#edward kitsis

[beasanfi1997]

When i see Apple White with Raven Queen or even Raven Queen with Madeline Hatter i was stop thinking about Once Upon a Time when i watched only two First seasons because One i see Mary Margaret and Regina Mills since they First meets in the episode 18 from season One and then One episode before we see Regina Mills that She want the help of Mad Hatter to search her father in Wonderland and even She didn't notice that her mother Cora was disguised as Queen of Heart since She sent her in episode 2 from Once Upon a Time season two when She won't to marry Snow White's father After Daniel's death.......

But now i realize that It was Peter Pan's fault because the Blue Fairy see that Rumpelstilskin was taking from his parents Peter Pan and Fiona the Black Fairy and It that because She tried to help Bealfire to convince Rumpelstilskin to return in London. That's Rumpelstilskin did It with the Fairy of Cinderella in the episode 4 from Once Upon a Time, was a truly meaning because of his parents and even that episode predicted the future of Henry Mills that he will marry Cinderella and they will have Lucy and together they will fight against Lady Rapunzel Tremaine and Mother Gothel transforming them into a tree in the Last season of Once Upon a Time. But if Alice was young in Once Upon a Time season One with Henry Mills, and meeting the Mad Hatter and made him compassion without to see the presence of Cora in Wonderland, did Alice and Peter Pan knowed each other before the spells and the events of Once Upon a Time? And because Alice and Peter Pan were from London and Alice in Wonderland was created by Lewis Carroll in 1865 and Peter Pan was created by James Barrie in 1904.

[heronroseeros]

super incredible personal life-changing vital to me that Storybrook's clock tower is set to 8:15 aka Oceanic Airways Flight 815 in the Once Upon a Time pilot. Adam Horowitz and Edward Kitsis deserve a fun treat for that.

[nerds-yearbook]

In 1989, the CEO of ENCOM Kevin Flynn mysteriously disappeared. What no one realized was that Flynn had become trapped in a computerized virtual reality world by his own computer avatar CLU. (“Tron: Legacy” flm)

[ljones41]

Favorite "ONCE UPON A TIME" (2011-2018) Episodes

Below are my favorite episodes from the ABC fantasy series, "ONCE UPON A TIME". Created by Edward Kitsis and Adam Horowitz, the series starred Ginnifer Goodwin, Jennifer Morrison, Lana Parrilla, Josh Dallas and Robert Carlyle:

FAVORITE "ONCE UPON A TIME" (2011-2018) EPISODES

1. (4.12) "Darkness on the Edge of Town" - Rumpelstiltskin aka Mr. Gold returns to Storybrooke with Ursula and Cruella De Vil in tow. Meanwhile, the Nolans (aka the "Charmings"), Regina Mills aka the Evil Queen and Killian Jones aka Captain Hook set about freeing the fairies from the Sorcerer's hat and deal with a threatening Chernabog demon, which had also freed.

2. (1.18) "The Stable Boy" – This very interesting episode revealed the origins of the Evil Queen’s antipathy toward Snow White. In the present, Mary Margaret Blanchard (aka Snow White) faces prosecution for Kathryn Nolan’s alleged murder.

3. (3.13) "Witch Hunt" - Following the return of Enchanted Forest characters to Storybrooke, Maine; Emma Swan works with Regina to find out who took everyone's memories from the past year. Flashbacks in the Enchanted Forest show the Evil Queen and Robin Hood attempt's to break into her castle, which had been overtaken by the Wicked Witch of the West.

4. (4.16) "Best Laid Plans" - While Rumpelstiltskin and the Queens of Darkness continue their search for the "Author" of the town's Fairy Tale Book, Mary Margaret and David Nolan (aka Prince "Charming") try to stop them in order to keep their daughter Emma from discovering their past misdeed, which is finally revealed in flashbacks.

5. (3.11) "Going Home" - In order to prevent Peter Pan aka Malcolm's plans to cast a new curse upon Storybrooke and create a new Neverland. Both Mr. Gold and Regina are forced to make big sacrifices.

6. (7.20) "Is This Henry Mills?" - Regina aka Roni enlists the help of her adopted granddaughter Lucy Mills to wake her son Henry Mills from the recent Dark Curse created by Eloise Gardner aka Mother Gothel. Rumpelstilskin aka Detective Weaver and Wishverse Killian Jones aka Captain Hook aka Detective Rogers go to Margot West aka Robin Hood in hopes of getting through to his daughter and the latter's girlfriend, Alice aka Tilly.

7. (3.09) "Saving Henry" - Emma, Mary Margaret and Regina struggle to prevent Peter Pan from absorbing a dying Henry Mills' heart into his body. Flashbacks reveal how Regina had ended up adopting Henry.

