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fmdduri · 2 years

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duri talks fashion, his looks, his solo career, what 2023 has in store, and more with w korea for his december 2022 cover and spread.

when the red light is on with duri, he showcases an elegance, sexy, approachable flair in his photos, while still having this certain happy gleam in his eyes. when the red light goes off and he sits down with us, duri is that ever-friendly, warm, and happy individual that people love so dearly. as we talked with the member of titan and renown soloist, it’s like talking to an old friend.

you’re known for a fashion style that’s really simple, while also elegant and pretty. this shoot is a little different from your personal style, what’s your favorite piece from today’s shoot?

“accessories are some of my favorite pieces when it comes to my own wardrobe! i personally really liked the joux de lien pendants that i wore throughout the photoshoot. they layered really nicely and had gone elegantly with all the pieces i wore throughout the shoot itself. i think it brought up a lot of attention to the face and expressions. i think another favorite piece was the green suede jacket from g street 949 homme. i think it went really well with my eyes and brighten up a lot of my looks and tone. it’s something that i would love to have in my personal wardrobe as well, since i do believe it’s another piece that’s really versatile that i could style a lot. though, i definitely think i would wear it with something underneath and not go around shirtless. (laughs.)”

then, since your looks tend to get gasps and wows when you’re suddenly on the screen at award shows or music shows, is your face doing all the work?

(laughs) “no, no, no! all of my stylists, as well as the stylists that i work with in different projects and shoots, are the ones that make me look good! i personally don’t think my face is doing much work, i think it’s the stylists who know exactly how to dress me, how to do my hair, and how to apply the right makeup are doing all the work. they’re the reason why i look good!”

you’ve been up to a lot in your career as of late, such as new world, the brand ambassador for boy de chanel, your music, and many other things. what’s in store for duri in 2023?

“i can definitely say that i’m working on new music! i’m definitely always working on music often in the time that i can make to do so, in hopes that i’ll be able to release it or that it can go to someone who’ll be able to release it. working on music is something that’s really important to me and i think it’s a really big part of my own career, since i always have such a big focus on being a musician! there’s a chance that some music might be coming sooner than you think, but i can’t confirm when that is. just know it’s coming! (laughs). other than that, i don’t think i really know what can happen for me come the new year. i really look forward to more titan comebacks, my own comebacks, continuing work with boy de chanel, and hopefully more great things to come! i hope i can meet with w korea again soon too. (laughs.) as for the rest of this year, i do have my portal release that comes out on december fifth!”

the theme for today’s shoot is the different between the red on air light being on vs it being off. on air duri and off air duri is someone who’s known for being the same person through and through. is there anything people don’t see in these moments of being on air and off air?

“i have read online from fans that they think i’m a different person when i’m on stage, especially in titan songs because of my stage presence or something like that. i’m not too sure how true that is, but maybe that’s a difference between being on air and off air? i’ve always just want to show myself to the fullest extent. i don’t think there’s much of a need to be something or someone different on air and off air. i just always want to be myself and i think it’s really important to be yourself, no matter what others say! i’ve never wanted to seem like someone who’s cool or something like that, because i’m definitely nothing like the cool guy! simply put, i’m just me because i like me. always stay true yourself and be kind, always be kind!”

i guess it makes sense that you’re called the nation’s umchinah, right? do you ever feel pressure knowing that you have such a title?

(laughs) “there’s no pressure with having a title as such! i think i almost sometimes forget that i have these titles that have been given to me by fans and those that just happen to like me. but, even when that happens, i still feel really grateful and really thankful about the fact that people like me enough to give me these nicknames. it’s such a surprise to me, as well. i’m not quite sure i deserve them sometimes because i’m just being myself, i’m doing the things that i should be doing, and just the normal things, right? but, it still really means a lot to me and i just really always want to thank everyone for always thinking of me.”

just one last thing, with the weather being colder, what’s a winter must-have for you that you recommend to fans and readers?

“a long padded jacket is definitely my biggest must-have for the winter! you can easily dress the padded jacket up and down on the days, as well as nights, that you need something warmer in when it’s so cold out. they come in so many colors that you can easily pair with outfits. however, you can also never go wrong with just a black padded jacket, which is definitely my favorite padded jacket to have. a longer padded jacket just feels really sophisticated, while being fashionable! the best way to personalize a padded jacket, as well, is wearing a scarf, which is another favorite of mine. it can also give you that pop of color that you’re looking forward or something that matches the coat nicely as well.”

#famedinterview #i fear these interviews are always so bad dont ask me how i have a journalism degree i dont know myself

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blackswaneuroparedux · 3 years

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Anonymous asked: Have you watched Lupin? What did you think? (And are you a fan of the books or other adaptations of the character?)

The short answer is yes, I have seen Lupin on Netflix. Overall I enjoyed it so long as I suspended my disbelief at certain things.

Unfortunately it took being struck down by Covid and being bedridden for me to actually to binge watch the whole series. So I was behind the curve when my friends, French and those outside of France, started to talk about it around me. I had to beg them not to give away spoilers until I had seen it all.

It did surprise me that it won rave widespread reviews outside France because usually French drama series don’t travel very well outside of France. I’m sure even Netflix had no idea how successful it would be for them. I’m sure being in Covid lockdown had something to do with it. In any case I don’t begrudge its success as it’s well earned.

However I wasn’t too surprised that within France itself the French reviews were decidely mixed and divisive. The critic at Le Point painfully hit the nail on the head when he wrote, “Le plus gros défaut de l'ensemble reste la pauvreté des personnages, tous unidimensionnels, caricaturaux et aussi épais que du papier à cigarette.“ - loosely translated as, ‘the biggest flaw of the whole thing remains the poverty of the characters, all one-dimensional, cartoonish and as thick as cigarette paper’.

There’s a growing amount of good French stuff on TV and streaming services but a non-French audience will not have had the chance to have seen all of it yet. I can think of any number of French television drama/dramedy/cmedy series that are much better than Lupin with better plots, characters, and even a truer perspective of French society and even modern day France (Dix pour cent (Call My Agent!), Le Bureau des Légendes, Engrenages, Baron Noir, and Paris Police 1900). But you would be hard pressed to find anything that comes close to Lupin just for the sake of something fun to watch during the Covid lockdown.

What makes the current generation of home made French television series so interesting is how much of it is a reflection of France’s own anxieities about itself and its role in a increasingly English speaking dominating world. In a funny way it sees itself as defiant plucky Asterix fighting off the Roman American cultural hordes from totally invading their Francophone culture.

For sure, it has societal and racial issues stemming from its colonial legacy and issues of immigration and integration (France has the largest Muslim population in Europe). However it seems to want to ‘resolve’ these issues through the almost sacramental adherence to French secularist ideals rather than American inspired ideas of social justice and equity. There’s always been something very admirable about the French - from the time of General de Gaulle and perhaps before - always swinging from snooty ambivalence to outright antipathy towards the influence of American culture ‘americanising’ French culture (no to Walmarts or fast food chains for example).

Is it any wonder then that Netflix’s ill-conceived American series ‘Emily in Paris’ was widely hated and mocked within France for just perpetuating those lazy American tropes of Paris and French culture?

Personally I know Francophile Americans, long resident in Paris, who were frankly embarrassed and spent a lot of time apologising to their French friends. I have one American friend who has told me that she was so mad that she would have blind folded Emily and shoved her hard in the car boot and drive her all the way to the poorest of the banlieues in the grimey crime saturated suburbs of Paris - Seine-Saint-Denis came to mind - and dump her preening arse there. She would slap her and tell the spoilt entitied brat to make her own way back home - you know, to her spacious apartment in one of the most expensive arrondissements of Paris that of course(!) any American intern working for French marketing firms can afford.

I digress. My apologies. Watching this God awful show gives me PTSD.

Onto Lupin.

Thankfully Lupin doesn’t try to play to non-French tropes of what Paris is or isn’t. It does skim the surface of current discontents within French culture and society (race, class, power, and money) but ever so lightly so as to not get in the way of just spinning a good crowd pleasing yarn. It invites you to have fun and not to think too much. I have to be honest and say I enjoyed it as long as I suspended my disbelief here and there.

