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getoffthesoapbox · 7 years ago

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[VKM Spec] Investigating VKM 14

We’re starting the year off on much more solid footing than we began last year--with VKM 13.5 and now VKM 14, the story seems to be headed in a better direction than before. I, for one, am relieved to see this, and hope this trend continues for the remainder of the story. We only take small steps forward this chapter, but the good news is, as far as I can tell, we don’t take any steps backward either.

The irony hasn’t escaped me that not three days after I complained about Hino’s storytelling tanking, she put out what is arguably the best action/suspense chapter she’s written since the end of the Rido arc. Either someone put a bug in her ear, or we’re headed in a direction that she’s actually excited about writing. Whichever it is, this is a distinct improvement to the lackluster writing and artwork we’re accustomed to, and it’s a welcome change. The old girl’s still got it in her. Let’s see if she can keep it up.

That being said, let’s get to it. Scanlations can be found in the usual places.

Obligatory disclaimer for the sensitives: This post is “zeki criticism” and “anti ky”. Please blacklist those tags accordingly.

Marking Time

The first thing that struck me when I saw the opening page of this chapter was the teaser line. I couldn’t figure out what it was about the line that gripped me, other than the obvious: it’s clearly a reference to the significant amount of time Zero’s been waiting for Yuuki to say something to him. But when I was flipping through volume 19 the other day, I realized what it was that had caught my attention--this teaser line in VKM 14 is a direct reference to Zero’s request from the original epilogue of Night 93, a request that apparently narratively is still unanswered from Yuuki.

So this teaser line is a callback to that chapter, and it also tells us several things:

Zero is still waiting for Yuuki’s reply to his request from Night 93.

VKM 9′s confession was not the answer to that request.

We are not going to be ignoring the events that took place at the end of the original series in order to move Zero and Yuuki’s story forward.

We will likely be revisiting the original series to sort out why Yuuki still hasn’t given Zero an answer after all this time.

While it’s disheartening to recall how long Zero’s been waiting for a response to his request in Night 93, at the same time I’m quite heartened by the fact that he (and Hino and her editor) does not consider his request properly responded to by Yuuki. This is a huge relief to me as someone who was not happy with Yuuki’s manner of confessing to Zero in VKM 9. One of the weights from my shoulders as far as this story is concerned has been lifted with this reference, at least for now. I’m now hopefully optimistic that we’re not finished with the revelations on Yuuki’s side about her past and her past choices, and I’m also more hopeful that we might actually get a legitimate confession from her about her true feelings for Zero in the future.

So as far as I’m concerned, this little teaser line was a great way to start the chapter. If this was all the chapter contained, I’d be happy enough, but lucky for me this is only the beginning of the goodies.

The Usual Suspects

This chapter really expanded the possibilities for the suspects behind the Vampire King bombings, but it also threw some of my theories right out the window, which is rather interesting. There’s a lot to unpack on this side of the plot, so buckle your seat belts and get ready for the ride.

We begin the chapter with a secret meeting in the underground area between Maria and Kaien. @jadedmemories mentioned to me that if we take the title page as a canon “scene”, it’s quite possible Zero was listening in on what Maria and Kaien were discussing, as in, potentially he doesn’t trust either of them. It’s an interesting possibility, and one worth keeping in mind as future chapters unfold, I think. For now there’s not much to be done with the information.

It’ll probably be easiest if I separate this section by suspect and work through what we know and don’t know of each one. I made a funny list of suspects here for anyone who wants a more thorough review of each one, but for now I’m only going to discuss the most likely suspects and the ones that are relevant to this chapter in particular. First, we’ll start with some general observations:

The Vampire King’s True Purpose

Before this chapter came out, I was hesitant to make any guesses as to what the Vampire King mastermind was aiming for. But with three bombing incidents under our collective belts, a few potential purposes are starting to rise above the others.

With only the first two incidents, I was torn as to who the target of the Vampire King’s ultimate “message” was--I thought it could be Zero, Yuuki, Zero and Yuuki together, or the general efforts of Yuuki/Zero/Aidou/Takuma/Kaien to make the world more accepting of vampires.

With this third incident, I believe the target of the Vampire King’s message is either Yuuki or Zero specifically and individually. The rest is smoke and mirrors to give the group legitimacy and to act as a screen for the true purpose. I’ll break down the two options for now and explain which one I’m leaning toward currently, but we can’t make any positive conclusions until we get more information:

Target A: Yuuki - Yuuki being the ultimate target for the Vampire King’s mastermind is on the surface the most sensible conclusion. The name “Vampire King” itself is a direct reference to Kaname that would strike her heart more than any other’s. The first attack happened to Yuuki’s friends, the second attack happened to her pseudo-partner, the third attack both threatened something she holds dear (children’s safety) and also stole her pseudo-partner from her (Zero’s kidnapping). If she’s the target, the Vampire King likely a.) wants to use Zero’s safety as leverage to stop her from doing something (likely the cure research, since she’s in charge of Aidou) or b.) wants to separate her from Zero for some reason or c.) wants to harass her and cause her pain out of a misguided attempt to “get even” for Kaname’s past actions, since she’s connected to him.

Target B: Zero - Although I think the Yuuki option has potential, ultimately my gut is telling me Zero is the true target of all of this insanity. And by target I mean he’s both the person to capture (literal target) and the person to whom the message of the group is meant to be delivered. The group’s name “Vampire King” will still reach Zero just as much as it would reach Yuuki--Yuuki, in this variant, is the “bait” to get Zero involved, rather than vice versa. So the first attack happens to Yuuki’s friends, which gets Yuuki involved, which gets Zero involved. But the second attack is deliberately for Zero, and the vampire who commits the action has an insult specifically for Zero, despite Zero not even knowing the guy. The third incident, in this scenario, is actually a decoy and a set up--whoever the Vampire King mastermind is, they know Zero will be in charge of the investigation, so they pick a target he’s sensitive to (children) and set up landmine explosives in an obvious location where he’s sure to be the first to try to help anyone who gets caught up in it. They may or may not plant info with Kain to get Kain to bring Yuuki (though right now I think Yuuki’s presence was a mistake and unintended by the Vampire King mastermind), and then while Zero’s distracted “saving” whoever gets caught up in the mines, he either dies or gets kidnapped (the true objective). If this is true, then the kidnapping is actually to get Zero before the Vampire King mastermind to allow the mastermind the opportunity to talk to him without a certain nosy pureblood’s interference. Likely, if Zero is the true target, the Vampire King mastermind is going to use Zero’s desire to save people as leverage to get Zero to do something for him/her: either a.) stop Aidou’s research, b.) separate Zero from Yuuki, or c.) help Aidou’s research to get Kaname back sooner, depending on the ultimate goal. They’d get Zero to help them by blackmailing him, using a threat against future targets as bait. Then they’d likely release Zero so that he can return to Yuuk on his own, but with the blackmail hanging over his head. For an example of how fun this type of plotline is, see Sherlock BBC’s The Great Game episode.

The reason I’m currently leaning toward Zero as the ultimate target of the mastermind is simply because Yuuki’s for the most part a fairly passive character and because of how long it’s been since the forge was created. If the mastermind was after Yuuki because of some grudge over Kaname, well, it’s been 50-70 years depending on how old Yori was when she died. That’s a long time to hold a grudge against someone who’s just related to the person in question. It’d be far better to just plan an attack against the forge itself, if the forge was the problem. As for other reasons to go after Yuuki’s loved ones, there really aren’t any other than maybe a bored Pureblood wanting to start a war and stop the coexistence efforts. Even if that’s true, this particular style of Vampire King activity doesn’t seem particularly effective toward that end. Especially when it’s highlighting the vampires as the problem, rather than simply being a declaration against Yuuki herself or her comrades.

If Zero is the person the mastermind is after, we have a lot more room to play. Zero has more enemies than Yuuki, and more people with animus toward him for his role as a Hunter and as Yuuki’s pseudo-partner. Zero also has unresolved pot threads about his special status as the only hunter twin to ever be born a twin, not to mention Takuma’s secret in reference to the Shizuka incident. On top of that, it’s been made very clear that his relationship with Yuuki is not approved of in most quarters, and the hunters (who would go after Yuuki, rather than Zero) for the most part seem accepting of his situation, thus they’re unlikely to be part of the problem. Zero also is potentially a cure component, which may be a factor, and he’s part of the reason the hunters aren’t killing vampires anymore (so if this is an action by the anti-vampire faction, Zero might be a prime target as an agent of improving the lot of criminal vampires and thus seen as an enemy to their agenda).

Again, at this time this is only speculation at best; we simply don’t have enough information to make any firm conclusions either way. I’m honestly not sure anymore how smart Hino is, so perhaps the most obvious conclusion is the best in this situation.

Kidnapped!

Zero’s kidnapping this chapter brings up a few questions:

Was the purpose of the bombing threat a decoy to lure Zero out and to kidnap him?

Is Zero’s kidnapping part of the Vampire King’s plot or is it from a second party?

Was Zero the intended target or was he captured by accident?

If Zero was the intended target, why? If he was captured by accident, who was the real target?

Did Zero orchestrate his own kidnapping for a reason?

It may seem kind of silly to bring up the idea that Zero might have had himself kidnapped but given how peacefully he departs from Yuuki’s side, it’s quite possible. There’s no sign of a struggle, and although he does look over his shoulder before he disappears, his expression isn’t anxious or shocked. Whatever he sees isn’t unexpected.

I’m not sure how likely this is, however, but if his kidnapping was a genuine kidnapping that leaves even more questions. Why was he not shocked to see the person kidnapping him? Why didn’t he struggle? How did the kidnapper surprise him and knock him out without a struggle or even a word of warning to Yuuki? How did Yuuki not notice another person was there?

There are a couple options I can think of. One is that the person who approached Zero was one he expected to be there (limiting our options to Maria, Goggles Guy, or Mimi), who perhaps covered his mouth with something like a chloroform-soaked cloth to knock him out. The other is that a person didn’t approach him--a pureblood blood creature did, such as Sara’s spiders or Kaname’s bats. If it’s the latter, he could be easily whisked away the way Kaname did for Yuuki in Night 60 or the way Touma did with his bats in Night 59 and 60. This would imply a pureblood is working with the Vampire King, though they may not be the mastermind. We know Yuuki has a hard time sensing the pureblood creatures, as it took her a few minutes to figure out the fake Kaname back in Night 76; it would be entirely possible for a pureblood to whisk Zero away quickly using these creatures rather than their physical selves.

All of this brings up some very interesting questions, which unfortunately we’ll have to wait two months (or perhaps more) to get answers.

Suspect A: Kaien

In my review of VKM 13, I mentioned Kaien as a potential suspect. After VKM 14, I’m leaning toward him being a red herring, as much as this pains my Kaien-detesting heart. =P

On the surface, he’s still a great candidate for mastermind of the whole operation. Here’re the points in his favor:

He meets Maria in secret and spills a “secret” to her.

He has time to plant the bombs.

Although he’s not at the scene of the crime, that could be because a.) he already planted the bombs, b.) the Zero kidnapping isn’t part of the Vampire King activities, or c.) he planted the bombs and his associates kidnap Zero, leaving him free to attack other towns.

At the mayor candidate rally, he talks about his ideals and runs off with a suspicious bag in his hand. (Thanks, @jadedmemories for pointing that out to me.)

That being said, here are the reasons I feel he’s a red herring now:

Yuuki got caught up in the mess, which I don’t feel he would have intended, and surely he’d know that this particular style of target would get her attention.

The target was a bunch of kids, which isn’t his style--although he has no problem putting teenagers in danger, he still looked after and cared for Yuuki and Zero as children and likely wouldn’t threaten kids.

Although we don’t find out Kaien’s secret, we do find out that he asked Maria to reach out to the Academy alumni, which (while perhaps a decoy) implies whatever he’s working toward is ultimately altruistic or at worst benign in nature and something he thinks other people will support.