8. (2.16) "The Miller's Daughter" - While Regina and her mother Cora Mills aka the Queen of Hearts hunt for Rumpelstiltskin's dagger in Storybrooke in this spine-tingling episode, Cora's back story as a poor miller's daughter, who becomes the wife of a prince, is revealed in flashbacks.

9. (1.11) "Fruit of the Poisonous Tree" – This episode reveals the back story of newspaper editor Sidney Glass’ life as a Genie in the Enchanted Forest, and how his relationship with the Evil Queen led him to become the Magic Mirror.

10. (2.10) "The Cricket Game" - Following Cora and Captain Hook's arrival in Storybrooke, the former set about framing Regina for Archie Hooper's "murder" in an effort to emotionally break the former mayor. Snow White and Charming disagree over how to handle the captured Evil Queen in the Enchanted Forest flashbacks.

Honorable Mention: (5.08) "Birth" - Hook risks everything to uncover the truth about what his lady love Emma, the new Dark One, did while they were all in Camelot.

[fuckyeahbelleandrumpelstiltskin]

Oh lord, this whole plot was such a clusterfuck from start to finish.

Basically there was a leaked ABC recap where it is stated that Regina takes Belle's heart without Belle's permission. However the show muddled that up by either deleting the scene or never filming it.

Then, I kid you not, A&E just forgot all about her knowing. Because Belle getting used and abused to hurt Rumple is no big deal right? Why should anyone care? It's just Belle after all. (Sarcasm)

I hate this show. 🤮

I made a recap with the receipts here for anyone interested to revisit the madness.

i've probably ranted about it a hundred times already...

but BUT the way regina stole belle's heart? the scenes don't make sense. the characters don't make sense.

i liked the rumple&will team up to steal belle's heart, but on belle's side, it's not making sense! regina asked belle for her heart, and yet she's clueless when it was returned? regina's not supposed to pull hearts and order people against their wills either! there was no need! she overstepped! and did i mention how it never got brought up again!?

the subplot ends with belle looking at rumple longingly, like she remembered that "oh! i love him." then follows the apparent breakup between belle and will. (oh, and his place in this show also doesn't make sense!)

ergo, this is my most hated plotline. above all the s5-s7 weirdness, this is one where i don't even consider it canon. there's always a better, alternate version of the situation in my head. my headcanon pieces this stupid stupid situation together.

[zukkaoru]

forgot to schedule an annoying barrage of posts but happy 8 year anniversary to the death of robin hood ouat. i'm still bitter. btw

[colinodonoghue]

3Olympia Theatre: ✨Meet the cast ✨ Colin O’Donoghue will be playing the role of ‘Sam’ in the hit play ‘2:22 – A Ghost Story’ coming to 3Olympia Theatre this summer, running from June 20th – August 11th 2024 Colin O’Donoghue can most recently be seen in the highly anticipated Appian Way/Nat Geo series The Right Stuff opposite Jake McDorman and Patrick J. Adams. He has just completed filming in civil war spy series The Gray House for Paramount that Roland Joffe has directed. In film, Colin stars in Susan Johnson’s Carrie Pilby alongside Bel Powley, as well as the independent feature The Dust Storm. He also starred opposite Anthony Hopkins in Mikael Hafstrom’s The Rite for New Line, Johannes Roberts’ independent film Storage 24, Gary Fleder’s Identity, alongside Angela Bassett and Fairytale of New York, opposite Jim Belushi and Miranda Raison. In TV, Colin can be seen in Adam Horowitz and Edward Kitsis’ hit ABC drama, Once Upon a Time, recurred on the Irish TV series, The Clinic, which has won various Irish Film and Television Awards and appeared on Showtime’s The Tudors. Do you dare to join us? Book your tickets to 2:22 A Ghost Story now 👻🎟️ https://www.3olympia.ie/whats-on/222-a-ghost-story #222AGhostStory

[strangesmallbard]

see i want to agree that people who like non-canon ships need to cope with their non-canon reality, but i also know in my heart of hearts that adam horowitz & edward kitsis were wrong for literally all of that. swan queen WAS the moment and they simply didn’t seize it 😔

[kelyon]

I recently saw a take that Mr. Gold is antisemitic and was so confused??? What do you think?

Oh yeah, I've seen takes like that too. I think the takes are valid (especially when they're made by actual Jewish people who know more about antisemitism than us goyim.) Obviously, I don't think it makes OUAT "irredeemable media," but it is a lens by which we can and should analyze the work.

