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fuckyeahilike · 2 years ago
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Use heat retention to cook without spending money on gas or electricity
If you’re trying to save on gas or electricity, one thing you can do is to use heat  retention to cook your meals. 
The basic idea is that you kick things off by cooking your food in a lided pot for a short amount of time. Then you quickly stick the lided pot inside a box lined with towels or clothes or hay, something that functions as insulation, you cover the pot with some more towels, and leave it there for a few hours. The heat it retained will do the rest of the cooking without the need to actively apply any more heat to it.
It’s a similar principle to a slow cooker/crock pot... only for free. 
These videos explain how, and provide you with a few recipes that you can try to test this method for yourself.
Frugalgreengirl - All About Heat Retention Cooking!
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COOKING IN A COOLER?!?  Yep!  Heat retention cooking is an important skill that I think everyone should have.  It can drastically help save on electric or propane, help with disaster preparedness or even just help keep heat out of the house.  Plus it's easy and does not require any special items to buy!  Most everyone has everything they need right now!  Plus it is super eco friendly!
FGG Survival Stew Recipe: 1 Pound dry green lentils 1 Cup Augason Farms Vegetable stew blend 1 Can Diced Tomatoes 2 Tsp. Parsley 1 Teaspoons EACH: Garlic Powder, Coriander and Cumin 1/2 Tsp. Salt (or to taste) 1/4 Tsp. Black Pepper About 10-11 Cups Water (or stock/ broth, if you prefer) Add all ingredients to large heavy pot, cover and bring to a boil. Continue to boil for 2-4 minutes. Place in HRC and leave there for about 1 1/2 (or up to 2) hours. Do not open to stir or check on it, as this will allow valuable heat to be lost. Enjoy!
emmymade - Save $ Cooking in a CARDBOARD BOX | 1909 Fireless Cookery Recipe
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This old method of cooking conserves fuel by using insulation to trap in heat which slowly cooks your meal. So, let's build a haybox, cook a meal, and see how it tastes.
Sorted Food - 2 Chefs Test THE WONDERBAG: A Non-Electric Slow Cooker!
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Every now and then, we come across a gadget that really catches our eye. Whether it’s a stylish design, a functional purpose, amazing craftsmanship, sustainably made or has life changing benefits. And in today’s episode, we’re reviewing a gadget which ticks all of these boxes... Behold, the WONDERBAG!
This handy gadget has helped to improve the lives of many communities, particularly those in developing countries who spend endless hours collecting firewood and charcoal. We’ve decided to use our platform to raise some money so that more wonderbags can be made for those who really need it.
RoseRed Homestead - Make a Wonder Bag and Bake Bread
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Need to bake bread when the power is out?  Here's your answer--a Wonder Bag!  Make a Wonder Bag from pillow cases, an old sheet, or any fabric you wish.  Then use your favorite bread recipe to make  tasty loaves of crustless bread.  You will need an off-grid burner of some kind to boil water for 10 minutes and that is all the power required.  The rest is just wait time.  Be prepared!
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wallpapernifty · 4 years ago
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Is Easy Cover Rose Still Relevant? | Easy Cover Rose
Many guitar-acts accept denticulate with acclaimed awning songs. Guns N’ Roses with “Knockin’ on Heaven’s Door” (Bob Dylan cover), Joan Jett’s “I Love Bedrock ‘n’ Roll” (The Arrows), Motley Crue “Smokin’ in the Boys Room” (Brownsville Station), Quiet Riot’s “Cum on Feel the Noize” (Slade), Aerosmith “Train Kept A-Rollin” (Tiny Bradshaw), BulletBoys’ “For the Love of Money” (O’Jays) and Ace Frehley with “New York Groove” (Hello). Others to get in on the activity include: The Black Crowes (Otis Redding’s “Hard to Handle”), W.A.S.P. (The Who’s “The Real Me”), Pantera (Black Sabbath’s “Planet Caravan”), Poison (Loggins and Messina’s “Your Mama Don’t Dance”) and White Lion (Golden Earring’s “Radar Love”). Thrash stars Metallica accept appear copious covers, including Diamond Head’s “Am I Evil?”. As able-bodied as a brace albums comprised absolutely of covers.