Lupin refers of course to the character Arsène Lupin, the French gentleman thief who stole jewellery from Parisian haute bourgeois and aristocracy at the turn of the century. Lupin, as written in the novels and short stories by Maurice Leblanc between 1905 and his death in 1941, was the archetypical anti-hero, a Robin Hood who stole from those who deserved it but kept the loot himself. He was often portrayed often a force for good, while operating on the wrong side of the law.

Lupin never really made much of an impact outside of France as he had within France where is revered with many French film and television adaptations. In England, we already had a Lupin type character in the form of A.J. Raffles, a cricket playing gentleman thief with his aristocratic side kick, Bunny. E.W. Horning’s stories of Raffles’ daring heists proved to be quite popular with the British public when Raffles first appeared on the scene in 1898. And even later Leslie Charteris’ The Saint took over the mantle from Raffles as the gentleman thief/adventuring Robin Hood.

I think Hollywood tried to introduce him to an English speaking audience (legendary actor John Barrymore even played him) but he didn’t really take off and eventually they found their gentleman thief archetype in Sir Charles Lytton aka The Phantom (played by David Niven and Christopher Plummer) in the Pink Panther movies. So Lupin never got the English audience he deserved.

I first got wind of who Arsène Lupin was when I was growing up in Japan as a child. As strange as it sounds Lupin was big in Japan especially after World War Two. The Japanese did their own take on the Lupin character using Japanese actors and plot lines but it was Lupin.

I don’t know how exactly but I remember watching these scratchy DVDs of these Lupin inspired films. I think it was one of my parents’ Japanese friends who was mad for all things Lupin and he had studied French literature in France. Jogging my memory I now recall these black & white films were done in the 1950s. One starred Keiji Sada and the other version I remember was with Eija Okada (he was in Resnais’ classic film, Hiroshima Mon Amour) as Arsene Lupin called (I think) Kao-no Nai Otoko. I didn’t understand most of it at the time because it was all in Japanese and my Japanese (at the time) was pitiful, but it looked fun.

There was even a Japanese manga version of Lupin which was called Lupin III, - so named because he was the grandson of the real Arsène Lupin.

The 1960s manga series spawned generations of TV series which I do remember watching and finding it terribly exciting if somewhat confusing.

It was French expatriate friends whom my family knew that introduced me to the real Arsène Lupin. They had a few of the books authored by Maurice Leblanc. It was in French so I read them to improve my French but enjoyed the story along the way.

I also remember them showing me scratchy episodes of the 1970s Franco-German TV series ‘Arsène Lupin’ with the monocle wearing Georges Descrières in the lead role. It was a classical re-telling of the adventures of the aristocratic gentleman-burglar and very family friendly viewing. I don’t really remember much of it to be honest.

It was some years before I actually started to read more of the Maurice Leblanc’s novels and short stories collection. I have them all now. I was a teen and I remember being stuck in a snowed in a Swiss Alpine chalet and with nothing else to do but pull out a few dog eared books from the bookshelves belonging to our French host and read to pass the time.

I read Les Dents du tigre, Arsène Lupin vs Herlock Sholmes, and Les Huit Coups de l'horloge and thoroughly enjoyed them in the original French. I was already reading classic detective and mystery novels (Sherlock Holmes, Poirot etc) so it was natural to read the adventures of Arsène Lupin.

I haven’t got around to reading all the novels and short stories but I have read most of them and I enjoyed them all immensely. In the same way Conan Doyle, through Holmes and Watson, manages to conjure a convincing picture of late Victorian and early Edwardian England, so Leblanc manages to give us a taste of Belle Epoque France through the eyes of his suave gentleman-thief, Arsène Lupin.

Indeed it's a lot like reading Sherlock Holmes in that you're always trying to figure out how he did it, but the difference is that you are rooting for the bad guy. You can’t help but be drawn to this gentleman thief who is charming, comic, playful, and romantic and generous. Lupin is not an intellectual puzzle-solver but first a master criminal, later a detective helper, who maintains his curious ethics throughout his adventures. In this regard he is very much the anti-Sherlock Holmes; and I wasn’t disappointed when I actually read the story where Lupin faces off with Holmes himself. Brilliant!

I’ve also seen the 2004 French movie with Romain Duris in the Lupin lead role and it also starred the majestic Kristin Scott Thomas and the sexy Eva Green.

It was a decent adventure flick and it was a clear confluence of different Lupin novels (The Queen's Necklace (introducing Lupin's childhood), The Hollow Needle (where the treasure is the macguffin of the story), The Arrest of Arsène Lupin (the gala on the ship as a backdrop) and Josephine Balsamo, (one of Lupin’s most memorable opponents in the The Countess Of Cagliostro).

Romaine Duris, a fine classical actor, was I felt miscast because he didn’t have Lupin’s levity of wit and be at ease within himself. I love Duris in his other films but in Arsène Lupin and even in his other film, Moliere, he seemed ill at ease with the role. Perhaps that’s just me.

The latest Netflix adaptation (or reimagining to be more precise) is a welcome addition to the world of Arsène Lupin.If you don’t over-think it, it’s bags of fun.

Omar Sy is immensely likeable. Sy is a deservedly a big star in France - he won the best actor César for “The Intouchables,” an international hit - and has played forgettable secondary characters in big-budget American special effects movies (he was Chris Pratt’s assistant in “Jurassic World” and a minor mutant in “X-Men: Days of Future Past”). It was reportedly his desire to play Arsène Lupin, whom he’s compared to James Bond (“fun, funny, elegant”), that led to the series, created by British writer George Kay. And it is on his charm that the series largely, though not entirely, rests.

So the basic story revolves around a jewellery heist. Sy plays Assane Diop, a first-generation French-Senegalese man in contemporary Paris. A collection of Lupin stories, a gift from his father - whose undeserved fate Assane set himself to avenge in long-delayed, Count of Monte Cristo style upon a criminal tycoon - has made the actual Lupin books a foundation of his life and profitably illicit career. This fan-ship goes as far as borrowing practical ideas from the stories and constructing aliases out of anagrams of “Arsene Lupin,” a habit that will attract the interest of a low-level police detective (Soufiane Guerrab as Youssef Guedira) who shares Assane’s love of the books. (That the detective also shares an initial with Lupin’s own adversary, Inspector Ganimard, is possibly not a coincidence.)

Among the many comic delights of Lupin, is an unspoken one. Time and again, the show’s hero, master thief Assane Diop is able to slip into a place unnoticed, or by assuming a minor disguise that prevents witnesses from providing an accurate description of him to law enforcement.

Why is this funny?

Because Omar Sy is six feet three (and, since most actors are short, seems even taller), is roughly as wide as soccer pitch, and is memorable even before he flashes his infectious million-Euro smile. This is not a man for whom anonymity should be possible - even allowing for racial bias in a majority-white country, Assane would be memorable and distinctive - and Lupin seems cheekily aware of this. Like the various incredible sleights of hand Assane deploys to pull off his thefts and escapes, his ability to be anyone, anywhere, is treated more as a superpower than as something even the world’s greatest criminal would be able to pull off.

At one point, when he’s slated for a cable news appearance as a much older man, we learn that Assane is also a master of disguise. The revelation of this skill arrives with a wink in the show, and it feels pointless to ask where he learned it, or how he affords movie-quality latex and makeup. Or rather, asking the question feels wrong.

We know this is impossible, the show seems to be asking its viewers again and again, but isn’t it so much fun?

The performances and the production - it has that particularly European filmic quality of feeling natural even when it gets stylish - keep the series warm even as the plot is made up of incredulous contraptions that require everything to go right at just the right time and for human psychology to be 100% predictable. Its physics are classical rather than quantum, one might say, and like the world itself, which becomes more curious the deeper you peer into things, it is best handled along the surface. You do not want to take too much time working out the likelihood of any of this happening. Just go along for the ride.

