#dwarfism in writing

[a-little-revolution]

Photo ID: two screenshots, one of a past post titled "Please discontinue fantasy 'dwarves'" that can be found here, detailing why fantastical "dwarves" we know from myths and legends featured in media such as Lord of the Rings are problematic. The second is a comment from that post that reads "I doubt that real people care that much about naming cool fantasy creatures (I mean, who wouldn't like to be associated with tough dwarves who have beautiful deep singing voices?) and more about governmental institutions giving them better opportunities"

Hey there lovelies! I received this comment a while ago and I wanted to take a moment to delve into it further - because it really touches on why I started this blog in the first place, and what it's become since then.

I mostly started posting to spread awareness for little people through means of real world education, but due to the nature of tumblr, I was quickly picked up by the fantasy and writing community. I now break down dwarfism representation in media because that's what there's been a demand for (I've now been a consultant on several published written pieces). And we know that the ways marginalized communities are represented in shows, movies, books and even board games affect the way people see them in the real world - it creates stereotypes, bias, and sometimes hatred or disgust. It matters that most of the media out there depicts little people as non-human, burly, labouring creatures. It matters that most films make a laughing stock of bodies like mine. These depictions are the remnants of a world that enslaved little people, that put us on display, owned us as pets, made us entertainment.

Activism is fought at many fronts - whether it be legislation, public access, human rights, or representation. On this platform I reach over 1800 people, many of whom are authors, artists, creators and character designers. I do my part to change some minds, and in the real world I do public speaking, community outreach, and sticker graffiti (I'm also writing a book). There are lots of other little people fighting for all kinds of things - I'm doing what I can with the spoons that I have, and hopefully that inspires some progress.

[hussyknee]

PSA: Please for the love of God stop using the word "cretin". It's a slur for people born with congenital hypothyroidism (CHT, that used to be called cretinism) that causes physical and intellectual disability.

I think it's unrealistic to expect a blanket moratorium on insults about intelligence, but words like "mong/mongoloid" (anti-Asian slur later applied to people with Down Syndrome), "spaz", "downie", "midget" and "cretin" refer to people born with specific developmental disorders. If you care enough not to use the "r–word", please steer clear of these as well.

[uncannyshark03]

Bro when I was doing I little mixed reality doodle ,I was thinking about like imagine a borrower meeting someone with dwarfism and just like automaticly thinking they are a child an being terrified while the human is just like "hi",ngl I think it would be really wholesome after a while like a convo like:

Borrower: pipsqueak.

Human:BRO your literally like 3 inches tall!

Borrower:well I am very tall for a borrower,you are veryyy short for a human.

Human:...

Borrower: exactly!

Human:shut up..>:(

[cripplecharacters]

Where to Start Your Research When Writing a Disabled Character

[large text: Where to Start Your Research When Writing a Disabled Character]

So you have decided that you want to make a disabled character! Awesome. But what's next? What information should you decide on at the early phrase of making the character?

This post will only talk about the disability part of the character creation process. Obviously, a disabled character needs a personality, interests, and backstory as every other one. But by including their disability early in the process, you can actually get it to have a deeper effect on the character - disability shouldn't be their whole life, but it should impact it. That's what disabilities do.

If you don't know what disability you would want to give them in the first place;

[large text: If you don't know what disability you would want to give them in the first place;]

Start broad. Is it sensory, mobility related, cognitive, developmental, autoimmune, neurodegenerative; maybe multiple of these, or maybe something else completely? Pick one and see what disabilities it encompasses; see if anything works for your character. Or...

If you have a specific symptom or aid in mind, see what could cause them. Don't assume or guess; not every wheelchair user is vaguely paralyzed below the waist with no other symptoms, not everyone with extensive scarring got it via physical trauma. Or...

Consider which disabilities are common in real life. Cerebral palsy, muscular dystrophy, stroke, cataracts, diabetes, intellectual disability, neuropathy, multiple sclerosis, epilepsy, thyroid disorders, autism, dwarfism, arthritis, cancers, brain damage, just to name a few.

Decide what specific type of condition they will have. If you're thinking about them having albinism, will it be ocular, oculocutaneous, or one of the rare syndrome-types? If you want to give them spinal muscular atrophy, which of the many possible onsets will they have? If they have Ehlers-Danlos Syndrome, which one out of the 13 different types do they have? Is their amputation below, or above the knee (it's a major difference)? Not all conditions will have subtypes, but it's worth looking into to not be surprised later. This will help you with further research.

If you're really struggling with figuring out what exact disability would make sense for your character, you can send an ask. Just make sure that you have tried the above and put actual specifics in your ask to give us something to work with. You can also check out our "disabled character ideas" tag.

Here are some ideas for a character using crutches.

Here are some ideas for a character with a facial difference (obligatory link: what is a facial difference?).

If you already know what disability your character is going to have;

[large text: If you already know what disability your character is going to have;]

Start by reading about the onset and cause of the condition. It could be acquired, congenital, progressive, potentially multiple of these. They could be caused by an illness, trauma, or something else entirely. Is your character a congenital amputee, or is it acquired? If acquired - how recently? Has it been a week, or 10 years? What caused them to become disabled - did they have meningitis, or was it an accident? Again, check what your options are - there are going to be more diverse than you expect.

Read about the symptoms. Do not assume or guess what they are. You will almost definitely discover something new. Example: a lot of people making a character with albinism don't realize that it has other symptoms than just lack of melanin, like nystagmus, visual impairment, and photophobia. Decide what your character experiences, to what degree, how frequently, and what do they do (or don't do) to deal with it.

Don't give your character only the most "acceptable" symptoms of their disability and ignore everything else. Example: many writers will omit the topic of incontinence in their para- and tetraplegic characters, even though it's extremely common. Don't shy away from aspects of disability that aren't romanticized.

Don't just... make them abled "because magic". If they're Deaf, don't give them some ability that will make them into an essentially hearing person. Don't give your blind character some "cheat" so that they can see, give them a cane. Don't give an amputee prosthetics that work better than meat limbs. To have a disabled character you need to have a character that's actually disabled. There's no way around it.

Think about complications your character could experience within the story. If your character wears their prosthetic a lot, they might start to experience skin breakdown or pain. Someone who uses a wheelchair a lot has a risk of pressure sores. Glowing and Flickering Fantasy Item might cause problems for someone photophobic or photosensitive. What do they do when that happens, or how do they prevent that from happening?

Look out for comorbidities. It's rare for disabled people to only have one medical condition and nothing else. Disabilities like to show up in pairs. Or dozens.

If relevant, consider mobility aids, assistive devices, and disability aids. Wheelchairs, canes, rollators, braces, AAC, walkers, nasal cannulas, crutches, white canes, feeding tubes, braillers, ostomy bags, insulin pumps, service dogs, trach tubes, hearing aids, orthoses, splints... the list is basically endless, and there's a lot of everyday things that might count as a disability aid as well - even just a hat could be one for someone whose disability requires them to stay out of the sun. Make sure that it's actually based on symptoms, not just your assumptions - most blind people don't wear sunglasses, not all people with SCI use a wheelchair, upper limb prosthetics aren't nearly as useful as you think. Decide which ones your character could have, how often they would use them, and if they switch between different aids.

Basically all of the above aids will have subtypes or variants. There is a lot of options. Does your character use an active manual wheelchair, a powerchair, or a generic hospital wheelchair? Are they using high-, or low-tech AAC? What would be available to them? Does it change over the course of their story, or their life in general?

If relevant, think about what treatment your character might receive. Do they need medication? Physical therapy? Occupational therapy? Orientation and mobility training? Speech therapy? Do they have access to it, and why or why not?

