#edurne

[ginevrastilinski-ocs]

OC Halloween Challenge 2024: Day One - Godly Parent

Some of my ocs as children of Minor Greek Gods and Goddesses!

Archie Archibald | Themis [Goddess of Divine Law & Justice]

Evangeline Melbay | Eos [Goddess of Dawn]

Malcolm Fontaine | Hypnos [God of Sleep]

Lenni Clarke | Tyche [Goddess of Luck, Fortune & Destiny]

Edurne | Khione [Goddess of Snow]

Bastian Swan | Eros [God of Love]

Rebecca Stark | Theia [Goddess of Sight, Gold, Silver & Gems]

Hel Mooney | Nike [Goddess of Victory]

Taglist : @randomestfandoms-ocs @eddysocs @that-demigirl @impales @ocfairygodmother @daughter-of-melpomene If you want to be added send me an ask! 💚

[ylove-bandaesthetics]

Bands/Artists & Disney! 🐭

Edurne + Princess Aurora! 💖

“They say if you dream a thing more than once, it’s sure to come true.”

[dailyreddevils]

Enhorabuena David de Gea y Edurne!

[lana0605]

Spain in Eurovision: my top 3 songs of the last decade (2014-2023)

2019 Miki "La venda"

2015 Edurne "Amanecer"

2023 Blanca Paloma "Eaea"

[footballers-wags-kids]

28.05.2023

David De Gea and family after Manchester United and Fulham football match

Pic: Ash Donelon/Getty Images

[einereiseblog]

Edurne Pasaban hat Bergsteigergeschichte geschrieben, als sie als erste Frau unbestritten alle 14 Achttausender bestiegen hat – die einzigen Berge der Welt über 8.000 m. Sie hat einen Abschluss in Wirtschaftsingenieurwesen von der Universität des Baskenlandes, einen Master in Human Resources Management von der ESADE Business School und ist außerordentliche Professorin am Instituto de Empresa. Hier erzählt Edurne Pasaban Atlas & Boots von den Reisen, die sie verändert haben. Welche Region oder Reise hat Sie am meisten beeindruckt? Eine der Reisen, die mich am meisten beeindruckt haben, war meine erste Reise nach Nepal und in den Himalaya. Ich war damals 24. Ich ging nach Nepal, um zum ersten Mal einen 8.000er zu besteigen. Ich bin schon an vielen Orten der Welt geklettert – in den Alpen, den Pyrenäen – aber meinen Traum, den Himalaya zu besteigen, wahr werden zu lassen, hat mir sehr viel bedeutet. Ich ging mit meiner Gruppe von Freunden aus meiner Stadt, der gleichen Gruppe, mit der ich jedes Wochenende und in den Ferien zum Klettern ging. Wie hat es dich verändert? Ich konnte die Pracht des Himalaya bewundern. Nachdem ich auf der ganzen Welt geklettert war, wurde mir am Fuße eines 8.000 m hohen Berges klar, wie klein wir im Vergleich zur Natur sind, was mich dazu brachte, sie zu respektieren. Nach diesem ersten Mal war ich viele Male zurück im Himalaya und habe nach dieser Erfahrung viel gelernt. Ich habe gelernt, mein Leben mehr zu schätzen. Als ich wunderschöne Landschaften sah, wurde mir klar, wie viel Glück wir haben, solch erstaunliche Orte mit eigenen Augen zu sehen, und ich träume davon, ein langes Leben zu haben, um noch schönere Orte sehen zu können. Edurne Pasaban Edurne Pasaban in Nepal Was hat Sie an der Gegend überrascht? Die Gastfreundschaft der Menschen in Nepal hat mich überrascht. Sie haben nicht viel, aber sie teilen alles, was sie haben, mit dir. Sie kümmern sich um Sie und vor allem um ihr Lächeln. Wir leben in einer Gesellschaft, in der wir nicht oft ein Lächeln bekommen oder sehen. An Orten wie Nepal lächeln sie dich die ganze Zeit an. Warst du zurück? Ich habe die Reise viele Male wiederholt. Seit diesem ersten Mal war ich fast jedes Jahr in Nepal. Ich war seit 1998 mehr als 25 Mal dort. Es ist ein Ort, an den ich, auch wenn ich nicht klettern gehe, mindestens einmal im Jahr gehen muss, um meine Batterien aufzuladen; Ich muss den Frieden spüren, den der Ort und seine Menschen vermitteln. Hast du noch ein großes Traumziel, das du nicht erreicht hast? Ich habe einen großen Traum: die Antarktis. Ich würde gern den Pol überqueren; die Einsamkeit und Ruhe der weißen Schelfeise dieser Region zu spüren. Reiseführer oder nicht Reiseführer? Hängt davon ab, wohin Sie reisen, aber wenn Sie an einen unbekannten Ort reisen, hilft es mir, einen Reiseführer zu haben. Ich habe eine große Sammlung von Reiseführern zu Hause. Sind Sie Planer oder Schaulustiger? Ich mag es, Dinge zu planen, obwohl ich manchmal flexibler sein sollte. Als Ingenieur bin ich definitiv ein Planer, und ich habe festgestellt, dass ich dies auf meine Reisen und mein Leben anwende. Aber ich kann mich leicht an Veränderungen anpassen. Hotel oder Hostel (oder Camping)? Dies hängt vom Zeitpunkt und dem Unternehmen ab, bei dem Sie tätig sind – Ich kann überall bleiben. Meine Eltern haben mir das Campen beigebracht, seit ich ein Kind war. Ich habe mehr als drei Monate in einem Zelt im Himalaya verbracht, also liebe ich es. Aber es gibt Situationen, in denen ich Wert darauf lege, in einem guten Hotel oder Hostel zu übernachten. Was war Ihr wichtigstes Reiseerlebnis? Es ist sehr schwierig, nur einen auszuwählen – Ich habe viel! Eines der besten Reiseerlebnisse, die ich je hatte (oder besser gesagt „Trekkingerlebnisse“), ist das Trekking zum Basislager von Kanchenjunga. Es ist ein unglaublicher Ort und Tal. Es sind noch nicht viele Westler angekommen, sodass Sie den reinsten Himalaya spüren und sehen können.

