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sophiethewitch1 · 3 months ago

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What We Want - Chpt. 8 - Jason Fucking Todd

In Which A Romantic Breaks The Universe

(Yandere!batboys x f!reader) 18+ MDNI!

SUMMARY

Another lonely birthday, another empty year. You miss your family. You're late for your bills and rent, and even then, you got robbed last Tuesday.

Still, you buy yourself a cupcake, because you need it. I mean, hey. What's dessert for if not to get over cheating boyfriends and dead relatives?

As you blow out the candle, watching the clock switch from 11:59 pm to midnight of the next day, you make a wish.

And because the world doesn't like to make much sense, it comes true. Your life is suddenly flipped on a dime, and you're stuck trying to catch up with it. Fantasy becomes reality. You're a Wayne now, apparently. Or you used to be. You're loved, you're rich, you're talented and powerful.

Well, sort of. Careful what you wish for, right?

(TRIGGER WARNINGS AND MASTERLIST HERE)

PREV - NEXT

Well, look on the bright side of things. You’re not crying right now. That’s nice. You’re not an intern anymore. That’s nice. You struggle to think of anything else. Oh yeah, you’re rich! That’s also nice. You’re not dead. Nice.

This is kind of pathetic. You just feel bummed after having to break up with George a second time. And getting smacked right in the face by him. Which you know, anybody would be, you think. You don’t think a single soul has ever known the George Lancaster Break-Up Special more than once. And you didn’t think anyone would be stupid enough to fall for that asshole more than once.

You couldn’t fake a brave face anymore, you just didn’t have the energy for it.

…And let’s not forget almost dying via Joker goon. Not even the man himself, just a random lackey. You think of how he literally disappeared in front of your eyes, and decide you are going to stop thinking. It’s doing you no good anyway.

Instead, you just start walking. Letting your feet and your intimate knowledge of Gotham’s streets, even in this area you don’t often frequent, guide you. You find yourself at the train station. With little consideration, you buy a ticket to the southern part of the city. The bad side of town, the docks, where your apartment used to be.

You feel like a little rat scurrying back into the sewers as you hop on the subway, tucking yourself in between people who don’t recognise you, probably because of your general dishevelment.

Shoulders knocking against strangers, you feel the most at home since this whole disaster started. You stare across the train car, watching a baby babble to its mother. It catches your eye, gives you a big toothless smile, and some snot dribbles into it’s mouth. The mother notices and cleans the baby up with a tissue. When she catches you staring, you give a very awkward but friendly smile, and she smiles back.

A tiny weight lifts off your shoulders. Surrounded by the chaos of Gotham, as the subway exits the tunnels and heads up onto the sky rails, you find yourself warm by the rays of sun through the clouds. The view is beautiful, as it always is. Usually, you’d be looking at your phone, too busy to enjoy the sights. But it really is beautiful.

It’s only when you hear the announcer calling out that you realise you did this for a reason, and dart out of your seat and through the narrowly closing doors. The metal closes behind you with a small hiss. The Docks station, for most people, would be one of the better Gotham train stations. Newly built, and with all the tourist money it was clean. Well, clean as it could get. You’d read some article about the bacteria the rats were carrying being not found anywhere else on earth, and you’d decided to stop reading articles.

Anyway, for you, even the shining marble of the station was a sad sight. Because you only ever came here on your very worst days.

This seemed like one of them.

The familiar streets flit past you, barely something you’re even cognisant of. This part of the city was mostly new, the concrete fresh under your feet instead of littered with potholes. Still, it wasn’t at the centre of the blast radius, so it hadn’t been totally demolished.

No, that was just up ahead. And like everything else in this weird new world, you immediately noticed something different. Where your family had died was… still there, for some reason.

With confusion, exhaustion, and no small bit of despair, you stop in the middle of the pathway outside the remnants of what used to be an old diner and was now just a pile of rocks. Some very charred rocks. Looking at the wreckage, you raise your brows. Its crumbling form is still under construction after all these years. The yellow caution tape is only a deterrence to you because you don’t want to end up on the gossip reels for a second time today. Looking around, you find yourself further confused. Lots of other parts of the pier had been redeveloped, but this piece of the puzzle still lay bare.

It didn’t, in your home, your world. It had been replaced with high-rise apartments, and since they were so close to the water, so pretty and new, you had no hope of affording them. It probably wouldn’t be very good for your mental health even if you could. Still, you’d taken many walks past the street. Enjoyed the little bit of dirty white concrete that had survived. You and your siblings had signed your names into it, and you’d stroked the sidewalk like the weirdo you were many times.

Like you did today. And today, for some reason, the rest of it was here. Untouched. A remnant of the disaster. As you run your thumb along the sharp edge of Julie’s J, you find yourself once again lost in your memories. They were like honey traps to you these days.

The mum-and-pops diner had been run by your uncle. It’d been in the family for three generations, and he was incorrigibly proud of it. You’d all had your birthday parties there, because it was free and you were poor. It wasn’t like your uncle would let you pay for the food anyway, it was just one of the few times Mum could stand the generosity. She didn’t like it when you had disappointing birthdays, and no matter how much you tried to fake your happiness, she could always see to your core. Eventually, you and your siblings all gave up on trying.

You were late. You were often late, but this time it was… it was the difference between life and death. If you’d been a few blocks further, a little bit earlier, you’d probably be dead too. Or at least have some serious hearing loss instead of just suffering mild tinnitus.

You had felt more than seen the destruction. The earth had rumbled, and a deafening roar had swept through the streets. You remember falling to your knees, the worry about being late morphing to worry for your best clothes to a true terror when you realised where the blast had come from.

When you realised your family was in the epicentre.

You sometimes wish you were on time that day. That you’d gotten to see them all, even if you went with them. It didn’t sound so bad, really. At least you wouldn’t be alone. Hmm, you should probably stop thinking like that. Or maybe go to a therapist about it.

Not that you could afford it. Oh, right. Rich now. That was really taking some getting used to.

You wonder if people who won the lottery felt the same way. Probably not, because the rest of the world reflected the changes the person felt. They’d have to go pick up the check, go to the bank, and if they let their family and friends know, deal with the consequences of that.

You’d just woken up rich. No time to adjust, your new life was here and it was demanding your attention very loudly. And soup-ly, unfortunately. After a few minutes of staring blankly at the rubble, you look towards your left, where you know the Memorial awaits you. It’s in the centre of the new shopping district, built on top of the bombed parts of Gotham. It sits right next to the water, the cold breeze a comfort that you’d turned to on more than one occasion.

You’d feel bad if you didn’t change your clothes. You told Grayson you would, and you already felt bad enough about... everything to do with him. You suppose he was your brother. Your ex-brother. Ex-step-brother. The ex-step-brother of a woman who you weren’t.

Really, he was just a stranger. It seemed he didn’t feel that way, though.

You start the walk towards the shopping district, and into the first clothes store you see. The prices on the tags would usually make you flinch, but well, it doesn’t matter anymore. Nothing seems to matter. Your survival is now guaranteed, might as well wear some clothes that feel nice on your skin.

You walk out of that store looking like you just robbed it. Even the clerk had given you a weird look but accepted the black card tucked in your phone without much complaint. It’s an improvement if a small one.

