#dub livity

[culturedub]

🔥🔥🔥 King Stanley – Roots And Culture / Roots And Dub – Le King de Birmingham nous régale de ses vibrations musicales et de sa vibe conscious ! 🔥🔥🔥 Compositeur, multi-instrumentiste, auteur et interprète, le talentueux King Stanley, artiste incontournable de la scène Reggae Dub et Sound System anglaise, déboule sur le label Livity Records avec le titre ‘Roots And Culture‘, pressé en vinyle 7 pouces, aux paroles spirituelles et au riddim Digital Reggae qui se transforme en pur Dub Stepper Roots sur la B Side, mixé par Petah Sunday, pour tout amateur de vibes positives et conscious, à découvrir inna Culture Dub : https://culturedub.com/blog/king-stanley-roots-and-culture-roots-and-dub/ Large Up, AlexDub #roots #reggae #uk #dub #conscious #vinyl #7inch #7inchvinyl #rootsandculture #culture #music #soundsystem #chronique #review #CultureDub #livity #birmingham #england #stepper @kingstanleymusic @petah.sunday @livityrecords69005 @mightykarma_malolivity @culturedub https://www.instagram.com/p/CoKMijlMRzW/?igshid=NGJjMDIxMWI=

[medinainternational]

(Motif-Radio) REGGAE PON TOP # 9 2024 TRACK LISTING:

SINGLES: BARRINGTON LEVY- PRISON OVAL DUB KAZAYAH- READY FI DI ROAD EESAH- BEHOLD THE CONQUERING LION ZION HEAD & MACKA B- PRAISE TO JAH MOSIAH- BLACK LIVITY KABAKA PYRAMID- START MY DAY HEZRON- NATURAL WOMAN JAH LIL- ABOVE WATER EXCO LEVI- STRIVE WITH ME EXCO LEVI- WHITE SQUALL L.A.B.- CASSANOVA DA FLAME- PHYLLIS DILLION TRIBUTE

RIDDIMS: NATURAL VIBES RIDDIM MEDINA DUBPLATES FIGHT AGAIN RIDDIM

DANCEHALL: ROSHAWNY BAD G & GOVANA- DEH SUH CAPLETON & AFAZ- NATURAL CAN'T STOP MAESTRO DON FT. D-YANI- TEASE MOSIAH- EQUALITY AWESOME SAUCE RIDDIM PURE POWER & STYLO G- N.H.S. NUH REGULAR RIDDIM CHRONIC LAW- ONE DAY EYE GEN- ROCKAWAY

ROOTS/DUBWISE/LOVERS ROCK: EXCO LEVI- ONE LIFE DUKE OF ROOTS- CROSS THE RUBICON PROTOJE- LEGEND LEGEND GINJAH- BETTER WAY MR. EASY & VAZASHA PETERS- SUFFERING EESAH- PUSH ON SKYGRASS & MYKAL ROSE- SENSI DONOVAN KINGJAY- SEE AND BLIND PERFECT GIDDIMANI- SAVE JAH CHILDREN KEN BOOTH- GREEN GROW THE RASHES O! MURDER DEM RIDDIM DENNIS BROWN- LIFE GOES IN CIRCLES

[kensukeamari]

Signum

June 2nd, 2024 at The Room

Harnessing Solar Wind / Fields Of Mist / ILIAN TAPE

90009A / WAX

Vapor or Floating Stone / Teakup

Of All The Things / Kouslin

Primes / Pluralist / Club Djembe

Tone Circle / Al Wootton / TRULE

My Favourite Stranger (Al Wootton Remix) / Depeche Mode

Pulse TEN / Peverelist / Livity Sound

Sorani saku renge 空に咲く蓮華 (CMR-51) / Ground / Chill Mountain Rec

DROGATO / Tambien / ESP Institute

The Other (Original Mix) / Nectar / Grayhound

Acheless / Tom VR / all my thoughts

Tears (Acid Dub) / Elbert Philips & Andre Espeut / Yore

Signum では久々のソロプレイでした。

[grantgoddard]

Stoking the star-maker machinery behind the popular song : 1980 : Kate Bush, EMI Records & Metro Radio

 “I’m SO sorry,” I grovelled to the petite musician on whose foot I had just accidentally trodden. We were stood side-by-side in the record library – my ‘office’ – of local commercial station ‘Metro Radio’ in Newcastle. Kate Bush was kindly autographing several copies of the new album she was visiting to promote, which were about to be awarded as competition prizes to listeners. She had just been interviewed live on-air by one of the station’s daytime presenters and was soon to be whisked away by car to visit yet another local station somewhere across the country.

