#each of these is at least 50 issues

[geoffreystjohn]

i'm gonna do all of these eventually but i can't decide lol. also i'd be reading them from the beginning (+in fleetway's case i'll probably read stc online too, and with archie i'd try to piece together the side stories in order lol)

[ohsweetflips]

my neutral dragon age trait is that 50% of the time i'm like "the more i critique the games, the more i love them. i can appreciate each game for what they are but my criticism and frustration over what they could be are a sign of love" and the other 50% is like "this is the writing of the dragon age series. sure. why not. this may as well happen."

[kira-akira]

What I Want You To Know About Long COVID

Well lads, I've been suffering from Long COVID for over a year now. My life is at a complete standstill. I'm 25 years old and I'm too sick to go back to school, I can't work, I had to move back in with my parents and I'm still stuck here.

Here are just a few things I wish people knew about Long COVID, including things I didn't know myself until I got it.

COVID destroys your immune system. Yes, even if you don't have Long COVID. Are you getting sick more often now? When you get sick, does it last longer? There are many studies showing that COVID causes t cell depletion, even in mild COVID cases! T cells are how your body remembers how to fight off infections you've had before so losing those cells? Bad news.

Your initial infection can be mild and you can still get Long COVID. Right from Yale Medicine, "Most people with Long COVID had mild acute COVID." (This is also a good link for a basic Long COVID overview).

There can be a gap of time between when you "get better" from the initial COVID infection to the onset of Long COVID symptoms. Some people get sick with an initial COVID infection and never get better. Some get better and then weeks or months later start developing Long COVID symptoms. Long COVID symptoms can even fluctuate over time, can go away for months and then suddenly come back.

So many people have Long COVID and don't realize it. Do you feel more tired lately but no matter how much you sleep, nothing helps? Is it harder to concentrate at work or school? Can you just not think like you used to? You could have Long COVID and not even know it. Even mild post-COVID symptoms are still Long COVID.

COVID can do anything to your body. Long COVID has over 200 recognized symptoms and can affect basically any part or system of your body. There is no one mechanism or cause of Long COVID which unfortunately also means there's no one cure either.

The effects of COVID are cumulative. Each COVID reinfection increases your chances of developing Long COVID. COVID is also affecting your body in other ways, yes, even if you're otherwise young and healthy! "Repeat COVID-19 infections increase risk of organ failure, death".

Once you have Long COVID, repeat COVID infections will make your symptoms worse. "80% [of Long COVID patients] saw their symptoms worsen [from reinfection]. In 60% of people who were in recovery or remission from Long COVID, reinfection caused a recurrence of Long COVID."

There is a lot more I want to say about Long COVID but I want to keep this post at least somewhat manageable to read. Like how when COVID is contracted during pregnancy, those COVID-exposed fetuses have a 6.3-fold increased risk of motor developmental delays, or that another study found 50% of babies exposed to COVID in utero had developmental delays.

You need to keep caring about COVID, for others around you and also for yourself even if you're "healthy". Everyone is at risk. And don't forget 40-60% of COVID infections are asymptomatic, which is why masking even if you feel fine is crucial. The only way right now to not get Long COVID is to not get COVID in the first place. It's not too late, if you've stopped masking it's never too late to start again! I know it's easy to get distracted by things in your life that seem more real than the possibility of getting sick some time in the future, and the peer pressure to not mask can be intense. But it only feels less real or less important until your entire life is having Long COVID. Trust me.

I know this is a complicated issue, many people can't afford to stay home when sick even if they want to because of their jobs, there are disgusting policies trying to ban wearing masks, but please if you can. Keep masking. Masking works, masking saves lives.

This post got a bit longer than I wanted so below the cut is a non-exhaustive list of my Long COVID symptoms and some of my experiences as one of the "healthy young people" who got "unlucky". cw brief mention of suicidal ideation.

Welcome to the Thunderdome that is my body with Long COVID. Keep in mind these are just my experiences and symptoms, Long COVID can cause any range of symptoms at varying severities.

Dysautonomia: Exercise intolerance, Post-Exertional Malaise (PEM), fatigue, and heat intolerance. What do those things mean? Here's some specific examples. Absolutely terrible circulation I am so cold all the time but also, if I get a little too warm I will pass out. Eating hot food makes my heart rate spike, I sweat, my body feels heavy. Blood pooling and pins and needles in my feet when I walk. Don't even think about exercising past walking, it's impossible. I used to work out an hour a day 4 times a week and now walking up one flight of stairs makes my heart pound and I can't breathe. Can't take even just warm showers anymore or I will pass out. Heat rashes from being in the sun for 10 minutes.

Digestive issues: Honestly too many to name but: constant bloating, extreme nausea, constipation, slow motility, lack of appetite, just so much cramping and pain. I lost 18 pounds from Long COVID, as someone who was already considered underweight their entire life, and almost had to get a shunt put into my chest to deliver nutrients because I was nearly completely unable to eat. For the first 6 months of Long COVID, if I could manage 600 calories a day, that was a good day.

Histamine intolerance: Oh boy. My worst symptoms, I don't even know where to start with it. If you know Mast Cell Activation Syndrome (MCAS) it's very similar. I can only eat 19 foods. If i eat a single bite of something not on that list, it's 48 hours of absolute hell. Coughing, migraines, itchy eyes, such extreme nausea I cannot even describe it, panic/feeling of doom, racing heart rate, derealization, rash, uncontrollable muscle tremors. I only learned about histamine intolerance 5 months into having Long COVID so before that, I was experiencing these symptoms nearly every single day. Terrifying isn't even a strong enough word to describe how it felt to experience all this and have no idea what it was, how to stop it, or if it would ever stop. Really dark times.

Neurological issues: More of that derealization. Inability to concentrate. Anxiety. OCD-like symptoms such as thoughts getting "stuck" in my head, repeating 24/7 completely unable to stop them, genuinely felt like my brain had cracked open and I had lost my mind. Constant dizziness like I'm on a boat.

Sleep issues: I sleep like garbage. I have insomnia, I wake up dozens of times every night and every single time I sleep I have intensely vivid dreams. I can't sleep longer than 7 hours total no matter how exhausted I am. It is exhausting. I'm exhausted, I'm so so tired.

And finally. Just. Really intense suicidal ideation. My body, my health, my entire life has been stolen from me because someone else decided my life was worth less to them than wearing a mask or staying home if they feel sick. Before I got Long COVID, I was preparing to go to South Korea to teach English, then on to a PhD in neurolinguistics, I was supposed to meet my long distance partner and had already booked plane tickets when I got sick. All of that has been destroyed.

Most of us with Long COVID are stuck in a cycle of being extremely sick, then if you're lucky you'll slowly get better over months, just to get reinfected and go right back where you started or worse. Honestly, I'm not scared of dying from COVID. I'm scared of living for a long time, suffering from Long COVID the entire time. This isn't living.

I don't know how to end this now. I'm still fighting, I'm trying experimental treatments, I'm not giving up yet. I hope everyone reading this stays healthy and well.

[littlcdarlin]

Event Horizon

summary: When you start university to do your master’s in physics, you are more than surprised to meet your professor: Joel Miller, an old friend of your parents' who moved away years ago. word–count: 15k warnings: professor kink, power imbalance due to Joel being reader's professor, illegal relationship (overage & consenting), dbf!Joel, big fat age gap (unspecified but written with early 20s & mid 50s in mind), unprotected piv, just overall daddy issues (no use of the word daddy)

note: Okay, time to tell you I am a big nerd and studied physics in uni. Truth is, I quit to pursue a career in the arts, so my knowledge of masters level physics is...a little rusty. Please be lenient with me if I messed anything up. Also, I know most people hate physics, but I promise Joel makes it hot. Warning: explanation of the Dirac equation as foreplay. Also, I'm European and have no fucking clue how the American education system works but I don't care enough to do research. Enjoy <3333

event horizon noun ASTRONOMY a notional boundary around a black hole beyond which no light or other radiation can escape. a point of no return.

Uni felt different at eighteen, when everything was about moving out, drinking beer at frat parties, and kissing boys who didn’t grow up in the same town you did. It was an exciting time, the degree itself fading into the background of all sorts of new experiences, but now that you’re doing your masters, you plan on focusing on your your grades more than on partying.

You enrolled in a new university, farther away from home, with a better physics program, and although you’ve grown up considerably, you still feel that tingle of anxiety you did when you first walked to your dorm, fresh out of high school. This time you won’t have to share with another student, spending your saved money on a bit of privacy that is a single dorm room, but still, you wonder if you’ll make friends here, or if you’ll spend your night hauled up alone, watching trash TV and crying because you’re lonely.

The room is small, blank, but functional with a bathroom you share with another student and a small kitchenette, and immediately you dream of all the ways you could decorate it. You didn’t bring much, just a big suitcase and a few boxes your Dad dropped off earlier. You feel slightly guilty for leaving your parents behind, but the relief outweighs the guilt – you won’t have to come home every Sunday for dinner, visits will be scarce. You love you parents, but the distance is much needed.

You get to unpacking your clothes, reveling in the fact that you can listen to music without headphones in your very own space. You could do it in your underwear, or naked, you could sing and dance along, and nobody would be bothered by it. It’s going to be a tough two years, the program you chose more than challenging, but a childish sort of giddiness fills you – no roommate to be considerate of, no parents to visit and take care of every week. This time in your life is about you, and only you – your career, but also your well-being. You promise yourself to do what makes you happy, instead of looking out for everyone else all of the time, and you’ll start by ordering Thai food and watching the trashiest movie with the hottest actors you can find on the little flatscreen you brought with you.

***

Your first lecture is Computational Physics – the one you’re looking forward to the least. The reason you decided to study physics at all was the predictable logic behind each problem, but the more you studied, the more complex the problems got, until they were impossible to solve analytically. Now you get to solve fluid dynamic equations and simulate quantum systems on a Monday morning instead of having a peaceful cup of coffee and taking a walk around campus.

The lecture hall is big, and you pick a seat that is neither too far away to be able to read the professor’s notes, nor close enough to immediately be pinned as an over-eager teacher’s pet. In the end, you plop down next to a girl who’s sitting alone, something about her shaved head and countless earrings making you think she wouldn’t make fun of you even if you didn’t understand a single thing all lecture.

"Okay if I sit here?", you ask somewhat timidly, trying hard not to sound too much like an eleven year old Ron Weasley boarding the train to Hogwarts.

"Please," the girl answers, "I don’t know anybody here."

"Did you move here, too?"

"Yeah, I’m from New York."

"You look it," you say with a smile, eyes drifting over her clothes and jewelry.

"Thanks…I guess?", she answers, her grin revealing a charming gap between her front teeth. "I’m Alva."

You introduce yourself, thankful to have found someone you can stick to already. Throughout the lecture you find out that apart from being much cooler than everyone else in the room, Alva has a biting sense of humor, and a near endless knowledge of computational physics. You make a mental note to ask her to study together, her explanations much easier to understand than the professor’s.

The two of you spend your lunch break together, and you tell her a little bit about yourself, but way too soon it’s time to go already – you have Advanced Quantum Mechanics in a different lecture hall. This you find way more interesting, basic quantum mechanics was one of your favorite lectures during your bachelor’s degree. As Alva and you sit down, you find yourself hoping you’ll be able to help her out this time, or you’d feel like a leech for making her help you with Computational. She doesn’t seem bothered, though, and keeps babbling happily about a band she recently discovered.

"– Britpop, but they only put out two albums. I think they were like a student band or something? They’re wildly underrated, I’ll send you a song, their debut is called The Sun Is Often Out."

Your thoughts start to wander off a little, eyes drifting over the old-fashioned chalkboards, when the door at the front of the lecture hall opens, and a tall man walks in – a man you recognize.

"Holy shit," you whisper, interrupting Alva’s rant about the Longpigs, and she turns her head to look at what you’re staring at.

"Damn," she says with a grin, "if I wasn’t gay, I’d want a piece of that."

"No," you snort, "I know him. He’s my Dad’s friend."

Alva opens her mouth to say something, but at that moment, Joel Miller steps forward, checking to see if the microphone is working, and introduces himself to the hundreds of students in front of him. His voice is deep, and as warm as you remember it, but that’s where the accuracy of your memories ends – your childish brain failed to register the tanned forearms and rolled up sleeves, the carelessly styled curls, the perfect side-profile. He’s got grey streaks in his hair now, which should send you into a crisis about time passing and your own little life being finite, but instead it makes your stomach swirl with something dangerous. Joel Miller, the Joel Miller, who organized backyard barbecues with your father and bought your favorite vegan sausages when your Dad rolled his eyes at you, who made strawberry lemonade instead of lemon, because he knew you preferred it, who helped you with your physics homework when you were graduating high school and didn’t rat you out when he caught you smoking at seventeen – he’s handsome.

There’s still a familiarity about him, the way he moves and talks, although it’s unsettling to see him in such a different environment. You’re used to band-tee-Joel, beer bottle and tongs in his hands, a breezy smile on his face. He looks different here, in a white button-down, with a stern expression on his face, as he’s reading the names on his list to check attendance. When he calls Alva’s name and she raises her hand, his eyes flicker upwards, but he doesn’t look at you. Still, your stomach lurches. If you listen carefully, you can detect that southern twang in his voice you’re sure most people would miss, and it fills you with satisfaction to know you’re the one who knows him best in this room – you’re sure half the lecture hall must see how attractive he is.

When he reads out your name, there’s a surprised lilt to his tone, and your heart threatens to skip a beat.

"Here."

Your eyes meet, and although his expression doesn’t change, he holds your eyecontact for a second too long. Alva nudges your side and grins.

Your plans about outshining Alva and returning the favor of helping with a lecture are quickly buried by Joel Miller’s beautiful hands – thick fingers holding a piece of chalk almost tenderly, twirling it around when he isn’t writing on the chalkboard. You vaguely register him introducing the Dirac equation, but as interesting as you would normally find it, your thoughts are stuck between memories of barbecues and the realization that you will have to call the man who taught you to drive Professor Miller.

If Alva notices your wandering mind, she doesn’t comment on it, which you’re thankful for. You do notice her throwing you a couple of knowing glances, as you copy down what Joel is writing down, mixing up gamma, delta, and the Dirac spinor.

"Alright, so you all know how Schrödinger’s equation works great for quantum mechanics, but it doesn’t play nicely with Einstein’s relativity, right? That’s a problem because electrons move fast, sometimes close to the speed of light, so we need an equation that respects both quantum mechanics and special relativity. That’s where Dirac steps in."

He’s still got that warm way of explaining things your Dad never managed when you needed help in high school, like he enjoys clearing things up for people. He’s a born teacher, patient when you panicked in the car because you confused the clutch and the break, persistent when you wanted to throw your physics book against a wall. Look, kid, think of it this way: Push harder, it moves faster. Make it heavier, it’s harder to move. If you apply a force F to an object with mass m, it will accelerate a. That’s why your Dad’s car takes longer to stop than your bike. Even now, he manages to make a far more complex equation than Newton’s second law tangible.

"Dirac's equation is like the grown-up version of Schrödinger’s equation. It explains how particles with spin-half, like electrons, behave when they move at relativistic speeds. The gamma mu matrices make sure the equation works in four-dimensional spacetime, meaning three space dimensions plus time. The psi is a spinor, which is just a fancy way of saying that an electron isn’t just a simple wave function, it actually has spin built into its nature. Now, can anyone think of a situation where we would need to use this equation instead of the regular Schrödinger equation?"

Nobody raises their hand, most people still busy with writing down Joel’s complicated notes, and as if on cue, his eyes are on yours when you look up from your notebook. He raises an eyebrow, and you see the corner of his mouth twitch almost imperceptibly. Then, he calls your last name, a formal Miss dripping off his tongue as if he hasn’t called you kiddo for most of your life. It’s almost like he’s making a joke only the two of you are able to understand, and the thought thrills you to your bone. Two can play this game – you smile back.

"Sure, Professor Miller. You’d use it for studying high-energy particles, like electrons in particle accelerators, because it accounts for relativistic speeds. It’s also needed for situations where particles are created or destroyed, which Schrödinger’s equation doesn’t cover."

Again, his eyes linger on yours, and his slightly amused smile turns into a more genuine one at your answer. You let out a relieved sigh.

"Exactly," Joel answers, his attention on the rest of the class again, "Someone payed attention during Basic Quantum Mechanics. Now, here’s where it gets wild. When Dirac wrote this down, he realized it naturally predicts antiparticles, meaning for every electron, there should be a mirror-image particle with opposite charge, which we now call the positron. That was a huge deal because it wasn’t something people were expecting, it just fell out of the math."

For the rest of the class, Joel doesn’t continue that little game between the two of you, but whenever he asks a question, his gaze flickers over you, and your stomach gives an embarrassing little jump. Alva grins whenever this happens, but for most of the class she’s busy following Joel’s explanations.

"I want you to read up on today’s lecture," Joel says at the end of the lecture, and writes down a few page numbers on the chalkboard, "and solve the problems I mentioned earlier. Attendance isn’t mandatory, we’re all adults here, but I urge you to come if you’re interested in graduating in the next three years. Trust me, it’s easier to just do the work here than in your dorms. Now, enjoy the weather, see you Monday."

You and Alva pack up your things, and before she can ask you which class you have next, you pick up your backpack.

"I’m gonna say hi to him," you tell her, nodding in Joel’s direction, "my Dad and him go way back."

"Sure," Alva says, a cheeky smile on her face, "it’d be rude not to."

"Meet you outside?"

"I’ll be at the vending machine. Go get him," she jokes, and you snort.

Joel is packing up his course materials when you make your way down the steps and to his desk, but he looks up when he hears you coming towards him, and immediately his face splits into a smile. If you were anywhere else and ten years younger, he’d probably ruffle your hair.

"Good lecture," you say, "Dad didn’t tell me you’re teaching again."

Joel puts his piece of chalk into a tin box and nods.

"I don’t think he knows. You know how it is, we never get around to callin’ and I haven’t been home in a while."

So this is a new development, perhaps even Joel’s first semester back at university, too.

"What about the contracting? Don’t you miss the…pipes?"

He chuckles at your lack in basic contracting knowledge, his eyes not moving from yours.

"Ah, that was always Tommy, he just needed a little help. Company’s doin’ well now, though, so he’ll manage without me."

