#dulari

[inmyworldblr]

Geeta Bali in Dulari (1949) | dir. A. R. Kardar

[ song: Na bol pee pee more angana by Shamshad Begum ]

[ music: Naushad | lyrics: Shakeel Badayuni ]

[rohhit]

Yo dulari🎈🎈

[soardigitalindia]

Release - https://youtu.be/UFylDWQ-U88 #hanswahinimusic #soardigital #bhojpuri_song #PriyankaP #priyankap #newbhojpurivideo #newbhojpuri #papakidulari #dulari https://www.instagram.com/p/CnZy7Kahd2U/?igshid=NGJjMDIxMWI=

[motherhenna]

I just enjoy drawing my OCs in fun outfits alright?? Trying to progressively "warm up" Tulsi's palette as the story progresses--starts out very dark and muted, but steadily gets more vibrant as she comes out of her shell. Still understated and earth-toned compared to Simon's, but hoping to start bringing that into play with my wardrobe / scheme choices going forward~

~Every comment, reblog, and tag means the world!~

[msommers]

silly ignota fun fact: during character development she was affectionately referred to as "experiment 626" until i finally landed on a name for her

[dularifoods]

Royal Basmati Rice and Biryani Rice Price | Dulari Foods

At Dulari Foods, we take pride in bringing you the finest quality rice varieties, including the renowned Royal Basmati Rice and our specially curated Biryani Rice. Our commitment to delivering premium rice products has made us a trusted name in the industry.

Royal Basmati Rice is known for its exquisite aroma, delicate texture, and superior taste. Grown in the fertile regions of the Himalayas, our Royal Basmati Rice is meticulously selected to ensure each grain meets the highest quality standards. At Dulari Foods, we offer a range of basmati rice options, each carefully selected for its exceptional quality. Our Biryani rice price start at [insert price range], providing excellent value for money without compromising on taste.

[rajanmagar]

Suppliers of Basmati Pauna Rice in India

In India, several reputable companies are known for supplying high-quality Basmati Pauna rice. These suppliers have established themselves in the market through their dedication to quality, consistency, and adherence to traditional rice cultivation and processing methods. Here are some notable suppliers:

Muskan Overseas: Established in 1972, Muskan Overseas has decades of experience in the rice industry. The company started with a small rice mill and became one of the early rice exporters from India when the government opened export opportunities in the 1980s. Muskan Overseas is known for its premium quality Basmati rice and expertise in exports, making it a significant player in the global market​​.

Pansari Group: Pansari takes pride in being a high-quality rice manufacturer in India. They are dedicated to delivering only the best Basmati rice, ensuring authentic taste and aroma in every grain. The rice is sourced from the finest farms in India, where traditional farming practices are used. Pansari follows strict quality control procedures to ensure that only the best rice is selected for packaging and distribution​​.

Shri Lal Mahal: Shri Lal Mahal, a prominent name in the rice industry, has a rich history and global presence in exporting Basmati and non-Basmati rice. Founded in 1907, the company has established itself as a leading exporter from India. It is recognized for its high-quality Basmati rice, including varieties like Empire Basmati, Heena rice, Neelam rice, Mughlai rice, and Supreme Basmati. With a global outreach, Shri Lal Mahal exports Basmati rice to regions including Europe, the USA, Canada, Australia, South East Asia, and the Middle East. The company's international network extends to locations like Geneva, the UK, Singapore, Dubai, Mauritius, Saudi Arabia, Nigeria, and Oman​​​​​​​​.

Dulari Foods: Dulari Foods aims to create memorable dining experiences with their premium Basmati rice selections. They blend innovation with time-honored techniques in their state-of-the-art milling facilities, ensuring each grain retains its unique qualities. Dulari Foods focuses on preserving the long, slender form, enticing aroma, and exceptional flavor of Basmati rice​​​​.

Mishtann Foods Limited: Mishtann offers a variety of Basmati rice, catering to different tastes and occasions. Their rice, known for its rich taste and aromatic qualities, is favored by gourmet chefs. The rice is harvested from the Himalayas' fertile valleys, underlining its authenticity and quality. Mishtann is a preferred brand for those seeking a premium Basmati rice experience​​.

These suppliers represent the diversity and excellence of India's Basmati rice industry. Their commitment to quality, traditional methods, and customer satisfaction makes them reliable sources for Basmati Pauna rice.

[averagedualies]

Uncle dulary...can you take me to a pokemon center...?

( @cubanon )

Oh- uh- sure! I'm assuming you're asking me bc Juni is busy, but can you let him know where we're going and make sure he's okay with it?