What is your character's support system? Do they have a carer; if yes, then what do they help your character with and what kind of relationship do they have? Is your character happy about it or not at all?

How did their life change after becoming disabled? If your character goes from being an extreme athlete to suddenly being a full-time wheelchair user, it will have an effect - are they going to stop doing sports at all, are they going to just do extreme wheelchair sports now, or are they going to try out wheelchair table tennis instead? Do they know and respect their new limitations? Did they have to get a different job or had to make their house accessible? Do they have support in this transition, or are they on their own - do they wish they had that support?

What about *other* characters? Your character isn't going to be the only disabled person in existence. Do they know other disabled people? Do they have a community? If your character manages their disability with something that's only available to them, what about all the other people with the same disability?

What is the society that your character lives in like? Is the architecture accessible? How do they treat disabled people? Are abled characters knowledgeable about disabilities? How many people speak the local sign language(s)? Are accessible bathrooms common, or does your character have to go home every few hours? Is there access to prosthetists and ocularists, or what do they do when their prosthetic leg or eye requires the routine check-up?

Know the tropes. If a burn survivor character is an evil mask-wearer, if a powerchair user is a constantly rude and ungrateful to everyone villain, if an amputee is a genius mechanic who fixes their own prosthetics, you have A Trope. Not all tropes are made equal; some are actively harmful to real people, while others are just annoying or boring by the nature of having been done to death. During the character creation process, research what tropes might apply and just try to trace your logic. Does your blind character see the future because it's a common superpower in their world, or are you doing the ancient "Blind Seer" trope?

Remember, that not all of the above questions will come up in your writing, but to know which ones won't you need to know the answers to them first. Even if you don't decide to explicitly name your character's condition, you will be aware of what they might function like. You will be able to add more depth to your character if you decide that they have T6 spina bifida, rather than if you made them into an ambiguous wheelchair user with ambiguous symptoms and ambiguous needs. Embrace research as part of your process and your characters will be better representation, sure, but they will also make more sense and seem more like actual people; same with the world that they are a part of.

This post exists to help you establish the basics of your character's disability so that you can do research on your own and answer some of the most common ("what are symptoms of x?") questions by yourself. If you have these things already established, it will also be easier for us to answer any possible questions you might have - e.g. "what would a character with complete high-level paraplegia do in a world where the modern kind of wheelchair has not been invented yet?" is more concise than just "how do I write a character with paralysis?" - I think it's more helpful for askers as well; a vague answer won't be of much help.

I hope that this post is helpful,

mod Sasza

[alexanderwales]

I saw a post (which I cannot find now) which was about the casting of a Black woman as Elphaba in the new film version of Wicked, and pointing out that the musical is about discrimination, so this casting is a natural one.

But this seems ... kind of incorrect to me? That is, the musical has themes of personal identity, discrimination, prejudice, etc., but this is fantastical prejudice. So when, through casting or direction or acting choices or costuming or coding you pull some subtext (e.g. real-world prejudice) forward, you're changing the texture of the allegorical elements.

I don't think that this casting choice is wrong, I just don't find it to be "natural". It is a choice, and unlike a musical that was about nothing in particular, it's a choice that more meaningfully affects how the audience reads the musical. It makes the musical much less about prejudice generally, and much more about racial prejudice specifically. Maybe I'm being nit-picky about the word "natural" here, as though I think it's making a claim about what's in harmony with the work. Like "natural" means that someone is claiming the title of "most cohesive".

Imagine a version of Wicked where they cast a fat actor to play Elphaba. This obviously invites a different reading of the musical, right? Is this "less natural"? Is it "more natural"? I think it's a different choice to make, and I think people would be inclined to get different readings out of it.

This is the sort of thing that I sometimes have cause to think about, because I'm a writer, and have to decide on basic facts about characters, and figure out how those basic facts fit in with whatever kind of point (if any) I'm trying to hit.

If I wrote a story about how someone was kidnapped by aliens, and they think their human is just oh-so special, and this is maybe initially nice but it becomes clear that they just want the novelty human ... I would have choices for my human, right? And even if we keep all the dialog exactly the same, the readings become different if we're touching any kind of live wire. This would be a story about fetishism and exoticism and the way that makes a person feel like they're less of a person, or like they're only valuable for specific superficial traits.

So we could write our human to be an "everyman", nothing distinctive within the dominant culture. Or we could write our human to be someone with dwarfism. Or we could write our human to be an Asian woman. Or we could write our human to be transwoman. Or we could write our human to be an influencer. And all of these would substantially change our reading, right? The surface of the story wouldn't change, but the comparisons we invite would be different, and that changes the experience of the story, subconsciously or not. None of these are wrong, none are more natural, they're just choices.

[nostalgia-tblr]

fandom goes into deep denial about the attempted infanticide of baby loki because the imperialism reading of it works against the text and requires that the baby be stolen not abandoned, and that this theft be for the most nefarious and imperialist purposes we can think of. whereas actually - and i was going to say this is 'the obvious parallel' but no it's not even a parallel it's what's clearly happening there - the baby's been left out to die for being disabled hasn't he?

the word 'runt' gets used but adult loki compared to other frost giants is not just slightly on the small side, he's probably equivalent to a human with dwarfism, which definitely brings this into Infanticiding The Disabled Child territory. which a) laufey cannot be allowed to do because that's a fucked up and horrible thing to do* b) we also can't allow that odin just kept that baby because by asgardian standards there was no obvious disability there. (the social model of disability, but with giants and less-giants**) "why would you be throwing out this baby, laufey? it looks normal-sized. it doesn't even have an unusual number of limbs. yeah, i am taking this baby as a friend for my similarly-sized bio-son. mine now. finders keepers." i point this out because the disabled baby is not saved by someone thinking disability-based infanticide is wrong - at least not necessarily so - but by being found by someone who doesn't recognise the supposed problem. to whom it simply does not exist.

and of course fandom loves sad little feeble loki being weak and pathetic in fic, but i have somehow never seen this tied to the fact that he is canonically undersized for his species and likely has some connected internal fuckery going on with his organs. we have no idea what made him that small or what it'd do and - here's the fun kicker for you angst fans! - probably nobody on asgard would either. when's the last time any of them had to look after even an entirely able-bodied jotun? how likely is it that they can just write off to jotunheim to say "hey what's up with that kid your king tried to murder? how would we fix him if he lived here? yeah, our king kept him. no, we didn't eat the baby! can we borrow a medical textbook? what do you mean you don't have paper there. well how do you write down how the orientalist belly-dancer outfits are to be worn? well then how... no, come back. did you just hang up on a letter???"

sorry, i digressed. what i was aiming for was that there is a very obvious reason why loki might be unusually weak for a lad who looks healthy to us and who doesn't seem any smaller or less able-bodied than the people around him, but i just don't see it being deployed in fic or in meta or whatever. is this because the 'laufey just left his baby out for some fresh air like norwegians do' reading kind of relies on that baby not being seen as a burden to be got rid of and we all kind of agree that... no. no, i shall not finish that thought. it is too depressing. it probably is that though isn't it?

anyway. this is me wondering what is up with that. other than maybe some kind of 'echo-chamber effect' where even the wildest ideas can become commonly-held fanon and where it'd be easy to just straight-up ignore a very obvious implication of baby-murdering because someone leaving you to just fucking die for being disabled is somehow not enough oppression for a blorbo in these enlightened times. or because it breaks a popular fandom interpretation of events. or something like that?

*in fairness i'd say humans from earth are probably within the group that's allowed to just not care about humans from earth getting invaded and killed.