Hino made a point in VKM 11 of showing Kaien has some regrets about how he handled his life, and she reiterated this in VKM 6 when he was talking with Yori’s dad.

His motives for committing these attacks (especially now that human children have been involved) seem fairly weak and counterproductive to his other stated goals.

All in all, while it’s still certainly possible that Kaien could be the ultimate mastermind or part of the Vampire King group, in the end I think he’s probably a red herring whose activities will end up helping Yuuki and/or Zero in the end. He does have access to a pureblood, Isaya, who could have helped him kidnap Zero, but there are also other purebloods who could do the same thing with potentially more motive.

Suspect B: Maria

Hino conveniently decided to bring Maria back after all this time in VKM 14. I don’t think she was brought back just to resurrect Yuuki’s limp jealousy over a man she’s been pushing away romantically for over 50 years. Depending on whether or not Maria has a role to play in the Vampire King group, the reason for her return will change.

It is possible she’s part of the Vampire King group, and we’re meant to suspect her. If she is a part of the group, however, I don’t believe she’s the mastermind. Before we get to that, let’s start with why she might be a potential suspect:

She randomly decides to help patrol the tunnels despite this being out of character for her, which Zero (being the most intuitive character of the cast) immediately points out.

She has a secret meeting with Kaien where she’s framed suspiciously.

When she talks about people being on the move thanks to the academy in the first scene with Kaien, Hino puts her speech bubble over the crime scene from later in the chapter. The framing is rather ominous.

She’s working with a human we’ve never met before, who has some ambiguous connections to the former academy.

We know nothing of her whereabouts during the last few years since Night 93. We only know at some point there was a scene where she sadly watched Zero walking away, which was during the original Night 92 epilogue and where she had her original hairstyle. When that scene was and what it was about, we still don’t know.

Hino makes rather a big deal out of her wish to protect “what” she loves like Ichiru. This might imply that, if she is involved with the Vampire King, she is doing it out of misguided altruism.

She’s clearly still interested in Zero romantically, even if she’s not actively pursuing him.

She and her human partner were patrolling the area near where the landmines were, yet neither of them noticed the landmines.

Her human partner has a suspicious line about suspicious things “lying around” right before Yuuki and Mimi step on the landmines.

It’s quite possible that the reason Zero isn’t shocked or startled by whoever approaches him from behind is because it’s Maria herself, who he expects to be in the area. He likely wouldn’t struggle against her initially if she was the one who kidnapped him.

I think it’s certainly possible Maria might be involved with the Vampire King, but it’s also possible that she’s not and her partner is, and that it’s a huge coincidence that she happened to be there at the time. If the latter, then her role will likely be to cause some small trouble for Yuuki and make Yuuki question some things about herself, as Maria’s role has been since arc 2.

If Maria is involved in this whole business, she’s certainly not the mastermind. She doesn’t have nearly the motive or connections to mastermind this. While she does care for Zero and has certainly worked with shady figures in the past (Shizuka), she usually is on the side of right or good--though she was Yuuki’s rival for Zero, she still helped her against Kaname and Sara. The only way I can see her being involved in this is if the mastermind has convinced her that Yuuki is bad for Zero and needs to be separated from him (hearkening back to her wish to protect the things she loves like Ichiru). Maria doesn’t love the kids at the kindergarten, and as far as we know she only cares about two things: Ichiru (who is inside Zero) and Zero. This makes it likely that the thing she wants to protect is Zero. If that’s true, then it’s quite possible she’s involved in his kidnapping.

However, it’s also possible that she (like Kaien) is merely a red herring. If she is just a red herring, then her open and honest confession of her goals and feelings is actually in the story to serve as a foil to Yuuki, who lies about hers. Maria’s open and honest affection stands in contrast to Yuuki’s inability to be truthful about her own feelings, something she’s struggled with for the entire story. Even if Maria isn’t involved in the Vampire King organization, she still serves a vital purpose in both making Yuuki reassess herself in the canon itself and also stands as an ideal to contrast Yuuki for the reader.

Suspect C: Goggles Guy

Maria’s human companion, who I have dubbed Goggles Guy in lieu of a proper name, has a few points in his favor as being partnered to the Vampire King group, but if he is partnered with them, that opens up a whole different can of worms as to why a human would be partnered with Level C and potentially noble/pureblood vampires to sow chaos and drag the vampires through the mud. His involvement with the Vampire King group muddies the waters of potential motives, but he’s suspicious enough that I can’t write him off simply because he makes things difficult.

Points in his favor as a potential member of the Vampire King group:

We’ve never seen him before, yet he knows enough about the tunnel threat to volunteer for the vigilante group.

Although his story about his grandmother may be true, we know nothing about the remainder of his background. He could potentially be from a hunter family and be bearing some kind of grudge.

Hino has him speak a suspiciously prescient line about suspicious objects being set up and returning to an “original objective.” On the surface, this line is innocent, but as a foreshadowing technique it may implicate him as the very one who set the landmines.

This is intuitive on my part, but Hino drew his goggles to be deliberately provoking--whenever a character’s eyes are hidden, that’s usually a sign to pay attention. There was no reason to remove his goggles when we first meet him and then put them back on his face right as he speaks his most suspicious line.

If the above points are true, he is, just like Maria, probably a pawn being used in the Vampire King mastermind’s ultimate plan. This guy just doesn’t seem to have enough going for him to be a mastermind in his own right, and certainly not one who could organize kamikaze Level Cs/Ds to bomb themselves.

But as with Maria and Kaien, Goggles Guy may also ultimately be a red herring. Points against him:

His motive for joining the vigilante corps seems legitimate and sincere; Hino doesn’t use any paneling or screentone tricks to make his story feel suspicious.

Even if he’s an angry member of the anti-vampire faction, it seems strange that he’d join an organization that utilizes vampires and looks down on humans (if we assume that the second suicide bomber was an accurate representation of the people involved with this group).

He’s a human, and should have more trouble kidnapping Zero than a vampire might.

His motives seem weak, despite how suspicious he looks.

We know nothing of this guy, which narratively renders him fairly innocuous, much like the evil purebloods in volume 19. Hopefully Hino isn’t going to repeat that mistake again.

Of the characters presented this chapter, Goggles Guy is the most likely to be involved in some way, though I doubt he’s anything more than a pawn ultimately.

Suspect D: Mimi

The last suspect really highlighted by this chapter is Mimi. I’ll cover the other options in the last sub-section together. Mimi’s only appeared in two chapters so far--VKM 6, where she annoyed Yuuki at the vampire lounge and later attacked Yori with the yankee doodle vampire, and now in VKM 14. Of the potential suspects this chapter, I feel she’s the weakest, but she is the last known person to have seen both Zero and Yuuki, and that can’t be discounted entirely.

Points in her favor as an accomplice to the Vampire King plot:

She has a known animus against Zero in particular and humans in general (Yori).

She’s a petty criminal and knows the tunnels very well.

She appeared suddenly this chapter after not being mentioned at all for a while.

She’s in the last panel showing Zero and Yuuki fighting the bomb. It’s quite possible she’s the one who runs up to Zero and knocks him out.

That being said, I really don’t think she’s involved at all. Reasons why I lean this way:

Mimi’s dumb as a box of rocks and can’t keep her mouth shut for two minutes flat.

Her narrative role appears to be filling in as the Yuuki sidekick character since Aidou is being used for other purposes and Zero has been removed.

She’s being used to help Yuuki articulate her thoughts in a sincere way, and these conversations would be seriously undermined by villainous activity.

She steps on the damn landmine. What conspirator steps on the landmine? Yes, it offers authenticity, but there was no guarantee she’d escape unscathed unless it was a dud she stepped on which we know it wasn’t.

Unless she’s speed running in that last panel that shows her head, she’s too far away to be the culprit who kidnaps Zero. The shot we see from behind her is also potentially a perspective shot of the person who DID attack Zero, and who IS running past her to get to him (hence the angle and speed).

Hino never paints her suspiciously in the chapter, unlike Kaien, Maria, and Goggles Guy.

There’s an interesting moment where Mimi points to Zero with Maria/Goggles Guy and demands to know why he’s not on Yuuki’s team and is on Maria’s. This is a potential narrative device foreshadowing the arc that’s about to come, with Zero “on the Vampire King’s side” due to blackmail, and Yuuki/Mimi having to figure out why. A device like this normally isn’t used for or by villainous characters.

It may be my bias toward Mimi talking here, but honestly she’s the most refreshing character in this story since Ai lost a lot of her charm and flatlined, and I’d hate to see her used for villainous purposes when there are plenty of other, superior candidates.

Suspect X: Everyone Else

I won’t go too deeply into the other options for the Vampire King mastermind this chapter, but a quick list of characters who are still potential masterminds despite not being directly involved this chapter:

Ai - Ai’s an unlikely candidate, but since we know she can wake up and go back to sleep, it’s entirely possible she’s somehow involved, rendering this whole Vampire King thing a big sham. Given how violent it has been so far, I think she’s an unlikely choice, but we can’t rule her out yet.

Isaya - Isaya’s not normally an active character, but he can be in the right situation. Perhaps he’s off his rocker.

Takuma - My favorite option, and the one who appears the most innocent and has the most potential for juicy narrative twists. He’s not in this chapter of course, but “someone” had to tip Kain off on what was going on, and we don’t know who that someone was.

Kain - An unlikely option, given he was one of the earliest victims, but still possible since he’s the one who gave Yuuki the intel.

Kaito - With the return of Maria, the first of the two anti-Zeki characters, it’s not a stretch to imagine Kaito might return as well to be a foil to Zero, especially if in the interim between Night 93 and VKM 14 Kaito was attacked and turned by a pureblood. Kaito has a distinct animus against vampires and purebloods, and he is not supportive of Zero’s relationship with Yuuki. There’s also a scene in Night 93 of Kaito watching over Zero hugging Yuuki which might feed into this possibility. Hino hasn’t shown us what happened to Kaito for a reason, and what that reason is may be relevant to this new plotline.

Other random purebloods/nobles/level cs/humans/hunters - The Vampire KIng mastermind could certainly be someone we’ve never met yet. I would be disappointed if this were the case, but it’s entirely possible. Who knows who or why this group has been cobbled together.

So as is evident, we have quite a bit of potential for who the Vampire King culprit is. Hopefully the next few chapters will give us some new information, but for now we can enjoy the speculation. ;)

A Breath of Fresh Air

Mimi is a complete delight this chapter. She brings back some much-needed humor in a natural way. She’s not enabling Yuuki or interested in babying her. She’s dumb, but has a sharp intuition, if pointed incorrectly. Hino’s incessant need for comedy plays off well with this character, in a way it didn’t with Ai. As someone who is uninvolved in all the drama of Kaname’s interference in everyone’s lives from the previous series, Mimi has a refreshing outlook that helps break the story away from the bleak shadow Kaname cast over all the characters.

I love Mimi’s assessment of Zero. It tickles me pink that she thinks he’s a cheater and off wooing all the ladies and that he “seduced” Yuuki. This just shows how off-base she is, but I do believe she is picking up on his dissatisfaction with his current relationship, and is just reflecting it back to Yuuki in her own unique way. What I love about her perception of Zero is that she has no idea that in reality he never even tried to steal Yuuki--Yuuki chose him, Yuuki latched onto him, and Yuuki wouldn’t let go of him. The only “seducing” Zero ever did was simply be a hurt and fragile boy who stood in front of Yuuki on a dark night. The rest was all Yuuki. But of course Mimi wouldn’t know any of this, so it’s cute to see her misread the situation. ;) It also is a nice reminder of how charming, handsome, and attractive Zero is--that he is a catch and one who rightfully should have his pick of the ladies, even if Hino won’t give that to him because, well, they’d clearly outshine our “heroine,” who wouldn’t be able to compete with a proper rival. =P

I also love that Mimi has no reverence for Yuuki at all, despite dubbing her “Yuuki-sama.” She also cuts through Yuuki’s bullcrap in a way none of the other characters seem capable of in recent chapters. She honestly is a better friend to Yuuki in this single chapter than Yori was in the past 13--and I don’t mean better as in better person, but simply better in the fact that real friends don’t enable bad behavior for an entire lifetime, and Yori enabled Yuuki whereas Mimi reminds her to stop moping and dwelling and just do what she thinks is right. It’s so refreshing, and I’d love to keep this girl around for a while.

