#drow lore is WILD
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*Act 3 Minthara spoilers* So in this scene if you have Yenna in your camp and Orin abducts Minthara, we got a little more info about Minthara's past in Menzoberranzan.
"Not the first. I killed my sister in her crib to secure my inheritance."
The more I learn about her upbringing the more I'm deeper into Minthara brainrot.
#bg3#baldur's gate 3#minthara baenre#drow lore is WILD#does anyone has this scene or know how to trigger it?#I have Yenna in my camp and Orin abducts Minthara but this didn't trigger#it's supposed to be the first long rest in the Undercity#this implies this is her younger sister then?#oh and Sos'Umptu Baenre is her mother right?#ok but the fact that Orin knows THIS MUCH about Minthara???#to think Minthara trusts someone that much just for it to turn out she was brainwashed *sigh*#bg3 datamine#minthara brainrot
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Druid shifts game: The rules are just post a screenshot or picture of your Druid Tav and which animal Shifts you associate with them the most.
Adin, Circle of Spores
TW: arachnophobia

Adin's main wild shape is first and foremost a spider. Recon? Tiny spider. Fighting? Giant venomous spider. Scaring the shit out of his brother? Giant wolf spider. This is the form that he remained stuck in for some time after his parents died, and if he could be nothing but a spider again, he would make it work just fine.

Owlbear, another heavy hitter of course. He wouldn't remain in this form longer than he had to, but he knows the power of an owlbear can sometimes be unmatched. Crushing flight works wonders. Once whatever he is fighting is dead, he would shift back to two legs again.

A simple housecat is a shape he takes when he is feeling especially snuggly. There would be times when someone would find him curled up like this by Astarion's shoulder or in his lap. A more vulnerable form that very few people would get the pleasure of seeing.

While tadpoled Adin would enjoy the displacer beast form a lot. He used the zaith'isk and then became a partial illithid later on, making this form easy to take in the stead of a wild shape.

The raven is also a case by case situation. If he needs to fly and sneak around doing so, this form or maybe a house fly would be ideal. Again not something he would use all that often, but one that would come in handy from time to time and that necklace in Act 3 would give him the free casting to do so, so he would take advantage of the opportunity.
Bonus: In any universe where he actually ascends Astarion, they would snuggle in bat and raven form.
#adin#adin daevion'lyr#drow druid#circle of spores#adin headcanons#drow oc#druid oc#adin lore#wild shape#bg3#baldurs gate 3#baldur's gate 3#circle of spores druid#bg3 druid#druid#male drow#bg3 oc#bg3 tav oc
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I introduce: Faeryl!

She became a cleric to Lathander mainly because she thought it would help solve the spider goddess problem. also cause she likes it not being so damn dark all the time anymore He did already once try to take over and reform a pantheon, he presides over new beginnings, and he can beat the shit out of problems. Sounds like a great fit! The fact that his attempted coup ended in complete disaster and was probably an inherently terrible idea in the first place did not occur to her as a problem. Yes int is her dump stat. (I also rolled absolutely horrible on the arcana checks for now, so in character xD)
That's pretty much all I have for now, but I'm sure she's gonna get fleshed out while I keep playing.
#bg3#i also have to get more into drow lore#i only skimmed the article a bit#did read the whole lathander one though cause this guy is just wild#int is also his dump stat#you know comparatively for a god
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hi hiii
so. what if. iiii. enabled u to be autistic on the internet again :3c
i wanna hear your thoughts on eilistraee and vhaerauns relationship! the nitty gritty, the dynamics, how they think of each other vs how they act, and how thats changed over time+how its reflected in their church
im ADORING all your posts on it if i could id print them out and eat them 🫶
Okay. So this is officially the third part of my "I need to go crazy on some character analysis" Saga. My analysis on Vhaeraun is Here, and my analysis on Eilistraee is Here. I recommend, if you're stumbling across this post in the wild as tumblr tends to do, reading those two first so that you have an idea of how I see these two characters and where the basis of my argument for their characterization comes from. If I need to reference something from either post, I'll quote it here. But y'know. Need be said.
Okay so.
I believe this post is going to the most subjective of mine. I am going to try and pull up canon screenshots from War of the Spider Queen, The Lady Penitent, and Evermeet, but unlike how you kind of get told directly how the drow gods behave and hold themselves and a lot of things end up getting built on them, I would argue so many hands have touched DnD and so many interpretations of their relationship have sprung up over the books that it's hard to give a truly simplified "This is how they see one another."
Water is wet statement, relationships are complicated.
Anyway. Given what my thesis is, I am going to be talking a fair bit about abusive family dynamics in this one as well. My goal for this (and any character relationship I do, really) if to try and keep it very fair. I think a of people make the mistake when talking about Eilistraee and Vhaeraun's relationship of picking a side. Like this idea of one of them being right and one of them being wrong and needing to "Fix" the other. And I don't think that's true at all. I think to be able to understand why they feel the way they do about one another and why their relationship is the way it is, you need to respect both of their characters individually.
(Granted, I think this should be true of any relationship you're writing for in fiction. If I can preach for a second, I think even if you don't like a character, you have to be able to respect the character to properly portray them.)
Final note before I get into this. Everyone thank @abracadav-r again for being on screenshot duty. The posts wouldn't get done nearly as fast without them, they know exactly where to find these little moments.
So. That all said. Lets get into it.
I've made a smaller joke post about what I think their dynamic is like before here. But now that you're giving me the opportunity to do so, I will go indepth about it. Yes.
I'm kinda of the opinion that Eilistraee is more incorrect about Vhaeraun than Vhaeraun is incorrect about Eilistraee (But also that this is the result of DND Canon not being entirely fair to Vhaeraun.)
Let's get the discussion about my thesis about the Elven Pantheon being an analogy for an Abusive family on a divine scale out of the way first, because it's something I've mentioned a few time's, but only every really shorthanded. And I think here, in the discussion about relations, is a GREAT place to start and actually explore that.
Now. I should probably start by saying, I don't think this was intended by DnD. Like, I think when they were originally making this lore, it was the intention to just make a justifiable evil worth killing. DND came out of a time of the romantic fantasy, the very Tolkien and Fairytale esc ideas of good and evil and have this classic hero's journey power fantasy ideal to it. Other people have gone into depth about that origin with far better sourcing and dissection than I can ever hope to, but basically: DnD is absolutely (as all art is) a product of it's time and of the community it stemmed from.
However, I personally think those themes and ideas are a little outdated, and a modern audience (myself being the modern audience) tends to be more enthralled by very nuanced interpretations of good and evil, and find indepth character driven narratives more engaging. And I think that for what this mythos has become over the course of it's 60+ years of evolution, you can reinterpret the narrative to be a fascinating depiction of a mythos that echo's the abusive family structure.
Copying and Pasting from my Eilistraee Essay:
It is of my opinion that, when you look at the Eilistrae-Vhaeraun Dynamic and how they were treated by Lolth and Corellon, you're looking at a classic Golden Child/Scrape Goat dynamic. This is important to mention here because I do think that's important context within how Eilistraee (the person) see's and understands the world, and where her mind is at when it comes to the perception of her sense of self. To VASTLY oversimplify about how emotionally abusive family structures work by a lot, when you look at emotionally abusive families with siblings, you tend to find a pattern where one child ends up getting the bulk of the favoritism and affection (The golden child), while the other takes the bulk of the abuse and tends to take a of blame and is seen as being deserving of the abuse (The scrapegoat.) I'll get a little bit more into the specifics of what that means for their relationship in a later post.[*] Now. Calling her the Golden Child, but I don't think being the Golden Child is strictly a good thing. In a lot of ways, I think a lot of golden children end up very emotionally stilted, and I think you kind of see that in Eilistraee. She HAS to be the perfect one. And she's had this expectation to be The Good One placed on her shoulders since she was young. Golden Children are often blinded to the abuse their siblings face because they themselves are not subjected to the same kind of abuse.