[tasavvur-e-jaana]

sapna humara

//

woh sapna tera hoga khelega woh jahan mera basera hoga uski har khilakhilaahat mein apna savera hoga woh khwaab mera hoga

thoda humara, thoda tumhara, aayega phir se bachpan woh pyaara…

woh jaan meri hogi woh duniya teri hogi khelegi jab tere aanchal se woh muskaan meri hogi woh pari apni hogi

thodi humari, thodi tumhari, banegi woh iss ghar ki raj dulari…

woh jeevan pran humara, woh dil o jahaan humari…

jo bhi ho woh humaari aankhon ka sitaaraa mil kar hum banayenge ek sansaar humara,

uski har saans se mehekega pyaar humara… thoda humara, thoda tumhara, behad aziz hoga gul e milan humara.

//

@ronaldofandom - remember the song i wrote for that chapter??

@carminavulcana - purana hai, aur neeraj ki paati se inspired hai, lekin*shrugs*

[madhubniart]

The Evolution of Madhubani Art Over Time

Madhubani art (also Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchstick. The paint is created using natural dyes and pigments. The paintings are characterized by their eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shasti, Kali Puja, Upanayana, and Durga Puja.

Madhubani painting (or Mithila painting) was traditionally created by the women of various communities in the Mithila region of the Indian subcontinent. It originated from Madhubani district of the Mithila region of Bihar. Madhubani is also a major export center of these paintings.

This painting as a form of wall art was practiced widely throughout the region; the more recent development of painting on paper and canvas mainly originated among the villages around Madhubani, and it is these latter developments that led to the term “Madhubani art” being used alongside “Mithila Painting.”

Mithila paintings mostly depict people and their association with nature and scenes and deities from the ancient epics. Natural objects like the sun, the moon, and religious plants like tulsi are also widely painted, along with scenes from the royal court and social events like weddings. In this paintings generally, no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.[citation needed] Traditionally, painting was one of the skills that was passed down from generation to generation in the families of the Mithila Region, mainly by women .

It is still practiced and kept alive in institutions spread across the Mithila region. Asha Jha of Madhubanipaints in Darbhanga,

Vaidehi in Madhubani, Benipatti in Madhubani district and Gram Vikas Parishad in Ranti are some of the major centres of Madhubani painting which have kept this ancient art form alive.

Contributions:

The Madhubani painting tradition played a key role in the conservation efforts in India in 2012, where there was frequent deforestation in the state of Bihar. Shashthi Nath Jha, who runs the Gram Vikas Parishad, an NGO, started the initiative as an attempt to protect local trees that were being cut down in the name of expanding roads and development. The main reason behind this was that the trees were traditionally adorned with forms of gods and other religious and spiritual images such as those of Radha-Krishna, Rama-Sita, scenes from Ramayana and Mahabharata and other mythologies.

Darbhanga MP Gopal Jee Thakur started the tradition of honouring people with Mithila Painting in Indian Politics.

Awards:

Madhubani painting received official recognition in 1969 when Sita Devi received the State award by Government of Bihar. Mamta Devi from the village Jitwarpur has also got National Award. Jagdamba Devi from Bhajparaul, Madhubani was given Padma Shri in 1975 and the National Award to Sita Devi of Jitwarpur village near Madhubani.

Jagdamba Devi’s foster son Satya Narayan Lal Karn and his wife Moti Karn are also well-regarded Mithila artists, and they won the National Award jointly in 2003. Sita Devi received the Padma Shri in 1981. Sita Devi was also awarded by Bihar Ratna in 1984 and Shilp Guru in 2006.

In 1984 Ganga Devi was awarded by Padma Shri. Mahasundari Devi received the Padma Shri in 2011. Baua Devi, Yamuna Devi, Shanti Devi, Chano Devi, Bindeshwari Devi, Chandrakala Devi, Shashi kala Devi, Leela Devi, Godavari Dutta, Asha Jha and Bharti Dayal were also given the National award.

Chandrabhushan (Rasidpur), Ambika Devi (Rasidpur), Manisha Jha were also given the National award.[citation needed] In 2020, Madhubani artist Dulari Devi won the Padma Shri for contributions to art.

Styles:

Mithila art has five distinctive styles:

Bharni

Katchni

Tantrik

Godna

Kohbar

In the 1960s Bharni, and Tantrik styles were mainly done by Brahman women in India and Nepal. Their themes were mainly religious and they depicted Gods and Goddesses paintings. People of other castes included aspects of their daily life and symbols, the story of Raja Shailesh (guard of the village) and much more, in their paintings. Nowadays Madhubani art has become a globalised art form, so there is no difference in the work on the basis of the caste system. They work in all five styles. Mithila art has received worldwide attention.