Van Halen accept done a bulk of excellent, acknowledged covers. The best acclaimed actuality The Kinks’ “You Really Got Me,” as able-bodied as Roy Orbison’s “Oh, Pretty Woman” and Martha and the Vandella’s “Dancing in the Street.” Abounding VH covers were adopted from their setlist aback back they were on the SoCal bar circuit. As abundant in a absurd new adventures cowritten with Greg Renoff, Templeman’s “halfway there” acknowledgment was in acknowledgment to guitarist Eddie Van Halen’s agitation about acid “You’re No Good,” for 1979 anthology “Van Halen II.” The song had aloof been abundantly covered. Linda Ronstadt fabricated a hit with her adventurous 1975 country-rock version. It was Van Halen frontman David Lee Roth’s abstraction to cut “You’
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rockmiyabideusexmachina · 4 years ago
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2021 Megaman Valentine’s Day Contest Results
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Among the many things this past year or so has tested us with is delays, and I apologize that this year’s Valentine’s Day contest results are included in that. I certainly did not plan on this taking until March to get completed, and I am sincerely sorry to have kept you all waiting. But hopefully it is all worth the wait!!
Thanks once again to every single one of you who participated! I will be contacting the winners soon enough. Work will probably keep me from replying to everyone immediately, but I will send a message about prizes hopefully within 24 hours.
Also, my thanks to @subzeroiceskater��� for helping out with judging this year. Not to mention the promo pic above and other assorted bonuses that always bring me a big smile. I might say this seemingly every year, but you all made judging this VERY hard. It might have something to do with the themes as well, but I think both of us flipped and rearranged our rankings repeatedly, and even then, it was hard to decide on who would place. XD Each one of you did an amazing job!
After the break, you’ll see the winners for both categories, along with all of the entries. Raffle prize winners will be noted below by their alias, as well.
Category 1: Kiss From a Rosered (Talent)
For our talent category this year, the theme focused on your favorite Megaman characters giving roses to their special someone, along with incorporating the symbolism of specific rose colors within the piece. That rose color was also to be the predominant color within the piece, to the best of your ability.
A grand total of 9 entries were submitted for this category. You can see the full gallery of all entries at full-size [HERE]. Each entrant’s name will also link to their individual pieces at full-size.
1.) Sapphire: *$100 prize*
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Subzeroiceskater said:
Oooooh, this is so cute and pink! Piiink~ Ehem. I love the depth, angle, and color grading of these—notice how Roll’s black linework is at the forefront of the pic but colors mixes with the lights and colors from the sun further along the pic. There’s a lot to admire about how everything easy to read with so many competing elements like the similar hues and bright lighting.
Pink roses usually mean a gentler sort of love but did you know that different shades of pink could signify different things as well? A darker shade may mean gratitude; medium shade could be about a first love or congratulations while a light shade may mean admiration. Tron holding a singular pink rose with varying shades of pink while literally tripping over herself and a Servbot could only mean—that this is hilarious.
Miyabi said:
From a technical standpoint, I think your piece clearly felt the most polished, crisp and virtually professional of the bunch. But more than that, I felt it also best gave off the vibe of the rose color dominating the piece, but in very subtle, beautiful ways. Where as the pink sunset causes many of the normally white areas, like Roll’s collar/sleeves, parts of Gustaff, and more, to ooze that pink lighting. Even with her klutziness, you still also portrayed the feeling of sweetness, admiration and appreciation that a pink rose conveys. Just so pretty, calming, and joyful to look at!
2.) Forceway: *$75 prize*
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Subzeroiceskater said:
There is a sort of gentle irony with how Skull Man and Shade Man are both robots modeled after horror symbols—skulls and vampires—but are here surrounded by a soft sea of pink roses. The dark night is often depicted as a primal fear because it hides our deepest fears but here—illuminated by the bright shining moon—the night is transformed into a scene of love—perhaps devotion, with how Shade is gently cradling Skull, as well with the church bell in the background. This is a very tender piece mixing the shadows and the sweet.
Miyabi said:
I know most digital art programs have the brushes and shortcuts to make detailing things like roses a lot easier, but your bed of roses certainly look all done by hand on your own, and that alone impressed me a ton! Based off of the Ariga Megamix tale of Skull Man not feeling appreciated or having a family after Cossack stored him away, I felt the pink roses and Shade showing him that he is actually appreciated here was a fantastic conceptual choice. Purples in the sky and Shade’s body split the canvas and contrast with the pink well, including how you used the pink for some of the stars in the sky. Beautiful job!