[*] And well. It's that later post!
In emotionally abusive families, siblings tend to be pitted against eachother, either unintentionally as a result of the Golden Child being the subject of a parents time, attention, resources, and affection, or as a purposeful attempt on the part of a parent to put divides in a family. In the real life world, it is more often the first. I think a lot of people think Abusers are more like Lolth where there's an intentional "I looked at you and from the day you were born decided to make your life hell."
But I would argue the tricky thing about abusive family structures (Especially with parent-child situations), is that more often then not, the abusers love the idea of the person they're abusing. To them, what they're doing is love. It is very rare that an abuser is this knowing evil schemer that actively sits and thinks to themself that "That's my least favorite child, they don't deserve my attention."
(Though, as a small side tangent not immediately related to the fictional character, you might see this logic manifest more in the way finances are weaponized in abuse, especially see in America where college is more expensive and therefore often used as a control tactic. IE; My wonderful son wants to go into STEM, why would I waste money by giving it to my son who wants to do art college. Because people get comically evil about money.)
Instead, emotional abuse is often more insidious. It's... I'm going to put the blame on everything that goes wrong on my son (Who I left in the hands of his physically abusive mother to have his arm constantly bent behind his back by her) I can't bring myself to believe that my daughter would ever want to scheme against me. YOU could have been good once, but you're evil because you're not happy, you're too moody, you're too violent. I'm not even going to give you the chance or the environment to grow, because it's just in your nature to be evil, and because you are evil because you were born evil that all that goes wrong is your fault.
You know. That kind of logic.
So. Eilistraee was Corellon's Golden Child. She was the free spirited happy one. She was the one that loved to hunt and dance. She was the good one.
(But often, when a scrape goat leaves the family, the golden child becomes the new target.
Y'know. Like..
Corellon gave up on the idea of trying to turn his son Vhaeraun to abandon his ways. He vowed to kill Vhaeraun if he ever tried to hurt his sister. Nevertheless, the Masked Lord did threaten the Dark Maiden's life, without known action against him on Corellon's part.
Corellon's servant Solars claimed that, with this act, Eilistraee had exhausted her purpose, because the willing had been saved, and the unwilling cast down as a necessary sacrifice.
The in-story context for this being honestly worse and kind of containing bad racial implications:
“Her soul was destroyed,” Felarathael said solemnly. “But before she died, she saved many. She cleansed the taint from hundreds of drow who might otherwise have been condemned.” “But the rest!” Lashrael wailed. “Thousands! Hundreds of thousands! No hope of redemption for them, with Eilistraee gone. Condemned to darkness and despair, forevermore!” “Another necessary sacrifice,” Felarathael said without a trace of emotion. “Else the game would have been lost.”
This, to me, is the framework of Vhaeraun and Eilistraee's relationship.
Likewise, the Masked Lord nurtures an abiding hatred of Eilistraee. The Dark Maiden always held Corellon's favor more than her hateful brother, and she thwarted Vhaeraun's early efforts to bring all the Ilythiiri (southern, dark-skinned elves) under his sway, enabling Lolth and Ghaunadaur to make great inroads among those who would become the drow.
I'm under the impression that Eilistraee doesn't know Vhaeraun. She has this idea of who he is in her head seemingly both based on the what their father thought of him, and as a result of being an outsider looking at the things he did at the hand of his mother. (And again, let's be clear and establish in this post. That wasn't WHOLLY Lolth. Vhaeraun did play his part. But I don't think Eilistraee see's that, I think she strictly see's an eager climb for power) And then she makes a lot of assumptions about his motivations based on the idea of him she's made in her head that reaffirm that idea.
On the other hand, I think Vhaeraun understands exactly the kind of person his sister is, because it's really not that hard to understand who Eilistraee is. She really does just mean well. While I consider her to be a lot more guarded and lonely then people tend to give her credit for, I don't think she's being insincere with her wants and wishes and you don't have to doubt what her intentions are. Instead, the ways that I think Vhaeraun is often wrong about how well she can handle herself and how strong her allies are by 4e, and what that could mean for drow as a whole. Because he's so willing to discredit her as a threat, he doesn't pay attention to her, and because he doesn't pay attention to her I don't think he realized she'd gotten friendly to people like... Mysta the goddess of magic.
And being realistic, even if he had known, I don't think he understands the weight of her being friendly TO people like Mystra because he himself only ever makes allies, not friends amongst gods.
Now. The reason I capped that whole screenshot above is actually because it contains a very interesting bit of framework that I think proves this. Even back in the 2e source books, the phrasing of these things matters. If it was a matter of Vhaeraun thinking that something was the case, they would have mentioned it. However, the specific way that it's set up in that passage is: "It's not that Vhaeraun thinks Eilistraee's involvement in circumventing his climb to power allowed Lolth and Ghaunadaur to gain power. Her involvement DID allow Lolth and Ghaunadaur to gain power."
And I don't think she's aware of that. But Vhaeraun is.
To further this, we're to copy/paste a passage from Sacrifice of the Widow. Now. This is from the perspective of a Vhaeraun worshiper, and it holds as much bias as Eilistraee's priestesses have towards him. But. Because it correlates with metatextual information we have from all the way back in 1998, I'm inclined to say it's not a full dishonesty, just a biased truth.
The dance might have been beautiful, had it not been a violation of the sacred order. Had Eilistraee not interfered, Vhaeraun might have united all of the darkelves under a single deity millennia ago, but Eilistraee had proved as greedy as Lolth and had stolen the females away from the Masked Lord’s worship. She’d taught them to exclude males from her circle, to subjugate and revile them instead. Vhaeraun’s followers had learned a bitter lesson. Females could not be trusted.
Compare this to how Eilistraee speaks of Vhaeraun's influence in Evermeet: Island of the Elves.
Like... Eilistaee. There are bigger threats out there than your brother But. She's so blinded by her history with him that she can only ever see her brothers influence is a bloodstain on the land.
As I mentioned in my other post, I think Eilistraee is a biased narrator in this scene. I don't think Vhaeraun wants his sister to die for the crime of existing. I think his feelings on his sister are way more complicated than his feelings on either of his parents. And we know when Vhaeraun explicitly wants someone dead, because the text would have told us that.
...
So, to understand Vhaeraun and Eilistraee's relationship, I do think we need to talk about The Masked Lady.
Given how much of DnD is oral tradition and people building on concepts that the games give to us, I think people feel more comfortable engaging with some of these things through the wiki and building off of the idea of the ideas they get from the wiki without searching out the original source. And to be clear, this isn't like, judgement for doing that. Nevermind that the IP is older than I am twice over, that a lot of old blog posts are only acceptable through niche internet archive links, and that a lot the source books are neither applicable to 5e or still within print. I'M personally guilty of doing it all of the time.