Her simple foolishness is charming and fun in a way Yuuki’s false obliviousness is not anymore, and it acts as a good contrast to Yuuki’s fake attempts at playing such a character. With Mimi around, even more than when Ai was near, Yuuki is forced to step into the adult role she’s meant to have and stop playing the eternal child who doesn’t know her adult responsibilities. All I can do is tip my hat to Mimi and thank her for channeling the true spirit of the Eternal Fool, the very person who lights the way for heroes to become heroes. All heroes step through the Fool’s Way first, and it’s long past time for Yuuki to get her own journey started. If Mimi can light the way for her, I’d be quite pleased.

Welcome Home

I won’t cover Maria as a potential suspect in this section, but I do want to talk about her role as a character and why she has returned at this time to the story. This section will assume Maria is not a suspect, but even if she is, her function in this chapter doesn’t change all that much, it just gains additional layers. Assuming she’s innocent, though, she still brings some interesting and much-needed layers to the table.

Maria is an active foil to Yuuki this chapter. In many ways, she is Yuuki’s superior and is closer to living as Yuuki’s “ideal” than Yuuki is, and this is a factor that I feel is not lost on Yuuki. Here are the ways that I feel Maria is acting more heroically than Yuuki this chapter:

Maria finds out on her own about the terrorist attack using her own intelligence-gathering abilities. (Assuming she is innocent of being part of the Vampire King plot, of course.) Yuuki, on the other hand, is sitting on her thumbs at home and the information has to be brought to her. Maria is active, Yuuki passive.

Maria is acting in the memory of her beloved and without his direct involvement and without any direct recognition from anyone. Yuuki only acts when she feels social pressure to do something, because it looks good in front of her friends.

Maria helps form and collect the members of the vigilante group. Yuuki sneaks around and drags uninvolved parties into danger.

Maria takes action despite the risks to her. Yuuki remains passive and uninvolved despite having immense power and political clout.

Maria is honest and forthright about her reasons for stepping in. Yuuki is cagey and unable to articulate why she is doing what she’s doing.

Maria’s activities bring the sincere admiration of Zero, while Yuuki’s bring only his irritation and concern.

Maria responds to Zero openly and sincerely, while Yuuki remains unable to express her true feelings honestly, despite knowing she should follow Ruka’s example.

Maria is acting out of a sincere desire to help, Yuuki to get attention and show off.

Again, the points above are assuming Maria is not a suspect. If she’s a suspect, some of the sincerity of her actions is diminished, but her role as a foil to Yuuki still remains intact because Yuuki believes she’s sincere.

I was chatting with @vampireknightmeta about why Maria comes across to me as sincere this chapter and why Yuuki doesn’t, and she brought up a brilliant point about the difference between the two (and the difference between Zero and Yuuki). I felt her point was very relevant and explains the difference well: Yuuki is the type of person who deep down knows that her natural inclination is not to do the right thing, and so tries to “act” like a good person. Maria (if she’s not acting duplicitously as a member of the Vampire King group) and Zero are the type of people who instinctively do the right thing because they are good people. They don’t have to act like good people, they are. This isn’t to say Yuuki isn’t a good person or doesn’t have the potential to be a good person--rather, it’s the difference between a person who follows laws because they’re “afraid” of the consequences of breaking them (and who, if there were no consequences, would do the acts that the laws warn against) and a person who follows laws because they genuinely believe the laws are good and are of benefit to themselves and others (and even if the laws never existed would choose to follow them on principle). The outcome is the same--both types of people follow the laws and would be viewed as “good” and “innocent” by bystanders looking in, but in their hearts the two are very different--one type is genuinely good and altruistic, the other is not but wishes they were.

I do believe Hino is trying to help Yuuki grow into such a person, a person who--although she is fully capable of great evil and great caprice--deliberately chooses not to be because in her core she truly has embraced altruism and genuine love. This hearkens back to VKM 3, where Yuuki talks about the seed of desire and her fears about it. Yuuki has never truly faced herself and the darkness within herself and the darkness she’s capable of creating, and because she hasn’t incorporated her shadow, she can’t actualize her full potential as a person the way Zero and (potentially) Maria can. Until you face your shadow, you don’t really know who you are, and I believe Maria’s return to the story (assuming she’s not part of the Vampire King plot, or even if she is) is meant to help Yuuki identify where she’s failing as a person, and why her relationships never unfold correctly. Maria’s role is always to help Yuuki course-correct, and I believe she is reprising that again this time. She represents a woman who isn’t relying on a man as a crutch, but who is using a past love as inspiration for moving forward, a direct contrast to Yuuki who is both using one man as a crutch and using a past relationship as a reason not to move forward.

By using Maria as a foil, Yuuki’s flaws as a heroine come into stark relief, and we can see more clearly where she needs to go and what she needs to do in order to achieve the happiness that surely she desires somewhere, deep down inside.

Closer to Shadow than Light

I’m feeling pretty darn ambivalent about Yuuki this chapter, and this section will reflect that ambivalence. There are aspects to what we saw unfold this chapter that I enjoyed and am pleased to see, and there are other things that I’m not so pleased with when I pull back to the macro level. Unfortunately they’re all kind of meshed together, so I’ll have to talk about them together. If anyone reading this is the kind of person who is defensive of Yuuki, I’d recommend just skipping this section and going to the next one. There’s a lot to deal with here, and I’m not going to be going easy on the girl.

Yuuki is more talkative and friendly this chapter than she has been in any chapter since Night 89. It almost seems like she’s had a personality transplant, honestly. She is actively trying to learn a new skill with Ruka, she opens up about herself and her feelings to Kain and Mimi, she’s more proactive and adventurous, she even openly admires and talks about Zero. It’s like we’ve been transported back in time to the Sara mini-arc, where she was running around doing her Night Class restoration thing. She treats Kain and Mimi better than she’s treated anyone since Night 89--she’s genuine and honest with both of them. While this is nice to see in general and is certainly a step forward from the lifeless doll she’s been recently, for me it feels like too little too late and makes me genuinely angry on behalf of Zero, Ai, Aidou, and Yori. Yuuki’s been dishonest and cagey with all of the people dearest to her for decades, yet all of sudden she’s now blabbing everything about herself to two people who aren’t even her friends. It’s frustrating that she’s kept this habit from her teen years, and it’s a sign of how little she’s grown in the decades since the final volume of the original series. And this is just the tip of the iceberg that is the mess that is Yuuki in VKM 14.

When we first encounter Yuuki in this chapter, she’s in her own home having a cooking lesson with Ruka. This fact is glossed over lightly due to the scene beginning in medias res, but it brings up some interesting questions:

Why is Yuuki suddenly interested in cooking? She’s never been good at it or interested in it in her over 70 years of life.

Does Zero know about these lessons, or are they a secret?

I wouldn’t find this lesson remarkable if this was during Ai’s childhood or right before or right after Yuuki and Zero became official. But it’s arguably several months after VKM 9′s official announcement, and the timing is suspicious for Yuuki to suddenly take an interest in being domestic where before she was content to leave it to the servants/Ruka (when taking care of Ai) or leaving it to Zero. It seems too coincidental that this sudden interest in being a more attractive and useful partner comes directly on the heels of VKM 13′s final scene; we don’t know how much time has passed since then, but clearly whatever transpired afterward led to Yuuki taking a sudden keen interest in improving herself. I’ll discuss the ramifications of this more later on, but for now it’s fair to leave this as a point of interest.

We begin the scene with Kain informing Yuuki of the next potential plot of the Vampire King group--to plant bombs under the sewers of the kindergarten and daycare centers. Why this group would broadcast their plans should be the real issue for the investigators--that alone should have been a red flag that their goals weren’t the bombing itself--but that aside, Yuuki gets herself worked up into a rage over the issue of children being targets. There’s an distasteful element of hypocrisy in Yuuki’s sudden desire to protect children that bothers me deeply as a reader. Yuuki declares very forthrightly that she won’t forgive anyone who targets children. Yet this is the same woman who spared not a single moment of regret for what Rido did to her real baby brother, the real Kaname, and free-passed and ignored what Kaname’s own crime of targeting Zero and Ichiru as children. For her to run around screaming that she won’t forgive anyone who targets children now, when she’s already done such a thing in the original series, is less than convincing and is outright distasteful in my opinion. I can only hope Hino recognizes this herself and doesn’t think Yuuki’s outrage in this scene is merely a cute way to show how altruistic and kind Yuuki is--because if that’s true, then that shows that Hino (and Yuuki) both think only criminals one doesn’t know are evil, and that the criminals one does know are excusable especially if they’re romantic interests, and that is reprehensible in the most vile manner. It’s okay for Kaname to target two innocent twins for Yuuki’s sake, but it’s not okay for the Vampire King group to do the same for their own reasons. The hypocrisy is a little too thick to be ignored on this one, and I hope Hino has Yuuki get called out on this later on in VKM.

On top of this, Yuuki’s outrage is rather out of proportion to the threat, especially with so many good people (including the man she supposedly cares about) on the case. It’s clear something more is going on beneath the surface than concern over the safety of children. Even Ruka, who is one of the most maternal characters in the story besides Yori, has a much more reasonable reaction to the news--she calls the perpetrators out for being despicable, but doesn’t let it steal her chill. Yuuki flies off the handle melodramatically and is rightfully stopped by Kain--she’s out of control, and her involvement isn’t going to help matters. Ruka’s solution works out well for Yuuki, but it read more to me like an adult stepping in to keep the peace rather than a genuine compromise. Still, Yuuki trying to be proactive is better than Yuuki sitting on her thumbs, so baby steps I suppose. The most damning news, and likely the real reason why Yuuki wants to get involved, is because Zero didn’t tell her this was going on and concealed it from her. She’s upset that he’s not involving her in the case, but also knows she has no right to get her nose out of joint because it’s his job. Sneaking in and sniffing around gives her an excuse to keep an eye on him. Trying to protect children is most likely a cover up for her real reasons for going. Yuuki always tries to look good in front of others to hide her real motives; typical pureblood activity.

This scene with Ruka and Kain isn’t just to establish Yuuki’s reasons for trespassing into Zero’s territory; it’s also meant to serve as a mirror, with Ruka and Kain’s relationship reflecting Zero and Yuuki’s. Remember, Ruka and Kain are a settling relationship, the one Zero and Yuuki should be if Yuuki genuinely loved Kaname and is just moving on with Zero as her second best option. If Ruka and Kain, who are a settlement pairing, are shown in a more positive light than Yuuki and Zero, it should serve as a red flag to a careful reader.

And that’s exactly what Hino does with this section--Ruka, the woman who settled for Kain, is shown behaving like a proper wife to him. She gets upset when he dismisses the importance of their time together as a married couple, she encourages him to do his best at his work, she expresses her explicit faith in and admiration for his abilities, and then she sends him off to do his duty while going about her day, having absolute confidence that he’ll return to her in the end. This woman, a woman who held favor for Kaname for nearly as long as Yuuki, is capable of being such a wife to a man she settled for, a man she clearly cares deeply about but who wasn’t her first choice. If Yuuki’s issues with Zero are simply her failure to move on from Kaname, she should be more like Ruka, not less.