Somehow, though, it all works because Sy is so magnetic and charming that questioning plot logic feels wildly besides the point. Though he never looks appreciably different in his various aliases (including one ill-conceived live-TV appearance done under old-man makeup and a thick beard), he changes his posture and voice ( if you watch it in French that is) enough to allow for the willing suspension of disbelief, in the same way that any lead actor as Superman has to do when playing Clark Kent. But Sy and the show are at their strongest when Assane is just being his own Superman self, utterly relaxed and confident in his own skin, and so captivating that his ex-partner, Claire, can’t really resist him despite ample reason to.

If Assane seems practically perfect in every way, he is not perfectly perfect. His most obvious failing is that his criminal shenanigans and revenging make him less than reliable in his daily life, affecting his relationships with ex-partner Claire (Ludivine Sagnier, whom non-French audiences might recognise from “The Young Pope” and “The New Pope”), who despairs of his inability to show up on time to see his son Raoul (Etan Simon). Like Sy, Sagnier brings a lot of soul to her part - though onscreen far less, she’s as important as Sy to the series’ success - and the two actors have great chemistry. Also impressive and key to creating sympathy are the actors who play their flashback teenage selves, Mamadou Haidara and Ludmilla Makowski. Really, you could do away with action elements and build a series around them.

This is a pity because Lupin often fumbles its emotional reveals in other parts - the story of Diop being torn between his job and his family feels like wheel-spinning, rather than genuine emotional intrigue.

Soufiane Guerrab is wasted in the Young Detective Consumed by the Case role and spends most of this season pinning colour printouts of book covers to cork boards and getting waved off by his colleagues, who are all blinded or otherwise hampered by careerism.

But to my mind the weakest link is the villain himself and his daughter. Veteran actor Hervé Pierre hams it up as Hubert Pellegrini, a business tycoon who is the patriarch of the Pellegrini family. He just comes across as animated cartoon villain with no character depth (think moustache twirling Russian villain, Boris Badenov, in the Rocky & Bullwinkle cartoon shows). He just emotes anger a lot without any nuance or hint of complexity.

Even Clotilde Hesme who plays the daughter who is unaware of her father’s criminal tendencies is miscast. For the record I adore Clotilde Hesme as she one of France’s most talented classical actresses (that non-French outsiders will not have heard of). She is a classically theatre trained actress and is one of the best stage actresses of her generation that I have ever seen. I’ve seen her in plays where she is just mesmerising. She has said before that she’s more comfortable on the stage than she is on the screen. And when she has been on screen she still has been a powerful presence. She’s actually won a César too. Here in Lupin, she seems to have no agency and looks bored with nothing really to do.I really hope they give her more scenes in the next part of Lupin.

The series is at its best when following Diop enacting his plans, and when revealing each one from a different vantage, making us privy to every moving part like a magician revealing his secrets. The show captures the momentum of a clockwork heist, the tension of sudden obstacles and the ingenuity of improvised responses, with thrilling precision (especially in “Chapter 1 - Le Collier de la reine,” directed by Now You See Me’s Louis Leterrier).

Lupin is also politically incisive when it wants to be; it brings to mind Ladj Ly’s Oscar-nominated 2019 film Les Misérables, which adapted the broad strokes of Victor Hugo’s novel about the 1832 Paris Rebellion, and modernised the story by focusing on the police brutality faced by non-white Parisians.

Lupin opens with Diop disguised as cleaning staff and entering the Louvre after-hours, alongside dozens of forgotten, anonymous non-white workers as they pass by “La Liberté guidant le people,” Eugène Delacroix’s famous painting of the July Revolution of 1830 which replaced France’s hereditary rule with popular sovereignty.

Before any semblance of plot or character, Lupin centres broken ideals and promises unkept (without giving too much away, the show’s primary villain has much more nationalistic view of French culture and history which merely adds to a cartoonish caricature than a complex character). The rest of the episode is about valuable jewels once owned by Marie Antionette - one of the most recognisable symbols of wealth and extravagance in times of extreme poverty - which are put up for auction by the Pelligrini family, and bid on by other wealthy collectors with bottomless purses and no sense of irony.

Granted, beyond this auction subplot, explorations of race and class are largely limited to individual interactions, but the show continues to refer back to (and implicitly comment on) its source material in ways that wink at the audience. An elderly, unassuming target of Diop’s schemes seems like an unlikely victim at first - Diop, though he acts in his own self-interest, usually displays a moral compass - until this victim reveals the colonial origins of her wealth, immediately re-contextualising the ethics of the situation, in a manner that Leblanc’s stories did not. (The show is yet to apply this lens to Arsène Lupin himself, who Diop treats with reverence, but that’s a secondary concern since Lupin is entirely fictional in-world).

Barring some nagging structural problems - like cutting to flashbacks when things are getting exciting, or epilogues that feel ten minutes too long - Lupin mostly works. It plants a few personal seeds early on, which it keeps hinting at without fully addressing, but by the time its scattered elements come into focus, the show finally figures out how to weave them together, and delivers a mid-season cliffhanger that renders many of these flaws irrelevant.

Lupin manages to have fun even with an antiquated premise - the story of a suave con-man who charms his way through high-profile robberies - while adding just enough new spin on the concept to feel refreshing. Omar Sy may not have much to work with, but his alluring presence makes Assane Diop feel like a worthy successor to Arsène Lupin.

Lupin isn’t going to win César, BAFTA, or Emmy awards, or even turn heads for its ability to develop tertiary or even secondary plots or characters - that doesn’t really matter. You’re there to see a difficult hero be difficult and heroic - everyone else is there to be charmed, vexed, or eluded by them. Sy’s performance bounds off the screen, and is almost musical. He floats through scenes like he glides over the roofs and through the back alleys of Paris; he outmanoeuvres his foes with superior literary references and sheer athleticism. He is irresistible and also good at everything he tries, even kidnapping.

I would encourage anyone to watch Lupin for a fun care free ride. But the only caveat I would make is watch it in the original French.

If you don’t know French then put on the subtitles to understand (that’s what they are there for). The real crime is to watch this (or any film or television series) dubbed in a foreign language. It’s disrespectful to the actors and film makers and it’s silly because it’s comical to watch something dubbed over.

Please watch it in the original French.

Then go and read the books. You won’t regret it.

Thanks for your question.

#question #ask #lupin #omar sy #netflix #tv show #culture #personal #arsene lupin #japan #maurice leblanc #france #french #society #arts

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jaceyourself · 6 years

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End of Year Wrap-Up 24/12/2018

Happy Merry to all you readers!

I’ve had a great year but all us music fans have had an even better one! Streaming services mean that now more than ever we can experience the musical output from all corners of the globe (though overwhelmingly the English-speaking parts of it) to understand different points of view, learn of the goings on in other parts of the world and most importantly indulge ourselves in a bit of a boogie. All the moods, genres and feels you could think of are out there, so over the holiday period perhaps try and listen to something new. Who knows it might break the tension with that younger/older relative round the xmas table when you find they also happen to like k-pop/jazz-funk/grindcore or at the very least you can bicker about the tragedy of the current album charts (Greatest Showman: 21 weeks!). To aid you in your quest for knowledge/excitement/small-talk I have spent almost 30 minutes curating a best-of for both albums and singles in the year of 2018.

(NB even with my album-a-day policy, there’s no way I can get through everything I want to within the 365, so if your fave appears ignored, let it be known that I probably haven’t heard it yet. The full list of everything I’ve listened to this year is at the bottom)

So in no particular order:

Albums

Jinx Lennon- Grow A Pair!!!