3.) DigitallyFanged: *$50 prize*
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Subzeroiceskater said:
Yellow is a bright color, often evoking the sun, warmth, light, joy and hope. With roses, its positive connotations continue with possible meanings of friendship, care and remembrance. Tabby’s piece seems to evoke the last one the strongest—with Zero, broken and forgotten in a lab—but, not entirely, because of a bond that is stronger than apparent death lives on—even if in this moment, it’s only a memory. Even the roses are not real—just projections of what was once alive. This is fantastic use contrast with the dark, moody blues against the vivid, almost defiant yellows; and the repeated little motifs such as X crying and the water drops falling all over Zero. It stands out from the rest of happy entries with how sad it is but it still manages to be hopeful.
Miyabi said:
Zero’s blonde locks certainly are an iconic part of his design, so playing off of that and focusing on yellow as your rose color fit perfectly. You definitely made this a very emotive piece considering technically, neither of these two are even alive and moving here! As mentioned above, the little details like the water droplets balancing against Cyber Elf X’s tears, the digital lines to make it appear like X has created the cyber-roses for Zero, and Zero’s battle damage caught my eye immediately. You certainly captured the yellow rose symbolism of remembrance and friendly affection beautifully!!
And the rest of the wonderful entries, in alphabetical order by alias:
AbilityField: [Page 1] [Page 2] [Page 3] [Page 4]
*Raffle Prize Winner* Captain N Mega Man Cel
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Subzeroiceskater said:
It’s so poetic about how this contest theme is about how the language of flowers is used to communicate feelings beyond just using words; and so, the comic is completely silent, relying on actions to convey its meaning. Yellow roses could mean friendship, care and affection; and it’s shown wonderfully with how Iris and Lan are so thoughtful with one another. It’s so cute how Iris missed Lan only because he was already out buying roses for her. Given how hard comics are to make and how this is fully colored, I really wanted to give this first place—however I felt the color usage of yellow could have been stronger, especially with the last page, where it would have had the most impact. I had to squint and zoom out to even see if the lighting had changed. Still, it’s such a very warm and lovely work.
Miyabi said:
I always appreciate the effort people put into making multiple-page comics for these contests, and this is no exception! Even without dialogue, you did a great job at conveying your story through your art in each panel and it was easily understandable. Another utilizing the yellow rose, I certainly felt the friendship and warmth in your tale. As Subzero mentioned, the only thing keeping it from placing was that the yellow colors weren’t as dominant in other areas of the pic, besides the panel by Sal. Still, your coloring was very crisp and vibrant throughout each page, and it was an awesome submission!
aw-colorcat:
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Subzeroiceskater said:
With the red for Metal Man, orange for Cut Man and the explosion of yellow flowers, that’s the trifecta of warm colors. Yellow roses could mean delight and this pic is delightful in all ways. Cut looks so cute practically swimming in the sea of flowers and greenery, as does Metal’s adorable expression—which is a feat since he only shows his eyes. I also really like the juxtaposition and balance of this piece from: the rust-brown car against green-yellow nature running wild, and Metal holding a bouquet meanwhile Cut’s covered with plants. It makes me want to get some fresh air myself!
Miyabi said:
Cut Man looks grateful for being able to ride in that pickup bed of flowers, and I have a feeling the two of them had a wonderful time just snipping and sawing away at all the stems to gather them all. XD Love how the yellow and oranges play off of both character’s color schemes nicely. The subtlety of the yellow flowers in the foreground, along with the sun and tree in the background all play off each other well, too! Just an absolutely cute pic!
Dark-Dullahan: 
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Subzeroiceskater said: 
What a fantastic composition. Dark-Dullahan does away with most color, leaving the colors of the mixed-bouquet roses as the main focal point. Classic red for romance, a gentler pink for affection, mixed yellow roses to signify caring and probably so much more—seems like Nana can’t contain her feelings for Massimo. I love how the close up of the bouquet doesn’t just form a kind of heart at the top but serves as the divider between the two, like a diptych. With such a wonderful offering, Massimo would surely accept her feelings.