Instead, the point I'm making is because of how the realms is set up and how people engage with DND, not a lot of people know when plot point comes from a source book, a blog post, a prose book, an official magazine, when something was fan-submitted and made canon, or Ed Greens personal twitter/discord. They all kind of merge together to create a collective canon. I think, as a result, a lot of people end up engaging with these concepts with the same amount of abstraction. But the thing about The Masked Lady is that they're like. A book character. This isn't just a concept that was placed out into world abstractly, they're a fully fleshed out character within The Lady Penitent.
This is important to us and our purposes of engaging with these characters on a more transformative level rather than at a dnd table. Being a character, we can look at how they behave and what the actual intent of their portrayal was. And I want to show you a few things, because I have an argument I would like to make given that portrayal.
==
A voice called to them: a voice that was neither male nor female, but both. A moment later, it became a pool of utter silence. Then song, then silence. Opposites, twined together, yet somehow harmonious. Side by side, the awarenesses that were Kâras and Valdar drifted to the place where the song-silence was coming from. It caught them like leaves and swirled them up toward itself. They drifted in front of an enormous face. Moonlight bathed the face’s upper half in shining radiance; the lower half was shadowed in utter blackness. A glint of blue danced across eyes the color of moonstones. Masked Lord, Kâras asked. Is it you? A feminine laugh rustled the mask. Masked … Lady? he ventured. The chuckle deepened, became male. Hands moved to the blackness that was the deity’s mask. Fingers gripped its edges. Kâras tensed, and felt the eager anticipation of the awareness that was Valdar. The mask lifted. Kâras wept. So did Valdar—and as he did, Kâras saw into the other Nightshadow’s heart. The emotions that had prompted their tears were as different as moonlight from shadow.
==
“Masked Lord,” Kâras prayed. “Is it your will the breach be opened? Have you—” He hesitated, then forced himself to say it. “Have you allied yourself with the Ancient One?” This time, the god answered. Not in words, but in the distant peal of a hunting horn. That alone wouldn’t have convinced Kâras; it might have been one of the priestesses, signaling the others. But as the horn sounded, a rectangle of darkness with two eyeholes appeared in the air a short distance away, within the tunnel leading to the ruined temple. The bottom of this “mask” fluttered, as if the mouth behind it were lending its breath to the hunting horn’s peal. Dots of angry red blazed where the eyes would have been. That decided it. Kâras wouldn’t run. He’d fight.
==

===
My argument about The Masked Lady is this: Despite taking a lot of Eilistraee's visage and Churches Iconograpy, When you look at how The Masked Lady behaves in practice I would argue that this isn't actually strictly Eilistraee. The Masked Lady feels like a new character that is both Vhaeraun and Eilistraee..... but also Neither Vhaeraun and Eilistraee. In that strictly esoteric kind of way, by merging their aspects together they've created a new god made of their parts.
And on one hand, you can read some of this as Eilistraee Masquerading as her brother to try and get his church to work with hers, but on an authorial level? I don't know if that was the intent. For one, I don't actually think Eilistraee is good at being manipulative, she's too well intentioned. She'd have fallen apart under the weight of that lie.
Granted, I do think with both of them being in there Eilistraee is more "in control." Vhaeraun is absolutely ""Dead"" in at least some ways. The piece he puts down representing himself is destroyed in the Sava game, Eilistraee ends up with his mask, and Lolth is able to show off his corpse in the astral plane.
But even all of that aside, I'm tapping in both Ed Greenwood's thoughts for this and something from Faiths & Avatars.
(I'm going to copy this summary from the FR wiki page on dead powers because, as always, it's quite good at summarization. But as always, I've double checked Faiths & Avatars to be sure)
Sometimes, the memory and personality of a deity was separated from their power and true form at the moment of their death, typically by the interaction of the magical turbulence of their death with the magic of a powerful relic or artifact into the same area. In such cases, the deity remained awake but imprisoned, in a sense, though vastly uncomfortable with their much-reduced state.
As such, I think during The Masked Lady era, three things were true simultaneously.
There was a part of Vhaeraun that was dead. That's the part of him on the astral plane. And even that part of him seemed to hold mild consciousness. But I also think a part of him was trapped by Mystra in a dream, and another part of him existed simultaneously within his sister creating a new entity as The Masked Lady, in the same way that Eilistraee seemed to both exist as herself AND The Masked Lady separate from herself as she's playing the Sava game. Because these are gods. Their existence does not exist in singularity.
But. Why does this matter to Vhaeraun and Eilistraee's relationship. Why do I think this is an important talking point for them.
Because I think the fact that they exist together implies a level of respect and understanding towards one another. This is not how this would have happened if they truly hated one another. What happened with Vhaeraun and Eilistraee seems closer to what happened with Zandilar the Dancer and Bast (Absorbed and became Sharess) or (Sehanine Moonbow, Aerdrie Faenya, and Hanali Celanil) > (Came together to become Angharradh and notedly, can separate to spent time apart as times have changed.)
This feels like. Notedly different, compared to what happened with (for example) Ulutiu and Auril, where he got entirely subsumed by her.
For a moment, they were one god. And they could have only synergized as one if they understood eachothers intentions well enough to agree to be one.
==
It's worth noting before I get into this section. Both the idea that Vhaeraun didn't actually die and was put in ⋆ ˚。⋆⊹❇Mystra's Dream Prison <3 ❇⊹⋆ ˚。⋆ and that upon returning to life he started working with Eilistraee are not actually ""canon"" to 5e. They are, like many things, Ed Green-ism's that a lot of people (myself included, because I do actually think he's an incredibly creative person with good character building ideas) take as canon. Despite taking it as canon, I think it's worth mentioning that there is no official source material to pull from for these ideas, because unlike the masked lady, these two ideas exist as concepts to be built off of rather than media to be examined.
We can only logic and reason what happened between them and how it's changed their relationship using everything else we have.
Posted from the FR wiki:
"The Grand History of the Realms explicitly says that Vhaeraun's assassination attempt failed and Eilistraee killed him. However, Ed Greenwood suggests that Eilistraee didn't actually kill her brother. The Dark Maiden defeated Vhaeraun with the indirect help of her ally Mystra, as the Weave frustrated the Masked Lord's magic while enhancing Eilistraee's. The goddess temporarily took her brother's portfolio, and trapped his sentience in the Weave, where it was enfolded in a dream by Mystra. The Lady of Mysteries did this to ensure that the two drow siblings would survive the cataclysm that she knew was coming—the Spellplague—in which she would be "killed" to renew the Weave and magic would go wild. After Mystra and the Weave were completely restored in 1487 DR, the goddess of magic could finally give Eilistraee her own lost power and do the same with Vhaeraun, after having awakened him from his dream."
It was one of Ed Greenwood's ideas to have the two deities reach a reciprocal understanding, and to make the personal enmity between them was no more. More to read here
So here's my take on this situation.
I think a lot of people like to paint the "Mystra and Eilistraee put Vhaeraun in Dream Prison" Situation in a very limited light. In the same way Eilistraee tends to get romanticized as a wholly good and Vhaeraun demonized as a firm evil, it tends to get boiled down to the idea that Mystra and Eilistraee managed to convince him to be "Less Evil."
But, I don't know. To accept the Mystra/Eilistraee tag team as something wholly good, you have to also accept the sentiment of Vhaeraun as someone who is evil and needed "fixed," and I don't think that's ever been the case. As I think my multitude of arguments have implied, I have never been under the impression he's an actual evil.