For the record, I don't think Edward Kitsis and Adam Horowitz set out to create an antisemitic character. (Eddie's wikipedia page says he's Jewish. Adam's doesn't, but Horowitz is a pretty Jewish last name so I'm making an educated guess.)

Long story short: Antisemitism is one of the backbones of Western society, whether we want it to be or not. It's in our stories (and especially our fairy tales), even when we have no malicious intent.

Let's start with the fairy tale. The story of Rumpelstiltskin has a lot of antisemitic tropes. It's a story about a weird little guy with easy access to gold deceiving a pretty young woman into giving up her child. We've got all the hits here! Any story about stealing babies is probably rooted in antisemitism. Stealing them, eating them, drinking their blood/adrenachrome (I refuse to google that word in order to spell it correctly)--bigots have been saying that about Jewish people for a very long time.

All of the tropes from the fairy tale get translated into modern times with Gold. He is rich and shady and he's always playing people and he can't be trusted. He knows things other people don't know, he dresses differently than the heroes, he's always apart from the crowd so he must be plotting something.

Then we have Bobby, who is not Jewish as far as I know, but who is short and has a big nose. I've seen people headcanon Gold as Jewish as a positive thing, and I can definitely see that. Intelligence and "tricky" cleverness, being small and still outmatching much larger foes--these are traits valued in Jewish culture, and they should be celebrated in characters.

(I've long wanted to read a version of Beauty and the Beast where Beauty is a Jewish woman. It makes so much sense--a woman who loves knowledge and is ostracized by the greater community, who can look a monster in the face and see his humanity, who has faith that if she does the right thing she will make it through this time of trouble, who has gorgeous curly brown hair! But I digress.)

The problem is, that even when Rumple is good, he's not trustworthy. Even when he's part of the group, he's still different. When something goes wrong, he's the first person the heroes blame. He's self-serving, he cares more about himself and his family than whatever the heroes need from him at that moment.

We lovingly call Rumple a lizard man, but the conspiracy theory of lizard people working their will behind the scenes is an antisemitic classic.

Before I end this, I want to go back to the idea of intention, and what we can learn from analyzing a story this way. A lot of the tropes that have antisemitic roots can be dismissed as "Yeah, that's just villains!" That was my response for a long time. Of course villains are well dressed and intelligent, of course they're deceitful, of course they have bad intentions for children--that's what bad guys do.

Then you have to think about real life. Stories--especially children's stories--are lessons. They're cautionary tales that tell us what dangers are out there, what we should be afraid of. As much as I agree that there is a difference between fiction and reality, we need to be cautious about who we think the "bad guys" are in real life. Because once we learn that certain traits equal villainy, we can assume that people who have those traits might be villainous. It's especially insidious when one of the traits in question is deceit. You can't trust any of them! They're capable of anything! We all know that, we've been told it since we were children!

And that's how innocent people in real life get murdered at a synagogue.

Watch out for the things that are in your brain. I said earlier that antisemitism is a backbone of western society. It's also like lead pipes: We modern, well-meaning people didn't put lead pipes in to carry our water around. We know lead is bad for us. We don't want it here. But it is here and taking it out would be a lot hassle and cost a lot of money. So maybe later. Meanwhile, the lead of antisemitism keeps leaching its way into our drinking water and our bloodstreams and it's never going to go anywhere unless we do something now.

[historyhermann]

"Tron: Uprising": A Cyberpunk Drama That Is Out of This World

Beck and Tron [Screenshot: Tron: Uprising]

What if a program, in a virtual world, could start a revolution against their overlords? Tron: Uprising tries to answer that exact question. This series follows Beck, a program trained by a legendary warrior to take down the military dictator and his oppressive forces by any means necessary.

Reprinted from The Geekiary, my History Hermann WordPress blog, and Wayback Machine. This was the thirty-fourth article I wrote for The Geekiary. This post was originally published on March 16, 2022.

Tron: Uprising is developed by Edward Kitsis and Adam Horowitz and is based on the 1982 film, Tron, and its 2010 counterpart, Tron: Legacy. It is related to other parts of the Tron franchise, such as the video game Tron: Evolution and the comic book series Tron: Betrayal. It is the only TV series that is part of the franchise, as a live-action series had been in development but was later cancelled. This 19-episode series had Charlie Bean as the showrunner and Robert Valley as the co-director. Although I wasn't sure what to think about this series at first, its combination of action, sci-fi, cyberpunk, drama, and superhero elements drew me in like no other show.

As a warning, this recommendation discusses some spoilers for Tron: Uprising. 