I had been basking in a brief moment of hit-picking glory, feted by Bush’s record company ‘EMI Records’ for having simultaneously added two singles by singer Sheena Easton (‘Modern Girl’ and ‘9 to 5’) to the station’s ‘current hits’ playlist, the shortest list of any UK station following my radical overhaul of its music policy, guaranteeing substantial airplay for the label’s newest rising star. Relationships with record companies were always a rollercoaster ride. Months later, after I had refused to add Queen’s ‘Flash’ single to the playlist, on the grounds that it sounded more an advertising jingle than a proper song, EMI declined to offer further artist interviews and stopped supplying the station with its new releases altogether (requiring me to drive to the nearest record shop with a weekly shopping list). Bribery, blackmail and boycotts were widespread music industry practices.

After having first heard Bush’s debut single ‘Wuthering Heights’ on John Peel’s evening ‘BBC Radio One’ show two years previously, I had loved her 1978 debut album ‘The Kick Inside’ for its clever arrangements of smart songs with unexpectedly frank subject matter. I had considered the same year’s follow-up ‘Lionheart’ rather insubstantial comparatively and over-theatrical. After a two-year wait, the next album ‘Never For Ever’ was a return to form with a more diverse song list and extensive use of brand-new Fairlight sampler technology invented in 1979. Bush had visited ‘Metro Radio’ to promote this album’s release in September, after three singles extracted from it (‘Breathing’, ‘Babooshka’ and ‘Army Dreamers’) had already reached 16, 5 and 16 respectively in the UK charts.

After a further two-year wait, fourth album ‘The Dreaming’ was a revelation with songs referencing even more startling subject matter, produced in a dense soundscape that was the aural equivalent of Brion Gysin’s and William S Burroughs’ ‘cut-up’ techniques, interlacing samples, sound effects and dialogue from the Fairlight (think 1973’s analogue ‘The Dark Side Of The Moon’ on digital steroids). I have always been intrigued by its track ‘Suspended in Gaffa’ as an incredibly outspoken criticism of EMI Records on an album released by … EMI.

This was by no means the first occasion that musicians had criticised their record company within their recordings. During the 1970’s, I recall several reggae artists obliquely criticising Jamaican producer Joe Gibbs for his sharp ‘business practices’ (eventually Gibbs’ business was bankrupted after prosecution in the US for stealing songwriter royalties). Closer to home, reggae DJ ‘Prince Far I’ criticised British company ‘Charisma Records’ explicitly in his track ‘Charisma’ (credited to collective ‘Singers & Players’) after his 1981 deal to release three albums (‘Showcase In A Suitcase’, ‘Sign Of The Star’ and ‘Livity’) on its ‘PRE’ label had been soured by negligible sales. Part of its lyrics were:

“I see no idea in your place, Charisma. […] Wipe them out, Jah!”

Prince Far I also made a recording to criticise Britain’s ‘Virgin Records’ which had released three of his albums (‘Message From The King’, ‘Long Life’ and ‘Cry Tuff Dub Encounter Part 2’ in 1978-1979 on its ‘Frontline’ label), but which had then rejected a further finished album he had delivered. In a track inevitably entitled ‘Virgin’, he rapped:

“You call yourself [Richard, Virgin co-founder] Branson but I know that Branson is a pickle with no place on my plate. You call yourself [Simon, co-founder] Draper but I know draper is known to cover human bodies. You see ‘Frontline’, I see barbed wire. Opportunity to make big money. Irie, Jumbo [Vanreren, Frontline A&R manager]. I won’t forget you take the master tape and hang it up on your shelf. Music has no place in a gallery.”

This ‘lost’ album was finally released in 1998 [Pressure Sounds PSLP18], long after Prince Far I (and his wife) had been tragically murdered in Jamaica in a 1983 house break-in. In 1992, Virgin Records was acquired for a reported £560m by EMI Records which, returning to our story, had signed sixteen-year-old Kate Bush in 1975 to a four-year contract after hearing her three-song demo tape, paying a £3,000 advance. In 1976, Bush created her own company, Novercia Limited (Latin for ‘she who is new’), that she and her family alone controlled in order to manage her career and maintain the copyrights in her recordings and songs.

From the initial contract’s expiry in July 1979, Bush could finally renegotiate a replacement EMI contract which would allow Novercia to retain the copyright (instead of EMI) and henceforth lease her recordings to EMI for release. At that time, it was unusual for such a young artist to insist upon taking control of their career from their record company, particularly when it was as globally huge as EMI. Bush no longer wanted to be contractually required to do promotional tours, such as her visit to Metro Radio, and she was insisting upon complete artistic control. I imagine that these negotiations between opposing lawyers sat around expansive tables in bare conference rooms on an upper floor of EMI headquarters in Manchester Square (immortalised on The Beatles’ 1963 debut album cover photo) must have been tense and lengthy, particularly for twenty-one-year-old Bush.

Not only would these contractual back-and-forth’s have delayed the release of new recordings, but the inordinate time they must have consumed would have eaten into Bush’s ability to compose and record. During this period, Bush’s musical creativity would frustratingly have been put on hold by the ‘red tape’ of legal negotiations, alluded to in the song’s title (‘gaffa’ being a reference to ‘gaffer tape’, the all-important ‘WD40’-like fix-all of musicians in studios and on tour). At the same time, EMI was demanding to hear proof of Bush’s new material to ensure it was sufficiently commercially marketable to guarantee another 'hit' single. Her song ‘Suspended in Gaffa’ starts:

“They’ve told us that, unless we can prove that we’re doing it, we can’t have it all. EMI want it all.”