Once you’re done, like a moth to a flame, you drift towards the Memorial centre. You’re following all the steps you used to in the past, but somehow, it all feels a bit alien. The world looks a little different, a little uncomfortable. Your shoes are worn in, and yet they still feel too tight.

Uncanny valley. You feel unwelcomed here, unwanted. Like the very earth can tell that there’s something wrong in this scene, some intruder. You ignore the feeling as best you can.

The Memorial is just as unfamiliar as the diner was, maybe even more. You know that your mother was a Wayne before she died. You know that. But still seeing your family’s framed photos, right alongside Jason's is so shocking you nearly jump. It takes a moment of wide-eyed staring before you can manage to get past that. When you do, for some reason you still go back to your old habits. You walk by them, the bouquets and to where their names used to be in thin letters.

You count with your fingers, finding the fifty-second line.

A man’s name replaces the spot where your mother’s is. The little grooves the oil in your fingers had left behind were gone, and instead was sharp stone like when the monument was first erected. It cuts at your fingers. It no longer welcomes your touch.

James Whitaker. That’s the name of the man who took their spot.

You can already feel a rising obsession with the random dead man. If you were going to psycho-analyse yourself, you’d recognise that you didn’t feel that the images of the Waynes you’d created were no longer real, no longer safe to your escapist mindset. You’d realise, that this was all pretty unhealthy, and you really, really needed therapy.

Instead, you give the guy your condolences and start reading the other plinths. They seem largely the same. It’s not like you hadn’t read all of these towers of stone at one point or another, your eyes glazing over the many, many names. So much devastation, all in one moment.

And still, this was not even a tenth of all the lives the Joker had taken. You kinda wanna go take a kick at one of the Bat signals littered around the city. Maybe that’d make you less… broiling with incompetent rage.

Again, maybe you should just go to therapy. You should call Jeanine about that or something.

Eventually, you circle back to your family and Jason’s shrines. You know, back then you’d been jealous that Jason Todd had been so well mourned. You’d wished your family had gotten the same treatment.

Now, you… felt jealous again. Possessive, over their memory, their image. You didn’t really like that random strangers that never knew them… knew them. That Sam always got As in English and Art class but would sometimes skip math and would hide in the bathrooms to do so. That Chasey had struggled with going to school because of her anxiety but kept going because she had a friend going through the exact same thing. That Julie was the ace of her school’s soccer team, and that she’d almost gotten them to nationals even in the presence of all the super-rich schools in Gotham. That your Mum was a great cook but genuinely hated doing it, but for some reason, baking was her favourite thing even as she had never made a proper macaron.

They didn’t know them. They knew their faces and a facsimile of them, but they didn’t know them. It reminded you of the people at the orphanage. Nice, but not kind. They’d had their own lives, they didn’t want some bratty, demented teenager who was going down and planning on taking everyone with her.

You really couldn’t be happy, could you? Maybe you didn’t know what you wanted. What you want now. What you’d wanted for a while, actually.

Ugh. You close your eyes and let out a deep, soul-shaking sigh. It takes a moment for you to shore up the willpower to open them again. Come on, flower shop, finish your weird little ritual then you can go home and hide for the next millenia.

The walk there is the same as always, if a little more morose. It’s in a good spot, near the church just a block away and the memorial on its other side, as well as less sombre atmospheres down near the pier. Well, as little sombre as Gotham can manage.

You feel like you blink and you’re there. Too quickly, you find a rainbow of blooms in front of you, the scent of the blossoms washing over you. When you walk into the flower shop, the bell at the door rings the same as it always does. On autopilot, you walk over to the small, cheaper buds. Your hand clenches around the crinkly wrapping paper, a bundle of posies in your hand. You go to the counter with your prize in hand.

Larissa, the counter worker, smiles at you. Your breath hitches. It’s a working smile, not one of the real, toothy ones she used to give you.

“Oh wow, I thought all the posies had sold out. Lucky you!”

You think of something to say, but the moment passes and you don’t. She rings you up, tells you the price, and when you pay, asks sweetly if you want a receipt.

She doesn’t say your name. Doesn’t acknowledge how you come here every week and buy this same handful of flowers. She doesn’t ask about your job or the weather. She doesn’t cheerfully tell you about how her apprenticeship is going, or about the next sweet thing her partner has done. No, she just stares at you, growing more uncomfortable the longer it takes for you to answer.

She doesn’t even seem to recognise this other version of you. It feels like another string that tied you down to the earth has been snipped. You have an image in your head of a child losing a balloon, desperately grasping at the air. You’re going to float up into the atmosphere, and then you’re going to pop.

You can see the foil glinting in the sun’s light, so, so clearly.

You squeeze your eyes shut, “Yes, a receipt, please.”

Taking it blindly, you barely flutter your eyes open as you walk out of the shop. She didn’t know you, didn’t remember you. That doesn’t matter, you tell yourself. You hadn’t really known her. It doesn’t matter. There’s no real difference, it doesn’t matter.

It’s okay, it’s okay, it never really mattered. You keep telling yourself this as you walk back over to the memorial. As you lay your flowers down with the others, the little posies are dwarfed by the other donations. It didn’t matter. You didn’t know her. None of this matters. Their flowers don’t matter.

You don’t matter. You hit that errant thought with a mental fly swatter.

Exhausted, you sit down next to the monument. You used to be able to lay your head on the stone, able to feel your family in the warmth it had absorbed in the sun. Now you just sort of, awkwardly reached out to the small bit of uncovered plinth at the side. You have to stick your hand through a wreath to do so.

It’s not warm. You wonder if your family are sad. And then you wonder if you’re an idiot for attributing feelings to a literal rock.

After a while, you get up. Cross your arms. You stare at your family's portraits, eyes moving over their smiles. One by one. You recognise some of the photographs, those are your favourites. A smile cracks across your face when you see the picture of when Chasey lost her two front teeth. She still grins cheekily at the camera, uncaring for any changes to her appearance, as all kids shouldn’t.

Your shoulders fall just the slightest bit when you see the picture of Jason Todd. It’s one of his older pictures. Probably seventeen or something. He’d always been a lovely boy when he was younger. And he still was up till he died but you’d always thought you’d seen something start to change in him. That sparkle of innocence, dulled, just the slightest.

And then he’d died. And you’d wondered if maybe he’d felt it was coming.

You certainly hadn’t. It had been like a hurricane tearing through your life. You’d ended up on the other side completely abandoned, the only friend who’d bothered to keep seeing you being one who’d learnt to dodge train ticket costs like a damn ninja. And you’d had to decide whether you could keep doing this, whether you even wanted to.

You were an obsessive creature by nurture. It had been all you could do to hang onto the Waynes, pretend they would love and care for you even if they’d have never even noticed you in real life. You weren’t sure that was strength or simple human survival. Dying was scary. Of course, you were scared of dying.

Your whole family had died. So, you told yourself, that Jason Fucking Todd would be sad if you killed yourself, and somehow, you had made it all these years.

And now here you were, and the Waynes did notice you in real life. You were important to them. You didn’t want to be, but you were. And again, you have to ask yourself, what would Jason Todd ask of you? What would he want you to do now, in this impossible situation you’ve found yourself in?