Paige and the programs of Argon City

Tron: Uprising centers around Beck (voiced by Elijah Wood), a young program in a computer world known as the Grid. He becomes the leader of a revolution against Clu (voiced by Fred Tatasciore), a dictator who rules over the Grid with an iron fist. As the story goes, Clu turned against the Grid's creator, Kevin Flynn, and the Grid's original protector, Tron (voiced by Bruce Boxleitner). Tron was reportedly killed by Clu, but somehow survived and vowed to train Beck, believing he could be the next person to defend the Grid.

Clu's loyal enforcer is the brutal General Tesler (voiced by Lance Henriksen). He is assisted by his field commander, Paige (voiced by Emmanuelle Chriqui), and Tesler's sadistic lieutenant, Pavel (voiced by Paul Reubens). Beck works at a garage and repair shop in Argon City run by Able alongside his friends Mara (voiced by Mandy Moore), Zed (voiced by Nate Corddry), and Link (voiced by David Arquette).

The series also features characters such as Bartik (voiced by Donald Faison) and Hopper (voiced by Paul Scheer) who are part of Paige's task force which is trying to find Beck, known as "Renegade" or "Tron" by the public. In addition, there's a criminal gang member named Perl (voiced by Kate Mara), a scientific program named Keller (voiced by Marcia Gay Harden) employed to brainwash those in Argon City into obeying the dictates of Clu, and a technician named Gorn (voiced by Kathryn Hunter) who specializes in modifying and erasing memories.

In some ways, Tron: Uprising begins on a similar note to Star Wars Resistance, as the protagonist of that series, Kazuda "Kaz" Xiono, works as a mechanic on the refueling station known as the Colossus, along with other mechanics. While the two series are nothing like each other, having different tone, themes, characters, and stories, there is some more overlap in terms of the voice talent. Wood and Faison voiced characters in the aforementioned series while Tatasciore and Reubens had roles in other Star Wars series.

Tron: Uprising has some diversity in its cast, as Chriqui is of Moroccan-Jewish descent, while VelJohnson, Faison, and Reddick are Black men. Although the show's cast is mostly composed of White people, Parminder Kaur Nagra, who is of Indian descent, guest stars in one episode, as does Jamie Hector, a Black man, in another episode. Even so, the series shines in other areas.

For one, the voice actors are well-established and carry the story, and characters. Apart from those who had roles in the Star Wars series, I was aware of Moore from Tangled: The Series, VelJohnson from 3Below, Scheer from Star Trek: Lower Decks, Mara from House of Cards, and Wilde from her many films. I was not familiar with the other voice actors before watching this series, so they were new to me. The voice of Boxleitner, especially, was very defined and I think one of the best voice acting performances of the whole series.

The music of Tron: Uprising is composed by Joseph Trapanese. It is fitting for a series that often deals with dark themes, even if it is said to be for "children." This includes characters being stabbed and disintegrating into nothing. In my opinion, this series is clearly not for children, even though it is within Wikipedia categories for children's animated series and was rated TV-Y7 when it aired on Disney XD. It is a mature series.

This reminds me of how Samurai Jack was given the TV-Y7 rating, with a subheading for fantasy violence, meaning it should be suitable for those over age seven. This is despite the fact that in the third episode, "Part III: The First Fight," the protagonist, Jack, is covered in black ink from the robots, which looks like blood.

The animation style of Tron: Uprising is one of the strong suits. Some described the series as a mix of 2-D animation and CGI. Variety described the series as borrowing from anime style. Showrunner Charlie Bean later said that he wanted to create a "distinct style" which hadn't been seen anywhere else, and this series fulfills that idea.

Animation of characters and settings is very fluid, blending together in a powerful way, especially in action sequences, like the one in the episode "Blackout." Even some of the scenes where light jets are chasing Beck, in his persona, make me think of the innumerable space battles in Star Wars Rebels. Animation of the bikes and the character designs were one of the most amazing parts of the show. The series looks and feels like something I haven't seen anywhere else before, with its impressive chase and fight scenes and amazing background art.

This makes it no surprise that the series was nominated for Annie Awards in animated production and storyboarding for specific episodes, while it won Annie Awards for character and production design. The show's art director Alberto Mieglo even won an Emmy Award for art direction in animation due to this series. The animation draws you in from the first episode and makes you want to keep watching. The show's art work was one of the many reasons it was positively received.

The story of Tron: Uprising is simple. It falls into the good/evil dichotomy, with Beck and Tron shown as "good" while Clu, Tesler, Paige, and Pavel as portrayed as "evil." Beck is pushed to act and refuses at first, and is guided forward by Tron, a magical helper/guide, part of the first three stages of the "hero's journey." However, Beck does not go on a trek of any kind. Instead, the series begins a little like the first episode of Samurai Jack where Jack learns to become a warrior.