Except that the ‘E’ from ‘EMI’ must have been removed from the mix, either upon EMI lawyers’ insistence or upon the recommendation of Bush’s legal team. Only once you re-imagine that ‘E’ does the song make perfect sense in terms of record label/artist contractual disputes. The role of Bush’s lawyer in the negotiations is referred to:

“He’s gonna wrangle a way to get out of it [the initial EMI contract that had included renewal options].”

The impact of the tedious negotiations upon Bush’s creativity and the impatient EMI’s demands to hear her new songs are referenced in the chorus:

“Suddenly my feet are feet of mud. It all goes slo-mo [slow motion]. I don’t know why I’m crying. Am I suspended in gaffa [caught up in ‘red tape’]? Not ‘til I’m ready for you [EMI] can you have it all [my new recordings].”

EMI (then) managing director Bob Mercer later confirmed that Bush had burst into tears during their business meetings. The record company’s patronising response to her demands is referred to in the lines:

“… that girl in the mirror. Between you and me, she don’t stand a chance of getting anywhere at all. Not anywhere. No, not a thing. She can't have it all.”

If Bush had not successfully agreed a new contract with EMI, it might have been threatening that she would be jeopardising her future success. I had witnessed the blackmail tactics of EMI in my job at Metro Radio. The significance of concluding these negotiations successfully was imperative for Bush, and she noted the impact it would have on her finally taking total control of her destiny:

“Mother, where are the angels? I’m scared of the changes.” (Bush’s mother appears briefly in the video, comforting her.)

The key to understanding the song’s theme is to recognise that the most telltale line “EMI want it all” was sung eleven times. Record companies almost inevitably want to have their cake and eat it simultaneously, regardless of the fallout for their own artists. Why else would EMI have refused to send its new record releases to Metro Radio if it was not prepared to cut off its nose to spite its face?

If all this speculation sounds farfetched, you have to ask why EMI was happy to license ‘Suspended in Gaffa’ to its partners for release as a single in European countries, but did not similarly release the song as a single in the UK? Would its London executives want to hear a track played on the radio every day that they knew obliquely criticised their own business strategies? As a result, this excellent song languished as a little played album track in Bush’s homeland. Perhaps that was the company men’s notion of ‘revenge’.

At the time of its release in 1982, I was barely watching television so had missed the video for this song, written and directed by Bush herself. Viewing it more than forty years later, I hoped to find hidden references to ‘EMI’ in the visuals. It looks as if Bush (“wearing a designer straightjacket,” interjected my wife) has been kidnapped and locked in a boarded-up wooden shed alongside huge chains and large wheels of (the music?) industry. Outside a huge (legal?) storm is blowing, from which she cannot escape, despite kicking up dust but running nowhere. Is that what it felt like to be under contract to EMI?  Bush was always far too subtle to provide explicit messaging that would explain her songs. Perhaps I am missing something she communicates via her animated hand movements? In one brief section of the video, wrists apparently bound in gaffer tape, Bush tumbles head-over-heals through the vacuum of galactic space, maybe a visualisation of her feelings in the midst of lengthy legal wranglings. Prior to that, the video portrays her 'head in the clouds’, perhaps how she had sensed her initial teenage success with EMI.

As I discovered from my own job at Metro Radio, EMI want it all. Perhaps that is why I felt I understood Bush’s message within ‘Suspended in Gaffa’ from my first listen. It remains a truly remarkable song.

[dubforms]

Om Unit - Acid Dub Versions II released September 22, 2023

Om Unit’s ‘Acid Dub Studies’ series continues to unfold. This latest instalment of the project comes in the form of 10 brand new remixes which form the second volume of ‘Acid Dub Versions’, featuring remixes from Yushh (Pressure Dome/Wisdom Teeth), Hodge (Houndstooth / Livity Sound), Double O (Rupture), Amy Kisnorbo (Pineapple), Tapes (Jahtari / Good Morning Tapes) V.I.V.E.K (System), Versa (System / ZamZam), Frenk Dublin (Echo Ltd. / Dub Communication), Surgeon’s Girl (Inside Out / Livity Sound) and Nadia Struiwigh (Nous’Klaer Audio / Central Processing Unit) The eclectic ‘Acid Dub Versions II’ LP comprises of the smouldering cerebral scapes of Yushh’s take on ‘Camo’ as well as Hodge’s own pounding club version. Double O transforms the classic ‘Tempo’ rhythm into a kind of future-retro rave stepper, and Amy Kisnorbo walks the ‘Strange Brew’ track into a eased-back but confident new territory. The dub aspects are also enforced and re-shaped by prolific legend ‘Tapes’ who turns the ‘Tempo’ back towards it’s more dancehall roots, V.I.V.E.K takes the Bristol Theme in to 140 territory featuring System Sound’s in-house MC Dego Ranks. Bristol’s own enigmatic dubwise adventurer Versa turns ‘Valium Tempo’ into something akin to a Cosmic Bridge release, paying homage to the classic tropes of the ‘UK Bass’ sound and Rotterdam’s Frenk Dublin turns in a seriously deep basic channel-esque dub tech take on ‘Ghosts’. The album is finished with 2 ambient cuts featuring the beautiful chaos of Surgeon’s Girl’s remix of ‘Tapped’ and the Dusky brooding reflective tones of Nadia Struiwigh’s version of ‘Electroacidspringwater’. ‘Acid Dub Versions II’ serves as a logical progression to Om Unit’s best-selling series of well-respected works, allowing for community input on a concept which has of late been travelling far and wide via Om Unit’s live shows and continued DJ support.