You stare at the picture. Stare at the way the sun hits his dark hair and blue eyes. Stare very, very hard. Like he might crawl out and give you a detailed list of what to do. You’d really like a detailed list. Or any guidance at all. Maybe you could go hit up a seance or something.

Your head falls forward into your sun-warmed palms. This is so stupid. No answers are going to fall from the sky, you need to find them yourself. And you’re not going to find them here.

Someone walks up beside you to the old memorial, and you quickly tuck yourself back into an acceptable image. Fold in all the rough edges you can. A tall and well-built man, with a face mask, sunglasses and a trucker hat, he looks like he could be a celebrity or something. Someone important, much more than you.

And you weren’t, not technically, at least. The universe had done the equivalent of a shelving error, and now here you goddamn were.

He does an odd pose next to you, something military-esque, where he clasps his hands together and bows his head. With a quick flick of your eyes you confirm, yes, his feet are equal with his shoulders. It’s obvious that he’s paying his respects so you do your best not to judge him too hard.

And then he speaks to you.

“I’m sorry.”

You look up, startled and confused.

“For your loss,” the deep voice finishes, jerking his head toward the pictures in front of the two of you.

“Wha- oh uh, um,” you blink and then realise that this person has recognised you, which would make sense since you are literally in one of the photos in front of you, and manage to pull your fading conscious mind back together for a moment more.

“Thank you, uh-” you stare at him a moment longer, “You too?”

Almost worse than that time you told the barista who gave you your coffee you hoped she enjoyed hers too, but not quite. Well, you know, he’d probably lost someone here too. You don’t know why he’d be here otherwise unless he wanted an autograph or something. The thought almost makes you laugh.

He snorts at your words. You don’t know what to make of that.

He looks back down at the pictures and flowers. You think he does, at least, from the slight shifting of his head. He’s kind of mysterious. Pair that with the deep voice, the muscular and tall physique, and you’re an odd mix of attracted and socially anxious. Not that you’re not always socially anxious, but this guy feels… strong. Dumb again, you can see his biceps from here but…

You just can’t quite shake it off. Strong. Strong.

“They didn’t deserve it, none of them did,” he speaks again, and you wonder what the fuck he’s going on about at all.

You admit, you sound a little bitter when you mutter, “Well, that’s obvious.”

He lets out a bark of laughter, and you see his eyes flash to you from under his sunglasses. A shade of blue. There’s another odd pause, and then he turns to you. You don’t know why he’s looking at you. He crosses his arms, and seems to size you up.

“What are you doing here?” he asks you like he knows you.

Your brow furrows. Okay, kind of losing any hotness points here. Bothering someone who was grieving could’ve been seen as rude from the very start, but you’d just thought he was weird. Now, you thought he was weird and rude.

“…Paying my respects. Obviously,” you gesture downwards, “My mother, my siblings, and…”

Well, how would you describe the relationship between you and Jason Todd now? He was still just a stranger to you and-

“With who, that guy?”

Now, it isn’t often that you’re stunned into silence, but at the moment you can’t find it in you to do anything but stare and gape. Frankly, you’re astonished! You’ve never met anyone who spoke so rudely of the dead, and well, he couldn’t have picked a worse person to do it in front of.

“Excuse me?” your voice can’t seem to convey even half of your offence, even as you sound like you’re about ready to bite a second person for today. The man pauses like you’ve surprised him, which- what the fuck is going on? Why do you feel like an alien crash-landed on Earth these days?

“No, I just meant-” he huffs, shakes his head, and continues, his voice now offended too, “What the fuck am I saying? Yes, I did mean that. That little twerp was a naive idiot who was manipulated by the people he believed in most.”

You stare, absolutely speechless, as the stranger goes on a damn-fucking-near crazed rant about one of the people most important to you. Never met? Sure. Dead as hell? Absolutely. But still, he was one of your lifelines. Your candlelight in the dark, guiding your way even when you felt completely lost. And now he’s calling him a naive idiot? You can practically feel the steam coming out of your ears.

“He changed nothing, made no difference in the end-”

“Nothing?!” you practically shriek, finally able to find your voice just to use it to shout, “He changed… so much! He donated millions of dollars, did heaps of charity work, was practically a treasure to our city… He made multiple homeless shelters, an orphanage, helped rehabilitate criminals and countless other things.”

Your fists are clenched tight enough that they shake. You hide them behind your back, but you still feel like he can probably see them. Your emotions are simmering too close to the surface, bubbling over and onto the floor. About to burn his sneakers to ash.

“You seem like you care a lot,” he says, sounding reserved.

“Of course, I care.”

“…It’s just, you didn’t seem the type, on the TV,” he keeps talking, poking at you for some god-awful reason, and you bark out a harsh laugh.

“Maybe people need to stop making so many fucking assumptions, then? It certainly hasn’t gotten you anywhere,” you throw your hands up, damn sick of all the constant fucking surveillance you’re under. You can see why this version of you lost her mind. You’re near about to as well.

He stares at you for a moment longer, and you start feeling too uncomfortable. It’s a stupid and useless protectiveness that has you staying. Like he’ll somehow try and harm the shrine to your people. It’s happened before, Joker fanboys defacing it and such. This guy could be one of those bastards.

And yet… somehow you feel…

“I’ll keep that in mind,” he finally says.

“Good, you do that.”

“But in the end, nothing’s really changed. Joker’s still out and about, as you well know.”

You physically flinch like you’ve been slapped. For a good minute there, all you can do is stare at him in disbelief. You raise one shaking fist, and lift one trembling finger, pointing. The man looks in the direction you’ve pointed, and when he doesn’t see anything, turns back to you. His sunglasses reflect the grey afternoon sun.

“Go,” you order, voice shaking just like the rest of you.

He just keeps staring at you. You wish he’d take off those dumb fucking glasses, so you could see this asshole’s face. Etch it into your mind. He doesn’t move, doesn’t say anything, doesn’t take any action. He simply waits for you to… Well, you don’t know what you’ll do. You haven’t known what you’d do since you left Dick behind two hours ago.

“You need to go,” you say again, and again, he doesn’t fucking move, “You… there’s… you have no right.”

You can hear the buzz of the city around you, the wind rushing by. His clothes rustle in the wind. Your voice sounds too loud in your ears, but he won’t just… he won’t leave. You don’t want this stranger here, watching you. Judging you. It’s all…

“Jason didn’t do anything wrong,” you say, and you think to yourself, desperately, ‘I didn’t do anything wrong.’

There’s a slight shift in the stranger’s posture. His shoulders tensed.

You think you’ve offended him.

“The Joker… That’s nobody's fault but the government for not just sucking it up and giving him the death penalty, or Batman’s for not doing it himself a long time ago. They’re all fucking useless, but they’re the ones who are supposed to be dealing with this!” you continue, your words growing more heated. It’s only the already looming threat of an assault case that keeps you from shoving the guy. Not like you’d be able to move him an inch, of course, he was huge.

You’re sure it would feel good, though.

“It was never some random teenager's responsibility, and it wasn't mine either,” you say, but find yourself pausing for a moment when you hear the end of your sentence. It doesn’t matter. It’s not like it wasn’t obvious anyway.

