#edit: and now i get to learn about the nazi shit and bad work conditions from yet another company in the entertainment industry. 💀💀💀

[chichiricatsan]

I haven't been on here much for a lot of reasons in my personal life, but I'll address the elephant in the room.

Yes, I've seen the new Life is Strange trailer. No, I'm not happy about it.

I'm sorry. Yet, I'm not sorry. Not at all. Max's story, for me, is done and has been done since the end of the first game.

I have a lot of reasons why I feel this way, but there's been a lot of people who share the same sentiments as me and I'd be repeating their opinions at this point. Sorry, Deck Nine. Not interested. In fact, I'm quite disappointed. I felt like True Colors was a step in a better direction for them, but this just feels like a huge step back. I'm more interested in DontNod's new game, Lost Records.

Not to be a downer if you're excited about Double Exposure, but I'm just...not.

[tes-trash-blog]

🌙 hmm... an age old question but opinion on the whole Imperials Vs Stormcloaks fiasco Skyrim tried to feed us?

*cracks neck*

Goodbye follower count, I’m going in!

I’m going to preface this with a confession: In my first ever playthrough of Skyrim (2014), I did side with the Imperials. On my second, I sided with the Stormcloaks. Since then, I have done three more playthroughs on the Stormcloak side, and three more on the Imperial side. In four more still my Dragonborn was neutral, slaying Alduin without ever taking a side. In my playthroughs, especially the ones after 2016, I’ve developed my own opinions about the Imperials and Stormcloaks alike.

In order to better articulate my opinion, we must first briefly examine four factors: the American landscape in which Skyrim was conceived, Skyrim itself and its portrayal of the Imperials and Stormcloaks (and the Thalmor), and Umberto Eco, the usage of terms like “fascism” and especially “Nazism” in American popular culture, and how this all relates to the Imperial/Stormcloak fiasco.

So let’s get started.

Part 1: Thanks, Obama.

In 2008, Barack Obama was elected as the 44th President of the United States. It was a landslide victory against Republican runner John McCain, a conserative who frequently brought up his service in the Vietnam War (and his time as a prisoner of war) during his campaign, as well as his years of service in political office. In a move to make his (very white, very male) campaign seem more inclusive in the face of the frontrunners of the Democratic campaign (Hillary Clinton and Barack Obama), he appointed Sarah Palin as his VP. She was the only conservative woman who agreed to be his running mate, as all three  conservative women in the Senate already said no, and the Republicans couldn’t find a black conservative.

(I’m not making this up.)

Anyway, come 2008, the conservatives lose their goddamn minds because Bush’s reign of actual terror was over, a Black man is now President and Whiteness is in peril. This was before the term “triggered” became a popular sneer in the conservative dictionary, but “snowflake” was used a lot. Come 2009, the Tea Party emerges. And now we get to the crux of my, uh, observation.

For the young, uninitiated, or non-Americans who are thinking “What the fuck is wrong with America”, the Tea Party Movement was/is a rash of hardline rightwingers who, still licking their wounds from a sound beating by the Democrats in the 2008 election, sought to rebrand themselves. With some bootstrap lifting and millions of dollars in funding from media tycoons such as the Koch brothers, the Tea Party made its official debut in 2010 after the signing of the Affordable Healthcare Act. Their message was simple: It’s time to take America back from the lazy, the entitled, and the “uppity”. What was really just a rehash of a song and dance that’s been turning its ugly white head since at least 1964 gained something of a stranglehold on America, in spite of its relatively small size of active members. It hit all the notes: a populist movement rooted in the perceived threats to their faith, their culture, and their social and economic capital.

They also believed shit like this:

For instance, Tea Partiers are more likely than other conservatives to agree with statements such as “If blacks would only try harder they could be just as well off as whites,” and are more likely to disagree with statements like “Generations of slavery and discrimination have created conditions that make it difficult for blacks to work their way out of the lower class.” (Williamson, 34)

Like I said. Since 1964.

What made the Tea Party different from the other conservative temper tantrums was one thing: Internet access. All of a sudden, these angry white men had an outlet for voicing their rages, and an open recruiting forum for other malcontents and disaffected youths. I’m not implying the Tea Party had anything to do with Gamergate, nor that Gamergate had anything to do with the rise of the alt-right or whatever these tennybopper neo-Nazis are calling themselves now, but I am saying those circles at least touch in a Venn diagram.