[days-of-steam]

Days Of Steam 003: Deejaygee

(Mix released August 9, 2021)

Blistering, mind-bending geometries from @deejaygeejaygee that run the gamut from sludge to full speed ahead, and much of it either self-released or from smaller labels outside the usual centers of production (NYC/LDN/BER)

"It's a celebration of percussion, dancing and global collective ecstasy."

Excerpt from “School of Rock Hawaii 5-0 Drum Fill” Y.a.M.A - Circle [GORGE.IN, 2021] Amor Satyr - Delight #2 [Wajang, 2021] Unperson - Mind Distract [Only Ruins, 2019] Pev & Kowton - Junked [Hessle Audio, 2013] Tribal Brothers & DJ Polo - The Problem [Livity Sound, 2021] Yak - Ocean Floor [3024-FYE2, 2018] Amazinggaijin & Lighght - Cacophonie [All Centre, 2021] Excerpt from “Krautrock: The Rebirth Of Germany” Guedra Guedra كدرة كدرة - Uggug [On The Corner, 2020] Henzo - Trickery [Self-released, 2020] Indus Bonze - ゴルガンツ GorGantz [Self-released, 2021] WULFFLUW XCIV - One54 [Hakuna Kulala, 2020] Rey Sapienz & The Congo Techno Ensemble - Santonge [Nyege Nyege Tapes, 2021] Beneath - Shambling [Hemlock, 2021] LAPS - Who Me? (Duppy Gun Remix) [DFA, 2018] Horsepower Productions - Boogaloo [Tempa, 2011] Nazar & Citizen Boy - 2 African Sickos (Scratchclart Remix) [Hyperdub, 2020] Manix - Special Request (DJ Guy Version) [Sneaker Social Club, 2020] Farsight - Renegade (Interplanetary Criminal Remix) [Scuffed Recordings, 2021] Suchi - Gula I Deg [Ganzfeld Records, 2021] Tessela - Hackney Parrot [Poly Kicks, 2013] Excerpt from “Bernard ‘Pretty’ Purdie presents The Legendary Purdie Shuffle” Kush Jones - Keeps Playing With The Breaks [Self-rleased, 2021] Dizzee Rascal - Jus A Rascal [XL, 2003] Circa96 - Cave Dweller (Dwarde’s Caving In Remix) [Disrupt Records, 2020] Bone Head - Fantasy Violence Anthem [Self-released, 2021] Morwell - There Is No Time (DJ FLP Remix) [Self-released, 2021] Es.tereo - Drifter Dub [YUKU, 2021] M-Beat & General Levy - Incredible (Instrumental) [Renk, 1994] Nilotika Cultural Ensemble - Kekusimbe [Nyege Nyege Tapes, 2021]

[jeffrevolucion]

Mi gente! Happy to share a new Late Horizon with you! I had a lot of fun playing a club gig and some private parties the last couple of weeks. It made me feel like this one should capture some of that spirit and be more loose and fun. Although I couldn’t help myself and started quite chill, with a trippy break in there as well (sorry?). But yeah definitely some house, vocals and fun edits in there. I also had one train wreck, which I’m not that happy about (to say the least). But yeah you just have to go on. Also experimented with some of the effects that the studio's mixer had to offer for a particular break, my very basic mixer at home has no effects whatsoever. I thought it would sound good jejeje. I choose Dub Echo because the name sounds cool, but let’s just say what’s in a name eh? Also a first: trying to beat match ocean waves... Don’t you forget to look back and appreciate what you have sometimes? Well, I sure do. So yeah went back into the archives and found some older stuff I always wanted to play out but somehow did not get the chance to. Some new in there as well though! Last minute additions even, like the new Peverelist (I mean I just had to) on Livity Sound and Doctor Jeep on TraTraTrax. The latest No Future compilation too, it was hard to pick one tune. Enough of me talking too much about music, just listen to it (or not). X

[igazikutya]

Grand Traxelektor 2022 – „Mind”