You think you remember Tommy – a man good-naturedly chasing you and the rest of the giggling neighborhood kids with a harden hose – but the memory is too vague to be sure it’s really him.

"You’ve grown up," Joel says, almost accusingly, and you shrug and smile. "Doin’ your master’s already. How come you’re familiar with Dirac?"

His accent is much thicker now that it’s only the two of you, and you notice a hint of pride when he asks about your correct answer to his question during the lecture. The satisfied feeling it gives you is still the same as when he high-fived you after your drivers test, or when he patted your back after you solved a problem for school without his help.

"Summer reading," you admit, trying hard not to sound like a nerd, "Basic Quantum Mechanics was my favorite lecture as an undergrad."

Joel smiles at you, and puts his notes into his leather bag. He slings it across his shoulder, and nods towards the door.

"How would you like to grab a coffee and tell me all about what’s been goin’ on with you and your old man?"

Your eyes flicker briefly over his hand, gripping the strap of his bag, and you raise an eyebrow.

"What’s the policy for staff having coffee with their students, Professor?"

Joel holds your gaze, the corners of his mouth twitching.

"I’m actually not sure, Miss, I’ve never had to check before."

He’s playing along, and it feels dangerously blurry – yes, he’s your Dad’s old friend, your childhood neighbor, but it feels like more than just joking around.

"Does that mean I’m your first, then?", you ask, voice sweet and close to flirting now. The smile freezes on Joel’s face, and his gaze becomes almost calculating.

"Am I yours?" he asks you softly, and the double-meaning behind his question isn’t lost on you. You feel a thrilling pang in your stomach – Joel Miller is flirting with you.

***

You do end up getting coffee after you tell Alva you’ll meet her later, Joel reassuring you it won’t get him into trouble, and you’re fascinated to see he still drinks it black. What fascinates you even more is that you remember how he takes his coffee, and you wonder why your brain filed this fact away as important, not to be forgotten.

"So, when did you graduate? Sorry I missed it."

There’s honest regret in his voice, which surprises you. Joel was always a warm person, but you figured he cared for you as much as he would have for any kid living across the street.

"Last June," you tell him, dropping a sugar cube into your cappuccino. "I spent the summer working, and now I’m here."

"How d’you like it so far?"

You give a nervous chuckle, torn between the honest truth and pleasant small talk. You opt for the former – this is Joel, after all, not some stranger.

"To be honest with you, I oscillate between enjoying my freedom away from Mom and Dad, and being scared shitless by starting over somewhere new," you admit, looking at your coffee. You haven’t told people about your fear, and it feels good to finally admit it – the grip your parents have had on you makes your newfound freedom almost uncomfortable.

"What d’you mean, startin’ over?", Joel asks, his voice strikingly gentle. You sigh, and shrug.

"I know the distance is good for me, but it was comfortable, just doing what my parents expected of me. I had good grades, nice friends, and just the right amount of drunken nights for them not to worry about my social life too much," you explain, "and now it’s like…there’s so much room to be someone else, cause they won’t see it anyway."

You look up, embarrassed to have spilt your guts like this, but Joel looks thoughtful, his thumb moving along the handle of his coffee cup.

"Sorry," you mutter, "I know they’re your friends, but they can be…"

"Overbearing?"

You smile at him gratefully and he smiles back.

"Look, I know your parents pretty well. They love you to bits, but as an adult I imagine it must be stiflin’.“

"Yeah," you sigh, grateful for his understanding, "I feel like I don’t know who I am when I’m not…their kid."

Joel nods, and sips his coffee, apparently pondering what you said.

"I promised myself I would only do what makes me happy while I’m here," you tell him sheepishly, as if it’s a secret, and Joel laughs.

"Well, I’m not expectin’ you to hand in any homework, then."

You grin, too, and shake your head. It’s surreal, Joel being your professor, and you wearing your heart on your sleeve for him.

"Don’t worry, Professor Miller, I’m not dropping your class."

"You’d better not, it’d really hurt my feelings," Joel says, eyes trained on yours. Again, that blurriness set in motion by the change of his role in your life: neighbor to professor to – what?

"What about you, though? This your first semester here?"

"Second," he tells you, "but I still don’t feel at home. Once a Texan, always a Texan, I guess."

You cock your head and watch him drain the last of his coffee, the cup tiny in his hands.

"What?" he asks you, curiosity evident in his voice.

"You look so different," you say, and Joel scoffs.

"Well, that’s real nice. Know I’m not thirty anymore, but geez–"

"No," you say with a grin, "it’s not that. I don’t know, I’ve just never seen you teach before. Or dressed this nice – I remember you mowing the lawn in a Fleetwood Mac shirt, not checking attendance in a button down."

Joel’s cheeks go slightly pink, and he scoffs again.

"Well, I can’t show up here in a band tee, can I? Gotta dress the part," he mutters.

"I get it. You suit it," you tell him, if only to see that blush appear on his face again. He looks up at you, holding your gaze for a couple of seconds, then he shakes his head.

"What were the odds of us meetin’ like this, huh? I gotta call your father and tell him."

Something about that bothers you, you’d prefer for your parents not to know. You like sitting here with Joel, reminiscing the old times, without anybody getting a peek in.

"Or not," he says gently, seeing the expression on your face.

"Sorry," you say, "course you can tell him."

"You apologize a lot," he tells you, and you fight the urge to say sorry once again. "It’s okay, I’m not tellin’ anyone, kid. ’S just you n me."

That pang in your stomach again, and you nod.

"Alright," you answer, "just us."

You get a refill for the two of you, and a blueberry muffin to split, which feels strangely intimate, but Joel pats his stomach and jokes about keeping an eye on his figure, so you grin, and ask the barista to cut it in half. Joel asks you about your friends, and you tell him about Alva.

"Oh yes," he says and swallows a bite of the muffin, "that punky lookin’ kid who sits next to you?"

"Yeah, she’s nice. Haven’t really met anyone else."

"Geez, I’m not keepin’ you from findin’ frat boys to hook up with, am I?"

You laugh, the idea of sitting here with a twenty-something year old kid named Cole or Josh instead of him so absurd, you can’t help it.

"No," you tell him, "I’m honestly enjoying the fact that I don’t have to have someone else in my dorm anymore."

"Well, that’s a relief to hear," Joel says, "they’re all dipshits."

You remember him telling you something similar about the boys in high school, and it makes you smile. He’s still got that protective streak, then.

"To tell you the truth, I’m glad you’re here," you say quietly, "if I’m not making any friends, I can come crying to you."

Joel watches you for a couple of seconds, not laughing as you intended, but taking your words seriously.

"Course you’ll make friends. Give it a couple of weeks, and you’ll have forgotten all about physics cause you’ll be skippin’ classes left and right to hang out with people."

You don’t tell him, but you think it’s very unlikely you’ll skip any of his classes. Still, you appreciate his words and how confident he seems to be in your ability to open up to people.

"Well, will you give me the answers to your exams if I skip your class?"

"No way," he says with a cheeky smile, the crinkles around his eyes prominent. "I don’t do preferential treatment. You wanna split another blueberry muffin?"

You grin.

"Thought you were watching your waistline."

"I am, that’s why I’m only eating halves."

***

Your afternoon with Joel leaves you on a high for the rest of the day, feeling much less lonely now that you’ve had a conversation beyond the usual so how many siblings do you have? and where did you do your undergrad?

You start spending your lunch breaks with Alva and some friends she made in another lecture, all of whom are very nice. In the evenings you all go to see a movie or have dinner together in any of your dorm rooms, and although you walk around campus holding out one eye for Joel, you don’t see him for the rest of the week. There is always a nudge of disappointment in your stomach, when you glance in the direction of his office, and the door is closed, but you’re so busy, you don’t dwell on it too much. The days pass in a blur of new lectures, swapping music with Alva, and evenings spent as a group of six, and suddenly it’s Sunday again. You aren’t too sad the weekend is already over, and you know exactly why you’re looking forward to Monday, but you don’t allow yourself to think about Joel any more than you can help.

In the afternoon, while you’re doing Joel’s assignment for the next class, your mother calls, and you answer the phone with a mixture of feelings.

Hi, my darling, how are you doing?

"Hi, Mom. I’m good, just doing my work for tomorrow. How are you?"

Good, good. How was your first week? Did you meet anyone nice?

Hah, if she only knew. It feels deceptive, not telling her about Joel, but you like that for now, he’s just yours.

"Yes, this girl called Alva. We and some guys hang out a lot, there’s a cinema near by, but the lectures are pretty hard, so we only have the evenings off."

Well, I’m glad you found some nice people! Dad says hi, he’s making dinner. Anyway, baby, we miss you terribly. Do you know when you’ll be coming home?

"I just got here, Mom."

You sigh so quietly your mother can’t hear it, guilt already nagging at your heart. Sunday is the day you would usually be coming home for dinner, and you know it’s no coincidence your parents called you now.

Of course, you’re right. It’s just not easy for your Dad and me, you know? You’ve never been this far from home, and you’re our baby.

Yeah, you think, your adult baby. You sigh again.

"I don’t know if I’ll come this month, I’m still sort of settling in. But I’ll let you know if there’s a free weekend next month, alright?"

Sure, that sounds great. Will you send us some pictures of your friends, and your room?

"Sure," you say, but it bugs you that you’re giving in. Already, you’re breaking the promise you made yourself, and letting your parents further into your life here than you’re comfortable with.

"Mom, I gotta go, I’ve still got some problems to solve and I’m meeting Alva for dinner soon."

Okay, darling, enjoy your night! And make yourself heard. I love you!

"Love you, too! Talk soon."

Your kind, clingy mother, whose greatest pain is not knowing if you’re safe. In a way you miss her, and you feel guilty for being annoyed. Still, you know you have to gently nudge her away from you, or she’ll suffocate you one day. It makes you angry with yourself, because you know your Mom would have liked nothing more than to hear all about your week, but as soon as she asked you a question, you felt like your seventeen year old self again, getting yelled at because you stayed up past your curfew, and your parents didn’t know where you were.

Tears of frustration spring to your eyes – the mix of feelings too much for you to handle. You wipe them away with the back of your hand, breathe in shakily, and try to focus on your assignment again, but now you’re riled up, and the tears won’t stop.

It’s hard for you to deal with disappointing your parents, forcing them away when they would like nothing more than to know everything that’s going on in your life. So, instead of preparing for Joel’s lecture, you cry on your bed, feeling lonely and angry with yourself for hurting them. You know your reaction is disproportionate, but everything you kept buried while you lived close to your parents comes bubbling out of you.

You call Alva, tell her you have cramps because of your period and just want to stay in bed. She’s understanding, asks you if there’s anything she can do, even offers to bring you takeout or a hot water bottle, which makes you feel all the worse for lying to her. You decline her offer, tell her you’ll meet her Monday morning. In the evening, you regret not letting her bring over a real meal, eating cold pasta in your underwear, tears still running down your face and making your head pound.

***

On Monday, you feel slightly better, your headache is gone and your face isn’t as puffy as you expected it to be. Still, you’re in a solitary mood, and are glad to find Alva is able to keep up an entire conversation virtually by herself – you just grunt from time to time, or give noncommittal movements of your head in vague agreement. You hope if she notices your bad mood, she just thinks it has to do with your period.

Computational Physics is hell – you dislike it on the best of days, but guilt ridden and tired, you’re barely able to pay attention at all, and the professor’s handwriting is so bad, you end up copying down Alva’s notes instead. She’s kind about it, slides over her notebook at an angle that makes it easy to read, and you make a mental note to thank her for being so kind to you while you’re offering nothing but a scowling expression all day. Maybe you’ll cook for her, or make a mixtape of your favorite songs, just to show her you’re interested in being actual good friends.

Lunch passes easily, as always you sit with Alva and the guys, and there’s enough people for you to stare at your mashed potatoes and repeatedly stab them with your fork instead of eating them. They taste like flour mixed up with water, and you dream up your father’s Sunday dinner instead, but it does little to help with the taste.

"So, you lookin’ forward to flirting with Miller in front of the whole lecture hall again?" Alva asks you, as you’re making your way to said room. You glare at her, but can’t help the corners of your mouth twitching.

"Wasn’t flirting with him," you answer, kicking a pebble, "I grew up across the street from him, I’ve known him practically my whole life."

"Whatever you say, grumpy," Alva teases, nudging your shoulder with hers. You’re overcome with a rush of gratitude for the way she treats you, persistently kind and humorous. You chuckle, your mood lifting slightly.

"He’s probably been waiting for you to turn legal," she continues, and you groan.

"Gross, Alva, he’s not a creep."

"I’m just saying, if your little connection gets you the answers to his tests, you could sell them and become rich."

"I already asked him, he said no," you say darkly, thinking of the nights you’ll have to spend studying to pass his exam. This makes Alva laugh her brilliant laugh, and you can’t help but smile, too.

"Damn," she grins, "I’d try if he wasn’t a guy."

You snort.

"You try with Professor Carter, I need the answers to Computational," you suggest, wiggling your eyebrows suggestively.

"You’re joking, but I bet once you get her out of her frumpy cardigans, she’s a real–"

"Okay, stop," you grown, the image of Professor Carter taking off her cardigans worse than her keeping them on – if possible. Alva giggles.

"I’ll help you with Computational," she says, "if you help me with Quantum Mechanics."

"You’re good at both," you argue, and Alva shrugs.

"Not like you, though. I spent like four hours doing Miller’s assignment last night."

You want to tell her you didn’t do it at all, but before you can open your mouth, she spots a friend in the crowd, grabs your arm and drags you over to him.

The three of you sit down together, closer to the front than the week before, which gives you a direct line of sight to Joel’s desk. When he walks in, your stomach jumps – he’s wearing a tie today, a dark burgundy or blue, you aren’t sure from this distance, flecked with specks of white. Again, his hair is styled in that carelessly disheveled look you like so much, and the image of him putting gel in it makes you smile. He gets out his materials for the lecture, and looks up, his eyes finding yours – you smile and he gives a small nod. Again you’re struck by how different he acts in front of the class, how serious he seems. You think of his laid back manner when you had coffee, and struggle to make the images align. Joel clears his throat, and the chatter around you stops.

"Quiet, please, everyone. Thank you. So, last week, we found out that Dirac’s equation predicts the existence of antiparticles. But instead of just accepting that, let’s think deeper—mathematically, what feature of the equation forces this conclusion?"

Joel jumps right into the lecture, and just like last week, nobody raises their hands – you curse the people around you for their lethargy, because sure enough, Joel’s eyes land on you. Before you can shake your head to signal to him not to ask you, he calls your name.

"If I remember correctly, you were already familiar with Dirac’s equation last week. What would you say, what does the existence of negative-energy solutions tell us, and why couldn’t we just ignore them?"

You wish you could answer him, know he asked you because he was sure you’d know the answer, perhaps hoped your enthusiasm for the subject would get the rest of the students to participate more, but you didn’t do the assignment, and you’ve already half forgotten his question. You swallow.

"Um…I…I’m not sure, Sir," you say, watching the way his brows furrow, and looking down at your notes. Alva shoots you a curious look, and when she sees your expression, she raises her hand. You’re thankful to have Joel’s attention diverted, feeling like a fool in front of hundreds of students you’re trying to make friends with.

"Dirac’s equation gives positive and negative energy solutions, and at first, the negative ones didn’t make sense. Dirac suggested they represent antiparticles, like the positron, which he predicted. The idea was that electrons could, like, jump into these negative-energy states, creating a hole that looks like a positron, which was later confirmed experimentally," Alva explains instead of you.

"You're close, but electrons don’t actually 'jump into' negative-energy states. Instead, Dirac proposed that these states are already filled, forming what he called the Dirac Sea. A positron isn’t an electron jumping down, it’s actually a 'hole' left when a negative-energy electron gets excited to a positive-energy state. That distinction is important because it explains why positrons have the opposite charge. Good answer, though, thank you Ms. Bennet."

Joel’s eyes flicker over to you again, but you show no reaction, and he continues with his lecture without asking you another question. Alva glances at you inquiringly, and you sigh.

"I wanted to do the assignment yesterday, but my cramps were really bad," you explain quietly, and she nods sympathetically.

"Call me next time, I’ll send you my answers," she whispers, and you smile gratefully. It seems you really hit the jackpot in friendship when you sat down next to Alva.

***

After Joel’s lecture, you and Alva make your way over to the vending machine, because it has the sour patches she likes, and in her own words she’ll combust if she doesn’t eat some right fucking now.

"Shit," she curses, "they’re stuck."

"Let me," a voice comes from a behind you, and when you turn around, Joel is smiling at the two of you. "Took me a while to figure this thing out, too."

Alva steps aside, and Joel bangs his palm against the side of machine. You jump, but the sour patches make their tumbling way down to the dispenser.

"Great! Thanks, Professor Miller," Alva says, ripping the bag open and offering it to the two of you. To your surprise, Joel takes her up on it, and Alva grins at you.

"You were quiet during today’s lecture," Joel says tentatively, when he’s swallowed his sour patch "everything alright?"

You glance at your shoes.

"Um, yeah. I wasn’t feeling well yesterday, and I left your assignment for last, so…I didn’t do it."

Joel’s expression grows worried, and Alva glances between the two of you.

"Hey, I’m meeting Max for coffee," she tells you, "see you later?"

"Yeah," you answer, grateful she’s granting you this time alone with Joel, "see you, Alva."

When she’s gone, Joel is still looking at you with that worried look on his face, and you sigh.

"Sorry about the assignment," you say, "won’t happen again."

"I’m not worried about the assignment," Joel says earnestly, but then he turns his head, and you know he doesn’t want someone listening in. Sure, you can be seen chatting in the university cafe, but this conversation is rapidly blurring the lines between scholarly and – something else.

"I…have some materials in my office that might make it easier for you to catch up with the lectures again," Joel tells you, and you understand the underlying meaning. Let’s talk in my office.

"Thank you," you say, relieved, and Joel nods, eyes still glued to yours, brows still furrowed. You walk to his office making smalltalk about the lecture, which to anyone listening in would seem like a normal conversation between a professor and an interested student.

Joel opens the door to his office for you, and lets you step in first. It’s small, cramped bookshelves on the walls and a sturdy desk in the middle that is littered with notes, pencils, books, and a couple of old coffee mugs. You notice he put part of his books sideways onto the shelves, which you find weirdly endearing. This is the Joel you know – clutter and warmth.