Bleiben Sie auf edurnepasaban.com über Edurnes Erkundungen auf dem Laufenden oder lesen Sie ihr Buch Tilting at Mountains: Love, Tragedy, and Triumph on the World's Highest Peaks. Titelbild: Edurne Pasaban .

[ginevrastilinski-ocs]

Official name change, turns out Arjuna is a masculine name (I swear that I saw feminine... anyway)

Her new name is now Edurne!

[run-bird-run]

Eurasian Magpie (Pica pica)

© Edurne Ugarte

[nonkiru]

RWBY OC sketch

[darling-leech]

Made a moodboard for one of my newest OCs, a Albino Snow Elf, Edurne Aneira Ronan.

[fandomdancie]

Edi listening to Shads divulging a secret for like the third time in a row after leaving camp

[daughter-of-melpomene]

EDURNE

↳ for @ginevrastilinski-ocs as part of her one year exchange; I really hope you like this!!

[docpiplup]

I have found some more interviews and made a compilation of them @asongofstarkandtargaryen @queenmiriamele @isadomna @cucullas @luceirosdegolados

I've always been a lover of mythology in general, but above all of Basque mythology, which is mine, the one that was taught to me, and I have always wanted to make a film about this mythological world, this cosmogony.

I've always wanted to do sword and sorcery, which is one of my favorite genres and well that's a bit, that love for the sword and sorcery genre, that love for mythology and medieval history.

-It's better to die by a Christian sword than to live under the Saracens.

- Are you looking for my iron?

-Please!

We wanted to make a film as big as possible, in 2.35, with anamorphics... Visually it was spectacular, epic, big! So for that we had to go to natural locations, as large as possible, the Pyrenees, the forests, the rivers, the caves... Immerse ourselves in that natural world that is very difficult to access to be able to shoot with all the materials and so on, and it is very hard also for the cast.

-Put this on.

-No way.

-The eguzkilore will protect you more than that cross, it is an amulet for the darkness.

-I'm not going to wear that.

Nature is also the protagonist of the film, it somehow represents those mythological deities. Recreate all that historical world, with battles, extras and so on.

As I comented the other day in a post about Irati that Belasko is the antagonist of the film, he and some other nobles are against Eneko inheriting his grandfather's position as lord of the valley and Belasko propose himself as the next lord of the valley, because they believe Eneko's family isn't "Christian enough" because his father believed in pagan beliefs and his mother Oneka is now a Muslim woman because she married Musa Ibn Fortun and had children with him (like Musa Ibn Musa al-Qasawi) after her first husband died ( this marriage meant the beginning of an alliance in the family with the Banu Qasi against the Franks and more or less a good political relationship with the emirate of Córdoba) despite Ximeno and Eneko being staunchly Christian and Eneko starts understanding the old beliefs during his adventure with Irati.

Eneko is a young man who is destined to be the leader of the valley. His father was, so Eneko returns to the valley after a few years wanting to restore a bit of order and peace in the valley.

-I remember little, my father's funeral, a wild tradition. When I am lord of the valley there will be nothing like this anymore

He's in for an adventure...

- What are you doing here?

-Don't worry, there's no need to shed blood. Tell us where the gold is and we'll be in peace.

-Get out or duel!

That will be played by Irati, a mysterious young pagan from the valley with whom he will have to unite if he wants to become the leader of that valley. Then, all his faith and all his beliefs will be put in check to achieve peace. But also review his past and review his father.

-Be careful Belasko, respect or you will go to the dungeon!