Prológ: Az évek végén érkezik el a szelektor jutalomjátéka, a Grande Summary ideje. Ilyenkor a Zene a nappaliból 3 halmazos apollóni térbe transzformálódik át, egymás mellé kerülnek a hasonlók, s szétválasztódnak az össze nem illők. Az egyik szobában (Mind) középtempós underground elektronika szól, lehet rájuk táncolni, de nem muszáj, simán működnek hallgatós üzemmódban is. Nem kávéházi háttérzene – vagy ez egy ilyen kávéház - de nem is tolakszik, hogy uralja a közös teret. A kettesben buli van, tánczenék, magasabb bpm-ek illetve masszívabb darabok, Move! A harmadik a közkeletű chill-out színhelyek megfelelője: ambient és ambközeli, kortárs és experiment, downtemp elektronika. Ez a klasszikus zenehallgatás helyszíne, ezért ide kerülnek a látens gyöngyszemei ami hiedelmemnek, hogy a mindenkori elektronikus zene, túl a zeitgeist-jain, létrehoz „komolyzenei szintű” műveket, örök darabokat, mély értelmezéssel bíró alkotásokat. Sense. 85 óra 46 percnyi anyag gyűlt össze 2022-ben, ezt válogattam szét, jelentősen megrostálva az állományt.  Gyakran ér az teljesen jogos kritika, hogy a havi Traxelektorok túl széles horizontot fognak át, és randomba-krosszfédbe módban olyan művek kerülnek egymás mögé, amik kvázi ütik egymást. Ilyenkor év végén ez az ellentmondás feloldódik ebben a hármas szintézisben.

Az utazás az első szobával indul, ami tulajdonképpen maga a nappali. „Mind”. Középtempós elektronikus zenék adják a magját, műfajilag nagy szórásban, közel az idm/leftfield zeneiséghez. A halmaz ennél lényegesebben tágabb, ethnotól az ipariig minden szembejöhet, nagyon színes/szagos, mégis működnek együtt. 129 felvételt válogattam össze és 12 órán is túl nyúlik a playlist teljes hossza. Jó szórakozást!

Grande Traxelektor 2022 - “Mind“ - Spotify playlist link

(110 /129, : 10:02/12:05, 85%)

Korábbi évek Grand Traxelektor Main/Mind Playlistjei: Grand Traxelektor 2019 - “Main” - link Grand Traxelektor 2020 - “Mind” - link Grande Traxelektor 2021 - “Mind” - link