He closes the door behind you, and you turn around to watch him drop his bag and walk over to the kettle in the corner of the room.

"Coffee?"

"Please," you sigh, "if you don’t have anything stronger."

He raises an eyebrow, but doesn’t answer, just turns on the already filled kettle, and gets two clean cups for the two of you.

"I only have drip coffee," he tells you, "I don’t drink that crap the machines brew up."

"That’s fine, I enjoy the medieval feel of it."

"Watch it," he answers, a smile tugging on his lips, "don’t insult my coffee filter in front of me."

You grin, and walk over to his bookshelf to have a look.

"So, what’s going on?" he asks you while pouring the boiling hot water over the coffee grounds. Again, the Joel you remember – empathetic, but unusually direct. You sigh, turn around and shrug.

"Mom and Dad called yesterday, and I could tell they missed me, but I just…I cut them off after two minutes."

Joel places the cups on his desk, and leans against it. His sleeves are rolled up again, and when he crosses his arms, you feel that familiar pang in your stomach.

"And now I…I don’t know, I feel so guilty, Joel. They’re not even being dicks about it, but I just know they’d prefer for me to check in with them more…and the worst thing is, I know it’s not a big deal. They’ll get over it, they’ve got a good life without me constantly in it, so I don’t know why my stupid brain can’t just let this go, you know? One I miss you, darling, and I’m reduced to this pathetic mess, instead of just, I don’t know, getting my shit together."

You shake your head and clench your teeth, once again embarrassed to come crying to Joel about your parental issues, but he’s the only one you can tell. Sure, Alva would probably listen, but you don’t feel like explaining your family to a near stranger. Joel just gets it. Joel knows you.

He’s looking at you, arms still crossed, and for a second you worry he might not want to hear about your little breakdown, but then he sighs.

"You have your shit together all of the fuckin’ time, kid, I think that might be the problem," he tells you quietly. "You’ve always been so hard on yourself."

He’s right, once again he sees what you struggle to show the world, and his words make tears spring to your eyes. You will your eyeballs to suck them back in, but of course, Joel sees.

"Hey now," he says, taking a tentative step towards you. One tear drops from the end of your lashes and down your cheek, and the dam is broken again – they come spilling in floods. Joel crosses the room in a second, and there is a slight moment of hesitation between the two of you, before you bury your face in his chest, and let your restraint fall. You cry quietly, feel him wrap his arms around you, as he rocks you back and forth.

"You’re alright," he tells you, "Shhh, it’s okay, you’re alright."

"S-s-sorry about the assignment," you manage, and Joel’s hand starts stroking your back.

"Jesus, kid, stop worryin’ about the fucking assignment," he tells you, voice low and worried. "You don’t gotta be so strict with yourself. You’re doin’ just fine."

He smells so much like home, you think you might never stop crying.

"I don’t know what’s wrong with me," you hiccup, "One week here and I’m a mess already."

You feel Joel rest his chin on your head, and his arms tighten around you.

"There’s nothin’ wrong with you, you hear me? You hold yourself to high standards. Creates pressure, kid."

As always, he’s right of course – you want to excel academically, you don’t want to hurt your parents, you want to stay true to yourself and do what makes you happy, you want to make friends without compromising your grades. It’s impossible.

You breathe in shakily, your eyes closed, face buried in Joel’s chest, and for a second he is all that exists – just Joel, all around you, pulling you to the earth. Slowly, your breathing calms, Joel still rocking you soothingly, holding you close.

"There we go," he mutters, when your chest stops shaking, "that’s good."

When you pull away from him, he puts his hands on your shoulders to really look at you, and although you’re embarrassed by your outburst, you’re glad he doesn’t shy away from you.

"I want you to start being a little more lenient with yourself, alright? You don’t need to worry about an assignment on top of everything."

His hands are rubbing your shoulders, his eyes are kind and warm.

"Maybe not about yours, but I have like five other lectures –"

"Okay, so try to stop worrying about my assignments, just mine. Won’t bite your head off if you don’t do them, and I’ll only ask you questions when you raise your hand, alright? In fact, for the rest of the term, I want you to hand them in late."

Despite yourself, your lips pull up in a small smile.

"That’s silly, Joel," you say softly, but he shakes his head.

"It’s not silly, it’s practice to get you out of your comfort zone."

You consider his words for a moment. You do keep a pretty tight reign on yourself, and just the thought of doing every assignment late makes your skin crawl with anxiety. But when will you get another chance to step out of your comfort zone as safely as now, with Joel? He’s offering you a way to try it without actually risking your grades. And who knows, perhaps it actually will take a little bit of pressure off of you.

"Okay," you answer, staring up at Joel with puffy cheeks and teary eyes. "Alright."

He smiles at you, but he still looks worried and you wish he’d pull you close to him again. It’s such a relief to have this sort of human contact with someone who really knows you.

"Feel better?"

You sigh, and nod.

"It’s just a lot, you know, uni and my parents, and every social interaction feels like such a chore, cause I don’t know people yet. I feel like I’m not even relaxed when I’m asleep."

Joel hesitates for a moment, before he speaks, but when he does, he sounds determined.

"Come over tonight, I’ll make us somethin’ to eat, and you don’t have to worry about talkin’ to anyone. We’ll watch whatever you’d like. You still enjoy those crappy horror movies?"

You smile at the shared memory – Joel letting you use his living room to watch slashers your parents didn’t want you to see. One summer, when the heat was so stifling you barely went outside, you practically lived at his place, and when you’d seen all the DVDs he owned, he got you more from the video store.

"I do," you say quietly, the fact that Joel remembers more important to you than his proposal to spend the evening together. You feel significantly less alone, all of a sudden.

"Alright, then. Be over at seven,“ Joel tells you, and you nod, wiping your wet face with the back of your hand.

"Thank you, Joel," you say, and hug him again, because you don’t know how to tell him in words what you’re feeling, and his big, warm body against yours feels more than soothing.

"Course, kid. Just don’t tell Alva, or they’ll fire me."

You smile, your arms still wrapped around his neck, as he holds you.

"But I don’t wanna get you in trouble, what if–"

"No," Joel interrupts you, "no what ifs. No worryin’. I forbid it."

And you accept it, leave it to Joel, because he tells you to – because you don’t have any room in your head for more worries, and because you trust Joel not to do anything reckless. You trust him, period.

***

You text Alva you’re having dinner alone, that your cramps are still acting up, and you do feel slightly bad for lying, but you would never risk Joel’s job. The idea of having dinner with him at his place should make you nervous after your change in feelings about him, but you’re just looking forward to having a meal with someone who knows you, and lets you be yourself.

Joel asked you to be there at seven, so you spend the rest of the afternoon in your dorm room, wondering if you should change your outfit or if it would seem desperate – in the end, you keep the jeans but change into a blouse instead of a sweater. The part of you that stares at Joel’s forearms during class now wants to look pretty for him, so that he’ll ask you over again. You know you’re being ridiculous, but it doesn’t stop you from putting on your nicest perfume.

You’re ten minutes early, so you sit in your little second hand car and try not to panic. You know Joel is merely trying to be a good…friend? Ex-neighbor, Dad’s best friend turned professor? There’s no real etiquette to cling to in this situation, for either of you, and although you’re positive Joel doesn’t have any ulterior motives with you despite his flirting, you know he could lose his job if someone finds out you went to his house. Even if you just watch slashers together the way you did ten years ago. It makes you anxious to know he’d risk something clearly important to him for just that – he moved to a different state, quit his old job, started over completely, and is now willing to endanger that new life just because you’re stressed. At the same time it seems ridiculous anyone could forbid the two of you to spend time together after having known each other your entire life. The thought is absurd, and still, you need to be careful.

You get out of the car before you start to hyperventilate, and ring Joel’s doorbell – it feels strange for him to live in a new house. He opens the door with a smile, and absurd relief floods your veins when you realize he’s wearing an old Led Zeppelin shirt and a pair of worn jeans. This is your Joel.

"I come bearing gifts," you announce, stepping into the house.

“Christ, where did you get this?”, Joel asks, taking the six pack of beer from you, so you can take off your jacket. “I didn’t know they sold Shiner Bock outside of Texas, I’ve been survivin’ on Bud”.

“Brought it with me,” you explain, “figured it’d help if I got homesick, you know, in multiple ways.”

You grin, and Joel shakes his head good-naturedly.

“Old enough to drink, well I’ll be damned. I remember when you begged your Dad to let you have a coke and he asked me if I thought the caffeine would stunt your growth.”

“Did it?”

“It might’ve,” Joel says with a chuckle, “but he didn’t let you have it.”

“Well, he isn’t here now, so let’s put those in the fridge.”

“No," Joel mutters, “no, he ain’t.”

While Joel puts the beer away, you take a look around his living room – despite your reservations about the new house, it reminds you of his old place. It’s got the same masculine and warm feel to it, dark wood, books all over the place, no bells and whistles. Joel is a practical man, and it’s charmingly etched into every part of his life – except for his new work-look. The room isn’t as cluttered as you remember Joel’s old house back in Texas, but you assume he hasn’t had time to accumulate clutter yet. No old newspapers are lying around, no birthday cards stacking up. You wonder if he’s lonely here, teaching all by himself, hundreds of miles away from the place he last grew roots in.

“Do you miss home?” you ask him, when he comes back from the kitchen with two bottles of beer in his hands. He looks at ease, much more himself than back at university. His jeans are faded, his shirt a little too big on his already broad frame, and his hair is clean and curly the way you like it – no gel twisting it into all sorts of un-Joel-like styles. Warmth floods your chest at the sight of him taking a swig of his beer. His crowfeet are a little more pronounced, and his hair has more grey strands than it did back home, but he’s still got that distinctly warm, no-nonsense feel to him.

“Sometimes,” he answers, offering you the second bottle. Your hand brushes his when you take it from him. “But I’m pretty busy here, you know, got a whole lotta lectures to plan, papers to grade and that sort of stuff.”

You nod, and sip at your beer.

“Have you…you know, met people? Made friends here?”

Joel plops down on the couch, and smiles up at you.

“You worried about my social life?”

You shrug, and smile almost timidly.

“You know me, kid, I like bein’ by myself.”

That’s true, for as long as you’ve known Joel, he’s been alone. You know he has nieces and nephews who adore him, and your Dad mentioned a woman once, but it must have been at least twenty years since they were together. You wonder why Joel doesn’t seem to want that sort of a domestic life, surely many women would be happy to let him put a ring on them.

You walk over to the window, and watch a blackbird tug at a writhing worm.

“Have you met someone at uni you wanna be by yourself with?” you ask with a small grin, turning back to find Joel already watching you. “I heard Professor Carter’s still single.”

“She’s very intelligent,” Joel says earnestly. You give him credit for not laughing about his colleague, and suddenly you feel bad for calling her frumpy with Alva. “But I think I’ll leave her to her simulations. Why am I bein’ interrogated?”

“Sorry,” you mumble, and glance out of the window again, “just making conversation.”

“Your turn, then,” Joel answers, and takes another swig of beer. “Any frat boys catch your eye? Or frat girls?”

You glance at him, a smile on your lips, and raise your eyebrows.

“Hey, I don’t discriminate. I thought, maybe Alva…”

“No,” you answer, feeling fond of him for considering the possibility. “Alva’s a friend. The guys are…well, they’re frat boys.”

 Your voice carries enough disgust for Joel to laugh.

“Right,” he says, and his eyes are warm when they meet yours again. “Just us two loners, then."

“Cheers,” you say with a smile.

“Cheers.”

***

Joel’s cooking is a mystery to you – he loves to eat, and when he does cook, it’s always delicious, but he only ever makes one of five dishes. Again, that practicality shining through. Why try something new if you’ve perfected your routine? He made pasta for you, wasn’t sure if you’re still vegetarian and makin’ your Dad’s hair fall out, and you smile into the neck of your beer bottle, when you watch him drizzle dressing onto a carefully arranged side-salad. Throughout dinner, you tell him how much you love it at least five times, because you can tell he put effort into the meal. You know it’s not technically a date, but having a dinner he made just for you, in his home – it feels like one.

You steer the conversation away from heavy topics like your parents. Although Joel offered you this evening to make you feel better, you want to spend it with him rather than in your head, so you ask him about books and music, about his lectures, about Tommy and the kids. You like watching how his face lights up whenever he talks about something he particularly loves. Joel is a quiet man, but you found out years ago it isn’t shyness, but a disinterest in most mundane topics – he doesn’t like gossip or superficial small talk. When he tells you Tommy made him godfather of all of his children, the pride is evident in his voice, and you don’t have to fake your enthusiasm, although it amuses you, too – Tommy loving his big brother enough not to consider anyone else.

"She calls me uncle Joe," he tells you with a chuckle, "Can’t pronounce her Ls yet, but I’ve considered legally changing my name."

When you’re done eating, you help him clear the table, but when you reach for the sponge to do the dishes, Joel shakes his head.

"Let me do that later, kid. You wanna watch a movie?"

So the two of you plop down on the couch with a bag of M&Ms and another round of beer, and Joel hands you the remote.

"Go wild," he says, chuckling when you excitedly turn on he TV to open Netflix.

"Wow, a streaming service? I thought you’d just hoard DVDs for the rest of your life."

Joel huffs, and instead of answering, he leans forward, and reaches for something under his couch table. When he turns his head, he’s got glasses on his face, thick-rimmed and black, and so startlingly sexy, you almost drop the remote.

"You…you’ve got glasses?"

"Yeah," he answers, his eyes meeting yours, and you swallow. "When your eyesight deteriorates, that’s when you know you’re gettin’ old."

You hum but don’t answer, just hold his gaze for a second and look back to the screen. You try to ignore the familiar pang in your stomach at the sight of Joel in his new glasses, and skip through movie after movie, mumbling seen it, seen it, that one sucks, seen it, until Joel reaches over and snatches the remote from you.

"Hey–"

"I can’t read anything if you skip through them that quickly."

"You’re not supposed to read, you’re supposed to go with the vibe of the cover."

He glances at you with furrowed brows.

"Okay, sorry, didn’t know you’re a filmbro," you grumble, but it’s almost entirely fake – you couldn’t be annoyed with him, not when he pushes his glasses up his nose, and carefully considers which button to press on the remote.

"I don’t know what that means," he answers, and starts reading the description of a romantic comedy about Christmas.

"I’m not watching that."

"You don’t even know what it’s about."

"It’s September, Joel."

He huffs again, but finally reaches the horror movies. Surprisingly, it doesn’t take the two of you long to pick one, and the thought of two hours of brainless, scary entertainment on a couch with Joel makes you practically melt into his couch.

You can feel Joel’s eyes on you during the opening credits, so you glance over and he smiles.

"Comfy?" he asks, his voice hoarse from relaxation.

"Yeah," you answer, and smile when hands you a blanket. He’s not exactly close to you, but it still feels a little intimate when you spread the blanket out and offer him the other end. He moves over a little, so that the blanket covers his legs, and when you concentrate you can feel his body heat next to you, so you try hard not to – and instead get lost in the movie.

It’s not particularly good, but the story does get under your skin a little, and when there’s an unexpected shriek, you violently jump and instinctively move closer to Joel. He chuckles, but doesn’t give any reaction to your arm suddenly pressing against his. He doesn’t move away, either, so you don’t, fear suddenly not being the only thing bubbling up in your stomach.

"Jesus," you mumble, the creeping music making you anticipate another jumpscare. You’re right, it does come, but prepared though you are, you still wince, and turn away from the screen slightly. Out of sight, out of mind. Joel turns around, too, and when he sees your widened eyes, he grins.

"How’s that Christmas movie lookin’ now?"

"I’m not scared," you say, and there is some truth to it, "I’m just not good with jumpscares."

When the next one comes, you can’t help it, you clutch his arm next to you, your nails digging into his firm muscle, and Joel glances at you again.

"Sorry," you say quickly, letting go of his forearm now marked with five tiny crescent shapes. "Jesus, Joel, sorry."

"It’s fine," he says, and the amusement is evident in his voice, "you sure you’re into this? There might be some cartoons–"

He stops talking when you glare at him, but his mouth is twitching under his beard. You’re determined to watch the entire movie, and you try not to let any reaction show, wanting to prove Joel wrong.

There is one particularly scary scene – it’s not necessarily violent, but the music and shaky camera movements make your pulse race, and you turn your head slightly, so as to look at something else. Joel glances at you again, but he doesn’t laugh this time, just puts a heavy hand on your shoulder. It’s grounding, the warmth of it, how his thumb digs into your muscle and his fingers spread out over your back and neck.

"You don’t gotta force yourself to watch this, kid," Joel says gently, all teasing humor gone.

"No," you say stubbornly, but move even closer to him. His touch is a welcome distraction from the movie, and although you know it’s stupid and reckless, you lean into him, and Joel puts his arm around you. It’s closer than you’ve been to him except for hugging, and your heartbeat starts to quicken for all the wrong, non-horror reasons. When you flinch, Joel tugs you against his side, and it feels natural to hide your face in his shoulder.

He was never touchy with you, or anyone for that matter, so something must have changed. You wonder if he’s trying to comfort you, or if you might not be the only one who can feel that strange pull between the two of you.

When the movie ends, Joel regrettably removes his arm from around your shoulders to switch off the TV, and although you’re slightly disappointed, you scold yourself for expecting something else.

"Not bad," Joel says with a small smile, and pushes his glasses up his nose. "Very brave."

You scoff, but feel the corners of your mouth twitching, too.

"I used to be less of a wimp, but I guess you soften with age."

"You’re twenty-three," Joel argues, "that’s young."

Yeah, too young. Too young to lean over and kiss him, or climb into his lap, or expect anything other than paternal care when he’s got his arm around you. You look at your lap, all of a sudden feeling stupid and silly for having dreamed up an absurd fantasy about the man in front of you.

"Hey," Joel says gently, "what’s wrong?"

"Nothing," you say quickly, "nothing, I had a really great evening. Thanks, Joel."

You can tell you’ve confused him, but he nods, doesn’t question your sudden change of mood, and stands when you get up from the couch.

"Anytime, kid. You call me if you’re havin’ a bad time, alright? My door’s always open."