**i say 'less-giants' because look:

look at this literal giant among men. tiny scrawny little thing, so smol and so freakishly tall to the humans. i call this 'the social model of smolness.'

[creatingblackcharacters]

Any tips on writing a Black character with dwarfism?

Unfortunately, I do not! Other than my advice which would work generally for characterization and design, I currently do not know enough on the intersection of Blackness and dwarfism to make a confident, educated statement. I would suggest finding blogs (not just here, but on IG too) on Black people with dwarfism and learn about their experiences directly. Here's a lady I found when I looked!

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A post shared by FATS🌸TIMBO (@fatstimbo)

[autumnhobbit]

i obviously do not have dwarfism (though a mild form of it likely runs in my family) but i gotta admit i am absolutely baffled by peter dinklage’s takes here. they don’t live in a cave? how dare disney portray little people as *reads smudged writing on hand* kind hardworking people who live an adorable life in a little cozy germanic cottage, are friends with woodland animals, care deeply for each other, shelter the main protagonist who is an innocent child from murder by her stepmother which puts their own lives at risk??? how is this offensive???

[i-smoke-chapstick]

Request: I'm already back for more. As l've already told you I love your interpretation of a reader with dwarfism and since you are okay with me requesting more, can I get multiple headcanons of Gotham!Rogues x Dwarf!reader with just either simply day to day headcanons or their first reaction to meeting/seeing them? Rogues including jervis(obv Imao), Jerome, Oswald, Victor fries, Zsasz, and ra's al ghul!

The plot can be the reader being similar to the Cheshire Cat or Nightcrawler when it comes to teleportation powers. They're friends with Barbara, Selina, and Tabitha. The rogues always see photos on them on the news, newspapers, and sometimes in person but if they even get caught staring, reader teleports themself and whoever they're with away, so they don't really get a chance to talk or know them.

Like last time, only write this if you're okay with it and I'll understand if you can't or just don't want too!

Thank you tons again! - anon

‘VOULEZ-VOUS,

-GOTHAM VILLIANS X READER-

⋆ Characters ↬ Jervis Tetch, Jerome Valeska, Oswald Cobblepot, Victor Fries, Victor Zsasz, Ra's Al Ghul

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒 ; gotham villians with a cheshire cat!reader who has dwarfism!

⋆ tags/warnings. GOTHAM!villains x female reader. FLUFF! I love readers power SOSOSOSO much! Super creative <3 Also villians being whipped for reader just cuz they can. Protective Tabitha. REALLY protective Oswald. Jerome's a bit insensitive. Victor Zsasz is not immune to a pretty girls smile. Have never written for Victor Fries or Ra's, so fingers crossed their parts aren’t too bad! Ra’s and Fries parts got a little angsty

𝐽𝐸𝑅𝑉𝐼𝑆 𝑇𝐸𝑇𝐶𝐻

♫ “Across the room, your eyes are glowin' in the dark." Voulez-Vous by ABBA

Oh, the man is completely enthralled with you. How could he not be? You're the missing piece to his wonderland puzzle.

Similarly to Alice, he believes your powers go hand and hand with each other. He rules the mind, while you have complete control of your body. His first thought when he see's you in the newspaper is simple.

He must have you.

He will do anything it takes to track you down. He finds himself becoming more and more entranced with the prospect of you working with him, partners in crime, connected body and soul. Of course those feelings of admiration become obsession.

Before you know it, the man is going lengths to find you; just like how he was with Alice. Hiring Jim Gordon as a bounty hunter? Mayhaps...

When he finally finds you at the siren's club, he can't help but be in awe. You're so small, so fragile, so unique. He wants to kiss your flattened cheekbones that look like pure porcelain. Your his doll.

"My dear, Y/N!" He's calling when he finds you, his teeth spread into a wide grin. He finds your eyes quickly turning to meet his gaze, glowing underneath the club's light. His shadow towers over you.

"You look ravishing, I must admi-" He goes to speak, just before you disappear from thin air. His mouth is open for a few moments, eyebrows scrunched.

Where did his precious little Cheshire Cat go?

Oh yeah, he's pouting. He's never been a fan of the disappearing act. But he doesn't mind. He's determined. He's played this game with Alice for far too long, he will not take no for an answer.

You'll find notes, gifts, flowers, dresses tailored to your sizing. All perfectly crafted from Gotham's most professional hypnotized seamstresses or florists.

Barbara is smirking when she finds the gifts, cackling about how sweet small little Y/N has a loony admirer. Tabitha's less than pleased, throwing out any bouquet she finds before you see them. Selina agrees, the guy's a freak.

It's up to you if you want to give him a chance <3 He would be the most devoted lover and partner if you decided too...if not a bit overly infatuated.

𝐽𝐸𝑅𝛰𝑀𝐸 𝑉𝐴𝐿𝐸𝑆𝐾𝐴

♫ “Nothing promised, no regrets." Voulez-Vous by ABBA

Uh oh! Murderous clown on the loose, and he's also 100% fixated, just like a certain hatter.

Jerome brushes you off at first, don't get him wrong, he adores your work on the city. Nothing he loves more than seeing some horribles destroy Gotham! He's a fan, if you could call him that.

It takes him some time to warm up to the idea of being whipped. But once he is, you have him wrapped around your pretty little finger.

Similar to Jervis- he can't help himself. You're powerful. You're strange. You're a freak just like him and the rest of these bad boys in Gotham! You remind him of the circus, all different shapes and sizes of people around him. You belong with him. By his side. On his side. Maybe sitting in his lap... What?

Yeah, he's not sure where that came from either. But hey, he's not complaining! He likes to think he's a bachelor, a young beau waiting for his turn in the love game! Before he knows it, he's slicking his hair back, putting on his finest and most colorful suits, and making sure his face is stapled all the way. Then he's getting his cult to crash the Siren's club. Moment of silence for Tabitha who will have to clean it up after.

The place is a shit show, people in makeup dancing wildly and giggling manically. Tabitha, Barbra, Selina and you get tied up in the confusion. It's hard to fight back against a bunch of crazies when your expensive alcohol is being thrown at walls, and you four are simultaneously tied up together in one big rope. Barbra's throwing a bit of a hissy fit.

Everyone is quiet when Jerome enters, dressed to the nines, with a loud and boisterous,

"Hey gorgeous! I'm sure you've heard of me," He speaks, bending down to your level, invading your personal space. He goes to continue, until the four of you evaporate before him. Teleported away. He's left staring at the loose ropes, smile unchanged- but eyes widened in surprise.

Oh. Okay. So that's how it's gonna be. Alright.

Jerome loves a game of cat and mouse.

He craves attention. He loves the center stage, and he will not be ignored. No no no no.

He will not leave your club alone until you confront him. Yeah, sorry Babs and Tabs. Barbara will start urging you to just "sleep with the damn clown!" while Tabitha is trying desperately to not have you anywhere near that creep.

But the club isn't all he'll do, doll! No, he'll get his cult to do more and more mass murders and sprees across the city, each one broadcasted on live television. Each time, he looks into the camera, blood on his face, professing his undying love.

"This is for you, Y/N!" He's showcasing the violence around, "Call me!" He gestures, ending the broadcast abruptly.

Well, kind of hard to ignore a man when your club is in shambles, Barbara is going batshit insane, AND you have Jim Gordon trying to find you; just in order to stop these massacres around the city in your honor.

Once again, you should give the man a chance! He doesn't think he'd make a horrible boyfriend, y'know, if you're into gingers.