Miyabi said: 
As you brought to my attention, your mixed bouquet had a few different meanings, such as the dark pink representing thanks to Massimo for saving Nana from Silver Horn, and the red tips on the yellow roses to symbolize falling in love. Certainly got those vibes from her shy demeanor, as she sheepishly tries to hand them to him. Also agree with Subzero that the line from the bouquet nicely works as a way to separate them uniquely with the background. Sorry you weren’t able to complete it as fully as you had hoped, but the concept behind it certainly was strong!
Donnie:
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Donnie also sent in an alternate version made during the creative process, in a different artistic style, that I still feel needs to be shared, as well. Fun to see the contrast, yet still have the same feeling and mood to the piece. 
Subzeroiceskater said:
Oh, I adore this one. It reminds me of a movie poster with the tagline. I love the extra PINK flourishes of the letterings like with the Mega Man logo color change and cute pixelated font and heart. Both Rock and Roll’s expressions are so cute, too—with his more subdued smile contrasted with her exuberant grin. Much like how the pink rose could mean many things like thoughtfulness, cheer or as a show of appreciation, this piece is positively sparkling with affection, hearts and all. It’s clever how the sunset is giving the picture an overall pinkish-red hue while having the yellow light as an outline. A darling piece.
Miyabi said:
With pink roses again, I truly liked the additional hue adjustments where you can feel the warmth and see the lighter pink mixed into their skintone, or areas normally of white - from eyes to teeth to the Megaman logo - that have taken on the pink in it’s place. With the painterly watercolor style you used, it all blends in nicely. Even in your earlier version, I feel you brought a strong game with the hues, but toned down the red from that version to make it feel much stronger towards pink, with a tighter crop of your canvas. It was fun to see how it evolved, and strengthened your piece in doing so! Fabulous job!
DragonMarquise:
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Subzeroiceskater said:
No better way to show how madly in love you are than a bouquet of roses that run the gamut of—I can’t call these warm colors because these passions are running hot. Orange seems to be the dominant color here—which in roses could symbolize a love that’s passionate, fierce and deep. It’s also expressed nicely with the two lovers embracing, engaged in mid kiss, their bodies also forming a subtle heart shape, to emphasize the flurry of hearts around them. The bouquet is not just orange roses, however, but a mixed bouquet of the classic romantic red and the more affectionate pink—it’s a piece that’s bursting with all degrees of love.
Miyabi said:
You also certainly mastered the limited color pallette challenge as you tackled this piece! Orange, the color of passion, is certainly felt in their deep kiss and embrace. I too caught the heart shape their heads essentially form, which is then further enforced with the heart of hearts behind them. I thought that concept was pulled off very well. Perfect for the fiery intensity of Match, this turned out to be a very hot pic!
Mattasaurs:
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Subzeroiceskater said:
This one has a very clever framing (eh? EH?). The color white is often associated with purity, innocence and hope, and with white roses—weddings and marriage. Sonia dons the classic white wedding dress which has a très élégante design—and the little Lyra on her belt is very cute. The pink background is also very romantic and a nice way to tie in with her theme colors. I dig the lovey-dovey feel of Geo doing the classic bridal carry while clasping a single white rose...but seeing the thorns, I think he better watch his hand!
Miyabi said:
For a theme emphasizing color within the pic, I salute you for taking the biggest challenge in choosing white. In many ways, it could have been the hardest to keep as a predominant color, but still make the pic interesting and visually appealing. Choosing to have the petals all around the frame, with the bouquet nearby was a clever touch. With white often used for weddings and new beginnings, I think the concept of your piece worked just right, where it was subtle, but still incorporated enough other color to give the piece some life. 
Category 2: Kawaii-rimi (Humor)
For our humor category this year, the theme focused on your favorite Megaman character gifting the plush form of another Megaman character to their crush, instantly created by a ninja-like character, to play off of the Kawarimi concept from the EXE series. 
With just 3 entries in our humor category this time around, every entrant placed. You can see the full gallery of all entries at full-size [HERE].  Each entrant’s name will also link to their individual pieces at full-size.
1.) Mattasaurs: *$100 prize*
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Subzeroiceskater said: 
Y’know how blocks of wood are sometimes used by ninjas when they do that whole body switching thing? I think it’s clever how this pic has Sal—Woodman.exe’s operator—conjuring the doll. Everything about the pic is so fun and colorful: from Sal’s mischievous grin of accomplishment, Miyu being completely shocked by her chibi doppelganger (check out that body language!) and Masa’s confused expression.