You’d tied yourself and Jason up together in your head. To you, you were both two sides of the same coin. One foot in the grave. You’ve got one foot in the grave…

“Jason Todd was a good person, and he made the world a better place.”

You look down at the portrait of the boy, his toothy smile twisting at your heart. None of this was fair. None of this had ever been fair. Why was this guy acting like anybody here had ever been able to do anything about it? Like Jason should’ve been smarter, and avoided a fucking bomb blast?

It was stupid. This was stupid, and you were over it. You were tired.

“And I miss him.”

It’s quiet after you say that.

“I don’t know how you can think it’s fair to act like his death was pointless when… of course it was, all of this was pointless,” you say, throwing your hands wide and gesturing to the entire memorial. “This was a tragedy, but Jason was a victim. And I’m sick of people like you who think they can decide whether someone else’s life was lived right. It’s not your damn right.”

“Now… fuck off!” you announce, and to your shock, he does. He fucks right off. The man gives you one last lingering look, and then turns and leaves without another word. Not like you needed them.

You huff out a shocked breath, and then turn back to the memorial.

The framed faces of your loved ones stare back at you, and for all you know it’s stupid, you can’t help but feel embarrassed for the display. You know your mother would’ve scolded you for your language, at least.

“Sorry,” you say, and you’re unfortunately reminded of that irritating man again. Likely that won’t be the first time he pops up again in your head. He seemed well, insane. Which wasn’t that odd in Gotham but… god, you just couldn’t seem to let it go.

It pissed you off to high heaven. His rudeness was something you’d usually be able to shrug off, especially from some random stranger, but, but, but-! Argh, damn it all. And it wasn’t like that was the first time you had had that sort of conversation, but it was certainly the first time someone had been so bold as to bring it up in front of your dead mother’s smiling face.

Earlier today had snuffed out the fire in you, but that encounter had been the spark to reignite it. More than that, actually. It had made you so damn pissed, made your blood boil in a way you just couldn’t ignore, to the point that you wanted to prove him wrong.

Jason Todd had mattered and had made a difference and change in Gotham. He had made a change in you. You put your hands on your hips, stare down at the flowers, and make a decision.

You’re going to fix your goddamn life. For Jason Fucking Todd.

Your body feels like shit, your brain feels like it’s stuffed with cotton wool, and yet this is the greatest opportunity you’ve ever been given. You have a chance to save yourself, and save your friends, and fix all the tiny little problems in Gotham that you’ve suffered through since childhood. Surely just throwing enough money at all your problems would fix some of them.

You were rich. If you couldn’t fix your life with millions of dollars available, then you had no chance.

And yeah, you don’t know what you’re doing. You know you can’t really change what happened. Back then or even just a few days ago. But you hate that. You hate it so much. You hate how weak you are in the face of loss. How both then and now, there’s nothing you can really do. And maybe if just out of spite, towards that asshat, Batman, Joker and everyone else, you want to make a change.

You want to be able to do something about it. You want it, so fucking bad.

First order of business?

…You want more flowers.

MASTERLIST - NEXT

#Series:WWW #yandere batfam #batfam x reader #yandere dc #yandere batfamily #yandere x reader #dick grayson x reader #nightwing x reader #jason todd x reader #red hood x reader #tim drake x reader #red robin x reader #damian wayne x reader #robin x reader

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too-much-tma-stuff · 9 months ago

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Finally Getting Help (prt 11)

Masterpost

When Jason arrived at the manor to meet Danny it wasn’t him who greeted him but Damian. Jason tensed as he always did when he saw Damian, though now the feeling he got when he saw Damian made more sense to him. He had read the slide show, he knew that the urge to fight Damian wasn’t hatred, and neither was the way Damian lashed out at him… at least probably not. They should spar more, but not right now, he still needed to overcome the urge to fight Damian in the lobby.

“Todd,” Damian greeted.

“Demon-Brat,” Jason said, insults were practically his love language now anyway.

Damian sniffed disdainfully, but he was shifting from foot to foot. He had something to say and was struggling to figure out how. Jason crossed his arms and dutifully waited for Damian to spit it out. “Danny has warned me about the role that combat has in courtship for his kind, I do not know why on earth he would want you to court him But that is his decision. I will not interfere but understand that he is vulnerable and he is protected. If you hurt him in any way there will be consequences.”

“I’m not planning to hurt him, but I also don’t even know if we are ‘courting’ yet,” Jason said rolling his eyes.

“Well then you’re even more of a fool then I thought,” Damian said with a disdainful sniff. “He’s a very powerful being, Zatana says that he will likely grow to be a god, you should be grateful he is willing to let you court him.”

Jason blinked rapidly, he hadn’t been here for that conversation so that was the first he was hearing of that! It also occurred to him that Damian had a baby-crush on Danny and considered teasing him about it but decided not to. “Huh, good to know,” He said, simply reaching out to ruffle Damian’s hair and missing on purpose as he dodged away. “So where is Danny?”

“He’s waiting for you in the dojo upstairs,” Damian said, sounding a little resigned as he gestured upwards. “I hope you made reservations for somewhere worthy.”

“Don’t worry Dami,” Jason snorted, brushing past him to head towards the stairs. “I’ve got it under control.”

Once again as soon as he entered the dojo and saw Danny the violent urges surged but he wasn’t alone and he didn’t swing first. Danny came at him first and Jason rose to meet him. The fight was longer but less desperate this time. It felt like they were getting out their energy and anger without meaning it, and by the end Jason and Danny were both breathing hard and purring again. It really did feel like bonding, they were closer now then they had been at the beginning of the fight, even if they had hardly said a word.

It ended in a stalemate, or, Jason got Danny pinned but it couldn’t have been more obvious that Danny let him. Jason was glad they didn’t have an audience this time so later he could deny that made him blush. Danny gave him a cheeky grin and reached up to pull Jason down, slow enough that Jason was able to scramble away before Danny got hold of him.

He coughed to clear his throat awkwardly, grabbing one of the towels that sat on a shelf on one side of the dojo, using it to wipe his face and the back of his neck. The fight had been intense enough to make him sweat, though Danny still seemed unbothered, and there were some gym style showers off of the dojo.

“Well I’m glad I brought a change of clothes!I’m going to have a quick shower and then we can go out for dinner okay?”

“Sounds good, I’ll go change too. Alfred bought me a Ton of new clothes, I really didn’t need that much more. By the way, what sort of place are we going? I mean, should I dress up?” Danny asked a little awkwardly, Running a hand back through his hair to try and push his bangs back.

“I mean, probably a little bit?” Jason said. “If I didn’t take you somewhere nice I think Damian would shank me. It’s cute how protective of you he is,” Jason teased.

“Alright, so we talking jeans and a button down? Or proper dress pants?” Danny asked, cocking his head to the side.

“Better to go with dress pants. The good ones are pretty comfortable anyway, and Alfred wouldn’t get you bad one. No need for a jacket though, unless you’ll be cold?”

“I have an ice core, I never get cold,” Danny laughed. Jason was just going to pretend he understood what that meant.

“Alright,” Danny agreed, bouncing to his feet in a way that denied gravity and bouncing out of the room to go get changed.