He’s so kind, so recklessly, stupidly, lovingly kind, and all of it is directed at you. You curse yourself for it, but again you feel that familiar burn in your eyes. Joel reaches out and easily pulls you towards his big body, hugging you the way he did in his office just this afternoon. He doesn’t ask you what brought on your tears, just lets you cry into his Led Zeppelin shirt that smells so much like home, like a childhood you won’t get back to. You remember whiffs of that smell when you were watching movies on his couch while he was at work, too pissed off at your parents to spend the summer at home. This scent was there when you attended a neighborhood barbecue after fighting with your father and Joel grilled some vegan sausages for you without comment or question. He’s always looked out for you like this, quietly, without demanding an explanation, just a solid, comforting presence in your life.

Your tears stop after a couple of minutes, and you take a step away from Joel, wiping your face. He looks so worried again, brows all furrowed and arms hanging limply at his side. Didn’t he flirt with you, though? Didn’t he prepare dinner for you the way a date would, ask you about your dating life, ask you to coffee? You don’t think you would be able to handle another evening like this one not knowing what Joel really thinks, so in a moment of hazy recklessness, you lean up.

His eyes meet yours, all warm and strangely unguarded, but before your lips brush his, a hand on your shoulder stops you. Without saying something, you move away from him, and nod to yourself, his reaction all the information you needed.

"Sorry," you say very quietly, not managing much else now that you’ve humiliated yourself in front of the only person you really know in a six hundred mile radius. Joel runs a hand through his soft hair, and inhales deeply.

"No," he says, his voice a little strained, "no, don’t be. I just…Jesus, kid."

He rubs his palm over his beard in such a familiar way, your chest aches a little. It’s ridiculous how much you want to touch his face, to feel him again, skin on skin. So you don’t turn and run the way your embarrassed heart is telling you to, just watch him collect his thoughts, standing in front of him like a wet and beaten dog.

"Look," he begins, "I won’t say I’m not flattered, but that’s…it’s a bad fuckin’ idea. It’s…it’s chaos, and on top of that most people would argue it’s wrong."

You swallow. You know all of this, have turned it over in your head ever since you stared at Joel’s rolled up sleeves for two hours on that first Monday, but hearing him say it makes your stomach churn.

"Yeah," you mutter, and trace Joel’s shadow with the very tip of your foot, "yeah, of course. Sorry I put you in that position, wasn’t right."

Your face still feels puffy, and you know you’re probably all red and pathetic looking, begging Joel for scraps of his attention, but all of a sudden, he lifts his hand up to your face, and cups it in his broad palm. His thumb strokes your cheek, and when you meet his eye, the expression on his face is tender.

"It’s alright," he tells you softly, "I can see you worryin’ at the speed of light in that pretty head of yours."

Something in your chest flutters at his words, at the rough and warm cadence of his voice. He reads you so easily, one turn of your head and he knows you’re lost to your thoughts.

"I shouldn’t have let myself toy with this idea," he continues, and your stomach flips. "I should’ve realized you’d pick up on it. It’s on me, alright? It’s on me not to start anythin’."

You can hear the implication – I’m the adult here. It’s not what you want to hear, but just the mention of Joel toying with this idea, as he put it, is enough to lift your spirits. So you weren’t crazy.

"I’m an adult," you say weakly, never having felt more like a child. Joel nods.

"You are, but I’m still in a position of power here. Be wrong, to abuse that."

His thumb is still moving over your cheek slowly, making it hard to think straight.

"So dinner and a movie doesn’t abuse it?"

You don’t want to argue, you don’t know why you keep disagreeing with him, and the way his face falls, you wish you hadn’t said it.

"No, it…it does, you’re right. Jesus, of course it does. I don’t blame ya for bein’ ang-"

"I’m not angry," you say softly, and tentatively turn your head in Joel’s hand. You press a kiss to his palm, his warm skin pressed right against your mouth. "I’m not your student, Joel. I mean, of course I am, but I know you. It’s different."

Joel’s eyes are glued to your face, and he looks so conflicted you wish he’d just throw you out of his house, if only to solve his dilemma.

"It’s still wrong," Joel mutters, his eyes glued to your lips since they brushed his skin "even if you take away the fact that I’m your fuckin’ professor. Your Dad…"

"My Dad is half a continent away and finds a way to be unhappy with whatever choices I make, so I might as well make the ones I want to."

The very first day, before you even met Joel, you decided to do what makes you happy while in university, and although this certainly wasn’t what you had in mind, you know it’s what you want. The only thing you want, in fact.

Joel sighs, and tucks a strand of hair behind your ear.

"Joel, I’m not trying to…look, if I’m wrong about this, just tell me, but I feel…I just wanna be close to you all of the fucking time," you say quietly, "and it’s okay if you don’t, really. I just…I want you to know it’s not nothing to me."

Saying I don’t just want to hook up with you would feel too straight forward or crass, but you think Joel gets the gist of what you’re trying to say, and he closes his eyes briefly. You study his face behind his glasses, the wrinkles and freckles from years in the sun. You do feel anxious about his answer, but whatever it is, you’re glad you told him. It’s out in the world now, the way you feel when he holds you, and he can do with it what he pleases – you’ve handed him the reigns.

"I…I know what you mean. Me too," he says very quietly after a beat, his eyes open and looking directly into yours again.

A triumphant pang of affection pulses through you, and you put your hand over Joel’s, which is still resting on your cheek. He looks conflicted, but his other hand holds your waist now, and tugs your smaller body closer to his again. He’s solid as a brick wall in front of you, and you figure you’re allowed to touch, so you rest your hand on his shoulder.

"What am I gonna do with you?" Joel mutters, and strokes your lower lip with his thumb. If you had more guts, you’d let it slip into your mouth, but you’re still afraid he’ll pull back if you make a wrong move, so you just let him caress your mouth tenderly.

"Whatever you’d like," you answer just as quietly, and you know it sounds sexual, but you mean it in every way – if Joel wants to be nothing but your professor, you’d take it, and if he wants to keep you here in his house indefinitely, you’d let him. Joel keeps looking at you, taking you in as if he’s considering whether the risks outweigh whatever magnetic or gravitational pull the two of you have between you.

"Stay," he say after a while, and although his face looks slightly regretful, his voice is determined, "just…sleep here tonight. I like havin’ you here."

You want him to kiss you, to pull you onto his lap on the couch, to take you upstairs right now, but Joel seems to be restraining himself, so you just nod.

"Me too," you whisper, echoing his words back to him, and for just a second, his thumb digs into your lip a little harder, but then he pulls away.

"Testin’ my goddamn restraint," he mutters, and takes a step away from you. "I’ll get you something to sleep in."

***

Joel gets you one of his band tees you love so dearly, and just the idea of being enveloped by something that smells like him all night makes it a little easier when Joel tells you he’ll take the couch instead of inviting you to sleep with him in his bed.

"No," you say softly, "it’s fine, you just sleep in your bed, Joel. I’ll take the couch."

He looks critical, so you offer him a soft smile.

"I don’t know if your back could take it," you tease, and he seems torn up between laughing and frowning. In the end, he just shakes his head, mutters something that sounds a lot like bad fuckin’ idea, and gets you a blanket and pillow.

He brings you a clean toothbrush and towel, let’s you use his bathroom (you look at the shower the entire time you’re brushing your teeth, trying hard not to think about what Joel looks like using it in the mornings), and when you’re done changing, you unlock the door again.

He’s there, sitting on the edge of his bed, his eyes trailing over your form in his much too big shirt. It’s long as a dress on you, coming down to your naked thighs. Joel visibly swallows and gets up from the bed.

"You got everythin’ you need?"

"Yes. Thank you, Joel."

There’s a beat of silence and you almost think Joel’s about to cross the room, but he just runs his palm over his beard the way he always does, and nods.

"Alright. Just shout if there’s…well, you know. I’ll be here."

"I will."

"Alright. Okay…goodnight, kid."

"Night," you almost whisper, voice soft, and right before you reach the door, Joel clears his throat.

"I…you were right about dinner and the movie. I wasn’t just tryin’ to be friendly," he says quietly, and your stomach swirls. Before you can walk over to Joel and do something about it, he sighs.

"Sleep tight, sweetheart."

Sweetheart.

***

You wake to the sound of something dripping, and when your eyes flutter open, you can see Joel’s back from the kitchen. He’s wearing his work outfit again, a white button down and dark pants, sleeves rolled up. It smells like coffee, and with a smile you realize he must be brewing his beloved coffee – no machine, just a filter. He looks broad, even from your spot on the couch, and you enjoy peeking in on him. You study his movements, the way he reaches for a cup, how his fingers absentmindedly drum on the kitchen counter while he waits.

When he turns around, his eyes find yours, and he smiles.

"Mornin’. Did I wake ya?"

"’S fine," you yawn, pulling the blanket up to your chin, not yet ready to get up. "I have classes at ten anyway."

"’S eight," Joel tells you, "Coffee?"

"Yes please," you answer, and stretch your limbs under the blanket.

Joel brings you a cup, complete with a little bit of milk and sugar, and you move your feet so he can sit down on the couch.

"Sleep well?"

You sip your coffee, let it burn your tongue and close your eyes at the taste. When you open them, Joel’s gaze lingers on your face.

"Yeah," you answer, "thank you for…you know."

He nods, takes a sip of his coffee, and looks at his lap. He looks like he wants to say something, but he’s very quiet, and you feel anxiety bubbling up in your stomach.

"Joel, do you want me to leave? It’s fine if you do," you ask him softly, not wanting to make things awkward for him. It would be rational of him to ask you to leave, the smart and ethical thing to do.

"No," he answers quietly, still not looking at you, "I want you to stay."

Stay? On a Tuesday morning, after you almost kissed him and he told you he couldn’t do that, after you spent the night on his couch? When you have classes in two hours, haven’t showered yet, are half naked and wearing his clothes, on his couch under his blanket? When you’ve got friends wondering where you are and probably ten unanswered messages from Alva?

"Alright," you say, agreeing as easy as breathing.

Finally, he looks up, and his expression is so conflicted you reach out for him. Your hand finds his and you squeeze it. He keeps looking at you, his hand limp in your grasp, as if any movement of his muscles would incriminate him.

"You shouldn’t," he tells you earnestly. "Stay, I mean. You shouldn’t stay."

"I know."

You don’t let go of his hand. He doesn’t move his away.

"It’s a really, really bad idea," he adds, and you’re not sure who he is trying to talk out of whatever this is. "It’s risky. Could blow up both our lives."

"Yeah," you say, and watch him sip his coffee, "okay."

Then, a tentative flex of his fingers against yours, and finally, he’s squeezing your hand just as tightly, and before you can process what that means, Joel is leaning over you, dangerously close. Your breathing quickens, you register how soft his hair looks, how strong his hand is. He leans in further and you sit up a little, still cocooned in his blanket. His face is close to yours, his eyes fiery with something you can’t pinpoint, and you sigh, when he closes the gap between you.

He tastes of coffee and toothpaste, and you wish you’d gotten the chance to shower, but the thought disappears almost immediately when you hear Joel groan. His kisses you languidly, deeply, and your fingers come up to his beautiful arm, barely wrapping around half of his biceps. He cradles the side of your face, pulls you closer, makes your stomach clench with need. It feels inevitable, the way he touches you, like you only exist in a physical form to be touched by him.

His free hand peels the blanket off your body, lets it slide to the floor without ever stopping his the kiss, and you moan softly, when his hand touches your waist. The sound makes him break away, stare down at you, pupils blown wide.

"Fuck, you look good in my clothes," he mutters, nudging your jaw with his nose, and pressing a kiss there. "You should really, really go home."

Your head falls back slightly to give him better access to your neck, and he brushes his lips over your pulse point. Your heart skips a beat.

"I – I know," you breathe, fingers digging into his arm. His beard scratches your skin deliciously, and it takes everything in you not to whimper or beg. Joel’s hand slips under your shirt – his shirt – and instead of finding your waist again, he digs his thumb into your hip, stroking the fabric of your cotton panties. The fire in your stomach burns brighter, and you almost buck up into him. Joel Miller, the Joel Miller who until recently had a key to your childhood home, who lent it to you whenever you forgot yours inside – he’s sucking bruises into your skin, and toying with your panties. It’s dizzying, his familiar voice when he hums in satisfaction, even rougher than usually.

His fingers trace the waistband of your panties towards the front, until they find a small, silky bow, and Joel groans. He doesn’t take your underwear off, doesn’t even touch you where you need him the most, just keeps playing with the little bow, until your hips twitch without your permission. A little lower, and he would be able to feel how wet you are, how wet you have been all night. You didn’t do anything about it, not while you were a guest in his house. It would have felt wrong. You can’t imagine anything feeling more right than Joel’s mouth and hands on you, though.

"Jesus," Joel curses, "I should stop bef–"

"No," you whine, all dignity turned to hot air by Joel’s fingers, "please, Joel, please don’t stop."

He curses again, and moves his big body so that he’s not just hovering above you, but actually on top of you, your thighs falling open for him easily. At the movement, his shirt hikes up your thighs, and you know you’re basically on display for him, your soaked underwear leaving little to the imagination. He’s still fully clothed, his perfect button down all wrinkled now.

"Look at you," Joel breathes, lightheaded with desire, "this all for me?"

So he saw, when you moved to accommodate his broad form, saw how soaked you are, knows you ruined your panties just because he kissed you.

"Yes," you breathe, "yes, please–"

Before you can beg further, his finger presses down on your clit, and he watches your face contort in pleasure, as it shoots up your spine. You whimper, staring into his eyes, and he stares right back, as you start to grind your hips against his palm.

Your head feels blissfully empty, all worries about this relationship, uni, your parents, gone from you with a simple, practiced movement of his hand. The whimpers keep falling from your lips, and Joel curses.

"So beautiful," he mutters, "tell me what you need, angel."

It’s not a question, it’s an order.

"I – fuck, I need you i–inside," you groan, and Joel’s lips find yours again.

"Yeah? Need me to fuck you good, even though they’ll throw us both out?"

It shouldn’t turn you on. You’re jeopardizing both your own and Joel’s career, and he’s turning it into dirty talk. Still, your pussy doesn’t lie, and the way it throbs for him, aching to get him inside, makes all doubts disappear from your mind.

"Yes," you answer, unable to say much more as Joel keeps drawing tight circles into your clit.

Your hands drift from his arms towards his front, and Joel curses, when you paw at his belt buckle. It takes you a second, but then it’s open, the sound of the metal exciting you – it sounds like a promise.

Joel finally tugs your panties down, and for a second you’re self–conscious about not being clean shaven, but the second he sees you bare and glistening for him, his fingers dip into your folds, gathering your wetness with no hesitation.

"Fuck me," he groans, bringing his hand up to his face and tasting you, holding eye–contact the entire time, "prettiest pussy I’ve seen in my life."

You twitch under him, dragging your gaze away from his eyes and to his fingers. A moan escapes you, your hands have gone slack on his waistband, and Joel smiles down at you. Then, he does the same motion again, drags the tips of his thick fingers through your sticky arousal, but instead of sucking them clean himself, he holds them up to your mouth. His eyes burn, when you wrap your lips around them without a moments hesitation, and he feeds you your own slick.

"Taste so sweet, huh?"

You don’t answer, just swirl your tongue around his fingers, and suck on them. Joel watches your mouth intently, lets you take your time.

"Good girl," he praises you, and you clench around nothing, "so fuckin’ needy for me."

He drags his fingers from your mouth, and finally pushes into you, the stretch much tighter than with two of your own. Your head falls backwards, and Joel curls his fingers.

"No, baby, look down here," he orders, and immediately you lift your head again, and watch him pump two thick digits in and out of you. It’s dizzying to think it’s the same hand that waved to you from over his fence for years and years. You feel a coil building in your stomach, and you moan.

"Fuck, Joel," you moan, his name leaving a delicious aftertaste in your mouth. His beautiful forearm flexes with every movement, your slick is dripping down his fingers, and those damn sleeves are still perfectly rolled up.

With a few more curls of his fingers, you gush around him, barely having time to warn him, and he praises you, calls you his good girl, drags his fingers against that spongey spot inside of you until you see stars.

When he slips his fingers out of you and holds them up to your face again, you clean them up with your mouth as Joel watches with bright eyes. To think that he’s the same man who taught you Dirac not twenty-four hours ago – already, you want him inside again. When you’re done, he fumbles with his own clothes, and you watch him this time instead of helping.

"You look so good like this," you mumble, eyes raking over his broad form, "Professor."

His eyes snap up to yours, and you grin.

"Fuckin’ Christ, kid," he mutters, popping open the buttons on his shirt, "you can’t say shit like that."

"You don’t like it? You know, I watched you during your lectures and dreamed about…well, about this."

His expression is unreadable, but if you’re not mistaken, his hands move even faster now, and then he shrugs out of his shirt. You almost moan at the sight of his naked torso, so broad and solid.

"You need to pay attention in class," Joel answers, as he opens his pants. Your breathing grows a little shallow when he reveals his boxers underneath, his bulge huge.

"Can’t," you mumble, "not with you looking like this."

He chuckles at that, at the honesty and need in your answer.

"Don’t worry," he says softly, "I’ll fuck it outta you. Won’t be needing’ me in class, not if I’m still leakin’ out of you."

Your lips part, your pussy clenches – a smile tugs on the corners of Joel’s mouth at your reaction. He drags down his boxer shorts, and your eyes snap towards his cock, so thick and dripping in precum. You whimper, you can’t help it, and Joel’s smile widens.

"We’ll make it fit, baby," he says, reading your mind, and then bends down and kisses you again. You try to tug your shirt upwards, but Joel’s hands find your wrists and he holds them tight.

"No, want to fuck you in it," he breathes against your lips, and you press your hips upwards until he groans. He pumps his fist over his cock a couple of times, and aligns it with your entrance.

"Deep breath, baby," he mutters, and you obey, staring up at him as he starts pressing into you. It’s tight, much tighter than his two fingers, and your eyes glass over with pain, but Joel goes slow. His hand strokes your tummy, helps you relax, while he pushes on consistently. You feel like he’s punching the air from your lungs, eyes wide with the stretch of him, as he nips at your jaw and neck to distract you.

"Know it’s a lot, but you can take it, angel."

"Y-yes," you moan, and screw your eyes shut, "please don’t stop, Joel."