The Beths- Future Me Hates Me

The Pistol Annies- Interstate Gospel

Travis Scott- ASTROWORLD

Mount Eerie- Now Only

Cardi B- Invasion of Privacy

The 1975- A Brief Inquiry Into Online Relationships

The Aces- When My Heart Felt Volcanic

Singles

Confidence Man- Out The Window

Cardi B- I Like It

Janelle Monae ft. Grimes- Pynk

Lori McKenna- People Get Old

SOPHIE- Immaterial

Marie Davidson- Work It

Car Seat Headrest- Stop Smoking (We Love You)

BLACKPINK- AS IF IT’S YOUR LAST

The 1975- It’s Not Living (If It’s Not With You)

https://open.spotify.com/user/jaceyourself/playlist/1kFex3QLVv0l3cCqjVC6dT?si=_GqTJXrOSoSXYaMC9ra_lg

Have a great festive period and I’ll see you in 2019 :D

2018 Albums what I listened to

Floating Points- Reflections – Mojave Desert

James Elkington- Wintres Woma

Miguel- War & Leisure

Ride- Weather Diaries

Sidney Gish- No Dogs Allowed

Emperor X- The Orlando Sentinel, Oversleepers International

Broken Social Scene- Hug of Thunder

MC5- Kick Out The Jams (Live)

Public Service Broadcasting- Every Valley

JJ Doom- Key to the Kuffs

HAIM- Something To Tell You

Camila Cabello- Camila

Sheer Mag- Need To Feel Your Love

Taylor Swift- reputation

Shabazz Palaces- Quazarz vs The Jealous Machines

This Is The Kit- Moonshine Freeze

Japanese Breakfast- Soft Sounds From Another Planet

Tune-Yards- I can feel you creep into my private life

Jupiter & Okwess- Kin Sonic

Various Artists- The Passion Of Charlie Parker

Waxahatchee- Out In The Storm, Great Thunder

Offa Rex- The Queen Of Hearts

Dizzee Rascal- Raskit

Alvvays- Antisocialites

Childhood- Universal High

Marmozets- Knowing What You Know Now

Declan McKenna- What Do You Think About the Car?

Paul Heaton- Crooked Calypso

Lana Del Rey- Lust For Life

Charles Lloyd New Quartet- Passin’ Thru (Live)

Rip Rig & Panic- Circa Rip Rig + Panic

Avey Tare- Eucalyptus

Justin Timberlake- Man Of The Woods

Rio Mira- Marimba del Pacifico

Oddisee- The Iceberg

Aimee Mann- Mental Illness

Katie Von Schleicher- Shitty Hits

Arcade Fire- Everything Now

Girl Ray- Earl Grey

Ezra Furman- Transangelic Exodus

Randy Newman- Dark Matter

Dead Cross- Dead Cross

Chronixx- Chronology

Mondo Cozmo- Plastic Soul

Kesha- Rainbow

Lal & Mike Waterson- Bright Phoebus

Steve Reich- Pulse / Quartet

Orchestra Baobab- Tribute to Ndiouga Dieng

Ratboy- SCUM

Prince- Dirty Mind, Controversy, 1999, Purple Rain, Parade, Sign ‘O’ The Times

Stanley Cowell- No Illusions

Oneohtrix Point Never- Good Time Original Motion Picture Soundtrack

Downtown Boys- Cost Of Living

Screaming Females- All At Once

Rob Luft- Riser

Sibusile Xaba- Open Letter To Adoniah

Jen Cloher- Jen Cloher

Everything Everything- Fever Dream

Grizzly Bear- Painted Ruins

Bob’s Burgers- The Bob’s Burgers Music Album

Superorganism- Superorganism

Maren Morris- HERO

Courtney Marie Andrews- Honest Life, May Your Kindness Remain

Stefflon Don- Real Ting Mixtape

Ghostpoet- Dark Days + Canapés

Young Fathers- White Men Are Black Men Too, Cocoa Sugar

Queens Of The Stone Age- Songs For The Deaf

Thurst- Cut to the Chafe

John Moreland- Big Bad Luv

Aruan Ortiz- Cub(an)ism [Piano Solo]

Mount Eerie- Now Only

The War On Drugs- A Deeper Understanding

Various Artists- Pop Makossa

Liane Carroll- The Right to Love

Fickle Friends- You Are Someone Else

Nadine Shah- Holiday Destination

Various Artists- Howsla

George Ezra- Staying at Tamara’s

The Doors- The Doors

Filthy Friends- Invitation

Susanne Sundfør- Music For People In Trouble

LCD Soundsystem- LCD Soundsystem, Sound of Silver, American Dream

Mogwai- Every Country’s Sun

Kacey Musgraves- Golden Hour

The National- High Violet, Sleep Well Beast

The Klezmatics- Wonder Wheel

Hercules & Love Affair- Omnion

Mount Kimbie- Love What Survives

The Aces- When My Heart Felt Volcanic

Matthew Bourne- Isotach

Finished- Cum Inside Me Bro

Forced Into Femininity- I’m Making Progress

Heron Oblivion- Heron Oblivion

Hamell On Trial- TACKLE BOX

Confidence Man- Confident Music For Confident People

Swet Shop Boys- Cashmere

Princess Nokia- 1992 Deluxe, A Girl Cried Red

Steely Dan- The Royal Scam, Aja

King Gizzard & The Lizard Wizard- Nonagon Infinity

Sparks- Hippopotamus

J. Cole- KOD

Fat Tony- Macgregor Park

L’Orange and Jeremiah Jae- The Night Took Us In Like Family

Little Simz- Stillness In Wonderland

Lady Leshurr- Queen’s Speech

RAY BLK- Durt

Brand New- Science Fiction

Janelle Monae- Dirty Computer

Rolling Blackouts Coastal Fever- Talk Tight

Fred Thomas- Changer

Myra Davies- Sirens

Laraaji- Sun Gong

The Killers- Wonderful Wonderful

Descendents- Milo Goes To College

Frank Turner- Be More Kind

The Horrors- V

Moses Sumney- Aromanticism

Arctic Monkeys- Whatever People…, AM, Tranquility Base Hotel & Casino

Oxbow- Thin Black Duke

Dee Byrne’s Entropi- Moment Frozen

Mike Stern- Trip

The Vampires- The Vampires Meet Lionel Loueke

Gogol Bordello- Gypsy Punks: Underdog World Strike, Super Taranta!, Seekers And Finders

Umphrey’s McGee- Zonkey

Hard Working Americans- We’re All in This Together

Courtney Barnett- Tell Me How You Really Feel

Jllin- Black Origami

Various Artists- Rough Guide to the Music of West Africa

Wolf Alice- Visions Of A Life

The Young’uns- Strangers

Fever Ray- Fever Ray, Plunge

CHVRCHES- Love Is Dead

Oumou Sangaré- Oumou, Mogoya

Charlotte Gainsbourg- Rest

Daniel Avery- Song For Alpha

Daphni- Joli Mai

Kanye West- ye

Cécile McLorin Salvant- Dreams and Daggers

Trio Da Kali, Kronos Quartet- Ladilikan

Kelela- Take Me Apart

Bob Dylan- The Times.., Another.., Bringing.., Highway.., Blond.., John.., Nashville.., New.., Blood..

Lily Allen- Alright(,) Still, It’s Not Me(,) It’s You, Sheezus, No Shame

Fanfare Ciocarlia- 20

Wolf Parade- Cry Cry Cry

SOPHIE- OIL OF EVERY PEARL’S UN-INSIDES

Zara McFarlane- Arise

St. Vincent- MASSEDUCTION

Margo Price- All American Made

Bebe Rexha- Expectations

Motörhead- Under Cöver

Orchestre Les Mangelepa- Last Band Standing

Drake- Scorpion

Various Artists- Gentle Giants: The Songs Of Don Williams

Noga Erez- Off The Radar

Baxter Dury- Prince of Tears

John Maus- Screen Memories

Lankum- Between the Earth and Sky

Shamir- Revelations

Years & Years- Palo Santo

Converge- The Dusk In Us

Canzoniere Grecanico Salentino- Canzoniere

Fred Hersch- Open Book

A. Savage- Thawing Dawn

Big Thief- Capacity

Kelly Clarkson- Meaning Of Life

Dirty Projectors- Lamp Lit Prose

Robt Sarazin Blake- Recitative

Shed Seven- Instant Pleasures

Spinning Coin- Permo

Call Super- Arpo

Laura Perrudin- Poisons & antidotes

Ellen Andrea Wang- Blank Out

Lori McKenna- The Tree

Wu-Tang Clan- Enter The Wu-Tang (36 Chambers)

Lee Ronaldo- Electric Trim

Deer Tick- Vol. 2

The Paranoid Style- Underworld U.S.A.

