV Series)

• Steven Spielberg's Indiana Jones Series (1 - 4) & The Adventures Of Tintin (2011)

• Julius Avery's Overlord (2018)

• Andrew Adamson's The Chronicles Of Narnia: The Lion, The Witch and the Wardrobe & The Chronicles Of Narnia: Prince Caspian

• Andrew Stanton's John Carter (2012)

• Warner Bros.' Wizarding World Series (Harry Potter 1 - 8 & Fantastic Beasts and Where To Find Them)

• Guillermo Del Toro's Crimson Peak

• Remedy Entertainment's Alan Wake & Control

• Michael Dougherty's Trick r Treat & Krampus

• Mark Waters' The Spiderwick Chronicles (2008)

• Matt Reeves' Let Me In (2010)

• Kathryn Lasky's Tangled In Time (Book Duology)

• Robert Beatty's Serafina (Book Series)

• Katherine Arden's Winternight Trilogy (Books)

• M.J. Bassett's Solomon Kane (2009)

• Chris Carter's X Files Series (First nine seasons, Fight The Future, Millennium & The Lone Gunmen)

• Joss Whedon's Buffy The Vampire Slayer & Angel

• Vince Gilligan's Breaking Bad, Better Call Saul & El Camino: A Breaking Bad Movie

• Kurt Sutter's Sons Of Anarchy & Mayans MC

#pirates of the caribbean #the curse of the black pearl #dead man's chest #at world's end #johnny depp #orlando bloom #kiera knightley #geoffrey rush #bill nighy

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loo-nuh-tik · 2 years ago

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El Angel (2018) dir. Luis Ortega

#el angel #lorenzo ferro #chino darín #filmedit #aesthetic #carlos #ramon #El Ángel #luis ortega #gifset #loonuhtik

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marejadilla · 1 month ago

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Ángeles Agrela, "El peso de Sara (Sara's weight)", 2018, acrylic and pencil on paper. B. 1966, Úbeda, Spain.

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k-wame · 2 years ago

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LORENZO FERRO as Carlos & CHINO DARÍN as Ramón 2018 • EL ÁNGEL • dir. Luis Ortega

#filmedit #perioddramaedit #lgbtedit #homoeroticism #chino darín #lorenzo ferro #el ángel 2018 #the angel 2018 #gay #lgbt #film #movies #period drama #1970s #queer characters #queer media #luis ortega #pedro almodóvar #will they won't they

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rjzimmerman · 3 months ago

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Dozens of Homes Burned in California, as Wildfires Rage in the West. (New York Times)

Excerpt from this New York Times story:

Fueled by dry and windy weather, three massive fires in Southern California have now burned dozens of homes and forced tens of thousands of people to flee from communities east of Los Angeles.

One of them, in the San Gabriel Mountains above Los Angeles, ballooned by Wednesday morning to 48,000 acres, from a few thousand acres the day before. The blaze, known as the Bridge fire, has destroyed 20 homes in the Mount Baldy area, 13 in the community of Wrightwood and six cabins in rural areas, the chief of the Los Angeles County Fire Department, Anthony Marrone, said at a news conference. An additional 2,500 structures are threatened, Chief Marrone said, and more than 10,000 people have had to evacuate their homes.

“This is currently the largest active fire in the state of California,” he said, adding that the fire was not at all contained and that its cause was still under investigation.

Gov. Gavin Newsom has dispatched the National Guard to help with evacuations, and firefighters have been deployed from Northern California as well as from other states to help with the conflagrations.

Another fire, burning since Monday in a rural area of Orange County southeast of Los Angeles, has damaged or destroyed several homes, automobiles and other structures in the El Cariso Village neighborhood of Lake Elsinore, a city in Riverside County. The blaze, known as the Airport fire, grew to more than 22,000 acres as of Wednesday morning and triggered mandatory evacuations and school closures.

“I could see where flames were coming up to my property,” said Joel Pavelka, 55, who lives high up on the ridgeline of the Santa Ana Mountains.

In San Bernardino County, the authorities said they had arrested a 34-year-old contract delivery driver for FedEx as a suspect of arson in the Line fire, which damaged some homes near Running Springs overnight and was still burning on Wednesday near Big Bear Lake. [The Line fire is about 23,000 acres.]