Miyabi said:
Yes, while to some, Sal might not be the first one they think of when they think ninja in the Megaman Universe, but I certainly thought she still fits the bill in her design. Usually we don’t see this much emotion or shock out of Miyu, so seeing her torque her body, taken aback at a doll of herself, is amusing in it’s own right. Meanwhile, nothing fazes Masa. And a bit of randomness: oh man, seeing Masa’s head in profile, with his bandana...wow, I never realized how much his head shape with the bandana looks like a fish’s. I can’t unsee it now. Anyways, I also agree that the color, polish, and fun vibe made this a worthy winner!
2.) ColeManX: *$75 prize*
*Raffle Prize Winner* Captain N Cutsman Cel
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Subzeroiceskater said:
E-Eyes? What did you mean by that, Mr. RT-55J?  Although judging from the sparkle on those booblights… I understand, Cinnamon—if that happened to me, I’d be making asides to the camera, like I was in “The Office”, too. Cinnamon’s enthusiastic smile with this whole bizarre scene really sells it for me but shoutout to Marino’s smug satisfaction in the background.
Miyabi said:
🎵 I kind of liked it your way How you shyly placed your eyes on me Did you ever know That I had mine on you?🎵
RT says it only has eyes for Cinny right now, but it’s also known to be a little grabby hands, so I don’t know if I’d fully trust it...but good thing this is just a plush version. Time for the tables to be turned, and Cinnamon to get her claws and paws on it, instead. Very cute, although after the DiVE V-Day event, we all know this is a ruse and your pal boobeyes only belongs to the Ferham Fanclub. XD
3.) Ronin-Apprentice: *$50 prize*
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Subzeroiceskater said: 
This whole comic is so sweet and fluffy, nya!  ~(=^‥^)ノ☆ It’s adorable how Proto brings up his gift first and the surprise is how Shadow handmade his gift. The little cat-eared Blues design is so darling--almost as cute as him fussing how totally NOT a cat he is. “Did you steal my cat.” had me snorting. Now I’m wondering where Tango went off to…
Miyabi said:
FU-SION-HA! 
Aside from getting his own Super Adaptor, this is probably the closest we’ve got to seeing Tango and Blues merged as one. LOL I’m sure that plush would have a ton of fans wishing it actually existed. The panels where Blues embarrassingly hides behind his scarf and gets pet like a cat had me laughing! Very cute and adorable comic, that certainly had the most depth in terms of the theme of this category!
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megamanxfanfics · 6 years ago
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Season V - Afterthoughts on the 2nd Arc
This is more about Ep. 11, 12 & 13, but I gave the 1st Arc the same amount of attention. I might as well do the same for the 2nd Arc.
-----------------------------Episode 7-----------------------------------------------
I’ve said pretty much everything I wanted to say about these first few episodes in the arc, so I’ll just leave a true afterthought:
I was really surprised how quickly we got back into the action again, and that X & Zero got all the way about to their boss fights before the episode came to a close.  Moreover, I was really happy that I was able to further develop things from Dynamo’s perspective, who was still recovering from his fight with Zero.
------------------------------Episode 8----------------------------------------------
These were rock solid fights against Spiral Pegasus & Dark Necrobat.  With the way things worked out, I like how Zero barely survived his fight, and actually needed to learn how to work with Alia in order to win.  [In hind-sight, X being able to teleport his weapon chip to Zero is sort of a cop-out, but.. that’s Mega Science, baby.  Alia’s a genius!!]
The rest of the episode was sort of a strange moving of the chess-pieces.  X getting his Gaea Armor part, Zero flying home and everything in between.
But I still love how it ended, with Dynamo surprise attacking the base, once again and this time it was X’s turn to defend their home.
-------------------------------Episode 9---------------------------------------------
This one was pretty climactic.  I really enjoyed X’s fight with Dynamo and exploring more of Dynamo’s sociopathic motivations.
After the fight, I feel like it suffered from some necessary moving of the chess-pieces, but in a way it gave me a chance to do something interesting with Lifesaver’s character.  He doesn’t really trust X or Zero, seeing as they aren’t affected by the Virus in one way or another.  And X’s lashing out against Zero was an unexpected addition, which added tension to their straining relationship. I both liked and disliked this, considering what I was setting up for later.