Youssou N’Dour- Set, Joko- From Village To Town, Nothing’s In Vain, Seeni Valeurs

Gaika- BASIC VOLUME

Kasai Allstars- Around Felicite

Carly Rae Jepsen- Emotion

Noel Gallagher’s High Flying Birds- Who Built The Moon?

Anna Ternheim- All the Way to Rio

U2- Songs of Experience

Mônica Vasconcelos- The São Paulo Tapes

Travis Scott- ASTROWORLD

Nabihah Iqbal- Weighing of the Heart

Van Morrison- Versatile

Jim James- Tribute to 2

Criolo- Espiral de Ilusão

Maciej Obara Quartet- Unloved

N.E.R.D- NO ONE EVER REALLY DIES

The Beths- Future Me Hates Me

Maryam Saleh- Lekhfa

Naomi Bedford- Songs My Ruiner Gave to Me

Jens Lekman- Night Over Kortedala

The Spirit of the Beehive- pleasure suck

Tom Rogerson- Finding Shore

Paul Jacobs- Pictures(,) Movies and Apartments

Ariana Grande- sweetener

Rina Sawayama- RINA

Marcel Khalife- Andalusia of Love

Gunter Hampel- Bounce (Live at Theater Gütersloh)

BAYNK- Someone’s EP

Omar Souleyman- To Syria(,) With Love

Blood Orange- Negro Swan

Open Mike Eagle- Brick Body Kids Still Daydream

First Aid Kit- Ruins

Shame- Songs of Praise

Homeboy Sandman- Veins

Playboi Carti- Playboi Carti

Eminem- Kamikaze

Troye Sivan- Blue Neighbourhood, BLOOM

Joey Bada$$- ALL AMERIKKKAN BADA$$

Priests- Nothing Feels Natural

Rhiannon Giddens- Freedom Highway

King Krule- The OOZ

Django Django- Marble Skies

Bon Iver- For Emma(,) Forever Ago

Calexico- The Thread That Keeps Us

Mary Gauthier- Rifles & Rosary Beads

Hookworms- Microshift

Aphex Twin- Collapse EP

Rae Morris- Someone Out There

Field Music- Open Here

Rhye- Blood

Shopping- The Official Body

MGMT- Little Dark Age

Christine and the Queens- Chris

Alela Diane- Cusp

Sonic Youth- Sister

Brigid Mae Power- The Two Worlds

Deafheaven- Sunbather

Various Artists- American Epic: The Collection Disc 1, 2, 3

Rich Krueger- Life Ain’t That Long

Lil Wayne- Tha Carter V

Modern Mal- The Misanthrope Family Album

Rejjie Snow- Dear Annie

U.S. Girls- In a Poem Unlimited

The Orielles- Silver Dollar Moment

Tal National- Tantabara

Marie Davidson- Working Class Woman

Superchunk- What a Time to Be Alive

Brandi Carlile- By The Way(,) I Forgive You

Car Seat Headrest- Twin Fantasy

Loma- Loma

Quavo- QUAVO HUNCHO

Marlon Williams- Make Way For Love

Nipsey Hussle- Victory Lap

Insecure Men- Insecure Men

Kendrick Lamar- Black Panther

Rapsody- Lalia’s Wisdom

Khalid- Suncity

Tracey Thorn- Record

Anna von Hausswolff- Dead Magic

Jinx Lennon- Grow a Pair!!!

Gwenno- Le Kov

Judas Priest- Stained Class, FIREPOWER

Robyn- Robyn, Body Talk, Honey

The Magic Gang- The Magic Gang

Essaie Pas- New Path

Bob Dylan and The Band- The Basement Tapes

The Decemberists- I’ll Be Your Girl

Pistol Annies- Interstate Gospel

BCUC- Emakhosini (Bantu Continua Uhuru Consciousness)

Jack White- Boarding House Reach

Yo La Tengo- There’s A Riot Going On

Sidi Touré- Toubalbero

Lil Peep- Come Over When You’re Sober(,) Pt. 2

The Breeders- All Nerve

The Vaccines- Combat Sports

CZARFACE- Czarface Meets Metal Face

Laurence Pike- Distant Early Warning

Chopteeth Afrofunk Big Band- Bone Reader

Leo Kalyan- The Edge

Hayley Kyoko- Expectations

Tristen- Sneaker Waves

Thelonious Monk- Les Liaisons Dangereuses

Brad Mehldau & Mark Guiliana- Mehliana: Taming The Dragon

Amy Rigby- Til The Wheels Fall Off, Little Fugitive, The Old Guys

BLACKPINK- BLACKPINK IN YOUR AREA

Rose Cousins- Natural Conclusion

Nora Jane Struthers- Champion

Lilly Hiatt- Trinity Lane

The Rolling Stones- The Rolling Stones, The Rolling Stones No. 2, Out of Our Heads, Aftermath

MAST- Thelonious Sphere Monk

The 1975- A Brief Inquiry Into Online Relationships

Jhene Aiko- Trip

Don Bryant- Don’t Give up on Love

EMA- Exile in the Outer Ring

Small Believer- Anna Tivel

Vera Sola- Shades

Cardi B- Invasion of Privacy

Darkthrone- A Blaze in the Northern Sky

Sarah Shook & the Disarmers- Years

Goat Girl- Goat Girl

Vic Mensa- HOOLIGANS

Unknown Mortal Orchestra- Sex & Food

Alasdair Roberts, Amble Scuse & David McGuiness- What News

Kali Uchis- Isolation

Wye Oak- The Louder I Call, the Faster It Runs

Migos- Culture II

Hinds- I Don’t Run

DRINKS- Hippo Lite

Alexis Taylor- Beautiful Thing

Jenny Wilson- EXORCISM

#music 2018 #music #best of #christmas

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musicisthedrug-radio · 6 years

Audio

(Corey_Biggs)Our magical guest this week is, producer Dephunk. bringing his tribal presence in his 2nd hour residence. Enjoy the first hour with Corey Biggs Presents Music Is The Drug. This week just simply the best previews, upcoming releases on Corey Biggs Presents Music Is The Drug. Enjoy!Corey Biggs Tracklist 1. Acki - Kick It Loud (David Kinnard Remix){Music Is The Drug} 2. Corey Biggs - The Great Pearl (Original Mix) - MSTR 3. Laylae - Deeper Love Feat Ines Astaroth (Corey Biggs Remix){Music Is The Drug} 4. ‘Corey Biggs - The Mask Of God - Nino Bellemo mix {Serapis} 5. Dom Digital - Humanoid (Original Mix) {Music Is The Drug} 6. Corey Biggs - Being On It ( Brown Bull Remix) {Music Is The Drug} 7. Cortex Thrill - Mitochondria (Fabian Jakopetz Remix) 8. JP Chronic feat Thallie - Again (Francesco Tarantini & Hector Romero NY Remix) 9. Rockstar - Mental Chemistry (Paul2Paul Remix){Gobleki Tepe} 10. Nino Bellemo - Do Me All Night (ZaVen Remix) {Professional Rockstars Records} 11. Nino Bellemo - Limelight (Nino Bellemo Original mix){Music Is The Drug} 12 .Corey Biggs - The Mission Possible (Milo Zanetti Remix) {Music Is The Drug} 13. Corey Biggs - Anansi (Rick Dyno Remix)Dephunk Tracklist 01. Dephunk Intro 02. DJ Lugo - Heart (DJ P.L.U.R. Remix) 03. Apolo Fever - EL Diablo (Original Mix) 04. Barush - ZURdos (Original Mix) 05. Connor Drew - Nothing At All (Original Mix) 06. Fran Evolution - Where Is Movement (Original Mix) 07. JoeOh, Eric Dury - Probably Shouldn't (Original Mix) 08. Andre Nazareth - Desafinado (Original Mix) 09. Barush - Las DROGAS (Original Mix) 10. Koyser – Crosswalk (Original Mix) 11. Oliver-K - On (Carlos A Remix) 12. Fran Evolution - Push It (Original Mix) 13. Mediahora - Easy Care (Lio Mass (IT) Remix) 14. Missisbliss, Jordan (ES) - Go Back (Original Mix) 15. Paige & NXNY - Straight Sippin (Wayne Madiedo Remix) 16. Fran Evolution – Monster (Original Mix) 17. DJ Lugo - Heart (Joy Marquez Remix) 18. Joy Marquez & John Corba - Esa Mirada 2016 (Joy Marquez 2016 Rework) 19. Torres De Lara - Head In the Sand (Original Mix) 20. Jolyon Petch - U Sure Do (M1 Remix) 21. Sigma – Nobody To Love (Jolyon Petch DAZZ Club Mix) 22. Last Rhythm - Last Rhythm (Original Club)

#SoundCloud #music #Corey_Biggs #Corey Biggs #Dephunk #Techno #MITD232 #Music Is The Drug #Radio Music iS THe Drug Radio #podcast #syndicast

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yuuminni · 2 months

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disco elyisum is like the whimsical urges that you chase that lead nowhere will someday save you. and it is right.