Grand Traxelektor 2022 – „Mind” Playlist

A Psychic Yes - Sugar Today Tomorrow [EP4, Nummer Music] Acronym - Millennial Lowlife [Millennial Lowlife, Benthic] Acronym - Vertical Garden [Millennial Lowlife, Benthic] Al Wootton - Callers Spring [Callers Spring, Trule] Al Wootton - Palants Grove [Wyre, TRULE] Al Wootton - Wyre [Wyre, TRULE] Anatolian Weapons - A Strange Light From The East (Krokakai Mix) [May That War Be Cursed - Vol. 1, Lurid Music] Anatolian Weapons - Black Sea (Sepehr Remix) [May That War Be Cursed - Vol. 1, Lurid Music] Anatolian Weapons - Jungle Track (Vidock Remix) [May That War Be Cursed - Vol. 1, Lurid Music] Anatolian Weapons - Vortex (Mr. TC Remix) [May That War Be Cursed - Vol. 2, Lurid Music] Answer Code Request - Resonate [Shattering, Delsin] Ant Orange - Cracker (Tolouse Low Trax Bo Bo Zy Remix)[You're Super In Diagonal Remixed, Karaoke Kalk] Architectural - Blue Garden [Equal Deep, Self-Released] Arp - New Pleasures [New Pleasures, Mexican Summer] Arp - Traitor (Dub) [New Pleasures, Mexican Summer] ASC - Inverse Ratio (Remix) [Return of the Emissary Remixes, Auxiliary] ASC - Oceans [A Storm In Space, Auxiliary] ASC - Stargate [Confluence Of Light, Spatial] Ateq & Orion - Crown [Cyclorama, Pale Product] Axel Boman - Les Lèvres Rouges [LUZ / Quest For Life, Studio Barnhus] Azu Tiwaline & Al Wootton - Blue Dub [Blue Dub, Livity Sound] Benedikt Frey - Phrack [1987, R.I.O.] Biosphere - Tanß [Shortwave Memories, Biophon] Birds ov Paradise - Ale [Memorial, Hypnus] Brainwaltzera - Consent [Itsame, Film] Brendon Moeller - Refridgeration [Highly Concentrated, Delsin] Carl Finlow - Wavefront [Desequence, 20/20 Vision] Caterina Barbieri - Terminal Clock [Spirit Exit, light-years] Composite Profuse - Rusty Wreck [Zero Flight One, Diffuse Reality] Cosmo Vitelli - Patient Zero [Medhead, I’m a Cliche] Dame Area - Dis-umani [VA - Elsewhere XX, Kalahari Oyster Cult] Daniel Avery & HAAi - Wall Of Sleep [Ultra Truth, Phantasy Sound] Dean O'Brien Resorts - A Tribute to the Beautiful Pool That You Weren't Invited To [VA - Vapordub - An Introduction to Contemporary Psychedelic Music, Vol. 1, Bamboo Shows] Decha - Chebechu (Nicola Cruz Remix)[VA - Sheva, Malka Tuti] Desert Sound Colony - Fresh One (Sid Angel Remix)[Fresh One, Holding Hands] DgoHn - Daisy Takes Two (Meat Beat Manifesto Dub Selection)[Undesignated Remixes, Love Love] downstairs J - Symbiosis [Too, SUZI] Edward Ka-Spel & Motion Kapture - The Devil's Night [Anagramma, Rustblade] Electronic Body Girl - Walk Away [VA - Elsewhere XX, Kalahari Oyster Cult] Emeka Ogboh - No Counterfeit [6°30′33.372″N 3°22′0.66″E, Danfotronics] Eric Copeland - Restart The Body [Spiral Stairs, les albums claus] Eric Copeland - Spiral Stairs [Spiral Stairs, les albums claus] Etch - Gaia's Mainframe [Sloppy Rhythm Trax, Hypercolour] Exhausted Modern - Medium = Message [Notions of Causality, Brokntoys] Exhausted Modern - Reframe Reform [Deform / Reform, Marguerite] FaltyDL - One Hitter [A Nurse To My Patience, Blueberry] Franck Vigroux - Station to Station [Magnetoscope, Raster] Fred Quest - Only on the Condition That You Call Me Esteban [Who Would You Have Been, Holding Hands] Gazelle Twin - Hole In My Heart [The Wastelands, Anti-Ghost Moon Ray] Guava feat. Alex Blake - In Cloud [Guitarist, Tread] Guava feat. Leo Abrahams - Equinox Meaning [Guitarist, Tread] Henry Greenleaf - Headache District [Kirkstone, Redstone Press] Henry Greenleaf - Put By [Kirkstone, Redstone Press] Hodge & Simo Cell - Ah Bon [Drums From the West, Livity Sound] Hortobágyi László - Kumarharva [Transociety Relics, áMARXE] Humanoid - sT8818r (Yage Remix)[sT8818r Humanoid - Extend, De:tuned] HVAD - अनलॉक / Bathhouse [Yug, ULLLU] Indian Wells - Habitat [No One Really Listens to Oscillators, Mesh] Interstellar Funk - The Helium Queen [Into The Echo, Dekmantel] JCow - Rave Patrol (Acid Fiend Mix)[WAR1204, Warning] Jodey Kendrick - Totternhoe Castle Red Kites View [Village Of The Damn Fine, Djak-Up-Bitch (DUB] Katatonic Silentio - Le Réveil Du Combattant [Les Chemins De L'inconnu, Ilian Tape] Khidja - Back To Vid (Azu Tiwaline Remix)[Something in the Water, Hivern Discs] Khidja - The Exchange [Something in the Water, Hivern Discs] Kreidler - Revery [Spells and Daubs, Bureau B] Krokakai - Demise From Salvation [Ukraine Fundraiser Unreleased Traxx, Self-Released] Le Chocolat Noir - Organism of Loathe [VA - Modernation Vol. 4, Italo Moderni] Lisene - Moral Panic [VA - Warp Drive, Planet Euphorique] Lucrecia Dalt - Atemporal [¡Ay!, Rvng Intl.] Lucy - Wanton Witch 4 -5  (Lament Ceremony - Looping Projection of You) [Lucy Plays Wanton Witch, Stroboscopic Artefacts] Luke Vibert - Disco Derriere [GRIT., Hypercolour] Mike Nylons - Fuckit [Eneme III., Exile] Miss Kittin & The Hacker - Ostbahnhof (Extended Version)[Ostbahnhof, Nobody's Bizzness] Mogambo - Piya (पिया) [Urvi (उर्वी), Siamese Twins] Morcheeba & Orbital - Namaste (Orbital Remix)[Namaste (Orbital Remix), Fly Agaric] Mytron & A von F - Confiture [VA - Elsewhere XX, Kalahari Oyster Cult] Nicola Cruz - Surface Tension [Self Oscillation, Rhythm Section International] Nuklear Prophet - Solar Winds [Prophecies 11:21, U-Trax] NZE NZE - A Kele Nkoo Oking [Adzi Akal, Teenage Menopause] Orphx & Kareem - Future Present [As Your Skies Are Fading Away, Zhark] Oscean - Spacion [Ideoma, Tresor] Otik - Crystal Clear [Crystal Clear/Rainbow Rhythm, !K7] Panoram - Seabrain [Acrobatic Thoughts, Running Back] Pariah - One On One [Caterpillar, Voam] Phase Fatale - The Drowned World [Burning the Rural District, Hospital] Piezo - LSD Superhero [LSD Superhero, Wisdom Teeth] Plazmot & Xen - Sakana (Khidja's Dub Remix)[VA - Sheva, Malka Tuti] Ploy - Unit 18 [Unit 18, Deaf Test] PRAAH - André [VA - Elsewhere VXIII, Rocket] Pugilist - Static [Static, Banoffee Pies] Rapha - V More Karabli [VA - Modernation Vol. 4, Italo Moderni] Recondite - Resilient [Taum, Plangent] Red Axes - Oh My Arp [Rhythm Passage, Phantasy Sound] Red Axes - Take it Away [VA - Sheva, Malka Tuti] Rhyw - Anasa [The Devil's In The Dlzlzlz, Fever AM] Ricardo Villalobos - Zeda Funk [VA - On In Out, Advanced Public Listening] Rip Swirl - Love Song [Blurry, Public Possession] Romain FX - Guanmu Cong [VA - Elsewhere XX, Kalahari Oyster Cult] Rosa Anschütz - Polished [Goldener Strom, BPitch Control] Rosa Anschütz - Their Blood [Goldener Strom, BPitch Control] Sciama - Forced Inward [Myriad, Auxiliary] Sciama - The Lost Pleiad [Myriad, Auxiliary] Silent Servant feat. Stephen Mallinder - Cyber Luminescence [Optimistic Decay, L.I.E.S.] Silicon Scally - Altered Domain [Field Lines, Central Processing Unit] Soundwalk Collective with Patti Smith - Song of the Highest Tower (Atom™ Remix) [The Perfect Vision Reworkings, Bella Union] Sven Väth - What I Used To Play [Catharsis, Cocoon] Synapscape - Wastelands [The Stable Mind, Ant-Zen] Tanya Tagaq - Colonizer [Tongues, Six Shooter] Tapan - Rain Dance [Novi Svet, Offen Music] Tapan feat. Decha - Twenty (Original Mix) [Twenty, Malka Tuti] Terrain - Choices [Mantis 08, Delsin] Terrain - Mode [Mantis 08, Delsin] The Black Dog - CNIII [Dubs Volume 4 - Suburbia, Dust Science] The Future Sound Of London - Far Seeker [Rituals e7.001, fsoldigital.com] The Irresistible Force - MULTIBALL [VA - On In Out, Advanced Public Listening] Tifra - International Waters (Roza Terenzi Remix) [Plastic Replicant EP, Duality Trax] Tornado Wallace - Dream Corner [Dream Corner, Basic Spirit] Tornado Wallace - Sea Translation [Dream Corner, Basic Spirit] Umberto Vitiello - Peul (Donato Dozzy Remix) [VA ‎- Multi Culti Equinox I, Multi Culti] Vril & Rødhåd - Astrolabium [Out of Place Artefacts II , WSNWG] Vril & Rødhåd - Nibiru [Out of Place Artefacts II , WSNWG] Vril & Rødhåd - Nimbus MM.flac [Out of Place Artefacts II , WSNWG] Yabboq Penuel - La Recontre [VA - Palace Of Memory Where Nostalgia Is Fear, Public System] Yann Tiersen - Ker al Loch (Terence Fixmer Remix)[Kerber Remixes, Mute] Youth & Gaudi - Toll Bridge Dub [Stratosphere, LSD - Liquid Sound Design] Zaliva-D - Dao Yao Zui [孽​儿​谣 Misbegotten Ballads, SVBKVLT] Zaliva-D - Hun Shou Qiang Qiang [孽​儿​谣 Misbegotten Ballads, SVBKVLT] δρ - Fifty Fifty (Anatolian Weapons Rework)[VA - Elsewhere XX, Kalahari Oyster Cult]