𝛰𝑆𝑊𝐴𝐿𝐷 𝐶𝛰𝐵𝐵𝐿𝐸𝑃𝛰𝑇

♫ “Take it now or leave it." Voulez-Vous by ABBA

Ozzie's a bit harder to gauge, because I don't think he'd become infatuated with someone unless he got to meet them first. So for arguments sake, we are just going to say you two have meet previously on many occasions! Specifically when he's had some bad blood with Barbara and Tabitha.

At first, he detests you. He thinks you're a nuisance, and a powerful tool for the Siren's. You can escape from ANYONES grasp, and take them with you. His nose is scrunching up every time he thinks of just how he can get rid of you.

Well, if he can't get rid of you, he's well versed in manipulation. Perhaps he can convince you to join his team.

You're going about your day at the club, tending bar on a step stool, the usual. Oswald comes in, Victor trailing behind him. Tabitha and Barbara are instantly on alert.

"Hello." Oswald fixes his suit jacket, rolling his cane in his fingertips. He wears a faux smile, and Tabitha huffs.

"What can we help you with, Ozzie?" Barbara is smiling, just as fake as his. It's a weird Gotham crime boss stand-off.

"I was wondering if you, my dear," He speaks, suddenly nodding down to you, "Would like to accompany me for lunch tomorrow."

Yeah, everyone's jaws drop, including Oswald's at the silence. Oswald didn't necessarily intend for it to sound like he was trying to ask you on a date. He's flushing red under everyone's gaze, suddenly fidgeting. If you look closely, Victor's giving a lazy amused smirk in the back.

"Like hell-" Tabitha's about to answer for you, before you squint at the man.

"Sure." You scan him up and down, hesitantly. Before anyone has a chance to speak, Oswald's turning on his heel.

"Wonderful! 2:00 sharp. Don't be late." He's smiling, knowing he's got a one-up on the Siren's.

...Well, leave it Oz to have things never work out quite his way. One lunch turns into two, and two turns into three. He's forcing himself to remember why he's doing this; you are just a tool. This is all a charade!

Hard to focus though, when you two seem to enjoy one another's company. Like when you show him what it feels like to teleport, (He's closing his eyes in fear, only for it to feel like nothing.) Or when you two have a strangely intimate discussion about what it was like growing up not very normal.

He's opening up about his schoolyard bullies, about his mother. About the feeling of being taunted, teased for his nose or height. You tell him, you know the feeling.

He stares at you, eyes focused solely on you. He's enamored.

He turns viciously protective over you. Any snide comment made towards you by a henchman of his, or a frequent at the Siren's club, they are brutally stabbed to death, a bit impulsively, with a bottle shard.

When he realizes he's falling in love with you, similar to Jervis, he likes doing grand gestures to get your attention. If there's anything you desire, you'll get it. Which is why when he finds out you're avoiding him, he becomes sour.

What? Why are you leaving him? He doesn't understand. The intimacies you two have shared, did they mean nothing to you? He's hurt, he's angry, he's aggressive. He's more irritable than usual; and judging from the fact he's irritable ALL the time, it's pretty bad. If you don't explain yourself, this sadness will probably turn into anger. He already believes you two have some weird pseudo-romantic relationship, so he's taking this like a break-up. He's a vengeful ex.

Whenever he stops by the Siren's club, and sees you teleport away at the sight of him, it stings. It all comes to a head when he's breaking down in his mansion. You will have to be the one to confront him, because he'll be too busy sulking. He loves you. He doesn't want to make you uncomfortable. If you don't want to talk to him, he won't force you, even if he's going crazy trying to figure out why.

When he sees you, he's standing up in a hurry, fumbling over his words, sniffling. His blue-green eyes are puffy, and you'll have to sigh and talk to him.

Please, tell him why your avoiding him. Explain if you're insecure, if you're scared of loving. He'll be thankful for the explanation. He'll be angry on your behalf for anyone who made you believe you were unloved, whether for your dwarfism or your powers. He's promising to kill for you, tear down the city to avenge you.

"Okay, Oz, I'm not dead yet."

"Yet?!"

Cuties <3

𝑉𝐼𝐶𝑇𝛰𝑅 𝐹𝑅𝐼𝐸𝑆

♫ “Now is all we get." Voulez-Vous by ABBA

Forgive him, he’s trying his hardest not to care, and failing miserably.

Similarly to Ozzie, I can’t see him becoming infatuated or obsessed like Jerome and Jervis so quickly, not since what happened with Nora. So, I’m imagining you’ve also met him once or twice; using your powers for the sirens, just like he and firefly have done some hitjobs for you four in the past.

He’s in love with the idea of having a family; of being accepted, of leaving this life behind. It’s made him bitter, cold; but the man will do anything for love. Anything.

And it’s hard not to notice the small woman running around on her toes in the club, parts of her body vanishing here and there. You’re gorgeous to him. Those small cheshire-like smiles you send him when he’s supposed to be working. They break his hard exterior. He doesn’t know if he loves or hates it. He loves it.

Even a small pit of jealousy fills him, whenever he sees you in the news. Or when he watches silently on the sidelines, while you talk with Barbara and Tabitha and Selina. You do it so effortlessly. How could anyone not be entranced by you?

He thinks that he’s a freak. Firefly’s a freak. Just like Jerome and Oz, he definitely finds solace in the idea you are just like him. You’re one of them; a freak. Pushed out by Gotham’s careless inhabitants, forced into this life. He remembers being driven out of town by Penguins army. He wonders if you’ve expirenced the same treatment at one point in your life. He wants to show you, he’s here for you. He loves you, every part of you. No matter how unconvential or mistreated. He just wants to take care of you.

Just like Oz, he’ll be ready to kill anyone for you. Freeze em’ to death in one single sweep. Just give him the go ahead.

Victor is terrified of hurting you, as well. Not only your tiny stature, but he’s sure he’d get ice burns from his fingertips. He imagines a life where it’s just the two of you, without the cold, back when he was just himself. He dreams of cooking for you. Owning an apartment. Even having a family. He swears, he’d be gentle. But he’s too uncertain. He isn’t good enough, and he certainly isn’t good for you.

You’ll have to be the first person to talk to him, warm up to him. He might not state it directly, other than a nonchalant nod here and there, but it makes him feel special. It’s the little interactions you two have that make him fall helmet over heels.

You two will spend hours, at the club, watching from the sidelines. Barbara and Tabitha out on business, Selina doing…Selina things. You’ll poke fun at the passerby’s to get a reaction out of him.

“Oh god, I just saw that guy kissing that girl- what’s he doing with that other chick?…Oh- they are making out. Oh, okay, he’s taking him to the back. I’ll give you $20 if Barbara kills this guy for doing it on her desk.” You’re snickering, gossiping. Every now and then you look over at him to see him already staring at you, the hint of a smile on his lips. It’s all you’ll get for now…until he responds.

“…Guess you’ll owe me $20 then.” He’s firing back, voice low. It’s the first time he’s spoken. The first time you’ve seen him do something other than brooding. It’s sweet.

These little things will become routine, and he’ll find solace in them. Eventually you’ll even play some tricks with your teleportation on the clubs costomers, scaring them, bumping into them. All the while you’re watching him in the corner, smiling, exhaling through his nose. He playfully scolds you sometimes, other times he chuckles. Either way, it’s a sight to see.

God, please don’t dissapear on this man. I don’t think he could take it. Gotham be damned, if you ever find yourself scared of him, he’d be broken. He’d think it was his fault, he’d think he lost his second chance at love. If you ran away from him, he might just up and leave Gotham.

But even if you did try to avoid him for awhile, I think he’d let you go without a fight. He’d just be more sulky than usual, more prone to picking petty fights with Firefly. You might find the room uncomfortably cold, even when he’s not occupying it. (He froze the AC to the club, he was upset. Sorry Barbara.)