#duri vs de

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johnnymundano · 5 years

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Black Tide (AKA Fleuve Noir) (2018)

Directed by Erick Zonca

Written by Erick Zonca and Lou de Fanget Signolet

Based on the novel A Disturbing Disappearance by Dror Mishani

Music by Rémi Boubal

Country: France, Belgium

Language: French

Running Time: 113 min

CAST

Vincent Cassel as François Visconti

Romain Duris as Yann Bellaile

Sandrine Kiberlain as Solange Arnault

Élodie Bouchez as Lola Bellaile

Charles Berling as Marc

Hafsia Herzi as Chérifa

Jérôme Pouly as Raphaël Arnault

Félix Back as Denis Visconti

Lauréna Thellier as Marie Arnault

(All images stolen from IMDB. But I wore gloves, so they'll never catch me.)

Erick Zonca’s 2018 unfussy and tense thriller Black Tide is, well, it’s a really good movie. It’s important to get that stated blunt and upfront because a quick synopsis makes it sound like a billion other lesser cookie-cutter cop movies. Ostensibly Black Tide is about a troubled, alcoholic cop who matches wits with the chief suspect in a teenager’s disappearance. Yawn, right? Another alcoholic cop. Christ, according to movies and books you’d think the only cops who get results are divorcees pickled in booze. Yes, angry men (mostly men, anyway) with piss-stained pants and a regrettable Internet search history are definitely who you need running about with guns and badges. Black Tide puts such a character in a realistic everyday crime scenario and finds him somewhat wanting. In short, Black Tide isn’t the kind of movie where a drunk cop solves everyone’s problems by shooting them in the face.

François Visconti is the troubled cop by name, and luckily for Black Tide he’s played by the titanic talent named Vincent Cassel. This means Visconti is a thoroughly human troubled cop. Aided by the intelligent and humane script, Cassel’s unflinching yet sympathetic performance of a man who has become his own worst enemy, reinvigorates a tediously familiar cliché; it’s a bewitching mix of light and dark. He stumbles entertainingly about like a herniated Columbo, drunkenly inappropriate, fuelling his parental duties with misplaced anger, envious of his colleagues and quick to judge. And once Visconti’s judgement is passed it seems it’s set in stone. Which is bad news for Yann Bellaile, a creepily cerebral neighbour who tutored the missing kid. Because Yan is such an uptight case it takes a while to sink in, but Romain Duris’ performance is a subtle thing of terrible beauty. Bellaile is clearly set up as the dark reflection of Visconti. Even down to their hair; there’s an immediate visual contrast between the unsettlingly well-groomed Bellaile and the rat-in-the-rain look the ever dishevelled Visconti sports. Once these two meet an immediate and irreconcilable dislike soon flares into potentially life destroying hatred. Bellaile’s interior arrogance is fired into a darker, external manifestation by Visconti’s thuggish provocations, and in turn Visconti’s investigation shrinks to encompass only his new nemesis.

In contrast to Visconti’s pathological investigative myopia, we see his rival, the sober, professional Marc (an energetically efficient Charles Berling) steering the investigation down more productive paths; effectively demonstrating how a police investigation should be conducted. Marc is interested in evidence, credible supposition and exhaustive enquiry into any and all reliable leads. Hard graft, low rewards; real police work in short. Visconti’s investigations are more the moody hunch driven work of fictional cops. Once Visconti has Bellaile in his bleary sights he’s blinded to any and all alternatives. Everything Visconti sees and hears thereafter is twisted to fit his preconceptions; he’s decided what happened and won’t rest until he’s proved it. This is piss poor policing. But Visconti, despite being perpetually pissed up, isn’t actually a piss poor policeman. Not completely, not yet. His instincts are sound but ruinously undercut by his anger, envy and high alcohol intake. It’s never in doubt that Visconti’s basically right, that there is something decidedly wrong about Bellaile; but is it what Visconti thinks?

Black Tide is far more than the Cassel and Duris Show though; every member of the cast is fantastically good. But Sandrine Kiberlain particularly excels as a mother shell-shocked by tragedy; it’s a particularly layered performance which only reveals its true richness in retrospect, once all the facts are known. And you won’t know all the facts until the final credits roll. Yes, Black Tide is deeper than you might think. Black Tide is about far more than the usual crowd pleasing cop vs psycho pantomime. Black Tide is all about showing that evil comes in many forms. Black Tide is also about families and the way bad behaviour and bad decisions can destroy them, innocents included; innocents especially. Black Tide certainly harks back to Larkin’s immortal This Be The Verse (“They fuck you up, your mum and dad/They may not mean to but they do…”), but evades easy nihilism by suggesting that mum and dad can stop fucking their kids up, but it’ll take effort; it’s up to them. Black Tide is about a lot of things, certainly a lot more things than its core conflict of a dipso cop versus a sociopath might lead you to expect. Which can only be a good thing. Now, go and hug your kids and stop being such an asshole before it’s too late.

#black tide #movies #cops #thriller #2018 #the 2010s #erick zonca #vincent cassel #romain duris #sandrine kiberlain #france #belgium #fleuve noir

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mixtake · 6 years

Text

2018 according to mixtake

A 11ª edição da coletânea do ano tem 120 faixas em 8 horas e 7 minutos de música! Espero que tu te divirta tanto com ela quanto eu me diverti fazendo. lml No fim do post tem os links para download, stream no Spotify e pras edições dos anos passados.