As such, it's always felt little bitter-sweet to me. I think it's more impactful if they just managed to rub off on eachother due to their time spent together as one. I think it was especially a turning point for Eilistraee, given how many changes came to the structure of her church as a result of that merger. She understands why he uses the tactics he does, she understands that what he's doing is coming from a place of (what I would argue) is sincere love for the drow as a whole, and I think she got a little bit more of a nuanced understanding of the uhh Sexism. I also like to think she understood his experiences more, and that his love doesn't come through the same lens as hers.
Likewise, I think Vhaeraun came out of that understanding that he was stretching himself thin. I think that he learned that he NEEDS to be able to rely on others, he NEEDS to start trusting the outside world more. While he's more accepting of drow as they are now, I think his goal has always been to put them back in power to the extent that they were when he had worship from the Ilythiiri. But, thats not the world they live in anymore. Even if he did pull all the drow from the underdark, they could not and would not manage to be that. I think he comes out of The Masked Lady era understanding that to get the drow away from his mother and to coexist is stability in itself. They don't need to rule to be powerful, they just need to coexist.
You know. It's choosing to forgive. We can't change what we were, but we can start this relationship over and grow something new from it. And sometimes, that might be enough.
....
And ALSO I think they had to start getting along, because it really didn't take their churches THAT long to start meshing together when they fused as the masked lady.
At the word “died,” the priestess glanced down at the male. The cleric didn’t look good; his eyes had fully rolled back in his head and his skin was turning gray. Halisstra reached out and lifted the priestess’s chin, forcing her to look away. “It’s only a weak venom,” she lied. “You have plenty of time to heal him. Plenty of time, still.” “Yes,” the priestess repeated softly. “Plenty of time.” Her eyes reminded Halisstra of another priestess who’d succumbed to Halisstra’s bae’qeshel magic, years ago. Seyll had stared just as trustingly into Halisstra’s eyes a heartbeat before Halisstra plunged a sword into her. And yet Seyll had told Halisstra, as she lay dying, that no one was beyond redemption—not even Halisstra. She’d been wrong. This priestess had a wide mouth and creases at the sides of her eyes that could only have come from frequent laughter. The frown of confusion looked out of place on her forehead. The slight bulge of her stomach hinted she might be carrying a child. Halisstra hated her.
Come on guys, The Masked Lady hadn't even existed for half a decade and there was already pregnancies. We don't know what their churches are like 100+ years out. But, for as much as Ed emphasizes the infighting of the churches (And I have no doubt in my heart there ARE factions who refuse to mesh, that's canon to the text) we are inevitably met with 1-2 generations where the combined churches are all that they knew. Vhaeraun and Eilistraee had to work together, because I think as much as they're their own people with thoughts and opinions and experiences, they are also a reflection of their worshipers.
==
I think, to summarize what I think Vhaeraun and Eilistraee's relationship is like in a few paragraphs
With the way their relationships are described, I think Eilistraee was the golden child and Vhaeraun was the scrapegoat in the earlier parts of their childhood. They become reflections of the parent that favors them, because those were the parents that acted as their main influence. Eilistraee saw Vhaeraun as a reflection of her mothers evil, and Vhaeraun saw Eilistraee as undeserving of the favoritism their father gave her.
This view of eachother was cemented when she followed him to Toril. She saw him and his power as an evil and bloodstain, unhelped when he exiled her (probably out of spite and due to the grudge he had as a result of the earlier years). As such, she worked to undermine the influence he had. And when that allowed their mother and Ghaunadaur to take hold, it was the same kind of evil to her.
Her enabling them to take that power worsened the grudge Vhaeraun had of her, because he knows he isn't the same kind of evil as Lolth or Ghaunadaur, and them having that power worsened things for everyone.
This grudge between them kept itself in the legacy of their churches, all the way until The Masked Lady Era. The Masked Lady era was one where they actually managed to come together for a similar goal. It was the first time they were truly about to understand eachothers motivations, experiences, and perspectives, and the first time that divide between them and their communities truly lessened.
And when they finally came out...? I mean. That's going to change anyone. I think not only their relationship changed, but they sort of managed to change eachother a little.
I don't know. I think their relationship is complicated and messy and such a product of their parents influence on them. There is no forgiving Lolth, and there really shouldn't be forgiving Corellon (though, dnd might disagree with me on that.) But I think theirs one that could eventually heal. Out of all of the relationships in the Dark Seladrine, theirs feels the closest to being one that can be refounded on equal ground and with respect towards one another, especially as drow return to the surface and find more acceptance (even outside of their communities.) Because they are to me, two sides of the same coin.
#Eilistraee#vhaeraun#Character Analysis#Anyway. As an aside#I'm totally willing to completely destroy what I think their dynamic actually is for the sake a good comic bit#Sometimes its funny when vhaeraun gets kicked#I think Vhaeraun does care a little about her even when he's got a thousands year old grudge against her#And I don't think anyone is arguing that Eilistraee doesn't care about Vhaeraun#Shes Saddened by his Selfishness. and I think scared of him#But true hate... nngh.
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ASK COMPILATION: SHADOWCUTE, EGALITATION DU DROW, THE MAN WHO HAS NEVER HAD A COLD AND PROMISES OF FROTTING.
ALL I CAN DO FOR TONIGHT FOLKS, but I might end up doing another compilation very soon since the inbox situation is dire 💀
Thank you so much for showing so much interest in my character and my art! And an extra especial Thank You as always to anyone who has taken the time to leave a nice compliment or words of encouragement in my mail!
Now, onto the debauchery.
Surprisingly, no! While they may have been stuck at the hip since the early game, DU drow most definitely wasn't interested in becoming intimately involved with anyone at that stage - having lost all of his memories and seemingly kidnapped by mindflayers and all, he was a little on edge. Besides, Shadowheart struck him as rather juvenile in the earlier game, which kind of erased any possibility of his interest in her growing. By the time she """matures""" in DU drow's eyes he was already locked in with Astarion, and their friendship was also firmly established.
He did not. I think if he had been more observant as a Bhaalist he could have put two-and-two together - but he was far too self absorbed for that. He is under the impression that Helena (Orin's mother) had a divine pregnancy.
Besides women more often falling into a category that he is sexually attracted to (which doesn't affect his treatment of them by much either as long as he and Astarion are together, he may just steal a glance down their shirt or something) not really!
He has specific prejudices about women from the drow race for the same reasons everyone else has, but otherwise sex or gender doesn't impact his views. The one exception I can think of that may apply here is that he has a slight soft spot for mothers.
And don't worry, your english is perfectly fine!
Hello! I have gotten an ask about this before where I went much more in-depth, but I can't find it right now. The TLDR is that he doesn't care as long as you can still "pull your weight" outside of whatever the disability is. How reasonable his expectations are vary on how much he likes the person in question, but generally speaking he doesn't care and this would be something that bears much less weight than race or attitude - if they don't make it into a problem, he just won't bring it up.
He does have a vile sense of humor though; that might come up if he's trying to hurt someone's pride or, ironically, has built enough of a rapport with that he's comfortable joking around about such things with them.
Have a great day yourself!
I don't think there is anything wrong with relating to fictional characters, even if they are profoundly flawed or even straight up evil. Hopefully that's a vehicle for self-examination and introspection - after all, we are all flawed ourselves.
Honestly it is very hard for me to picture him old, at least in the conventional sense.
Truthfully, I am preeeeetty settled on DU drow being an immortal being at this point. I think it makes sense that Bhaal would have just stopped his aging at some point so he can be at peak performance while following through with his bidding, and that just seems to make sense to me based on prior BG lore. He changes over-time in other ways that I most certainly plan on drawing, but it might take a while for me to get there!