Boxleitner described the series as akin to The Mask of Zorro where he is "looking for a young one to train and...[they] have that master-student relationship." Beck goes through training, which is, at times, brutal. He even saves one of his enemies, Paige, from being obliterated in one episode, and from being sucked into a sinking island in another.

On the other hand, he is drawn to devices that give him more power, like a special disk which he acquires in the episode "Price of Power," which makes him more aggressive. He tries to keep it in order to save his friends, even though Tron tells him that it is dangerous. This focus reminds me a bit of Steven in Steven Universe or Elena on Elena of Avalor whose powers are tied to their emotions.

His boss at the garage, Able (voiced by Reginald VelJohnson) is akin to Yeager in Star Wars Resistance, as he discovers Beck's life as the figure of resistance after thinking Beck is a slacker at first. He doesn't directly support Beck but covers for him when Beck is absent from work. Later he ends up being killed by Cyrus, when a bomb gets reactivated and explodes.

Cyrus (voiced by Aaron Paul) was chosen by Tron as the first renegade and later described as his "mistake." He believes that the only way to save everyone is to destroy the grid, that there is no free will, and that everything is pre-determined. He uses Beck in an attempt to activate an EMP but fails in this endeavor.

The character of Cyrus symbolizes the antithesis of Beck, in that he is willing to engage in violence and destruction to achieve his goals. These actions are not targeted, but are rather meant to send a message. Although Tron later kills him, he becomes weaker and is on the edge of death. Luckily, Tron is healed in the final episode and barely escapes from being reprogrammed for evil.

Yeager in Star Wars Resistance covers for Kaz, but never meets his demise. Similarly, Kanan Jarrus in Star Wars Rebels takes on Ezra Bridger as his apprentice to be trained as a Jedi. For Beck, it is different. He has a double life, struggling to balance being a freedom fighter and a mechanic at a shop. Although Able, just like Yeager, soon knows of Beck's secret identity, he also has a history with Tron, his old friend. He first tries to convince Tron to not involve Beck, but then helps out more directly.

Tron: Uprising includes the usual themes of romantic tension. Specifically, Zed is romantically attracted to Mara and becomes jealous of how she strongly supports Beck in his Renegade/Tron persona. This is made worse by Beck, in this persona, taking advantage of Zed, time and again, annoying him even more.

Mara also has a crush on the Renegade, something which Beck is unsure of how to handle. Even so, he still helps Mara, along with Zed, to free her and other programs from mind control. In a few episodes, Beck and Paige flirt with one another and go on several dates, even though they are on different sides of the conflict. This is short-lived. It comes to an abrupt end with Pavel's scheme to get back at her. She later claims that she got "soft" and lost focus, so she can no longer be with him. It is an open question as to how much Beck liked Paige, as he may have seen her as more of an asset and possible revolutionary than a girlfriend.

On the other hand, Mara openly supports "Tron," even questioning official reports and declarations which describe him as a "terrorist." She fully embodies the idea that one man's terrorist is another man's freedom fighter, something has been said in different forms since the 1950s. Zed is also attracted to Perl, a program he meets at a bar, until she steals a classic cycle bike.

Throughout the series, Mara comes more into her own, first when she is the temporary leader of the garage, and then as the leader of a group of graffiti artists, including herself, Moog and Rasket, known as the Jolly Tricksters. Toward the end of the series, she leads those defending Tron after she realizes that the Renegade cannot be blamed for the death of Able.

Tron: Uprising clearly indicates to the viewers which groups should be seen positively and which ones negatively. The occupation of Argon city is shown as a brutal takeover. It is akin to the Galactic Empire in Star Wars Rebels dispossessing people from their homes and enslaving others or the First Order in Star Wars Resistance which destroys entire planetary systems in shows of force. There is a curfew in one episode with a message blaring it is for the "protection" of everyone, when it is only a way to control people.

The oppression of Clu and his minions is a menace that Beck and Tron are wholly dedicated to resisting, without question. This is noted by Tricia Helfer, the voice of the Grid at the beginning of each episode. Tesler is shown using his words and messaging to try and turn the people of Argon against the Renegade without using any of his loyal lieutenants while declaring that he rules the state.

This is evident in the episode "The Reward," where he offers anyone who gives him information a special reward, almost like a game show. It causes many people to be falsely accused of being the Renegade. At one point, Dyson (voiced by John Glover), a villain who appears in a few episodes, rightly comments about how badly Tesler and his lieutenants are ruling the city, but no one wants to listen to him.