Jason grinned like an idiot after him before shaking off the feeling and going to have a quick shower and get dressed for their date.

Jason showered and dressed in a red shirt and soft brown pants before meeting up with Danny who was wearing a blue that brought out his eyes and black pants, he looked… very good. Judging by the blush on Danny’s cheeks he thought the same thing about Jason.

“Have you ridden on a motorbike before?” Jason asked rather than acknowledging any of that.

“Oh! Ya I have, not that often but I know the basics,” Danny assured, following Jason eagerly towards the door.

“Great, I have an extra helmet for you.”

“Do I have to?” Danny sighed dramatically. “It wouldn’t kill me anyway if I fell off.”

“Yes you have to,” Jason said firmly, his stomach twisting at the idea of Danny getting hurt. “You have to be more careful Danny! I get that we’re all bad about risk taking, and you’re tough, but you don’t have just yourself to worry about anymore!” Jason said, trying not to sound too much like he was scolding Danny. He wasn’t sure it worked because Danny did look pretty chided as he took the helmet.

“The babies aren’t in my head, the helmet wouldn’t protect them,” He muttered as he put it on. Jason just hummed and rolled his eyes as he put his own on.

Danny got on the bike behind him and wrapped his arms around Jason’s waist, snuggling up against his back even as continued to sulk. “Hold on tight, and the helmets have mics so we can still talk without having to yell. It’s a bit of a drive,” Jason warned. He could have gotten there a lot faster, but not without breaking traffic laws and he was in civvies so a half hour drive it had to be.

Danny hummed and tightened his grip on Jason as he kicked back the stand and revved the bike, peeling out of the driveway in a way he knew would piss off Bruce. It also made Danny yelp and cling tighter though so Jason slowed down a bit once they were out of the driveway.

Danny was quiet for maybe ten minutes and Jason was starting to worry he’d upset Danny more then he realized and maybe should apologize when he spoke up. “You’re right. When Cass clocked that I was pregnant it was the first time I’d talked to anyone about it besides Vlad. I’m not… Honestly the way I’ve survived most of the shit that’s happened to me was not thinking about the implications. I’m not sure how I’m going to do this. I’m in a way better position now then I was even a week ago but it’s going to be such a big change I’m having a hard time imagining what it's even going to look like.”

Jason hummed, nodding and taking a moment to consider his response. His first instinct was to remind Danny that he didn’t Have to have the babies since it was still early but he knew that the other bats would have already brought it up. If Danny was anything other than fiercely protective and utterly determined to have the babies Bruce and Dick would still be trying to convince him to not be a teen parent and focus on his education. The same way they had tried to convince everyone in the family not to be vigilantes and utterly failed.

“You’re going to be a good dad Danny, and you’re not going to do this alone. Bruce never got to have any of us as babies, the youngest of us was 12 when he adopted us and I know he’s looking forward to having a baby around. Alfred is too, and Damian and Dick will compete for best uncle. Money is no object, you’ll get everything you and the babies need. It’s still going to be a big change obviously but there’s nothing to be scared of I promise,” Could he make that promise really? Well he just did so he’d better do his best to make sure it was kept.

“It’s not just that though,” Danny said and hesitated again. Jason stayed quiet to let him organize his thoughts. “My binder is hurting more to wear, my.. Chest aches, I told Bruce I was just incubating ghost cores. And that’s what I’ve been telling Myself too, but I got sick this morning and the babies are clones of me, and I’m half human. What if I actually am pregnant?

“I told Jazz I’d bring up going to a human doctor but then dodged it. I haven’t been in years and I am nervous about going again but it’s more than that. I don’t like my body, I’m too young for hormones or surgery but if my body changes. What if my chest hurts too much and I can’t wear my binder anymore? What if they grow more? They’ve always been small enough to hide before.

“I don’t mind the idea of my stomach growing, or even really being a mom. I’m a man but I do feel like I identify more with maternity than paternity. It’s really just my.. Breasts. God I hate that word. I don’t want them to grow, I don’t want to lactate or breastfeed. I mean, I DO, I actually really do but just the idea is giving my dysphoria at the same time that I really want to do it to bond with the babies.” It was like a dam had broken and Danny’s words came fast and a little loud, breathing hard between bouts of talking.

“Deep breaths please Danny, take a few deep breaths,” Jason soothed, taking one hand off the handlebars briefly to pat Danny’s hands where they were clasped over his stomach. He was a bit at a loss about this, none of his siblings were trans, he knew trans people but he’d never had to talk anyone through these particular problems. “These are a lot of what ifs to be panicking about. It’s totally your choice, the babies can be bottle fed if the time comes and you’re not up to it. There’s nothing wrong with that. We’ll all be here for you no matter what happens, but you really should go to the doctor Danny. At least then we’ll know what to expect right?”

“Will you come with me to the doctor? I’m a bit scared of human doctors, I’ve heard people talking about experimenting on me so much as Phantom that every time I’m in a lab-like environment now I can’t stop thinking about it,” Danny asked, a pleading edge to his voice.

“Ya, I’ll come with you, and whoever else you want,” Jason promised, because what else could he say? “We’ll make an appointment for you with Dr. Leslie, she sees all of us vigilantes, she sees just about everyone involved in the night life and never Ever talks to the cops or the feds. Trust me no one can get that woman to talk to anyone, she’s safe.”

“Thank you,” Danny murmured, leaning his cheek against Jason’s shoulder. The rest of the ride was a quiet one as Danny recovered and Jason tried not to overthink his lackluster responses.

-----

Jason parked a block away from the restaurant rather than trusting any concierge with his bike and waited for Danny to get off before he did. He took off his helmet and took Danny’s from him and locked them both in the storage compartment on his bike before leading the way, shoving his hands awkwardly in his pockets. He was never the most… socially competent. He was better than Tim but he was worse than Dick and Bruce and in moments like this he wished these things came a little easier to him.

Danny was quiet, his hands swinging loosely by his side as he followed, Jason noted the way he kept looking around them. They all did that, looking for threats civilians might not see, it was how you spotted a hero even when they weren’t trying to be spotted. Still there were no problems between the bike and the restaurant and when they got inside Jason softly asked the host to make sure Danny got one of the menus without prices. He was knew to this lifestyle, Jason remembered the first time he’d gone out to a fancy dinner with Wayne the prices had nearly given him a heart attack and he was younger and less set in his ways then Danny.

He didn’t want Danny to worry about the prices, he’d be paying and he was both the son of a millionaire and a crime lord, he could buy the entire fucking place without blinking. The host nodded understanding and ushered both of them to the most private table in the establishment.

They settled in and ordered drinks, Jason a coke and Danny a signature lemonade before they were left with the menus. Danny gave Jason a suspicious look when he noticed there weren’t any prices but when Jason innocently pretended not to notice Danny huffed and decided not to bring it up.

“Order whatever you want, appetizer and dessert too,” Jason encouraged, putting on his innocent face again when Danny gave him a Look.

“Alright,” Danny agreed with a dramatic sigh, he didn’t need to be pushed too hard though, Alfred had mentioned Danny was almost always hungry, wish was why Jason hadn’t chosen one of the fancy places with ridiculously small portions.