I think he’s the only one on this list of characters that Barbara, Tabitha, and Selina might all actively approve of. Barbara wouldn’t mind having a henchman dating her bestie; soldifies his loyalty to them. Also, he’s good eye-candy. Tabitha doesn’t have any personal issue with the man, other than previously working with Penguin, of course. Selina will still make fun of him for being a walking freezer, but hey, what can you do. You have their blessing.

If you caught him before he decided to up and leave, explain to him why you run away, why you’ve been avoiding him. He won’t just understand, he’ll practically worship you. He’ll explain himself too, why he’s terrified of touching you. It’s not because of your dwarfism, or your powers. It’s just how he’s afraid of hurting or loosing you. Loving people is hard.

If he could cry, he would. But his tears will freeze when they touch his cheek. You’ll have to show him you aren’t fragile. He’ll believe you.

You guys can heal eachother.

𝑉𝐼𝐶𝑇𝛰𝑅 𝑍𝑆𝐴𝑆𝑍

♫ “The girl means business, so I'll offer her a drink." Voulez-Vous by ABBA

THIS Victor, on the other hand, is much more brash in his approaches to courting you.

He’s heard about you on the radio, from his boss, seen you in the newspapers, on the tv, watched you from the window in your apartment.

…What? Who said that?

He studies your every move. The man is calculated in his methods, what can he say? He’s not obsessed! (loud incorrect buzzer)

He just wants to size you up a little, see who the newest danger is in Gotham. He’ll convince himself he’s doing it for his boss, whether it be Falcone or Penguin. But it definitely goes deeper.

Unlike the other villians on this list that see your dwarfism as something to empathize with, Victor doesn’t really pay it any mind. He’s been around the block a few times- he’s been with women of all ages, heights, race, etc. The man really doesn’t have a type. What he’s attracted to is strength, independence, someone who will laugh at his dry humor with him. He’s stalked you at the club. He sees the way you banter with Tabitha and Selina, the way you make Barbara dissapear when she’s being too annoying with a flick of your wrist.

He’s incredibly attracted to a woman whose witty and good at what they do. Just like him.

Victor’s more subtle in his approach. He’ll make it casual.

So when you’re at the bar in the club, sitting around, watching the passerby’s, he’ll make his move.

“Now, what’s a girl like you doing here, alone?” He sneaks up behind you, giving you a start. You flush red at the man in front of you. Victor Zsasz. The words are spoken as he drums his fingers on the bar, cocking his head at your short frame. He towers over you, caging you in.

When you don’t speak, it doesn’t phase him. You’re about to teleport away in an instant, until he drawls your attention back to him with a lazy smile.

“So…” He whistles. “What’s your drink of choice? Wait- Let me guess.” The man doesn’t stop talking, listing off drinks that are most definitely not your drink of choice.

He watches you all the time. He knows exactly what your favorite drink is. But he wants you to stay.

It’s a bit awkward, a bit intimidating, and strangely charming. He speaks with an inflection that borders on sarcasm and curiosity. It’s intriguing, coming from Gotham’s most dangerous hitman.

“Can I ask-“ You squeak, now nursing a drink he ordered for you. It’s a Vodka Cran, and it could be worse. “…Is there a hit on me?”

He stares at you expressionless for uncomfortably long, before it forms into something quizzical.

“…Nah,” His voice is slow. He clicks his tongue. “Just an admirer.”

There’s an awkward scilence. He shrugs.

“Y’know. I’m a big fan of this place. Like the ambience.” He sips his own drink, you don’t know what it is. Just as his words sound out, you swear you can overhear a gunshot in the distance, probably from Barbara’s meeting with some other underground boss. Somehow, the sentiment makes you laugh.

He perks up at the sound.

You aren’t used to this. Someone being so casual about you, your powers, your small stature. He’s a bit flirty from time to time, but between the alcohol and his quips, you don’t seem to mind. He seems oddly genuine in his demeanor with every compliment or joke that slips.

You two keep the banter going for the rest of the night. Mostly chatting about how tiring your respective bosses can be. He does a poor drunken impression of Penguin, and you do one of Barbara. It’s a relaxing night in comparison to what you usually expirence living in Gotham.

You think you only see him every so often. Coming by the club whenever Penguin comes, or when a job is sent out, and his target is there. He’ll always send you a wink when he leaves, blood on his face.

But he sees you every day.

Yeah, the stalking only worsens. If you find your phone in different places throughout the day, or your window reopened, he’s the reason why.

He’s fine like this. In his head, the two of you are going steady. He’s pretty committed. You’re his girl, and that’s that.

Until you start avoiding him like the plague.

Zsasz WILL find a way to confront you. He doesn’t care if you teleport away each and everytime. He’ll find a way to get the message clear, through other means.

If you find a “talk to me.” with a smiley face, written with some poor saps blood, on your mirror, I apologize. He’s gotta get the message sent somehow.

Yeah, he won’t give up. He’ll go great lengths to get you two back together. He’s also listening to disco break-up ballads to cope. He’s getting the zsaszettes to stalk you when he can’t. If you still won’t budge, yeah, Tabitha might end up with a gun pointed at her head until you talk to him.

He’s not necessarily angry, but chasing after you is certainly taking a toll on him. Give the guy some credit.

Tabitha, still with a gun pointed at her, will be barking at you to not talk to him. He’s a creep, he’s an asshole, and you shouldn’t compromise your honor! (His eye will twitch at her words, trigger finger itching.)

Up to you what you decide to do! Explain the situation, talk to him, make things official, or…bye bye Tabitha. And that still won’t stop him. He doesn’t take rejection very seriously.

When you tell him exactly why you teleport yourself away, he’s the only one on this list who might think it’s stupid. He’ll understand, don’t get me wrong, but this is Gotham! Why would you be insecure? He garuntees you he’s met at least ten other people with far worse skeletons in their closet. You’ll have to teach him that’s not the issue.

Yeah, our little sociopath has a hard time with feelings. But I think you two would maybe be good for eachother! Teach him to listen more, whip him up into shape, and reap the benefits of having Gotham’s number one hitman as your personal bodyguard and lover. He’ll take you to stakeouts, make fun of Jim Gordon, crash your place. You two can watch Netflix under the blankets. He loves your size- cuddling into you like his own personal pillow.

Tabitha’s very dissapointed.

𝑅𝐴’𝑆 𝐴𝐿 𝐺𝐻𝑈𝐿

♫ “I'm really glad you came, you know the stars, you know the game.” Voulez-Vous by ABBA

May god have mercy on your soul, reader. Ra’s is a sight to behold when he’s in love.

He heard whispers of your name all around Gotham. He sees you on the news when he’s absentmindedly listening. A girl who can teleport herself and others, to any location? Even the power to control which body parts you maneuver. Extrodinary.

He’s immeadiatley infatuated with your power. He wants to covet you. Possess you. Have you close to him. He needs to see your power for himself.

He’s similarly calculated in his response to tracking you down. He will appear at the club, slinking into the shadows, whispering a quaint,

“Hello.”

It makes you jump, and as if on instinct, you teleport yourself away. He marvels at the way in which you do so right infront of his eyes. How rare it is, for him to be so easily confounded.

He must see you again.

You’ll feel his presence every now and then. Maybe even catch a glimpse of him watching you. You’ll turn back, eyes squinted, only to find he’s not there anymore. It confuses you just the same.

Though, you eventually get used to him watching. It turns into a little game between the two of you. If he can catch you, if you can catch him. It’s strangely endearing.

He’s also becoming increasingly more attentive to your daily habits. He memorizes your schedule. He sends members of the League of Shadows to observe you, to take notes on how you use your powers.