Tesler is willing to use brutal force against anyone. He de-rezzes those who disagree with him, equivalent to killing them, with his bare hands. He often uses propaganda in an attempt to make fellow programs support his brutality and turn on the Renegade. He is no mere villain. Rather he is cunning and deceitful, with messages that people may latch onto, believing he is speaking on their behalf when he is really out for himself. Even so, he can be manipulated by faulty information.

People's hatred of the "other" is shown in Tron: Uprising. This is most acute in Tron's flashbacks to when he attempted to stop a peaceful demonstration against ISOs (Isomorphic Algorithms), standing between demonstrators and the ISOs. Sadly, a provocateur ends up throwing a disk and the crowd rushes the ISOs, killing them one by one, while Tron and his team are left overwhelmed.

Later, Flynn states that ISOs have just as much a right to be there as anyone. This is similar to those saying that immigrants belong in a where they set down their roots, no matter if it is their "home" country or not, as opposed to faulty arguments about undocumented immigrants.

One character in Tron: Uprising shows the allure of power and manipulation: Cutler (voiced by Lance Reddick). Originally an ally of the Renegade and Beck, he returns in the final episode. He has been repurposed and demands Tron's surrender. He wants perfection and the victory of Clu. Sadly, despite Beck's attempt to save him, it is clear that he is too far gone, so Beck lets him fall to his death.

Just like Arcane, which is part of the larger League of Legends franchise, watching the films and video games, or reading the comics of the franchise itself is not needed before watching Tron: Uprising. In fact, I had never watched anything related to the franchise, apart from a 2011 Futurama episode which has a light cycle chase scene referencing the 1982 film and its 2010 sequel.

Sadly, like all too many animated series, there are no LGBTQ characters in Tron: Uprising. The closest we have is when Keller holds a device against her neck and it changes her form into a man, so as to disguise her real identity. However, this doesn't prevent fans from making their own headcanons of specific characters and shipping them if they see fit.

There are possible ships one could make, like between Paige and Beck in his "Tron" persona, since Paige is drawn to that persona, even willing to stop fighting it for short periods of time. However, someone could easily ship Paige with one of her female friends, or those shown in the episode "Isolated," like Quorra (voiced by Olivia Wilde).

Currently, there are over 280 fanfics for Tron: Uprising on AO3, often with themes of angst, friendship, fluff, hurt, or comfort. Some of the popular ships on the site are Beck and Tron, as friends, along with Beck/Paige, Tron/Yori, Mara/Zed, Pavel/Zed, Sam Flynn/Quorra, and Beck/Cutler romantically. Of these, the latter appears to be the only popular ship between male characters. Some have also written fics portraying Paige as asexual, and a few writers have shipped her with Quorra, and Radia from Tron: Betrayal and Tron: Evolution, but many more have shipped her with male characters, like Tesler, Pavel, and Beck, instead.

Tron: Uprising has a certain magnetism to it, from its voice actors, the music, animation, and overall feel. It is something you want to keep watching so that you can learn the whole story.

Beck has many near-death experiences and seeing people be de-rezzed in front of him means he is experiencing some level of trauma. The events of the series weigh heavily on his friends and even on Page, especially after Pavel conspires to label her as a "traitor" with manufactured evidence even as she remains a loyal footsoldier and enforcer of Clu.

The latter scheme hints at how easy it is to spin information to take out those you don't like, especially in an autocratic force like those occupying the grid, and that anyone can be a target. It is a very chilling idea and it has relevance to our current technological world.

Beck chased by enemy cycles in the first episode. This scene especially reminded me a lot of those years of playing Armagetron at camp.

To be perfectly honest, one of the original draws of Tron: Uprising was that it reminded me of a game I once played as a camp counselor with campers at a technology camp: Armagetron Advanced or "Tron" for short. It is a multiplayer computer game that tries to, according to the game's official website, "emulate and expand on the light cycle sequence from the movie Tron," and is said to be an arcade game of sorts "slung into the 21st century." That is part of the reason I liked this series so much, as there are a lot of scenes with light cycles.

When watching this series, I kept thinking back to all the fun times I had when I played the game, especially when I cackled when cutting off other players and causing their light cycles to crash into my trails, leading them to explode. Those memories were part of the drive that pushed me to continue the series. So, you could say, that for me, this series was a bit of a throwback. I don't mean that in a negative way, but rather that I like to make personal connections with what I'm watching.

The likelihood of Tron: Uprising of having another season is nil. It is less likely than a possible new season of Sym-Bionic Titan that Gennedy Tartokovsky has floated in the past. This is unfortunate because the show has the potential to be a longer series featuring many parts and chapters, just as series like Disenchantment has done. Even so, some fans have circulated a petition calling for Tron: Uprising to continue.