Danny took a while to choose, and asked Jason about a few items and words on the menu. Finally he sighed and put his menu down to indicate he was done. It wasn’t long before the waitress returned to take their order for appetizers and main before vanishing again.

“So,” Danny asked leaning against the table and clasping his hands. “You have questions?”

#danny phantom #Danny is pregnant #trans!danny #jason todd #dead on main #tw dysphoria #damian wayne #dc x dp #finally getting help au #unedited #tell me if you find any mistakes #the date ended up being 2 parts #oops

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graysoncritic · 8 months ago

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A (Negative) Analysis of Tom Taylor's Nightwing Run - Who is Dick Grayson?

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

When asked to describe Dick Grayson’s character, many will say he is good. He is Bruce Wayne’s light, the person he could have been had someone offered Bruce understanding and guidance after his trauma. Dick is a leader. A big brother. A mentor. He is someone people can look up to, someone others can trust. He is “The Heart of the DCU.”

(Williamson, Joshua, writer. Sampere, Daniel; Herbert, Jack; Camuncoli, Giuseppe; Sandoval, Rafa, illustrators. Dawn of the DCU. Dark Crisis on Infinite Earth no. 7, e-book ed. DC Comics, 2022. pp. 28)

Characters, much like real people, are more than just a trait. Jason Todd is more than “angry.” Bruce Wayne is more than just “brooding.” Tim Drake is more than just “smart.” Characters are multidimensional. They have multiple facets, some of which may contradict one another because characters, just like people, are not created out of mathematical equations where two plus two always equals four. Humans are emotional. Their being is informed by past experiences, biology, culture. The intricate combination of these vastly different factors leads to inconsistency in rationality that may not always be logical. Dick being “good” does not mean that Dick can’t be angry, that he can’t make mistakes, or that he can’t lash out or be unreasonable, especially when stressed. Dick being “good” does not mean he can’t brood, does not mean he can’t be suspicious, nor does it mean he will always like everyone. Dick being “good” does not mean he can’t be his own worst enemy, that he can’t be calculative and strategic, that he always needs to be upbeat, or that he can’t be the most intelligent person in the room.

(Grayson, Devin, writer. Zircher, Patch, illustrator. Slow Burn. Nightwing no 93, e-book ed. DC Comics, 2004. pp. 10-11)

Sam Humphries also demonstrated this during his brilliant story, The Untouchable. There, Dick’s relentless determination to save people from the Judge’s machinations grows so intense that it becomes self-destructive. The story demonstrates how Dick’s “goodness” comes from a form of toxic perfectionism that has been with him since he was a child — a perfectionism born of a low self-worth that eats at him from the inside out

(Humphries, Sam, writer. Janson, Klaus; Campbell, Jamal, illustrators. Ruthless. Nightwing: Rebirth no. 37, e-book ed. DC Comics, 2018. pp. 08)

Even the 2003 animated series Teen Titans understood that in trying to catch the bad guy — almost always Slade Wilson in the case of that show — Dick could sometimes go too far.

Dick’s goodness causes him to see himself as a danger to not just his loved ones, but everyone who stands near him. He carries the world on his shoulders, taking the blame for every tragedy and seeing every death as a personal failure. When pushed to its worst, Dick’s goodness becomes an obsession which pushes others away, leading to isolation as Dick’s entire existence narrows down to accomplishing one specific goal.

It is this reductive characterization of Dick – the idea that his one defining trait is that he is “good” – that leads many to misunderstand the appeal of his character. As I mentioned above, characters are multi-facet, and Dick is no exception. However, the ways in which Dick is multi-facet are very different from the ways in which most characters are multi-facet.

Please do not mistake what I am about to say by claiming these other characters are not complex. Or even that some of them might not subvert popular tropes. What I mean saying is that Dick’s complexity is demonstrated differently than what I believe most people are accustomed to.

For example, everyone knows Bruce Wayne keeps his feelings locked up inside. He compartmentalizes his emotions and his trauma in order to solve the puzzle put ahead of him. But everyone – characters and readers alike – understands Bruce is doing this. Everyone can tell that he is hiding something from others and keeping them at a distance. The reader is always aware of how Bruce’s trauma informs his actions, his interactions, and his thought process.

(Grayson, Devin; Barr, Mike W., writers. Davis, Alan; Robinson, Roger, illustrator. Procedure. Batman: Gotham Knights no. 25, e-book ed. DC Comics, 2002. pp. 20)

Take, for instance, Part One of Murderer/Fugitive. Although a major source of tension from the story surrounds the question of Bruce’s innocence, there’s never any question in the minds of the reader and the character that Bruce is hiding something. Tim Drake questions whether Bruce truly did kill Vesper Child and is hiding his motive, while Dick is certain of Bruce’s innocence and instead believes Bruce is hiding his alibi or the clues that would help them find the real murderer. Barbara Gordon, for her part, wavers between the two, but like Tim, Dick, and the reader, she is certain of one thing: Bruce Wayne is hiding something from her, from them… From us.

Similarly, Jason Todd’s anger comes from a place of hurt and a place of love, from insecurities and a need to prove himself. But like Bruce, all of that is clear to see. His anger and his hurt are simple to understand. Please, do not mistake this for me claiming that Jason is not a complex character — instead, I’m stating that his temperament, his trauma, and his actions are so interlinked that they are clear for the reader to see. His character, while rich, is more accessible. It does not take a lot of effort to know that Jason is angry because of what was done to him. It is easy to see that he is hurt because he equates Bruce’s love to the Joker’s death, and therefore sees Bruce’s failure to avenge him “proof” that Bruce does not love him as a son.

(Winick, Judd, writer. Battle, Eric, illustrator. All They Do is Watch Us Kill: Part 3: It Only Hurts When I Laugh. Batman no. 650, e-book ed. DC Comics, 2006. pp. 13) Dick, on the other hand, does not wear his emotions, his motivations, or his goals on his sleeve. Dick keeps his secrets not by constructing an impenetrable wall like Bruce, but through misdirection. This is why those who are unfamiliar with Dick misinterpret him so much. They take what is on the surface at face value because they do not have the character history to serve as context to understand what lies beneath As a Dick Grayson fan (From this moment forward will be referred to as Dick Grayson Fan A) said “good Dick writers teach readers how to read him and bad Dick writers just have that surface level interpretation.” (I was actually talking to her about this idea and how I’m presenting it in this essay. The example I gave was one she suggested after I asked if she could think of good moments that exemplified this idea.)

As an example, we can look at this moment from Grayson, in which Dick sucks a lollipop while receiving a mission assignment. Someone who is not familiar with Dick and is looking at Dick and Helena’s interaction might be easily fooled into thinking that Dick is the pretty, strong, but annoyingly childish and slightly dumb male character who contrasts the serious, intelligent, and highly competent woman. The characters’ expressions, actions, and the onomatopoeias are certainly leaning into that familiar trope.