If any member insults you, or pokes fun at your dwarfism, Ra’s will spare them no mercy. Yeah…he’s making it a big deal. He’s ruthlessly insulting them for their ignorance, before killing them without a second thought. In a way, you belong to Ra’s already. He will not stand for disrespect among his order.

Ra’s is a gentleman. Just like Ozzie and Jervis, you’ll find gifts littered around your apartment. Little notes from him, written in the most exquisite cursive, expressing his admiration of you. Beautiful, rare, and expensive jewelry, tailored to the size of your wrists and neck.

You’ll see him exiting Barbara’s office sometimes, when he needs her for the demons head. He’ll send you a smile, half-way gentle, half-way playful. He’s unsure where the lines between love and facination blur; but he’s slowly realizing he loves you. He hasn’t felt such a way in decades. He’s been alive for very very long. No human woman has made him feel so helpless. He enjoys it thoroughly.

He’ll confess, the night before Gotham is meant to be blown to the ground. He’ll turn up, before the events are set in motion. You won’t have a clue in the world what he’s up to.

“My dear.” He’ll drawl, and you’ll go to teleport away, as you always do. It’s tradition for you two at this point.

Before you get a chance, he’ll click is tongue at you.

“Wait.” He speaks, voice sounding strangely desperate. It makes you freeze. “Come with me. Leave the city. Get somewhere else. I’d like to show you my home.”

Your choice, if you choose to leave with him. He’d make for a very attentive lover, and would protect you at any cost. But if you choose to do so, you’ll leave Tabitha and Barbara and Selina to their own fate <\3

Not that it matters if you decide to reject his offer. He’ll have you, one way or another.

[a-little-revolution]

Hi, I saw that you have consulted on a lot of fictional writing, and as someone who has seen plenty of horribly insensitive works around my own disabilities, I feel like it's always best to run it by someone who is actually affected. I hope it's okay to ask you this. My Fabula Ultima team have been working on a world that is likely going to be reoccurring and possibly become written works based on our adventures in the future.

In the place of fantasy "dwarves" we have decided to essentially take the basic idea of "strong bearded race that lives underground" but gave them a different name, and actually made them taller than most humans (since without the horribly ableist origins, that would make far more sense anyway.). Would you consider this revamped fantasy race acceptable, or is it better to scrap the concept altogether?

Hello! A common thread I've noticed within fantasy writers and the race of mystical "dwarves" is that what they really want to hold onto is their culture. I think a great way to do this would indeed be to revamp them as no longer small, bearded men but instead change their height and appearance but keep the aesthetic. Or, if you want your race of small beings, diverge from the burly culture and make them diverse, humanized, intersectional and beautiful. Those would really be the only options to abandon fantasy "dwarves" all together without derailing your writing. But again, the best stories will always be the ones where disability, and little people, are naturally included in worlds like how ours needs to be - through inclusion, accessibility, radical love, community care, and fighting ableism.

[theprissythumbelina]

So you want to write about horses.

Specifically, you want to write about horses in your medieval-inspired fantasy novel, rpg, or daydream fantasy. Knights in shinning armor on noble steeds, damsels in distress(or not!) on fine prancing mount, or an evil sorcerer cackling on a fierce charger above your poor tandem MCs.

Whatever it is you're imagining, a medieval horse appears. But you know nothing about horses. I can help.

(If you would like to begin with my first basic Basics post, start here)

^ When thinking knight, you're probably imagining a horse like this.

Preface: When talking about fiction, there is always a question of historical accuracy. That is wholly up to you. But you will at least, after reading this, know more of the historical fact involving horses, and certainly know about some of the more commonly-complained about fallacies involving horses in media.

Now, the above still is from the film Ladyhawke (1985), which is often credited for popularizing the Friesian breed in the United States. I can almost guarantee you have see a Friesian in a film or on TV. The recent series Shadow and Bone had a central character ride a Friesian in one episode. They epitomize the romantic nobility and grace of knights. Except they don't.

The horse you see above came into existence in 1879, primarily as a harness and agricultural use horse. Horses known as Friesian horses have existed since the 11th century, but those horses were completely different from the breed created in the 19th century. The modern Friesian is a trotting breed, made to pull carriages and look beautiful doing it. They have a long back, short neck, and due to inbreeding, a host of nasty genetic problems including dwarfism, aortic rupture, hydrocephalus, and megaesophagus.

However, breeds that trace ancestry back to beyond the middle ages do exist, and they have been breed to look much the same for generations. Introducing:

The Barb/Berber Horse

^Kinda just looks like A Horse™

The Barb comes from North Africa, and was spread into Europe through the Muslim conquest of Spain, where the breed mixed with the native Andalusian breed to create the Spanish Jennet, which is possibly the most widely successful horse breed in all of history. The Jennet is currently extinct*, but due to its durability, it was the horse used by the Spanish AND the British to invade the Americas, and descendants of the Jennet survive in local breeds from Argentina to Canada.

*a revitalization breed does exist of the same name

The Andalusian/Lusitano/Pure Raza Espanol

^The true Fabio of horses, known for thick flowing locks and sweet dispositions

Possibly the horse that most strongly resembles the ancient knighly horse, this noble creature used to be the preferred horse of film, before the Friesian rise in popularity. Horses of Spanish bloodlines are Andalusian, horses of Portuguese bloodlines are Lusitano, but the characteristics of both breeds are nearly identical. They are also known for a fancy 'high stepping' movement, in which they raise their knees higher than other breeds naturally.

The Arabian

^Note the narrow, 'dished' face and raised tail, breed characteristics

The ancient horse of the desert, made famous through books such as The Black Stallion, King of the Wind, and films such as Hildago. These horses are known for their stamina and intelligence, and were traditionally used as war horses by the desert tribes of the Arabian Peninsula. The Arabian has descendants in almost all modern breeds, as it is used to add strength and stamina to the original stock, despite being a relatively small horse. During the Napoleonic wars, this horse became the prized war horse of Europe as well, with Napoleon himself preferring to ride Arabians into battle.

The Mongolian Horse

^Thick head, thick body, this horse is made to survive winter on the steppes

Introduced to Europe from the Hunnic invasions that ended the rule of Rome, the Mongolian horse is made to survive, thrive, and run in harsh cold weather. This horse allowed Ghengis Khan and his soldiers to conqure one of the largest empires to ever exist, from Korea to Poland. This compact horse would have mixed with the native stock of Russian, Eastern European, and Germanic tribes to help create the ancient northern horses, resulting in a thicker breed of horse in the north, and a lighter breed of horse in the south of Europe. Modern-day pony breeds such as the Exmoor, Fjord, Icelandic, and other have been found to have genetic ties to the Mongolian horse.

These horses do not exactly look like the modern image of knights on massive horses, but it is useful to remember that 1. people back then were a lot smaller and 2. horses back then were a lot smaller. Of course, there were hundreds of other local breeds during the middle ages, but many have been modernized and become today's sport, work, or pleasure horses.

During the middle ages, horses were not actually defined by breed. They were defined by the work the horse was suited and trained to preform. There were five main types of medieval horses.

The Destrier

Also called The Great Horse for its size, strength, and price, this horse was the renown mount of knights and kings in battle. These horses were highly trained for battle, and could be taught to do such things as striking out at soldiers in front, kicking at soldiers from the back, and even leaping all four feet in the air to protect it's rider. They would wear the most armor, and these horses would likely be closest in appearance to the modern Andalusian.

^Ornate heavy armor on a model horse. This armor was made for a horse not much more than 15hh, what today would be a small horse.