 Joel’s breathing is ragged with restraint, and suddenly his hips snap forwards – and he’s fully buried inside of your tight body, nestled right against your cervix.

"Back to Joel, are we?" he teases, and gives you a couple of seconds to get used to him. You whimper and claw at his arm.

"I – ah – I’ll call you Professor Miller ’f you want," you slur, as he starts dragging his cock out of you again. You tremble under him, the feeling almost more intense than when he pushed inside of you.

"Yeah? That get you off? Or – fuck–  is it the fact that I’m friends with your parents?"

It really, really should be a turn off, to be talking about your parents right now, but the way Joel says it, the way he points out just how debauched it is what you’re doing – you can’t help but moan. You blush, too, can feel the heat in your face, but you’re tired of being ashamed of wanting him the way you do.

"Both," you answer, and this time Joel groans, his hips snapping into you at a rougher pace. The head of his cock hits your spot every time, and you let out little sounds of pleasure with every drag of his cock, unable to form a coherent sentence. Joel’s hand finds your clit again, rubbing circles as his other one pressing down on your stomach.

"Feel that?" he asks you, and you do, you feel him all up in your guts, "you take it so well baby, take all ’f me."

"Yes," you answer, eyes glassy with pleasure, "want all of you, Joel."

He bites your shoulder, keeps rutting into you, and soon you feel another orgasm building.

"Close – ah – so close," you whimper, and Joel speeds up his thrusts just slightly. You clench around him, right on the edge.

"Come for me, angel, give it to me."

You do, your hips bucking, back arching.

"Ah – fuck, Joel, Prof–"

"Say it," Joel orders, fucking you through the waves of pleasure.

"Professor."

He comes, too, twitching deep inside of you and spilling rope after rope of come. It feels right, like you’re his. His groan is rough, his thrusts sloppy, and you feel your pussy spasm around him in a third, weaker orgasm, or maybe it’s just aftershocks from your second. You’re limp underneath him, letting him use your body how he needs to.

"Fuck," he curses, "did so good for me."

He slips out of you, and you can feel his spend drip out of you. You’re weak, soft like jelly, sweaty and entirely satisfied.

"Jesus," you breathe, when he falls down next to you, his couch mercifully being big enough.

"Yeah," he answers, "Jesus."

***

Turns out, Joel Miller is a dirty talking bastard during sex, and a big softie afterwards. He makes you tea, strokes your hair while you sip it, then carries you up to his shower and gently washes your body his his sponge. Throughout, he’s quiet, and you wonder if it was too much, the mention of him being your professor, of your parents, but you’re too afraid to ask. He brushes your forehead with his lips when he dries you off, and pulls another of his shirts over you head. Your panties are entirely ruined, it’s all you’re wearing.

When you’re clean again, and relaxed, Joel pulls you onto his bed, wrapping you up in his arms.

"Did you…was that too much?" he asks you softly fingertips tracing over your thigh lazily.

"It was just right," you answer quietly, and he hums.

"You didn’t feel like you…I mean when you called me Professor, you wanted to do that, right?"

You look up at him, and press a soft kiss against his jaw.

"Of course, Joel. Wanted everything we did, I promise."

He nods, but you can tell there’s still something bothering him.

"You know that’s not what you are to me, though, right?" Your voice is soft. "You’re just Joel."

He brushes the top of your head with his lips.

"I mean it," you press on when he doesn’t answer, "it’s like a costume, Joel. I know it’s your job, but it’s…I don’t think of you as like, an authority figure or something. I just thought you looked hot in that slutty shirt."

"Slutty–?" he sputters and you laugh.

"Sure, you know, with your sleeves rolled up, and that first button popped open."

"’S not slutty."

"You showed your forearms. Half the lecture hall felt like a victorian man seeing ankles for the first time."

Joel makes an exasperated sound, half amused and half offended.

"I mean it," you say again after beat, humor gone from your tone, "and it’s not just sex to me. You know that."

"Yeah," Joel answers slowly. "’S more to me, too."

It’s a hell of an admission.

"What are we gonna do?", you ask quietly, and Joel sighs.

"You’re gonna go to class," he says, voice dark, "and I’ll try very, very hard not to call your father and tell him I’m fallin’ for his daughter."

You bury your face in his chest. With anyone else, it would be too much, too fast, too intense. But this is Joel. It’s not fast if you’ve known him your whole life, is it? You kiss his chest, and he seems to understand.

"We’ll figure it out," Joel says quietly, pressing a kiss to your hair.

For a second you do want your parents to know, want them to see that someone does treat you like an adult, want to look them in the eye and say I’m with Joel now and there’s nothing you can do about it. I have my own life now and it includes this kind man. It’s childish, you know it is. You lean up, catch Joel’s mouth in a kiss.

"Yeah," you answer, “We’ll figure it out, Professor.”

[askagamedev]

Thoughts on the Bioware restructuration/lay-offs?

I've long said that any AAA game studio, no matter how strong, is always 2-3 flops in a row away from closure. Bioware did very well with Inquisition, but Mass Effect Andromeda and Anthem's sequential failures resulted in DA4 being their make-or-break release.

One factor was that 2024 was the first full year since 2012 that Bioware didn't have SWTOR on their books anymore - SWTOR went over to Broadsword in late 2023. For the past decade, all of the money earned by SWTOR (which is significant, the game isn't growing but it does more than earn its keep) was considered in Bioware's accounting. That sizable income helps offset the money being burned in other areas like ME:A, Anthem, ongoing DA4 efforts, and other internal projects (like the many failed KOTOR 3 pitches) to the accountants and executives. Without SWTOR to inject additional cash over the year, the Veilguard costs look a lot worse to the money people.

DA4 itself was a bit of a mess during development too. The development of the project that eventually became Veilguard was actually restarted at least twice - they were already working on preproduction for DA4 as of late 2015. The process was long and arduous, and the finished game was... mid? It wasn't underwhelming, it wasn't overwhelming, it was just... whelming. Veilguard also made the somewhat controversial choice to hang everything on sales and not go with post-launch DLC to help monetize further. This gamble really did not pay off. Veilguard missed its sales target by 50%, which was the third nail in the coffin. Each of these failures seems to follow the same pattern - significant dev time spent going in circles because the leadership can't commit to core elements of the game, resulting in something thrown together at the end in order to ship something.

As a result of these issues, the Sword of Damocles that dangles above every studio fell on Bioware. While Bioware remains as a label and the next Mass Effect game continues development, Bioware as a studio is no longer a stand-alone entity capable of building a full game from start to finish like it used to be. Bioware is likely no longer going to have as much of a cohesive identity like it used to - it will be a label more than anything else. If Mass Effect gets a green light for full production, they'll likely have to "borrow" a bunch of floating developers from EA's other studios to build it out, then disperse those borrowed devs to other EA projects once it ships and leave a small team to incubate the next "Bioware" project, at least until they can get two sequential big hits again and warrant a larger injection of funding to start growing again.

My heart really goes out to all of those who are affected by this - the Veilguard devs were really behind the 8 ball when they started and the current economic situation in video games isn't good. I hope that they're able to find something soon, hopefully at a studio that makes better high level leadership decisions.

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[treasure-mimic]

So, let me try and put everything together here, because I really do think it needs to be talked about.

Today, Unity announced that it intends to apply a fee to use its software. Then it got worse.

For those not in the know, Unity is the most popular free to use video game development tool, offering a basic version for individuals who want to learn how to create games or create independently alongside paid versions for corporations or people who want more features. It's decent enough at this job, has issues but for the price point I can't complain, and is the idea entry point into creating in this medium, it's a very important piece of software.

But speaking of tools, the CEO is a massive one. When he was the COO of EA, he advocated for using, what out and out sounds like emotional manipulation to coerce players into microtransactions.

"A consumer gets engaged in a property, they might spend 10, 20, 30, 50 hours on the game and then when they're deep into the game they're well invested in it. We're not gouging, but we're charging and at that point in time the commitment can be pretty high."

He also called game developers who don't discuss monetization early in the planning stages of development, quote, "fucking idiots".

So that sets the stage for what might be one of the most bald-faced greediest moves I've seen from a corporation in a minute. Most at least have the sense of self-preservation to hide it.

A few hours ago, Unity posted this announcement on the official blog.

Effective January 1, 2024, we will introduce a new Unity Runtime Fee that’s based on game installs. We will also add cloud-based asset storage, Unity DevOps tools, and AI at runtime at no extra cost to Unity subscription plans this November. We are introducing a Unity Runtime Fee that is based upon each time a qualifying game is downloaded by an end user. We chose this because each time a game is downloaded, the Unity Runtime is also installed. Also we believe that an initial install-based fee allows creators to keep the ongoing financial gains from player engagement, unlike a revenue share.

Now there are a few red flags to note in this pitch immediately.

Unity is planning on charging a fee on all games which use its engine.

This is a flat fee per number of installs.

They are using an always online runtime function to determine whether a game is downloaded.

There is just so many things wrong with this that it's hard to know where to start, not helped by this FAQ which doubled down on a lot of the major issues people had.

I guess let's start with what people noticed first. Because it's using a system baked into the software itself, Unity would not be differentiating between a "purchase" and a "download". If someone uninstalls and reinstalls a game, that's two downloads. If someone gets a new computer or a new console and downloads a game already purchased from their account, that's two download. If someone pirates the game, the studio will be asked to pay for that download.

Q: How are you going to collect installs? A: We leverage our own proprietary data model. We believe it gives an accurate determination of the number of times the runtime is distributed for a given project. Q: Is software made in unity going to be calling home to unity whenever it's ran, even for enterprice licenses? A: We use a composite model for counting runtime installs that collects data from numerous sources. The Unity Runtime Fee will use data in compliance with GDPR and CCPA. The data being requested is aggregated and is being used for billing purposes. Q: If a user reinstalls/redownloads a game / changes their hardware, will that count as multiple installs? A: Yes. The creator will need to pay for all future installs. The reason is that Unity doesn’t receive end-player information, just aggregate data. Q: What's going to stop us being charged for pirated copies of our games? A: We do already have fraud detection practices in our Ads technology which is solving a similar problem, so we will leverage that know-how as a starting point. We recognize that users will have concerns about this and we will make available a process for them to submit their concerns to our fraud compliance team.

This is potentially related to a new system that will require Unity Personal developers to go online at least once every three days.

Starting in November, Unity Personal users will get a new sign-in and online user experience. Users will need to be signed into the Hub with their Unity ID and connect to the internet to use Unity. If the internet connection is lost, users can continue using Unity for up to 3 days while offline. More details to come, when this change takes effect.

It's unclear whether this requirement will be attached to any and all Unity games, though it would explain how they're theoretically able to track "the number of installs", and why the methodology for tracking these installs is so shit, as we'll discuss later.

Unity claims that it will only leverage this fee to games which surpass a certain threshold of downloads and yearly revenue.

Only games that meet the following thresholds qualify for the Unity Runtime Fee: Unity Personal and Unity Plus: Those that have made $200,000 USD or more in the last 12 months AND have at least 200,000 lifetime game installs. Unity Pro and Unity Enterprise: Those that have made $1,000,000 USD or more in the last 12 months AND have at least 1,000,000 lifetime game installs.

They don't say how they're going to collect information on a game's revenue, likely this is just to say that they're only interested in squeezing larger products (games like Genshin Impact and Honkai: Star Rail, Fate Grand Order, Among Us, and Fall Guys) and not every 2 dollar puzzle platformer that drops on Steam. But also, these larger products have the easiest time porting off of Unity and the most incentives to, meaning realistically those heaviest impacted are going to be the ones who just barely meet this threshold, most of them indie developers.

Aggro Crab Games, one of the first to properly break this story, points out that systems like the Xbox Game Pass, which is already pretty predatory towards smaller developers, will quickly inflate their "lifetime game installs" meaning even skimming the threshold of that 200k revenue, will be asked to pay a fee per install, not a percentage on said revenue.

[IMAGE DESCRIPTION: Hey Gamers!

Today, Unity (the engine we use to make our games) announced that they'll soon be taking a fee from developers for every copy of the game installed over a certain threshold - regardless of how that copy was obtained.

Guess who has a somewhat highly anticipated game coming to Xbox Game Pass in 2024? That's right, it's us and a lot of other developers.

That means Another Crab's Treasure will be free to install for the 25 million Game Pass subscribers. If a fraction of those users download our game, Unity could take a fee that puts an enormous dent in our income and threatens the sustainability of our business.

And that's before we even think about sales on other platforms, or pirated installs of our game, or even multiple installs by the same user!!!

This decision puts us and countless other studios in a position where we might not be able to justify using Unity for our future titles. If these changes aren't rolled back, we'll be heavily considering abandoning our wealth of Unity expertise we've accumulated over the years and starting from scratch in a new engine. Which is really something we'd rather not do.

On behalf of the dev community, we're calling on Unity to reverse the latest in a string of shortsighted decisions that seem to prioritize shareholders over their product's actual users.

I fucking hate it here.

-Aggro Crab - END DESCRIPTION]

That fee, by the way, is a flat fee. Not a percentage, not a royalty. This means that any games made in Unity expecting any kind of success are heavily incentivized to cost as much as possible.

[IMAGE DESCRIPTION: A table listing the various fees by number of Installs over the Install Threshold vs. version of Unity used, ranging from $0.01 to $0.20 per install. END DESCRIPTION]

Basic elementary school math tells us that if a game comes out for $1.99, they will be paying, at maximum, 10% of their revenue to Unity, whereas jacking the price up to $59.99 lowers that percentage to something closer to 0.3%. Obviously any company, especially any company in financial desperation, which a sudden anchor on all your revenue is going to create, is going to choose the latter.

Furthermore, and following the trend of "fuck anyone who doesn't ask for money", Unity helpfully defines what an install is on their main site.

While I'm looking at this page as it exists now, it currently says

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

However, I saw a screenshot saying something different, and utilizing the Wayback Machine we can see that this phrasing was changed at some point in the few hours since this announcement went up. Instead, it reads:

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming or web browser is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

Screenshot for posterity:

That would mean web browser games made in Unity would count towards this install threshold. You could legitimately drive the count up simply by continuously refreshing the page. The FAQ, again, doubles down.

Q: Does this affect WebGL and streamed games? A: Games on all platforms are eligible for the fee but will only incur costs if both the install and revenue thresholds are crossed. Installs - which involves initialization of the runtime on a client device - are counted on all platforms the same way (WebGL and streaming included).

And, what I personally consider to be the most suspect claim in this entire debacle, they claim that "lifetime installs" includes installs prior to this change going into effect.

Will this fee apply to games using Unity Runtime that are already on the market on January 1, 2024? Yes, the fee applies to eligible games currently in market that continue to distribute the runtime. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

Again, again, doubled down in the FAQ.

Q: Are these fees going to apply to games which have been out for years already? If you met the threshold 2 years ago, you'll start owing for any installs monthly from January, no? (in theory). It says they'll use previous installs to determine threshold eligibility & then you'll start owing them for the new ones. A: Yes, assuming the game is eligible and distributing the Unity Runtime then runtime fees will apply. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

That would involve billing companies for using their software before telling them of the existence of a bill. Holding their actions to a contract that they performed before the contract existed!

Okay. I think that's everything. So far.

There is one thing that I want to mention before ending this post, unfortunately it's a little conspiratorial, but it's so hard to believe that anyone genuinely thought this was a good idea that it's stuck in my brain as a significant possibility.

A few days ago it was reported that Unity's CEO sold 2,000 shares of his own company.

On September 6, 2023, John Riccitiello, President and CEO of Unity Software Inc (NYSE:U), sold 2,000 shares of the company. This move is part of a larger trend for the insider, who over the past year has sold a total of 50,610 shares and purchased none.

I would not be surprised if this decision gets reversed tomorrow, that it was literally only made for the CEO to short his own goddamn company, because I would sooner believe that this whole thing is some idiotic attempt at committing fraud than a real monetization strategy, even knowing how unfathomably greedy these people can be.

So, with all that said, what do we do now?

Well, in all likelihood you won't need to do anything. As I said, some of the biggest names in the industry would be directly affected by this change, and you can bet your bottom dollar that they're not just going to take it lying down. After all, the only way to stop a greedy CEO is with a greedier CEO, right?

(I fucking hate it here.)

And that's not mentioning the indie devs who are already talking about abandoning the engine.

[Links display tweets from the lead developer of Among Us saying it'd be less costly to hire people to move the game off of Unity and Cult of the Lamb's official twitter saying the game won't be available after January 1st in response to the news.]

That being said, I'm still shaken by all this. The fact that Unity is openly willing to go back and punish its developers for ever having used the engine in the past makes me question my relationship to it.

The news has given rise to the visibility of free, open source alternative Godot, which, if you're interested, is likely a better option than Unity at this point. Mostly, though, I just hope we can get out of this whole, fucking, environment where creatives are treated as an endless mill of free profits that's going to be continuously ratcheted up and up to drive unsustainable infinite corporate growth that our entire economy is based on for some fuckin reason.

Anyways, that's that, I find having these big posts that break everything down to be helpful.

[tossawary]

I think it would be fun to do a "character swaps with older version of themselves" fic with Moshang. A post-canon Mobei-Jun who has been happily married for a while (probably at least 50 years old) accidentally touches some plot device artifact and time travels, swapping places with his 20ish-year-old self. Older MBJ wakes up in head disciple Shang Qinghua's bed where his younger self had been napping.

Younger MBJ lands in his own palace, where he is quickly found and fawned over by Older SQH, who can't help but think this MBJ is so cute. The System quickly confirms for Shang Qinghua that this situation has been sorted into a "multiple timelines" thing, so SQH doesn't have to worry about "protecting the timeline" by doing anything like hiding the fact that he's MBJ's husband. (So, there's an alternate timeline younger version of Airplane Bro now? He's just going to... ignore having an existential crisis about it. Yeah.)

Which is great because Older MBJ would not have thought about this at all as a potential issue. Older MBJ also thinks Younger SQH (Younger Airplane Bro) is incredibly cute and has no problem informing him that they're married in the future. Younger Airplane Bro is trying to figure what the fuck is happening, but he's having trouble thinking over the sound of how MBJ only became hotter: MBJ didn't get much taller, but he did get wider, heavier, more muscular, and hairier. Holy shit. Older MBJ doesn't even have any problems passionately kissing Younger SQH just to prove that they're married. And he smiles! He's so gentle and communicative! Comparatively!

