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#each one is like a painting
stickersgeorg · 1 year
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These were some really cool freebies and I love them so much!!
From @zuccnini's etsy :D
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not-roboto · 11 months
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The Gang (20 cm x 20 cm, oil on paper) a series of small paintings I made of the backs of the gang.
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funkle420 · 4 months
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no talk me i angy cant stop thinking about my girlfriend who's been kidnapped by a crazy powerful ancient magician
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hinamie · 2 months
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ik i've done like 5 panel redraws from 265 alone but this is the last one promise
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fudgecake-charlie · 10 months
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CHEERING AND WHOOPING I finished @applestruda's DTIYS! This took. so long.... first finished painting in over a month though so I'm very happy :D
Closeup (and a phonescreen version, this is already desktop sized!) under the cut
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princema-k · 10 days
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so draw your blade, you wretched fiend and let's you and i fight like the dishonourable dogs we are savage, violent, yet free and when the curtain calls, let me put you out of my misery
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hermesmoly · 17 days
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Zeus and Hera in a nutshell
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vivid-adventurer · 5 months
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I binge watched a playthrough of Peach Showtime and man she has so many cute fits I had to draw ALL of them
I also will be selling these as stickers starting mid-May so 👀 keep ya eyes peeled on my kofi perhaps?
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kitamars · 8 months
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high school joui 4 shenanigans
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phier · 5 months
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You are not a ghost haunting yourself
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its-a-beautful-day · 7 months
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In memory of Kaiju and as a gift to @kaijutegu
I wanted to represent tumblr's favorite lizard with her favorite food and the smile we'll remember her by 💖
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desceros · 6 months
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tries to sleep, fails, gets melancholy, copes by writing purple turtle fic donatello/reader, gn!reader, rated t, 1.6k. insomnia, friends to.... friends, (were you ever just friends? are you something more? what is love if not friendship shifted an inch to the left?), yearning, yearning, yearning, yearning—
Donatello is sleeping.
Hefting a fatigued sigh, you hover in the doorway to his bedroom for a moment. Staring at his face, taking it in. He’s gotten unfairly handsome as the years have gone by. Beautiful, even. Pretty angles, sharp defined lines, dark seductive eyes. Like this, unmasked, slack in sleep, it’s free for you to look as much as you want. More than you can during the day. A little secret thing just for your own heart’s keeping.
…Best friends shouldn’t want to stare at each other like this, you think with an ache.
It’s late. You can’t sleep. Lying down has provided nothing but racing thoughts you can’t quiet. Things to do tomorrow. Things to say when you see someone. Things to write down if you can hold them until the morning. Things, things, things. So many things in your head, ten thousand little voices like little snowflakes in your skull. Each small, powerless; but together, a force too mighty to outrun.
And Donnie is sleeping. Normally he’s awake. Fiddling, poking, prodding, studying, twisting, cracking, bending. Available to draw you into sleep. Always soothing, petting your hair, cooing at you until you drift off at last to the dulcet sounds of his low rumbles.
But not tonight. Tonight he sleeps, pretty in his sheets even as he’s all sprawled out and drooling. Cute. He’s cute. He’s cute and close enough to touch but so, so far away that you know you never will. Not like that. Not like that. 
It’s late. You can’t sleep. 
Slowly, not wanting to wake him, infuriated with yourself just at the thought that you’d risked it by lingering as long as you have, you peel away from his door frame and sneak into the living room. The couch greets you again. Inviting, soft. It smells like turtle ass. Popcorn. Movie night. It smells like family, like home. Scratchy beneath your cheek. You’ve been meaning to get them some new pillows. The way Mikey had laughed so hard he’d snorted his drink. Leo’s squawk when it got all over him. The weight of Donnie’s arm on your shoulder when he’d leaned on you while laughing until he got the hiccups. His cologne, new, smells nice. You should tell him tomorrow.
(You can’t tell him. There’s no way for a best friend to look at the other with pupils shaped like hearts and be the same. You can’t tell him.)
Heavily, you sigh. It’s late. You can’t sleep.
You sit up. Get up off the couch. Stretch a little before exhaling and walking around a bit to try and work off some of this excess energy. The darkness of the living room isn’t so much, anymore, what with how your eyes have adjusted. You can see the pieces of the evening strewn about. A pizza box that Splinter’s going to find in the morning and yell at the lot of you for not throwing out. Raph’s teddy bear, leaning against the other couch where he’d been pretending he hadn’t been using it to hide his face in the scary parts. Mikey’s cup, half-full, forgotten in Leo’s panic to find paper towels. And—
—Donnie, standing in the doorway, bleary-eyed, arms folded. 