[dubdancehall-blog]

【NEXT LIVE 】🍀🍀

2023 1/3(火) 4(水)

「IRIE506」

2DAYS！2会場同時開催！

at SOCORE FACTORY & CONER STONE BAR

15:00~23:00 ADM (1DAY) 3000yen (2DAYS) 5000yen

2DAYSチケット問い合わせ　SOCORE FACTORY

2023.1.3(火)

-LIVE-

GREEN GREEN

Jambo Lacquer

バブルソ

TONY THE WEED ft YUKI OKUDA

Aura

Yellow Teresa

シゲナリwith ジュン

Master.B BAND

カナミaka.Ms.Miii

withWWWinc

麻倉葉祐＆華月＆マタタビ

FREE STYLE

YAMANE , IVO , Jumbo , GENIE, 晴

-DJ & SELECTOR-

KOOH THE GOLDEN HARVEST

SOOMA

KAPPA

JAH MOUNTAIN

INGA

BURU

RICKY

P-nuts

MO-RI

MaruGreen

KUN-SAY

KISSON

HOPE BULLET

-DANCER-

BLACKBONDS

LIVEPAINTING

LANP

-FOOD-

Mexican Restaurant bar mu

キッチンピーナッツ

五感屋

うたげや

太陽の村

GORI

-SHOP-

YES！I’M GOOD

————————————————————

2023.1.4(水)

