#eh fuck it i'm using it

[khaotunq]

...........💀

[dootznbootz]

I currently have writer's block and fucked around and made Iliad and Odyssey memes :'D Some look like "repeats" but aren't. Just different scenarios/people. Enjoy!

There's... A LOT. I don't care if you pick out your favorites! I put this all in one post as I don't want to spam the tags! :D

[ayy-lmao0]

So uhm. Lord Peepers, am I right?

Edit: fanart and generally using this design is VERY VERY MUCH APPRECIATED I will melt and die out of happiness if you do so, just credit me! ^^

[a-resplendent-mushroom]

playing around with my robin designs

individuals under the cut!

[necrotic-nephilim]

What's so fun about BruJay as a ship is Jason's sheer obsessive devotion to Bruce. Jason is possessive over Bruce, to the point he doesn't care about the deaths of others so long as he has Bruce's attention. A part of the UTRH arc this isn't talked about enough is that Bludhaven fucking explodes mid-way and Jason won't let Bruce see if Dick is alive.

batman (1940) #650

A lot of discussion about UTRH paints Jason as this anger-driven cold, calculating machine up against Bruce when it's so clear that his love for Bruce is what drives him at his root, even if he won't acknowledge it. He says it himself, he would've done anything if it was Bruce who'd died instead of him and his anger is rooted in that possessive devotion not being reciprocated.

batman (194) #650

BruJay as a ship always to be, to some level, unrequited. Even if Bruce loves Jason back in that way, he'll never be that obsessed with Jason. Jason will always view Bruce's love for Dick or Tim to be a distraction, proof that Bruce isn't dedicated enough to him. Jason has the need to always have Bruce's attention, even when it could come at the cost of Bruce's other loved ones. Something something cannibalism as a metaphor for love in how Jason wants to consume Bruce's whole existence. He can't let Bruce leave him again, can't let Bruce love or grieve anyone else. Forcing Bruce to choose between Jason and the Joker isn't just about confronting Jason's killer, it's about confronting the other person who exists as this duality with Bruce and consumes so much of Bruce's life. That's the role Jason wants to fill, calling himself Red Hood and forcing Bruce to look at what he's become. But still loving Bruce and wanting more than anything for Bruce to reciprocate that love in the way that Jason understands. I just think it's good soup and rife with Dynamics that are underexplored with them.

[the-crow-binary]

Going on the "castlevania" tag is soulbreaking and honestly tiring, but the "akumajou dracula" tag? Guys. Guys it's so healing. It's so cool. I feel free, finally. Away from the untagged/badly tagged NFCV shit. Every game fans in here need to use this tag. It's a breath of fresh air. Y'all have no idea how great scrolling through CV content without being interrupted by a fanart of Lenore is before you try it. You'll go on the akumajou dracula tag and the most popular post of the moment will actually be smth from the game. Holy shit. Absolutely divine.

[hood-ex]

I have seen you talking about Dick & Dami's relationship and Dick & Tim as well,but what are your takes on Dick and Jason actually?

Like how you wish their relationship should be portrayed today and where are them missing when it comes to making those two acting like siblings?

Do you think in the past their dynamic was better?

How Dick views Jason and how Jason views Dick?

This is difficult to answer because there are like 8 different stages to Dick and Jason's relationship with various dynamics. They also view each other a bit differently depending on which stage we're talking about.

The way I would like their relationship to be portrayed today isn’t necessarily possible thanks to Jason’s integration into the family and acceptance of the no killing moral code. For me, their ideal dynamic is portrayed in Outsiders #44-46. And I know people are gonna find that regressive as hell but, tbh, that dynamic is far more interesting than the kinda awkward thing they have going on now.

Although, I don't mind that they acknowledge their brotherhood in a serious manner now. Like before they'd kinda be like, "Eh... I mean... we were adopted from the same guy but... brothers? Eh..." And now they're more firmly in the, "We're brothers," camp. So that development is interesting.

Character progression wise, it wouldn't feel right for for them to be super close in the way that, say, Dick and Tim are (unless we saw a lot of trust and relationship building between them), but at the same time, there is part of me that kind of wants them to have that older sibling bond (except Jason is closer in age to Tim than he is to Dick sooo actually let's just leave older sibling things to Dick and Cass... not that Cass is much older than Jason though so LOL this is why Dick has to lone the oldest sibling thing by himself... which is funny because Dick is technically no longer the oldest sibling, he's a baby brother now... except Dick and Melinda's relationship really hasn't progressed much sooo you could say they share blood but don't consider each other family yet, in which case, Dick is still the oldest... I mean, regardless, Dick is the oldest sibling of the Waynes... god why did they have to make all of this so difficult 😫).