Instead, Hino casts Yuuki unfavorably in contrast to Ruka. Unlike Ruka, Yuuki has no faith in Zero as a partner. Though she does admire him behind closed doors, she never openly speaks of her pride in him when he’s present, as Ruka does to Kain. She doesn’t appreciate his hard work or his efforts, she doesn’t nag him for time together, she doesn’t support his endeavors. Instead she frets over his safety and looks down on him because he’s not immortal like she is. She doesn’t trust that he’ll return to her, as she admits to Mimi later on in the chapter. Where did all this fear and distrust come from? It certainly didn’t come from the original series, at least not before she herself destroyed their bond in Night 88--she held a deep trust for Zero before then and didn’t fear for him during the Sara arc. In fact, she even said as much openly to him back then--she “wasn’t worried about him” even as she sent him to drink Sara’s blood. That same girl now has no faith in this man at all, despite all he’s done in the meantime. Something has gone terribly wrong, and from her conversations with both Kain and Mimi, she knows it too, even if she’s unwilling to face why.

Yuuki has her first semi-breakdown around Kain in this chapter, but she’ll break down around Mimi as well. She admits that she’s all scrambled, because she knows she should be more like Ruka but can’t quite get herself to that point. Instead of taking the time to sort herself out, she focuses on irrelevant things that won’t solve the real problems--such as interfering with Zero’s investigation. She basically says that rather than deal with the snakes in the garden, she’d rather go out and hunt the wolves howling outside the walls. This section reveals her real intentions for going out on this case--she’s not interested in protecting the children, but in preventing Zero from being involved. This mindset, as her own narration implies, will come back to bite her in the future. From some point in the future, she admits that during this period all she could do was eliminate the immediate fires, rather than preemptively planning for them.

What’s interesting about the way Hino frames this discussion with Kain (if it can even be called a discussion; it’s more like Yuuki talking to herself in front of Kain), is that Kain is clearly uncomfortable with Yuuki suddenly blabbing to him about her inner worries. This tells the reader a few things:

Yuuki and Kain are not normally close enough for these kinds of conversations to be normal.

Yuuki’s starting to crack under some kind of internal pressure to the point where she’s talking to people she normally doesn’t talk to.

Notice she doesn’t talk to Ruka about her worries, despite the fact that Ruka is a far better option for this sort of discussion than Kain. In the past, she did the same thing to Yori--when Yori tried to ask her about herself, she’d clam up (as she does in VKM 13.5) or deflect. Yuuki hasn’t talked about herself openly in decades, and so for her to start blathering her true thoughts now, well, that can only imply something...unusual...has triggered this sudden need to talk to everyone who’s not involved with Zero.

She does another thing that’s rather interesting during this whole scene with Ruka and Kain--she brings Zero up when no one else brought him up. Kain never once mentions Zero, only the hunters in general. Yuuki brings him up twice on her own when no one asked her to. This also implies that whatever it is that’s spurring her into action, it’s related to him and nothing else. Coming on the heels of VKM 13, I smell a rat that’ll need to be buried in future chapters.

This all would be more than enough to chew on if the chapter ended there, but there’s still more to unpack once Yuuki gets herself into the sewers. She’s joined by Mimi, the culprit of the attack on Yori in VKM 6, who has “reformed” (so she says) thanks to Yuuki’s intervention. Mimi’s a charming girl, and she brings some of Yuuki’s flaws and failures as a person into stark relief for anyone with a knowledge of the original series.

The first thing we find out about Mimi is that Yuuki’s helped her get her life back together after her crimes, and Mimi’s grateful to her. Yuuki flat out tells Mimi that the only reason she helped Mimi was to keep her from returning to her criminal ways. When Mimi acts like she probably hasn’t, Yuuki asks her if she’s really gotten her act together.

While this is a cute scene on the surface, and if this was any other character (Zero, Aidou, Yori, or Ai, for example) who helped Mimi, it would be just a funny character-building scene for Mimi; unfortunately Yuuki’s past history with a certain other criminal highlights another aspect of her hypocrisy this chapter: she judges Mimi for her unlawful actions, but she refuses to hold Kaname accountable for his--instead she blames herself, rather than Kaname, for his crimes in order to excuse him and absolve him of them. For her to judge Mimi, whose crimes are much lower on the scale of criminality than the man who fathered her first child, is a pretty classless and hypocritical move as far as I’m concerned. I’m sure Hino just meant this scene to be a cute example of Yuuki helping people, but it was a fairly tasteless choice in my opinion. As I said earlier in the Kain section, I can only hope Hino knows how tasteless this is going to come across and accounts for it with a reckoning later.

While Mimi herself is adorable, Yuuki is fairly gruff and curt with her in the first part of their scene together; it’s clear she doesn’t like Mimi and finds her to be useless at best, irritating at worst. Mimi’s worth as a character won’t appear until later, but we can already start seeing the role she’s going to play for Yuuki in the upcoming chapters: she’s taking Aidou’s place, since Aidou is now a serious character who can’t play the fool for Yuuki, while Zero is gone from Yuuki’s side. Mimi is here to point out the things Yuuki won’t say, and to hint at resolutions to the things Yuuki is running from, just as Aidou was before her during the second arc of the original series.

When Yuuki realizes Zero is one of the three people she’s sensing in the tunnels, she aborts her mission rapidly--her hope to capture the culprits before Zero gets involved is immediately quashed. She tries to backpedal before Zero notices her, but of course no one escapes the greatest hunter who ever lived, and certainly not two girls as blockheaded as Yuuki and Mimi. But the mere fact that Yuuki tries to avoid Zero highlights a few issues right away:

Yuuki doesn’t want Zero to know she’s there.

Yuuki didn’t tell Zero she’d be there.

Yuuki knows she shouldn’t be there.

Interestingly, earlier on in the scene with Mimi, Mimi mentioned that running into the association members is what she really doesn’t want to do, likely because they’re the most dangerous for vampires. Yuuki carefully ignores her comment, but we see here that Yuuki had the same intention, if for very different reasons.

Hino uses screentones to show Zero’s none-too-happy about the appearance of his pseudo-girlfriend in the tunnels. He and Yuuki look like they’re about to get into it, but then Mimi distracts Yuuki by insulting Zero, which pisses Yuuki off. Any ensuing argument is cut short by the sudden appearance of Maria, who Yuuki clearly hasn’t seen in a while. The two teams chat for a bit, and Yuuki grows increasingly tense the longer the discussion goes on.

As I mentioned earlier in the Maria section, Maria is another foil for Yuuki, much as Ruka is, in this chapter. Beyond being a general foil, she highlights some of Yuuki’s deep insecurities specifically about Zero. Yuuki’s jealousy in this chapter, while funny on the surface, actually serves to highlight some of the true sources of her real fears about Zero, the ones she conceals behind fear for his safety, which is a more appropriate fear than her real ones. The first moment that worries Yuuki is when Zero openly admires Maria for doing something brave that is out of character for her. Zero then tells Yuuki about information he learned from Maria, implying that he and Maria have a “world” together that Yuuki’s not a part of (of course, this only because Zero just ran into Maria, so this is just Yuuki’s perception, and Zero’s being very upfront and honest).

Yuuki watches (as does Mimi) this little world Zero and Maria are creating between them and becomes increasingly anxious with each moment. Mimi serves to highlight this for the reader, because Yuuki’s unwilling to let her true feelings be known other than some leaky facial expressions. Zero makes a comment showing he resents Yuuki hesitating about whether or not he’s cheating (the guy has waited patiently at least 70 years for this girl to have a real relationship with him; he’s no cheater and she shouldn’t be fretting over that--it’s insulting to him), and Maria quickly steps in to try to resolve the issue. Of course, the manner in which she does it just digs the hole further--she elicits a gentle response from Zero that continues to create a “world” around them that Yuuki isn’t a part of.

Maria’s interactions with Zero establish a few things for Yuuki:

Zero honestly compliments Maria, yet he doesn’t compliment Yuuki or appreciate her efforts.

Zero respects Maria, yet he doesn’t seem to respect Yuuki.

Zero openly shows affection for Maria, but not Yuuki.

Maria is open and honest with her feelings for Ichiru and Zero, while Yuuki remains closed.

Zero relies on Maria, but not on Yuuki.

Yuuki is diminished standing next to Maria; her efforts to be helpful all pale in comparison to Maria’s. Zero’s admiration and affection and attention are all directed toward Maria; Yuuki is an irritation and an afterthought to him (from Yuuki’s perspective, though of course that’s likely not true in reality). Zero is warm and affectionate and openly speaks about his beloved brother with Maria. The reality of all of this makes Yuuki surly, and she brushes Zero off with a curt goodbye rather than wishing him well as Ruka wished Kain earlier. Even now, Yuuki’s still failing to fully take her place at Zero’s side.

Maria stands as a symbol of what Yuuki should be: a woman who openly speaks of her affection for the ones she loves and who acts to protect not only the ones she loves but all the things she holds dear. Yet Yuuki’s failing to do any of this, and this is why Maria receives the reward Yuuki wants--Zero’s affection, respect, and admiration. But Yuuki hasn’t done anything to earn those things from Zero, and we’ll see this continues to be true even to the very end of the chapter.

Before I leave this section, I just wanted to mention one thing I found incredibly irritating about Yuuki’s reaction in this section. Yuuki’s spent 70 years moping over a guy who is “dead” in name only by Zero’s and Yuuki’s own choice in VKM 8; Zero’s spent the same amount of time silently holding his own losses in his heart without complaint. The reason Zero is affectionate and kind to Maria in this chapter is because of her connection to his own loved one, and he actually has a chance to talk about his loved one with another person who loved him, unlike Yuuki. Yuuki can’t even handle this much; she’s too busy focusing on herself to see how good this is for Zero, how healing it is for him, and how much he’s needed this. Yet, she gets to mope about Kaname and talk about Kaname to her daughter and all Kaname’s friends and Zero, but can’t even afford a single tiny conversation about Zero’s brother to Zero because *egads* Maria has feelings for Zero and Zero might find a girl who lets him talk about his interests more attractive than a girl who whines to him about his mortal enemy in nearly every conversation for the past however many decades. It’s absolutely preposterous and honestly I hope Yuuki pulls her head out of her rear sooner rather than later because I’m getting hellaciously tired of her narcissistic naval gazing.

That aside, we come to the most revealing part of the chapter--after this new stress on her psyche, Yuuki breaks down to talk to yet another person she’s not close to, because apparently that’s how Yuuki works through things. She admits to Mimi that she knows her fears for Zero’s safety are potentially overblown, but that she can’t seem to have faith that he’ll return to her. Mimi, being a bit dumb but a good girl at heart, thinks the solution is as simple as Yuuki just letting go and having faith, rather than focusing on her anxiety. But obviously Yuuki’s anxieties aren’t about Zero dying--oh, no, they’re about him leaving. Yuuki clearly is aware she’s not the best girlfriend and that there are other women who are superior to her, and that if she doesn’t take action soon, after VKM 13, Zero might actually start to consider at other opportunities that are definitely out there. Maria clearly still is an option, Yuuki’s own daughter is an option, and we know from VKM 5 that Zero has had other opportunities. This is the first positive sign that Zero’s outburst in VKM 13 has made Yuuki realize not all is well with him, and that the status quo is no longer good enough to lead him on into the future. Her “restart” plan is starting to fail, and she has to figure out why. This is the real reason she’s talking to random people like Kain and Mimi, rather than her friends or Zero--she doesn’t want anyone to know how bad things have gotten, or how close she senses Zero is of realizing he doesn’t need her or her Kaname baggage anymore.