Artist : Song : Album  Albert Hammond Jr. : Set to Attack : Francis Trouble Alvvays : Echolalia : Pecking Order (Single) Arctic Monkeys : One Point Perspective : Tranquility Base Hotel +Casino Art Brut : Veronica Falls : Wham! Bang! Pow! Let's Rock Out! Ash : All That I Have Left : Islands Baxter Dury, Delilah Holliday, Etienne de Crécy : Only My Honesty Matters : B.E.D Beach House : Girl of the Year : 7 Beach Skulls : Come Undone : Las Dunas Belle & Sebastian : Everything Is Now (Part Two) : How To Solve Our Human Problems Belly : Girl : Dove Bixiga 70 : Quebra Cabeça : Quebra Cabeça Black Rebel Motorcycle Club : Echo : Wrong Creatures The Breeders : All Nerve : All Nerve The Brian Jonestown Massacre : Animal Wisdom : Something Else Brownout : I Don't Wanna Be Called Yo Ni**A : Fear of a Brown Planet Car Seat Headrest : Sober To Death : Twin Fantasy Cat Power : Stay : Wanderer Ceremony : Closer : East Coast The Charlatans : Totally Eclipsing : Totally Eclipsing EP Connan Mockasin : Charlotte's Thong : Jassbusters The Coral : Reaching Out for a Friend : Move Through the Dawn Courtney Barnett : Need A Little Time : Tell Me How You Really Feel The Cure : Shake Dog Shake (New Blood Mix 2018) : Mixed Up (Deluxe Edition) David Duchovny : Half Life : Every Third Thought Dean Wareham & Cheval Sombre : Greensboro Woman : Dean Wareham vs. Cheval Sombre Death Valley Girls : Disaster (Is What We're After) : Darkness Rains The Decemberists : Sucker’s Prayer : I'll Be Your Girl The Decemberists : Traveling On : Traveling On Devon Church : Curses : We Are Inextricable Dorias Baracca : Dean & Dane : Dorias Baracca E A Terra Nunca Me Pareceu Tão Distante : Daiane : Fundação Echo And The Bunnymen : How Far? : The Stars, The Oceans & The Moon Echo Ladies : Apart : Pink Noise Eels : Be Hurt : The Deconstruction Eleanor Friedberger : In Between Stars : Rebound Elli de Mon : Grinnin' In Your Face : Songs Of Mercy Elvis Costello & The Imposters : Dishonor the Stars : Look Now The Essex Green : January Says : Hardly Electronic Firefriend : Afterhours : Sulfur Gaz Coombes : Wounded Egos : World's Strongest Man The Good, The Bad & The Queen : Ribbons : Merrie Land Gorillaz : Magic City : The Now Now Gruff Rhys : Negative Vibes : Babelsberg Guided By Voices : Space Gun : Space Gun Interpol : Flight of Fancy : Marauder J Mascis : See You At The Movies : Elastic Days Jack White : Corporation : Boarding House Reach James : Coming Home (Pt.2) : Living In Extraordinary Times Jeff Tweedy : I Know What It's Like : Warm Jim James : Throwback : Uniform Distortion Jimi Hendrix : Mannish Boy : Both Sides of the Sky Johnny Marr : Rise : Call the Comet King Tuff : The Other : The Other Kristin Hersh : Breathe In : Possible Dust Clouds Kurt Vile : Rollin with the Flow : Bottle It In The KVB : Violet Noon : Only Now Forever L.A. Witch : Sleep : Octubre EP Laura Marling & Mike Lindsay : Rolling Thunder : LUMP The Love-Birds : Gerrit : In the Lover's Corner Luna & Cheval Sombre : Lonesome Cowboy Bill : Lonesome Cowboy Bill M. Ward : Shark : What a Wonderful Industry Malcolm Middleton : Love Is a Momentary Lapse in Self-Loathing : Bananas Manic Street Preachers : People Give In : Resistance Is Futile Marianne Faithfull : No Moon in Paris : Negative Capability Mark Kozelek : Sublime : Mark Kozelek Mark Lanegan And Duke Garwood : Cold Molly : Mescalito Mazzy Star : Quiet, The Winter Harbor : Still EP Melody's Echo Chamber : Breathe in, Breathe Out : Bon Voyage MGMT : Me and Michael : Little Dark Age Miles Kane/Jamie T : Killing The Joke : Coup De Grace Mitski : A Pearl : Be The Cowboy Morcheeba : Sweet L.A. : Blaze Away The National : Guest Room : Boxer: Live in Brussels The National Reserve : Big Bright Light : Motel La Grange Neil Young : The Losing End : Songs for Judy Neil Young + Promise of the Real : Peace Trail : Paradox (Original Music from the Film) Okkervil River : Famous Tracheotomies : In the Rainbow Rain Ovlov : Baby Alligator : Tru Papercuts : Sing to Me Candy : Parallel Universe Blues Parquet Courts : Freebird II : Wide Awaaaaake! Paul McCartney : People Want Peace : Egypt Station Paul Weller : Gravity : True Meanings Peter Bjorn and John : One for the Team : Darker Days Phosphorescent : C'est La Vie No.2 : C'est La Vie A Place to Bury Strangers : Was It Electric : Pinned (Brainwashing Machine Edition) The Prodigy : Light Up The Sky : No Tourists Richard Ashcroft : That's How Strong : Natural Rebel Rogerio Skylab : O Eco da Queda : O Rei do Cu Say Sue Me : Dreaming : It's Just a Short Walk! EP Say Sue Me : Let It Begin : Where We Were Together The Sea and Cake : Any Day : Any Day The Shins : So Now What (Flipped) : The Worms Heart The Sidekicks : Serpent in a Sun Drought : Happiness Hours Simon Love : I Fucking Love You : Sincerely, S. Love X The Smashing Pumpkins : Silvery Sometimes (Ghosts) : Shiny and Oh So Bright, vol. 1 LP: No Past. No Future. No Sun. Spiritualized : Damaged : And Nothing Hurt Stephen Malkmus & The Jicks : Middle America : Sparkle Hard Suede : Life Is Golden : The Blue Hour Sun Kil Moon : David Cassidy : This Is My Dinner Superchunk : Black Thread : What a Time to Be Alive Suuns : Watch You, Watch Me : Felt Tatá Aeroplano : Mil Almas De Gato : Alma de Gato Television Personalities : Have A Nice Day : Beautiful Despair Thalia Zedek Band : Of The Unknown : Fighting Season Thee Oh Sees : Enrique El Cobrador : Smote Reverser They Might Be Giants : I Left My Body : I Like Fun Tim Burgess : Inspired Again : As I Was Now Twin Shadow : Saturdays (feat. HAIM) : Caer Ty Segall : Every 1's a Winner : Freedom's Goblin Ty Segall : Isolation : Fudge Sandwich Unknown Mortal Orchestra : Ministry of Alienation : Sex & Food The Vaccines : Maybe (Luck of the Draw) : Combat Sports The Voidz : Leave It In My Dreams : Virtue Waxahatchee : You're Welcome : Great Thunder Will Oldham : Party with Marty (Abstract Blues) : Songs of Love and Horror William Fitzsimmons : Wait for Me : Mission Bell Wooden Shjips : Staring at the Sun : V. Wye Oak : Lifer : The Louder I Call, the Faster It Runs Wylderness : Broadcast : Wylderness Yo La Tengo : For You Too : There's A Riot Going On

DL ou ouça no spotify. Links para as edições passadas 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016

dez.2018

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stiri-noi · 6 years

Text

Duel verbal între Serena Williams și Ion Țiriac. ”Are 36 de ani şi 90 de kilograme” vs ”Poate că este un om ignorant”

#divertisment

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ninelicks · 4 years

Photo

Loop lekkerder met KC the Funkaholic.

Ik loop nu bij de fysio. Gekke zin eigenlijk. Als je niet meer kan lopen, ga je naar een fysiotherapeut en dan zeg je tegen vrienden die ernaar vragen: ‘Ik loop nu bij de fysio.’ Het is een vriendelijke man, die Han. Soms maakt hij een grapje en dan heb ik het wat later in de gaten, omdat ik voornamelijk serieuze mensen tegenkom de laatste tijd. Dan sta ik al met één been op het skateboard om me af te zetten en dan zegt Han: ‘Nee geintje. Dat ga je natuurlijk niet doen.’ En dan lach ik wat zo van wist-ik-ook-wel, maar eigenlijk denk ik ja-weet-ik-veel-jij-bent-de-fysio-als-je-zegt-schop-zo-hard-als-je-kan-tegen-die-medicijnbal-dan-doe-ik-het-ook. Het was überhaupt een wonder dat ik nu pas bij hem aanklopte, want toen ik mijn schoenen uitdeed en ‘recht’ voor hem ging staan, zei hij: ‘Ik zie het al.’ En dat was geen grap. Twee keer in de week een uurtje in de ochtend. Met name balansoefeningen. Tussen de bejaarden en een enkele topsporter op krukken. Er staan een paar van die zuilen met desinfecteermiddel, het is de bedoeling dat we alle apparaten gedesinfecteerd en wel achterlaten voor de volgende. Ik ben al twee keer onderweg naar het desinfectiestation vinnig aangesproken door een soort Gerda dat ik wel mijn apparaat schoon moet maken. Dan knik ik schaapachtig. Je weet immers maar nooit of Gerda een gedesinfecteerde Glock in d’r handtas heeft.

Nou ja, dat is een beetje mijn zomer. Ik probeer ’m af en toe op te leuken met wat muziek, zoals deze fruitige 80 minuten durende mix van KC The Funkaholic.