The Courser/The Charger

A lighter horse than the destrier, the courser is also a warhorse, highly trained and well-bred, but a little less expensive. A knight might not be able to afford a destrier, especially as a minor knight, but every knight should have a courser. The Spanish Jennet is the epitome of the medieval courser, and in fact was the horse used by Richard II. According to Shakespeare, the horse's name was White Surrey, although other sources claim the horse was Roan Barbary, and was a Barb or Berber horse*.

*Bought from Spain and likely a cross of Spanish and African blood, so a Jennet. But Jennet was also a classification of a horse type in those days, so, sources are muddled.

The Rouncey

The 'average' horse of the time, this horse was used mainly for riding, but could sometimes be ridden into battle if trained properly, and were the preferred horse for lower-class fighters such as archers or men-at-arms. As it described a riding horse, these horses came in all shapes and sizes, from all lineages, and in all colors. In peacetime they could be used to draw carriages or work fields. A proud and expensive destrier would never be caught pulling a plow.

The Palfrey

A highly-bred, highly trained horse, this horse is a high quality riding horse known for a specific gait, called an ambling gait. This horse had a special pattern of moving its feet that gave the rider a considerably more comfortable ride than the traditional 4 gaited horse. After the middle ages, these horses almost disappeared, only to be recovered in the Americas in the form of 'gaited' horses such as the Paso Fino, the Rocky Mountain Horse, the Missouri Foxtrotter, and the Tennessee Walking Horse. The Icelandic horse has also retained the special Tölt gait that may* be the exact gait of medieval ambling horses.

*may, I am not a gaited horse expert.

The Packhorse

This describes any kind of horse, usually a rouncey, that is used not for riding but to carry supplies. Packhorses could also be mules, donkeys, and ponies, so long as they could carry weight for long miles. These were supply horses, carrying food, weapons, tents, whatever else may be needed.

Knights, Horses, and the Battlefield

^ What an incredible creature of power and nobility. The man is fine too, I guess.

Now, if you have seen the above scene, you have probably seen The Hollow Crown, a historical drama with a few late Medieval battle scenes. In these scenes, knight clashes against knight in a furious charge, leading to pitched battles on horseback. I'm not going to say that never happened, but by and large cavalry was directed against infantry, not other cavalry, or used to conduct maneuvers requiring speed and surprise, such as a charge, a circling maneuver, a bluff retreat and most importantly, to chase down routing enemy soldiers. A knight on horseback was most effective in close quarters against unmounted and surprised soldiers. Lances were the primary weapon, allowing a mounted warrior length to spear and batter down at enemies, and a sword was secondary, as it had a shorter length, and would be used if a mounted warrior was surrounded by infantry or in battle against another knight. Throughout the medieval period, horses sometimes were removed from the fight all together due to unfavorable land, and kept in reserve to either help the army flee or to chase down the fleeing enemy.

Hungry for more?

There are many sources out there to learn more about the medieval period and knights in particular. I would highly recommend that you not look at Medieval Times sources, if only because better sources are out there. I enjoy the videos produce by Jason Kingsley CBE (Yes, that Jason Kingsley CBE) on his Modern History TV YouTube Channel, and find them to be accurate as far as I'm aware.

^ Jason Kingsley and his horse Warlord, in costume. I've sent marriage proposals but I've not yet received a reply.

That's all for this post. I'll have more when I feel like it, and send me questions if you want to know more about specific things or need a writing question answered

Reblogs welcome and encouraged

@jacqueswriteblrlibrary for wider reach

[fantasy-anatomy-analyst]

Okay brief post before I sleep, re: the problem of "fantasy dwarves"

Obviously I am no authority on any community that I'm not part of, so I cannot be a final voice on whether or not any particular use of various fantasy people and creatures are good or bad.

However, it also means that when I run into issues like this, it's important to me to get info from multiple sources (even if I don't reblog or share everything I've found) in order to make my own choices for my work. And I recommend the same to everyone!

Because human history is the way that it is, it's pretty much inevitable that the common fantasy people or creatures you want to use in your own new work have at some point, maybe even a lot, been portrayed in ways that are very offensive and bigoted towards real human people. (and this goes for scifi too)

Orcs have commonly been portrayed as some manner of "barbaric savages" with aesthetic details that call to mind Mongolian warriors, Native Americans, and African people, frequently combined with animalistic features.

There was a huge debate on the antisemitic features of goblins in mainstream fantasy, especially around the time JK Rowling was becoming more and more openly bigoted and the issues of racist caricature goblins and house elves in Harry Potter were being made more relevant.

The lore of drow in Dungeons and Dragons is a whole mess of racism and misogyny with their evil matriarchy and slavery situation, not at all helped by their dark colored skin.

Elves are certainly not exempt from this, though they're often taken in the opposite direction and portrayed as wise and beautiful white people who are more civilized than everyone else. And a lot of people have decided to subvert that by making elves into the oppressors. I've done that a little myself.

I'm also writing a lot of characters who don't match my own identity, including some in rather sensitive categories like being trans or having dissociative identity disorder. Those are my two main characters in the book I'm currently writing. I've seen people with DID write very passionate posts trying to dissuade people from ever writing any character with that condition. And I've seen other people with DID encourage the existence of those characters.

Fact is, there is no universal answer to the conundrum of whether or not a particular type of character or fantasy people or creature should be written. There are, I think, clear traits and tropes to avoid because they just can't be subverted in a meaningful way, especially not by people who aren't part of the marginalized groups that are harmed by them.

Like I don't think anyone who isn't Jewish should try to lampshade and openly subvert the antisemitic goblin tropes like the ones you see in Harry Potter.

I have been using fantasy dwarves in my writing, and I've reblogged a post from a person with dwarfism who is very much on the side of fantasy dwarves no longer being used. And I respect that, which is why I reblogged it and why I am still pondering a name change for my own "dwarves". But while I have not posted any links to it, I have in fact watched a video by another person with dwarfism who thinks fantasy dwarves are cool! There is no singular answer here. I'm still thinking about using a different word, and I plan to keep on hearing out different opinions.

I think the most important thing, though, is whether or not my many fantasy people come across as nuanced and respectable or if they come across like bad stereotypes and offensive caricatures. I can rename them all I like, but whether I'm using the word "orc" or "boarin" or whatever you like, does that make it any less offensive if I write them to be savage uncivilized evil barbarians regardless? Is it less offensive to remove the title of "dwarves" and replace it with "cavern folk" if you're still going to write them as angry little men with big heads who only exist for comedic effect?

It is important to be careful of the use of specific words and I think coming up with your own names for fantasy people is a great idea, of course. It's why I have the stroi as another species of elf. But it does kinda bother me when people act like the very use of a word is the main problem and not just one more detail on top of a pile of problems.

[cripplecharacters]

Tag Directory

[large text: Tag Directory]

This list is not exhaustive, but covers the most common tags we use.

Last updated: 01/01/2025.