She clinches this with a thought that Zero smiled for Maria. That means Zero hasn’t smiled for her in a loooooong time if she is struck by his basic polite smile to Maria. He probably hasn’t smiled since Ai grew up, as we see in VKM 10 that Yuuki loves his smile for Ai and thinks that things are well because of it. But Yuuki doesn’t make him smile, and rightly so--she’s honestly a terrible girlfriend, and worse--a terrible friend. She can’t even do friendship properly with Zero anymore, much less the relationship and intimacy he clearly needs. For her to get envious over Zero smiling politely and even a bit fondly at another girl, she has to have robbed him of his smile for so long that even that sad sorry state of a smile seems brilliant to her. It’s pathetic, but perhaps it’s the wake up call she needs to get her act together.

Sadly, we don’t get any more reflection from her because of course Mimi just has to step on a landmine, and Yuuki follows suit. This yet again highlights the fact that Yuuki can’t seem to do a single thing right and always needs Zero to save her--far from saving him, he’s the one saving her. Mimi wonders if Yuuki will save her, to which Yuuki replies in the affirmative. But in Yuuki’s mind, her first instinct is to panic--rather than immediately dealing with the threat and expelling Mimi herself, she stands frozen, trapped in thought, until she senses Zero coming for her.

Despite my complaints about Yuuki in this chapter, this section is my favorite. Her fear and her love for Zero are actually palpable in this scene, more than we’ve seen since Night 88. She actually seems to care about Zero’s wellbeing here, which is more than could be said about her in previous chapters. Unfortunately, her care for his wellbeing has a darker underbelly--she stands around wasting time yelling at him rather than being useful and dealing with the threat before he gets there.

Mimi is clearly in danger (the bombs could actually kill her, unlike Yuuki), and rather than immediately getting Mimi out of the blast zone (the way Yuuki will do as soon as Zero arrives), she stands around shouting at Zero like a spoiled child. Their bombs could go off at any minute if Mimi or Yuuki moves at all, yet Yuuki’s wasting time yelling at someone who isn’t even at her side yet or in danger. Clearly it doesn’t matter to her if Mimi’s head gets blown off, so long as she “proves” that she can protect Zero. It’s foolish and stupid, and it just goes to show how much growing Yuuki needs to do and how useless she is unless she has Zero as a crutch.

When Zero reaches her side, instead of thanking him for coming (because, as always, his presence calms her mind and helps her focus), she goes all tsuntsun on him and snaps that she was going to deal with it herself. But she clearly wasn’t dealing with it--she was panicking and frozen and wasting time yelling at him and spinning her useless brains instead of focusing and doing something. She comes across not as a capable woman who is a good partner to Zero but rather as a petulant child who was testing Zero to see if he’d come running for her despite her protests. And as she surely knew, he came running to her side to save her, abandoning Maria in the process despite Yuuki playing the “bigger person” and telling him to stay by Maria’s side. If she were truly the capable woman she wants to pretend she is, she’d have already begun dealing with the bomb before he arrived to support her--that would have earned his admiration and praise. Instead, she’s uselessly standing around until he’s at her side, and then suddenly her brains work. Magical.

I do want to stress that it’s not at all that I truly believe Yuuki isn’t capable of courage, bravery, and being a useful member of the team. It’s the very fact that I know full well she’s capable of great courage and bravery (the Rido arc, the Sara arc) that makes her behavior this chapter so grating on my thinning patience. That’s the very reason why her behavior is so frustrating here--as soon as Zero is at her side, she instantaneously transforms into the capable woman she’s always been. She gets Mimi out of danger and starts dealing with containing the blast. If she’d just do this and trust Zero to support her and back her up, she’d find she likes herself a lot more, I think. That’s how they’ve always worked together, and for her to forget that after all these years shows how far she’s fallen.

There’s a weird moment when they’re bickering with each other where he touches her arm and her eyes go wide with shock. This to me says they’re really on the rocks if she’s shocked that he’s touching her. Their bickering itself only reveals surface-level issues which by now I think is clear aren’t their real issues. Yuuki does reveal she resents Zero not telling her about the investigation, so likely she’s upset that he’s not wanting her as a partner in crime anymore. But given how reckless and unreliable she is, and how for a long time she made them do things separately due to their bench agreement, it’s hard to blame him for not being a mind reader and knowing she wanted back in on the action. Really she’s just being unreasonable, and she knows it.

Of course, Zero then disappears before they can work through anything. Whether he’s been kidnapped or he disappeared of his own volition remains to be seen, but whatever is about to happen is surely to test Yuuki at last. It’s time for her to face being alone without a man to use as a crutch--no Kaname, no Zero, no Aidou. She might even grow from the experience. Wouldn’t that be something extraordinary?

The thing that bothers me a bit about how Hino’s handling Yuuki this chapter is that this sudden “action heroine Yuuki” is too little, too late. Yuuki’s failed as an action heroine since the second arc of the original series began. This girl spends more time sitting on her rear than she does helping anyone in this story or doing anything useful. Most of her “activities” are pointless and result in no lasting consequences. It’s honestly laughable that Hino wants to try to go back to the Yuuki who stood against Kaname and Rido at the end of the first arc of the original series, but we’ll see. Maybe she’ll surprise me. I doubt it though.

The Solitary Sun

The flip side of Yuuki this chapter is Zero. While Yuuki’s thoughts are laid bare for us to see, Zero’s are, as I predicted, hidden. No surprise there, because Hino probably doesn’t want any Zeki fans to run away, and a peek in Zero’s head would probably send the remaining readers bolting for the hills. Better to stick with Yuuki for now.

However, we have enough clues to theorize where Zero’s headspace potentially is this chapter. We learn that he’s actively hiding intel from Yuuki, including information about the vigilante groups, which Maria (her rival) is a part of. While the likelihood of him cheating is low, this does demonstrate a lack of reciprocal trust in Yuuki’s maturity and judgment.

It’s likely that Zero’s concealing of intelligence from Yuuki is partially motivated by the outcome of VKM 13. There are a few hints that he’s still unhappy about the unresolved issues from VKM 13--he becomes angry with Yuuki the minute he sees her in the tunnels (inappropriately so; despite Hino trying to play it off as a comedic moment, there’s really no reason for him to be that angry at an immortal woman taking part in vigilante activity), and he’s the first one to bring up Yuuki’s VKM 13 request that he not die during their bickering fest as they disarm the bomb.

Given that Yuuki wanted to avoid him this chapter and he’s displeased to see her, this implies he’s at the very least been stewing on VKM 13 for an indeterminate amount of time, even if he hasn’t yet taken any action or made any decision about them as a couple yet as a result of it. It does appear that publicly he’s still holding his position in their relationship--he’s openly bothered by her pause before she rejects the idea of him cheating, and he openly calls her the woman he loves during the bomb disarming. However, these also may be signs that internally he’s starting to wonder about their relationship and is over-emphasizing it in order to keep legitimizing it. His doubts may be crumbling the foundation of the relationship beneath his feet faster than he can rebuild. Not once in all of VKM has Zero called Yuuki the woman he loves. For him to be saying this now, on the heels of VKM 13, strikes me as a red flag, and not of the “Zero’s about to be kidnapped” foreshadowing flavor. If Zero’s pulling out all the stops and openly declaring his feelings before he’s happy with Yuuki, we’re at the end of the line. This strikes me as the last desperate push to make things right before they all fall apart and he has to at last admit the experiment was a failure. But we’ll see. The kidnapping might give him a reprieve.

I don’t have any evidence for this, but his behavior with Maria vs. Yuki this chapter brought up some questions for me. He openly admires Maria’s courage, despite her actions being against her regular character. Yet when Yuuki does the same thing, he doesn’t admire her actions or her attempts at bravery--he doesn’t encourage her, as he does Maria. I’m not sure if he’s doing this deliberately or if he’s just tired of Yuuki in general and thus can no longer be a supportive figure in her life. I think what he admires about Maria too is that she’s putting her life on the line in a genuine way, a way Yuuki can’t do because she’s a pureblood and thus doesn’t have to fear those things anymore. That’s something Zero may deep down wish he still had--the ability to walk the same lifespan with Yuuki, and to take risks together with her, as opposed to being the only truly vulnerable one of the two of them.

I also was struck by how he handled the moment when Maria was explaining how she had to insist he abandon her. Zero’s obviously a kind person, but it was a surprisingly manipulative move on his part to express his concern in the manner he did in front of Yuuki. It reminded me a little of an insecure man slyly trying to make his girlfriend jealous more than a sincere question. The rest of his interactions with Maria felt platonic and sincere to me, but that particular moment struck me as odd.

Overall, in the initial scene with Maria, Zero doesn’t give Yuuki much warmth at all. Mimi even picks up on it, though she immediately assumes he’s cheating (in other words, she misreads the energy, but the energy does exist). He’s deliberately warm and supportive to Maria. This might be genuine, or it might be manipulative on his part, I’m honestly not sure yet. A Zero who is capable of what he did in VKM 13 is a different Zero than i’m used to, and so he may have some new snakes in his heart than before. Hence, he might be capable of new behaviors that he wasn’t capable of previously. If Zero is sincere in his admiration of Maria, it shows that he can tell the difference between her efforts and Yuuki’s. He knows exactly what Yuuki’s up to (spying on him and snooping), but Maria (as far as he’s aware, of course) seems to be genuinely working toward a higher cause, which Zero admires.

That also says something about the state of how Zero feels about Yuuki that is truly heartbreaking for me. Zero used to admire her straight-forward gaze and her inner courage and strength and kindness throughout all of the original series. For him to now be at a point where he’s not even acknowledging what she’s trying to accomplish, that leads me to only two conclusions: 1.) he doesn’t believe her sincerity due to his suspicions about her true motives, or 2.) he’s so angry with her he can’t appreciate her right now. It could also be a combination of the two, which is particularly unfortunate.

The other thing I feel is lurking under the surface in Zero’s interaction with Yuuki this chapter is a sense that he feels resentful of her inability to trust him. He wants her to have faith in him and his abilities, as she once did when they worked together in the original series. I think he resents (on multiple levels) her obsession with his death--she’s not appreciating his life and is myopically focusing on something that may or may not come to pass. This comes out in his deep frustration with her at the end of the chapter; he hates the idea of being her damsel in distress that she has to rescue simply because she happens to be the longer-lived of the two of them. He still has his pride as a man and wants to protect her with his own skill, even if she’s technically stronger than him.

Some of this comes back to what I feel his true issues are lurking deep beneath the surface, which I mentioned in my review of VKM 13. His real issues center on a deep insecurity about his place in her heart versus Kaname. Kaname, on the surface, is a far better partner for her--he’s immortal, like she is, he’s older than she is, he’s more mature than she is. Zero is all these things as well, but he’s not “immortal,” only long-lived. If Zero is beginning to fear that Kaname (and Kaname’s lifespan) is what’s really at the center of Yuuki’s “fears” about Zero’s lifespan, then his outburst at the end of VKM 14 may be due more to his own insecurities than any genuine fear about the trouble Yuuki might get herself into. Of course, he loves her, so he doesn’t want her to suffer, but if he had faith in her (as he wants her to have faith in him), he’d know she could get herself out of any scrape she got herself into. So this to me indicates he’s really worried about something else, and that her “arms getting blown off” is more of an excuse than the real reason.

I want to do a write up on this separately at some point, but for a long time now (since before the original series ended), I’ve had this sense that Zero is the real shoujo heroine of this story, and that the traditional “character roles” have been gender-reversed. This chapter added fuel to that suspicion, because normally the shoujo heroine is the one who gets kidnapped so the hero can come valiantly rescue her. However, I don’t think this particular kidnapping is going to play out that way--honestly I still believe this kidnapping is meant to isolate Zero so a deal can be struck with him; I don’t think Hino wants him to be seen as the damsel in distress. But with everyone targeting him in particular, and with the purebloods wanting him in the past, and with him being labeled as special far more than Yuuki ever was or has been, the chips are stacking in his favor that he’s the “real” shoujo heroine of this story, and thus many of the heroine character beats are going to him rather than to Yuuki. This makes for a difficult road for Yuuki as a heroine, because she’s not traversing the masculine beats very well--she’s just not capable enough. The Hooded Woman was a much better character for those sorts of beats, but Yuuki’s just too damaged, fragile, and flawed to play them out correctly. We’ll see how it unfolds, but for now I’ll keep mulling this over.