“Why are you awake?” he asks, voice tumbling over your ears like rocks on a riverbed. Guilt strikes you like a blow. He’s exhausted. You’ve woken him up.
“I’m sorry,” you say as an answer, tangling your fingers in the shirt you’d borrowed out of his closet. The shirt you always borrow. The shirt that’s half yours, now. 
Donnie’s quiet. You sink your teeth into your lower lip and hope he’ll shrug and go back to bed. Maybe, if he’s lucky, he’s got enough sleep juice in him that he’ll drift right back off and forget this happened. 
He doesn’t. “…Can’t sleep?”
The guilt burns your skin like sand in the wind. You smile and pretend. “I’ll be okay. Go back to bed, Don. You need it more than I do.”
He doesn’t. 
“…Please?” you try again. 
You’re met, instead, with a sigh. He rubs the back of his head where his mask would tie if he were wearing it. Lets his arm fall to his side—ah, except no. He’s holding out his hand, palm outstretched, inviting you to come close. When you don’t, his beak wrinkles. “Come here.” 
You take a few steps closer, but don’t take his hand just yet. “What are you doing?”
“Just come here,” he says again, curling his fingers a few times in an imperious grabby command. You come closer. He opens his tired eyes in a squint, mouth dipped into a frown, and his gesture gets more demanding. “Come here.” 
Stepping closer, closer, closer, finally you get within range. You realize he wants your hand the moment he loses patience with you, watching as he rolls his eyes and reaches out to encircle your wrist with strong fingers. They eclipse the bones there easily, tugging as he turns, pulling you out of the living room. 
“Don—” you start to protest, but he stops you with a breath.
“Stubborn,” he accuses, though there’s no heat to the word. The scoff is thick on the back of your tongue—Donnie of all people calling you stubborn—but you don’t let it out, knowing it’ll be too-loud in the pitch night. 
He pulls you into his room, the very room that had been such a sweet siren song to you earlier. He pulls you towards his bed. He pulls you in behind him when he settles in. He pulls you beneath his blanket. He pulls, pulls, pulls, until your chest is flush to his plastron and his arm is around your waist and his breath is in your face and your heart is in your throat.
It’s late. You’re not going to be able to sleep.
“…Go to sleep,” he says after a few seconds, doubtless able to feel the way your pulse is like a hummingbird against his skin. 
“Sorry,” you say in lieu of—anything else. You don’t dare try to say another word, unsure of what exactly would tumble out instead. Perhaps a sweet poem about the texture of his skin against yours. Maybe a lament that he feels the need to tuck his thigh between yours so so so close to where you wake in a pool of sweat dreaming of his touch. Or possibly a whispered confession that tastes like lightning and blood and sugar all at the same time; that you want this but not this, you want this but more. 
Gently, a forehead bonks against yours. Dark eyes open and meet yours, centimeters away. He studies you, and you watch the gears turn. More slowly than usual, lethargic even, because of his slumber. 
“You’re thinking too much,” he murmurs. Dumbly, you nod. “Need to talk about it?”
“…Yeah,” you admit, then, “…but I won’t.”
He doesn’t like that. A frown mars his beautiful, beautiful face. 
“Why?”
You swallow the incredulous laugh, the kaleidoscope of responses. They’re all irrelevant, impossible to share, save for one. “You should sleep.”
Donnie’s hand tightens, fingers curling in his—your—shirt in the small of your back. “So should you.”
“Yeah.”
“…”
“…”
“…I don’t understand.” The confession, rare, makes you sigh. 
“…I don’t either,” you tell him. And you don’t. Why did you have to feel this way for him? Why couldn’t it be someone easier that stole your heart? Why does it have to be the one person you can’t stand to lose? Why does he have to be so comfortable touching you like this and making it hurt even worse? Why can’t you stop feeling this way?
Why can’t you sleep? Why can’t you sleep? 
His fingers unfurl from your shirt. His hand dips beneath the hem, finding the skin of your back. Slow shivers spread like little earthquakes as he strokes along your spine, tectonic caresses that ripple and destroy. It's familiar enough a touch that you don't stop him; unfamiliar enough that it rends you inside out.
Donnie leans in. Ghosts his lips along your jaw. It’s not a kiss; you’re just friends, after all. But it’s a sweet caress that feels good, all the way to where he lingers at your ear, whispering there, quivering at the touch that's too close to something else to be fair. “Close your eyes.”
You have one rule: listen to Donatello. So you do; you close your eyes, let his nails drag down your back, let his mouth press warm into your pulse, let his chest rumble with churrs that fill the night air with something akin to a lullaby. His legs curl around yours, mixing, confusing, making the separation of you disappear. 
It’s… maddening. You hate this. You love him. You love him so much. You hate that he can do this so easily. 