“But tes-trash-blog! What do the machinations of American politics have to do with Elves?” you may ask. Well dear reader, this leads me to..

Part 2: Hey, you! You’re finally awake!

Skyrim was an overnight hit. On release, The Elder Scrolls 5 generated 450 million dollars on its opening weekend alone. This game sold for around 20 million copies, not including Special Edition, VR, or Switch, and continues to see an average of around 10,000 players a week 9 years later (Steamcharts).

And 20 million people see one thing first: A strong, noble Nord in captivity, telling you that you’re on your way to be executed by the Imperials, who are in bed with a scary, sneering bunch of High Elves dressed in black.  20 million people already were told who was the clear bad guy in this game, and it wasn’t the strong, noble Nord in captivity. I’ll be going into this more into Part 3, but suffice to say, the Imperials were already coded as Bad Guy by association. The Imperials decided to execute you, the player. They shot a man in the back because he ran from his own execution. He stole a horse, which was a crime punishable by death in those days. The game doesn’t tell you that part, and is content to say that Lokir was killed because he was in the same cart as the Stormcloaks.

Speaking of Imperials, the Third Empire is written as obtuse, corrupt, uncaring, and cruel. The Septim Dynasty is wrought with scandal and intrigue, plagued by conflict, and powerless to do anything about the Oblivion Crisis that almost ended the world. They flat out abandoned Morrowind and Summerset to better protect their own, offered no help during the Void Nights that destabilized the Khajiit, and worst of all, signed a treaty outlawing Talos worship. That is the crux on which the Stormcloak/Imperial conflict lies. These damned outsiders telling these humble Nords what to do and what not to do. They’re corrupt, lazy, and know nothing of the hardships these people endure, and now the nanny state Empire is telling them they don’t have the freedom to worship what they want? How dare they!

Going further, in the seat of Imperial power in Skyrim is none other than Jarl Elisif, a young widow who relies heavily on the advice of her (overwhelmingly male) thanes, stewards, and generals. She’s weak, thinks mostly of her dead husband, and is written as someone who overreacts to scenarios; the “legion of troops” to Wolfskull Cave over a farmer reporting strange noises, banning the Burning of King Olaf in the wake of her husband’s murder via Shout come to mind. Compare and contrast that to the seat of Stormcloak power, Windhelm. Ulfric spends his time pouring over the map of troop movements and discussing strategy when he’s not delivering his big damn “Why I Fight” speech. Elisif is weak, Ulfric is strong. The Jarl of Solitude is even told to tone it down during the armistice negotiations in Season Unending. She’s chastised by her own general. The first thing you see in Solitude is a man being executed for opening a gate. The first thing you see in Windhelm is two Nords harassing a Dark Elf woman and accusing her of being an Imperial spy.

Both are portrayed as horrific, but only one has bystanders decrying the acts of the offender. Only one has a relative in the crowd proclaim, “That’s my brother [they’re executing]!” The best you get with Suvaris is her confronting you about whether or not you “hate her kind”. Even a mouth breathing racist would be disinclined to say “yes” when confronted with the question of whether or not they’re racist, but that’s how the writers of Skyrim think racism works.

I acknowledge that this was an attempt at bothsidesism, but the handling was.. clumsy.

Part 3: Ur-Fascism, Or How I Learned To Stop Worrying And Bash The Stormcloaks

And now we move on to Umberto Eco, fiction writer, essayist, and writer of the famous essay Ur-Fascism. In short, Eco summarizes 14 separate properties of a fascist movement; it’s important to stress that this should not be treated as a checklist if a piece of media is fascist, or if a person is actually a Nazi, or to say “X is Bad Because Checklist”. It’s frankly impossible to even organize these points into a coherent system, as fascism is an ideology that is, by its nature, incoherent.

With that in mind, let’s run down the points:

1. “The Cult of Tradition”, characterized by cultural syncretism, even at the risk of internal contradiction. When all truth has already been revealed by Tradition, no new learning can occur, only further interpretation and refinement.

2. “The Rejection of Modernism”, which views the rationalistic development of Western culture since the Enlightenment as a descent into depravity. Eco distinguishes this from a rejection of superficial technological advancement, as many fascist regimes cite their industrial potency as proof of the vitality of their system.

3. “The Cult of Action for Action’s Sake”, which dictates that action is of value in itself, and should be taken without intellectual reflection. This, says Eco, is connected with anti-intellectualism and irrationalism, and often manifests in attacks on modern culture and science.