Ships Passing in the Night

I don’t want to talk too much about Zeki as a couple, simply because they’re in a very frustrating spot and I’ve already labored over them enough separately. However, I do want to point out a few things about their situation together this chapter that struck me.

First is that I think it’s fairly clear that underpinning the whole chapter is VKM 13, which indicates a lack of resolution on the part of that chapter. I think it’s safe to say that nothing was resolved between them, and that Zero’s words to Yuuki (that her fear was her own curse on herself, rather than anything legitimate) hit home to her, while Zero is confirmed to not be buying any of the snake oil she’s selling with her “fears” for his life. We can see this in how they both behave in the chapter:

Zero’s behavior:

Zero’s the easiest, because the best way to prove he didn’t buy what Yuuki was selling in VKM 13 is to look at his behavior. If he’d bought into her fears as legitimate, he’d be doing a couple things this chapter that we don’t see:

He’d have told her what was going on with the investigation.

He’d have asked for her help in securing the scene of the crime.

He’d be making sure she was emotionally okay with the idea of him doing his job.

He’d be kinder to her for sneaking around to check up on him.

He would be taking precautions to ease her worries.

Zero does none of this in VKM 14. Instead he:

Hides what he knows about the investigation from her.

Gets outright angry when he finds her in the tunnels.

Is not taking any precautions to protect himself, and is instead protecting other people.

Throws her “curse” and her “worry” in her face in the middle of their bomb disarmament.

Flat out rejects her worries by pointing out that he hates the idea of her getting her body parts blown off, implicitly admitting that he’d rather die than witness that.

This all points to Zero not buying what Yuuki was selling in VKM 13, which I think puts to rest the idea that his “behavior” in VKM 13 was in any way shape or form genuinely a response to her fears and a “taking on” of her fears--he was mocking her then and taking out his frustrations on her, not “empathizing” with her or giving her what she wanted. If he genuinely felt her fears were legitimate, he’d be taking them into consideration in this chapter. I feel the case is closed on that at this time; now all we have to wait for is to find out what he was really upset about in that chapter, because now we know he was upset about something unrelated to her preposterous anxieties.

Yuuki’s behavior:

Yuuki’s behavior this chapter implies the opposite of Zero’s, another point in favor of Zero’s accusation that her curse was her own and not legitimate during VKM 13. If she felt her behavior in VKM 13 was legitimate and that her fears were legitimate, we should see some different outcomes from her this chapter:

She would be angry at Zero for getting involved in another case despite her fears. She would be upset with him for not taking her feelings into consideration. (Ironically, this is why she comments to Kain that she should be “worried” like Ruka--the fact is, she isn’t worried for his safety; her fears have nothing to do with whether he’ll get blown up or hurt or killed--they’re about something she’s not willing to face.)

She would be hunting Zero down in the tunnels openly to yell at him and drag him off the case.

She would immediately deal with the bomb herself without shouting at Zero when she and Mimi step on it, because that would prevent him (and Mimi) from being in the blast zone if she handled it promptly.

Instead of this, what we get is the following:

Yuuki suddenly wants to improve her cooking skills! (That’s a bit of an odd reaction to fearing for your man’s life.)

Yuuki has a sudden “need” to be part of the investigation just because she overhears what the target is, when she wasn’t interested before other than in passing.

Yuuki suddenly starts talking to random people about her issues, as if she realized she needs to work through them and get to the bottom of them. (She even flat out admits she’s a mess and can’t work through that mess easily.) This alone confirms she knows she’s full of horse manure and that Zero was right when he called her out in VKM 13.

She immediately has anxieties about Zero and Maria, despite all she and Zero have been through since the original series. Her anxieties aren’t even about Maria--they’re about Zero!

She envies Zero smiling at Maria! If her true issue was his safety, who he smiles at shouldn’t bug her in the slightest because she has a good relationship with him and is being genuine and sincere with him.

She admits to Mimi that she doesn’t even have faith he’ll come back to her. This is not about him dying--this is about him leaving her.

We see from Yuuki’s actions this chapter the first true hints (which her actions in VKM 12 support) that she’s afraid Zero is finally fed up and is thinking of leaving. That all she’s done to string him along and “keep” him is no longer enough--her blood’s not enough, sleeping in bed holding hands isn’t enough, being “platonic friends” isn’t enough. He has finally hit the end of the road with her “I won’t let you go but I won’t do anything with you” declaration in VKM 9.

What she’s afraid of isn’t Maria per se--Zero isn’t going to leave her for Maria. But what about some other girl she doesn’t know about? There are thousands of women for Zero to choose from--thousands who, like Maria, would openly appreciate him and react warmly to his advances rather than shutting him out and clinging on to the memory of a man who hurt him deeply. Yuuki’s real fear isn’t that he’ll die--it’s that he’ll live, but not with her.

Yet for her to keep Zero, she has to “clean up the mess,” which she herself admits is “hard.” So instead of doing the real work of dealing with her own issues, she goes off to play investigator and spy on Zero and play “hero” when she has no right to. Basically, this kidnapping is quite good for her, in my estimation, because it means she’ll have to start facing those things she doesn’t want to face--the real reasons Zero is unhappy with her and their relationship isn’t progressing. What’ll come of that is anyone’s guess at this point.

Zero and Yuuki’s mutual issues from VKM 13 bleed into their teamwork this chapter--although they still work together well, it’s not seamless like in their younger days. Yuuki trying to test Zero doesn’t help much, either--your partner isn’t going to respect you if you’re testing their loyalty when you yourself have been disloyal for 70 years. Seriously, why is Yuuki always one step forward, fifty back, I have no idea. It’s very frustrating for a reader, and I can only imagine how frustrating it must be for Zero to have to live with that.

Ultimately, I’m pleased as punch they’ll be separated for a while. But more on where we’re going from here next.

Past Reflections Echoing into the Future

If VKM 13 was VKM’s version of Nights 61-64, VKM 14 picks up as the inverse of the Kuran Manor mini-arc’s Nights 65-67. I suspect the parallels will continue into the future, which is why I expect Zero to “return” of his own “free” will after he’s been blackmailed by the Vampire King group’s mastermind to act “against” Yuuki (and thus parallel the Rogue Kaname mini-arc from the original series).

Because Zero was kidnapped, unlike Kaname in Night 67, this gives a different general atmosphere to this parallel to the original series, but ultimately the point is to separate Yuuki from the crutch she’s leaning on (Zero now, Kaname back then) and send her on a journey of self discovery, which hopefully this time will actually lead to growth rather than regression as it did in the original series in Volume 19.

I see us being set up for a new arc where Zero’s return gives Yuuki initial relief, but because he’s being blackmailed he has to protect her by pretending to break things off with her. In this process, he will likely say quite a few “true” things that actually do reflect his true feelings--the best way to fool your enemies is to fool your loved ones, and the truth is the best way to accomplish that. So while Zero is saying these things to keep her safe and in the dark about what he’s about to do for the Vampire King (and in order to keep other innocents safe, because Zero’s lovely and altruistic like that), Yuuki will “believe” what he’s saying, because he’ll be speaking the truth from his heart at last.

I suspect we’ll finally see that he has been afraid that she truly loves Kaname, despite what her blood tells him. We may see that he’s been contemplating bringing Kaname back for her again once the cure is in place. We may see that he’s open to the idea of disappearing from her life, because he feels he’s brought her nothing but misery. We may see that he feels Kaname was wrong in Night 93--that he doesn’t believe he and Yuuki were meant to be at all. All these fears and more are what could potentially be revealed on Zero’s side via this arc, and I would feel so relieved to see him finally speak these oppressive thoughts he’s clearly been suffering under for so long.

Even if none of this comes to pass and Hino has other less interesting reasons for these events, Zero’s kidnapping is the best thing that’s happened to this story since Night 87. Even though I didn’t get Zero walking out on Yuuki (which I would have preferred), the kidnapping still forces them to separate and (hopefully) will force Yuuki to begin to examine what’s wrong in herself and her relationship and why it’s gotten to this point in the first place.

This will work especially well if Zero does come back and is forced to act cold to her in order to protect innocents due to blackmailing from the Vampire King group’s mastermind. This would force Yuuki to have to examine how much she trusts Zero, how much of his words are true, and what all of it means for her. It’s a far greater test than what Ruka put her through when she gave her the illusion of Zero shooting her--because everything Zero will say to her here will be truth--perhaps incomplete truth, but still truth that she needs to acknowledge and deal with at last.

As for what else is coming our way, perhaps we might finally start seeing some movement on the cure. I’m quite looking forward to how that plotline mixes with this one, if indeed that’s what Hino intends for these two plotlines.

All in all, I think we’re still on track for things to unfold happily for our two star-crossed lovers, as long as Hino stops setting us back with detours. It’s time for Yuuki to get her act together and decide which man she wants in her life and what she actually wants for herself. It’s time for her to decide she prefers happiness to misery, whether or not she deserves it, and that Zero deserves happiness from her if she wants to stay with him or freedom from her if she wants to be true to Kaname. And since we know that he dies in her arms, I’d say chances are higher for the former happening than the latter.

And that, as they say, is that. Until next time!

#vampire knight #vampire knight memories #vkm spec #vkm speculation #zeki criticism #anti ky #vkm chapter review

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kihocrystal · 8 years ago

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Fall 2016 - Final Impressions

It’s a little after New Year’s, but here’s what I thought of the animes that I finished this past anime season! There’s 12 reviews here, which you can find under the cut! All of them are listed in alphabetical order for your convenience~

Ajin Season 2 - 8.5 / 10 (B+) YMMV on whether this season was weaker than S1, but this is still a very good continuation (& conclusion???) to this series~

animation: Yup, this show is still CGI animated (by Polygon Pictures), which is the thing that tends to drive people away from this show the most. I still don’t mind it, because it’s actually really good for anime CGI! Character expressions and models are still good, and the action (despite the low frame rate) also isn’t bad either! There’s good use of dark lighting and muted colors as well.

characters: The cast (on both sides of the conflict) are good this season as well. Kei and Tosaki team up this season, which allowed for interesting character interactions and situations. Satou is still crazy as ever and doing crazy shit (even when his goonies start defecting from him), making him one of the best (if not *the* best) anime villain in 2016. His attitude of treating countless killing like a game makes him very fun to watch. Poor Kaito got ignored for most of the season again, but at least he swoops in to save Kei in ep. 11(?). Izumi and Tosaki got some development this season (mostly for their relationship + Izumi’s backstory), including a mini-arc in the middle of the season. Even though said arc was debatably filler-ish story-wise, it did jumpstart a change in their relationship, which was good to see.

story: This season picked up where the last season left off, and quickly leads into Tosaki and Kei’s teams working together to put a stop to Satou’s schemes. The initial episodes had a lot of training segments for the new team, but outside of that, the plot progressed like a good thriller should. There were several tense moments (even when the hero team would watch things unfold on their TV) that were entertaining to watch unfold (especially when the hero team finally put their plan into action and *still* weren’t a match for Satou). By the end, though, it was good to see them finally take him down (along w/ Satou being unfazed even when his own men leave him). The finale has a good sense of conclusion to it, but is a bit more open-ended than I was expecting (which probably wasn’t a good idea, since this ending is anime original to begin with) :/

This season was a good conclusion to a really good series, that’s one of 2016’s many highlights. If you like a good thriller (and can accept the CGI animation), you shouldn’t miss this one!