(King, Tom; Seeley, Tim, writers. Janin, Mikel, illustrator. The Raid. Grayson no. 04, e-book ed. DC Comics, 2014. pp. 02) However, Dick Grayson fans know that when it comes to the mission, Dick is as serious as Batman himself. Highly intelligent, Dick is considered to by many the world’s second greatest detective (there are many instances in canon when he is referred to as such), making him more than just a pretty face who knows how to fight (It should be noted that in this tweet, writer Tom King also ranks Dick as the second best fighter in the Bat Family). Furthermore, context matters. Dick is deep undercover throughout the duration of Grayson, and this scene is set shortly after the death of one of the agents of the organization Dick has infiltrated. In other words, Dick is in a highly stressful situation without allies to provide him with back-up or emotional support.

His posturing in this scene, then, can be seen as an attempt to misguide and misdirect. He does not wish to let those around him – people he is not sure yet if he can trust – know the full extent of his capabilities or perceive any potential weaknesses in his value of human life. Positioning himself as the annoying and childish pretty boy who does not pay much attention to serious matters is a strategic choice that his fans readily pick up on.

That is not to say that Dick’s smiles are all lies. Rather, Dick’s upbeat nature is a natural aspect of his personality that he will exaggerate depending on the setting in order to keep his privacy. He is a natural performer, a showman, and so he utilizes misdirection to his advantage.

A classic example of Dick’s misdirection and how he is misinterpreted by others is how some would characterize him as an “attention seeker.” However, the term “attention seeker” has negative connotations as it implies someone who seeks the spotlight at the expense of others.

That is the opposite of who Dick is. But that’s not Dick is. As a mentor, a leader, and an older brother, Dick will often invite others to join the conversation. He pays attention to what they say, he strategizes based on their needs.

(Johns, Geoff; Wolfman, Marv, writers. Nauck, Todd, illustrator. The Brave and the Bold. Teen Titans no. 33, e-book ed. DC Comics, 2006. pp. 15)

Simply put, Dick is incredibly empathetic and always in tune with those around him. This is why he works so well as both a Bat and a Titan, and why his personality in each team is so distinct. As a Bat, Dick is often portrayed as cheerful, his bad puns are meant to cut the tension, the is the shoulder for his family to cry one; as a Titan, Dick is a leader, he is a strategist, he demands others take things seriously and will not tolerate slacking off, he is trying to instill good work ethics and ensure that the team dynamic stays in top shape.

As JL Bell writes in their essay Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder for the book Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman explains, “in contrast to how Robin behaved with Batman. [Dick] is usually [the Titans’] serious leader.” (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 22)

That is because Dick knows that when he is with his family, he needs to play one role, and when he is with his friends, he needs to play another. The Bats have their strengths, so Dick adjusts himself to play up on those strengths while also making up for its weakness. Same thing with the Titans.

Mark Waid perfectly exemplifies Dick’s adaptability when portraying him in his World’s Finest (2022) and World’s Finest: Teen Titans (2023). There, Dick brings levity to his work with Batman and Superman, keeping an upbeat attitude while still taking the job seriously.

(Waid, Mark, writer. Mora, Dan, illustrator. Manhunt. Batman/Superman: World’s Finest no. 14, e-book ed. DC Comics, 2023. pp. 07)

Yet, when he is with the Titans and feels the weight of leadership on his shoulders, he is more serious, being the one to get the Titans to focus on their objective, getting them to look at the big picture, while also making the most of their abilities as individuals and as a team.

(Waid, Mark, writer. Mora, Dan, illustrator. Team Spirit. Batman/Superman: World’s Finest no. 08, e-book ed. DC Comics, 2022. pp. 05)

So yes, Dick is a performer, a showman, but he is not “attention seeking.” In fact, his use of misdirection illustrates that Dick is a very private person. And how could he not be? While it is true that Dick grew up in the circus, after his parents’ death, he went to live with Bruce, and in doing so, was put into an intense amount of public scrutiny. The murders of John and Mary Grayson happened on a literal stage with dozens of people watching. As a result, Dick’s very private tragedy became a spectacle.

After the death of Dick’s parents, Dick isn’t allowed to disappear into anonymity. He is not afforded privacy to grieve. He is taken in by Bruce Wayne, Gotham’s most famous playboy, billionaire, philanthropic who is also a bit of a selfish airhead (at least, that is how the public perceives him), and as a result, Dick is subjected to an immense amount of public scrutiny, not just from the media, but also from Gotham’s elites, and even his peers at school. Not only that, as Robin, the Boy Wonder and the first ever sidekick, Dick also is put on the spotlight while also being aware of the necessity of keeping secrets.

As a result of having his tragedy broadcasted and having a new mission that requires secrecy, Dick becomes a very private person. He is not an open book; instead, he is meticulous about what he shares and he prevents people from looking at what is not of their business by using his showmanship.

Furthermore, Dick’s role as a performer who, as Joshua R Pangborn describes in his essay about the Robin costume, “experiences […] the full spectrum of emotions, each and every night, for the catharsis of others,” transforms him into a literal vehicle for emotional catharsis and empathy. (Pangborn, Joshua R “Fashioning Himself a Hero: Robin’s Costume and its Role in Shaping His Identity”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 42) In their essay, Bell argues that while Bruce Wayne embodied “the mid-century ideal of the American male,” who is always “in control of his feelings, not letting them overcome his judgment nor displaying them broadly,” Dick Grayson “can express deep emotions, not only his own but Bruce’s.” As such, Dick often acts as a sounding board for his family, friends, team, and romantic partners. As a performer, Dick embodies whatever persona is necessary to create a safe environment where others can process their emotions and achieve catharsis. (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 12)

Dick's performance, then, comes not just from a desire for privacy but also from a deep place of empathy. It comes from a desire to help others work through their own stories. This is why he can step into other's narratives without overshadowing them. In fact, he’ll often elevate those characters by complimenting them and creating the circumstances needed for them to shine. As a performer, Dick is naturally adaptable and always willing to fill the role necessary to create the space required for others to work through their emotional needs.

But, as with everything, Dick’s performance is also a result of his destructive perfectionism. Dick equates “good” to “perfect.” He believes that he can only be wanted by Bruce if he is the perfect Robin, he can only be wanted by his friends if he is the perfect leader, he can only be wanted by his siblings if he is the perfect older brother, he can only be wanted by his partners if he is the perfect boyfriend. As Humphries’s The Untouchable demonstrates, because Dick was raised in an environment where failure could be fatal, he internalized these stakes to every aspect of his life.

(Humphries, Sam, writer. Janson, Klaus; Campbell, Jamal, illustrators. Ruthless. Nightwing: Rebirth no. 37, e-book ed. DC Comics, 2018.pp 20

And it doesn’t help that all of the people in Dick’s life do prove that assertion right. Everyone holds “the Heart of the DCU” to an impossible standard that, when Dick fails to live up to it, he is crucified and punished for it. If he tries to be perfect, he's told off for being the Golden Boy, but if he fails to be the Golden Boy, then he is told off because he let people down when they were relying on him. Ironically, this is done by characters in-universe real-world fans. As Dick Grayson Fan A pointed out in a discussion about depiction of Batman Family members killing their antagonists, “there's always this pressure to have Dick ~fall from grace~ and I do lowkey resent that. Dick should be allowed to be good, not punished for it.”