-LIVE-

C-RAG & NARI-CHAN with THE HARMONY CREW

YOUTH OF ROOTS ft RAS KANTO

BUNBUN the MC & THE BANG LASSIS

浅田純平

Livity Tabasuke & Nutural Roots

ARMOR & EARTH ROCKAZ

DAHBORS

Yellow Teresa meets 森寺啓介

The Harmony Crew Rub a Dub

NARU SWEET . SISTER SHEEZ . RIBERO

竿師 . LABBA BOOM . MAD PURPLE . TWOONEE

Medical Tempo Rub a Dub

Master.B ,ZAROO . Pecker . R-MAN . YOKO-U . BAKADA . YUMENO . SHUNTA . SHIRASU

-DJ & SELECTOR-

ITAK SHAGGY TOJO

MODERN BEAT

TOUCH THE SKY

LITTLE VOICE

KITAMANJARO

CABARET

Dubby Bon

CHOIDUB

BASS LINE

TAKUMI LION

ROCK A BEAT

KEITA budzlab

HOPE BULLET

Pome

BJM

5Gr

-LIVEPAINTING-

MANABU DUB

-FOOD-

SUPER RETRO MACHINE

ⅰⅲⅲ

犬吉

太陽の村

深夜洋食タク

GORI

-SHOP-

YES！I’M GOOD. LINK UP JAJA

[dbphotos]

Série photo de la Nantes Dub Club #35

Artistes : Dub Livity Sound System + Jah Shaka

[burlveneer-music]

Azu Tiwaline - Magnetic Service E.P. - Sahara x electronics (Livity Sound)

Livity Sound present the 'Magnetic Service' EP from Azu Tiwaline exploring the intersections of Amazigh music, dub culture and techno hypnosis across four mesmerising tracks. Fresh from the acclaimed Draw Me a Silence LP on IOT Records and collaborating with musician and sound artist Cinna Peyghamy, this new record further explores the hypnotic percussion and mystique of the Tunisian Sahara, a hybrid sound playing on contrasts and nuances, light and dark with echoes of techno minimalism and modern dub.

[pirraca]

View this post on Instagram

A post shared by Vagner Santos Lopes (@djpirraca)

Domingão é dia de Reggae Ziggy Marley - Natural Mystic Reposted from @donziro #ZiggyMarley #NaturalMystic #Reggae #RootsRockReggae #RastaFari #Ska #Dub #DanceHall #RastaFari #PositiveVibes #Unity #Consciousness #Reggae #DanceHall #Ska #Dub #RastaFari #PositiveVibes #Consciousness #Reggae #Rasta #Livity #Unity #NattyDread #Inity #PositiveVibes #RastamanVibrations #NattyBongo #Nyabinghi #Rasta #BlackConsciousness  #LoversRock #Black #Roots #Ragga (em Dona Pitanga Hostel) https://www.instagram.com/p/CW0JByygwPx/?utm_medium=tumblr

[zef-zef]

Forest Drive West - Dualism from: Forest Drive West - Dualism EP (Livity Sound, 2021)

Forest Drive West returns to Livity Sound with the 'Dualism' EP, a tour de force of stripped dub aesthetics and swirling psychedelic rhythms.

[emeson]

View this post on Instagram

A post shared by emeson (@thisisemeson)

Barrington Levy - Here I Come #rootsrockreggae #classic #skiddleeewooahseen Reposted from @donziro "Here I Come" #BarringtonLevy #RootsRockReggae #Ska #Dub #DanceHall #Consciousness #OneLove #Wisdom #Peace #Unity #RastaFari #Nyabinghi #NattyBongo #RastamanVibrations #PeaceAndLove #OneLove #Wisdom #Inity #Livity #Unity #NattyDread #NattyBongo #RubADubStyle #Rasta #BlackConsciousness #Reggae #RootsReggae https://www.instagram.com/p/CUt6vZhoEFy/?utm_medium=tumblr

[hoardsome]

Record label / Livity Sound

Catalogue / Selected tracks / 2016–21 desc.

bass, dub, dubstep, idm, illbient, techno, tribal, uk funky

For a text document of this record label's output – With each release title linked to its Discogs, Bandcamp and Spotify entry – Check this Google Drive archive | Folder: Club / L

[straightpathjewlz]

#LionOfJudah #RootsRockReggae #Ska #Dub #DanceHall #Consciousness #OneLove #Wisdom #Peace #Unity #RastaFari #Nyabinghi #NattyBongo #RastamanVibrations #PeaceAndLove #OneLove #Wisdom #Inity #Livity #Unity #NattyDread #NattyBongo #RubADubStyle #Rasta #BlackConsciousness #Reggae #RootsReggae #straightpathjewlz ❤🖤💚 https://www.instagram.com/p/CDQCKdHn2EP/?igshid=4h7syujzs2py