Disabilities:

#Albinism representation #amputee representation #Autism representation #ADHD representation #Blindness #Brain Damage representation #Burn Survivor representation #Cerebral Palsy representation #CDD representation [Complex Dissociative Disorder] (includes DID, OSDD, etc.) #chronic illness representation #chronic pain representation #Deaf character (includes Hard of Hearing) #DeafBlindness #Down syndrome representation (for things specific to DS) #Dwarfism representation #Epilepsy representation #face difference (includes facial scars, burns, etc.) #GAD representation [Generalized Anxiety Disorder] #heart condition representation #Intellectual Disability representation #Learning Disability representation (includes dyslexia, dyscalculia, etc.) #Limb Differences #mobility disabilities #monocular vision #mysterious disability #multiple sclerosis representation #muscular dystrophy representation (includes all types of muscular dystrophies, SMA, vague muscle atrophy/dystrophy, myopathies, etc.) #mute representation #Nonverbal representation #nonspeaking characters #OCD representation #personality disorders #POTS representation [Postural Orthostatic Tachycardia Syndrome] #PTSD representation #psychosis spectrum representation (includes schizophrenia, schizoaffective disorder, psychosis in general + other conditions that cause it) #Selective Mutism representation #speech disability representation #spinal deformities (includes scoliosis, kyphosis, lordosis) #SCI representation (Spinal Cord Injury but does also include spina bifida etc.) #substance use disorders #strabismus representation #Tourette's Syndrome representation (includes other tic disorders as well) #vitiligo representation

Aids:

#AAC users [Augmentative and Alternative Communication] #ambulatory wheelchair use #ankle foot orthosis #assistive technology (includes Braille) #canes #crutches #guide animals (includes both dogs and miniature horses) #feeding tubes #hearing aids #knee scooters #mobility aids #prosthetics #eye prosthetics #rollators #service animals #walkers #wheelchairs #white canes

Frequent Topics:

#combat and disability #fantasy setting (includes SCI-FI etc.) #fantasy disabilities #fantasy ableism #fantasy species (while this was originally meant for actual fantasy species, anything that's non-human goes here, including basic animals like cats and things like robots) #fantasy tropes #historical fiction #horror and disability #inaccessible setting #intersex representation (majority of intersex variations are not disabling but a few are/can be) #magic aids #parasports in media #religion and disability #sign language representation #villains with disabilities

Tropes:

#blindfold trope #cure trope #faking disability trope #fetishization of disability #disability as punishment #disability erasure #disability negating superpowers #magic induced disability #mask trope #perfect prosthetic trope #tropes

Other:

#acquired disability representation #accessibility (for making things accessible to readers) #art reference #CCartShare (sharing art from our art tag) #character inspo #cripping up (cosplaying disabled characters) #disabled character ideas ("what disabilities make someone use a cane" etc.) #recommendations (various media about disability, mostly not writing related) #sensitivity reader #terminology #writing descriptions #more information needed (for when we need some additional info before answering properly - if you've sent an ask, it might be in there) We also tag the username of the asker so if you've sent an ask off-anon you can check through that as well. Anon asks are tagged as "#anonymous" and/or with the sign-off included in the ask.

[thegreatwicked]

Medical Writing Resources

I've been away for a while, and I've missed you all! I hope your holidays were fun and peaceful! While perusing my stuff to see where I left off, I browsed through my liked posts, and wow, I liked a lot of resources, so it's time to organize those for you all! And because we enjoy hurting our fictional darlings, I think it's time to make a new list!

If you've been tagged more than once, I apologize, I just want to make sure that credit is given where it is due. With that, enjoy these resources. Go show the original posters some love, and go write your story because no one else will.

Stages of Decomposition by @literaryvein-reblogs We write about death a lot and this is a great breakdown of life after life. Including descriptions of each stage and the proper names.

10 Non-Lethal Injuries to Add to Your Writing by @hayatheauthor I've hever had a broken finger but now that I think about it I have no idea how that works but I can't think of a more inconvenient injury, may as well get it right.

Writing Notes & References by @literaryvein-references This is a complication of a lot of resources but rahter than cut it up I'll probably just list it in a few resources. It includes things like color blindness, autopsy, bruises, drowning, pain, poison ivy. Go check it out.

How to Draw (Some) Burn Scars by @saszor and reblogged by @cripplecharacters. It is a drawing resource but sometimes visualizing it can help with descriptions.

Hospital Lengths of Stay by @macgyvermedical good references for simple things you might use in your writing if one of your character has to stay in the hospital. This is also an amazing blog.

Writing Tips - Fevers by @pygmi-says-hi Fevers are simple thing sbut if you're looking to make it more complex then you have this to help you know where to start.

Stop Doing This in Injury Fits by @pygmi-says-hi another good mention! Bleeding,s tab wounds, concussion, and symptoms!

The Anatomy of Passing Out by @hayatheauthor I've never written a character passing out and always wondered about it but here we are, maybe I'll have my characters pssing out more now that I know how to write it!

Addiction by @novlr Addiction is a disease and deserves better representation.

Disability Writing Guides by @whumpinggrounds Disability etiquette, wheelchairs, writing chronic pain, low vision. Great stuff here!

A Glossary of Medical Terms by @mylonelybraincell Invaluable! Absolutely invaluable!

Resources for Writing Injuries by @wordsnstuff Very comprehensive list of general information

The Writers Guide Authentic Wounds and Fatalities by @hayatheauthor check out this MVP here giving us these amazing resources.

Basic Sutures for Writers and Artists by @squidlife-crisis Never known how to describe these but seeing them is super helpful!

A Little Revolution's Dwarfism FAQs by @a-little-revolution Oh, now this is a gem!

Well, that's a good start for this new list! Go show some of these creators some love, and go write amazing things!

[theonceandfuture]

the stoneforged are my non-ableist replacement for "dwarves" (see here and here, i think bbc merlin has its own issue of ableism regarding characters with dwarfism) as a species in mythology. they are technically a type of elf (think lightforged = high elves, shadowforged = dark elves, minus the racism associated with the drow's writing)

hopefully, soon i'll have found the time to draw out my designs for some of the species prominent in albion, and i can reblog this post and add my personal designs for these species. keep in mind that i'll still have characters with dwarfism in this story! i don't think the solution to ableism is to erase the characters with dwarfism entirely (cough cough, disney's snow white), instead i've just been Normaler about it.

[phoenixyfriend]

Finally watched Moulin Rouge (2001). I need to specify because I've never seen it before, but I have watched the Broadway version three times live (I kept getting discount tickets).

Below the cut is my liveblog from discord (with two clarifying edits)

Oh this is VERY different

I've seen the Broadway version three times so I'm comparing every little bit to that

I can see why they changed up a few of the details, like removing the 'fake Indian' element of the in-setting musical

Like it tracks for 1899 and all? And it was definitely allowable for 2001? But oof would 2024 audiences have some Big Issues with it, even with the 1899 context

And modifying Toulouse's disability from dwarfism to a more generic permanent limp, even though the dwarfism is more true to history... it does make castingn easier, I suppose, and it's not like casting John Leguizamo and having him 'act' short was all that good of a plan for the '01. Very complicated I guess.

Also. I knew that it was unlikely that Christian would be from Ohio like in the Broadway version, but I did expect English! And yet! They actually let Ewan be Scottish! Nice!

Also the Duke is German?

And so much more pathetic than on Broadway (edited)

Oh this Nini is so much more of a bitch than the one on Broadway

I wonder how all the dancers, who very clearly do sex work, feel about being dragged into a song and dance number about how they can't be trusted

The playing around with frame rates is definitely interesting, but I don't love all the jumpy cuts between shots.

WE DON'T EVEN KNOW THE KILLER'S NAME [edit: did not actually kill]

LIKE Thanks? But. But like. But we don't even know the guy's name. Also jfc did not! Expect! The fucking rape scene

Wait the Duke's not dead?

That's Chocolat? [edit: du Chocolat is a woman in the Broadway version, and a non-plot-relevant member of the Lady Marmalade quartet]

The order of events overall is pretty different from the stage version, too, plus there's that weird preoccupation with Sleeping With The Girl that's not present in the Broadway show (where she's just sleeping with both of them the whole time)

Oh that is some RACISM

THIS IS VERY DIFFERENT

UPSETTING

LINES WERE SWAPPED???

I now feel like I know enough to write that Star Wars/Moulin Rouge thing I keep thinking about