("Luo Binghe is the Demon Emperor in my time," Older MBJ says. "Ah? Who's Luo Binghe?" Younger Airplane Bro lies very badly. "Hmmm, so you did know," Older MBJ says, and then makes some comment about LBH's husband that makes Younger SQH go, "HIS WHAT NOW?!")

Younger MBJ is trying to be cool, not really confused or scared, and Older SQH spoils him rotten by showing off the home that they're made together and how well the palace works to serve and defend MBJ. Linguang-Jun can't show up here because SQH will light him on fire if he shows his face. Younger MBJ doesn't even really like his SQH yet and is also struggling with how good Older SQH looks: a little taller, broader, relaxed and easygoing, answering all of his questions and explaining important things to him, dressed like a beloved demon lord's spouse, efficiently ordering everyone around. "Call me Gege," Older Shang Qinghua said with a wink, and it went straight to Younger MBJ's defenseless heart; he is developing new kinks immediately. Help him.

In the end, after a few days at most, they manage to switch Older and Younger MBJ back without too much issue. Older SQH is a little annoyed that his husband kissed an alternate timeline version of himself, but mostly because he sure would have liked that experience when he was only a disciple! Okay, SQH may have pet Younger MBJ's head and pinched his cheeks and hugged him and brushed his hair a little and shamelessly lavished him with good examples of human affection, but it's not the same!!!

Younger MBJ and Younger SQH in the alternate timeline are left in SQH's tiny head disciple house, completely flustered, sitting next to each other and barely able to look at each other. What. The. Fuck. Eventually, Shang Qinghua manages to say, "Uh, do you want to make out?" at the same time that Mobei-Jun says, "We should get married as soon as possible. Tomorrow."

[mareastrorum]

That last episode really wasn’t as interesting as the discourse suggests, and that’s pretty much the problem:

First, Ludinus’s fight was not of the caliber expected for a final boss fight, which (in combination with his staff) suggests that it won’t be the last time we’ll see him. The issue is that the audience is generally quite tired of Ludinus because (1) he has made far too many appearances for a villain with a single-minded goal, (2) his interactions with the PCs are uninteresting because his motivations don't resonate with them in agreement or opposition, and (3) Delilah did the whole “Cerberus Assembly wizard who refuses to stay dead” thing in this very campaign (plus it was far more thematically appropriate for a necromancer) and that takes the dramatic tension out of the possibility. No one cast member bears the blame for those 3 issues; Matt probably should have pivoted to give Ludinus additional motivations when the Hells had so consistently demonstrated an inability to commit to the gods question, and the players should have done something to build a sense of purpose in their group (which would be their reason to oppose the villain). Instead we're left with "this guy has rancid vibes, kill him and do what he wanted us to anyway."

Second, the PCs’ decisions leading up to this point have annihilated any semblance of tragedy in the narrative. This isn’t a tragedy because that genre rests on eliciting a feeling that the characters deserved better, but the audience nevertheless understands why it turned out this way. That can arise from paying attention to institutional injustices, the allure of cycles of violence, or the development of tragic flaws (strengths causing a downfall). That isn't C3; this is a bunch of trite flaws (selfishness, short-sightedness, pettiness, favoritism, etc.) turning out to be flaws. It would have been amazing if this had been an example of hubris like we saw in EXU Calamity, but each of those main characters were bursting with pride in themselves, their city, and mortality, and while that hubris brought the Lord of the Hells back, they managed to prevent the worst case scenario using the exact same skills and resources. None of that is present here. Bell’s Hells are constantly trying to shift the captain’s hat to someone else, and their ship has been heading straight for rocks for the past 60 episodes. There was no intention to sail into the rocks. It wasn’t their strengths that led to Imogen accepting Predathos; it was the same indecisiveness that has plagued them the entire campaign. They had 118 episodes to build a proper tragedy, and instead we have a story that took hundreds of hours to say that unreliable people shouldn’t be relied upon. The result has been numerous posts hoping for the Hells to suffer all sorts of consequences (TPK, specific player deaths, refusal of aid from the gods) for failing to commit to a course of action. Why? Because then at least there would be some type of cathartic satisfaction that Fucking Around means they’re going to Find Out. It has nothing to do with imaginary people deserving a better ending and everything to do with feeling like this ending would have been more satisfying around episode 50.

These criticisms are not about facets within the story; it's not about whether X character was correct, whether Y fucked up, whether Z plan was the better choice. It's that sometimes people don't land their bit for improv shows, and that is disappointing after seeing skilled storytellers do so well with prior campaigns.

[unteriors]

Since you're Australian, why are so many of the posts from the US? Did you start with Australia and then move onto other countries once you'd felt like you exhausted it? Or is the US particularly interesting for your purposes?

A big part of the reason is the enormous difference in scale. Australia has about 25 million people, versus 300 or so million in the US. Each of the 50 states has at least one or two major cities, most have many more than that. In addition to the volume of real estate imagery produced by this market, there are a few things about the US in this context which draw me in from an Australian perspective. One is how real estate listings weirdly embody how much more visually apparent the harmful economic forces of the past 50 years are in American society than they are here or elsewhere. Australia's welfare state was developed roughly during the same time as in the US, and has similarly been cut back since the 1970s. But it was always much weaker in the US than in Australia or Western Europe, and correspondingly the effects of its deterioration - along with other economic trends - have been much more visible than they are here. The way this is played out in terms of localised funding for public services means that many American cities have pockets (of varying sizes) where poverty and other forms of systemic oppression are concentrated and left open to the elements. The sort of stuff Jacob Holdt documented in his photos in the 70s, or that you see in a lot crime films and thrillers with location shooting. Gentrification and other forces since then have pushed these pockets into other areas and made some places seem less grim, but from what I've heard it seems like it would be hard for the average person in the US to ignore that these large, systemic problems exist. Conversely, in Australia, this kind of intense poverty has been pushed into the margins of society during the same time period - to remote communities (where people suffer from chronic diseases that have been eradicated in most other wealthy countries), country towns with shrinking economies, or to the fringes of larger cities (where people sleep in their cars in parking lots, or multiple families form sharehouses to afford $400-500+ pw rents). Though as things have gotten worse, particularly since COVID, it's getting harder to ignore. But still there's a substantial part of the population here who have grown up in ignorance of any of the larger, percolating structural problems in Australian society, and who proactively retain that ignorance into adulthood.

I think you can see these different perspectives play in out in real estate listings. In most American states, even in most of the towns I've looked at, you can see a broad spectrum of living conditions (and commercial interpretations of ideal living conditions) - from burnt out trailers, to overpriced renovated shitty older houses with cheap grey vinyl flooring and white walls, to clearly lived-in time capsules to McMansions to actual mansions. Some photographs are clearly shot by owners, others by real estate agents with a great variety of care and attention to detail (from elaborate staging to crime scenes). Rightly or wrongly, I feel like I get a broader, more honest (or at least more direct) feel for the housing crisis. It's a more honest horror film.

Australian listings, I think in part due to concentrations in corporate power in the real estate industry (similar to other monopolies that have formed in our economy), tend to more heavily adhere to the visual language of advertising and are more heavily regulated by agencies. The problems still exist, the housing market here is among the worst in the world and little effort is being made to address the underlying structural issues, but you can see the lack of will to acknowledge these issues in the level of gloss that's applied. You can look at a listing of an older house in Western Australia, for instance, and know for a fact that it's riddled with asbestos and probably has several other structural issues, but most likely enough time and effort will have been spent on staging and lighting and maybe surface-level renovations that it will seem otherwise fine. Lots of turds that have been polished successfully enough that you need insider knowledge to properly identify them as dogshit. Incidentally, I spent part of my childhood in a house built in the 1960s that had asbestos in the walls and ceiling.

I'm still interested in images from Australian listings (and other sources) though, I just look for other things that are interesting. Anything that runs contrary to the artificially positive, limited world view that advertising promotes. Even if its a poorly-lit time capsule that is directly aesthetically opposite to the ideal of house-beauty at the moment, or an obviously run-down house that has had every realtor photography trick in the playbook thrown at it until it becomes deeply uncanny. And it's always interesting to see what other people find interesting; I genuinely think the housing crisis underwrites every other political issue we have to contend with, its tendrils extend in many different directions, and I think this also means imagery like this can reach people in a diversity of ways. Aesthetically, nostalgically, inspiring fear and self-loathing and horror. All good sources of inspiration for creativity.

[noideabutsims]

Donut Co.'s Sidewalk Chalk Creations

Who's ready for a celebration of creativity and childhood wonder? Donut Co. is thrilled to be joining the Simblreen festivities for the first time ever, and we're bringing a mountain of fun with us! Simmers, get ready to unleash your inner child and turn your Sims' sidewalks into a vibrant explosion of color! Donut Co.'s Sidewalk Chalk Creations are here, bringing the joy of outdoor play right into your game.

These aren't just drawings, they're portals to a world of imagination. Watch your little Sims hop scotch through a rainbow, set sail on a pirate ship adventure, or simply giggle with glee at a friendly smiley face. Each chalk creation is a burst of pure joy, guaranteed to add a touch of whimsy and childhood charm to your Sims' neighborhoods.

So, ditch the dull concrete and let your Sims' creativity shine! Donut Co.'s Sidewalk Chalk Creations are here to transform your Sims' world into a celebration of art, play, and the simple joys of being a kid. ~~~~~~~~~~~~~~ All images have my reshade on*** I messed up and forgot to take photos without the reshade on this time guys. Ive been on a time crunch trying to get these finished, and i simply forgot. It really doesn't change the color that much, so it is very similar in game! Really sorry again guys! If you are interested in my reshade, or want to see how much it changes the color - you can find it here: https://www.tumblr.com/noideabutsims/763209634729345024/remember-those-days-reshade-preset-guess-what?source=share ~~~~~~~~~~~~~~ Has 50 swatches New mesh If you cannot see all the swatches, place it down and then change the color swatch!