This one just sort of ended while X & Zero just started their next missions, but Zero got a really good Repliforce flashback out of the deal.  It explained why he was so adamant about finishing them off, I hope.  I wanted to make him seem like less of a loose cannon and more of a focussed warrior with a long-goal in mind.
------------------------------Episode 10----------------------------------------------
I was really happy once this one was over!  Zero’s stage was way more exciting than X’s, but with his new ability of flight, I had to let X spread his wings.  [I also, wanted to get to his fight with Rosered as soon as possible.]
Once the Rosered fight was over and X got to coalesce with Zero, things felt right again.
-------------------------------Episode 11-----------------------------------------------
This episode wrote itself, man!  I had so much fun working on it.
The very first thing I did was take the all the Canon Dialogue to see what I was working with.  I had everything laid out.  The shuttle take-off set-up, and then every possible outcome.  This is where things got very creative.  I had to use colors.
I colored all of the good sequence dialogue in green. Then I colored all the bad sequence dialogue in red. Then I went even further and looked at the failed, time ran-out sequence and saw very usable dialogue that I wanted to take from there.  I colored that in crimson.
As I wrote all of those conflicting sequences out, I added one transition moment in the stage directions which took us from the Good Scenario to the Bad Scenario.  This stage direction was colored in amber.  [That being a piece of debris knocking into Zero’s ship and throwing him off-course at the last minute.]
After playing with colors, I took a look at the Pre-mission set up, and saw what needed expanding in a 2nd session.
X, Zero & Signas reacting to Douglas’ bad news about Auto-pilot not working was very organic and easy to write. This continued into a hallway scene, where X practically begs Zero not to go, but I made sure for X not to volunteer himself either, because the canon dialogue already does that for us, once Zero is strapped in and ready for take-off.
The only other thing I had to set up was Zero going over to the Shuttle to settle in.  I really liked this, because it’s the last time I get to write Zero acting heroic, before everything changes.  More-over, I threw in some interesting continuity regarding all those Technicians he saved from Spiral Pegasus’ base.  One of the new recruits introduces himself as Tack and thanks him for everything he’s done.  {If you’re wondering where I pulled that name from, look no further than the X6 Rescued Reploid list.  Yes... I am setting things up for X6.  But I will not overload us with OCs, because that is not the point of that story.}
With that done, I looked everything over in my 3rd session and expanded upon the worst scenario stuff, in crimson.  Life imitated Art here in an awesome way.  I was writing this segment on my laptop late at night, before bed and my battery was almost dying.  I shit you not, literally after writing the news segment, the computer shut down.  Like, I hit period, Dropbox Autosaved, and then bam.  It was toast!  I could NOT get over that.  I wasn’t very worried about losing stuff, because Dropbox Word Online is pretty good like that.  I double-checked how the file looked on my phone, and sure as shit, everything I just wrote was there.
That was a great way to end Session 3.
In the next days I tackled a Session 4, where I think I opened up The Battle of Two Fates and compared notes.  It was definitely in this awesome place, where I could work on both at once.  One Chapter was showing things from X’s perspective and the other was showing things from Zero’s perspective.  I truly loved what was happening.  My original fan script was finally, truly connecting to the series.  I was finally catching up to my Long-Goal.
--------------------------------Episode 12----------------------------------------------
Then, came the Flashback Sequence from Hell.  [I might’ve used that term before, but this time it was real.]
The Battle of Two Fates, being my first fan script ever had a lot of exposition in it within the stage directions...
Since writing Season I, I always knew I’d come back to this and change that exposition into a cool flashback sequence.  I even started with a long Vile flashback once Season I was done, but I got rid of it almost immediately since it didn’t flow with the rest of the one-shot at all. 
By the time Season II was done, I had done so many different things with Zero that I probably thought it best to just tackle that Exposition/Flashback Sequence once everything was done.
This was a good move, but also very frustrating.
I didn’t know it yet, but this Flashback Sequence was easily going to become it’s own episode.
At first, I followed The Battle of Two Fates exposition to a T.  I gave us the two moments where X & Zero fight Vile from X1.
Then, I was supposed to go where Zero saved X from the Black Clone Zero in X2, but guess what?  Zero’s Maverickism in that Season was a cluster-fuck and rehashing all of that was it’s own chore of a task.