4. “Disagreement Is Treason” – Fascism devalues intellectual discourse and critical reasoning as barriers to action, as well as out of fear that such analysis will expose the contradictions embodied in a syncretistic faith.

5. “Fear of Difference", which fascism seeks to exploit and exacerbate, often in the form of racism or an appeal against foreigners and immigrants.

6. “Appeal to a Frustrated Middle Class”, fearing economic pressure from the demands and aspirations of lower social groups.

7. “Obsession with a Plot” and the hyping-up of an enemy threat. This often combines an appeal to xenophobia with a fear of disloyalty and sabotage from marginalized groups living within the society (such as the German elite’s ‘fear’ of the 1930s Jewish populace’s businesses and well-doings, or any anti-Semitic conspiracy ever).

8. Fascist societies rhetorically cast their enemies as “at the same time too strong and too weak.” On the one hand, fascists play up the power of certain disfavored elites to encourage in their followers a sense of grievance and humiliation. On the other hand, fascist leaders point to the decadence of those elites as proof of their ultimate feebleness in the face of an overwhelming popular will.

9. “Pacifism is Trafficking with the Enemy” because “Life is Permanent Warfare” – there must always be an enemy to fight. Both fascist Germany under Hitler and Italy under Mussolini worked first to organize and clean up their respective countries and then build the war machines that they later intended to and did use, despite Germany being under restrictions of the Versailles treaty to NOT build a military force. This principle leads to a fundamental contradiction within fascism: the incompatibility of ultimate triumph with perpetual war.

10. “Contempt for the Weak”, which is uncomfortably married to a chauvinistic popular elitism, in which every member of society is superior to outsiders by virtue of belonging to the in-group. Eco sees in these attitudes the root of a deep tension in the fundamentally hierarchical structure of fascist polities, as they encourage leaders to despise their underlings, up to the ultimate Leader who holds the whole country in contempt for having allowed him to overtake it by force.

11. “Everybody is Educated to Become a Hero”, which leads to the embrace of a cult of death. As Eco observes, “[t]he Ur-Fascist hero is impatient to die. In his impatience, he more frequently sends other people to death.”

12. “Machismo”, which sublimates the difficult work of permanent war and heroism into the sexual sphere. Fascists thus hold “both disdain for women and intolerance and condemnation of nonstandard sexual habits, from chastity to homosexuality.”

13. “Selective Populism” – The People, conceived monolithically, have a Common Will, distinct from and superior to the viewpoint of any individual. As no mass of people can ever be truly unanimous, the Leader holds himself out as the interpreter of the popular will (though truly he dictates it). Fascists use this concept to delegitimize democratic institutions they accuse of “no longer represent[ing] the Voice of the People.”

14. “Newspeak” – Fascism employs and promotes an impoverished vocabulary in order to limit critical reasoning.

I did copy and paste the list from Wikipedia, but you can read the full essay here. It’s 9 pages long. You can do it, I have faith in you.

You may notice that you can’t really shorthand these concepts, or at least not in an aesthetically pleasing way. However, you can point to the most infamous of fascist regimes and take their aesthetic instead. You see it in Star Wars with the Empire (hmm) and the First Order, in Star Trek with the Mirrorverse and the Cardassian Dominion (hmm), and in the.. Oh, it’s on the tip of my tongue..

Oh, yeah. The Thalmor. They dress in dark colors, are a foreign power trying to exert their influence on the downtrodden Nord, enact purges, and scream about Elven superiority. The Thalmor express every surface level perception of a Nazi in American popular culture. TVTropes has already pretty well covered this ground in their Video Games section of A Nazi By Any Other Name, so I won’t go too much into here seeing as I’m already at the 2000 word mark. Suffice to say, it’s hard to think Bethesda wasn’t trying to make the player associate the 4th Era Altmer with the 1930’s German.

And in doing so, they accidentally created a group that is.. Well, you’ve read the essay or at least the 14 points. Try and tell me how many of them don’t apply to Nordic culture. What grabs me the most are points 9, 11, and 13: life is a perpetual struggle in which you must emerge victorious, a culture of Heroes impatient to die in a glorious fashion, and the Common Will that is enacted and reinforced by one strongman leader. You see these elements in play in Nord culture, in Stormcloak ideology especially. I, for one, hear what Galmar really means when he says “We will make Skyrim beautiful again”. I hear the echoes in George W Bush’s speeches and McCain’s campaign when Ulfric talks of duty and service, of “fighting because Skyrim needs heroes, and there’s no one else but us.”