If there was a second season, they could expand upon the uprising in Argon City, the seizure of Able's garage by Pavel, and the huge fleet led by Clu on its way to Argon, obviously in an effort to crush any resistance. Perhaps there could even be a plotline where Pavel's involvement in framing Paige results in him being de-rezzed.

Tron: Uprising had a rocky airing schedule. It was effectively cancelled by Disney, which never renewed it for a second season, even after Kitsis said that the series needed more viewers. Just like Sym-Bionic Titan, the series was briefly on Netflix from 2013 to 2014, and only recently, in 2019, appeared on Disney+. When the series aired, on Disney XD, from May 18, 2012, to January 28, 2013, it received generally positive reviews.

The series might have felt a little familiar to me because Bill Wolkoff, a writer for many episodes, was most recently a showrunner for Rad Sechrist's Kipo and the Age of Wonderbeasts. He also wrote a few Star Wars Rebels episodes. Additionally, André Bormanis, who wrote a few episodes of Tron: Uprising, is well-known for working on Star Trek series, even serving as a science consultant for various shows, so that undoubtedly rubbed off, in some way or another, into this series.

Some of the scenes in Tron: Uprising echo those in other shows, like General Hux addressing stormtroopers as they destroy planets in Star Wars Resistance, complete with slogans like "perfection is freedom." In an attempt to discredit Beck in his Renegade persona, they even use one of his own friends, Zed, against him.

This tactic is not successful as Mara convinces him that it is wrong. Unlike the aforementioned series, there is a continual power struggle between Paige and Pavel, who are trying to impress Tesler with their plans to take down the Renegade. Pavel, in one episode, even creates a program to falsely accuse someone of being the Renegade in order to cement his power.

Paige is a fascinating and complex character, whose backstory we see most directly in the episode "Isolated." We learn how she joined the forces of Tesler after previously being a musician and medic, feeling that the ISOs somehow "betrayed" her. The horrifying reality is that Tesler set the whole thing up so that she would think this way and join him.

She continually struggles to impress Tesler and cement her place, tracking down the Renegade whenever she can, with whatever forces are at her disposal, even forming a task force. She is so dedicated to Tesler that she rejects a plea by Pavel to form a secret alliance against Tesler. Almost like how the Colossus barely escapes the First Order time and again in Star Wars Resistance, the Renegade manages to escape repeatedly, even when putting himself into harm's way.

It is interesting how Beck takes charge to such an extent that Tron listens to him. It becomes a case of the "master" listening to the "apprentice," rather than the other way around. In fact, Tron is only being held together by a healing chamber and he is easing Beck into the role of being a hero.

With Tron: Uprising currently at the end of its series order, now is the time to watch it on Disney+, Amazon Prime, or elsewhere. It's a great choice to binge over a weekend or a week!

© 2022-2023 Burkely Hermann. All rights reserved.

[beasanfi1997]

I was completely wrong about Kevin Pearson and Rumpelstilskin because i was though that they are Animals because Rumpelstilskin replace the Beast from Beauty and the Beast and Crocodile from Peter Pan and Kevin Pearson was a racist. I was wrong about them because Stanley the grandfather of Kevin Pearson and Peter Pan the Father of Rumpelstilskin were real Beasts. I was fool. I was accused for nothing the two series Once Upon a Time and This Is Us because i thought that they are true responsable to interrupted Star Wars the clone Wars and star wars Rebels because i want to see the reaction of Ezra Bridger and Ahsoka Tano that they sense Anakin Skywalker kills Palpatine as i would like to see Ahsoka's reaction when She sense Anakin fell in the dark side of the Force. My family too were wrong about Darth Vader, my father too was wrong about Ezra and even my Older sister was wrong about the possible love between Ezra and Sabine Wren. We were wrong. We are the family of fools.

But i think that Shannara Chronicles and Fate the Winx Saga were actually the worst series

[themattress]

OUAT Observation

I’ve said this before, I’ll say it again, I’ll say it forever:

Why did this show not wrap up at Season 5!?

Beyond factors like shows going beyond a fifth season are generally difficult to maintain, that ending at Season 5 would have put the final episode count at 111, and how Seasons 6 and 7 were widely considered to be the lowest points of the series quality-wise so they could have avoided that and gone out on a high note, just look at the Underworld Saga. Not only were the heroes going up against a god, in the realm of the dead that was just a stone’s throw away from Heaven and Hell, but the villains involved included Prince James who was the way he was due to major Season 1 baddie King George, Cora who was the Big Bad of Season 2, Peter Pan who was the Big Bad of Season 3A, Zelena who was the Big Bad of Season 3B, Cruella De Vil who was the most evil of the Queens of Darkness in Season 4B, and of course Rumple / Mr. Gold who’s been a major villain almost the whole way through and who now held the power of all Dark Ones, all the way back to Nimue herself. Add to that all of the redemption work and emotional closure provided to Regina and Hook as well as Zelena, and to Season 5A’s King Arthur of all people at the last minute, plus the perfect set-ups for Emma, Snow, Charming, Henry, Belle and Robin Hood’s conclusions right there...this was the most ideal time the show’s narrative could possibly wrap up at! It was like the whole show’s history coming together for one final bow before the curtain closed on it! Any showrunner or network executives with actual integrity would have recognized that and shaped the finale accordingly.