LOL, I think he retained knowledge of illness and disease just fine, so if he were to come down with something he wouldn't panic - probably quite the opposite. He strikes me as the kind of guy who wouldn't walk into a hospital unless a limb was dangling off by an artery - and even then, his friends probably had to insist he went.
Luckily he must has the immune system of vulture after so many years of eating half-cooked wild animals and rolling around in the cold dirt, so he very rarely contracts disease. When he does, he likely just tries his best to hide it or dismiss the concerns of anyone around him about it.
I'm glad to hear that! I remember being concerned that DU drow's scars may get read as rather exploitative or disrespectful when my art first started getting traction - I'm relieved that not only that seems to never have happened, but that people like yourself can actually gain some self-confidence from it!
Listen now that I know that there is an audience for it -
I'm not sure how I feel about simply making a book with art that already exists online and charging people money for it - especially when I have prints for sale that are most definitely of better quality than a zine and can actually serve to decorate your home! But I suppose if an opportunity like that popped up and it made sense, I don't see why not!
Oh he hates her guts, LOL. He would respect The Hag Grind for the pure comedy of it if she weren't so disgusting to look at or so unpleasant to talk to. He's particularly irate at her during act 3 when she tries to trick him into killing that little girl's mother, since he almost follows through with it (one of my few moments of lore save-scumming because I felt like SUCH an idiot).
He definitely didn't take up on her offer in act 1 for the failed tadpole treatment!
And as a bonus, here are some Viscious Mockery inspired taunts Ethel definitely bombarded him with during every fight.
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There is something in particular that we need to discuss in regards to the ending Minthara gets with an embraced Durge that is unique to Minthara. Hopefully by now, we are all aware that at some point, it was planned that Minthara would be pregnant by the end of the game and Larian cut this. Sadly, I do not have a pickaxe in the datamine so I do not know the full conditions of what would trigger it (ie, I do not know if it was meant to be a Durge specific pregnancy).
However, if you embrace Bhaal and talk to Fel you can ask him if Bhaal will allow you to spare your romance partner. Here is what he will say in general:
And here is what he has to say about Minthara specifically:
^ These lines of dialogue have been in the game for a while and are still accessible as of Patch 7.
The only clear thing that we get from this line is that Bhaal most certainly does like Minthara and approves of her (and she is the only companion Bhaal likes). He also seems to be very well aware of her fertility and sees it as a major benefit. And Bhaal very much would like Durge to use Minthara to breed and raise the next generation of Bhaalspawn. The only thing that is rather vague is whether or not Minthara is currently pregnant with Baby Durge. I mean, it would be wild if she was considering that Daedra is female and doesn't have the "right equipment." I mean, anything is possible when it comes to Bhaalspawn and reproduction. But I am going to go with the headcanon that Daedra can indeed get Minthara pregnant if she really wanted and this is good enough for me! My evil drow lesbians deserve the right to make evil drow babies together!
I also had a mutual express to me their confusion as to why Bhaal would have Durge kill Minthara if Bhaal does like her and may potentially be pregnant with Baby Durge. Bhaal is the definition of chaotic stupid. Not everything that he does makes any logical or rational sense. Bhaal's wet dream is for everything to die, specifically through murder. He does not care if that death is an inconvenience or will backfire, he just wants death and murder because he's fucking dumb (comparatively, Lolth and Shar are good examples of what it means to be a murderous god and be smart about it). I also want to note that Durge killing Minthara, or any of the romance partners, is not Bhaal forcing Durge, but Durge willfully choosing to do so. As Fel said, Bhaal is giving Durge the choice to spare their romance partner, but they do not have to do so. At least, not right now and it seems like Bhaal would prefer that they keep their romance partner alive specifically to make babies.
As stupid as Bhaal may be, he is at least smart enough to have backup plans and contingencies. This is why he created his own horde of Bhaalspawn and why every Bhaalspawn has the instinctive desire to breed. I can do a separate mini post about this to go into the lore of it if people want, but what you really need to know is that Bhaal essentially cannibalizes his own children. Every time a Bhaalspawn dies, a piece of their divinity gets returned to him and it makes him more powerful. So Bhaalspawn want to make more of themselves, and then kill each other because the more Bhaalspawn that die, the more powerful Bhaal becomes. Every single Bhaalspawn is born to die.
So, how does this all relate to Minthara and her baby? Well, her baby would be a Bhaalspawn, but not just any Bhaalspawn, they would be mini Dark Urge. A mini Dark Urge Bhaalspawn who would inevitably be driven to kill Durge one day, and maybe even Minthara since Bhaalspawn have a nasty habit of killing their parents. Most importantly, this baby is meant to be a backup plan, Durge's contingency. Bhaal does not care if a Bhaalspawn dies, because their death empowers him. Bhaal may have his favorites, but he does not need to like his child in order for them to carry out his prime directive of kill everything. Although he was pissed that Orin attacked Durge and usurped them and he does not like Orin, Bhaal still rose her to Chosen because Orin would still be able to carry out his plan of murdering the world. When Durge returns, Bhaal gets super happy because Durge has the greatest potential to fulfill his dream, but Bhaal still requires that Durge earn the title of Chosen once more.
On the precipice of doomsday, Durge has two choices for Minthara, kill her first, or kill her last. No matter what choice Durge makes, they intend to kill her one day as that is what Bhaal's ultimate goal is and Minthara was never going to be an exception, even if Bhaal does like her and may be carrying his grandbaby. The blood eclipse that we do see in the embrace Durge ending is not reality just yet, but a premonition of what would happen if Durge keeps things up. It's a vision of what Bhaal wants Durge to accomplish. Since it is not yet reality, it is possible that Durge could fail and could be killed by other factors. If Durge dies or fails, then Baby Durge would be their backup if Durge chose to spare Minthara. Or, Baby Durge may be the reason why Durge failed because they were drawn together as all Bhaalspawn are and are destined to kill one another.
No matter what choice Durge makes in regards to Minthara's fate, it still benefits Durge and Bhaal in the end. As I mentioned earlier, Bhaal may pick favorites but he does not give a shit if his favorite babies die as he still benefits from all of his babies dying. So him liking Minthara and her being the perfect broodmare was never going to spare her either. At the end of the day, she will have to die in order for Bhaal to jerk off to his wet dream.
Choosing to kill their romance partner right now or later is all Durge's choice to make, not Bhaal's. Sadly, the game only gives you two choices in regards to your romance partner. There is no third option to have them walk alongside Durge during all of this. Ironically, Minthara and Ascended Astarion are the two companions that I think would stand by Durge as they murdered the world and they would gladly murder the world with Durge. But, that was not the choice Larian gave us and that is a major L.
Depending on the choice that you make, you can roleplay the reason that you want and Minthara has a unique RP aspect as she may be pregnant. And Minthara being pregnant with a future Bhaalspawn is excellent RP material. And it need not be because Durge is a callous asshole who never loved Minthara and was only using her as some people are perceiving it to be. Just because Durge will inevitably kill her does not mean that they did not love her or never loved her.
#bg3#baldur's gate 3#minthara#minthara baenre#durge#dark urge#minthara x durge#remember - minthara herself has killed someone she loved solely because she was given the order to do so#it does not mean she did not love the Vandree Priestess - it just means she loved her god more#i do not see why you can't use the same RP reason for Durge here as well#i've also seen it popup in a few places that elves - including drow - can only get pregnant when they make the conscious decision to do so#and that accidental pregnancies amongst elves is incredibly rare#so if minthara ends up pregnant with baby durge#it's because she made the conscious decision to make baby durge#and if durge is an elf themselves - all the pieces just fit right in
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Question. How do you handle the age differences and life spans of your tavs/romances in bg3?