Already, the sequence was messed up.  After that was supposed to be quick shots of their teamwork in X3 & X4, but due to Mega Missions & Xtreme 2...  That Teamwork was now very layered, and complicated.  Not so cut and dry, ‘lets stop the bad guys buddy’, like I had originally depicted from the one-shot.
So...  I picked and chose the highlights of the entire series...  I had to! [How I thought this would cram into the tail end of Ep. 11 is beyond me.]
To go into further detail about how I edited, re-edited, and even further condensed and compromised all of those flashbacks is a fool’s errand.  But I will tell you that I had more fun with colors, opting for X’s narrations to be Blue and his Flashback dialogue to be normal black.  It was also smart to throw his entire narration into it’s own file and see if the monologue made sense, by itself.
[This is definitely mostly the case.]
Once I had all the moments and scenes that I wanted, Episode 11 was like, 42 pages!!!  Easily, split in half, but I didn’t want to do that. I tried cutting down the flashbacks as much as possible, and managed to make it 36 pages, maybe?  Still no good.
So as stated before, I decided that two 18-pages chapters were way more digestible than one, 36 page chapter.
And there we had it, episode 12 was a giant flashback, aftershock chapter where X and we the audience come to terms with the fact that Zero, as we know and love him.. is no more...
--------------------------------Episode 13----------------------------------------------
This one was less about writing, and more about editing than anything else.  It’s also the true beginning of the 3rd Arc, so technically it doesn’t belong in this entry.  But since they pair so well together, here we go.
The Battle of Two Fates was written as a Christmas Gift in 2010.
The editing to this chapter took place technically as early as Season I, 2011. I had already stated putting in both full Vile fights, but that didn’t flow at all so it was taken out.
But the next technical edit was when I created this blog in 2015.  I made a script formatted version, and it was really hard to keep all the dialogue and over-expositional stage directions in.  But I did.
Flash forward to now, 2019 when I was really working on this.  At the beginning of the 2nd Arc, I fiddled with the battle itself.  I noticed that X used a lot of X3 weapons and the Storm Tornado from X1.  All of that was edited to X5 & X4 weapons.  I definitely beefed up the dialogue to this before truly tackling S.V - Ep 7.  I added the Serges continuity from X2 into their hate-talk.  X was way less of a pansy... :p  [I still can’t believe I wrote that. I generally shocked myself from my past writing.]
So from the battle on, I was mostly covered.
I may have opened it, while working on Ep. 8 or 9, just because.  The only thing that was done there was inserting slashes to some of the opening moments of the chapter.  I didn’t want to delete anything yet, but I was sure that certain things weren’t gonna work, or needed big changes if they were going to be included.
This takes us back to the flashback sequence.  Once I was unknowingly working on Episode 12, I slashed out all of that exposition stage direction nonsense, and deleted it.
The familiar Episode 11 sequences were thrown into the beginning to show Zero’s perspective on everything. Adding a “Moments Ago” caption was the perfect solution to my giant flashback episode.  This unfortunately makes Chapter 12 very skippable for folks who just wanna get to the action, but I also don’t blame them.
So even before getting to Episode 13, all of this was kind of pre-done for me.
What really needed working on, mostly was cleaning up the stage directions at first.  The tiny goal from session 1 was to just get to X teleporting to the area.
Once X was teleported and we were in the now, I really had to fix almost all of their interactions.  This took a session or 3 in itself, but eventually everything that I liked, new and old was reworked, nicely.  There was this giant build for one of them to finally throw the first punch, and I really liked how I handled that within their dialogue.
We get a dropkick with a block.  Then a fist-clash, and finally the first charge shot.
The ensuing battle after that was mostly unchanged.  The only thing left to work on was Alia & Signas’ random dialogue before they duke it out.  It wasn’t fully necessary, but I wanted to give a small break in the action, and also keep with the continuity that Alia was going to give X his new armor.  [Only this time, it was going to be the Gaea Armor, rather than the Falcon Armor.]
Those battle changes were already worked on from before, so once I got to this section, is was more logistical clean up than anything else.
My last challenge was to get X home once he gets the Gaea Armor. Originally, he got the Falcon Armor and was majorly overpowered by it.  It’s what gave him the win against Zero (and ultimately kill him.)  [That could not keep for 2 reasons.  1, X already had it.  And 2...  The Falcon Armor is actually pretty.. weak.]  X5′s Armors were designed with checks and balances.  The Falcon Armor was light-weight and new with that special flight ability and sweet charge shot, but you could forget charging weapons.  X4′s Armor was standard, but you had the Plasma Shot and could charge weapons.  And of course, the Gaea Armor was a specialty, meant for spikes and strong defense against enemies.  And a sick Giga Attack.  But other than that, you could forget about speed, air-dashing or using ANY special weapons.  You can’t even equip parts to make him faster or anything.