All told, more than 70 large fires were blazing across the United States on Wednesday, mostly in the West, as a severe heat wave blanketed the region. So far this year, fires have torn through almost 7 million acres of land across the country — the largest acreage to have burned by early September since 2018, according to the National Interagency Fire Center.

#wildfires #California

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jules-has-notes · 4 months ago

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2018 VoicePlay fall activities — maintenance, music, and merriment

Heading into the end of the year, VoicePlay gradually ramped up their schedule until they were running at a decent clip for the holiday season.

Say cheese!

It had been nearly two years since they'd taken their previous set of promo photos, and enough had changed — Earl's lush beard, Geoff's longer hair — that the boys decided it was time for some new ones.

On the following Saturday, J.None and his Paradigm pals teamed up with the Push Love Productions folks (including a future familiar face) for a "Come Out with Pride" event at Lake Eola Park. They performed both before and after the parade.

The next week the SoJam A Cappella Festival released a promo video for their upcoming event featuring VoicePlay.

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Over the weekend, J.None performed at a "night of spoken word and comedy" for the Pipol Angels Foundation, which provides funding for arts and education both locally and overseas. (Previous projects had provided new backpacks and school uniforms to students in the Orlando area, and helped a school in Trinidad build an additional classroom for its growing student population.)

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J.None rehearsing "No Role Modelz" by J. Cole with the band a few days before the fundraiser

Ready for their close-ups

A few days after that, VoicePlay convened at a local studio to film their laid back video for "Thinkin Bout You".

When you show up for book club, but a slow jam breaks out.

As the end of the month approached, Layne and Tony gathered a cadre of lovely ladies for the first episode of their new Princess Academy series.

Sing for me!

The first weekend of November took VoicePlay to North Carolina for the SoJam A Cappella Festival. The attendees consisted of high school and collegiate groups, including two young groups from Winter Park, and three groups from the University of Central Florida (Layne and Eli's alma mater) who swept the top spots in the competition portion.

The guys spent Saturday afternoon leading a workshop on the business of singing for a living, and a masterclass for some of the competitors. Then they headlined the evening concert, with local openers Transit Vocal Band.

In addition to performing and doing educational outreach, VoicePlay also got to see some old friends. Alfredo Austin from The Exchange was doing coaching sessions. Max Herskovitz, who had subbed for Layne several times, was leading workshops for the kids. Singer and sound engineer Tony Huerta was running the show in his role as CASA president.

When they got back home, the boys headed to the studio for their next music video, a dramatic medley of Queen songs.

Then they spent a couple weeks finishing off projects in progress, working on upcoming ones, and polishing their setlist for their Warm Up holiday tour.

Holiday ro-o-o-o-oad

Since the Disney World residency for Mickey's Very Merry Christmas Party had passed to their pals in The Edge Effect, VoicePlay was free to embark on a slightly more relaxed holiday tour for the final month of the year. They traded a location close to home and four sets per night for just nine longer shows at a variety of venues across the country.

The first leg of their travels was a jaunt out west to Alto, New Mexico (via El Paso, Texas). As the name of the town suggests, it's quite high in the mountains, which can present a challenge when your job involves moving lots of air in and out of your lungs. Earl noted on Twitter that "7200ft above sea level was a real thing!"

When they got home, they continued the holiday spirit by filming their video for "This Christmas". It was the last remaining track on the "Warm Up" EP to get the visual treatment.

The next weekend the tour continued with a loop through the Midwest. The boys started in Findlay, Ohio, scooted up to Traverse City, Michigan, then hopped over to Milwaukee, Wisconsin.

Back at home, they got into a bit of a pickle for a festive Mission Impossible tie-in video. (Luckily, they didn't get blown up this time.)

The following week's tour dates were slightly more spread out. Saturday took the guys to Kilmarnock, Virginia. The next day, they scooted down to Newnan, Georgia, where they got to see their artist pal Leon King, who had drawn their adorable avatars for the pre-show spiel.

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meet and greet in Newnan, GA — photos by Dawn Ortiz

Then they took a leisurely drive up to Waleska, Georgia before heading home. (Eli made some similarly hatted friends on the flight.)

Once they were back in Florida, they headed over to Kissimmee for a show at the Gaylord Palms resort. Because they were so close to home, some of their families came along.