Are you asking if I've made my Tavs age-equal to the romances I've picked for them? If so, then I've actually been very careful about that. Lore-wise, I can't stand the thought of my character dying hundreds of years sooner or living hundreds of years longer than their partner. So I adhered to D&D 5E lore. If you're interested, I've explained most of the lifespans below.
Serena, my canon character, is human and romanced Gale. In D&D, the average lifespan of a human is 120 years, but since she and Gale are both wizards, they could potentially live for thousands of years. It all depends on the magic they wield. Elminster, for example, is nearly 1,300 years old. Otherwise, they'll age alongside each other as equals.
Saska is a Seldarine drow. On average they last between 400-750 years, depending on if they survive and leave the Underdark. Saska has indeed left the Underdark, works as a bard, and romanced Karlach. Tieflings typically live to 150; however, Karlach has the potential to live longer since her body has been so drastically altered. Upon finding a permanent upgrade for her engine, it's possible she could live just as long as a drow, if not longer, as she's been touched by infernal technology.
Ez'ria is a githyanki fighter/storm sorcerer. This one was easy, since she romanced Lae'zel. With any luck, they'll both live to a nice, healthy 120 years old; the average lifespan of a gith.
Eilonwy is my redeemed Dark Urge half-elf. On average they last about 180 years. This one's a bit more complicated because I partnered her with Astarion, who's a pure high elf and a vampire. High elves live to an average of 750 years, and vampires/spawn are of course immortal. But I've given this a lot of thought. Eilonwy, for example, is a druid, and because of their connection to nature/magic, their aging slows to 10% of what they would normally age. This means Eilonwy has the potential to reach 1,800. I should also mention that there are cures to vampirism in D&D 5E, so I like to think they find one at some point during their travels.
Bakara is a tiefling sorcerer of the draconic bloodline. Another semi-easy one, since I partnered her with Wyll. As I mentioned before, tieflings typically live to 150, whereas humans live to 120. I headcanon that my tiefling was already 50 when she met Wyll; who, according to Larian, is 24 during the events of BG3. To clarify, tieflings are considered young adults by the age of 20 and full adults when they reach the age of 60. So despite being 50, she's mentally around the same age as Wyll.
Thalias is a high half-elf Selûnite cleric. Possibly the easiest one, since he romanced Shadowheart, who is also a high half-elf who becomes a Selûnite cleric (at least in my game). With Selûne's blessing, they could live however long she desires, but on average they'll both live to be 180.
I also made an adorable little deep gnome named Mira to sweep Barcus off his feet. I shall wait patiently for Larian or a clever modder to make him romancable. The average lifespan for gnomes is 350 years.

Halsin is a bit more complicated, since he's a pure wood elf and a druid. This means he could conceivably live to be 7,500 years old, which is wild. I do plan on doing a playthrough where I romance him, and when I do I'll be making a mysterious wood elf named Arawen, a warlock who made a pact with an ancient archfey. So in addition to living to 750; as per the average lifespan of her race, as long as her pact remains in tact, she will live as long as her patron allows.
#bg3#baldur's gate 3#gale of waterdeep#gale dekarios#astarion#karlach#lae'zel#wyll ravengard#shadowheart#tav#bg3 tav#dnd#d&d#lore#elves#half elf#tiefling#vampires#spawn#gnome#barcus wroot#drow#githyanki#gith tav#dungeons and dragons#forgotten realms#halsin
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One day, I decided to play bg3 as a drow, and that's how my year-long hyperfixation began. The vast lore of the House Auvryval was primarily built around my wild magic sorcerer Veszfein, the archmage and elderboy of the house. He is one of the characters dearest to my heart.
I periodically enjoy creating works like this on a black background, and this one is definitely my favorite! 🕷️
#dnd#oc artist#dark elf#drow#drow oc#oc#art#dnd art#dnd character#dnd drow#menzoberranzan#House Auvryval#dungeons and dragons#forgotten realms#bg3 tav#bg3#lolth sworn drow
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I made this dude to relax bc i read the info on drows on the dnd wiki (i dont know shit abt dnd and im not joking) and thought ‘whoever made these guys is a pervert’ i respect that, but i closed my eyes at the stupider bits of the lore…
i just dont think their society is like. Livable HAHAAH also its stupid asf to have ‘inherently evil species’… apparently they’re steering away from that shit which is great.
He was a man from a non-noble house chosen by a matron of a high house and they were surprisingly happy together for drow standards. Malaggar comes from like a mining/trading settlement, but his ventures took him to Menzoberranzan and thats how he met her. She was smitten by his general honesto demeanor and cute "provincial" accent (okay big City bitch..!)
please note that drows are kind of insane in general but apparently its worse in highly populated noble ridden cities with the strictest social rules so like. To you this was just some guy but to that woman he was so different so quirky ajahjahah
They had a good run, but eventually another matron from another high house came and said ‘i want him’ and since drow women compete like wild animals she killed his OG wife.. demolished her really
He became her bitch AND was miserable. She was happy bc he was like a pretty young thing but soon started getting violent with the guy because he was grieving his first wife whom he actually liked. He was in a rough spot bc he was getting his ass beat on the daily fr.. However his new wife was also a high drow so. He was basically elevating his family just bc he was there taking the domestic abuse (read: normal spider-worshipping drow behaviour)
The new matron was very unkind in every possible way you can imagine, but she didn’t do anything to him that would scar his body, greatest asset and all that. One day he snapped and killed his matron by way of knife and ran away to the surface world. Then he started his life of crime. Went from a little abused noble boy to some cartel mercenary dude who kills ppl and has tattoos. I think they look both really dumb but also sick as fuck, and he probably got them as a way to rebel against his upbringing in a way. But he’s edgy so i bet he thinks he looks sick like no nations no borders no self awareness being embarrassing unites all peoples
he is traumatized by women and is deeply afraid of them! I want his story to develop around becoming more normal and overcoming his grief.. hes from a long lived species so its taking him a while. Also its harder to make real friends if all your coworkers are insane criminals
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Something that no one asked for:
Season 1 Lost Characters Playing D&D
Locke would be the dungeon master, obviously. Merciless, WILL let your character die, plays by the rules, but will allow homebrewed weapons if they're cool enough.
Jack would be a human cleric. Kate would elbow him in the ribs for being so boring. Okay, Jack would be a half-elf cleric with a hero background. The man never clocks out.
Kate would be a wood elf ranger. High dex and survival. Has several pages of handwritten lore about her character that she won't let anyone read.
Sawyer would be a tiefling fighter with weirdly high charisma. Constantly gets the party in trouble for trying to pickpocket everyone they meet.
Sayid would multiclass - drow monk/artificer. High perception and intelligence, low ass charisma, still somehow rolls nat 20s to flirt with Shannon's character. He is the group's strategist - he keeps predicting every plot twist and solving every riddle too quickly, much to Locke's dismay.
Shannon would be a high elf warlock. Lazy, gorgeous, why would she bother studying magic when she could just make a deal with an archfey patron? Loves casting eldritch blast no matter how many of the party members are standing in the vicinity.
Boone would be a high elf paladin. Oath of devotion. Wears armor that's way too heavy for him. Keeps crashing out on Shannon for casting eldritch blast near him.