Lees het interview met Kees Heus op Patta.nl

Patta Soundsystem · KC The Funkaholic - Patta X Summer Dance Forever Mix

Treklijst:

1. Krs One // KRS One Attack 2. Illa J & J Dilla // We here 3. Eric B. & Rakim // I Know You Got Soul 4. Phat Kat // Don't Nobody Care 5. Dimples D // Sucker DJ's 6. Consequence // Calling Me 7. KRS One // HipHop vs Rap 8. Harrison Blakoldman // Speed 9. Kraze // The Party 10. Top Flight Beatz // Bounced Out 11. Eric B. & Rakim // I Know You Got Soul 12. IlL Kid Drei // Party ‘bout to Drop 13. Waajeed // Tron 14. Leo Luxxxus // Haiti B-Boys 15. Masterdom Committee // Funkbox 16. KC the Funkaholic // We Can Get Down 17. Armand van Helden // This Is It! 18. Jerry Knight // She's Got to Be (a Dancer) 19. Parliament // Agony of Defeet 20. Agent K // Feed the Cat 21. Yours Truly // Jam Tonight 22. Guy // Groove me 23. ... // Time to party? 24. Kai Alce // Jam Tight 25. Waajeed // Too Black 26. Stefan Ringer // Bounce #3 27. Stefan Ringer // Fried Chicken Skin 28. Henry Wu // Natural Complexion (feat. Tenderlonius) 29. Ian Dury // Little Rude Boy 30. Karmasound // Nostalgia 31. Haze City // Basslines 32. Entek // Geodine 33. Blasé // Bounce (feat. Manast LL' & Rowjay) 34. Progressivu // Arrombando 35. Lakim // Tantric 36. Helala // 122 37. Joyce // Aldeia De Ogum 38. Gonzi // Soukl Occupation

#Friday #overdag #on the go #strand #KC the Funkaholic #Nick

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newbisskey · 5 years

Link

Karnataka Premier League (KPL) 2019 Full Schedule: Teams, Fixtures, Squads, Time Table, Telecast The Karnataka Premier League (KPL) 2019 kicked-off on August 16 at the M Chinnaswamy stadium, with the opening fixture between Bengaluru Blasters and Mysuru Warriors. The 2019 edition of the tournament will see a total of 7 teams battle it out for the title, namely: Bijapur Bulls, Bengaluru Blasters, Ballari Tuskers, Mysuru Warriors, Belagavi Panthers, Shivamogga Lions, Hubli Tigers.

Karnataka Premier League (KPL) 2019 Full Schedule

It is the eighth edition of the KPL where all the matches would be played on two venues - Bengaluru and Mysore. Earlier, the name of Hubli was also suggested as the third venue for the season but the forecast of persistent rainfall there forced the organisers to change their plans.

The league will be played in the semi-final format, unlike the playoffs system that is used in the Indian Premier League. A total of 25 matches will be held, with ever squad containing a roster of 15 to 18 players. The final of the tournament will take place at the Chinnaswamy stadium on September 1.

KPL 2019 Full Schedule and Time Table:

Match Date Time (IST) Venue Bengaluru Blasters v Mysuru Warriors 16-08-2019 19:00 Bengaluru Hubli Tigers v Shivamogga Lions 17-08-2019 15:00 Bengaluru Ballari Tuskers v Belagavi Panthers 17-08-2019 19:00 Bengaluru Mysuru Warriors v Shivamogga Lions 18-08-2019 15:00 Bengaluru Bengaluru Blasters v Bijapur Bulls 18-08-2019 19:00 Bengaluru Hubli Tigers v Ballari Tuskers 19-08-2019 15:00 Bengaluru Mysuru Warriors v Belagavi Panthers 19-08-2019 19:00 Bengaluru Ballari Tuskers v Bijapur Bulls 20-08-2019 15:00 Bengaluru Bengaluru Blasters v Shivamogga Lions 20-08-2019 19:00 Bengaluru Hubli Tigers v Belagavi Panthers 22-08-2019 19:00 Bengaluru Bijapur Bulls v Mysuru Warriors 23-08-2019 15:00 Bengaluru Shivamogga Lions v Ballari Tuskers 23-08-2019 19:00 Bengaluru Belagavi Panthers v Bengaluru Blasters 24-08-2019 15:00 Mysuru Hubli Tigers v Bijapur Bulls 24-08-2019 19:00 Mysuru Belagavi Panthers v Shivamogga Lions 25-08-2019 15:00 Mysuru Hubli Tigers v Bengaluru Blasters 25-08-2019 19:00 Mysuru Mysuru Warriors v Ballari Tuskers 27-08-2019 19:00 Mysuru Belagavi Panthers v Bijapur Bulls 28-08-2019 15:00 Mysuru Mysuru Warriors v Hubli Tigers 28-08-2019 19:00 Mysuru Bengaluru Blasters v Ballari Tuskers 29-08-2019 15:00 Mysuru Shivamogga Lions v Bijapur Bulls 29-08-2019 19:00 Mysuru TBC v TBC, Qualifier 1 30-08-2019 15:00 Mysuru TBC v TBC, Qualifier 2 30-08-2019 19:00 Mysuru TBC v TBC, Eliminator 31-08-2019 19:00 Mysuru TBC v TBC, Final 01-09-2019 19:00 Mysuru

KPL 2019: Team-wise list of players:

Bijapur Bulls: Bharath Chipli (C), KC Cariappa, Suneel Raju, Prateek Jain, Bhareth NP, Naveen MG, SL Akshay, Rajoo Bhatkal, Pranav Bhatia, Shimon Luiz, BA Mohit, Chiranjeevi GS, Swapnil Yelave, Samarth Ooty, Liyan Khan, R Praveen Kumar, Suraj Kamath, Jaswath Acharya.

Bengaluru Blasters: Rongsen Jonathon (C), V Koushik, Manoj Bhandage, Rohan Kadam, Sharath BR, Bharath Duri, Anand Doddamani, Naga Bharath, Bharath D, Anil IG, Nikin Jose, Anuraj Bajpai, Nishant S Shekhawat, Muthanna Chandrasekhar, Kishore Kamath, Kuldeep Kumar, Rishi Bopanna, Aditya Goyal.

Ballari Tuskers: CM Gautam (C), Devdutt P, CA Karthik, Abhishek Reddy, Krishnappa Gowtham, Prasidh Krishna, Pradeep T, Abrar Kazi, KP Appanna, Mohammad N Nizar, Bhavesh Gulecha, Zeeshan A Sayyad, Ruchir Joshi, Santok Singh, Vishnu Priyan, Gaurav Dhiman, Sharath Srinivas, Suraj Reddy, Sharana Basawa.

Mysuru Warriors: Amit Verma (C), Aniruddha Joshi, J Suchith, Vyshak Vijaykumar, Shoaib Manager, M Venkatesh, Devaiah KS, KV Siddharth, Kushal Wadhwani, Vinay N Sagar, Saurabh Yadav, Manjesh Reddy, Sankalp Shettinavar, BU Shivkumar, Ram Sarikh Yadav, Jayesh Babu, Kishan Bedare, Dega Nischal.

Belagavi Panthers: Mir Kaunian Abbas (C), Shubhang Hegde, Avinash D, Manish Pandey, D Negi, Abhinav Manohar, Arshdeep Singh Brar, Ritesh Bhatkal, Stalin Hoover, Darshan MB, Ravikumar Samarth, Zahoor Farooqui, Kiran AM, Rakshith S, Lochan Appanna, Darshan Machaiah, Abdul Majid.

Shivamogga Lions: Abhimanyu Mithun (C), Pavan Deshpande, Nihal Ullal, Prithviraj Shekhawat, Nidhish M, HS Sharath, Arjun Hoysala, Manjunath SP, Akshay Ballal, Sujith N Gowda, Rishabh Singh, Rohit Gowda, Rohit K, Prashant S, Hoysala K, Pradeep Gangadhar, Shivaraj S.

Hubli Tigers: R Vinay Kumar (C), Praveen Dubey, Mohammed Taha, Pawan KB, Aditya Somanna, Shishir Bhavane, Vidyadhar Patil, Mahesh Patel, Abhilash Shetty, David Mathias, Shivil Kaushik, Suraj Seshadri, Mithrakanth Yadav, Vishwanath M, KL Srijith, Luvnith Sisodia, Parikshith Shetty, Dheeraj Shashidhar.

Karnataka Premier League 2019 Telecast:

The Star Sports Network has the broadcasting rights for the telecast of Karnataka Premier League 2019 season in India.

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