Bungou Stray Dogs S2 - 8.5 / 10 (B+)

I enjoyed this season more than season one! It’s a really fun & well-animated action spectacle!

animation: BONES did a great job with the visuals again this season (which is par for the course for them)! The realism-leaning art-style works well here again (along with its muted / darker color palette), and it still makes good use of comedic animation and deformed expressions (which utilizes thicker outlines as well). The animation itself is also very good, as action scenes have (for the most part) very good fluidity and special effects! The action and fights deliver quite well, and is one of this show’s strongest aspects.

characters: The main cast is still fun to watch, and all show off their badass qualities in one way or another! While not every character got much development this season, there were some notables that did, including Dazai, Atsushi, and even Akutagawa (to an extent)! The first four episodes gave a spotlight on Dazai’s past with the Port Mafia, plus had its own cool lead (Oda) that had a complete arc of his own. The other episodes gave the supporting cast some time to shine and show off their badassery too (from all three factions). Seeing all the different superpowers that come into play (including the new ones from the Western author-inspired Guild) was cool to see as well!

story: The first four episodes feature a prequel arc involving Dazai and two new characters (Oda and Ango), then the last eight episodes pick up where season one left off. The prequel had a notably darker feel to it, and also had a lot of dramatic weight to it. It definitely has a case towards being the best segment of the entire series! The remainder of the season is no slouch either; it may not be as heavy or dramatic (even though it does have its darker moments), but it has great action and shows off its large cast well. The final two episodes had a great climax too, as Atsushi and Akutagawa teamed up to beat the Guild’s leader (Fitzgerald) in an explosive fight, and even saw Kyouka FINALLY get her happiness in the end!

I had a really good time with this season, which was a notable improvement over its first! If you like action anime or are interested in its literature-inspired themes / characters, you should check this one out!

Flip Flappers - 8.5 / 10 (B+)

this is a really fun and crazy action magical-girl-esque show! Think magical girls meets FLCL :D

animation: Studio 3Hz is a relatively new studio, but they did a great job with the visuals! Everything looks bright and colorful, and they brought a lot of crazy worlds to life within Pure Illusion (snow world, horror film-esque boarding school, Mad Max-esque world, you name it!). The character’s large eyes and jagged-looking hair takes a little getting used to, but it comes out looking great anyway thanks to the awesome animation! Which, yeah, the animation is pretty great! Not every episode is a fluid masterpiece, but the action scenes overall have very fluid movements and smears! However, there were some fanservice-y moments that got kinda uncomfortable at times (I’m looking at you, robot episode…). Other than that, this show definitely had the most flashy and crazy visuals and animation out of any show this season~

characters: The main cast was very quirky, to put it simply! Cocona was the “straight-face” during all the chaotic adventures, and Papika was full of optimism and enjoyed the whole ride! I liked their relationship and how it grew over time, even though it was queerbait-y at times. I also liked Yayaka, and how she stayed by Cocona, even when she was working for the enemy. The other members of both factions didn’t really get much screen time (outside of the two twins Yayaka worked with), and the later-revealed Nyunyu, despite being touted as the Third Child, didn’t do much either. Dr. Salt (and Mimi later on) get some good backstory though, and play big roles in the climax. The final arc in general gives more depth to several characters (including the main duo), turning what we knew about them on its head!

story: The main premise starts out as the main duo going from world to world within the mysterious Pure Illusion dimension, in order to collect amorphous fragments. The first half of the show is mostly episodic, as each episode features a different creative setting that they must travel to (and most likely fight against Yayaka & the enemy faction). These episodes range from action spectacles to more grounded & atmospheric (it’s kinda like Alice in Wonderland!) The show’s second half takes a notably different approach (at least partially explained by a change in lead writer), as it becomes more story-driven with a big focus on exploring several main character’s backstories (& them coming to a head in the climax). Cocona’s mother reappears and acts as the villain in this final act, so the conflict feels more personal to them. I really liked seeing all the secrets being revealed, and watching the final battle play out! The final episode had some callbacks to the first episode, and helped brings things full circle, which was nice!

This was definitely one’s of the season’s best action and visually-impressive shows! If you like magical girl shows, or like “trippy” anime like FLCL or Space Dandy, you should check this out!

Fune wo Amu - 8.5 - 9.0 / 10 (A-)

A really good laid-back slice-of-life drama about making a dictionary! The premise *sounds* boring, but it made for one of the season’s best shows~

animation: ZEXCS hasn’t been around much lately, but they did a nice job here with the visuals! The art-style leans more towards realism, but leaves out enough details to keep that “anime” look. The backgrounds look nice as well, and the color palette as a whole makes good use of muted colors (it definitely gets the show’s overall feeling of realism across!). The animation is fine as well, though it’ll break out a nice & fluid walking sequence at times too (even if it’s a little clunky). The mid-episode sections involving the dictionary mascots were bright and colorful, and used thick lines (making it very distinct from the main show). The visual style overall is a nice complement to what’s happening in the story (and helps it be beautiful at times too).

characters: The main cast is not that large, but they’re all fun and laid-back; not to mention they’re ADULTS, which is great to see in anime. Majime is a good lead, as he starts out kinda socially-awkward but his passion for words breaks through (& he becomes more confldent over time too!). My favorite character was definitely Nishioka; I really liked his outgoing & suave personality who helped get things done in his own way (+ didn’t take shit from third party contributors either!). His VA performance by Hiroshi Kamiya also was a big contributing factor. The other co-workers were enjoyable as well (to the point where Matsumoto’s eventual death was an emotional moment ;~; ), and had a good group dynamic. Even though the main two significant others (Kaguya and Miyoshi) didn’t have tons of screentime, their personalities & how well they bounced off of their partners made up for it. Even the later addition of Midori to the team was good, as she learned to appreciate dictionary-making as well.

story: The premise of following a group of people making a dictionary sounds kinda boring on paper (heh heh), but the execution more than makes up for it. The atmosphere and story-progression are very down-to-earth, and it does a good job showing how interesting words and definitions can be. The character arcs also add intrigue to the show, including Majime falling in love with Kaguya and Nishioka being transferred out of the dictionary department (that particular arc added a lot of depth to Nishioka’s character & was a great watch!). The mid-episode chibi-dictionary segments have little trivia bits about dictionaries, but they’re not that memorable otherwise. There’s a big time skip slightly later than halfway through the series; it takes a little time for the viewer to adjust, but it goes back to business as usual in no time. The final episodes show the last steps of finishing the titular dictionary, ending w/ a finale episode that wraps up everything really well in a poetic (& even kinda emotional) way.

This show is definitely underrated, and is one of the season’s best shows for sure! If you like laid-back slice-of-life shows (even if it’s about an unusual subject matter), then check this one out for sure!

Haikyuu: Karasuno vs Shiratorizawa - 9 / 10 (A)

(Note: this review is written in a different style from the others; I was initially gonna use this style for all my reviews like in past seasons, but I lost my notes for three reviews I wrote afterwards due to computer issues. I ended up switching to a different style when rewriting them, and it just kinda stuck for the others...)

Really good third season! it focused on just one match, but it was a big one!

animation:

Production I.G. hits it out of the park, as always

INCREDIBLY FLUID & DYNAMIC movements (spikes, quick movements, jumps, etc.)

gotta love those action lines & varying thicknesses of the outlines :D

not to mention the 3D camera in the final spike of the match!

just… an incredible action spectacle! a feast for the eyes~

characters:

this whole season is just seeing the team come together & show off their skills!

each character had their own moment of badassery along the way :’)

the star of the season (or… MVP, if you will :P) was *definitely* Tsukishima!

he finally got emotionally involved in his volleyball! (that fist pump ;~; )

plus he was a great strategist & was a huge asset to helping Karasuno win!

we also got introduced to Shiratorizawa’s players in detail!

each guy got a decent amount of backstory… just not a lot

the one who got the most focus (besides Ushijima) was definitely Tendou!

he was very much a “joker” character; always wanting to mess w/ his opponents

shout-out to coach Ukai, whose seiyuu passed away before the show started airing ;~;7

his old seiyuu’s final line was a great line to go off on ;A;

story:

the entire season was dedicated to just one final match!

it created good suspense too, just like a real sporting match!

especially since it came down to a deuce in the final set (out of FIVE)!

there was a lot of back-and-forth action too (i.e. quick changes in momentum)

while the story was simple, it had great execution and attention to detail!

the final moment when Karasuno won the match was great as well!

it has an open ending as well (since they still gotta go to nationals! plus Kageyama got a training camp invite!)

overall, this was a great continuation that kept up what this show is so good at delivering~

Hibike Euphonium 2 - 9 / 10 (A) a great conclusion to a really good show about a high school band!

animation: Kyoto Animation does a stellar job yet again! Muted color palette, shiny highlights & lighting (like they’re glowing!), great fluidity in the animation (like w/ walking, running, concert scenes), effective character animation (i.e. small movements). Character art-style is a good mix of moe and realistic characteristics. Just a great looking show all around!

characters: The group dynamic of the cast (i.e. the band itself) remains strong, but there were some characters that got good development this season! The first half had an arc involving Mizore and Nozomi, whom we didn’t really know previously! The second half was more centered around Asuka, who had a great character arc! Even Kumiko had good development in this half of the show (since she was dealing w/ the situation involving her sister Mamiko as well)! It was great seeing her take action after seeing her in an observer role for most of the show prior. We also got some insight into Taki-sensei’s past, which led to a small character arc for Reina as well (even though it still involves a relationship w/ a massive age difference :T).

story: This season covers the rest of the school year right from where S1 left off. Most of the plot is related to the previously mentioned character arcs, which were all executed wonderfully. Even though the drama isn’t focused as much on the band’s competition progression / preparation this time around, we do still get to see them compete on the big stage and even reach their goal of the Nationals! The finale also brings the show to a fitting conclusion, as the third-years graduate and the band starts anew. It’s nice to see a definitive ending in an anime~

I probably enjoyed this season even more than the last one, and it’s definitely one of the best shows of this season. If you like character dramas (and/or shows about orchestral bands), you should definitely check this out!

Magical Girl Raising Project - 7.0 / 10 ( C ) unfortunately, this was one of this season’s lowlights… it’s basically a bad madoka derivative :/

animation: This is one aspect of the show that I liked (done by Studio Lerche). The art-style is very rounded and cutesy (which is fitting for a magical girl show). What is *not* fitting is how much they try to pull off “sexy” character design elements, like skimpy outfits and big boobs / clevage; it just really clashes w/ the “moe” art-style. The character designs themselves have a mix of different tropes (witch / cowgirl / dog / goth lolita / etc.) too. Animation-wise, it was a mostly standard effort (not bad, but not good either). The fight scenes could’ve used more fluidity as well. Shout-out to the ending theme by Nano, whose one of my fav anisong artists!

characters: Just like the character designs, the group of personalities here is also a mix of different tropes that are played mostly straight. There were characters I really liked personality-wise (like Top Speed, La Pucelle, and Hardgore Alice), but there were also characters I really hated (I DISLIKED THE ANGELS FROM THE MOMENT THEY FIRST SHOWED UP; THEY’RE SO MEAN-SPIRITED!!!). Mostly though, I felt indifferent about a lot of them, which made their death scenes have little to no impact on me. Their backstories mostly tend to be shown in the same episode that they kicked the bucket, which also didn’t help matters. Said backstories in question also seemed to use every tragic backstory trope in the book, which just kinda made things ridiculous. Also, both Calamity Mary and Cranberry were built up as legitimate threats over the show’s run, but were defeated rather anti-climatically (especially the latter), which was kinda lame.

story: The premise is basically Battle Royale meets magical girls, as the cast is forced to kill each other to survive. At least, that’s how it starts, but then certain characters (like Swim Swim and Calamity Mary) start killing others just for kicks. I actually didn’t mind the first four episodes too much (outside of the mean-spirited antics of Ruler’s gang): the setup wasn’t bad and the death scenes of Ruler and Nemurin were executed (*ba dum tsh*) in a somewhat-interesting way. However, after that point the gore and EDGE goes into full force, as fight scenes and deaths are shown in such a dark (& even quick) manner that they don’t have the impact that they should have. (The lone exception to this is Hardgore Alice’s death scene, and not by much. Heck, I even fist-pumped when the two angels died...) They even tack on some purely-for-shock-value stuff at the end of some of these deaths (like Sister Nana’s piss trail after her hanging, or the reveal that Top Speed was pregnant after her death.) Lastly, the final episode makes the whole ordeal feel not worth it in the end, since Fav gets what he wants out of the killing game in the end (even though he himself gets killed), and it feels like the survivors are just worse off in the end.