“Shhh,” comes the gentle coo against your skin, like he can tell you’re pulling away from his intent. You obey that, too. Donnie says to be quiet, so you quiet. Thoughts, movements, words; all of them fall away at his beckoning. “Just like that. Good.”
Good, you think, feeling a little fuzzy. It feels good to be good for him. God. You’d be so good for him—but no. None of that, now. Not when you can pretend that these little presses of his lips are kisses. That the thickness of his thigh pressed to your shorts means something. That his hand scratching lines in your skin is something meant to claim as much as it is to calm.
“Making me work for it tonight,” you hear him mumble, half-conscious of the words, not sure if they’re real or part of a dream he’s built for you. “Good job, sweetheart. Just like that.” 
More brushes of his mouth. A slow glide of tongue. A lovely dream, you think, finally letting your muscles go slack. A dream of a Donatello who would hold you like this, talk to you like this. A Donatello who is more than just your best friend.
It’s late. Finally, warm and held and pulled into a sweet dream, finally, you sleep.
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hinamie · 4 months
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clingy
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dustykneed · 29 days
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(tsfs feels anyone? fanart below.)
You've been in his head.
But he says, never faltering, the words,
"I choose the danger."
It is in that moment that you understand:
He could never, would never,
Has never hated you.
Now you realize:
this is what humans refer to as love.
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averlym · 1 year
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litany of the martyrs (click for better resolution!)
#at some point i wanted to make an illustration for each character but in retrospect maybe each is multiple song-coded..#drew the sketch for a quincy thing after a chat with a mutual reminded me this song existed dfsghjkl and then spent weeks rendering this#quincy cynthius martin#adamandi#i'm finally done with this! the saints especially were joys to paint and the halo a menace.... this has been the most ambitious one so far.#but it also took quite long because i only worked on it <engages with quincy> when mentally okay to deal with the themes. i'm not religious#but i do identify with the irrational(?ish) guilt + family legacy + academic achievement + disregard for self. also more complex thoughts#about love [but depsite quincent being a large part of quincy's character this piece deals with mostly the Rest of it. so another time..]#anyways! in the original sketch- the saints had heads bent towards quincy so the halo spikes pointed at him. but this worked better! halos#of the saints implying/creating one for quincy was a concept from the start though. in the show they don't touch him directly here but#differences in mediums i think- i don't have time in an image to craft a narrative so everything has to be happening. also artistic liberty#misc inspiration for this includes stained glass windows. i might have maybe misinterpreted the saint costume but i think i logic-ed it out#as the cloth part following a nun's habit w the hood. and then halo above. the material is also more transparent originally but i had. um.#too much fun painting fabric folds.. if you look closely you can see the basis of faces though behind the cloth; but only the vague shapes#because smth obscurity + inhumanness// cassian is the only one i gave a mouth though. that stems from melliot's post about the saints and#st cassian as spokesperson (<- did research teehee!) that's also how i found out which costume = which saint. speaking of which.#left to right: 'st lucy take my hand' // 'st lawrence give me strength' (presses quincy forward; but hand on shoulder connotates guidance)#/'st cassian help me smile' (quincy's mouth is btwn a grimace and a smile; tilts up at side. also no direct touch bc added insidiousness.)#//'st jude [...] i hope your causes burn' (jude's hand is in two places to show movement- nearing the flame and then snatching back; burnt)#other notes: at the midst of the flame the core is shaped like a human heart /the saints and their wax are all melting like the candle for#fun visual effect and also this way they are even less tangible <real>. perks of painting as a medium i guess. // also insp from icarus?#wax and burning imagery; looking at the halo and rays as parallel to sun that burns. too close to the sun; melting; hurting; hurtling //#candles at bottom are a nod to the frankly gorgeous set// also the entire composition kind of stems from the lyric <what use is a candle if#both ends aren't burning>; the two sides between the concepts of catholic guilt and academic perfection that spur quincy#the halo above (saints and guilt; litanyofthemartyrs) and the 'halo' below (academic papers; insp from choreo for perfect at school)#the papers were originally supposed to be more glowy. but i like the idea of it now being a reflection of how quincy's priorities shift#also of note is that <candle> in centre = quincy; w burning candle + aforementioned heart in flame -> most human; idea of love + passion#last thoughts: kneeling + hands close tgt = prayer //wax dripping onto the red As make an effect that looks like blood. because i like#hiding that within the adamandi pieces :OO continuity!! // i've run out of tags but yeah! had fun with this one! every so often i go a#little insane in making art and the final result astounds even me. ngl i'm quite proud of this one. pretty colours <3333
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valcaine · 1 year
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it’s been so long
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