This creates an environment where Dick constantly needs to maintain perfection in order to be in everyone’s good graces. Failure is not met with understanding and comfort, but with punishment. No one expects him to fail, no one likes when he fails, no one forgives him when he fails. That also means that Dick doesn’t feel safe opening up about his insecurities because to do so would mean “proving” he cannot stay on the pedestal he’s been put on. And so, he is forced to perform the role of a “perfect good guy” by using misdirection so people won’t abandon him for being human (this was said during a very interesting discussion and addressed both canon and fanfic writers. There’s a lot that can be said about Dick’s parentification and how that is viewed in the context of fandom. This is not the essay for it, and, to be perfectly honest, I’m not entirely sure I’m the best person to open said discussion).

Taylor does not portray Dick as someone with this many layers. Taylor’s Dick is perfect simply because he is good. He is the perfect friend, who is always happy to support others. He is Barbara Gordon’s perfect boyfriend. Dick is the perfect older brother, the perfect son, perfect model citizen.

But by equating being “good” with being “perfect” without exploring the negative consequences that come from such pressures, Taylor robs Dick of the emotions that humanize him. In Taylor’s run, a good person will not be angry at their friends, will not be frustrated with their siblings, will never disagree with their romantic partner. This strips Dick of all of his nuances, and instead reduces him to a non-descriptive “everyman hero” with a limited emotional range whose only narrative purpose is to serve as a blank canvas for readers to project themselves into.

Simply put, Taylor is uninterested in writing Dick as a character because he does not see value in Dick for who he is. Nightwing #105, which removes Dick from its story in order to allow its readers to “be Nightwing” illustrates how Taylor and DC at large only value Dick his connections, not for who he is.

(Chen, Jess [jesswchen]. “Tweet Message.” 18 March 2023, https://twitter.com/jesswchen/status/1636971185782259716?s=20.)

Be Dick, and you can be good friends with Superman! You can be Batman’s son! You can be Batgirl’s boyfriend! Robin’s big brother! Flash’s best friend!

As a Dick Grayson fan, this feels insulting. I’m not saying Dick needs to be anyone’s favorite character, or that anyone even needs to like him. I’m not interested in dictating anyone’s taste. But to someone who loves Dick Grayson, it is insulting to think that those responsible for his stories fail to see his value. To Taylor, the person who, as the writer for both Nightwing and Titans, has the most control over Dick’s portrayal, Dick is nothing but a tool that will soon wear off its use.

In treating Dick as such, Taylor and DC send a clear message to those of who love Dick, and that message is that the things that make Dick special, the things that made us love him, do not matter.

For his near century long existence, Dick served as a stand in for those who feel othered in society. While I do not have the time to go into a gender studies and queer reading of Dick, it is notable that his character often spoke to many people who felt different. As Mary Borsellino’s 2006 essay “A lot like Robin if you close your eyes” Displacement of meaning in the Post-Modern Age explains:

The things which a Robin-like figure can contain, but which are cut off from being embodied by Robin himself, lose none of their importance simply because they are rejected by a restrictive, corporate-controlled status quo […] It's worth inspecting what was excised from Robin, and charting where these elements instead found articulation: in those from lower socioeconomic backgrounds; non-White people; young single parents; and HIV positive people. And, especially, girls and women (Borsellino, Mary “‘A lot like Robin if you close your eyes.’ Displacement of meaning in the Post-Modern Age, 2006)

While Borsellio’s essay focuses on the Robin mantle, as the creator of said mantle, such assertions can also be applied to Dick. In fact, Bell concurs with the idea that those who were othered have always took a preference to Dick when stating that “Robin’s status as the littlest guy in the fight increases the character’s appeal for some children, especially the ‘youngest and weakest.’” In other words, it is crucial to Dick’s character that he is not an “everyman hero.” He is not the hero of or beloved by the average individual, but rather by those who were ostracized by society.

Taylor’s writing exemplifies the “restrictive, corporate-controlled status quo” imposed by DC that Borsellino speaks of. His characterization is the manufactured image that removes Dick’s “socially deviant/rejected” qualities his fans loved about him so that he can be palatable to a more mainstream audience. (Bells, JL “Success in Stasis: Dick Grayson’s Thirty Years as a Boy Wonder.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 11)

This, of course, is not necessarily new. As Mason Downey argues in their 2015 essay In Defense of Dick Grayson: Objectification, Sexuality, and Subtext, DC has often struggled between leaning into the audience Dick has and wanting to erase any “othering” elements from his character. As they point out:

The more sexual and idealized Dick was allowed to become, the more attention he got from female and queer fans, the more the industry had to work to combat the past anxieties revolving around the character. This resulted in more and more heteronormative romances for Dick on the page. We can’t grant Wertham’s fears any legitimacy, we can’t make these stories “for girls.” Writers did so in a few ways, some obvious, some less so. On the page, we had Dick’s deflection of female sexuality that he was not in control of, and we had a level of emotional posturing with relationships he was in control of. We had moments where we saw him manipulating with or being manipulated by sex. There were editorial pushes to lean into Dick’s popularity with women and queer men coupled with the simultaneous desire to not acknowledge or grant legitimacy to the fanbase he found in those demographics. This translated to more sexualized poses. More pin-up style spreads. Multiple bait-and-switch wedding, marriage, and relationship teases which turned out to be fakeouts or got written out. Long strings of female side characters were introduced exclusively to be love interests. Off the page, we had more concrete examples. We saw a lack of merchandise and lack of representation of him in other forms of media. There was a pervasive hesitancy in broaching his existence outside of the spheres of already established fans. For example, Nolan’s The Dark Knight Rises featured Joseph Gordon-Levitt playing a character literally named Robin, who was invented for the film franchise rather than allowing Dick himself to exist in that cinematic universe. Dick Grayson is a character built upon one repeated mantra aimed at what eventually become two of his largest demographics, “Remember, this is not for you.”

(Downey, Mason “In Defense of Dick Grayson: Objectification, Sexuality, and Subtext” Women Write About Comics. December 2015)

What makes Taylor’s run unique is that in trying to have Dick tackle social issues such as homelessness and in trying to create a class commentary, Taylor attempts to create a progressive, albeit simplistic, veneer while erasing the important and “other-ing” aspects of Dick’s character that was so beloved by his fans.

This, I believe, is one of the many explanations why many of those who praise Taylor run claim that this is the first Nightwing run they ever enjoyed, while many (though admittedly, not all) those who have been longtime Dick Grayson fans feel betrayed and frustrated by the way their beloved character is being handled. Dick is currently being appropriated into a more mainstream, palatable hero. He is being taken from those who loved him and being scrubbed clean to be suitable for an audience who could not appreciate him for what he was, only for how his connections could give them a wish fulfillment fantasy. As another Dick Grayson fan expressed:

I see no heart in [Taylor’s] work, only soulless marketing. He sells himself as something good and work on his perfect public image and everyone who disagrees is wrong and it gets on my nerves like nothing else. […] I wouldn't be as salt[y] if Taylor was genuinely trying to writing something good. I don't have the heart to [be salty] at someone working with passion, even if I don't like it.

(Henceforth referred to as Dick Grayson Fan B... This was actually said during a discussion in which we expressed how we wish we could be as excited about Taylor’s run as many others are.)

#nightwing #dick grayson #anti tom taylor

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