The paintings were traditionally done on freshly plastered mud walls and floors of huts, but now they are also done on cloth, handmade paper and canvas.

Madhubani paintings are made from the paste of powdered rice. Madhubani painting has remained confined to a compact geographical area and the skills have been passed on through centuries, the content and the style have largely remained the same. Thus, Madhubani painting has received GI (Geographical Indication) status. Madhubani paintings use two-dimensional imagery, and the colors used are derived from plants. Ochre, Lampblack and Red are used for reddish-brown and black, respectively.

For more info visit our Website — https://madhubniart.com/

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[dularifood]

Basmati Rice Manufacturers in India

Basmati rice manufacturers in India are renowned for their expertise in cultivating and processing premium-quality rice varieties. With a focus on aroma, flavor, and texture, these manufacturers ensure that their rice meets stringent quality standards, delighting consumers both domestically and internationally with their superior product offerings. Dulari Foods is a distinguished basmati rice manufacturer in India, recognized for its commitment to quality and authenticity. Renowned for producing premium-quality basmati rice with exceptional aroma and flavor, Dulari Foods ensures stringent quality control measures from cultivation to packaging, delivering satisfaction to consumers worldwide.

[aceofwonders]

verity upon meeting The Crew: distrustful and wary

verity after learning everyone in the room has reason to dislike house dularis: filled with the feeling of solidarity and banking on the power of teamwork to see them through

[paandaan]

The idea of translating Angarey into English began to take shape when I found out that Khalid-sa'ab had, many years ago, transcribed six stories from the collection into Devanagari. These were 'Jannat ki Basharat', 'Phir Yeh Hungama', 'Garmiyon ki Ek Raat', ‘Neend Nahin Aati', ‘Dulari’ and 'Badal Nahin Aate’. He had done this with the idea of bringing out a Hindi translation of Angarey but it somehow remained incomplete. He handed these scripts to me. I was fascinated by what I read and wanted more. The only way this could have happened was by Khalid-sa'ab reading the stories aloud to me. He agreed to do so and I decided to directly translate the stories into English as he read them out to me. The reading room for teachers in our college library was the space that became a witness to the process of translation where languages, scripts, orality and the written word began to slip in and out of their encoded locations. There was very little in the reading of the original Urdu—including many culture-specific references—that I could not comprehend and grasp. It was a clear revelation of a living multi-linguality that surrounds us through our ordinary, routine lives. We soak up and internalize many different languages and cultures that live around us rather unconsciously and often end up knowing more languages than we give ourselves credit for. The oral proximity of languages like Hindustani and Urdu, however, fades away when we approach the written scripts which are entirely different from each other. The apparent ease of translating from speech to the written word is overtaken by the impediment of an unfamiliar script and we realize how important schooling and instruction are to even begin to get familiar with the scripts of languages that we learn informally during the process of societal interaction. It is in such situations that I believe, what may be called ‘collaborative translation’ becomes extremely valuable since it allows the active pooling in of language resources of persons other than the sole translator. The large number of language varieties and the proximity or distance between them makes it impossible for even serious scholars to master many languages. However, in the event of an overlap between the language, the literature and the culture of the source and the target languages such coordinated/ collaborative translation can prove to be fruitful.

The selection of what is considered the most suitable word or phrase from various options available to us is one that is conditioned by our personal perception as well as the theoretical appreciation of the process and the outcome of translation. The process of linguistic, textual and cultural translation inevitably embraces issues like equivalence, 'foreignizing' and/ or treating culture as the basic, functioning unit of the translation process. My personal theoretical conviction tilts towards that of Susan Bassnett and André Lefevere who see the possibility of re-approachment between cultural studies and translation studies. It is for this reason that words like 'moulvi', 'aadaab', 'mujra' and 'chaprasi' have been left in their original form in this translation, especially in instances where the meaning or implication of the word is clear from the context itself. The allusions and metaphors were more difficult to deal with. I have tried to convey the sense of these allusions and metaphors within the main body of the text itself. However, I had little choice but to resort to notes where these began to sound awkward.

Angarey, Introduction by Vibha S. Chauhan

[motherhenna]

Linework of my current WIP! A sort of family portrait of the Dulari siblings (OCs): Tulsi (22), Kay (20), and Khejri (16). I actually started this piece way back in September, but kept fucking up the proportions of Tulsi's face and just gave up for awhile lol. Who'd have thought I'd ever get to a point where the poses and anatomy come easier than faces!

[keenkidbananawinner-blog]

Meet my hostel's pet Dulari 🐾🐾