Sun would multiclass - earth genasi cleric/druid. Doesn't participate in the roleplay aspect often, but when she does, she drops the hardest lines ever.
Jin would be a water genasi fighter. Mostly just rolls whatever dice people are pointing at. Will sometimes stand up and carefully survey the battle map while the rest of the party watches in silence, point out an enemy, then say "Hm. Greatsword." Accidentally goated in almost every combat encounter.
Charlie and Claire would be a bard duo. Gnome with a lute and halfling with a pan flute respectively. CEOs of "Sorry, who's turn is it?" and "Where are we going again?"
Michael and Walt would be a sick ass dragonborn duo - artificer (battlesmith) and sorcerer (wild magic) respectively. Walt would be a bit of a murder hobo, and Locke would let him get away with it, which would progressively annoy Michael more and more.
Hurley would be an orc wizard. Gentle arcane feller. Uses divination a lot and makes scarily accurate predictions. Accidentally ends up getting awarded inspiration almost every session. Never remembers to use it.
#lost 2004#lost memes#jack shephard#kate austen#sayid jarrah#shannon rutherford#boone carlyle#sun hwa kwon#jin soo kwon#james sawyer ford#charlie pace#john locke#lost#claire littleton#michael dawson#walt lloyd#hugo hurley reyes
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I'll be opening commissions soon so I drew my Tavs as samples. I don't draw them a lot, they mostly stay in my head haha. I've carried these characters throughout so many games and campaigns, but I changed their lore a bit to fit BG3 better. If you want to know more about them I'll write a bit more under the cut.
I'm hoping to open comms by the end of June, I will keep you all updated if anyone is interested :)!
Rin is timid, shy, and is often described as melancholic. The youngest of a wealthy, large, chaotic, but loving family in Baldur's Gate. They had a rather idyllic and routine life before getting snatched up by the Nautiloid. Rin is not a natural born leader and struggled to form connections with the group.
Aria is an orphan from Waterdeep with a love for ancient history, lost civilizations, and books. She was a childhood friends of Gale Dekarios but their relationship soured after he became Mystra's Chosen. She left Waterdeep soon after to pursue research for her book. Aria tends to keep others at arms length as she has a fear for developing deep bonds. Though she can appear aloof, Aria is very kind-hearted and is often helping anyone in need.
Ravi and Nym are found family siblings from Thay. Their life in Thay is a bit of a mystery, but the siblings were living a quiet life in Rivington for over a decade. Nym is actually a wild magic sorcerer but has trouble controlling her powers so she rarely uses them. Always having a fondness towards music, she befriended many bards in the local taverns and learned how to play the lyre. Nym happily works part time with Circus of The Last Days when they're in town. Ravi is a skilled ranger for hire and is often away from home traveling with any number of adventures and mercenaries, which is how he meets Aria. Nym and Ravi are very charismatic, it's hard to tell whether they're being genuine or charmingly manipulative.
Rin is my first Tav when playing BG3. They were originally a full Drow but I decided to change their lore recently. Aria, Ravi, and Nym are characters I've kept in the same universe so I'd like to think they were all together when the events of BG3 happened. Aria is a character I often recycle in many games including the DA series. She's normally an elf but I wanted to change her to a tiefling for BG3 because, ya know, tail stuff. She's my Galemancer Tav hehe!
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Thinking about d&d from a brand manager perspective : So much of the previous lore is at least partially salvageable if you just take the gygax mandated biological determinism out of it.
Saying drow are these naturally seductive backstabbing manhaters is fucking wild but I as a fantasy reader could accept that the city of Menzoberranzan was like that™️ because it was a stronghold for the cult of lolth, completely different than this OTHER drow city featured in this other adventure path with its own themes and worldbuilding for gamemasters/players to use in their campaign.
Doubling and then redoubling down on the "All X are Y" attitude is how you get books like Volo's that just give stripped down summations of lore from previous editions that are all freely available online, and aren't much more in depth than what a first time DM can come up with through improv.
Sell something new and the people will buy it, that's what's worked with magic the gathering and their worldbuilding and mechanics developing team is right next door. Backwards engineer some of the older MTG sets and you can not only save on art and worldbuilding but also have a built in crossover audience.
Yeknow what, just to show that I can, I'm going to do an entire week of prompts based off a set I haven't even played. Chime in with what you think it's going to be.
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Durge girlies infodump ✨

Eshra
Bard+vengeance paladin (I call it "got her powers out of sheer hate". Also dialogs of those classes are most fitting for her. She's also not classic Bard tho, doesn't have instrument either)
Is one of the most uncanny looking durges, but you only notice if you look at her for more than a moment and think about it more than a minute. The more you look at her the more strange things you start to notice. The streaks on corners of her mouth with time will reveal to be a wide mouth, unhinging jaw. Hair color and eyes that are not natural for drow. Slightly longer limbs, all that.
However she's a very charismatic person and averts the attention from the details easily enough. She's cunning, knows when to observe silently and when to speak. She's not a prying type, but very perceptive of emotions of others.
Eshra is in romance w/ Astarion, and Eshra detected his lies very soon, but kept quiet about it, playing along and waiting to see where it goes.
Eshra doesn't have anything against killing, however the real joy she gets is from killing those who think they are the shit. Bringing down prideful and strong chars to pathetic death (favourably in most dishonouroful way) is quite the delight of her life. She tries to avert her urges from the unreasonable (to anyone sane) targets to someone strong. She's also smart enough to dig for reasons to kill, Kahga being the best example. Eshra had an urge to just watch the little girl die.Fotr the fist time such urge concerned her, the itch of the urge would not stop if she just ignores it, so she redirects it to someone "bad" in the room, that being Kahga. She digs for reasons to kill and does so, without even trying to make Kahga change her mind.
Eshra also at first "saved" Lae'zel only to wait and dig for a reason to kill her. Eshra attacks Minthara almost instantly, because Minthara is smart and quickly notices something isn't right with her, and Eshra feels thretened by Minthara's prying. She would prefer her to stay silent, silent for eternity.

Jericho
Wild magic sorcerer
I headcanon her to be a very masterful before the amnesia and losing the control after, requiring help of Gale to try and control it (and that's how they get married lmao). She actually might have turned a bit dumber after amnesia.
Jericho is the most determined to stop the urges and most disgusted by her deeds among my durges. She's also a bit cowardly when it comes to her past, so she doesn't pry too much into it, afraid of what she might find. She also the one to believe Emperor. She's a bit wary, but doesn't see Orpheus helping them (the mountain pass was skipped on account of lore reasons, absence of Lae'zel, cuz after reading the discs of Orpheus there's just no reason keep Emperor alive. I will be playing again with Lae'Zel present, so Jericho would free Orpheus, cuz she'd trust Lae'Zel. Which one is canon I will decide after)
After the game events she recognizes her cowardice, and now feeling much more secure in loving and peaceful environment, she does her best to research bhaalspawn and everything about it to help prevent tragedies. Also the only girlie who is a bit bummed that she must avoid having biological children, but she's dutiful enough to recognize that responsibility.
Also the softest among durges, maybe because she got hit in the head the hardest lol, the one who truly starts a completely new and different life after the incident.
Oh, and she's 100% sure Tara doesn't like her, if not hate her

Thalissa
Assasin rogue+fighter.
Very much not a real githyanki and avoids actual githyanki, while simultaneously pretending to be one when it's convenient. With her I'm planning multiple play throughs btw, current one is without Lae'Zel, other will be with her and another with her being Tav.