It’s less of a dog whistle and more of a foghorn if you ask me. And to go back to part 2, this is a message that 20 million played. Not all of them are Stormcloak stans, but that compelling message was still present. Americans love being a strongman hero in their media; we eat that shit up. The setup was enough: you’re a lone hero about to be executed by milquetoast Imperials and Nazi-coded Thalmor. The story was enough: a strong man rebels against a system gone awry, one that seeks to destroy his way of life. 

It was enough to compel a “fashwave” artist to take on the monkier Stormcloak(Hann). It was enough that Skyrim was lauded as a “real” game instead of say, Depression Quest, and to justify ruining a game developer’s life over it.

It was enough that when Skyrim came out in 2011, the game did not do so well in Germany because of these elements, because the game was written for you to be sympathetic towards these very white, very blond and Ayran-coded Nords. I can’t speak for the popularity of the game now in Germany, but when I lived there, there were a few raised eyebrows among my age group about the message of the game.

I think about that a lot, especially when the tesblr discourse heats up about the Stormcloaks. I see how visibly upset people get when someone throws shade at Ulfric. The talk of “it’s just a video game” and “lul get triggered” starts to look less like passive dismissal and shoddy trolling and more a kind of funhouse mirror to how they really think.

I can’t lie, it reminds me so much of 2009, of these angry people screaming racial slurs on the Internet because there’s a Black president or posting sexist screeds because Michelle Obama wanted kids to have access to healthy meals. It reminds me of the kid in my sophomore class who said he was going to “take out” Obama on his inauguration day. He was 15 years old then. He’s a father now.

Hell, it reminds me of right now, of Republican Senators demanding civility and tone policing as they kowtow to an actual fascist. The Stormcloak in the Reach camp “had to do something” about the Empire telling him and his what to do, and the neighbor I used to dogsit for had to do something too. I don’t watch his dogs anymore. When I told him I wouldn’t, he tried to make himself the victim and say I was getting political about dog sitting. It’s just two dogs. It’s just a video game. All political messages are just imaginary, snowflake.

But it’s really not, is it now?

TL;DR and Sources

TL;DR: The imperials are portrayed as weak and effectual, as the bootlicker to the Thalmor, and the writers were so busy trying to make one side look bad and weak they inadvertently made actual fascists.

Even though this is pretty long, this really only scratches the surface of the.. Well, everything. In all honesty this is just a very condensed version of my opinion. Big shockeroo, there.

Do keep in mind that this isn’t a condemnation of Skyrim. Lord knows I love that game, or I wouldn’t have this blog. This also isn’t a damning of people who play the game and side with the Stormcloaks, or think Ulfric is hot, or don’t like the Thalmor or what have you. You do you, fam. You do you. This is my observation and opinion on one aspect of the game, just with some tasty sources to better paint a picture of where I personally formed my opinion.

This also isn’t to say that I’m trying to draw a 1:1 comparison between The Elder Scrolls and reality, or that Ulfric is obviously a McCain/Trump/Hitler expy, but Skyrim is, like all things, a product of the minds that created it. Skyrim didn’t happen in an apolitical vacuum, and apolitical stories about war simply do not exist. Anyone who tells you otherwise is simply reinforcing the status quo, and it is our responsibility as people who consume this media to question it, and that status quo they so dearly wish to hang on to.

Also, Elisif hot.

Sources:

Eco, Umberto. “Ur-Fascism”. The New York Review of Books. 1995. https://www.pegc.us/archive/Articles/eco_ur-fascism.pdf>

Williamson, Venssa, Skocpol, Theda and Coggin, John. “The Tea Party and the Remaking of Republican Conservatism”. Perspectives on Politics, Volume 9. March 2011. https://scholar.harvard.edu/files/williamson/files/tea_party_pop_0.pdf>

The Elder Scrolls V: Skyrim. Steamcharts.com https://steamcharts.com/app/72850>

Schreier, Jason. “Bethesda Ships 7M Skyrim, Earns About $450M”. Wired. November 16, 2011. https://www.wired.com/2011/11/skyrim-sales/>

Hann, Michael. “‘Fashwave” - synth music co-opted by the far right”. The Guardian. December 2014. https://www.theguardian.com/music/musicblog/2016/dec/14/fashwave-synth-music-co-opted-by-the-far-right>