Sadly, Once Upon a Time didn’t have showrunners or network executives with actual integrity in charge of it. It had the immature and morally warped Adam Horowitz and Edward Kitsis as showrunners, and the chronically greedy and incompetent ABC executives overseeing them. They gave the show another season order, which meant that Robin Hood got killed, Rumple received no comeuppance, the other heroes were granted no sort of emotional closure or happy endings, and we were given a finale that had jack shit to do with the preceding story arc since its primary focus was setting up Season 6...and the most appealing aspect of that set-up, the Land of Untold Stories, didn’t even end up getting utilized much in Season 6!

The conclusion of the season could have been so much better; Hell, the season itself could have been so much better. But they blew it. The penultimate episode before the finale that wrapped the Underworld arc up was called “Last Rites”. That ended up being way too appropriate of a title, although the writers had no way of knowing that when they chose it.

[dorothydalmati1]

Obscure Animation Subject #122: Tron: Uprising

Due to the death of a certain someone, I didn’t write this until now at the end of the day. Okay, now moving on…

A one-season series of 19 episodes developed by Edward Kitsis and Adam Horowitz for Disney XD, produced by Disney Television Animation and lasted from May 18, 2012 to January 28, 2013. Taking place between Tron and Tron Legacy, we follow Beck who becomes the new “Tron” and leader of a revolution. I was expecting this to be pretty straightforward and simple, since the first movie was like that but instead I got something a lot better than I expected. A show that explored this digital world a lot more than the film itself did. Tron Uprising took more focus on The Grid and how it works, in the movie it just existed. Like, it was there but they clearly didn’t want to do much with it, but here t’s awesome. We see how people’s normal lives are like in this world and their culture is well explored. This show has great characters and good character development, the visuals also look stunning. In certain scenes it can look slow and choppy but it’s not a common issue, the rest of the show looks great. The show has a more mature tone than any other Disney cartoon and the plot can be very complex, especially for kids. Sometimes it's hard to remember this is still a Disney show lol, but that just shows you how good it is.

Cancelled after one season and it’s super unfortunate. It’s peak Tron and enhanced its worldbuilding and characters. I like the films fine enough but this show had the best storytelling and is what really made me be a Tron fan. I would love a continuation and the Tron franchise can be alive again but it's been over a decade now, but who knows? Only time will tell.

[romanalfonsogodoydelacroix]

Knockout Kings es una saga de videojuegos simuladores realista de boxeo, producido por la compañía de software estadounidense Electronic Arts. El primer juego de la saga salió por primera vez en 1999 para Playstation, siendo una ampliación de disciplina deportiva en videojuego de EA Sports, siendo un simulador del deporte de boxeo muy realista, aprovechando la popularidad en ese momento de otros juegos del género como Rumble Boxing. Knockout Kings, descontinuo en 2002, con la salida del último juego Knockout Kings 2003, después le sucedió un cambio de título: Fight Night 2004, manteniendo el esquema de Knockout Kings. En la versión de Super nintendo 64 el juego es compatible con el rumble pack, sin embargo para poder guardar el contenido es necesario el controller pack.

Tron: Legacy (conocida como Tron: El legado en Hispanoamérica) es una película estadounidense de ciencia ficción y acción del 2010, dirigida por Joseph Kosinski, a partir de un guion escrito por Adam Horowitz y Edward Kitsis, basada en una historia de Horowitz, Kitsis, Brian Klugman y Lee Sternthal. Es la secuela de la película Tron de 1982 del director Steven Lisberger, quien regresa en esta entrega como productor. El reparto incluye a Jeff Bridges y Bruce Boxleitner que vuelven a sus papeles de Kevin Flynn y Alan Bradley, respectivamente, junto a Garrett Hedlund, Olivia Wilde, y Michael Sheen. La historia sigue al hijo de Flynn, Sam, que responde a un mensaje muy antiguo de su padre y es transportado a una realidad virtual llamada la Red, donde Sam, su padre y el algoritmo Quorra, deben detener el programa malévolo Clu 2.0 de invadir el mundo humano.