This show joins Daybreak Illusion in the dubious “bad madoka ripoff club.” It’s hard to say which one of the two I dislike more, since they both are bad in different ways. Either way, this show is one that I would probably advise that you skip.

Occultic;Nine - 7.5 / 10 (C+)

An interesting story that is ultimately weighed down by its ridiculously fast pacing…

animation: A-1 Pictures made this show look quite good (and interesting)! The art-style makes good used of painted background, muted colors, dynamic lighting + shadows, and fuzzy / jagged outlines on characters! Certain characters (like the murdering minor) are drawn more realistically at times too. The visual direction had some interesting angles from time to time (but also made some scenes rotated for no real reason). Also, WHY ARE RYO-TAS’s BOOBS SO BIG??? THEY’RE IMPOSSIBLE BOOBS

characters: The main cast has a good mix of personalities; I liked seeing the characters bounce off each other. Shun in particular had a fun personality (which owes a lot to his VA’s performance), and I liked Asuna’s later introduction (since she was an alive detective who could talk with the dead to an extent). Gamon (and a couple others, like Sarai) could get kinda annoying at times, since he tends to say a lot without much pause. However, they don’t get a ton of development. Gamon at least gets some backstory involving his dad, and Aria has backstory involving his dead brother (said story is kinda messed up too). I also liked how Ryo-tas was revealed to have Aveline possessing her from time to time (which made her suspicious leading up to it).

story: There’s a lot going on in this supernatural sci-fi mystery; a bunch of mysterious events (including murders and a mass drowning) lead a group of teens to uncover a big conspiracy and put a stop to it. The story is definitely hard to follow at times, since they throw lots of info at you (not to mention a lot of technobabble). It gets more interesting once the twist at the end of episode 6 occurs (as most of the main cast is revealed to be dead / ghosts), along with more reveals. There’s a lot of interesting ideas here (not to mention the story has a definitive ending), but it’s really held back by how *fast* the pacing is. Episode 1 is infamous in how fast it goes (seemingly sped-up dialogue, little pauses in-between dialogue & other scenes, etc.), but even though it gets better after that, it’s still a big issue. I actually started adjusting the playback speed to 0.9x after seeing someone else suggest that on r/anime. The final episode is kinda bittersweet, as the organization is defeated and Gamon gets to see his dad again, but Gamon seems to still be stuck in the spirit realm (and the epilogue I felt was too short).

As a fan of the Sci;Adv series, I had a good time with this one, even though it’s far from the best show this season. If you’re a fan of other shows in that series (like Steins;Gate or Robotics;Notes), you’ll find something to like here. Just remember to adjust the playback to 0.9x speed for a better time :P

Show By Rock!! # - 7.5 / 10 (C+)

Not *as* good as season 1, but I still had a good time with it!

animation: BONES did good visuals this season too, as it has the same quality and style as season one. It’s very bright and colorful (and shiny!). Animation fluidity was mostly fine, with better fluidity during most performance sequences. The CGI returns (and is of the same quality as in season one, which is a good thing), but doesn’t show up as much.

characters: The main cast is fun to watch, just like in season one (and honestly, the cast is the biggest draw to this show)! Plasmagica got a few focus episodes that helped develop them slightly more (Retoree & Cyan). ShinganCrimsonZ definitely got more focus this season, as they played a role in the Arcareafact and Bud Virgin Logic arcs, along with learning more about Rom + Shuzo’s past, along with Aion’s past! The new villain Victorious was a simple evil villain, but I didn’t think she needed a dark backstory to justify her being evil (what’s wrong with her just simply being an deity of darkness?)

story: Plot progression was very simple this season, as most episodes revolved around character arcs (or focus episodes). There was an overarching plot introduced in episode one, but it didn’t have much relevance again until the last third of the season. I enjoyed the character-based episodes, as they either showed us more fun hijinks with the crazy fun cast, or helped flesh them out a bit more. The final episode particularly saw a decline in visual quality (ex: the big collab performance that was built up over the past two episodes was shown in sub-par 2D animation) and just had weird execution overall.

If you enjoyed season one, you’ll probably enjoy this one as well! Check this series out if you like fun characters and music performances~

Shuumatsu no Izetta (aka Izetta the Last Witch) - 8.0 / 10 (B)

This was a fun & enjoyable historical fantasy fiction show! Nothing mind-blowing, but I had a good time with it~

animation: This show had good visuals overall! The art-style for the characters is very similar to what I call the “A-1 Pictures” art style (as seen in shows like SAO). I liked the painterly backgrounds and muted color palette, which presented the historical WWII setting well. Animation-wise, the fluidity is really good, especially in the early episodes. The action looks great to start, but diminishes in quality over time (even though it’s still fine by the end). However, I did like how creative the action could be at times (like using trains and spears as aerial weapons!). Bonus mention to the great opening theme song by AKINO with bless4!

characters: The cast was fine overall, but the stars of the show were definitely Finé and Izetta. Finé is a strong leading lady who doesn’t flinch in the face of terror (which is fitting for royalty like her!), and Izetta is a good fighter in her own right w/ her magic! I also liked seeing their relationship play out, even though it has some queerbait-y moments. The side characters had fun personalities, but none of them were super-standout either (though some on both Elystadt and Germania sides got a little bit of focus / screentime. A good example of this was Muller, who at least had his character arc come full circle).

story: The premise is based in an AU World War II, where a small country gains the help of a young witch to help fight off the looming superpower threat. The first few episodes started out relatively strong, with several good action scenes showcasing the two female leads and Elystadt’s main cast. The overall quality kind of dipped after that, but there were still some good moments there. I wish Sophie being a major player was foreshadowed a bit better, and the quick love(?) arc involving Ricelt could’ve been done better (or tied into the main story more). The finale didn’t quite go back to the early-episodes quality, but it still had fun story & action beats, and wrapped things up in a conclusive way.

Even though the rest of the show didn’t *quite* live up to those first few episodes, it’s still an enjoyable, action filled time. If you enjoy fantastical historical fiction shows, you’ll find something to like here.

Udon no Kuni no Kimiro Kemari (aka Poco’s Udon World) - 8.5 / 10 (B+)

This was a really sweet show about the themes of family! It’s easy to compare it with shows like Barakamon and Sweetness & Lightning, but it forges its own identity by the end~

animation: LIDENFILMS doesn’t have a *ton* of prior work, but they did a nice job with the visuals! The art-style is quite distinct; it has pretty watercolor backgrounds and a bright color palette (it looks kinda like a storybook in a way!). The characters have rounder-than-usual eyes (especially with the kid characters) and all have long, white highlights on their hair and bodies! The animation itself isn’t anything special, but it gets the job done for a cute slice-of-life show like this one.

characters: The main cast was very down-to-earth and enjoyable to watch! The main lead Souta got some great character development over the course of the show; I enjoyed seeing him re-discover his love for his hometown and for his family (including his deceased dad). Poco was also a really cute kid; him being a tanuki allowed for some good supernatural stuff towards the end of the show. The side characters were also really good! They all had fun personalities and had good interactions with Souta and Poco (Hiroshi falling in love with Rinko comes to mind); Rinko in particular got some good development towards the end (as she had uncertainties about being a mom, and Poco helped give her confidence!). I don’t have any comments about the Gaogao-chan segments & its characters, because I skipped them every episode ^^;

story: This show follows the daily life of Souta, who just returned to his hometown after time away, and Poco, a tanuki who meets South and starts spending time with him. A lot of the story progression involves small events with the main duo, like hanging out with Mai and her kids, or spending time with Nakajima or Rinko. The story’s main core though is learning about Souta’s situation (his falling out w/ his parents + hometown, him moving to Tokyo, his leg injury, etc.) and seeing how Poco changes his perception of all of these aspects over time (with the power of cuteness, family bonding, and even some supernatural flashbacks!). The show as a whole is really adorable to watch; not to mention quite heartfelt and emotional at times! It really gets the feeling of “family” down, especially with an atypical family like this one. The final episode definitely tugs on the heartstrings, as Poco shows Souta how much his father truly loved him, and the two have to go their separate ways ;~;

This show was definitely the most pleasant surprise of the season for me, along with being one of the season’s most underrated shows (alongside Fune wo Amu)! If you like slice-of-life shows, or enjoyed Barakamon and/or Sweetness & Lightning, you should check this one out!

Yuri!! On Ice - 8.5 / 10 (B+)

A very enjoyable sports anime about ice skating, that also features one of the best examples of an LGBT couple in all of anime!

animation: MAPPA did a really nice job with the visuals! The art-style leans a bit more towards realism, but also makes good use of cartoon-y expressions + comedic animation. (I also get a kick out of how similar Yuri K. looks to Parasyte’s Shinichi, since both shows have the same character designer :P). Animation-wise, the fluidity is definitely above-average and the figure skating routines look great as well, especially considering it’s done in all 2D animation! (There are some routines later in the show by supporting characters that sacrifice staying on-model for consistent fluidity, though).

characters: The cast as a whole is fun to watch, and has a good mix of personalities. The standout characters for me were definitely Yuri K. and Victor; I liked how both had goofy and serious sides to their personalities. Seeing their relationship develop over time (and how it helped both characters learn and grow) was one of my favorite aspects of the show, as it never failed to put a smile on my face! (It also helps that it’s one of the best-portrayed LGBT couples in anime, period!) Yurio was also a good rival, who really showed growth in his character (and his respect for Yuri and his grandpa) over time! The other supporting characters (mainly the other skaters) were also enjoyable, even though they didn’t get much focus development-wise (besides JJ, kinda). They still had fun interactions with each other and the main cast (especially in episode 10), so I still definitely liked having them around.

story: The story follows Yuri who, after reaching a low point in his career, gets his idol Victor to coach him through the next ice skating season, in order to win gold! The main story progression takes Yuri through each of the competitions leading up to the Grand Prix Finals, just like most sports anime. While the drama and suspense coming from the competitions themselves isn’t as strong (in comparison to other sports anime like Haikyuu, anyway), the routines are still really good and the feeling of competition still gets across. (Besides, the most effective serious and triumphant moments for me came from the ups and downs of Yuri and Victor’s relationship, anyways :P). The episodes also kinda felt fast-paced at times (not nearly as bad as Occultic;Nine, though); perhaps a nitpick, but it was noticable. The final episode ended things on an open-ended but good note, as Yuri falls just short of Gold (and Yurio wins!) but is determined to win next time (plus Victor decides to un-retire and the two of them do a pair skate at the end!!! Yay!!!)

This was definitely one of the season’s best shows that will surely put a smile on your face! If you like sports anime or romance shows, you should go watch this for sure!

#Ajin #Bungou Stray Dogs #Flip Flappers #Fune wo Amu #Haikyuu!#haikyuu #Hibike! Euphonium #Sound! Euphonium #Magical Girl Raising Project #Occultic;Nine #Show By Rock!!#show by rock #Shuumatsu no Izetta #izetta: the last witch #udon no kuni no kiniro kemari #Poco's Udon World #Yuri On Ice #Final Impressions

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