All of our CC can be found by typing " Donut " into the search bar! Name: Donut Co.'s Sidewalk Chalk Creations Buy Mode Description: Transform your Sims' sidewalks into a canvas for creativity with Donut Co.'s Sidewalk Chalk Creations! This collection of colorful drawings brings a touch of childhood magic to your Sims' world. From playful rainbows and whimsical swirls to bubbly masterpieces and pirate ships setting sail for adventure, these chalk creations are bursting with fun. Add a touch of joy to your Sims' neighborhoods and let their sidewalks become a testament to the power of imagination! Will be releasing more content soon! stay tuned! ❤️ (NOT affiliated with EA or Maxis in any way! We just make CC!)

~~~~~~~~~~~~~~~~~~~ DOWNLOAD: Curseforge: https://legacy.curseforge.com/sims4/build-buy/donut-co-s-sidewalk-chalk-creations Patreon: https://www.patreon.com/posts/113944702 Google Drive: https://drive.google.com/file/d/1vD2RbSTGbBskNtiCpNjhvdHSqIVggEVB/view?usp=sharing ~~~~~~~~~~~~~~~~~ Due to financial issues and our promise of never paywalling our content; We have to ask that you guys download on our curseforge if you are willing and able. Just using their site to download makes us be able to have at least a small income that helps us when things get tough - however no matter where you download; we genuinely appreciate every download regardless!! If you can, you can find our curseforge here!: https://legacy.curseforge.com/members/the_lady_gaia/projects @alwaysfreecc

[loveafterdeath-if]

Update (more like me rambling than an actual update, tbh)

Hope y'all are doing alright! I saw my inbox filled with asks and kind words (y'all are the best, as always), and I'll start answering everything once I wrap up Chap 2, Part 2. I want to focus fully on writing so I can get you the whole chapter before March at least, haha.

I'm gonna start correcting what I've written so far to avoid ending up with 100k words to fix all at once. We're about 50% through Chap 2, Part 2 (38k words, but it'll probably hit 40k with corrections). There are branches that have messed with my brain because I wanted to include scenes for each RO, but I don't regret it. I love games with lots of replayability (is that how we say it?), so I want mine to offer that too.

Chap 2, Part 2 will have a ton of branches for each RO, plus the option if you're not pursuing anyone, so it might take a while to get that full chapter out. I honestly don't know how other authors keep track of so many branches! I've always respected them as a reader/player, but being the one writing makes me wanna hand my future kids over to those incredible authors…

On top of that, I'm dealing with another issue. I've been writing so much that I think I'm slowly slipping into that "They gaze at her and say," "They take the paper and it falls" vibe (is that even a thing? Idk). You know, the kind of writing with no real description. I find myself double-checking everything to make sure the descriptions are 'good,' and I think I'll just play some IFs when I got time, to help me regain my groove without turning phrases all weird (I hate reading books, that's why I'm gonna play IFs). This is making me slow down a bit.

I've been pushing myself to write at least 4-5k words each day for the past 3 (4?) months, and I think I shouldn’t have done that. I'm putting pressure on myself without even realizing it. It's only when I end up with 'only' 3k words that I start feeling upset and push through to hit minimum 4k. I'm feeling good for now and don't mind writing that much, but I really don't want to wake up one day and boom—burnout. A Ko-fi member and some folks in my inbox have kindly reminded me to take breaks and take my time, so I think I'll slow down a bit. Like, maybe aim for 3k words?

I've been writing for years, (started on Wattpad in French, and yeah, it was… something) so no worries about the game going on hiatus or anything. I love writing, especially interactive stuff—so basically IFs, haha. Just wanted to keep you in the loop!

Anyway, this ended up way longer than I intended. Stay safe, don't forget to eat your greens, stay hydrated, and all that! <3

[hells-wasabii]

How would each of the Hell characters(Hotel group, Lucifer, Overlords, Vees) do while cooking entirely on their own? Can be platonic or romantic, whichever you want

A/N: So I know I said 2, but the other one isn’t ready yet I’m still writing it. It’s gonna be pretty big too since it’s that velvette part 2. But I had to get my cat spayed today so I’ve been super busy all day keeping her out of trouble and from hurting herself :/ but anywho, enjoy!

Characters: All that I write for

Type: Hesdcanons (hazbin cast cooking headcanons)

Charlie

With Charlie, I’m a little torn. On the one hand, she’s a princess, so cooking would likely be more of a novelty considering she likely had staff to do it for her. But this is Charlie we’re talking about. She would go out of her way to learn how to cook. Wouldn’t give up either, not until she could do it on her own. I would imagine that she started learning from Vaggie and reading cookbooks.

Vaggie

When it comes to Vaggie, she can cook some, but she’s definitely super humble about it, brushing off any compliments because it’s ‘just food’. If the issue is pressed I can see her getting a little embarrassed about it. It’s mostly dishes that she had been taught while she was growing up, along with basic dishes that don’t necessarily require a honed skill to make.

Angel

Angel can cook, though he doesn’t exactly put much effort into it. I can definitely see him just throwing something together so he can eat and move on with whatever else he has going. Baking is a different story. I can really imagine while he was growing up he would sneak his way into the kitchen while his mother and Molly were baking. He picked it up pretty easily. And as someone who enjoys baking let me just say that his extra set of arms would be so helpful.

Husk

Husk was an entertainer in life, growing up in a casino, learning the trades in the house. That also includes the kitchens. Sure he likely didn’t spend a whole lot of time there but he still picked up a thing or two. So he’d be able to hold his own fairly well when it comes to making a homecooked meal.

Alastor

While it’s canon that the radio demon can cook, I feel like he specifically likes to cook recipes his mother left behind. Cooking recipes from his youth reminds him of joining his mother in the kitchen whipping something up for lunch and helping her prep for dinner. He’s not all that adventurous in the kitchen, though. He likes to stick with what he knows and what he grew up with.

Niffty

Having died in the 50s as a young housewife, I genuinely believe that she at least knows some fad recipes, like those salads and casserole recipes. Jello molds too. But that’s not to say that she wouldn’t know some basic stuff. I can definitely see Niffty being the type to try to create whole new recipes with varying, mostly horrifying results.

Sir Pentious

Sir Pentious is a genius, there’s no doubt about that, but the man can’t cook. At all. He’d burn water honestly. But baking? Oh yeah, he can bake with out a doubt(but not necessarily the decorating part), it’s basically science, but not cook. He’d quite honestly have the Egg Bois help, but let’s be honest here, that’d be a disaster too.

Cherri Bomb

I’ll admit, I wasn’t to sure about Cherri. She just doesn’t seem like the type to cook. Nah. Cherri is the queen of takeout. She can boil water but that’s really about it. Honestly, she’s only really a couple of steps above Sir Pentious, but she can’t bake either. Sometimes though, before Angel went off to the hotel, she would go out and buy ingredients and stuff and go to his apartment and they (he) would make something.

Vox

This man absolutely can cook, and he’s pretty damn good at it too. Considering he’s the television demon, he’s going to have several cooking shows. Hell, he even stars in a couple of them. That being said, he’s not one to do things half-assed. Sure, a lot of cooking shows have stuff that was prepared beforehand, but with Vox’s he goes out of his way to actually make the dishes in real time.

Valentino

I stand by my headcanons from my Valentino posts. He can cook, but it’s honestly a solid 50-50 on whether or not it’s burnt or edible. He’s pretty easily distracted, whether it’s a phone call or something else entirely, so if it's a dish that you have to pay close attention to, it’s likely to not turn out right.

Velvette

Velvette can do some light cooking, but nothing too extravagant. She’s got more important things to do, such as keeping Vox and Valentino on track. With a schedule as busy as hers, I don’t think she would cook often, preferring either Vox’s cooking or takeout. Oh but that doesn’t mean that she doesn’t take a picture and post it, because it’s Velvette, of course she does. Oh! But She’s probably been on Vox’s show as some sort of celeb guest type deal, the dish they made definitely stuck with her, so she might make it from time to time.

Zestial

Considering how long Zestial has been around, I would be more surprised if he couldn’t cook. You can’t convince me that after a while he at one point went through hobbies like a revolving door. Cooking absolutely would have been one of them. This man would absolutely try making the craziest things. He’d be up to date on all of the cooking fads, know recipes and cooking methods from several time periods and cultures. With him, there’s no telling what he might cook up next.

Carmilla

While I don’t think that she would really set aside time to cook often, she’s pretty skilled in the kitchen. Carmilla would likely have a couple of nights out of the month set aside to cook a meal with/for her and the girls, a tradition that carried on from their life before hell. She’d even take the opportunity to try new things while cooking.

Rosie

Oh, Rosie can absolutely cook, it’s canon that its a hobby of hers. She’s very well versed in a multitude of cooking methods, and while she may not entirely like a whole lot of new-age gadgets in the kitchen, she can’t really deny the fact that they can be quite useful. I’m willing to bet that she would have an Instapot (they’re great I have two and one of them has an air fryer attachment)

Adam

Adam would never openly admit it, but he knows how to cook. He was the first man, he would have had to learn eventually, even if it was something as simple as preparing meats. That being said, he can grill. I’d be willing to bet that he’d host a little barbeque after the annual exterminations for the exorcists, maybe even enter into grilling competitions.

Lute

Lute’s honestly a bit of a wildcard when it comes to cooking. She might have been able to cook while she had been alive, but nowadays not so much. It had been a long time since she actively made anything, so she’d be pretty rusty. But other than the basics, I don’t really see her being able to be too creative in terms of cooking either. She’d honestly probably stick to what she knows and wouldn’t stray too far away from that.

Emily

I don’t necessarily think that seraphim would really need to eat, but that doesn’t mean that they can’t or don’t. In Emily’s case, I would imagine it as a scenario where she wanted to do something to get closer to humanity. They were her charge after all, or rather their state of happiness. But all humans eat and many find joy in doing so and even in the act of cooking, so she absolutely would be thrilled to learn! She’s getting better at it by the day.

Sera

Sera had likely done the same as Emily when she was a young angel, though I don’t see her sticking with it. I definitely think that she taught Emily to start her on her little culinary journey. She can cook, she just… doesn’t. I’d even go as far as to say it’s been centuries since she’s actually cooked a meal of any kind. That being said, if she were to jump into the kitchen nowadays, she probably wouldn’t have a very easy time finding her way around.

Lucifer

Lucifer is a man of many talents. He can absolutely cook, possibly even Michelin level, he just chooses not to. He likely just considers it a novelty of sorts, considering he has the power to simply poof food right in front of him. Honestly, it’s pretty helpful whenever he’s depressed and doesn’t feel like making anything. But, when it comes to his family and friends, he’s more than happy to whip something up.

Lilith

Another one who would likely consider cooking to be a novelty. Considering how she’s the second most powerful being in hell, and fiercely independent with more important things to worry about. Lilith wouldn’t concern herself with cooking unless it was with her family, and even then it likely didn’t happen that often after Charlie grew up.

Bonus:

Alastor Cat

Would wind up burning what ever building its in down. Was it intentional? Was it an accident? The world may never know

[etirabys]

meandering post about reading Orson Scott Card again

I've been offline starting at 9pm every day (except once. I was drunk at karaoke and asked for anons at 8:30pm) for six weeks, with the result that in befuddled boredom two nights ago I picked up Orson Scott Card's Songmaster from the house bookshelf.

I read Ender's Game and three sequels when I was a teen thought the books were mid. Since those are OSC's best works I assumed he had nothing more interesting to offer me and didn't try more of him for fifteen years, but Songmaster was compelling enough that I immediately afterwards picked up The Memory of Earth, the first book of a pentalogy.

TMoE is extremely my jam: after humanity blows itself up on Earth, AIs monitor thriving human civilizations in the planets that survivors managed to escape to, and suppress any tech that enables large scale violence by exerting low key mind control via satellites. But forty million years pass, many of the satellites break down, and the AI needs help from humans to restore capabilities. Because as its control wanes, people are starting to e.g. conceive of airplanes or bombs again, and override the injunctions against entering military alliances more than two edges of connection away.

The AI is worshipped as a god all over the planet, but the fourteen year old protagonist that becomes one of the AI's agents tells the AI from the beginning that he'll break with it if its morality seems wrong to him. I like the fourteen year old – unlike Ender or Songmaster's protagonist (adult minds piloting ten year old bodies), he's a normal gifted kid who's unpopular 50% due to his ego and big mouth and 50% because he's socially inept and offends people even when he's trying to be nice.

Songmaster is also partly about a permanent solution to large-scale violence, albeit through one guy who establishes a monopoly on violence and sweeps in pax galactica. Both it and TMoE are preoccupied with the eradication of suffering from evil / human violence, which is closer to my resonant frequency than narratives about defeating particular people or ideologies. At the moment I can't think of any other book with such an insistent focus on the matter than T.H. White's The Once and Future King. It's hard to make a compelling story out of, and I don't think Songmaster really succeeds, but TMoE's premise is well suited to explore that. (I'm also enjoying the matriarchal culture where everyone is expected to have multiple serial-monogamous marriages.) After reading 70% of TMoE last night I wrote:

Usually when I read fiction there's a small part of me going, how can I use this as fodder for my own growth, how can I remix or improve or react against this, how do the author and I measure against each other? (If the quality and content are at an anti-sweet spot, the small part becomes quite large and I feel all teeth towards the author.) But on occasion I read something so close that the absence of that measuring-feeling is its own sensation – ego departs, or at least is split across two bodies. There's just amity and recognition

And it's pretty interesting to feel this way about Card for, well, the reasons.

(If you're familiar with Card drama none of the following will be new to you; I'm coming to it fresh so the rest of this post is me going "uh... wow")

I vaguely knew he was a homophobic Mormon who'd gotten into fights about gay stuff, but I couldn't tell from the Ender books I read. But in Songmaster his issues spring off the page in such a weird way. Every fifth Goodreads review of this book is "Card, u gay?" because, well,

(One review, possibly from a fellow Mormon, that went "Card, it's so sinful of you to be this gay in your novel". Why did he write this book that would predictably make everyone mad...)

it's full of gay male desire. The protagonist (Ansset) is approximately a castrato and characters notice him sexually a lot. The first and only time Ansset has sex it's with a Kinsey 4-5 male character he loves, who's married to a woman but has fallen in love with Ansset. It turns out the drugs Ansset took to prolong his singing career painfully and only-kinda-figuratively explode your balls when you have your first orgasm and you'll never feel sexual desire again. (You'd think his loving teachers would have warned him of that, but, whatever, they didn't.) The other guy is literally castrated in punishment for inadvertently torturing a highly valuable castrato. It's pretty bald: GAY SEX IS ALMOST IRRESISTIBLY TEMPTING BUT YOU SHOULDN'T DO IT.

(Sidenote: both Ansset and the guy's wife are very close and have a "there's enough love to go around" attitude about the gay sex initially, before they go "wait Josif is a SERIAL MONOGAMIST... he can only love one person at a time... the moment he had the gay sex his marriage was destroyed". It's funny in a mildly stupid way that Card would set up this parable of homosexuality destroying lives and a marriage but almost everyone involved is peacefully ready to sail into an open marriage. I guess it makes sense if you want to say very clearly that THE GAY PART IS THE BAD PART)

which is fascinating to me, because... why would you tell on yourself like that

(81k also told me secondhand of an essay? interview? where Card openly says "we have to stand against legalizing gay marriage because everyone will get gay married and society will collapse", so that's informing my read of Songmaster as well)

I am pretty dang open about my personal life online but if I had a lot of feelings I thought were disgusting and immoral I would not write a novel dripping with those feelings before pointedly castrating the leads for them. Especially if it wasn't relevant to the actually highbrow themes of (checks notes) winning over your adversaries with kindness and never relinquishing your monopoly on violence. I would be so so so so embarrassed to let this go to print, it's so psychologically transparent, what was he thinking

(Well, I assume he's a very different person with different social incentives. For all I know, people in his church went "hey Orson we read your book and it's clear that you're gay but signaling strongly that you won't give into the gay feelings, we're here for you, it was really brave of you to publish this".)

[booksooks]

i havent even met sylus in game but some of yall seem to have him confused for your own oc because he would Not act Like That

typing using voice to text so I'm sorry if the formatting is weird, but from what my friend who has met sylus has told me: this man would not act the way some of you guys are insisting. like he would not be jealous to the point of being entirely unable to communicate. he would not try to kiss you as a way of making up, or as a way to stop you from being angry with him. that's just not something i see as feasibly anywhere near sylus as a character.

if you want to write a big daddy dom character who completely bulldozes over your feelings in lieu of 'fucking the jealousy out of you', then by all means go for it. but at that point, you are writing for an original character because that is wildly mischaracterizing someone who (again, according to my friend because i havent even come close to meeting sylus in the storyline) specifically makes room for you to be angry, to feel big emotions in a safe space and to be there for you.

the amount of fanfics i've seen that have sylus act in a way that is completely off base is insane. i'm aware that this is fanfiction, that people can write whatever they want and it's not harmful because at the end of the day: it's FAN FICTION and if you can't separate reality from fiction or whatever, you're not mature enough to be reading mature works or you simply don't have the media literacy skills to do so. but i've had a very long and emotionally draining week, and my temper is hanging on by a thread, and i'm allowed to be angry about a completely bullshit take on one of my favorite characters lmfao.

let me be clear, i'm not saying sylus cannot, will not, and has never been domineering, or protective, or that he doesn't have a fucking daddy kink or whatever. what i AM saying, is that the amount of fanfictions of sylus blowing the reader off or ghosting them or just simply not communicating and then expecting the reader to fall back into his arms after a kiss and a few well placed 'kitten's is astounding. even if he made the bad choice of being distant without explanation, he wouldn't expect the reader to instantly forgive him without an ELABORATE apology and an explanation. and honestly, i'm willing to put that bullshit of 'she forgives him because he's hot and he pulled her in close with his strong arms and hes so big daddy alpha dom' into the category of misogyny. because in what world does someone go from angry and hurt to forgiving and pliant just because he's a man and he kissed you. it is blatantly misogynistic to expect that.

i'm aware there is a lot of nuance within relationships, and that not everyone can be expected to be perfect at all times, HOWEVER this is fanfiction, and the authors i'm talking about have either explicitly stated that the reader and sylus have an established romantic relationship, or that they at the very least get along well and enjoy each other's company. so for sylus to then go ghost on the reader and expect them to instantly fall back into his arms at the end of the day then puts me in the position of 'simpering woman with no spine'. again, misogynistic.

at the end of the day, i'm aware this isn't an important issue and i'm aware that the misogyny in fanfiction doesn't necessarily have to transfer over to real life, especially because i do have critical thinking. but i have been ghosted before by an at-the-time boyfriend, and it sucked, so it's more of a personal issue from me.

i'm aware people can write whatever they want, and i have no obligation to read something i don't like. but that then eliminates what seems to be 50% of the fanfiction of sylus. i'm just saying please... consider writing literally anything else for sylus. for a man who has been made to love you specifically... y'all sure don't make him act like it.

if anyone wants me to elaborate or clarify some things, please send me an ask because the comments are not easy to navigate especially with multiple replies.

last but not least: i'm aware these are my personal feelings, and that i can write to make up for it should i so choose. but i hate having to scroll past 5 fics in a row with quite frankly stupid miscommunication issues from a man who is 28 and should damn well know better. thank you.

[oldschoolfrp]

Alarums & Excursions 139, March 1987, with Ward Miller's cover illustration -- This issue included the first printed appearance of Richard Aronson's tale "Eric and the Dread Gazebo," which quickly made its way to the early Internet:

The Tale of Eric and the Dread Gazebo by Richard Aronson [aronson@sierratel.com]

In the early seventies, Ed Whitchurch ran "his game", and one of the participants was Eric Sorenson. Eric plays something like a computer. When he games, he methodically considers each possibility before choosing his preferred option. If given time, he will invariably pick the optimal solution. It has been known to take weeks. He is otherwise, in all respects, a superior gamer. Eric was playing a Neutral Paladin in Ed's game. He was on some lord's lands when the following exchange occurred:

ED: You see a well groomed garden. In the middle, on a small hill, you see a gazebo. ERIC: A gazebo? What color is it? ED: [pause] It's white, Eric. ERIC: How far away is it? ED: About 50 yards. ERIC: How big is it? ED: [pause] It's about 30 ft across, 15 ft high, with a pointed top. ERIC: I use my sword to detect good on it. ED: It's not good, Eric. It's a gazebo. ERIC: [pause] I call out to it. ED: It won't answer. It's a gazebo. ERIC: [pause] I sheathe my sword and draw my bow and arrows. Does it respond in any way? ED: No, Eric, it's a gazebo! ERIC: I shoot it with my bow. [roll to hit] What happened? ED: There is now a gazebo with an arrow sticking out of it. ERIC: [pause] Wasn't it wounded? ED: OF COURSE NOT, ERIC! IT'S A GAZEBO! ERIC: [whimper] But that was a +3 arrow! ED: It's a gazebo, Eric, a GAZEBO! If you really want to try to destroy it, you could try to chop it with an axe, I suppose, or you could try to burn it, but I don't know why anybody would even try. It's a @#$%!! gazebo! ERIC: [long pause. He has no axe or fire spells.] I run away. ED: [thoroughly frustrated] It's too late. You've awakened the gazebo. It catches you and eats you. ERIC: [reaching for his dice] Maybe I'll roll up a fire-using mage so I can avenge my Paladin.

At this point, the increasingly amused fellow party members restored a modicum of order by explaining to Eric what a gazebo is. Thus ends the tale of Eric and the Dread Gazebo. It could have been worse; at least the gazebo wasn't on a grassy gnoll. Thus ends the tale of Eric and the Dread Gazebo. A little vocabulary is a dangerous thing.

The above is Copyright © 1989 by Richard Aronson. Reprinted with permission. The author grants permission to reprint as long as all copyright notices remain with the text.

[heli0s-writes]

intricate rituals*

a/n: You know how kids pick on each other but it's actually because they like each other? It's like that. 4.7k words. I don't know why this one was so long. I wrote this as a companion piece to slow hands. warnings: fantasizing & masturbation, language, the usual helios sprinkle of angst because Steve. Please stop reading if you are not 18+

brooklyn after dark masterlist