-God has cursed your surname.

The most difficult part of the shoot was maintaining my weight, which I gained almost ten kilos for this film, along with also maintaining the choreography of the swords, that the horse listened to me, all these things that are already a bit out of the actor's control. That was really like a leap of faith.

The funny thing is that this film wasn't the first time Eneko Sagardoy has been in prominent changes, although in my opinion in Irati for he didn't change so much, although the following ones were more like an aspect of the effects and the production, there's Handia in which he played Miguel Joaquin Eleizegi, aka the Giant of Altzo, and in Errementari he played as the devil Sartael:

Eneko: Some beings have been created that I want to find in my nightmares. The public is going to be incredibly surprised with the beings that we are going to see during the film. I can not say too much... I think the work that has been done to put body and shape to all this that until now we have only had in our minds, in our imagination is precious and I think it is impressive and that the public is going to hallucinate.

Edurne: Wonderful. Special mention to David Heras because he is also a good friend and is working hard for the effects. It is another of the quadrangular stones that believe a lot in Irati. Him and his entire team, because let's not forget that there are like, I don't know, 120 people pixel by pixel, working to make it believable, so that this universe reaches the screens as big as possible. So this department is really crucial and Paul holds it in high esteem.

Itziar: I remember that I had an LED attached to my hand and to my body that, when she got angry, it turned on the LED, because well, this later with the effects... I didn't understand anything, all full of cables.

The first film by director Paul Urkijo, Errementari: The Blacksmith and the Devil, despite its defects, evidenced the author's intentions to exploit an almost intact beta in our cinema, that of folklore and peninsular legends.

Paul: We have such a large compendium of legends and there are many people who do not know them, that is a pity, that is, these legends are not transmitted for not giving them importance or taking them as a story, when they really are part of our culture, that is, they root us deeply in the world and our way of seeing the world. We also have to preserve these stories because they are precisely a lesson to preserve all this natural world that we have.

-To arms!

-Prepare for battle!

Now in Irati the director jumps back several centuries, specifically the 8th century to narrate, more accurately than its predecessor, the legend of Eneko, the first king of Pamplona. Once again with the participation of RTVE, shot in Basque, Urkijo repeats the leading role with Eneko Sagardoy, who faced the action challenge typical of these fantasies, apparently far from the actor's physique.

-That's enough, grandfather is waiting for me.

Eneko: He is one of the characters that I would never have thought that any casting director, for example, would have thought of me to play the king of Navarra who rides a horse, and such, that I put on 10 kilos based on sandwiches, cheese and milkshakes, and I gained a lot of muscle. I would never have imagined seeing myself like this or learning to ride a horse, to fight with swords very quickly and I think it was necessary.

Also in that case it was not a question of i Look, how I have transformed!, it was not binding, and it has been nice to see you physically transformed, it is always interesting.

-Calm down, what's up?

-The pain of the forest anguishes him

-This river is full of lamia tears. They left long ago with the construction of your hermitages and mills.

He takes as his starting point the first volume of the comic El Ciclo de Irati with which he builds a precious and careful story of magic and swords in which we witness the return of Eneko years after the battle of Roncesvalles in which his father lost his life. against the army of Charlemagne.

-Boy, you'll have to be strong to be a leader.

-To die!

-To arms!

Eneko will find himself in a region where the emerging Christianity and Muslims coexist with pagan beliefs. To reclaim his dynastic right, he will try to recover his father's body with the help of an enigmatic hermit, the beautiful Irati, played by the young debutant actress Edurne Azkarate.

-He appreciates you, he likes that you give him nuts

-How do you know that?

-Silence!

Paul: I've been able to make a movie three times as big, more serious too, although that adventure is also good, it's a movie with monsters and sword blows, but it's also a drama.

-Lamias...there are no such female creatures with bird feet

-A noble like you will have been with many women, right? Have you seen many feet?

We can affirm that Irati is the best to date, also almost the only magic and swords genre film in our cinema. It contains everything that fans of these formats of evocative adventure landscapes and magical beings such as lamias or mermaids and Basque mythology such as the mother earth goddess Mari or the tartalus, a kind of cyclops.

Paul: What I like is doing fantastic genres with creatures from fairy tale worlds, it's what I like the most, and it's what I want to continue doing as long as they let me.

Its technical envelope transmits a sensation of big-budget cinema, the care from the photography to the special effects or its impressive soundtrack and the epic of its story reminds us of productions such as the classic Excalibur or the recent The Green Knight, excellent distant cousins for a second work by a director to keep an eye on.

- Lamiak, Basajaun, mamarroak, Gaueko...

-Do they all have names?

-Yes, as long as someone remembers them

Previous interviews: Edurne Azkarate, Itziar Ituño

[galaxicalsart]

Draonkrif designposting: Edurne “Eder” Hieme (she/they)

(Please don’t repost, but do reblog!)

@emmettnet