She's also not concerned much with her urges, or her memories ("eh, I'm a rogue, I doubt I had much to care about anyway"). Obnoxiously smart mouthed, nonchalant, sometimes unintentionally rude. "Heh, yea, I'm a swamp elf". She hides her face usually, pretending to be whatever other race people might mistake her for.
Much like Eshra, Thalissa enjoys killing those who are oh so full of themselves
But she also actually enjoys being around "goodie two shoes" characters, because she likes to poke fun and make them just a bit annoyed, also secretly hoping their "goodiness" will rub off on her a bit, to quiet down the bloodlust.
Thalissa as a Tav is still the "chill and easy going gith". A githyanki who escaped strict military life and lives in material plane, because she enjoys it way more, even if often faced with prejudice.

Thana
Monk
Very temperamental, openly rude, but not in an elegant way like drows are usually, more barbarian like actually. She might have a bit of a anger issues and it's relatively easy to set her off.
Not the smartest one, not book wise at least.
Not very concerned for cultural things either. "Blah blah blah, balance, rules, boooring, are we fighting or what?"
She is also the one who gets concerned only when her urges start targeting children, but brush them off to kid being annoying and the urge being an intrusive thought. She genuinely tries to be "the friendly drow", but the moment she hears something rude with "you're a drow" reasoning she just can't keep her tongue back, which then doesn't help her making her case lol. You get approximately 3 sentences to make her like you, cus that how long it takes for her to decide (however, in certain cases she might get mad that you don't like her and make it her mission to make you her friend)
She's also not too concerned about memory loss, she undermines her "condition" until it takes grave turn, then she's scared, but too prideful to admit it, until, yet again, it gets in dangerous area (act 2)
That would be it for now, just a bit of general info about the girlies. If you have your favorite, feel free to ask about them, I'd love to answer, I've been keeping the lore for a long time
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Drow Fashion 🕷️✨ About Spider Silk - Part 1

Everything you may want - or may not want - to know about spider silk in (mostly Lolth-sworn) drow culture and fashion. In this part you will find information about:
sources of spider silk,
basic uses and meaning of spider silk in drow culture.
🕷️ Various Types Of Silk – among surfacers, silk spun by spiders is generally not widely used, but in the Underdark, spider silk is not excessively hard to obtain. It is extremely light, very elastic, durable and often has many other extraordinary properties, especially after being imbued with magic. In consequence, the Underdark silk market is probably vast.
Raw spider silk can vary in quality, depending mainly on the spider species it comes from – also, most spiders are naturally able to produce several types of silk that vary in thickness and adhesiveness. Some threads are suitable for producing delicate, transparent or semi-transparent materials. Some are useful for weaving thicker fabrics, carpets and tapiseries. Silk waste, after being properly processed, is also useful – for example, for making silken threads and fabrics of lesser quality.
🕷️ Silk Farming? – silk can be obtained from webbings, cocoons or egg sacks of wild spiders, or it can be extracted directly from caught or freshly killed specimens of various sizes. Such methods are generally time-consuming, though, and often dangerous.
Silk farming is probably quite popular in the Underdark, allowing to produce silk on a larger scale while maintaining better control over its quantity, quality and properties. Silk farms can contain thousands of more or less domesticated spiders that can belong to species best suited for producing silk.
Headcanon warning - silk farming is not mentioned in drow lore sources, I borrowed this idea from historical attempts to produce spider silk on a larger scale. So far, we humans are bad at this, mainly because we cannot figure out how to domesticate spiders (they like to kill each other, so it is hard to keep them together) and how to make them produce the kind of silk we want them to produce (every spider produces several types of silk and only some are suitable for making threads and textiles)... but I bet that drow would figure out how to make this work.
(If anyone is curious about this topic, I was inspired mainly by this article).
🕷️ Free-Range And Cruelty-Free* – silk can be obtained without harming the spiders and in case of more intelligent species, even with their explicit permission. Such things are probably especially important to Lolth-sworn drow who are forbidden to cage, mistreat or kill arachnids, or even to disturb inhabited spiderwebs.
*Only in relation to spiders, though. Underdark drow are probably not overly concerned with well-being of slaves and serfs tasked with gathering and processing silk...
Silk of spiders that live in temples and other places sacred to the Spider Queen, as well as silk of abyssal arachnids that live in Lolth’s domain, is most likely highly valued among worshippers of Lolth – especially among her priestesses.
🕷️ Uses Of Spider Silk – drow use silk to make armour, weapons, clothing, domestic and ceremonial textiles, high-quality strings, lines, nets and tents, and various works of craft and art. Spider webs, often calcified with magic, are used in creation of architecture ornaments or sometimes even whole structures like bridges, passages or buildings.
Among Lolth-sworn drow, spider silk is closely connected to worship of Lolth and is widely present in Lolthite temples and shrines – just like living spiders. It is said that Lolth herself favours silk and that when she takes the guise of a drow, she appears as a lithe drow woman dressed in a gossamer gown woven from spider silk.
Spider silk is also useful as a spell component and it can be used to craft magical items. For example, silk of phase spider and strands of ether are needed to create a portable hole – wondrous item that looks like a circle of black cloth.
For more of my drow lore ramblings, feel free to check my pinned post 🕷️
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"you knew they were GOOD dark elves and not BAD drow, because they had NORMAL BROWN SKIN TONES instead of the SPOOKY GREY SKINTONES"
I love that this passed review over at WOTC. "You can tell if someone is good or bad by looking at their skin color" doesn't become good writing just because only one group has human skintones.
I love people just going completely conspiracy theorist about THE AUTHOR OF THE DRIZZT BOOKS MAKES THOSE POOR WOTC WRITERS CONSULT HIM EVERY TIME THEY NEED TO MAKE DROW CHANGES because 1) I have never seen anything, ever, that suggests that is happening, in fact across editions the sourcebooks have usually just been Writers Doing Their Own Shit, and 2) the guy can't even get his parent company to stop spoiling plot points in his own fucking books. He can't even get them to hire him for more than three books at a time and it's not, as far as I can tell, a renewing contract, he just has to wait and see if they'll let him write a couple more drizzt books with the characters he literally made and popularized. He's not even a regular fucking employee?? Hello???
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The RE8 × BG3 crossover has returned
It's time for our lovely House Beneviento to shine
Behold: Lady Donna Beneviento in Baldur's Gate 3
She is a half-drow (they are usually discriminated against in the lore of DnD for their bloodline, and thus most of them prefer solitude) wild magic sorcerer (to reflect the unpredictable nature of her powers in RE8)
To better match her theme, her powers are focused on illusionary, psychic, and necrotic magic, with the occasional random effects caused by her wild magic surge that might unintentionally add to the chaos
And of course, we cannot go without her emotional support doll gnome, Angie
She is a forest gnome (she talks to all the critters in my head canon) shadow monk. Imagine a 4 feet tall, cackling little gremlin teleporting all over the battlefield, kicking people in the shins and stabbing them on the toes (she gets along so well with Shovel). Terrifying, right?
She gets into all sorts of shenanigans, like doodling a goofy face onto the portrait of an undying lich queen, but shhh, nobody snitch on her
Look at that little face, she's so proud of herself
These two shall conquer the world with their autistic social anxiety & ADHD chaotic energy combo
And as per usual, group photo!
yes, I put Astarion in a trench coat because he shares the same voice actor as Heisinberg, so just a tiny reference to that
Prev: House Dimitrescu in Baldur's Gate 3
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