[Because believe me, that was a plan I had in mind.]
So with that...  This chapter didn’t fall as flat as I thought it would.
X gets his Gaea Armor/2nd chance at life.  But Zero is long-gone.
Rather than have X pursue a 2nd battle, as he did in the original chapter, this was the perfect break in action to come home.  It wasn’t too hard to shift what he and Alia say, in order for her to convince him to come home.
Remember that he hasn’t recovered from any of the fights against Rosered, Dino-Rex and now a fully Awakened Zero who wasn’t holding back.
So this was believable for me to have X get like.. a jump to his system in receiving the Gaea Armor, but that being it.  Not a full power-up.  Not a 2nd lease on life.  Just... being alive at all, and needing to come home and sleep it off, finally.
The last line became Zero’s line.  “It’s time to finish the mission...”
Which means that there is more on Zero’s agenda than just X, after all.
Is there hope for their friendship yet?
You’ll just have to wait and see.
As for right now, the 2nd Arc is over, and the 3rd Arc has opened up to a climactic start. I’m looking forward to figuring out these next steps, but for now, I’ve enjoyed reflecting on all of this.
What about you guys?  What do you think?  Was there a favorite moment you had from the 2nd Arc, or even the 1st?  How about the start of the 3rd Arc??  Was it everything you were hoping for, or were you hoping things would go differently?  Please feel free to leave feedback, and leave comments below.
Until then, later guys.
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eurekakinginc · 7 years ago
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"Hi reddit! I am Max Roser, founder of the online publication Our World in Data at Oxford. I am visualizing data to show how our world is changing and hope this motivates more of us to care and work for global development. I’m very curious to hear which aspects of development you want to see! AMA!"- Caption by Max_OurWorldinData - Detail: Hi Reddit! My name is Max Roser. I visualize global development data on OurWorldInData.org, a free online publication on how living conditions around the world are changing.Now I am working with a great team and we want to cover global development as broadly as we can to show how our world is changing. Our World in Data now includes data and research on global health, violence, poverty, inequality, economic growth, environmental changes, food and agriculture, energy, technological change, education and more specific topics.While much of the news is focussing on what happened yesterday or even what is currently “breaking news”, I think that many of the very important changes, which fundamentally reshaped the world that we are living in, happen very slowly and persistently over the course of decades or centuries. On ‘Our World in Data’ we don't report the 'breaking news' and instead zoom out to show the slow trends that dramatically change our world.Other than that I am a researcher – mostly focussing on inequality and poverty – at the University of Oxford. (My personal site is here.)It is easy to be cynical about the world and to maintain that nothing is ever getting better. I am working on this because I don’t want this cynical view dominate our understanding of the world we live. Because our hopes and efforts for building a better future are inextricably linked to our perception of the past it is important to understand and communicate the global development up to now. If you want to see some of the positive changes in the world you could have a look at my Short history of global living conditions and why it matters that we know it.Globally we face so many very difficult challenges and I think we are making a mistake to not study good data and the empirical research that shows us what these challenges really are and how we were able to sometimes overcome those challenges in the past. If we see how far we have come, we can start to ask what made this progress possible so that we seek more of what works. I got into research on global development because I just couldn’t believe the very substantial progress the world has made and I hope that visualizing this data and making it accessible maybe motivates some others to work on these questions too. We have lots to do!Our World In Data is entirely a public good: The publication is freely available online, all data is available for download, all visualizations are available under a permissive Creative Commons license, and all software that we developed is made available open source.Here is proof that it is me via my twitter account.I learned a lot from reddit over the last years, but did not contribute much to be honest. I hope I can change that a bit with this AMA. If possible I can do a few visualizations of trends, correlations, and maps – generally I am just really interested to hear which aspects of global development you are interested in. Ask me anything!I will wait until 5pm (London time) and then get back to your questions.Looking forward to hear from you!Best, Max. Filed Under: 1,000 ways to visualize Data. Curated by: www.eurekaking.com
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