[ittybluebell]

matt murdock: there's a tiny person living in my walls...? i don't care - just keep the noise down

goldfinch, resident borrower: *takes a single sock*

matt:

[lepusrufus]

Nothing compares to the feeling when things click in place and the planets align and you finally figure out how to properly use a character so you get to see them absolutely wreck enemies like a proud parent

[muirmarie]

something about getting to the end of something you're making and just like. reconciling yourself to the fact that it's kind of garbage. and then looking at it again a few days later and being like. actually. this is pretty good. and then you get so used to this cycle that when you're at the point of actively thinking something you're making is garbage...you're smart enough to know rationally that you're just In The Thick Of It and it will probably look pretty a-okay in a few days. you're a smart person! you understand this! but somehow. it still just looks like garbage. even though you KNOW what your brain is doing. you know it!! you understand!!!

anyway what's that called.

[royalberryriku]

Thinking about how "self defence" is considered okay until a country the west is not allied with does it.

[dwtdog]

they’re sooo dramatic. and i was seeing more of a balance this time compared to other times that were just kicking his ass before when there was delays like this time lots of people going well we should be grateful he even wants to make content still. so that was good but yeah people were saying none of them give a fuck anymore and stuff like idk there’s just no empathy there and it’s so dramatic. sure i find it a little frustrating to post about that game like it’s something for us to look forward to because it’s not content but 🤷🏻‍♀️ i would love for them to not cater to only irl fans and i think just streaming for like literally an hour every two weeks would calm people down so people don’t keep getting heated but it is what it is. i feel bad over his computer that has to be so frustrating

i think a lot of people (reddit included) have finally understood the insane scope of the project and are now more understanding as to why it's taken so long bc I def saw a lot of comments that were saying that obviously it's not dreams fault (duh) and that he has been working hard so I hope he at least sees those if he does check the reddit-which, lets be honest, I'm sure he will

[stone-stars]

have you uncovered any secret meanings in sumpin’s a mess out west bc this song haunts my conscience?

ah yes, one of the sumpin's! very, very loosely it's a "bad things happen" song, or slightly more specifically an ominous things happen, but to get even more specific. its main chunk of uses is, unsurprisingly, in the crick arc of campaign 1, being these:

21 - Realizing something's not right in the West Crick as they arrive

22 - Peering out into the fog after the Froghemoth fight

26 - Beverly alone in the fog when they are all split up

28 - Marabelle implies Moonshine is her daughter

29 - Marabelle charms the crick rotted party members

and it specifically comes back for moonshine/marabelle's section of the split hell episodes: for describing anger and moonshine noticing marabelle's spores in 80, and for moonshine entering "marabelle"'s cave in 81.

outside of that it's used a few other times in c1-- arriving at the monster hunter (cran)'s cabin in ep 47, discussing the way to the shadowfell (and not having a way back) in 58, and handy andy investigating the montgomery's dining room in 64.

and then it gets a few c2 uses-- the top of the watchtower with the zombie birds in ep1, and then the spider moving around in the night in ep16/the spider's cave in 17-- and essentially one c3 use (at least that's credited)-- for the ruins of prince periwinkle's fort in 19.

immediately, there's a strong connection between this song and marabelle. her corrupting fog, her network, her spores, and interestingly her charm/connection to the party members-- saying moonshine is her daughter, charming them.

in a broader context though, i think the use of it is very consistent-- when it comes in, you already know about the threat (unlike, for example, unknown tome, which tends to come in As a threat is revealed), but the party is not quite confronted with it yet (unlike, for example, into the fire or snake skirmish, both of which are often the introduction to combat). it's, well, specifically meant to haunt your conscience, like you said!

in, perhaps, a kinder read on an unsettling song, sumpin's a mess out west is a warning!

the boobs know that the crick is in danger, they know that marabelle is the cause-- sumpin's a mess is them actually seeing marabelle's corruption and the danger she poses. or, moonshine realizing that marabelle is who she'll have to face in hell. or, arriving at this monster hunter's cabin, with no sign of a monster hunter, knowing they're nearby. or, handy andy discovering a body pinned to the ceiling of the montgomery's dining room. the top of a watchtower with a guard dead outside, just before the bell tolls to animate the ravens. prince periwinkle's ruined fort, destroyed by the silver serpent.

it's like... there's danger lurking nearby. you know it's there. what you don't know is where or how or when you're actually going to encounter it, or in a lot of case the scale of what you're facing. but you're going to find out :) just give it time :)

[reluctantjoe]

Dr. Thomas + Hands

MURDER IS EASY 2023 | E1

[konstantya]

Starting to think I might have accidentally become a baking wizard?

[grison-in-space]

also I am grudgingly having to admit that it is at this point just fucking easier to use she and they interchangeably as far as pronouns go, based on the reactions I get when I don't bother to specify and then people flutter around and worry about it.

goddammit I'm going to have to actually interrogate my public identity label set. I hate that. hate having to figure out how to position myself formally in Discourse but I mean, if I'm gonna work in sex differences--currently a big part of my work--that kind of does need to be something I think about. augh.