Judgmental red numbers gleamed from the alarm clock on your beside table. 2:50, it leered like a schoolyard bully, and you could only groan in reply, shoving your pillow over your face and muttering into it a string of unintelligible curse words.

The day stretched too long after you were hit—socked—square in the left orbital. Your skull ached and thrummed, congregating pain at the welt along your brow bone, and beneath all of it, your brain was at once empty and full of insistence.

And although you’d have to be vertical again in about three hours, your nerves were still uneasy, still roiling beneath your skin because adrenaline could be a bitch and a half like that.

You were floating aimlessly in limbo, trying to force-sink into the distance of sleep. Thoughts skated behind the back of your eyes and around your ears, restless fingers twitching beneath blankets. Each time you slipped off, the rug was pulled out beneath your feet and your body jerked awake, leaving your heart racing. Self-sabotage.

You were too tired to attempt a jog, not trusting your sore muscles to maneuver the compound’s wooded perimeter. The best option was the easy route: quick, simple, and only a little offensive. After all, imagination after a certain hour of the night was a dangerous thing but flirting with danger in private was worth it once you could rest after.

Besides, asking Tony for any strange white pill to put you to sleep was perilous at best and fatal at worst, and asking to be gently placed in a sleeper hold by a friend was a one-way ticket to seeing the on-call psychiatrist.

And, anyway, they’d think you were a masochist.

And, well, maybe you were. But that’s not their business.

Maybe you’d like it to be though. Maybe you’d like to see the flutter of interest, the reciprocity, admittance that they were also a little masochistic because who in this line of work isn’t?

Volunteering to get pummeled day in and day out must be diagnosable in the DSM-5 manual. Yeah. At least a few of your teammates are masochistic. You’d bet good money on it.

Bucky, for one. And—oh—wouldn’t his cheekbones look so good bright red? You could cut your palms on those.

Here was the danger with imagination past a certain hour of the night:

Co-ed dormitory style living with a gorgeous cast of characters—all deranged in their own right—but still gorgeous. Lovable despite their many, many flaws. Egregious, maddening flaws.

Some were shared, inhabited by every member like they decided to build homes inside of their neuroses. Martyrdom, obstinacy, the occasional withholding of all worldly pleasures when they thought they deserved deprival—when someone would fuck up unnoticeably on a mission and then self-flagellate inside their mind for days afterwards.

Bucky’s refusal to trust his own instincts sometimes; Tony’s incurable lust for sticking his foot in his mouth like he’s starving for the taste of dirt; Natasha’s quiet, catastrophic need to be useful whether it made her a teammate or an object.

Steve— the basket-case. A whole shitshow marathon of issues all crammed up in his bright blonde head, and it’d get so full it would rush out of him by way of seething rage, reflex reactions, his boot pressed against yours as he’d stare down. His hands curled into boulders, jaw working in slow, powerful movements as clenched and unclenched his teeth.

You couldn’t help but think of it now and again. Imagine him turning all that misplaced anger to good use.

One hand ventured to your thigh, the other crossing over your chest, rubbing up your bicep to your shoulder. There was a knot you couldn’t massage out, that Bucky couldn’t either despite his best efforts. His flesh hand first and then his other hand when he thought a temperature change would help. It whirred by your ear, the plates shifting like bee song.

You could hear yourself hum lightly at the memory. It felt nice—smooth, cool, heavy. The weight of his curled fist as he kneaded, the strength in his fingers he was always holding back, even more so as he worked over the delicate skin near your neck. You didn’t shudder then, but you began to.

He’d probably laugh if you did. Roll his eyes even though he’d be pleased about it.

And excuse you for being like everyone else in the world who’d ever seen Bucky Barnes and his arm in action.

You might just say, shut up, just touch me, and he would. Touch up your neck, thumb propped at the base of your skull, the rest of his fingers around your throat where he’d drum out the beat of an old 40’s song.

And then Steve began emerging from darkness along with a couch, cheek propped on his fist, watching lazily. It was indigo all around him. Just a lamp somewhere in the corner making the side of his pale face warm orange.

Guess three’s not a crowd in your book—

Shut up, Bucky.

His hand was still on your neck, but you’d gotten in his lap, thighs spread until your legs were on the outside of his. He’d lost his shirt and landed on the couch next to Steve, who asked, petulantly, I’m here to watch?

You weren’t sure. You didn’t expect your own half-awake mind trying to reason itself out of a sex fantasy. Not when Bucky was shirtless beneath you, slightly tanned skin displaying a scatter of freckles like the time he ventured to the tropics and came back with a grin lasting almost two weeks.  

But Steve was expecting an answer and the critical eyebrow high on his forehead repeated the question: I’m here to watch?

Apropos of nothing except being 85% shut down, you replied with, you hit me today, and fell forward into Bucky’s arms. It was sullen and Bucky snickered, pressing his nose into the dip between your collarbones, a kiss somewhere nearby.

I didn’t mean to, Steve said cooly, still unamused.

Oh yes he did. Bucky touched you again, the webbing between thumb and forefinger beneath your breast for a second before he tweaked a nipple. Your toes curled slightly, chest jolting upward, and Bucky confirmed, masochist.

Steve perched his elbows on knees, leaning forward. One hand reached out, stroked the tapering edge of your eyebrow down to your cheekbone. His face was sweet, pleased, mischief cutting across his features. He pressed his finger down just a fraction, made your bruise sore with it, and the sweetness in his face glinted sharply.

Okay, he said, what else do you want?

He pressed down again and a handful of Steve’s flashed past as you exhaled. All those glimpses of him in various phases of his life, light-speed. There were suspenders and pressed white shirts too large for him. There was short hair and ballcaps and aviators. The way his shoulders hunched as he made himself invisible in a crowd. Captain suits in bright blue, then dark blue, and finally the deep night of the stealth number, material of tough neoprene and dull and sturdy across his chest. His hair was long flipped out at the ends. His beard grew and then shortened in length.

You couldn’t decide what else.

He was standing and then he was sitting. He leaned back on one elbow, sprawled like a Greek statue on a chaise lounge.

He was behind Bucky, arms coming to rest on either side of his neck, hands hanging limply forward, palm up, as if coaxing you closer, pressing Bucky tight in the middle until he huffed with discomfort.

Guess three is a crowd in your book.

Bucky disappeared and Steve came forward until he was flush against you.

In my dress uniform, really?

He sat with his thighs spread, contemplating your choice of Steve. His hair was slicked back, the high collar of his dress shirt starched and cupping his sharp, gorgeous jaw.

He was a garbled assemblage of an old photo in olive-green military wear. His blue eyes sparkled with attentiveness. He looked down his chest at the ribbons you were sure were incorrect, but they approximated something official. The jacket was starched and crisp, slacks well-pressed and fitted nicely.  

You liked the idea of him young, hopeful, and—smiling.

He placed his hands on your biceps before moving to your waist, stretching his fingers as far as he could to snare you. The fabric of your white button-up crinkled between your body and his. Three top buttons were undone, your breasts spilling out.

Steve’s hair was a mess, like it’d been yanked at fiercely. His mouth was wet and red and he was pawing at your back, rolling his hips upward until your groins met. His voice was rumbling and stuttery, brows together and cheeks rosy.

He stopped moving, only looking up at you with enormous eyes like a dog waiting for a command— which he’d never, ever looked like before. Panting as he caught his breath, he took a labored gasp, pulled his bottom lip between his teeth and asked.

Ma’am?

Oh. God help you.

There he was in all his glory, one foot into martyrdom and the other still in boyhood. Before everything crashed and burned and he was still clumsy with it. Just a bright, beaming thing pleading for  you to notice his light.

He began to fumble, hardly used to his body and so different than how you’ve seen him hurl himself through the air head-fucking-first because he was always ready to die on some hill or another.

He was shy, worrying his gorgeous mouth into a small line as he looked and looked. Over your face, down your neck, your chest, the mismatched set of underclothes you were still dressed in—and he stared at it entranced as if you were some kind of centerfold.

Like he ever would—but your brain was an electrified lump of meat, so dream-Steve could forgive it for irrationality.

But you were still sane enough to feel guilty about it because he was 24, and in a flash of genius engineering, he’d be weary beyond all his days.

Which hurt, which was stupid, which was really killing your whole endeavor.

You couldn’t do it with the thought of him careening into war at 20-something and couldn’t even worse with the thought of him, terrified and alone, the same giant, blue eyes searching the modern world for a sliver of recognition only 7 years later.

So your fingers halted between your legs, letting his nervous, boyish face shimmer away into the back of your mind.

Your eyes opened back up. The clock taunted 3:15, sizzling fuchsia.

You closed your eyes again.

The numbers shifted, rearranged until they were two curved lines and Steve’s mouth was there, hovering over yours, and he’d grown up some—you could see it in the pallid sheen of his skin, the creases in his face that were less from age and more from suffering. He waited, saying nothing.

There was supposed to be a lot you could do here. All manners of debauched acts to imagine— involving rope and whip and raking your nails down his back until your name burned in his throat, his considerable figure reduced to a tremble as he ached for you.

But you couldn’t, because suddenly the agony of not being able to sleep pivoted into a strange, new turn of events. From wanting to touch yourself to wanting nothing more than jumping into a lake to erase the turmoil his big, blue eyes roused in you, you struggled on a little longer, peeking around his haloed head of blonde, faint light behind him like a corona.

No? He drew one eyebrow up toward his hairline, his full pink lips quirking into a smirk. Not doing it for you? Why’s that?

You put a hand over his mouth, but dream logic was in no mood to be silenced, and Steve’s voice crept up in your ears anyway. No matter how much you wanted to shut him down, to push him away, he remained.

The truth, soldier. He tipped his head and looked at you past long, dark lashes. Give it to me straight.

-

“Couldn’t sleep?” His voice was gravelly.

You rubbed your eyes, wincing. 4 A.M. approached while you were still caught in a loop in bed—drifting, then jerking awake, nauseated with each new scenario.

Finally, it had been enough. You couldn’t force a thing that wouldn’t arrive, and so you trudged to the training room with your water bottle and forgot shoes along the way.

“Just need to get my mind off things,” you replied, and swatted weakly at a punching bag.

Steve was still wrapping his knuckles because he would always have more foresight than you do and watched you from the corner of his eye. You tapped at the leather, jabbing one-two, one-two, until it began to sway marginally wider, the link chain holding the bag rattling like windchimes.

You wished he wasn’t in the gym. You could feel him in the corner of your mind, a presence that sensed you as much as you sensed it, that weighed heavily, waiting.

“You’ll split them open.”

You jumped in surprise and then it only took a few steps before he was in front of you, hand outstretched with the wrap.

“I’m fine,” you protested, but his mouth was a thin straight line that didn’t need to emit any words. He’d just nag until you gave up. Then he’d throw you onto the wrestling mat and call it a lesson.

Maybe you were cranky.

“I can do it myself,” you attempted, but he ignored it steadfastly, focused on pulling your fingers apart.

“Sure, you could.”

You shifted your weight, “You think I’d fuck it up or something.”

“I think you’d do it clumsy. Think it’d be a rush job.”

He secured the loop onto your thumb before tugging it over the back of your wrist. You watched his fingers, wrapped up skillfully, as they turned and twisted around yours. For all his calluses, he was handling you delicately, and it was all too strange.

Sweat beaded along his brow, his pink cheeks from an earlier warm-up were settling the longer he stood still. He wasn’t making eye contact even as you ducked to find his gaze. It felt like part of an apology.

Nothing passed but his breath and yours, both awkwardly out of their regular tempo. You knew why you were being so weird, but couldn’t guess a damn what reason he would have.

Suddenly, he said, “If I pulled my punches in practice, it would skew your perception in the field.”

You deliberated this information, and the way he offered it up. Like he was bringing you a precious relic you’d be grateful to receive. What an honor. The stinging aftermath of his bones against your bones.

“So this,” you tilted your face forward, showing him where his forearm landed this morning and the pulp of your skin that ice, for fifteen minutes after, did nothing for, “This is a favor?”

He frowned, something complicated skittering across his face.

After a minute, which was quite a long time for Steve to meditate when you were obviously baiting him, he said, “It’s a warning. Enemies won’t go easy on you. I can’t either, even if I wanted to. It’s my job to make sure you’re prepared for whatever is coming next. It’s my job to bring you back home.”

“That’s nice—"

He cut you off, firm. “That’s the truth.”

The truth.

You felt it with your entire chest as Steve stood there, attention fixed upon your hand, his own circling your wrist and palm and then between the sensitive webbing of your fingers with diligence.

A lock of hair fell over his forehead, obscured one eye, and when he looked up behind it in wait of your reply with that open, honest expression, you gulped.

The truth, he asked in your dream— that he seemed to be wanting now wordlessly. That you’d been punching down every morning and night because it was so simple, and excruciating.

The truth was, you were stupid for him. And just stupid, in general, because you could never tell him. Because he was Steven Grant Rogers, for fuck’s sake. He was stunning and tortured and you wanted to die sometimes, just looking at him because you didn’t know how else to express it.

Because there wasn’t a world where you could step up to Steve, stare down the magnum opus of his monumental hero’s journey and feel like you could be a contender for a single, sad crumb of his attention. 

And yet you could never quite help yourself.

The truth:

Sometimes you’d do it to get his hands on you—to motivate him, to have him spare a single glance your way. Screw up the training exercise just so he’d spend an extra hour beating the drill into you.

Because outside of your private quarters and battered-tired imagination, when would he ever?

Because short of begging him to touch you, when would he ever?

The baiting. The backtalk. Challenging him at every turn. You were a spiraling addict, grabbing any high within your reach.

Hell, you were just as deranged as the rest of them. DSM-5, eat your heart out.

He dropped your hands, finished, and brought his thumb up to your temple where the welt throbbed under his pulse. “There,” he said. Almost silent, almost like you imagined it.

Then between one heartbeat and the next, his lips parted, bottom one pulled in almost imperceptibly— and— fuck, you didn’t understand a damn thing.

You made a noise like a fish out of water and he rubbed the back of his broad neck, craning his sight to the high ceiling. When he turned back down, he was soft at his edges, the tired years on his face placated.

“I know what you’re doing. You don’t think I know?”

You were nearly sure you were still in bed, and the fantasy was turning on its head, coming up absurdist and you were ready, nowpleasegod, to wake up.

“Pickin’ fights in alleyways since I could throw a punch. Why’d you think so?”

You sputtered, because you’re a ham-fisted, sleep-deprived, single-minded moron, “Because you’re a glutton for punishment?”

Steve snorted. “Like you are?”

You could feel the burn of agony twist its way up your neck, the way fact exposes itself when there’s no other cowardly avenue to run down. He watched, his sea-glass eyes stormy and insistent, and the lights of the compound gym were like stage spotlights now, white, and localized.

You found interest in your feet, because you were still missing shoes, and Steve followed the path and saw your toes curled up tight like hiding themselves.

“Jesus,” he huffed with dismay.

“I was tired. Am. Still tired.”

 “Go back to sleep.”

“I tried. Why do you think I’m here? Have you ever seen me here?” You swept your arm out toward the abundance of equipment that have not yet been acquainted with even your shadow.

“Now that you mention it,” he replied.

“Not once—my god, Rogers, it’s like you don’t know me at all.”

“Hey,” he said, because you were doing that horrible, compulsive, nervous-tic conflict thing again, and this time he put his hand on your shoulder and it was warm.

Your skin crooned his name.

“What. Are you doing.” Your throat was bone dry.

He stepped closer—not a dream, he was real, he was there, he was breathing your hair and touching your shoulder—and he dipped his head down, in wait.

“Oh,” your mouth decided sentences were beyond its means. “O-oh.”

“That a yes? Or no.” He moved to step away, his serious expression fluttering into embarrassment, and then guilt, and then you were doing an aerobatic move between a hop and a hurdle to reach for his face.

Teeth clicked, and you winced. He didn’t seem to mind, only stabilizing you with one hand on your neck and the other at your hip. His lips were full, hot, like there was a pulse in his mouth that was trying to overcome yours. He towered, not just in height, but—you couldn’t describe it. Your head was swirling, dizzy.

“You haven’t had any water today,” he murmured—and what kind of psycho would say that during a kiss.

“Do you mind?” you grabbed at his hair, “I’m trying to—” You kissed him some more, your brain a fluttering, ecstatic mess. You shivered when he licked your tongue, fisted his collar when he made a huff—a moan—and then he was gone, a faint hiss between his teeth and his eyes burning darkly.

You wanted to fall down to the gym floor, take him tumbling with you, hands impatient and wild as you felt for each other. Up t-shirts and down waistbands, tongues sloppy and missing each other, leaving lines of spit along chins and necks.

It felt silly—stupid, reckless, fantastic—but it was damn good. Like two kids figuring out their bodies for the first time. So natural and luxurious that you could literally fall forward into him, let him do everything. Strip you naked in the damn gym, fold you in half atop some mats, over a bench, leave marks down your spine and up your throat. Curl himself so deep you could feel him in your mind for days after—you wanted it all.

He was laughing a little bit, the creases of his eyes lit with joy as he weaved left and right, getting all the right angles to mouth at you with. He pawed and squeezed and sighed as he touched you, feeling every inch. He was excited, and it kind of killed you to know—made your belly swelter and clench with pride.

You rolled your hips lazily into his, and he backed up until he found a bench to sit down on, pulling you by the hand, the wrap yanking open and unspooling onto the floor.

“This okay?” He asked.

You made a low, pained sound.

“Hey,” he said, and you blinked at how concerned he was. He steadied your shoulders, his long fingers comforting and heavy. “You okay?”

You yawned, and when you looked at him again, he was confused. And he was standing.

You couldn’t keep up. You looked down dumbly at your empty hands. He was just there.

Oh, gods.

Steve was standing—at the punching bag, not sitting on a bench with you between his thighs. And the wrap that had unspooled from your left hand was limply hanging from your right, the necessary supplies in a bag next to your foot.

You went ice cold.

You wobbled and caught yourself, because you were standing in the middle of the gym idly, realizing that you’d spent the last 10 minutes losing yourself in a fever dream about Steve.

“You okay?”

“Fine,” you said too quickly, recoiling when he side-stepped from his position to head toward you. Your knees trembled, the place between your thighs warm and clenching madly on nothing.

“You don’t look okay.”

“You’re… worried about me?”

Steve narrowed his eyes and said “yes”, like you were stupid. But then he breathed soft, and looked so much like that fantasy you’d conjured up a few seconds ago, that you turned and made ready to bolt.

He caught your wrist.

“I need to—” he began firmly. “You need to listen--”

But you didn’t. You licked your lips because he was so close and you were insane with want for him, and he stopped dead in his tracks for a split second, eyes tracking your mouth and the short, puffs of air that your chest was pushing out without you meaning it to. Just quick huffs as you bit down on your lip to make yourself quiet and small and unseen.

Steve swallowed. He said something almost silent and it sounded like sorry before he leaned forward and caught your mouth with his.

He sighed into it. Breathed into it. He placed one hand on the small of your back and pressed your entire body to him, and you moaned like he tore it out of you.

And this time, it was real. The two of you scrambled for each other, heaving and loud.

He took you to the floor, only took another few impatient, hotheaded licks of his tongue and then he was inside of your shirt, his mouth sucking round, wet brands up between your breasts.

You bucked up to get closer, and he sank down, licking and sucking and all ten of his fingers dug into your hips and waist.

“Shit,” he said.

“Uggnnn,” you replied eloquently before your better judgement pivoted and decided to swipe at reason. “What’s—“

“You make me fucking crazy.” Steve rushed out.

“Fair,” you gasped when he began rolling his hips against yours. “Feeling’s mutual—oh, what are you doing--”

He only answered with more of it, and harder, up and down, his forehead pressed to yours—his entire body, really, pressed like he wanted to swallow you whole.

It went on for eternity, it felt like, the two of you messy and starved, every second of contact a half-fight, half-resignation. Between the rushing blood in your head and the high-pitched ringing of excitement, there was a relief, like your skin was singing finally, oh god, finally.

Steve, above you, was smiling—was happy—almost as if he felt the same.

-

“Next time just say something,” you said, when you could finally breathe again.

“Like what?” He wiped his forehead. You did that to him.

You sputtered, the taste of his tongue still in your mouth, “Like—just don’t hit me so hard. And don’t say you have to.”

He opted to say nothing instead, only rolling his eyes, and you found the perfect opportunity to continue pestering. “Do you ever pull your punches? Could you maybe try?”

He only grinned with that wet, red mouth, and his eyes flicked down to you like a challenge. “I hold myself back more often than you think.”

“Name one time you held back from anything.”

His lips pressed together, a smile squirting out of the corners as he looked at his bare feet, toes flexed against the mat. His lashes were fluttering as he pondered, looking so shy and mischievous all at once.

“Just now.”

“Now?”

Beneath your collarbone, the bruise Steve sucked into your skin stung with embarrassment. The sound you made when he did it should be burned out from all memory. You had to beg him to stop, you could have cried.

“I had it all wrong. I thought you might have liked getting bossed around in bed, but you’re a sadist, Rogers.”

“No, no. You can boss me around.” He paused, “Maybe. You can try, go ahead.”

“Now?”

“Yeah, try.” And if you were to look up the definition of shit-eating, annoying, and contrary-bastard-even-more-so-than-yourself, you’d find his smug as sin picture.

“I need to go to sleep— team captain, my ass. Don’t you care about my well-being, Rogers? What even is your refractory period?”

“Don’t have one.”

Your brain was a watery 7-11 slushie, and instead of saying anything comprehensible back, you only babbled.

Just then, the gym doors slid open and both of you were on your feet like someone had been shooting them.

Natasha looked you up and down. From the crumpled bedclothes to the unruly hair and then to your mouth, which was slightly open and catching your breath. She narrowed her eyes, glanced over to where Steve stood leaned on the wall, shuffling his feet in an attempt to sort out his sweatpants.

She made to remark something else but then Bucky sidled up wearing nothing but basketball shorts and grey socks.

“It’s ass o’clock,” he complained loudly. “Why are any of you awake. Never mind, Steve you’re a degenerate. You wake up at 4. I was having a great dream, then Nat drags me up, then you’re already here? You fucking animals.”

“Hm, a dream?” Nat drawled, “Anyone I know?”

She flicked his chin already knowing entirely too fucking much.

“Can’t remember the details,” Bucky turned to you offhandedly before recognition lit in his eyes. “Oh,” he chirped, leering. “I remember now.” He wolf whistled, muttered, “Hello nurse,” and rubbed his palms together like he was warming them up.

You backed up, covering as much of your body as possible with two hands, and bumped your ass into Steve, dick-first, who cleared his throat loudly.

Nat only cackled.